When one thinks of pre-bop banjoists, it is of purely rhythmic players whose chordal solos differ little from what they play during ensembles. Harry Reser however was quite a bit different, an outstanding virtuoso who was arguably the finest banjoist of the 1920's. Less an improviser than a brilliant technician who could play novelty ragtime with the speed of a pianist, Reser was also one of the most recorded musicians of the era. Reser actually started on the guitar when he was five and soon he was playing violin, cello and piano; later on he would add marimba, trumpet and sa...