Earl Wild, Manhattan String Quartet

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        Liszt was often called a "piano-centaur," so at one was he with the instrument. Earl Wild could be described in similar terms. The gift of absolute pitch revealed itself at age three as his avidity for the keyboard took prodigious strides. At six he read music fluently, and before he was 12 he was studying piano with Selmar Janson, a pupil of d'Albert and Scharwenka (both students of Liszt). Busoni's "disciple," Egon Petri; Paul Doguereau, a student of Paderewski and Ravel; and ... Read more

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