A talented section player who rarely soloed, Mario BauzÃ¡'s main importance to music was behind the scenes as one of the main instigators of Afro-Cuban jazz, the potent mixture of Latin rhythms with jazz improvisation. A multi-instrumentalist, BauzÃ¡ played clarinet and oboe with the Havana Philharmonic before moving to New York in 1930. During a stint with Noble Sissle in 1932, he switched to trumpet. As musical director with Chick Webb (1933-1938), BauzÃ¡ helped convince the drummer of the potential greatness of Ella Fitzgerald. He was with Don Redman during 1938-1939, and then Cab Calloway (1939-1941). BauzÃ¡ was largely responsible for Calloway hiring Dizzy Gillespie, and in 1947 he would introduce Gillespie to Chano Pozo. BauzÃ¡ became the longtime musical director of his brother-in-law Machito's orchestra (1941-1976), encouraging Machito to add jazz solos to his music. In the 1980s and early '90s as the head of his own Afro-Cuban orchestra, Mario BauzÃ¡ (who had long since given up playing trumpet) recorded three excellent albums of his arrangements and finally received some recognition for his important contributions to music. ~ Scott YanowPortions of Content Provided by Rovi Corporation.
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