Wright never made much of a name for himself outside the innermost circle of free jazz musicians and fans, yet he was influential in his own subversive way. Unlike Ornette Coleman, Albert Ayler, or Cecil Taylor -- peers and contemporaries who were the same age or only slightly older -- Wright never recorded even a single record under his own name for a major label; he was "underground" his entire career. Ayler's scalding abstract expressionism was the prime influence on Wright, who transformed it with his own personality and passed it on. Echoes of Wright's playing can be hear...