Soul and R&B singer Charles Bradley definitely didnâ€™t arrive as a recording artist by taking the easy route. Born in Gainesville, FL in 1948, but raised in Brooklyn, NY, Bradley spent a good part of his childhood living on the streets. A transformational moment came when his sister took him to see James Brown at the Apollo in 1962. Bradley was struck by Brown's energy and stage manner, and began practicing microphone tricks with a broom at home, dreaming of being a star on his own stage, and it was a dream he would never abandon in spite of all sorts of mishaps, misdirects, and general hard times. Bradley escaped Brooklyn by joining the federal program Job Corps, which took him to Bar Harbor, ME, where he learned to cook, a profession he was to fall back on time and time again. He also put together a band in Maine and began playing local gigs. The band didnâ€™t last long, though, and when most of its members were drafted, and with the Vietnam War hanging in the air, Bradley moved to Wassaic, NY, where he worked as a cook at a hospital for the mentally ill. Nine years later, he left that position and hitchhiked west, ending up in Alaska for a time before moving to California, again taking a job as a chef, and for the next 20 years, he performed music on the side, playing whatever gigs he could find. When he was laid off from his position, though, he began to doubt the decision to live in so far from where he grew up, and he relocated back to Brooklyn, this time working at odd jobs instead of returning to being a chef. He never let go of his musical dreams, however, and he began performing his James Brown-inspired routines in such local clubs as Black Velvet, attracting a loyal following, and eventually capturing the attention of Gabriel Roth from Daptone Records, who immediately brought the fiery singer into label sessions, releasing a single, â€œTake It as It Comes,â€� that showed what Bradley had to offer as a vocalist. Roth also introduced Bradley to Thomas Brenneck, then a guitarist, songwriter, and home producer for Dirt Rifle & the Bullets. The pair had an affinity for each other musically, and together they released two singles on Daptone as Charles Bradley & the Bullets before the actual group by that name disbanded, with most of the members going in an Afro-beat direction with the Budos Band. Brenneck and Bradley continued to work together, though, and after Bradley told him about waking up in his home one morning to discover his nephew had shot and killed his brother, Brenneck suggested they tell the story in music as a catharsis and as a cautionary tale. The result, tracked with the Menahan Street Band, was a pair of impassioned singles, â€œThe World (Is Going Up in Flames)â€� and â€œHeartaches and Pain,â€� which Brenneck released on his Daptone sub-imprint Dunham Records. These werenâ€™t songs drawn from Bradley's Black Velvet act, but were instead highly personal and striking outings that put his own emerging voice as a singer and songwriter at the center of things. A full album for Dunham, No Time for Dreaming, appeared early in 2011. ~ Steve LeggettPortions of Content Provided by Rovi Corporation.
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