Though perhaps unintentional, the image of a cat (the titular, dearly departed Arthur) romping with a grocery store bag evokes the kind of playful resourcefulness that fuels Bev Stanton's techno sound adventures. The D.C.-area producer creates multi-layered, hyperkinetic atmospheres from a simple basement setup, often incorporating the passionate vocals of local jazz-folk singer Lisa Moscatiello, as well as potent soundbites and other ephemera. Stanton's prolific discography varies in tone from album to album, but a festive, danceable thread runs through them all. The Bahamian...