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The weirdest novelty record to hit the Top 40 -- indeed, a strong candidate for the weirdest hit record of any kind, period -- was Napoleon XIV's "They're Coming to Take Me Away, Ha-Haaa!" Against a clomp-clomp tambourine beat, Napoleon spoke-chanted his manic-depressive tale of failed romance, the vocals suddenly speeding up into an unsettlingly cheerful giddiness as sirens revved up in the background. Not a single note of music was played or sung throughout the track, which zoomed up to number three in the summer of 1966, as the necessary counterpoint to Barry Sadler's insipid, similarly off-the-wall smash that year, "The Ballad of the Green Berets." The implications of a song in which the narrator describes himself going crazy and being carted off to the loony bin selling a million copies had unsettling implications for a nation that prides itself on its stability and character. It engendered great controversy and only stayed in the Top 20 for five weeks, partially because many radi...