Inspired by post-punk, Krautrock, and the most minimalist indie rock, the spare, intense sound of Klang is the brainchild of guitarist/vocalist Donna Matthews, bassist Isabel Waidner, and drummer Keisuke Hiratsuka. Matthews was one of the driving forces behind Britpop luminaries Elastica, but the band fell apart -- collectively and individually -- due to a vicious cycle of drug abuse and blocked creativity, and she left the band in late 1998. After taking some time to readjust after Elastica's fallout, Matthews was ready to make music again, and she began collaborating with the German-born Waidner, who worked in a London record store that Matthews frequented. Their music was largely electronic until the addition of Hiratsuka, a Japanese expatriate who also shopped at Waidner's store. As a trio, the group's style expanded to include more rock elements as well as their previous electronic and experimental ideas. By late 2002, their sound had jelled and they adopted the name Klang (which is German for, fittingly, "sound"). On the strength of some of the demos they recorded at that time, Klang were featured on a Sonic Mook compilation and also scored a gig opening for Erase Errata on their U.K. tour, as well as slots supporting the Futureheads, French Kicks, and Max Tundra. In spring 2003, they released their debut 7", Love, on the Damaged Goods label, and spent the rest of the year playing shows with the Kills, Pink Grease, and Black Box Recorder while finishing their first album. No Sound Is Heard arrived in summer 2004 in the U.K., and in the States in early 2005. Meanwhile, Waidner worked on her own music, preparing an album of songs blending hip-hop, rock, and jazz called Slo-Fi. ~ Heather PharesPortions of Content Provided by Rovi Corporation.
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