Fat Joe and Jadakiss are joined by Latin Grammy winner Eladio Carrión, one of the hottest artists in the Latin trap and reggaeton world. Eladio tells Joe and Jada about how American get boxed into specific genres more than Latin artists, walking in Xander Zayas while Jada walked in Boots Ennis for their headlining boxing match, coming up in the game with Bad Bunny and Rauw Alejandro, his “Mbappe” collaboration with Future, and why his professional swimming career wasn’t the best idea for his bank account. Also, they have an insightful conversation on what constitutes a hit, Joe explains why he would have never made “Lean Back” if it weren’t for Missy Elliot, and the room cracks up as Joe misremembers who he lost to at the Grammys.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I had like lean back this ship with number one
forty seven weeks. They have freestyles or something. And ye
know the Grammys. Let's listen. We love the Grammys. I
want to win one this year. But I finally went again.
Got joey rch Yeah, they gotta get me right, I
got like you. I should have won that flat out,
should have won like all the way up.
Speaker 2 (00:21):
Let's get it.
Speaker 3 (00:21):
Sorry, huh, let's get it. Let's get it started. Well
that was that? Would I let the flag man? Yeah? Yeah?
(00:49):
What up? Y'artist is Joe cracked the dawn? You know
who it is? Oh, go ahead, you got some more
a ka I had parties.
Speaker 1 (00:57):
Joe cracked the dawn. A knack of Jada.
Speaker 3 (01:06):
What's up, dude? It is your boy, Jada. This is
the Joe and Jada Show.
Speaker 4 (01:11):
Every show legendary, every show icony, and we continue to
crush them. When you think of today's guests, that's right.
Remember I just told you every show legendary, every show iconic.
Those are the key words. You think of today's guests,
(01:33):
you think of a crossover problem. Somebody who took that
Latin trap lane and turned it into a highway. I
think Kansas City roots, Puerto Rican hustle, punchlines in two languages.
Listen to that show punchlines and two languages, a catalog
(02:00):
heavy enough to talk back to whoever.
Speaker 3 (02:03):
You know what I mean?
Speaker 4 (02:05):
You think multi platinum plates, La Grammy, weight.
Speaker 3 (02:12):
In the flow, so cold to make your favorite wrapper.
Speaker 4 (02:15):
Bundle up, ladies and gentlemen, give it up.
Speaker 3 (02:20):
I'm gonna need to cut that and use that for
an intro something. Brother, how doing normally? I just get
(02:41):
to the case.
Speaker 1 (02:41):
But the shoes you got on, I'm trying to figure
out that on the record, like.
Speaker 3 (02:46):
You cool with shoes. I got my days for me
to be honest, I'm a very. I'm a very. I'm
a very being in my house, you know, because I
see you with the with with the dock holes and
if you just did he box down the street with
the docles.
Speaker 1 (03:06):
I wear shoes under arrest, nigga, like if I'm locked
up or I gotta.
Speaker 3 (03:11):
Go to like an award ship of sucker says I
got comfortable, Yeah, yes, comfortable. It's comfortable too, yo yo tey,
you got sneakers on. I'm just saying, I'm I'm just
trying to ask me if I'm not wearing all these shoes.
I'm always New Balance stuff. That's that's one hundred percent.
I saw that.
Speaker 1 (03:32):
I saw you get big money with New Balance. I
love you know it's comfortable. That's comfortable, comfortable. You know
it's time for my sneaky to come out. I think
it's time for me to call that we've been hold.
It's been a hole. So I think now I'm gonna
make the call and that you know, we gotta drop
that t yes, the red joint. You know, we have
(03:53):
always one nice moment, stop front, give it to the people,
give it, come on. I have always been very very
impressed by your skills, by your flows. You never do
the same ship twice. Appreciate your collaborations. Tell us about
(04:16):
your upbringing. How'd you get into Latin rap? Do you
consider Reggord Torneto or Latin rap?
Speaker 3 (04:26):
Sah if we go by the like, you know, technically
I don't do that many thrones, but like you have
to me, you're more like a rapper. So you're like
a Latin rapper, but like more than just the thing,
like you know Latino like on our side, I think
like in the thing, like American music. You guys get
boxed in like if he's a rapper, you can't do
(04:48):
a dance hall. It was like, it's the very us.
We have to do everything like we have to You
do dance hall, afro b we gotta do trap, we
gotta do rap, we gotta like the fans are gonna
open to hear what you have to offer.
Speaker 1 (05:01):
Like another man, I'm very impressed by your music, brother,
because you know, you know what's crazy.
Speaker 4 (05:07):
Great analogy. That was a great analogy. Yeah, but you
know what's crazy. First of all, Joe and Jada the
number one showing the game. Come on, come on, I
don't give a fuck where you are.
Speaker 3 (05:20):
I'm home.
Speaker 1 (05:21):
I took the night off right. First of all, I
ain't want my wife to feel like I'm doing too
much because it's Sancho paid, Jada were Sancho paid. And
then I get back and I know the fighters on,
so I'm like, man, should I pull up on a
fight like you know, I might be doing too much.
Speaker 3 (05:40):
So I didn't want to get beef in the cribs.
I just threw it very.
Speaker 1 (05:46):
And I seen you walking this Zander the body man,
he's a tough guy, and then you walking in boots.
Speaker 3 (05:54):
So every time I see us some ship like that
or I'm there. I feel like Joe and Jada's record.
Speaker 1 (05:59):
I don't know if I'm delusion to about that, but
when I see it, I said, Dann, they can't escape
us for nothing.
Speaker 3 (06:05):
This motherfucker.
Speaker 1 (06:06):
Well, you walked in Xander and he walking boots. How
do you know boots? And you could tell me how
you know Xander?
Speaker 4 (06:13):
Oh, they reached out to these people and you just
knew he just shut out to my man, Harrio, I
always knew I got an artist stuff.
Speaker 3 (06:21):
From his same part of Philly, Germantown.
Speaker 1 (06:24):
Man from you've seen that ship, you know Philly is
you've seen the comments because you'll like to look at
comments now you love Oh don't Philly now that nigga
from here?
Speaker 3 (06:36):
He on the block over here. Don't play with me,
you know what I'm saying. How do you know Xander
like that? Man? I know Zenda for a while. Man,
I've seen him, you know, grow as a fighter, and
that's my brother in law. Every time I get a
chance to walk out with him, see him of fight life,
I go, Man. I love when seeing my friends doing
amazing things, you know, saying being boxing, being baseball, being
(06:59):
basketball reminds me of he's scared of nobody. He's a dog.
Boy's a dog. He's a dog. He's a young fighter.
He has his whole career ahead of him. He's he's
the dog. The dog.
Speaker 1 (07:09):
He swagged out he coming there on that bullship. But
you know he had you know, he didn't have to
fight that fight. You know, I guess he got the experience.
Guy has b harn. I think I would have I
would have ran away from the guy. I think I
wouldn't have ducked him a little bit more. I would
have been like, no, no, no, let me go another
weight class or something. Because the guy, the guy boots.
(07:30):
Guys like boots, they can't even get fights. They's so good,
and people like you know, people was avoiding from now
the sporting that fight. So it was an amazing fight
was amazing. It was a great aod fight.
Speaker 3 (07:43):
The fight of the year.
Speaker 1 (07:44):
If it would have lasted a little bit long, would
have been a fight of the year. You know, Ship,
they got busy, they got both fighters. They were really great,
but both of you guys at the whole people and
I said, oh, Ship, Monday, I.
Speaker 3 (07:57):
Saw Jaden when when I walked in the what's it
called the backstage? I said, oh, snap, we want to
go to the show on Monday. And I said, no,
that's hot man, and man, you nasty like my upbringings.
My upbringings.
Speaker 1 (08:13):
Yeah, I want to know how do you get into
Latin rap? Who was some of your inspirations so Spanish?
And it because you definitely got English inspiration, yeah, undred percent,
because all you do is rap in Spanish. But your
floats and everything and what you talked about is really
English rap ship.
Speaker 3 (08:30):
Yes. I was raised in the States, man. I got
to port I was like ten. My dad was in
the military. Like I moved around. My whole family from
New York, my parents, from my grandma lived in where
everywhere my grandma was in Red Hook I got. I
got cousins. I got like one hundred Collins over here.
I got twelve uncles and honest, but like I moved
on as a kid. I didn't know Spanish until I
(08:51):
was like ten. You know, there was time here, something there.
But my dad retired from the army, so like I
didn't have to do anything in the States anymore. You
want to go back home, So I was talking about
in Puerto Rico, learn Spanish watching nobilis speaking God over there.
Speaker 1 (09:06):
One thing that's uh a default the Puerto Rico for
the most part is it's America. But they don't speak
English over there like they should, oh you know, but
not now they's starting.
Speaker 3 (09:20):
Yeah, all the schools, you know. It was like I'd
be like, yo, you got and you gotta like American
people finding put Rico buy a house over here. So
you're like, you know, you got all the restaurants, establishments.
You know, they required you to be about ling going
out too.
Speaker 1 (09:36):
But such when the reggae tone ship started, they offered
me the biggest bag in the world, Atlantic Records for
me to make a reggae tone album. I was trying
to tell them I don't speak Spanish like that, so
my ship going to sound whack. It's just no way
around it. It wasn't like I didn't want to do
it with the right producer at the moment you would
(09:58):
have li but still my flow, my ship wouldn't have been.
Speaker 3 (10:06):
It wouldn't have been. I think you would you know,
made some shap, you could have made some shake little,
make some ship. Yeah, it wouldn't have been like that
rapper at the end of the day man, don't I
know a lot of rappers that they would do. They
would wrap on top of rap beasts and then they
would just switch the beat out. Don't after yeah, especially
(10:32):
you know wrapped, it would be half and half.
Speaker 1 (10:36):
Don't explain it too much because you're giving me ideas
right now.
Speaker 3 (10:41):
Like IgE to a lot of you know and candle
a lot of you know those after their father beat
a lot of times it will be half wrapped and half.
Speaker 1 (10:54):
I used to be with her their father, yea, before
he was in church, you know, the man, the man,
the man crew out there and then went.
Speaker 3 (11:03):
Into the.
Speaker 1 (11:05):
He became a pastor and so now he goes to
jails and everything and shout out to her father.
Speaker 3 (11:11):
I haven't seen him in years. I used to hang
out with him the point the community at the prime,
like when they were that's that's that's one of my
favorite ra's. I went to Dago's wedding, I was.
Speaker 1 (11:23):
I went to Thayer's wedding and there goes more like, well,
there goes the black reggae.
Speaker 3 (11:31):
He's from the black.
Speaker 1 (11:32):
Hood out there. You know, it's a whole black hood
out there. His son is named Hall them and some
ship like he was the Afro lot. He was the
first Afro.
Speaker 3 (11:41):
Lot, you know, I think who accepted and said ya.
It was crazy because like if you consider the age
he started popping off like it wasn't a twenty four,
twenty six, he was thirty like high. You feel me?
You want to know that's crazy. I didn't notice that.
Speaker 1 (12:00):
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Speaker 3 (12:42):
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Speaker 1 (12:44):
It's always around for the best nights, the wins, the celebrations,
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Speaker 1 (13:04):
That's the move, true, true, true. What hip hop with
such a young sport? Right Like I'm watching the BT
Awards and I say, NAS come out if you listen
to them lyrics, and Nas was twenty to twenty four
years old. The ship he was spending on, if I
ruled the world like the youth, they really had something
(13:26):
the same.
Speaker 3 (13:27):
You know.
Speaker 1 (13:27):
That's why I love the song you got with Xander
in the video said it's encouraging the kids, letting them
know if you could dream about it, it's possible. Tell
us about that and why it was important to you
to do like a motivational song like that.
Speaker 3 (13:41):
All right, So me, I'm very conscious that I got
you know, I got my song, my eight year music
that it's just you know, I do it thinking about
the show because my shows were like there's full blown
mosh pittures. They're like very high energy. So I strategically
do these songs repealing and beg go happen. It's not
saying so it's just a hype song t me as
(14:05):
an artist, you know, I do feel the responsibility, you know,
to go dig a little bit deeper. You know, you
know they got you got kids listening. I got people
who don't want to be jumping in mospits, who really
want to sit down while they're driving the work times,
like going into nine to five. What could I what
could I record to help help them, you know, getting
(14:27):
a better mood to you know, go to work. What
could I record to make this baseball player want to
put this song in is you know, is as that back?
What can I do like to make these athletes, you know,
getting the zone? Because I was extreamming, like I used,
I used music to you know, to get into that
you know that that that zone. And that's what I
think about. I do music all the time. So I
(14:48):
got songs like Goro. I think that's when I started
popping off my music. When I dropped a solo mixtape,
it was just straight progress music, you know, motivational music,
and like there was a space in the in the
genre and that music that people really didn't open up
like that. So when I started doing that, like you
(15:09):
just created this this crazy, you know, cold fan base.
People wanted to listen to music for other reasons. You know,
I still do my igno manship, but like who else
come up.
Speaker 1 (15:18):
With with how long you been you've been signed putting
out music professionally?
Speaker 3 (15:23):
And who else was that batch? It came around the
times you you was coming that class. My class is
the class Benito bad who Cloud, oh man, he was
rocking too, you know, and the things that it's cool
to see all them casts like going crazy because Benito
(15:44):
the game a lot of ship all he d like this,
he does like this, Nigga's super hopping. Let me tell
you something.
Speaker 1 (15:49):
This guy whatever boom Yo, listen, this guy bad Buddy,
Let me tell you something because it was and there's
no disrespect to nobody because I love everybody, but it
was at that point it was a battle of Annuel
or Sooner J Balvin.
Speaker 3 (16:10):
Everybody was putting out hits.
Speaker 1 (16:13):
But I don't know what the fuck Bad Bunny did
that made him a fucking bat man or some ship
that Nigga threw the sign up on top of that
building and that No, they all had hits. They all
was throwing off platdom ship. Everybody was big music and
that nigga just took off like a superhero.
Speaker 3 (16:30):
I don't you know it helps a lot with him,
Like he could literally be in a studio solo and
come out with that. He produces os fust ship, he
produces all you mean, his own beats that he did
those beats like you know, like wow, yeah, he's he's
like musically he's nice. And that's that's probably the big
reason his team is amazing, just really really talented.
Speaker 1 (16:52):
That we having a debate last night. We're going to
dinner with a couple of friends and they debating fuck it,
jay Z no no no Slow my partner, right, they
debating jay Z or Drake, And you know, my man
is like yo, Drake been doing this for twenty years
(17:13):
straight and still got young kids love it.
Speaker 3 (17:15):
Hope come out with something. The older guys are gonna
love it, But what about the youth? Is a good debate,
But it's hard to keep, you know, once you get
this to a certain level, to keep on delivering, like
you know, come bet in those places. You know what
else could he do? Can I sousa joint and just
went bo came Puerto Rican and made that sound commercial
like constantly raising the bar is difficult at that level,
(17:38):
you know. So that's that's that's that's very that's hard.
Speaker 1 (17:41):
I wouldn't say just raising the bar, raising the bar
or something you gotta do. So like Kim he got
this classic so on why when he did that that
was to be Jada was raising the bar. I think
the thing you you hit on first was actually right
right because.
Speaker 3 (17:59):
Rick rosson could have signed d J.
Speaker 1 (18:01):
Keller was begging me yo, sign him, sign him, sign him,
sign him, sign him when he had hustling right, I
honestly didn't think Rick ross was going to have a
long career because that was like at the.
Speaker 3 (18:15):
Time, that sound was like what was going on at
the time. I didn't think you think.
Speaker 1 (18:20):
I thought Rick Ross was gonna have ten albums, one
of the greatest rappers of all times.
Speaker 3 (18:25):
This is at hell though, that happens, and so you
gotta respect guys with me with an artist.
Speaker 1 (18:32):
Artists might come up with one head, two hits, right,
and then I'm just like, and then when they come
out again and they come up with another hit, another head,
and then they come up with another I said, I'm like,
they trying to stay This ain't the saying bit stop
my nigga. The motherfuckers want that long? Would you think
has that that juice? Like nowadays and like modern rappers
(18:55):
and you know what hip hop?
Speaker 3 (18:56):
Right now? You asked me a funny question because I
don't really know aboudy who's here in five years is
still gonna be Drake is still gonna be from Drake?
He did this better ready coming up? I can't really,
y'all honestly tell you right now? Don who don Toliver
(19:19):
or something? I think it is really good fires fire,
like if we're going that way, I really ranked artists
ask me a question that we can't even answer. Could
you answer it? Kiss? Like who's the young nigga that
is gonna be on my giant off of albums? Like
when I hear like artists really like digging into albums
(19:40):
and doing like good question? Why are you looking at
me like I'm trying to listen.
Speaker 1 (19:45):
We gotta be able to say no, jay Z, y'all
eminem right now, we don't have that type of selection.
Speaker 3 (19:53):
Or maybe I'm just old and I don't know who
the hottest younger? Why would you think?
Speaker 5 (19:56):
What?
Speaker 3 (19:56):
What?
Speaker 5 (19:56):
What?
Speaker 3 (19:57):
Why is the reason why why can't your name other.
Speaker 1 (19:59):
Rappers, you need to put quality out, like you're absolutely
right right now. My money's on the old guys. My
money's on me, my money's on him, my money's on
French Montana, my money's on TI. His album is really hot,
and for some reason, everybody step back. They let the
youth run with it for like ten years or whatever,
(20:20):
and then they're like, Okay, these motherfuckers don't want to
deliver classics.
Speaker 3 (20:24):
Then we got to come back out and deliver. You
think that sometimes maybe I think sometimes like you know,
the media puts out so much information that you think
that's the only information that's out there. And then you're like,
I mean, back down before I start, you know, like
maybe that's not what's really happening. You feel me like, oh,
this is the most hard like popping ours right now.
(20:45):
But maybe it's not happening. Maybe you're doing better, Like
you know, I feel like you know the media really
like you know, you know what I do over You
know what I do is I go off for energy. Right,
So let me let me tell you what a hit.
What do you think it hit is? I think a
hit is something that you you can see visibly in
(21:08):
shows that's that's the one thing you can't fake. You can't.
You can't pay someone to go to your show. You
can't even I know, I know people artists. I wouldn't
go to their shows even if they pay you. Feeling,
what do you think they hit undeniable? You hear it,
it makes something that you just know when when you
hear it, you feel it. I narrowed it down to
(21:28):
a feeling, a feeling, That's what I just said. So
if you if you.
Speaker 1 (21:32):
Right now they play that spending that ship, you're like,
oh ship, that's that ship, Or if you heard Lean
back when it first came out it made you feel
like a hit is actually a feeling. It's not just
this style of music or this success is if that record,
if you feel like playing that ship over and over again,
(21:53):
that that makes it a hit, right.
Speaker 3 (21:57):
Yeah, But you know it's crazy too. I think it was.
It was for y'all because, like producing wise, there's a
lot of stuff that y'all did for the first time.
So like when when it's hard turn now, we just
were like recycling stuff that has already it's very hard
to to really for be a racer. I don't have
to do y'all done, so mustard.
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Speaker 1 (24:13):
Know an artist that I really studied. I would have
never did lean Back if it wasn't for missing right. Yeah,
I studied it because you like, is that your bitch when?
And then then then then then is that your bitchin?
And then with and I was like noticing because when
I was coming up, I don't know if he knew,
but when I was coming up, I was figuring it out.
Speaker 3 (24:38):
So I'm I'm you know.
Speaker 1 (24:39):
My first song was called flow Joe, but I didn't know.
I already had to hit formula, but I hit it
by mistake. So it's like you gotta flow Joe.
Speaker 3 (24:47):
You gotta gotta guy.
Speaker 1 (24:48):
You gotta flow Joe, you gotta So it's the repetitiveness.
So with lean Back, I purposely when I was making
that hook, I said lean back, lean back, lean back,
because I said, all right, I'm gonna say make it rain,
make it rain, make it rain, so that you could
I didn't know that coming up in the game, but
I learned that from Missy because Milly Missy would always
(25:10):
make hooks like that. They keep that people could sing,
a little kid to sing whatever. She always reinvented herself.
We beat you all to a lot of ship because
we heard eminem for the first time. Hi my name,
Miss Niggas was like, Yo, don't fuck is that that
ship was like the aliens came down like Wimby and
(25:30):
Ship or you know him Jay.
Speaker 3 (25:35):
You know, it was nothing like him and the Lots
when they were young, you know, the Lots and that,
Like it was like that ship was. So we got
the experience. There was a lot of things firsthand. And
the music. I think people theme for music because it
was way more. It was not accessible, like no, you
have to literally go get the little mixtape or online
(25:59):
and tap ninety four in the tape area there.
Speaker 1 (26:02):
But like the c jay Z dropped the album on
nine eleven, Bro and Niggas went and bought the album
in physical buildings came down, Like you know, how hard
is that for somebody saying, oh, ship, they blew the
buildings up. Yo, let's go by the jay Z album.
Speaker 3 (26:19):
It's crazy you went and bought the album. You bought
it on nine eleven. I was in the house on
that eleven. I was in Alaska. Man, your two time
a fella. You went and bought it. You was in Alaska.
I remember the exactcause anous. You know that means you
know war, you know, so like I remember seeing that
(26:42):
saying they gonna send that said that, but you know
he's very very very horrible. Mask. I remember the exact
same on last and the city came back. My man
had full flax rest of peace up his true story.
You know.
Speaker 1 (26:57):
Now, I say, you know, I'm like the forest gonna
hear hip hop. I've been everywhere you could think of, larist,
dump of hip hop. I've been everywhere you could think of.
Speaker 3 (27:07):
I was there. What's the most craziest place you you've been?
On stage? You said, he how am I here? Yeah?
All the last of that he did show that. Yeah,
I gotta I gotta say Africa like their shows. I
did in Africa that if they were social media today,
it would break a record. Like it was like as
(27:28):
far as I could see.
Speaker 1 (27:29):
Human beings, nigga, I mean the buildings, the roofs, the floors,
the windows.
Speaker 3 (27:35):
The fucking soccer. What is that the football where you
kicked de feet the field go through. Niggas is on that,
Niggas on the light. Niggas.
Speaker 1 (27:45):
It's just out of control, my nigga, Like, I mean, like, well,
you're just like, Yo, this ship is unbelievable and you're
ripping it down. I would say Africa, Africa, no phone,
most that gendary, it was no way, none of that.
So it's like, you know, for one time, I would
pretty much live in Africa for like two years, meaning
(28:09):
over here. So what happens is you stay stayed a lot.
But what happened is you could go to Equatorial Guinea.
They speak nothing, but.
Speaker 3 (28:19):
You know, I got, I got, I got for the
show there, just started doing to go. It's beautiful and
they all speak Spanish. Whole Africa, the whole country. When
you meet the girl is my the other smile and
uh and let's see that in the middle of Africa,
like that's their names. You know me today and they
(28:40):
playing South soun ship. It's the craziest ship you ever see.
I used to go there. I used to go over there.
Group an be performing me this that yeah hotel I
met and Fat Joe's the rapper.
Speaker 1 (28:55):
That ship was lit every New Year. But the point
is I've been to some shit, you know what I'm saying.
It was really really, really really weird. I went one
time I thought that was nobody was there. I went
to tangoneer. That's the furthest shit to go. A plane
gotta take a break. The plane gotta take a break,
my nigga sho the plane lanes like eighteen out, nigga eighteen.
(29:20):
I was in that shit of land in the smack
in the middle. You could be in suit dad, nigg
you don't know where that ship pitch black and they
start throwing that they put the gas in that bitch
and they.
Speaker 3 (29:32):
Ain't going another five. That's the furthest place I ever been, right,
So I go, just to describe the whole shit. We
get out. They got a bunch of trucks for us,
We get the gas the airport and they racing. They
racing like a president is here. Some shit back. So
some guy's going to work. It's like six in the morning,
(29:52):
the sun's coming up, and they almost hit him. So
he back to the fuck he sees me. He's like, yo,
fat Joe, what's up. That's why I knew I was
fading when I went that fucking ball away and the
first nigga at six in the morning almost got hit
with the colls like yo, joey crack old ship. I said,
oh shit, I'm famous. I'm all the way far to me.
(30:15):
And so that night I went to do the show.
It was so quiet. I came out the back of
the thing and I'm going around the stadium and he
was like, nobody was quiet as shit. And I made
one turn that might have been three hundred thousand, bigga,
(30:35):
but you couldn't see that. I was scared. I thought
I had a note show. You know where I fucked
it was terrible for me. Was Columbia, Colombia.
Speaker 1 (30:43):
I went to Columbia and one time and my wife's Columbia,
and you know, I got an l story with that one.
But yo, the promoter oneed, Yo, listen, let me tell
you something. The shows was not fool my nigga. They
rent this stadiums and it was like five hundred people,
one thousand people, and the ship was twenty seeded. Weenas
(31:06):
Dan Nigga was time my man like. He was like
because he paid me a lot of money. And I
went out there and it was it didn't work. I
don't know if he ain't promoted right or fat Jo
ain't big in Colombia.
Speaker 3 (31:16):
In America is Argentina. The place where they accept like
the most is Argentina. And Chile because they got they
do a lot of losers like dirty, you know, educated
and you know in Mexico too. The other day I
went to had to show a message. I think it
was like six sixty thousand, but next to us was
(31:40):
like a fifty thousand arena and it was it was
seeing it was a chemical romance. Two days in a row,
fifty thousand Mexico. They'd be going to imagine go fuck
with hip hop? Yeah, wants to go because they're very rap.
I went to Colombia. It was crazy because you know,
(32:01):
my family over there. They probably thinking like I'm a
big rap star. When they showed up to the show,
the niggas is probably like, what the fuck happened the saxophone.
The saxophone started saying yeah, like yo, this demo, it
wasn't rocket me. I was like, so the promoter, I
(32:22):
see him, he screaming on the work and so I
walk in.
Speaker 1 (32:25):
I'm like, you know cause he spent a lot of money,
he said. I said, Yo, Pappy kept my soul to
shut and look at myself. Get that year heaven Dot
get up one of the new bott cong guntry. But
then this cool look.
Speaker 3 (32:42):
It's like this nigga was telling me he wants to
put a bat up my ass with spikes and fucking
with my I would have been right there Monday. You
had the money, you had the money. You have the
money already, and he paid me the bag the hotel.
Top of that line. Nigga that rich called in the
(33:02):
whole floor a reenus. This nigga was tight and he
took a al like millions, and that nigga was talking craze,
like stupid, crazy like yo, nigga, I killed nigga. I
turned this, I said, He said, I said, you finished?
He said yeah. I said, man, you should go to
Hollywood and write scripts, because if you think I'll give
a fuck about what you're saying, you got me fucked up.
Speaker 1 (33:25):
That didn't look at me, he said, oh, I said, man,
you care, You damn give a fuck about what you saying.
Speaker 3 (33:31):
Nigga.
Speaker 1 (33:32):
It is what it is the craziest. Let me turn it,
let me finish the story. The next day we go
to like Maddy Yank my Daughter. Yeah, bogotap, But the
next show was Meddy Yank.
Speaker 3 (33:47):
My Daughter. This is like power. That's all I'm gonna say.
It was like power.
Speaker 1 (33:52):
The TV show. My daughter goes to school with a girl.
They best friends. Her father says, come to my house
in Columbia.
Speaker 3 (34:00):
When you were over there. We in Miami. This guy
wear suits every day. Nice guy.
Speaker 1 (34:06):
I got four cops. This my security taking me around Columbia.
They stopping Niggo. What's the address? I said, you know,
thirty nine thirty three. Nah my guy, it's a mistake, Joe.
I said, no, I'm mistake. What do you mean that's
that's that's that's my friend up there. No, no, no, no,
(34:27):
there's no way you going to the house. Then Nigga
was dawn of all downs of Colombia.
Speaker 3 (34:33):
We went up there. He had million dollar horses, foss
of finos. Nigga.
Speaker 1 (34:37):
They was doing shows, horses. Then niggas just making a
suit so big. They had ladies doing the sun court.
You're like, you know them niggas. The cops stood at
the bottom. They were scared to go up. The police
was scared to go to the house.
Speaker 3 (34:54):
So I come back. I come back to the hotel
to save Nigga. Get them out of reve Well, you're
five niggas in the lobby. I said, don't say got
you yo. I'm like.
Speaker 1 (35:09):
Families saidy for what I say, I sady, I don't
mean it. Fun, I don't mean it. Listen, I said, no, no, no,
what happened? No no, no, no, siety, sady. This nigga
by mistake, just my daughter and his daughter. He happened
to be that nigga. Yo, we in Miami. This guy's
(35:32):
a bit well anyway, he's a great guy. I'm just
saying that happened in Colombia. Let me tell you some
something I seen the other day that that made me cry.
It made me tear, but at the same time, I
was really happy for him, but it made me sad too.
I'm gonna tell you what Evis is one of the
(35:52):
legends of all legends. Like Steven wants, I had just
the way to explain it to you. And he showed
up with Alex Sensation in the middle of La Bella
and started You saw that last week was performing.
Speaker 3 (36:06):
The literal doing.
Speaker 1 (36:10):
And the whole hood like Stevie one that decided to
pull up on Harlem, pull a fucking piano out and
started crazy like That's what happened in Puerto Rico. Tito,
the Nevis Patty LaBelle Stevie Wonder whatever went to the
middle of the hood and ripped it down, never been
(36:31):
seen before South ever history.
Speaker 3 (36:35):
So I'm looking because it was like a mentor to me.
Speaker 1 (36:38):
I loved Tito, and I'm looking at it made me
feel like, for one, we better appreciate Tito Nervis for
two years. Man, it getting no right, And so I'm
like it scared me. At the same time I was happy.
I was like, wow, like, you know, one day we're
going to get a phone call that the legends of
(36:59):
all legends passed the way No.
Speaker 3 (37:00):
Got for bid, God forbid. Yeah. Yeah, you were trying
to health now we want everybody. Yeah, yeah, that's what
you're in there. It made you there's a lot of
the there's a lot of old legends out man. It's
gonna happen. Man, it's a lot of a lot of
old legends out you.
Speaker 1 (37:18):
Know, because you think about even in English, we think
about certain legends that's still here that we take for
granted that if they passed away, you'd be like, yo.
Speaker 3 (37:26):
Yeah, now you feel getting the Latin grammy. Man, that
was it was a blessing. You know. The funny thing
is like, okay, I was down for the ground, ready
for Beneatha to develop, developed, produce that yeah, developed, developed.
Speaker 1 (37:43):
Mark Anthony's that's my little Man for Africans, it's closed
every time. See line that's all one two three, Yes,
he's flash shout out to develop.
Speaker 3 (37:55):
That's my sister. So we made the song. It was
nominated for the Grammy. But I had I had I
had twins that same week, So in my mind, I
forgot about the Grammys. So I had the twins. I
think we were all there were two months and I
see you because they were bornrematurely. So I was just
(38:16):
every day going to the hospital, every day, working up,
going to hospital, working up in real life, love real life.
So I wake up and I see my Instagram flooding
and my phone flooded, said you got a Grammy. I said,
oh what that Grammy? Boom, And like Dad asked me,
if I wanted to go, you know, to the Grammysime,
I could have, you know, but like I said, no,
(38:36):
I can't leave my girl. You know. That was like
it was even like a thought in my head, and
my mind's like I've been a few times like that
ain't gonna happen and boom, But I didn't. I wouldn't
you wish you no never never never. Those are my
Grammy babies, Like you know, I wouldn't have been in edit.
I got nominated for like six seven Grammys. Man, I
(38:59):
never won ship. Man, it's like a revolving door. Yeah,
you lost the ready I tell you, like out my
nigga bad Like it's hard to like Grammy Grammy, Like
you know when you got that got you guys competing
against m J. Yeah, feeling like this is this is.
Speaker 1 (39:21):
Sometimes we got nominated. We was MJ, and you was
shocked that we lost. I lost to like the Black
Coped Peas before they had the White Girl. The ship
was just unjust Joe Flag.
Speaker 3 (39:38):
What was what was the song? Was the song I had?
Like lean Back?
Speaker 1 (39:42):
This ship was number one forty seven weeks. The niggas
came to the niggas, they had freestyles or something, and
you know the Grammys. Let's listen, we love the Grammys.
I want to win one this year, but I finally win.
Give me an honorary something a button, nigga, like, give
me an eye wonder granby.
Speaker 3 (40:00):
Butt, give me a gold button.
Speaker 1 (40:03):
There's something because yo, my man, that's just his number,
Like I you're gonna get me an honorary or not. Yeah,
they gotta get me, right, they just gotta give me
an honorary. A make up call, I got like two.
I should have won that flat out. Should have won
like all the way up.
Speaker 3 (40:20):
Let's get it, huh, let's get it. Let's get it started.
Well that was the flag man, Nah, that ship get
it started, Disney movie. Still. I remember I went to
see my man in jail.
Speaker 1 (40:40):
That ship played on the radio, and every that ship
played on ten ten wins.
Speaker 3 (40:45):
I'm dripping up to State. Yeah they started. I put
the standard, State said, let's get this started. What that's when?
You know that ship? You know what? When recipees? I
finally got to see the Michael Jacks some movie fucking phenomenon.
Speaker 1 (41:02):
And you're gonna love it. Oh man, you're gonna love it.
It's incredible. If you love Michael, you're gonna love this.
Speaker 3 (41:08):
I'll be scared to watch Michael stove, so I'll be
I'll be may they be trying. Yeah, that's it. That's
that's it. You know.
Speaker 1 (41:15):
Uh, you know Clive Davis rest in peace, his fe
news today the many of you die, they start trying
to throw ship on you. I had to tell somebody
who's a real a real dude, not just a real dude. Well,
we call him the Loves. The nickname is the Loves
and super of the realist dude. And we just talked
(41:39):
and ship and he starts saying, you hear what they
trying to say about Clive Davis and this, and now
I said, Yo, listen, love you and this guy is
the dawn. I said, love you. If you wasn't talking
like that while he was alive, let's not talk about
him like that. Man, he caught himself so fast as
he's the realist of the said, Yo, you know what yo?
Speaker 3 (42:00):
Right?
Speaker 1 (42:01):
He said, I just I went for the hype of it.
I said, nah, be because you know where MJ's same ship.
Anybody could do. Let me tell you something, And I
don't want to give people ideas, but I'll.
Speaker 3 (42:14):
Tell you something.
Speaker 1 (42:16):
You can go with a little bag to anybody's I
could go right now. Let's just say Nicky Jam. I
can go to Boston where he was raised and pay
ten crackheads that lived up there for them to talk
shit about Nicky Jam, his mother, his father's this, and
make a documentary.
Speaker 3 (42:34):
That's any way you go, brother, you go to my projects.
Speaker 1 (42:37):
You thrown two dollars a shit pack of chicken wings,
niggasould be like fuck fat Joe. He was telling his
mother's allegbian. You can't go by what these people say.
You gotta love the person for what you love them.
What happened, Honorary, Yeah, geesh man, God damn man. But
(42:59):
my point is they say bas shit, But you'll love
the movie if it's not like a good you know,
and you know you're gonna love that. Michael Jackson, it
was really great. His nephew really played the hell of
a role. It was really inspiration. It was really really dope.
You know, I fuck with it.
Speaker 3 (43:15):
You ever see Michael Jackson conson I never met Michael Jackson, Like,
I probably pee on myself if I saw Michael Jacksonville
fucking life. I show you something else, huh had to
be something else like Michael MJ concert back back in
the day.
Speaker 1 (43:32):
Fucking concert MJ. And anyway, you know, I sampled him.
I did this song dedicated to my mother. He said,
free cleared the sample.
Speaker 3 (43:41):
Same thing. They was like, yo, Michael Jackson said, he's
a fan. Cleared the ship and one day the Maria
sample I use I couldn't fucking believe for free.
Speaker 2 (43:50):
That's crazy, Doctor Dre Queen Latifa. Michael Jackson, I know
they all rich, uh and recently the big ye estate.
I sampled them and they was like, yo, your money,
No good fat Joe.
Speaker 3 (44:05):
I'm about to say some stuff. Shoot no that you
might not a begire No. That was crazy.
Speaker 1 (44:19):
But Mike Michael Jackson spire I was crying. I watched
his funeral. I was in uh Albania. I had a
showing Albania and my dough must have been opened my hotel.
Watching the funeral, I'm crying. All my friends looked at me.
They thought like something like they've never seen Joe Krack cry.
(44:40):
So they looking like, oh ship, and I'm looking at
MJ's fit.
Speaker 3 (44:43):
It was that.
Speaker 1 (44:44):
That was like nine to eleven when they said Michael
Jackson died. I pulled the truck over almost near Yankins.
Speaker 3 (44:52):
I'm up there.
Speaker 1 (44:52):
I was visiting my son Ryan up there by that.
What's that ship? That the sore grass or what saw milk?
So I'm up near there. They say that, And when
I pull over and I checked every radio station like
there's a radio station had caught ten ten wins that
they only play the news, they don't play a record,
(45:13):
they don't even play a melody. Them niggas have Michael
Jackson on the Italian Red radio station, Michael the Spanish,
The Death of That, That's the He's done every fuck
first and thought I didn't believe it, So then I
start changing. Then I walked in the restaurant they eat
dinner after and they playing Michael Jackson and the Entice.
Speaker 3 (45:36):
It was like.
Speaker 6 (45:40):
Joe and jadashow dot time we got new merch fresh
off the Prestons. Go get it big out of Big
Bow Joe and jadensshow dot tim.
Speaker 3 (45:52):
You can get the little code for a T shirt
with the hoodies at.
Speaker 1 (45:56):
It's my favorite right there. I need an extra large
showing Jada's show dot com. Go there and get it.
Speaker 3 (46:09):
Talking about him, like what what what? What did you
guys like here? Listen to you y'all was growing up
in sixteen fourteen fifteen, Jada ill.
Speaker 7 (46:20):
I was on Kane and krs I, Kim Hell only
only Only Rapper, No No, also off R and B,
Luther Jackson, Addie LaBelle, Stephanie Mills whispers basically everything whatever
my mom's listening to.
Speaker 3 (46:44):
The first music that I ever heard, so of course
definitely it's like I should host the host sam and
know my princes vision job.
Speaker 1 (46:51):
I heard Spanish music, but never really enjoy Spanish music
growing up, unless it was like saucing. Now I suck,
it's still very like do MESSI had aught that laugh
on all that ship was ringing. But I grew up
in the whole black neighborhood, so it wasn't until I
(47:14):
went to high school that I met a Spanish dude
that lived in the all Puerto Rican neighbor I didn't
know they had the other side of it where I'm
the one Spanish nigga running around. I met the one
black dude running around the Spanish statement South soud all
over they got the food I get over there and
(47:35):
niggas I get nigga black. And I met the fact
Joe by that neighborhood over there, like oh ship, you
got a black guy that talks to y'all from here, Papa,
what you're talking about? And so that's where I learned
Hector Lovemo and I learned all the all the Southie
grades to Willie Colows, all of them. That's where I
(47:58):
learned South and music because they was black that it
was just it was just before there was no Instagram,
my nigga. So it was just like I grew up
in the black neighborhood and then I went to a
place that I didn't even know exist where it's all
Puerto Rican. So when I went there, they blasted South
something nigga did the sauce over there.
Speaker 3 (48:19):
It was no English over there. And when you and
Jimmy Pun Pun Pun from.
Speaker 1 (48:26):
That before you guys the Porto Rican, no no, I
already had an album out already.
Speaker 3 (48:31):
I was finishing my second album. You know how I ambled,
sambled the twins joint there, I did a joint well,
I think it was Apple or Spotify, and they asked
me to do a and I I think, yeah, we
did something. I think we did something with that. Did
you go in Spanish with the dead in the middle?
Did you do that? I didn't. I didn't do it.
(48:51):
I didn't do I didn't. I didn't get that. I
didn't do it. I did that. That's you should have
did that, Hin hinted, and you should have did that.
Ship right quick gave it to the biggas well. Pun
He met me, so I was like a mini star.
Speaker 1 (49:11):
I was on the rise, right, So if you looked
at me, you was like, well, because it flows you
the way I do is like you gotta show me.
So it's like I had one hit in the hood.
Then I'm finishing my second album. And so it was
like the final day that I was finishing my album.
So I come, I go in to Bodegga. I come
(49:32):
out and some niggas are rapping, and pun is just
big guy. He said, yo, yo yo, let me rap,
let me wrap.
Speaker 3 (49:38):
So I'm like, fuck, is this nigga gonna wrap about?
And my god, he started.
Speaker 1 (49:48):
And then he stops. And so he's going like a
hundred miles. I think you driving a Ferrari. Sit him,
snatch the moon off the sky and blow the sun
of way. Me and my niggas playing boy hawk Cross.
I had a Lexus four hundred. I opened the door
(50:08):
so fast, and I said, sit down, please, sit in
the car, Get in the car please. So I was
there behind the scenes when I saw what Puff Daddy
did with Biggie. So the fact that that that he
was dumb nice, I knew I was gonna make him
like a Spanish Biggie A fasace on him and all that.
Speaker 3 (50:27):
So I already knew this guy, nigg this is gonna
be the one.
Speaker 1 (50:32):
So he sits in the car, you know, we drive
and he tells me his life story in about twenty
minutes and then he was like, yo me because you know,
we already was a crew. So Terror Squad was already
had a very street presence in the Bronx and all that.
So he tells me so he was a real nigga
(50:54):
that never really had a crew. So when he's with me,
he's like, yo, Terror Squad, they're gonna be with me.
Speaker 3 (51:00):
Like I tell them what to do. I said, nigga,
ain't gonna love you. He said wow, because he knew
what that was.
Speaker 1 (51:11):
He seen what so he was like he was born
into an army. Like then do whatever he tell him
to do. And he's crazy. So he was like, Yo,
I'm gonna have all these crazy niggas up under me.
I was like, yeah, you're going, and then we just
became brothers right on the spy. It's really weird because
(51:31):
I come up from the streets where I never really
trusted people, you know what I mean, Like a lot
of people let me down.
Speaker 3 (51:37):
The bad people in the streets and the drug gameer
was niggah.
Speaker 1 (51:41):
It was the worst of the worst of the worst
of the worst, most deceptive niggas, the most manipulating niggas,
the biggest lies you've ever seen in your life. To this, this, this,
and then I gotta be the guy who tells me
his life story. Vulnerable and trust is me from the
first second I meet him, because the type of shit
(52:02):
he was telling me, you don't tell her nothing, right.
So I'm looking at him, I'm like, yo, this nigga.
Nigga was like, Yo, we're going to be brothers, right,
You're going to be my big brother. I said, yeah,
I'm gonna be your big brother. And we was just tight,
like it was unseparable, me and him, you know, unseparable
in peace. Pun Man, How did that feel like you
when you was in Puerto Rico and you heard Big
(52:24):
pun for the first time?
Speaker 3 (52:25):
You do, he was bought equal, you know what's crazy?
Like me? Since okay, I was a big you know,
I was in the States my whole life, ten years
old in the Puerto Rico, did no Spanish, so I
had to learn Spanish first, and then so when I
was in pert Rico like I was going vacage. I
would be seeing at three Tito, We're seeing young Dad,
Dagle Dawn, you know. But I didn't know about you
(52:48):
know baby. I think Lingo and Lidco had Big Punt.
I had to learn Spanish first, completely learn Spanish, and
then I would go back and study. You know, oh
damn big pun Okay, this boom boom. But as a kid,
like you know, that was different because he was popping
like I was. I was in the States, it was
(53:08):
popping for the Latino. I was like, you know, for
fork on them like I would have to, you know,
go back and listen again. But Big Punning like he
always was popping because he had commercial songs. He has
songs that wing like I was. I was not lasting.
You were here, you would hear Big Puny your feeling
like you know, but knowing he was, I was fau.
(53:29):
We didn't have a lot of like Puerto Rican, Puerto
Rican representation that were like that would be so you know,
put the flag on my back, you know, and about it.
You know. So it was you know, you you know him,
it was it was dope.
Speaker 1 (53:41):
Know what's crazy is the first I'd never forget the
first time I because I used to be scared to fly.
Speaker 3 (53:48):
Yeah, I got over thet me like two years ago.
Speaker 1 (53:50):
I was terrified. So I never used to go to
Puerto Rico. Why we selling double platinum a bunch of times?
Speaker 5 (54:01):
D R.
Speaker 3 (54:02):
Yeah, yeah, you fire fire. You've been in Latin America
like like, oh, imagining Argentina. I don't really. I never
really did Latin America like that a few tires. I
mean I was experienced, like there you show me up,
(54:23):
you lest your yeah mon yeah when they say mon
that guy, yeah yeah, that nigga crazy right here? Let
me yeah.
Speaker 1 (54:40):
Yeah yeah, let me act with the bodies in Puerto Rico.
They never say fat Bobby the matter fact.
Speaker 3 (54:49):
Joe Man.
Speaker 8 (54:50):
They said, oh yeah, five new comedy, said Fin Yo
yo new come me Beta, Oh yes, new comedy, said
Joe my name is five yeah nobody, And Joe.
Speaker 3 (55:05):
The Mega said the five five in Mellow five crazy.
Speaker 1 (55:14):
But with me, you know, I seen, you know, I
don't want to repeat myself, but I seen, like the birth.
I remember, I went to Orchid Beach one day, right,
So every Sunday we would go to Orchid Beach and
there was a guy standing there. He had all these
chains on and they was like, yo, that's that's the
(55:36):
Puerto Rican rap. He's the nigga.
Speaker 3 (55:38):
Yeah. I was like, really from Puerto Rico. It was
Vico c Yeah, so Vico. He was at the Orchid
Beach with a bunch of chains on and he was
that niggro. He was like a Jada kiss over there
and over here, came over here. I seen him before
I even rap, Like I seen him, you know, make
(56:00):
Puerto Rican rap, you know more worldwide. Yeah, he is
probably one of the first ones the ridge. I was swimming.
He was a swimmer. Yeah, I was a pro swimmer. Bro.
I was too good at the wrong SPORTY made no money.
Swimming don't make no money. Have you ever been to
a swimming You're like, I never heard free. I never
(56:24):
heard a swimmer hosting the club. Y'all swimming only swimming
making breads. Michael Fels got that. You got that endorsement money,
But like it does you know, help you be more disciplined,
you know, being being good, Like swimming is a very
tough sport. It requires you know, physical mental. Do you
(56:45):
train like seven hours a day? Probably you're doing it
because we.
Speaker 1 (56:49):
Always fucked up. We always chose the wrong ship. So
in the hood, the black kids are fucking playing ball.
They get we playing handballting.
Speaker 3 (56:59):
No money on it, and like, hey boy, now three
sports baseball, basketball and boxing. Man, you can you can
make bread. You don't make that, Brad, there's other league baseball, boxing, Yeah,
you can make In New York, we played Hamble. Niggas
get no money in Hamble. Motherfucker, duncan get money. They
(57:22):
this that they got the Ruckert They got that dad
Campbell Sports and my dad played that camball. Yeah, fucking look,
Uncle Willie was a everyone's a handball master cam artist.
Speaker 1 (57:35):
Your uncle will come on every time I talk about him,
some scanning listener, Uncle, I love you to death.
Speaker 3 (57:41):
Uncle will was so good at hamball.
Speaker 1 (57:43):
He would go to like Brooklyn Queens and loose two
games for like fifty dollars and then play the nigga
for five or gis.
Speaker 3 (57:52):
Uncle will is the same.
Speaker 1 (57:54):
I only seen him lose one time, like a real
He tried to win and the motherfucker some white dude
out in Queens beat him for the bat. There was
a bigger scammer than them. Nigga every Saturday and Sunday
would go Queens Brooklyn, the Bronx. He would go wherever
(58:15):
they and they used to bet five hundred dollars in
hand boy, he used to bust they ass every that
was actually part of his job. Nigga too, I bring
back home three hundred. You know, back in them days,
nobody believes me when you did comport that with two dollars.
If you win one hundred and fifty dollars ship like that,
that was big time. I remember one time they most
(58:36):
fucked us up because they knew the fix was in.
He lost too on purpose. Hit the nigga for like threere.
He beat him so bad. Nigga, n get the money, run,
go go go go.
Speaker 3 (58:49):
Fuck you walk get the bucket. No, I'm telling you
that ship was crazy. Uncle Will was dead nice and
no handboy, all.
Speaker 4 (58:59):
The real ones out keeping it eighteen hundred.
Speaker 3 (59:03):
What's in the future for you?
Speaker 8 (59:05):
Man?
Speaker 3 (59:05):
What you're working on? Album? Man? We got we just
dropping on a course. So we dropped a different album
and I got the trap song, got the rap songs.
We have a freestyle joint that's going crazy right now.
Freestyle freestyle, nice beauty Torett, Yeah, freestyle smart, smart. I said, Man,
the last time I heard SOMETHINGE do that line, I've
been like a good two years trying to get the
(59:26):
perfect because to do that, it's not the same thing
like a rap. You know, you got to release knock
into it with me. I need that, Okay, calid and
sample Steve b Okay, Okay, so we we I tried that.
It's dope, but the freestyle is going hard. It's one
of the most hardest songs on the album. We got
(59:47):
the DeLux coming soon Netflix of course, low dig of course. Yo.
Speaker 1 (59:56):
Why this is a hundred Why niggas got to get that? Yeah,
you just gotta get nasty. Yeah, yeallo, hollo bro eighteen
courser I'm gonna drop a couple of month bother this year.
Ray Mersey Boom in the chest, Ray Mercer.
Speaker 3 (01:00:15):
That's a hit. Boy. I'm gonna drop a few more
joints this year. You know, I got some more you know,
American Collapse, you know, trying to you know, keep on
building that bridge, you know, all like that. Yeah, I
think it's all about doing the correct collab. You know,
you got collapse. That that word collapse that don't I
love the joint with you in future was it originally
your song? First? Did it? I dropped that first? They
(01:00:37):
went crazy stupid, and I said, man, we got opportunities
that my team said were opportunities in the future, which
you guys say we're doing. That's that's one of the
songs that and it gets the soccer and you know
it's my neighbor in Miami building. He's killing them and
my guy got fire fire in my building. My man
(01:01:01):
and he be with his family and his wife is
a good friend. He's like, he lives in my building.
The African. Yeah, he has a white wife with blue eyes.
For nothing.
Speaker 1 (01:01:15):
One I'm talking about, the one I'm told I got
a whole family. Maybe I'm blowing. I'm messy. The black
dude that got he got a hundred million followers. He's
killing them, niggas rich. He's saying, Yo, your man hit
another one.
Speaker 3 (01:01:29):
This he lives in my building. Guys in Miami, I
think it was in Boppi in France. French. He's African French. Yes,
Now he's.
Speaker 1 (01:01:51):
Find the soccer player that lives in all he got kidding,
the one I'm told I told me old story. He
got kiddingapped by his own brother in Africa. You know
it's my name, okay, and they ag't killing him right now?
Speaker 3 (01:02:14):
That's my god. Yeah, the beast. That's that's what you
talking about.
Speaker 1 (01:02:18):
He told me, Oh, I ain't the only nigga got
kidnapped in Africa.
Speaker 3 (01:02:24):
They kidnapped him his old brother. You are kiss yes,
shout out to talk about shout him, my man. That's
listen to myself. That's a hoop. That's a hooper. He's
a hooper, right, you go crazy, nigga go. You know,
I don't know nothing about football soccer.
Speaker 4 (01:02:42):
You know.
Speaker 3 (01:02:42):
All I know is every time I see him, everybody
be bugging like yo, that niggas nigga yos. He's the
I'm like, but I don't know you know what I'm saying.
So what you want me to do? He's just the
nicest guy in the world. His wife's the nicest lady.
The kids a beautiful, beautiful family. I hung out with
him a bunch of times on the yacht that came.
I hung out with him. Damn. I don't even know
(01:03:04):
his name. What's his name? Talking about? Poke about? Pokemon
is a good guy? Skip what take me play for?
We didn't call me Bobby on the boat.
Speaker 1 (01:03:17):
He's playing for French. I don't know he's not playing now, Well,
why Rich is telling me, Oh, so that's.
Speaker 3 (01:03:24):
The wrong nigga.
Speaker 1 (01:03:25):
The guy I'm talking about, guy's talking about still killing
Oh he ain't killing them like that, no more something
steroids or something. And then now that he came back,
he ain't got the fluidity like that. Wow, Rich is
(01:03:49):
lying to me. Rich, keep telling me your man is
killing me. Show me a nigga making the kid Me
lying to me, Yo, your man's World Cup killing them
niggas right that maybe he's here saw worlke up any
team in the world. You don't got to be front row.
It don't got to be nothing. But I need them though, Okay, thank.
Speaker 3 (01:04:10):
You, you need to go ahead. It's right, right, experience
at least one game. But that's the story. But you know,
I got a jersey. I don't even a soccer game
I want to go to. Just No, there's no you're
never going to see in a basket. Maybe I can't
even say not even like the next basket, nae basketball.
(01:04:30):
That's like where the real like Boise fans fucked up.
It's crazy, I tell you, ware. The only you guys
I experienced. That was the U M Championship game.
Speaker 1 (01:04:43):
Will half the crowd is the other college half the
crowd with thatsh college basketballs?
Speaker 3 (01:04:53):
No, No, the football. No, it was like seventy was
with us that night.
Speaker 1 (01:04:59):
That ship was I've never been to that like where
half the crowd is half the crowd they going for
everything that ship.
Speaker 3 (01:05:05):
That was exciting. But that's how locked like Team Columbia
game or one of those joints. That's just remember like
there's a lot of those people like that are here
in the US that haven't been back home in a while,
so they'd be going there like that's not going crazy.
Piece of I bought a jersey on fly fucking soccer,
I don't know what team, and I bought some sneakers
(01:05:28):
to Magic and I'm gonna wear that. You need Yeah, yeah,
you rock that. We got to rock that people one time.
Speaker 9 (01:05:35):
You know what I'm saying, Cup, well, cup cracks all
right this time, Yo, check this out. This ain't that
and ain't this It's cracking kids, God damn to give
it up.
Speaker 3 (01:05:46):
And oh yeah, the fire
I had like lean back this ship with number one
forty seven weeks. They have freestyles or something. And ye
know the Grammys. Let's listen. We love the Grammys. I
want to win one this year. But I finally went again.
Got joey rch Yeah, they gotta get me right, I
got like you. I should have won that flat out,
should have won like all the way up.
Speaker 2 (00:21):
Let's get it.
Speaker 3 (00:21):
Sorry, huh, let's get it. Let's get it started. Well
that was that? Would I let the flag man? Yeah? Yeah?
(00:49):
What up? Y'artist is Joe cracked the dawn? You know
who it is? Oh, go ahead, you got some more
a ka I had parties.
Speaker 1 (00:57):
Joe cracked the dawn. A knack of Jada.
Speaker 3 (01:06):
What's up, dude? It is your boy, Jada. This is
the Joe and Jada Show.
Speaker 4 (01:11):
Every show legendary, every show icony, and we continue to
crush them. When you think of today's guests, that's right.
Remember I just told you every show legendary, every show iconic.
Those are the key words. You think of today's guests,
(01:33):
you think of a crossover problem. Somebody who took that
Latin trap lane and turned it into a highway. I
think Kansas City roots, Puerto Rican hustle, punchlines in two languages.
Listen to that show punchlines and two languages, a catalog
(02:00):
heavy enough to talk back to whoever.
Speaker 3 (02:03):
You know what I mean?
Speaker 4 (02:05):
You think multi platinum plates, La Grammy, weight.
Speaker 3 (02:12):
In the flow, so cold to make your favorite wrapper.
Speaker 4 (02:15):
Bundle up, ladies and gentlemen, give it up.
Speaker 3 (02:20):
I'm gonna need to cut that and use that for
an intro something. Brother, how doing normally? I just get
(02:41):
to the case.
Speaker 1 (02:41):
But the shoes you got on, I'm trying to figure
out that on the record, like.
Speaker 3 (02:46):
You cool with shoes. I got my days for me
to be honest, I'm a very. I'm a very. I'm
a very being in my house, you know, because I
see you with the with with the dock holes and
if you just did he box down the street with
the docles.
Speaker 1 (03:06):
I wear shoes under arrest, nigga, like if I'm locked
up or I gotta.
Speaker 3 (03:11):
Go to like an award ship of sucker says I
got comfortable, Yeah, yes, comfortable. It's comfortable too, yo yo tey,
you got sneakers on. I'm just saying, I'm I'm just
trying to ask me if I'm not wearing all these shoes.
I'm always New Balance stuff. That's that's one hundred percent.
I saw that.
Speaker 1 (03:32):
I saw you get big money with New Balance. I
love you know it's comfortable. That's comfortable, comfortable. You know
it's time for my sneaky to come out. I think
it's time for me to call that we've been hold.
It's been a hole. So I think now I'm gonna
make the call and that you know, we gotta drop
that t yes, the red joint. You know, we have
(03:53):
always one nice moment, stop front, give it to the people,
give it, come on. I have always been very very
impressed by your skills, by your flows. You never do
the same ship twice. Appreciate your collaborations. Tell us about
(04:16):
your upbringing. How'd you get into Latin rap? Do you
consider Reggord Torneto or Latin rap?
Speaker 3 (04:26):
Sah if we go by the like, you know, technically
I don't do that many thrones, but like you have
to me, you're more like a rapper. So you're like
a Latin rapper, but like more than just the thing,
like you know Latino like on our side, I think
like in the thing, like American music. You guys get
boxed in like if he's a rapper, you can't do
(04:48):
a dance hall. It was like, it's the very us.
We have to do everything like we have to You
do dance hall, afro b we gotta do trap, we
gotta do rap, we gotta like the fans are gonna
open to hear what you have to offer.
Speaker 1 (05:01):
Like another man, I'm very impressed by your music, brother,
because you know, you know what's crazy.
Speaker 4 (05:07):
Great analogy. That was a great analogy. Yeah, but you
know what's crazy. First of all, Joe and Jada the
number one showing the game. Come on, come on, I
don't give a fuck where you are.
Speaker 3 (05:20):
I'm home.
Speaker 1 (05:21):
I took the night off right. First of all, I
ain't want my wife to feel like I'm doing too
much because it's Sancho paid, Jada were Sancho paid. And
then I get back and I know the fighters on,
so I'm like, man, should I pull up on a
fight like you know, I might be doing too much.
Speaker 3 (05:40):
So I didn't want to get beef in the cribs.
I just threw it very.
Speaker 1 (05:46):
And I seen you walking this Zander the body man,
he's a tough guy, and then you walking in boots.
Speaker 3 (05:54):
So every time I see us some ship like that
or I'm there. I feel like Joe and Jada's record.
Speaker 1 (05:59):
I don't know if I'm delusion to about that, but
when I see it, I said, Dann, they can't escape
us for nothing.
Speaker 3 (06:05):
This motherfucker.
Speaker 1 (06:06):
Well, you walked in Xander and he walking boots. How
do you know boots? And you could tell me how
you know Xander?
Speaker 4 (06:13):
Oh, they reached out to these people and you just
knew he just shut out to my man, Harrio, I
always knew I got an artist stuff.
Speaker 3 (06:21):
From his same part of Philly, Germantown.
Speaker 1 (06:24):
Man from you've seen that ship, you know Philly is
you've seen the comments because you'll like to look at
comments now you love Oh don't Philly now that nigga
from here?
Speaker 3 (06:36):
He on the block over here. Don't play with me,
you know what I'm saying. How do you know Xander
like that? Man? I know Zenda for a while. Man,
I've seen him, you know, grow as a fighter, and
that's my brother in law. Every time I get a
chance to walk out with him, see him of fight life,
I go, Man. I love when seeing my friends doing
amazing things, you know, saying being boxing, being baseball, being
(06:59):
basketball reminds me of he's scared of nobody. He's a dog.
Boy's a dog. He's a dog. He's a young fighter.
He has his whole career ahead of him. He's he's
the dog. The dog.
Speaker 1 (07:09):
He swagged out he coming there on that bullship. But
you know he had you know, he didn't have to
fight that fight. You know, I guess he got the experience.
Guy has b harn. I think I would have I
would have ran away from the guy. I think I
wouldn't have ducked him a little bit more. I would
have been like, no, no, no, let me go another
weight class or something. Because the guy, the guy boots.
(07:30):
Guys like boots, they can't even get fights. They's so good,
and people like you know, people was avoiding from now
the sporting that fight. So it was an amazing fight
was amazing. It was a great aod fight.
Speaker 3 (07:43):
The fight of the year.
Speaker 1 (07:44):
If it would have lasted a little bit long, would
have been a fight of the year. You know, Ship,
they got busy, they got both fighters. They were really great,
but both of you guys at the whole people and
I said, oh, Ship, Monday, I.
Speaker 3 (07:57):
Saw Jaden when when I walked in the what's it
called the backstage? I said, oh, snap, we want to
go to the show on Monday. And I said, no,
that's hot man, and man, you nasty like my upbringings.
My upbringings.
Speaker 1 (08:13):
Yeah, I want to know how do you get into
Latin rap? Who was some of your inspirations so Spanish?
And it because you definitely got English inspiration, yeah, undred percent,
because all you do is rap in Spanish. But your
floats and everything and what you talked about is really
English rap ship.
Speaker 3 (08:30):
Yes. I was raised in the States, man. I got
to port I was like ten. My dad was in
the military. Like I moved around. My whole family from
New York, my parents, from my grandma lived in where
everywhere my grandma was in Red Hook I got. I
got cousins. I got like one hundred Collins over here.
I got twelve uncles and honest, but like I moved
on as a kid. I didn't know Spanish until I
(08:51):
was like ten. You know, there was time here, something there.
But my dad retired from the army, so like I
didn't have to do anything in the States anymore. You
want to go back home, So I was talking about
in Puerto Rico, learn Spanish watching nobilis speaking God over there.
Speaker 1 (09:06):
One thing that's uh a default the Puerto Rico for
the most part is it's America. But they don't speak
English over there like they should, oh you know, but
not now they's starting.
Speaker 3 (09:20):
Yeah, all the schools, you know. It was like I'd
be like, yo, you got and you gotta like American
people finding put Rico buy a house over here. So
you're like, you know, you got all the restaurants, establishments.
You know, they required you to be about ling going
out too.
Speaker 1 (09:36):
But such when the reggae tone ship started, they offered
me the biggest bag in the world, Atlantic Records for
me to make a reggae tone album. I was trying
to tell them I don't speak Spanish like that, so
my ship going to sound whack. It's just no way
around it. It wasn't like I didn't want to do
it with the right producer at the moment you would
(09:58):
have li but still my flow, my ship wouldn't have been.
Speaker 3 (10:06):
It wouldn't have been. I think you would you know,
made some shap, you could have made some shake little,
make some ship. Yeah, it wouldn't have been like that
rapper at the end of the day man, don't I
know a lot of rappers that they would do. They
would wrap on top of rap beasts and then they
would just switch the beat out. Don't after yeah, especially
(10:32):
you know wrapped, it would be half and half.
Speaker 1 (10:36):
Don't explain it too much because you're giving me ideas
right now.
Speaker 3 (10:41):
Like IgE to a lot of you know and candle
a lot of you know those after their father beat
a lot of times it will be half wrapped and half.
Speaker 1 (10:54):
I used to be with her their father, yea, before
he was in church, you know, the man, the man,
the man crew out there and then went.
Speaker 3 (11:03):
Into the.
Speaker 1 (11:05):
He became a pastor and so now he goes to
jails and everything and shout out to her father.
Speaker 3 (11:11):
I haven't seen him in years. I used to hang
out with him the point the community at the prime,
like when they were that's that's that's one of my
favorite ra's. I went to Dago's wedding, I was.
Speaker 1 (11:23):
I went to Thayer's wedding and there goes more like, well,
there goes the black reggae.
Speaker 3 (11:31):
He's from the black.
Speaker 1 (11:32):
Hood out there. You know, it's a whole black hood
out there. His son is named Hall them and some
ship like he was the Afro lot. He was the
first Afro.
Speaker 3 (11:41):
Lot, you know, I think who accepted and said ya.
It was crazy because like if you consider the age
he started popping off like it wasn't a twenty four,
twenty six, he was thirty like high. You feel me?
You want to know that's crazy. I didn't notice that.
Speaker 1 (12:00):
You already know when it's a real moment, you need
a real bottle. That's why we rock with eighteen hundred tequila.
Speaker 3 (12:07):
Y'all heard me. These people are making tequila for eleven generations.
That's right, eleven. That's a legacy. That's OG's status. Oh j.
They were the first to introduce and Naho set the
standard before most of these brands even.
Speaker 4 (12:23):
Existed, and you could taste the difference for real. The
eighteen hundred crystallino in Reprisodo is what we've been on. Lady,
move clean eleviy, no burn, no rough edges, just a
premium pour that speaks for itself. You know, when it's
something that is just built right, that's what this is.
Speaker 3 (12:42):
Real talk, That's just what it is.
Speaker 1 (12:44):
It's always around for the best nights, the wins, the celebrations,
to remember that night's story.
Speaker 4 (12:50):
Whether you're keeping it low key with the crew, or
you're pulling up to a big event. Eighteen hundred fits
every seven. It ain't trying too hard. It's just that
hundred tequila, real legacy, real smooth.
Speaker 1 (13:04):
That's the move, true, true, true. What hip hop with
such a young sport? Right Like I'm watching the BT
Awards and I say, NAS come out if you listen
to them lyrics, and Nas was twenty to twenty four
years old. The ship he was spending on, if I
ruled the world like the youth, they really had something
(13:26):
the same.
Speaker 3 (13:27):
You know.
Speaker 1 (13:27):
That's why I love the song you got with Xander
in the video said it's encouraging the kids, letting them
know if you could dream about it, it's possible. Tell
us about that and why it was important to you
to do like a motivational song like that.
Speaker 3 (13:41):
All right, So me, I'm very conscious that I got
you know, I got my song, my eight year music
that it's just you know, I do it thinking about
the show because my shows were like there's full blown
mosh pittures. They're like very high energy. So I strategically
do these songs repealing and beg go happen. It's not
saying so it's just a hype song t me as
(14:05):
an artist, you know, I do feel the responsibility, you know,
to go dig a little bit deeper. You know, you
know they got you got kids listening. I got people
who don't want to be jumping in mospits, who really
want to sit down while they're driving the work times,
like going into nine to five. What could I what
could I record to help help them, you know, getting
(14:27):
a better mood to you know, go to work. What
could I record to make this baseball player want to
put this song in is you know, is as that back?
What can I do like to make these athletes, you know,
getting the zone? Because I was extreamming, like I used,
I used music to you know, to get into that
you know that that that zone. And that's what I
think about. I do music all the time. So I
(14:48):
got songs like Goro. I think that's when I started
popping off my music. When I dropped a solo mixtape,
it was just straight progress music, you know, motivational music,
and like there was a space in the in the
genre and that music that people really didn't open up
like that. So when I started doing that, like you
(15:09):
just created this this crazy, you know, cold fan base.
People wanted to listen to music for other reasons. You know,
I still do my igno manship, but like who else
come up.
Speaker 1 (15:18):
With with how long you been you've been signed putting
out music professionally?
Speaker 3 (15:23):
And who else was that batch? It came around the
times you you was coming that class. My class is
the class Benito bad who Cloud, oh man, he was
rocking too, you know, and the things that it's cool
to see all them casts like going crazy because Benito
(15:44):
the game a lot of ship all he d like this,
he does like this, Nigga's super hopping. Let me tell
you something.
Speaker 1 (15:49):
This guy whatever boom Yo, listen, this guy bad Buddy,
Let me tell you something because it was and there's
no disrespect to nobody because I love everybody, but it
was at that point it was a battle of Annuel
or Sooner J Balvin.
Speaker 3 (16:10):
Everybody was putting out hits.
Speaker 1 (16:13):
But I don't know what the fuck Bad Bunny did
that made him a fucking bat man or some ship
that Nigga threw the sign up on top of that
building and that No, they all had hits. They all
was throwing off platdom ship. Everybody was big music and
that nigga just took off like a superhero.
Speaker 3 (16:30):
I don't you know it helps a lot with him,
Like he could literally be in a studio solo and
come out with that. He produces os fust ship, he
produces all you mean, his own beats that he did
those beats like you know, like wow, yeah, he's he's
like musically he's nice. And that's that's probably the big
reason his team is amazing, just really really talented.
Speaker 1 (16:52):
That we having a debate last night. We're going to
dinner with a couple of friends and they debating fuck it,
jay Z no no no Slow my partner, right, they
debating jay Z or Drake, And you know, my man
is like yo, Drake been doing this for twenty years
(17:13):
straight and still got young kids love it.
Speaker 3 (17:15):
Hope come out with something. The older guys are gonna
love it, But what about the youth? Is a good debate,
But it's hard to keep, you know, once you get
this to a certain level, to keep on delivering, like
you know, come bet in those places. You know what
else could he do? Can I sousa joint and just
went bo came Puerto Rican and made that sound commercial
like constantly raising the bar is difficult at that level,
(17:38):
you know. So that's that's that's that's very that's hard.
Speaker 1 (17:41):
I wouldn't say just raising the bar, raising the bar
or something you gotta do. So like Kim he got
this classic so on why when he did that that
was to be Jada was raising the bar. I think
the thing you you hit on first was actually right
right because.
Speaker 3 (17:59):
Rick rosson could have signed d J.
Speaker 1 (18:01):
Keller was begging me yo, sign him, sign him, sign him,
sign him, sign him when he had hustling right, I
honestly didn't think Rick ross was going to have a
long career because that was like at the.
Speaker 3 (18:15):
Time, that sound was like what was going on at
the time. I didn't think you think.
Speaker 1 (18:20):
I thought Rick Ross was gonna have ten albums, one
of the greatest rappers of all times.
Speaker 3 (18:25):
This is at hell though, that happens, and so you
gotta respect guys with me with an artist.
Speaker 1 (18:32):
Artists might come up with one head, two hits, right,
and then I'm just like, and then when they come
out again and they come up with another hit, another head,
and then they come up with another I said, I'm like,
they trying to stay This ain't the saying bit stop
my nigga. The motherfuckers want that long? Would you think
has that that juice? Like nowadays and like modern rappers
(18:55):
and you know what hip hop?
Speaker 3 (18:56):
Right now? You asked me a funny question because I
don't really know aboudy who's here in five years is
still gonna be Drake is still gonna be from Drake?
He did this better ready coming up? I can't really,
y'all honestly tell you right now? Don who don Toliver
(19:19):
or something? I think it is really good fires fire,
like if we're going that way, I really ranked artists
ask me a question that we can't even answer. Could
you answer it? Kiss? Like who's the young nigga that
is gonna be on my giant off of albums? Like
when I hear like artists really like digging into albums
(19:40):
and doing like good question? Why are you looking at
me like I'm trying to listen.
Speaker 1 (19:45):
We gotta be able to say no, jay Z, y'all
eminem right now, we don't have that type of selection.
Speaker 3 (19:53):
Or maybe I'm just old and I don't know who
the hottest younger? Why would you think?
Speaker 5 (19:56):
What?
Speaker 3 (19:56):
What?
Speaker 5 (19:56):
What?
Speaker 3 (19:57):
Why is the reason why why can't your name other.
Speaker 1 (19:59):
Rappers, you need to put quality out, like you're absolutely
right right now. My money's on the old guys. My
money's on me, my money's on him, my money's on
French Montana, my money's on TI. His album is really hot,
and for some reason, everybody step back. They let the
youth run with it for like ten years or whatever,
(20:20):
and then they're like, Okay, these motherfuckers don't want to
deliver classics.
Speaker 3 (20:24):
Then we got to come back out and deliver. You
think that sometimes maybe I think sometimes like you know,
the media puts out so much information that you think
that's the only information that's out there. And then you're like,
I mean, back down before I start, you know, like
maybe that's not what's really happening. You feel me like, oh,
this is the most hard like popping ours right now.
(20:45):
But maybe it's not happening. Maybe you're doing better, Like
you know, I feel like you know the media really
like you know, you know what I do over You
know what I do is I go off for energy. Right,
So let me let me tell you what a hit.
What do you think it hit is? I think a
hit is something that you you can see visibly in
(21:08):
shows that's that's the one thing you can't fake. You can't.
You can't pay someone to go to your show. You
can't even I know, I know people artists. I wouldn't
go to their shows even if they pay you. Feeling,
what do you think they hit undeniable? You hear it,
it makes something that you just know when when you
hear it, you feel it. I narrowed it down to
(21:28):
a feeling, a feeling, That's what I just said. So
if you if you.
Speaker 1 (21:32):
Right now they play that spending that ship, you're like,
oh ship, that's that ship, Or if you heard Lean
back when it first came out it made you feel
like a hit is actually a feeling. It's not just
this style of music or this success is if that record,
if you feel like playing that ship over and over again,
(21:53):
that that makes it a hit, right.
Speaker 3 (21:57):
Yeah, But you know it's crazy too. I think it was.
It was for y'all because, like producing wise, there's a
lot of stuff that y'all did for the first time.
So like when when it's hard turn now, we just
were like recycling stuff that has already it's very hard
to to really for be a racer. I don't have
to do y'all done, so mustard.
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Speaker 1 (24:13):
Know an artist that I really studied. I would have
never did lean Back if it wasn't for missing right. Yeah,
I studied it because you like, is that your bitch when?
And then then then then then is that your bitchin?
And then with and I was like noticing because when
I was coming up, I don't know if he knew,
but when I was coming up, I was figuring it out.
Speaker 3 (24:38):
So I'm I'm you know.
Speaker 1 (24:39):
My first song was called flow Joe, but I didn't know.
I already had to hit formula, but I hit it
by mistake. So it's like you gotta flow Joe.
Speaker 3 (24:47):
You gotta gotta guy.
Speaker 1 (24:48):
You gotta flow Joe, you gotta So it's the repetitiveness.
So with lean Back, I purposely when I was making
that hook, I said lean back, lean back, lean back,
because I said, all right, I'm gonna say make it rain,
make it rain, make it rain, so that you could
I didn't know that coming up in the game, but
I learned that from Missy because Milly Missy would always
(25:10):
make hooks like that. They keep that people could sing,
a little kid to sing whatever. She always reinvented herself.
We beat you all to a lot of ship because
we heard eminem for the first time. Hi my name,
Miss Niggas was like, Yo, don't fuck is that that
ship was like the aliens came down like Wimby and
(25:30):
Ship or you know him Jay.
Speaker 3 (25:35):
You know, it was nothing like him and the Lots
when they were young, you know, the Lots and that,
Like it was like that ship was. So we got
the experience. There was a lot of things firsthand. And
the music. I think people theme for music because it
was way more. It was not accessible, like no, you
have to literally go get the little mixtape or online
(25:59):
and tap ninety four in the tape area there.
Speaker 1 (26:02):
But like the c jay Z dropped the album on
nine eleven, Bro and Niggas went and bought the album
in physical buildings came down, Like you know, how hard
is that for somebody saying, oh, ship, they blew the
buildings up. Yo, let's go by the jay Z album.
Speaker 3 (26:19):
It's crazy you went and bought the album. You bought
it on nine eleven. I was in the house on
that eleven. I was in Alaska. Man, your two time
a fella. You went and bought it. You was in Alaska.
I remember the exactcause anous. You know that means you
know war, you know, so like I remember seeing that
(26:42):
saying they gonna send that said that, but you know
he's very very very horrible. Mask. I remember the exact
same on last and the city came back. My man
had full flax rest of peace up his true story.
You know.
Speaker 1 (26:57):
Now, I say, you know, I'm like the forest gonna
hear hip hop. I've been everywhere you could think of, larist,
dump of hip hop. I've been everywhere you could think of.
Speaker 3 (27:07):
I was there. What's the most craziest place you you've been?
On stage? You said, he how am I here? Yeah?
All the last of that he did show that. Yeah,
I gotta I gotta say Africa like their shows. I
did in Africa that if they were social media today,
it would break a record. Like it was like as
(27:28):
far as I could see.
Speaker 1 (27:29):
Human beings, nigga, I mean the buildings, the roofs, the floors,
the windows.
Speaker 3 (27:35):
The fucking soccer. What is that the football where you
kicked de feet the field go through. Niggas is on that,
Niggas on the light. Niggas.
Speaker 1 (27:45):
It's just out of control, my nigga, Like, I mean, like, well,
you're just like, Yo, this ship is unbelievable and you're
ripping it down. I would say Africa, Africa, no phone,
most that gendary, it was no way, none of that.
So it's like, you know, for one time, I would
pretty much live in Africa for like two years, meaning
(28:09):
over here. So what happens is you stay stayed a lot.
But what happened is you could go to Equatorial Guinea.
They speak nothing, but.
Speaker 3 (28:19):
You know, I got, I got, I got for the
show there, just started doing to go. It's beautiful and
they all speak Spanish. Whole Africa, the whole country. When
you meet the girl is my the other smile and
uh and let's see that in the middle of Africa,
like that's their names. You know me today and they
(28:40):
playing South soun ship. It's the craziest ship you ever see.
I used to go there. I used to go over there.
Group an be performing me this that yeah hotel I
met and Fat Joe's the rapper.
Speaker 1 (28:55):
That ship was lit every New Year. But the point
is I've been to some shit, you know what I'm saying.
It was really really, really really weird. I went one
time I thought that was nobody was there. I went
to tangoneer. That's the furthest shit to go. A plane
gotta take a break. The plane gotta take a break,
my nigga sho the plane lanes like eighteen out, nigga eighteen.
(29:20):
I was in that shit of land in the smack
in the middle. You could be in suit dad, nigg
you don't know where that ship pitch black and they
start throwing that they put the gas in that bitch
and they.
Speaker 3 (29:32):
Ain't going another five. That's the furthest place I ever been, right,
So I go, just to describe the whole shit. We
get out. They got a bunch of trucks for us,
We get the gas the airport and they racing. They
racing like a president is here. Some shit back. So
some guy's going to work. It's like six in the morning,
(29:52):
the sun's coming up, and they almost hit him. So
he back to the fuck he sees me. He's like, yo,
fat Joe, what's up. That's why I knew I was
fading when I went that fucking ball away and the
first nigga at six in the morning almost got hit
with the colls like yo, joey crack old ship. I said,
oh shit, I'm famous. I'm all the way far to me.
(30:15):
And so that night I went to do the show.
It was so quiet. I came out the back of
the thing and I'm going around the stadium and he
was like, nobody was quiet as shit. And I made
one turn that might have been three hundred thousand, bigga,
(30:35):
but you couldn't see that. I was scared. I thought
I had a note show. You know where I fucked
it was terrible for me. Was Columbia, Colombia.
Speaker 1 (30:43):
I went to Columbia and one time and my wife's Columbia,
and you know, I got an l story with that one.
But yo, the promoter oneed, Yo, listen, let me tell
you something. The shows was not fool my nigga. They
rent this stadiums and it was like five hundred people,
one thousand people, and the ship was twenty seeded. Weenas
(31:06):
Dan Nigga was time my man like. He was like
because he paid me a lot of money. And I
went out there and it was it didn't work. I
don't know if he ain't promoted right or fat Jo
ain't big in Colombia.
Speaker 3 (31:16):
In America is Argentina. The place where they accept like
the most is Argentina. And Chile because they got they
do a lot of losers like dirty, you know, educated
and you know in Mexico too. The other day I
went to had to show a message. I think it
was like six sixty thousand, but next to us was
(31:40):
like a fifty thousand arena and it was it was
seeing it was a chemical romance. Two days in a row,
fifty thousand Mexico. They'd be going to imagine go fuck
with hip hop? Yeah, wants to go because they're very rap.
I went to Colombia. It was crazy because you know,
(32:01):
my family over there. They probably thinking like I'm a
big rap star. When they showed up to the show,
the niggas is probably like, what the fuck happened the saxophone.
The saxophone started saying yeah, like yo, this demo, it
wasn't rocket me. I was like, so the promoter, I
(32:22):
see him, he screaming on the work and so I
walk in.
Speaker 1 (32:25):
I'm like, you know cause he spent a lot of money,
he said. I said, Yo, Pappy kept my soul to
shut and look at myself. Get that year heaven Dot
get up one of the new bott cong guntry. But
then this cool look.
Speaker 3 (32:42):
It's like this nigga was telling me he wants to
put a bat up my ass with spikes and fucking
with my I would have been right there Monday. You
had the money, you had the money. You have the
money already, and he paid me the bag the hotel.
Top of that line. Nigga that rich called in the
(33:02):
whole floor a reenus. This nigga was tight and he
took a al like millions, and that nigga was talking craze,
like stupid, crazy like yo, nigga, I killed nigga. I
turned this, I said, He said, I said, you finished?
He said yeah. I said, man, you should go to
Hollywood and write scripts, because if you think I'll give
a fuck about what you're saying, you got me fucked up.
Speaker 1 (33:25):
That didn't look at me, he said, oh, I said, man,
you care, You damn give a fuck about what you saying.
Speaker 3 (33:31):
Nigga.
Speaker 1 (33:32):
It is what it is the craziest. Let me turn it,
let me finish the story. The next day we go
to like Maddy Yank my Daughter. Yeah, bogotap, But the
next show was Meddy Yank.
Speaker 3 (33:47):
My Daughter. This is like power. That's all I'm gonna say.
It was like power.
Speaker 1 (33:52):
The TV show. My daughter goes to school with a girl.
They best friends. Her father says, come to my house
in Columbia.
Speaker 3 (34:00):
When you were over there. We in Miami. This guy
wear suits every day. Nice guy.
Speaker 1 (34:06):
I got four cops. This my security taking me around Columbia.
They stopping Niggo. What's the address? I said, you know,
thirty nine thirty three. Nah my guy, it's a mistake, Joe.
I said, no, I'm mistake. What do you mean that's
that's that's that's my friend up there. No, no, no, no,
(34:27):
there's no way you going to the house. Then Nigga
was dawn of all downs of Colombia.
Speaker 3 (34:33):
We went up there. He had million dollar horses, foss
of finos. Nigga.
Speaker 1 (34:37):
They was doing shows, horses. Then niggas just making a
suit so big. They had ladies doing the sun court.
You're like, you know them niggas. The cops stood at
the bottom. They were scared to go up. The police
was scared to go to the house.
Speaker 3 (34:54):
So I come back. I come back to the hotel
to save Nigga. Get them out of reve Well, you're
five niggas in the lobby. I said, don't say got
you yo. I'm like.
Speaker 1 (35:09):
Families saidy for what I say, I sady, I don't
mean it. Fun, I don't mean it. Listen, I said, no, no, no,
what happened? No no, no, no, siety, sady. This nigga
by mistake, just my daughter and his daughter. He happened
to be that nigga. Yo, we in Miami. This guy's
(35:32):
a bit well anyway, he's a great guy. I'm just
saying that happened in Colombia. Let me tell you some
something I seen the other day that that made me cry.
It made me tear, but at the same time, I
was really happy for him, but it made me sad too.
I'm gonna tell you what Evis is one of the
(35:52):
legends of all legends. Like Steven wants, I had just
the way to explain it to you. And he showed
up with Alex Sensation in the middle of La Bella
and started You saw that last week was performing.
Speaker 3 (36:06):
The literal doing.
Speaker 1 (36:10):
And the whole hood like Stevie one that decided to
pull up on Harlem, pull a fucking piano out and
started crazy like That's what happened in Puerto Rico. Tito,
the Nevis Patty LaBelle Stevie Wonder whatever went to the
middle of the hood and ripped it down, never been
(36:31):
seen before South ever history.
Speaker 3 (36:35):
So I'm looking because it was like a mentor to me.
Speaker 1 (36:38):
I loved Tito, and I'm looking at it made me
feel like, for one, we better appreciate Tito Nervis for
two years. Man, it getting no right, And so I'm
like it scared me. At the same time I was happy.
I was like, wow, like, you know, one day we're
going to get a phone call that the legends of
(36:59):
all legends passed the way No.
Speaker 3 (37:00):
Got for bid, God forbid. Yeah. Yeah, you were trying
to health now we want everybody. Yeah, yeah, that's what
you're in there. It made you there's a lot of
the there's a lot of old legends out man. It's
gonna happen. Man, it's a lot of a lot of
old legends out you.
Speaker 1 (37:18):
Know, because you think about even in English, we think
about certain legends that's still here that we take for
granted that if they passed away, you'd be like, yo.
Speaker 3 (37:26):
Yeah, now you feel getting the Latin grammy. Man, that
was it was a blessing. You know. The funny thing
is like, okay, I was down for the ground, ready
for Beneatha to develop, developed, produce that yeah, developed, developed.
Speaker 1 (37:43):
Mark Anthony's that's my little Man for Africans, it's closed
every time. See line that's all one two three, Yes,
he's flash shout out to develop.
Speaker 3 (37:55):
That's my sister. So we made the song. It was
nominated for the Grammy. But I had I had I
had twins that same week, So in my mind, I
forgot about the Grammys. So I had the twins. I
think we were all there were two months and I
see you because they were bornrematurely. So I was just
(38:16):
every day going to the hospital, every day, working up,
going to hospital, working up in real life, love real life.
So I wake up and I see my Instagram flooding
and my phone flooded, said you got a Grammy. I said,
oh what that Grammy? Boom, And like Dad asked me,
if I wanted to go, you know, to the Grammysime,
I could have, you know, but like I said, no,
(38:36):
I can't leave my girl. You know. That was like
it was even like a thought in my head, and
my mind's like I've been a few times like that
ain't gonna happen and boom, But I didn't. I wouldn't
you wish you no never never never. Those are my
Grammy babies, Like you know, I wouldn't have been in edit.
I got nominated for like six seven Grammys. Man, I
(38:59):
never won ship. Man, it's like a revolving door. Yeah,
you lost the ready I tell you, like out my
nigga bad Like it's hard to like Grammy Grammy, Like
you know when you got that got you guys competing
against m J. Yeah, feeling like this is this is.
Speaker 1 (39:21):
Sometimes we got nominated. We was MJ, and you was
shocked that we lost. I lost to like the Black
Coped Peas before they had the White Girl. The ship
was just unjust Joe Flag.
Speaker 3 (39:38):
What was what was the song? Was the song I had?
Like lean Back?
Speaker 1 (39:42):
This ship was number one forty seven weeks. The niggas
came to the niggas, they had freestyles or something, and
you know the Grammys. Let's listen, we love the Grammys.
I want to win one this year, but I finally win.
Give me an honorary something a button, nigga, like, give
me an eye wonder granby.
Speaker 3 (40:00):
Butt, give me a gold button.
Speaker 1 (40:03):
There's something because yo, my man, that's just his number,
Like I you're gonna get me an honorary or not. Yeah,
they gotta get me, right, they just gotta give me
an honorary. A make up call, I got like two.
I should have won that flat out. Should have won
like all the way up.
Speaker 3 (40:20):
Let's get it, huh, let's get it. Let's get it started.
Well that was the flag man, Nah, that ship get
it started, Disney movie. Still. I remember I went to
see my man in jail.
Speaker 1 (40:40):
That ship played on the radio, and every that ship
played on ten ten wins.
Speaker 3 (40:45):
I'm dripping up to State. Yeah they started. I put
the standard, State said, let's get this started. What that's when?
You know that ship? You know what? When recipees? I
finally got to see the Michael Jacks some movie fucking phenomenon.
Speaker 1 (41:02):
And you're gonna love it. Oh man, you're gonna love it.
It's incredible. If you love Michael, you're gonna love this.
Speaker 3 (41:08):
I'll be scared to watch Michael stove, so I'll be
I'll be may they be trying. Yeah, that's it. That's
that's it. You know.
Speaker 1 (41:15):
Uh, you know Clive Davis rest in peace, his fe
news today the many of you die, they start trying
to throw ship on you. I had to tell somebody
who's a real a real dude, not just a real dude. Well,
we call him the Loves. The nickname is the Loves
and super of the realist dude. And we just talked
(41:39):
and ship and he starts saying, you hear what they
trying to say about Clive Davis and this, and now
I said, Yo, listen, love you and this guy is
the dawn. I said, love you. If you wasn't talking
like that while he was alive, let's not talk about
him like that. Man, he caught himself so fast as
he's the realist of the said, Yo, you know what yo?
Speaker 3 (42:00):
Right?
Speaker 1 (42:01):
He said, I just I went for the hype of it.
I said, nah, be because you know where MJ's same ship.
Anybody could do. Let me tell you something, And I
don't want to give people ideas, but I'll.
Speaker 3 (42:14):
Tell you something.
Speaker 1 (42:16):
You can go with a little bag to anybody's I
could go right now. Let's just say Nicky Jam. I
can go to Boston where he was raised and pay
ten crackheads that lived up there for them to talk
shit about Nicky Jam, his mother, his father's this, and
make a documentary.
Speaker 3 (42:34):
That's any way you go, brother, you go to my projects.
Speaker 1 (42:37):
You thrown two dollars a shit pack of chicken wings,
niggasould be like fuck fat Joe. He was telling his
mother's allegbian. You can't go by what these people say.
You gotta love the person for what you love them.
What happened, Honorary, Yeah, geesh man, God damn man. But
(42:59):
my point is they say bas shit, But you'll love
the movie if it's not like a good you know,
and you know you're gonna love that. Michael Jackson, it
was really great. His nephew really played the hell of
a role. It was really inspiration. It was really really dope.
You know, I fuck with it.
Speaker 3 (43:15):
You ever see Michael Jackson conson I never met Michael Jackson, Like,
I probably pee on myself if I saw Michael Jacksonville
fucking life. I show you something else, huh had to
be something else like Michael MJ concert back back in
the day.
Speaker 1 (43:32):
Fucking concert MJ. And anyway, you know, I sampled him.
I did this song dedicated to my mother. He said,
free cleared the sample.
Speaker 3 (43:41):
Same thing. They was like, yo, Michael Jackson said, he's
a fan. Cleared the ship and one day the Maria
sample I use I couldn't fucking believe for free.
Speaker 2 (43:50):
That's crazy, Doctor Dre Queen Latifa. Michael Jackson, I know
they all rich, uh and recently the big ye estate.
I sampled them and they was like, yo, your money,
No good fat Joe.
Speaker 3 (44:05):
I'm about to say some stuff. Shoot no that you
might not a begire No. That was crazy.
Speaker 1 (44:19):
But Mike Michael Jackson spire I was crying. I watched
his funeral. I was in uh Albania. I had a
showing Albania and my dough must have been opened my hotel.
Watching the funeral, I'm crying. All my friends looked at me.
They thought like something like they've never seen Joe Krack cry.
(44:40):
So they looking like, oh ship, and I'm looking at
MJ's fit.
Speaker 3 (44:43):
It was that.
Speaker 1 (44:44):
That was like nine to eleven when they said Michael
Jackson died. I pulled the truck over almost near Yankins.
Speaker 3 (44:52):
I'm up there.
Speaker 1 (44:52):
I was visiting my son Ryan up there by that.
What's that ship? That the sore grass or what saw milk?
So I'm up near there. They say that, And when
I pull over and I checked every radio station like
there's a radio station had caught ten ten wins that
they only play the news, they don't play a record,
(45:13):
they don't even play a melody. Them niggas have Michael
Jackson on the Italian Red radio station, Michael the Spanish,
The Death of That, That's the He's done every fuck
first and thought I didn't believe it, So then I
start changing. Then I walked in the restaurant they eat
dinner after and they playing Michael Jackson and the Entice.
Speaker 3 (45:36):
It was like.
Speaker 6 (45:40):
Joe and jadashow dot time we got new merch fresh
off the Prestons. Go get it big out of Big
Bow Joe and jadensshow dot tim.
Speaker 3 (45:52):
You can get the little code for a T shirt
with the hoodies at.
Speaker 1 (45:56):
It's my favorite right there. I need an extra large
showing Jada's show dot com. Go there and get it.
Speaker 3 (46:09):
Talking about him, like what what what? What did you
guys like here? Listen to you y'all was growing up
in sixteen fourteen fifteen, Jada ill.
Speaker 7 (46:20):
I was on Kane and krs I, Kim Hell only
only Only Rapper, No No, also off R and B,
Luther Jackson, Addie LaBelle, Stephanie Mills whispers basically everything whatever
my mom's listening to.
Speaker 3 (46:44):
The first music that I ever heard, so of course
definitely it's like I should host the host sam and
know my princes vision job.
Speaker 1 (46:51):
I heard Spanish music, but never really enjoy Spanish music
growing up, unless it was like saucing. Now I suck,
it's still very like do MESSI had aught that laugh
on all that ship was ringing. But I grew up
in the whole black neighborhood, so it wasn't until I
(47:14):
went to high school that I met a Spanish dude
that lived in the all Puerto Rican neighbor I didn't
know they had the other side of it where I'm
the one Spanish nigga running around. I met the one
black dude running around the Spanish statement South soud all
over they got the food I get over there and
(47:35):
niggas I get nigga black. And I met the fact
Joe by that neighborhood over there, like oh ship, you
got a black guy that talks to y'all from here, Papa,
what you're talking about? And so that's where I learned
Hector Lovemo and I learned all the all the Southie
grades to Willie Colows, all of them. That's where I
(47:58):
learned South and music because they was black that it
was just it was just before there was no Instagram,
my nigga. So it was just like I grew up
in the black neighborhood and then I went to a
place that I didn't even know exist where it's all
Puerto Rican. So when I went there, they blasted South
something nigga did the sauce over there.
Speaker 3 (48:19):
It was no English over there. And when you and
Jimmy Pun Pun Pun from.
Speaker 1 (48:26):
That before you guys the Porto Rican, no no, I
already had an album out already.
Speaker 3 (48:31):
I was finishing my second album. You know how I ambled,
sambled the twins joint there, I did a joint well,
I think it was Apple or Spotify, and they asked
me to do a and I I think, yeah, we
did something. I think we did something with that. Did
you go in Spanish with the dead in the middle?
Did you do that? I didn't. I didn't do it.
(48:51):
I didn't do I didn't. I didn't get that. I
didn't do it. I did that. That's you should have
did that, Hin hinted, and you should have did that.
Ship right quick gave it to the biggas well. Pun
He met me, so I was like a mini star.
Speaker 1 (49:11):
I was on the rise, right, So if you looked
at me, you was like, well, because it flows you
the way I do is like you gotta show me.
So it's like I had one hit in the hood.
Then I'm finishing my second album. And so it was
like the final day that I was finishing my album.
So I come, I go in to Bodegga. I come
(49:32):
out and some niggas are rapping, and pun is just
big guy. He said, yo, yo yo, let me rap,
let me wrap.
Speaker 3 (49:38):
So I'm like, fuck, is this nigga gonna wrap about?
And my god, he started.
Speaker 1 (49:48):
And then he stops. And so he's going like a
hundred miles. I think you driving a Ferrari. Sit him,
snatch the moon off the sky and blow the sun
of way. Me and my niggas playing boy hawk Cross.
I had a Lexus four hundred. I opened the door
(50:08):
so fast, and I said, sit down, please, sit in
the car, Get in the car please. So I was
there behind the scenes when I saw what Puff Daddy
did with Biggie. So the fact that that that he
was dumb nice, I knew I was gonna make him
like a Spanish Biggie A fasace on him and all that.
Speaker 3 (50:27):
So I already knew this guy, nigg this is gonna
be the one.
Speaker 1 (50:32):
So he sits in the car, you know, we drive
and he tells me his life story in about twenty
minutes and then he was like, yo me because you know,
we already was a crew. So Terror Squad was already
had a very street presence in the Bronx and all that.
So he tells me so he was a real nigga
(50:54):
that never really had a crew. So when he's with me,
he's like, yo, Terror Squad, they're gonna be with me.
Speaker 3 (51:00):
Like I tell them what to do. I said, nigga,
ain't gonna love you. He said wow, because he knew
what that was.
Speaker 1 (51:11):
He seen what so he was like he was born
into an army. Like then do whatever he tell him
to do. And he's crazy. So he was like, Yo,
I'm gonna have all these crazy niggas up under me.
I was like, yeah, you're going, and then we just
became brothers right on the spy. It's really weird because
(51:31):
I come up from the streets where I never really
trusted people, you know what I mean, Like a lot
of people let me down.
Speaker 3 (51:37):
The bad people in the streets and the drug gameer
was niggah.
Speaker 1 (51:41):
It was the worst of the worst of the worst
of the worst, most deceptive niggas, the most manipulating niggas,
the biggest lies you've ever seen in your life. To this, this, this,
and then I gotta be the guy who tells me
his life story. Vulnerable and trust is me from the
first second I meet him, because the type of shit
(52:02):
he was telling me, you don't tell her nothing, right.
So I'm looking at him, I'm like, yo, this nigga.
Nigga was like, Yo, we're going to be brothers, right,
You're going to be my big brother. I said, yeah,
I'm gonna be your big brother. And we was just tight,
like it was unseparable, me and him, you know, unseparable
in peace. Pun Man, How did that feel like you
when you was in Puerto Rico and you heard Big
(52:24):
pun for the first time?
Speaker 3 (52:25):
You do, he was bought equal, you know what's crazy?
Like me? Since okay, I was a big you know,
I was in the States my whole life, ten years
old in the Puerto Rico, did no Spanish, so I
had to learn Spanish first, and then so when I
was in pert Rico like I was going vacage. I
would be seeing at three Tito, We're seeing young Dad,
Dagle Dawn, you know. But I didn't know about you
(52:48):
know baby. I think Lingo and Lidco had Big Punt.
I had to learn Spanish first, completely learn Spanish, and
then I would go back and study. You know, oh
damn big pun Okay, this boom boom. But as a kid,
like you know, that was different because he was popping
like I was. I was in the States, it was
(53:08):
popping for the Latino. I was like, you know, for
fork on them like I would have to, you know,
go back and listen again. But Big Punning like he
always was popping because he had commercial songs. He has
songs that wing like I was. I was not lasting.
You were here, you would hear Big Puny your feeling
like you know, but knowing he was, I was fau.
(53:29):
We didn't have a lot of like Puerto Rican, Puerto
Rican representation that were like that would be so you know,
put the flag on my back, you know, and about it.
You know. So it was you know, you you know him,
it was it was dope.
Speaker 1 (53:41):
Know what's crazy is the first I'd never forget the
first time I because I used to be scared to fly.
Speaker 3 (53:48):
Yeah, I got over thet me like two years ago.
Speaker 1 (53:50):
I was terrified. So I never used to go to
Puerto Rico. Why we selling double platinum a bunch of times?
Speaker 5 (54:01):
D R.
Speaker 3 (54:02):
Yeah, yeah, you fire fire. You've been in Latin America
like like, oh, imagining Argentina. I don't really. I never
really did Latin America like that a few tires. I
mean I was experienced, like there you show me up,
(54:23):
you lest your yeah mon yeah when they say mon
that guy, yeah yeah, that nigga crazy right here? Let
me yeah.
Speaker 1 (54:40):
Yeah yeah, let me act with the bodies in Puerto Rico.
They never say fat Bobby the matter fact.
Speaker 3 (54:49):
Joe Man.
Speaker 8 (54:50):
They said, oh yeah, five new comedy, said Fin Yo
yo new come me Beta, Oh yes, new comedy, said
Joe my name is five yeah nobody, And Joe.
Speaker 3 (55:05):
The Mega said the five five in Mellow five crazy.
Speaker 1 (55:14):
But with me, you know, I seen, you know, I
don't want to repeat myself, but I seen, like the birth.
I remember, I went to Orchid Beach one day, right,
So every Sunday we would go to Orchid Beach and
there was a guy standing there. He had all these
chains on and they was like, yo, that's that's the
(55:36):
Puerto Rican rap. He's the nigga.
Speaker 3 (55:38):
Yeah. I was like, really from Puerto Rico. It was
Vico c Yeah, so Vico. He was at the Orchid
Beach with a bunch of chains on and he was
that niggro. He was like a Jada kiss over there
and over here, came over here. I seen him before
I even rap, Like I seen him, you know, make
(56:00):
Puerto Rican rap, you know more worldwide. Yeah, he is
probably one of the first ones the ridge. I was swimming.
He was a swimmer. Yeah, I was a pro swimmer. Bro.
I was too good at the wrong SPORTY made no money.
Swimming don't make no money. Have you ever been to
a swimming You're like, I never heard free. I never
(56:24):
heard a swimmer hosting the club. Y'all swimming only swimming
making breads. Michael Fels got that. You got that endorsement money,
But like it does you know, help you be more disciplined,
you know, being being good, Like swimming is a very
tough sport. It requires you know, physical mental. Do you
(56:45):
train like seven hours a day? Probably you're doing it
because we.
Speaker 1 (56:49):
Always fucked up. We always chose the wrong ship. So
in the hood, the black kids are fucking playing ball.
They get we playing handballting.
Speaker 3 (56:59):
No money on it, and like, hey boy, now three
sports baseball, basketball and boxing. Man, you can you can
make bread. You don't make that, Brad, there's other league baseball, boxing, Yeah,
you can make In New York, we played Hamble. Niggas
get no money in Hamble. Motherfucker, duncan get money. They
(57:22):
this that they got the Ruckert They got that dad
Campbell Sports and my dad played that camball. Yeah, fucking look,
Uncle Willie was a everyone's a handball master cam artist.
Speaker 1 (57:35):
Your uncle will come on every time I talk about him,
some scanning listener, Uncle, I love you to death.
Speaker 3 (57:41):
Uncle will was so good at hamball.
Speaker 1 (57:43):
He would go to like Brooklyn Queens and loose two
games for like fifty dollars and then play the nigga
for five or gis.
Speaker 3 (57:52):
Uncle will is the same.
Speaker 1 (57:54):
I only seen him lose one time, like a real
He tried to win and the motherfucker some white dude
out in Queens beat him for the bat. There was
a bigger scammer than them. Nigga every Saturday and Sunday
would go Queens Brooklyn, the Bronx. He would go wherever
(58:15):
they and they used to bet five hundred dollars in
hand boy, he used to bust they ass every that
was actually part of his job. Nigga too, I bring
back home three hundred. You know, back in them days,
nobody believes me when you did comport that with two dollars.
If you win one hundred and fifty dollars ship like that,
that was big time. I remember one time they most
(58:36):
fucked us up because they knew the fix was in.
He lost too on purpose. Hit the nigga for like threere.
He beat him so bad. Nigga, n get the money, run,
go go go go.
Speaker 3 (58:49):
Fuck you walk get the bucket. No, I'm telling you
that ship was crazy. Uncle Will was dead nice and
no handboy, all.
Speaker 4 (58:59):
The real ones out keeping it eighteen hundred.
Speaker 3 (59:03):
What's in the future for you?
Speaker 8 (59:05):
Man?
Speaker 3 (59:05):
What you're working on? Album? Man? We got we just
dropping on a course. So we dropped a different album
and I got the trap song, got the rap songs.
We have a freestyle joint that's going crazy right now.
Freestyle freestyle, nice beauty Torett, Yeah, freestyle smart, smart. I said, Man,
the last time I heard SOMETHINGE do that line, I've
been like a good two years trying to get the
(59:26):
perfect because to do that, it's not the same thing
like a rap. You know, you got to release knock
into it with me. I need that, Okay, calid and
sample Steve b Okay, Okay, so we we I tried that.
It's dope, but the freestyle is going hard. It's one
of the most hardest songs on the album. We got
(59:47):
the DeLux coming soon Netflix of course, low dig of course. Yo.
Speaker 1 (59:56):
Why this is a hundred Why niggas got to get that? Yeah,
you just gotta get nasty. Yeah, yeallo, hollo bro eighteen
courser I'm gonna drop a couple of month bother this year.
Ray Mersey Boom in the chest, Ray Mercer.
Speaker 3 (01:00:15):
That's a hit. Boy. I'm gonna drop a few more
joints this year. You know, I got some more you know,
American Collapse, you know, trying to you know, keep on
building that bridge, you know, all like that. Yeah, I
think it's all about doing the correct collab. You know,
you got collapse. That that word collapse that don't I
love the joint with you in future was it originally
your song? First? Did it? I dropped that first? They
(01:00:37):
went crazy stupid, and I said, man, we got opportunities
that my team said were opportunities in the future, which
you guys say we're doing. That's that's one of the
songs that and it gets the soccer and you know
it's my neighbor in Miami building. He's killing them and
my guy got fire fire in my building. My man
(01:01:01):
and he be with his family and his wife is
a good friend. He's like, he lives in my building.
The African. Yeah, he has a white wife with blue eyes.
For nothing.
Speaker 1 (01:01:15):
One I'm talking about, the one I'm told I got
a whole family. Maybe I'm blowing. I'm messy. The black
dude that got he got a hundred million followers. He's
killing them, niggas rich. He's saying, Yo, your man hit
another one.
Speaker 3 (01:01:29):
This he lives in my building. Guys in Miami, I
think it was in Boppi in France. French. He's African French. Yes,
Now he's.
Speaker 1 (01:01:51):
Find the soccer player that lives in all he got kidding,
the one I'm told I told me old story. He
got kiddingapped by his own brother in Africa. You know
it's my name, okay, and they ag't killing him right now?
Speaker 3 (01:02:14):
That's my god. Yeah, the beast. That's that's what you
talking about.
Speaker 1 (01:02:18):
He told me, Oh, I ain't the only nigga got
kidnapped in Africa.
Speaker 3 (01:02:24):
They kidnapped him his old brother. You are kiss yes,
shout out to talk about shout him, my man. That's
listen to myself. That's a hoop. That's a hooper. He's
a hooper, right, you go crazy, nigga go. You know,
I don't know nothing about football soccer.
Speaker 4 (01:02:42):
You know.
Speaker 3 (01:02:42):
All I know is every time I see him, everybody
be bugging like yo, that niggas nigga yos. He's the
I'm like, but I don't know you know what I'm saying.
So what you want me to do? He's just the
nicest guy in the world. His wife's the nicest lady.
The kids a beautiful, beautiful family. I hung out with
him a bunch of times on the yacht that came.
I hung out with him. Damn. I don't even know
(01:03:04):
his name. What's his name? Talking about? Poke about? Pokemon
is a good guy? Skip what take me play for?
We didn't call me Bobby on the boat.
Speaker 1 (01:03:17):
He's playing for French. I don't know he's not playing now, Well,
why Rich is telling me, Oh, so that's.
Speaker 3 (01:03:24):
The wrong nigga.
Speaker 1 (01:03:25):
The guy I'm talking about, guy's talking about still killing
Oh he ain't killing them like that, no more something
steroids or something. And then now that he came back,
he ain't got the fluidity like that. Wow, Rich is
(01:03:49):
lying to me. Rich, keep telling me your man is
killing me. Show me a nigga making the kid Me
lying to me, Yo, your man's World Cup killing them
niggas right that maybe he's here saw worlke up any
team in the world. You don't got to be front row.
It don't got to be nothing. But I need them though, Okay, thank.
Speaker 3 (01:04:10):
You, you need to go ahead. It's right, right, experience
at least one game. But that's the story. But you know,
I got a jersey. I don't even a soccer game
I want to go to. Just No, there's no you're
never going to see in a basket. Maybe I can't
even say not even like the next basket, nae basketball.
(01:04:30):
That's like where the real like Boise fans fucked up.
It's crazy, I tell you, ware. The only you guys
I experienced. That was the U M Championship game.
Speaker 1 (01:04:43):
Will half the crowd is the other college half the
crowd with thatsh college basketballs?
Speaker 3 (01:04:53):
No, No, the football. No, it was like seventy was
with us that night.
Speaker 1 (01:04:59):
That ship was I've never been to that like where
half the crowd is half the crowd they going for
everything that ship.
Speaker 3 (01:05:05):
That was exciting. But that's how locked like Team Columbia
game or one of those joints. That's just remember like
there's a lot of those people like that are here
in the US that haven't been back home in a while,
so they'd be going there like that's not going crazy.
Piece of I bought a jersey on fly fucking soccer,
I don't know what team, and I bought some sneakers
(01:05:28):
to Magic and I'm gonna wear that. You need Yeah, yeah,
you rock that. We got to rock that people one time.
Speaker 9 (01:05:35):
You know what I'm saying, Cup, well, cup cracks all
right this time, Yo, check this out. This ain't that
and ain't this It's cracking kids, God damn to give
it up.
Speaker 3 (01:05:46):
And oh yeah, the fire
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Colin Cowherd
Jason McIntyre
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