Scotty Stoneman has been called the Jimi Hendrix of the violin by Peter Rowan, and the "bluegrass Charlie Parker" by no less a figure than Jerry Garcia. Yet he's an elusive, mysterious figure -- in some ways even more so than Parker or Hendrix ever were -- with a career that was mostly spent working in tandem with other musicians, but without the kind of unified body of recordings left behind by, say, Hugh Farr of the Sons of the Pioneers (who was, himself, once compared to Fritz Kreisler by Leopold Stokowski).
Until he was past 30, Stoneman was best known as part of a perfor...