The Templar-obsessed electro-industrial group Heimataerde ("Home Soil") cleverly combined three separate yet related genres from Germany's "dark scene" to create something that was both fresh and new, yet rooted in the distant past. Their use of medieval instruments (most notably bagpipes) and melodies was not unique in itself. The subgenre of Mittelalter-Rock ("medieval rock") had already been popular in Germany for many years, with bands such as Subway to Sally, Schandmaul, and Letzte Instanz regularly topping the indie charts, but no one had thought to incorporate medieval ...