Michael Korstick has steadily built his keyboard career, rising from the ranks of a little-known but highly respected artist in the early '90s to front-rank status among German pianists of his generation. Since 2000 he has emerged as a versatile, technically accomplished, and thoroughly sensitive pianist whose Beethoven has drawn rave reviews and whose Koechlin and Milhaud, not exactly household names in piano music, have helped focus attention on undeservedly neglected composers. While Korstick is at home in German repertory, particularly J.S. Bach, Beethoven (the complete pi...