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Essentially a vehicle for the musings of John S. Hall, King Missile merged off-kilter spoken word monologues with eclectic, mildly psychedelic rock & roll. Hall's dry, absurdist sense of humor colored much of the group's output, blurring the lines between comedy, Beat poetry, narrative prose, and simple rock lyrics. Yet in spite of their focus on Hall's literary bent and all its New York artiness, King Missile was most definitely a band, and relied on music to play a much more than perfunctory role in their overall effect. The band initially won a following on college radio with several albums for producer Kramer's eccentric Shimmy-Disc label, while surviving a major lineup overhaul. Signed to a major-label deal with Atlantic, they scored a highly unlikely novelty hit with 1992's "Detachable Penis," which conquered MTV and college radio despite its subject matter. Their new audience didn't stick, however, and the second lineup split after another album; Hall later organized a third ver...