Like Lori Carson, Stina Nordenstam has spent a fair amount of her career shedding comparisons to Rickie Lee Jones. Though a little similar, the majority of Nordenstam's work is more fragile -- delicate enough to be knocked over by the slightest of breezes. Since the early '90s, Nordenstam has developed a highly intimate, childlike sound that has either lured or repelled listeners. Though her debut, Memories of a Color, was quite formative and was held back by bland jazz leanings, it nonetheless earned the admiration of British label 4AD, who were interested in signing her. It ...