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Film composer David Arnold seems to have risen to prominence with unnerving swiftness, but this is in fact an illusion, as Arnold spent many years paying his dues by writing scores for English television and documentary film projects, many of them produced or directed by his lifelong friend Danny Cannon. In between times, Arnold tried out for the Clash and the Waterboys, but failed to get the gigs. Cannon made the move to feature directing with the 1993 film The Young Americans, tapping Arnold to provide the score. Arnold, in turn, co-wrote "Play Dead" with Iceland's Bjork, giving the film a British Top Ten hit. Cannon went on to Judge Dredd, while Arnold visited Los Angeles with a copy of The Young Americans. The net result of that visit was the assignment to score Roland Emmerich's Stargate. Arnold's grandiose score for Stargate drew both positive and negative critical attention, in part because of Arnold's attention to traditional methods and styles of motion picture scoring. The ...