b. 1 February 1964, Porsgrunn, Norway. Bringing a thoroughly contemporary sound to the piano and keyboards, Wesseltoft made a huge impact in his homeland at the beginning of the 90s. Since then, he has toured internationally, working in both jazz and rock contexts. In the early 90s he was a member of Arild Andersenâ€™s band, and played on Jan Garbarekâ€™s â€˜Molde Canticleâ€™, a commission from the Molde Jazz Festival. With both of these artists, he blended in well with the post-modern concepts of ECM Records. Other artists with whom he worked in these years were guitarists Terje Rypdal and Jon Eberson, and singer Sidsel Endresen. With the latter, he was on her commissioned project for the Molde Jazz Festival, which was recorded for ECM Records. His own commissioned work, A Little War Story, was performed at the 1993 Vossa Jazz Festival. In 1995, Wesseltoft formed his own band, New Conception Of Jazz, and the Jazzland record label, the first album from which was awarded a Spellemannprisen (Norwegian equivalent of a Grammy) in the following year. In the mid-90s he toured and recorded with Billy Cobham, Endresen and Garbarek again, appearing on the latterâ€™s Rites. During these years and on to the end of the decade, his music found an audience among those who inhabited Norwayâ€™s techno and dance music scenes. This connection with the club world led to the 2000 release of Jazzland Remixed, which enhanced his reputation even more with the younger audience. Firmly committed to electronic music, Wesseltoft completely eschews acoustic forms and is just as adamant that he will not be tied by genre boundaries, bringing hip-hop and other contemporary dance music forms into his concept of contemporary jazz. On 1998â€™s Sharing he raised some eyebrows by his extensive use of club DJs and scratchers.Portions of Content Provided by Rovi Corporation.
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