From his tenures with the Sneakers and the dB's on through to his subsequent solo projects, singer/songwriter Chris Stamey remained a linchpin of the jangle-pop renaissance. Born December 6, 1954 in Chapel Hill, NC, he was raised in the Winston-Salem area, and alongside longtime friend and collaborator Peter Holsapple, he first surfaced in 1972 in the short-lived Rittenhouse Square, which issued its sole LP the following year. While attending the University of North Carolina in 1975, Stamey teamed with drummer Will Rigby to form the cult favorite power pop combo Sneakers; later joined by guitarist Mitch Easter -- the future Let's Active frontman who would go on to emerge as one of the era's premier producers. The group traveled to New York City in 1976 to appear at the famed Max's Kansas City but dissolved soon after, at which time Stamey returned to the Big Apple to set up his own label, Car Records. In addition to issuing the posthumous Sneakers collection In the Red in 1978, Car also issued the magnificent "I Am the Cosmos," the lone solo single of ex-Big Star mastermind Chris Bell; concurrently Stamey played live with Bell's onetime Big Star partner Alex Chilton, and in 1977 issued a solo single, "The Summer Sun." When Rigby and bassist Gene Holder relocated to New York, Stamey joined them as the dB's, releasing the 1978 single "If and When" before expanding to a four-piece with the addition of Holsapple. Although the dB's quirky yet melodic approach anticipated the emergence of the southern jangle-pop explosion, the band never earned the same attention afforded to acts like R.E.M. -- initially, they couldn't even land an American record deal, and their first two albums (the much-acclaimed 1981 efforts Stands for Decibels and Repercussion) appeared only in Britain. Stamey left the dB's in 1983, issuing the solo LP It's a Wonderful Life later that same year; after issuing 1984's Instant Excitement EP, he recorded and toured with the Golden Palominos, squeezing in the Christmas Time mini-album in 1986. A year later Stamey signed with A&M to make his long-awaited major label debut with the superb It's Alright; despite uniformly solid reviews, the album made almost no commercial impact, and he spent the next several years as a producer and guest musician, completing an album which A&M reportedly rejected. The LP finally appeared on Rhino in 1991 under the title Fireworks; that same year, he reunited with Holsapple for Mavericks. For 1995's The Robust Beauty of Improper Models in Decision Making, Stamey made a radical shift away from his pop past, teaming with cornetist/guitarist Kirk Ross for an exercise in free improvisation. Stamey spent the remainder of the decade focusing on producing records for other artists at his Modern studio in Chapell Hill, N.C, but returned to his own recording career with 2004's Travels in the South. Less than a year later, Stamey had another new album ready for release, a collaboration with Yo La Tengo and Tyson Rogers credited to the Chris Stamey Experience and titled A Question of Temperature (2005). ~ Jason AnkenyPortions of Content Provided by Rovi Corporation.
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