In a life extending nearly the entire breadth of the twentieth century, Hungarian composer Ferenc Farkas fashioned a personal idiom of refreshing vitality. In form, largely diatonic, it spoke a richer language, one of harmonic variety, rhythmic energy, and melodic appeal. In addition to his career as a creative musician, he was a respected pedagogue whose pupils included György Ligeti, Sándor Szokolay, and György Kurtág. Further, he wrote on musical subjects for various publications, particularly on issues of folk music.
Beginning his piano training at age eight, Farkas studi...