Capital Inicial is a post-punk/new wave band who had considerable success, having recorded seven albums from 1982 to 1996. Former members of Renato Russo's pioneering post-punk band Aborto ElÃ©trico teamed up to form the Capital Inicial, continuing to perform the same type of music. Brothers Felipe Lemos (drums) and FlÃ¡vio Lemos (bass) joined guitarist Loro Jones (former Blitz 64) and vocalist Dinho Ouro Preto, all of them based in BrasÃlia, a city that, with its particular situation as Brazil's capital, revolves around politicians who abandon it in the weekends. The city's coldness was a choice culture for the fermentation of the aggressiveness of dispossessed youngsters, creating an ideal situation for the arousal of punk bands. With similar songs as Aborto ElÃ©trico's repertory, the Capital Inicial followed in their path. The first time that Capital (and their sister band, LegiÃ£o Urbana, also erected upon the ashes of Aborto ElÃ©trico) played in Rio was on July 23, 1983, opening a LobÃ£o show at the Circo Voador. In 1984, they released their first single, "Descendo o Rio Nilo" and "Leve Desespero" (Epic), with good repercussions. The latter song was included in the film Areias Escaldantes. In April 1985, the Capital Inicial succeeded in having their "Descendo o Rio Nilo" included on the compilation Os IntocÃ¡veis (CBS). In the next year, the group recorded their first LP, Capital Inicial (Polygram), which had the hits "Psicopata," "MÃºsica Urbana," and "FÃ¡tima," selling 200,000 copies. This was followed by a period of many live shows. In 1987, keyboardist Bozo Barretti, who had participated in the album, joined the band, who recorded a second LP, "IndependÃªncia." With a pop-based sonority, the album sold half as much as the first. In November, the band opened for Sting at a packed MaracanÃ£. In December 1988, the group released their third LP, VocÃª NÃ£o Precisa Entender, which was assaulted by commercialism. The album sold only 50,000 copies. Understanding that they were losing their punk rock fans and weren't gaining pop fans, in the fourth album, Todos os Lados (1990), they replaced standardized keyboards with aggressive guitars. But the change of direction came too late. The album sold a little more than 30,000 copies, and their fifth LP, Eletricidade (1991), barely sold 20,000 copies. This crisis provoked the departure of Barretti and Preto (who formed the band Vertigo) and the acquisition of a new vocalist, Murilo Lima, with whom their sixth LP, the independent Rua 47, was recorded in 1994. In 1996, they recorded the live album Ao Vivo (Rede Brasil), and in 1998, Lima left the band. ~ Alvaro NederPortions of Content Provided by Rovi Corporation.
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