Although practically deaf, Johnnie Ray's tear-inflected delivery tabbed him as an early-'50s sensation. Leaving Oregon for Detroit, Ray found a gig at the Flame Club, an R&B and jazz institution. In 1951, Ray signed with Columbia's R&B subsidiary Okeh Records, although "Cry," his histrionic million-seller that year, was a pop entry all the way, with background vocals by the Four Lads. Produced by Mitch Miller, "Cry" remained perched atop the pop charts for nearly three months. Ray encored with "The Little White Cloud That Cried" before moving to the parent Columbia logo and en...