One of the last of the old-time Texas barrelhouse pianists, Alex Moore was an institution in Dallas, his lifelong home. A colorful entertainer with a poetic gift for rambling improvisations, Moore had one of the longest recording careers in blues history (his first sides for Columbia were made in 1929; his final session was in 1988). Yet it was hardly one of the most prolific, as there were usually lengthy gaps between sessions. The spontaneous, autobiographical nature of his latter-day recordings imbue his albums with a special charm.
Moore began performing in the early '20...