Like it or not, Henry Jerome manifests an impenetrable link between rockabilly, easy listening, the kitschy poetry of Rod McKuen, the economic policies of the 20th century, and perhaps even the Watergate break-in. Listeners who find easy listening to be anything but that and are dismissive of the notion that practicioners of this genre might possess any versatility whatsoever would do well to study the biography of this artist, generous chunks of which must be recounted if only to back up the bold claims made in the first sentence.
One immediate question concerning the man's ...