Swedish reeds player and improviser Mats Gustafsson's extended saxophone techniques draw equally from the fiery free jazz blowing tradition and the European microtonal schools. Born in 1964 in the culturally rich area of Ume+Ñ, he was exposed at a young age to various Swedish improvisers such as saxophonist Lars G+¦ran Ulander and pianist Per Henrik Wallin. His first instrument was the flute, but by his early teens Gustafsson was playing saxophone as well. Around the age of 14, he put his saxophone mouthpiece on his flute to bring an instrument along on a trip, and since then has played this creation, the fluteophone, in addition to other, more standard reed instruments. His first improvisations were with drummer Kjell Nordeson, who would later form the AALY Trio with Gustafsson.
Gustafsson moved to Stockholm in the mid-'80s, and there met musicians such as Sten Sandell and Raymond Strid. The three formed Gush in 1988, two years after Gustafsson's duo with Christian Munthe, Two Slices of Acoustic Car, began. He also worked with Berlin-based Sven-+àke Johansson during this time, thus becoming acquainted with the German scene. In 1990, Gustafsson performed in Derek Bailey's Company in London. He also began visiting the U.S. regularly, becoming a regular in the Chicago improvising community as the '90s progressed, working extensively with Hamid Drake and Ken Vandermark, among others. Gustafsson has also performed and recorded with Barry Guy, Paul Lovens, Georg Graewe, and Jaap Blonk, and as a member of Peter Br+¦tzmann's all-star Chicago Octet/Tentet. Gustafsson has collaborated with artists in other media as well, including dance, theater, poetry, and painting.
His many ongoing projects include the AALY Trio, with Nordeson and bassist Peter Janson, whose third album, Live at the Glen Miller Cafe, came out on the Wobbly Rail label in 1999. In 2000, he issued a new solo album on the Drag City subsidiary Blue Chopsticks, a Steve Lacy tribute entitled Windows. Hidros One followed in early 2001.
Gustafsson became especially prolific as the 21st century began, releasing close to three dozen albums in the next ten years either as a leader or collaborator. Some of his recordings include Dat and I Love It When You Snore with Paal Nilssen-Love (2002); Blues with David Stacken+ñs and Off Road with David Grubbs (2003); Hidros 3 with Sonic Youth (2004); Slide Away (2005); The Fat Is Gone with Nilssen-Love and Br+¦tzmann (2007); Mats G Plays Duke E (2008); Mats G Plays Albert A (2009); Needs! (2010); One Bird Two Bird with Masami Akita (aka Merzbow) and Jim O'Rourke; and Bengt (2012).
In 2008, Gustafsson, Nilssen-Love, and bassist Ingebrigt H+Ñker Flaten formed the trio the Thing, who recorded a handful of albums including Cherry Thing in collaboration with vocalist Neneh Cherry in 2012. In 2009, he formed Fire! with Johan Berthling and Andreas Werliin; the group has recorded four albums including the stellar In the Mouth - A Hand in 2012 in collaboration with guest guitarist Oren Ambarchi.
Gustafsson teamed with saxophonist Colin Stetson for Stones, which was released in January 2013; in November of that year, the Thing issued Boot! after establoishing their own label, The Thing Records. ~ Joslyn Layne & Thom Jurek
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