The low voice of the partido-alto singer Clementina de Jesus was only discovered outside her community when she was 62. Immediately acknowledged both nationally and internationally as a highly expressive singer, she still had time to participate in historic events like the Rosa de Ouro, Zicartola (at the Teatro OpiniÃ£o), Noitada de Samba, and others. She has recorded and performed with artists of stature such as Nelson Cavaquinho, TurÃbio Santos, Pixinguinha, JoÃ£o da Baiana, and many others. As a child, Clementina de Jesus listened to folkloric and religious music (jongo, partido-alto, ladainhas, etc.) sung by her mother. She remained an amateur for decades, participating in Carnaval blocos, and singing in church choirs and rodas de samba (samba get-togethers). After 20 years working as a maid, her career was launched in December 1964 by the classical guitarist TurÃbio Santos at Kleber Santos' Teatro Jovem (Rio de Janeiro) in the show O Menestrel. A few months later, in 1965 when she was 63, Clementina de Jesus had her definitive public consecration after being featured in HermÃnio Bello de Carvalho's musical Rosa de Ouro at the same theater. Performances, which also featured Araci Cortes, Paulinho da Viola, and Elton Medeiros, followed in Bahia and SÃ£o Paulo. De Carvalho's first album was this live show, released in the same year as Rosa de Ouro, Vol. 1, followed by a second volume released two years later. On this album, Clementina de Jesus presented the virtually unknown genre of jongo with songs like "BenguelÃª" (Pixinguinha/GastÃ£o Vianna) and "Boi NÃ£o Berra." She also performed sambas like "Sementes do Samba" (HÃ©lio Cabral) and "Nasceste de Uma Semente" (JosÃ© Ramos), and the lundu "Bate Canela." In August 1983 she was paid tribute by the Brazilian state government at Rio de Janeiro's Teatro Municipal. The gala event attracted many artists like Elizeth Cardoso, Beth Carvalho, Orquestra SinfÃ´nica Brasileira, JoÃ£o Nogueira, Paulinho da Viola, Gilberto Gil, Dona Zica, Dona Neuma, accompanied by the bateria (percussion section) of the Mangueira samba school. In 1985 de Jesus was decorated by the French government. Also known as QuelÃ© (a corrupted use of her name) and as Rainha Ginga (Ginga Queen), she had her majesty truly expressed through this award. In 1966 she represented Brazil together with Paulinho da Viola, Elizeth Cardoso, and Elton Medeiros at the Black Arts Festival in Dakar and Senegal. In the same year she performed at the CecÃlia Meireles Hall (in Rio) JosÃ© Maria Neves' Missa de SÃ£o Benedito, for tamba (HÃ©lcio Milito) and voice. Also in that year she recorded her first individual LP, Clementina de Jesus. Together with Pixinguinha and JoÃ£o da Baiana, she participated in the album Gente da Antiga, produced by Odeon in 1968. In the same year she also appeared on the LP Mudando de Conversa, a recording of the show of the same name, along with Ciro Monteiro and Nora Ney, produced at the Teatro Santa Rosa (Rio de Janeiro). In 1970 she had another LP released, Clementina CadÃª VocÃª?, edited by the Museu da Imagem e do Som (Sound and Image Museum, Rio de Janeiro), with corimÃ¡s, jongos, modas, and sambas. In 1973 she had thrombosis, but five months later recorded the LP Marinheiro SÃ³, which had songs by Paulinho da Viola and adaptations of popular songs like "Fui Pedir Ã€s Almas Santas," "Atraca, Atraca," and "IncelenÃ§a." In that year she also participated in Milton Nascimento's Milagre dos Peixes, recording "Escravo de JÃ³" (Milton Nascimento/Fernando Brant). In 1982 she was paid tribute by the Lins Imperial samba school, with the play Clementina -- Uma Rainha Negra. In the next year she recorded with Doca and Geraldo Filme the LP Canto dos Escravos, in which she interpreted slave songs from Minas Gerais collected by the researcher Aires da Mata Machado Filho. In 1985 she recorded Clementina e Convidados, which had her composition "LaÃ§ador" (co-written by Catoni). The album also had as guests Clara Nunes, JoÃ£o Bosco, Roberto Ribeiro, Martinho da Vila, Ivone Lara, Adoniram Barbosa, and Carlinhos Vergueiro. De Jesus also performed live with Nelson Cavaquinho in SÃ£o Paulo, upstate Rio de Janeiro, and in Curitiba, ParanÃ¡. Her last live performance was in 1987 at the Teatro Carlos Gomes (Rio de Janeiro). ~ Alvaro NederPortions of Content Provided by Rovi Corporation.
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