Joe and Jada - French Montana & Max B on 'Coke Wave 3.5: Narcos,' Max's prison stories & "All The Way Up" - The Herd with Colin Cowherd

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Soon as I think it's over, I'm gonna come smack
out with a million dollar baby. Then we got another
Wave God album dropping. Then I'm doing another mixtape Dawn Snow,
it's a lot of store.

Speaker 2 (00:11):
I never stopped. I have unlimited Classic Wave.

Speaker 3 (00:31):
Hey, y'all, what's up? Y'all's b X is on? Joe
Crack the Dawn.

Speaker 4 (00:35):
You know who it is? Your boy Jada? You know
what it is?

Speaker 5 (00:39):
Did Joe and Jada show every show legendary, every show iconic?

Speaker 4 (00:45):
Ibby new he is best wishes to you.

Speaker 2 (00:49):
Suck it twenty twenty six.

Speaker 5 (00:51):
Huh check it out Today's guests. You think of the streets,
you know what I mean. You think of a Rocco,
think of the Bronx. You think of the Harlem, some
of the grimmest blocks under one fortieth, you know what
I mean. You think of influential collaborators that created a

(01:14):
wave error. You know what I mean, something that that
reflected those little from from fashion to lingo, the melodies,
the drama in the street to plenty of litanus.

Speaker 2 (01:32):
You know what I mean.

Speaker 5 (01:33):
The wave Ladies and gentlemen make some noise for our guests.
French Myndandna match baker Fast, your.

Speaker 6 (01:49):
Friends, your French. You don't get high no more, but
you look like you smoke a little.

Speaker 2 (01:55):
Something right and still having when I stopped nigga.

Speaker 3 (01:57):
God damn that nigga extra high?

Speaker 2 (01:59):
You got that resident do sh.

Speaker 6 (02:06):
Let me tell you before we start. We got to
start on a sad note, right, but it's really quick.
Your dog passed away. That was I used to live
vi Kerostee on Instagram watching with the dogs the way lion,
the biggest dog getting it.

Speaker 2 (02:23):
It's a bad massive but they don't live that long though,
you know what I mean. So yeah, that's my dog man,
my dog champ Man. I've been through a lot. Yeahs away, yeah.

Speaker 6 (02:33):
Yeah, but he was like a lion though. This got
the biggest dog getting it. Fucking none of you yet
because you ain't going to l a.

Speaker 2 (02:40):
You can't fly yet. Man.

Speaker 1 (02:41):
You ain't see them, you ain't they be having a
monkey or the Gesu six. He got all type of ship.

Speaker 3 (02:48):
He's Arab.

Speaker 4 (02:49):
You know, the only person that can really verify the little.

Speaker 1 (02:52):
Man yo got about ship?

Speaker 2 (03:04):
No French. Oh god, my little guy in Morocco. He said, yeah,
he like a purse. He's like a little man he's
like a little broken man.

Speaker 3 (03:16):
Let me tell you something. You see that here lying?

Speaker 2 (03:20):
Yeah?

Speaker 3 (03:23):
Me how to change? It's a little man, I told you.

Speaker 5 (03:26):
Wism like the size of the rewind Hey, he's just.

Speaker 4 (03:32):
A little burking back.

Speaker 7 (03:33):
Whoever has broken back?

Speaker 2 (03:35):
Yeah, whoever his guardian is just picked him up on
the dress. Then they go outside want the dress. Whoever
his guardian is, he probably be waiting for him by
the dresser. He picked him up and they go outside.
You not listen, I gotta get over there. He like
the size of that bottle. He lying up, But he's
a full grown man. Can we go find him? Now?

(03:56):
We're gonna here in Morocco. He in Morocco.

Speaker 3 (04:00):
Car that he's a mockr that you what said?

Speaker 2 (04:05):
You know you? Now? They don't believe me. Bigger than
this a little about that size is a little bigger. Yeah,
fuck your monkey man.

Speaker 1 (04:17):
The mona were talking to you your match about a
human beings. God, ass man, that little this ain't a monkey.
It's a human monkey. He got the mother, little.

Speaker 3 (04:27):
Guy, dude, he got the princess of Dubai.

Speaker 2 (04:31):
The monkeys, your friends, your.

Speaker 3 (04:34):
Your friends got the princess of Dubai.

Speaker 6 (04:38):
Yo yo, let me ask you something, right because in
the hip hop game, in the R and B game,
one of the biggest queens that princesses is, of course
Janet Jackson, big Punt's favorite, and Jermaine the Pree came in.
I'm looking at him and I said, how the fuck
he bagged Janet Jackson and Pim six pact us a

(05:01):
little bit? He listen anyway, question, how do you bag
the legitimate princess of Dubai coming?

Speaker 3 (05:15):
I was like, no, no, no, you're not.

Speaker 2 (05:18):
Hold on, can we get man might not be there
because you said, Jamaine, it is like how you catch
lightning in the bottles, just like you know, sometimes somebody
could look at it like it's a highlight.

Speaker 6 (05:27):
Hold on, hold up, Frank, you answered, of course you
dancing on the Senate now that I'm not.

Speaker 2 (05:34):
It was one of my homeboys. He plunged me with
it in Dubai. He just wanted to meet. Yeah, I
just I just happened to be in Dubai and I
had I remember I had seen her. She had put
up that post, but she divorced somebody. I'm like, I
like him because it takes a lot of a lot
of gusts to throw that up. So she threw that up.
I'm like, I like her. He was like, man, I know,

(05:56):
I'm like, he said he knows what Yeah, he said,
you know this, he said he knew a girl that
knew her. And I'm like, do what you gotta do?
So I knew a guy. I knew a guy sniper gang.

Speaker 6 (06:10):
You heard the verse. Yeah, you know what I'm saying.
There's a legendary flum probably to see that.

Speaker 1 (06:15):
To answer your question, I think it'll be I think
it was easier for him to get the princess.

Speaker 2 (06:19):
Then it was easier J D get J Jackson.

Speaker 8 (06:22):
That's it got Yeah, because you don't eat Mustlim be ready,
you know they pause, You know French one of the
handsome once you know she probably was scheming on you.

Speaker 3 (06:36):
Pause. I've been waiting to do that, grandfather.

Speaker 6 (06:44):
Look, listen, you more than anybody because you Muslim meant
so many phony ballooneys, so much super rich Arabs that
say the prince stated, King that.

Speaker 2 (06:58):
Everybody all full of ship.

Speaker 6 (06:59):
Everybody ship, everybody full of ship right there, all royal
you got money.

Speaker 3 (07:04):
You act like you yo this prince jeoffy joffs.

Speaker 2 (07:07):
What's your name over there, I'm Molly Kashani.

Speaker 3 (07:09):
He knows something. Yeah, yah yah, y'all yeah yah yo.

Speaker 6 (07:13):
Friends Shani in the Middle East, Ali Kashani said, time
over there, I'm Molly Kashani.

Speaker 3 (07:30):
Your Max, I'm Molly Kashani.

Speaker 6 (07:33):
When I go like this, I say, your friends with
the Prince of Dubai, I say, all right, hold up.
So I had to verify and that s that said.
She the fucking real deal Princess Dubai. Yeah, she's not
the people. Humans don't see it like that, Max. She
can't even welcome home at that's it.

Speaker 2 (07:54):
She's down to earth.

Speaker 1 (07:55):
Was everybody was getting a loan these people, you know,
I know the royal I know her family, right, you
know snow Cap with Joe krat One day they came
with me and they hung out with me and the brother.

Speaker 6 (08:09):
You hear, I said, yeah, they came to the mall right.
They hung out with me three four hours, you know,
pitching their cheeks all like yo, fuck out it. You know,
we family having the best time in my life. I
go back to the hotel. The promoter, you know, he
paid me crazy money to go out there. I thought
he was gonna be pissed because I was just gone,

(08:30):
Like I left the man sitting.

Speaker 3 (08:33):
You know, telling me, you know the my tunes. I said,
my family, what you're talking about?

Speaker 6 (08:40):
He said, We've never seen these people in the mall
in our life, and I'm walking around with them, so
I know when he did that. I said, they don't
even see him. The palace is down the block. Nobody
ever seen them in human form. It's like Obama on
ten thousand.

Speaker 2 (08:59):
Yeah, you don't see him.

Speaker 3 (09:00):
They on the money. They're on the money. They're on everything.

Speaker 2 (09:04):
No, no, they're on the money.

Speaker 6 (09:05):
When you go to the hotel, they got the three shakes,
that's them.

Speaker 1 (09:10):
But you can see these people in this business we're
in Oh, anybody can see anybody in this business. A
man like this walk in the room. They know he
coming in the country, they know he coming to town.
You go to the club, got his ship out.

Speaker 2 (09:24):
Pauls Paul, Oh, my gosh, you did a lot of time.
Let me Grandma flak. He did a lot of time.
I see this is gonna be going somewhere else.

Speaker 3 (09:37):
Your Max. You did a lot of time.

Speaker 2 (09:40):
What you you know what I mean? Like you don't
you using that no more?

Speaker 1 (09:44):
Got a legitimate pause, like you got like, uh, you
know you you know you've been gone.

Speaker 2 (09:49):
I mean, I mean, I mean, but honestly, that.

Speaker 9 (09:50):
Was like when you had a cell phone in jail,
when you when you're talk slow to a max emotion.
When you're coming to the States, it's still like trumps.
You see people like being the president for four years
and getting out of office. When you go to places
like that, you talk about people that owned the place.

Speaker 2 (10:06):
Ever you could buy their houses, but the government still
own the place. They still own everything everything, So it's
like to own something and they only get passed down
to your bloodline. It's like there's a whole different type
of love out there. But shout to your whole family
and I'd be our hustlem times. I mean since I knew,
I don't think she ever a rock. I'm on a
piece of jewelry. No how gangster they keep it one.

Speaker 6 (10:26):
They don't rock like that. I got them a piece
one time, my chums. I got them like the Arabic
the Muslim shit for his birthday.

Speaker 3 (10:33):
He never I'm sure he never wore it. I got
him my ice style.

Speaker 2 (10:36):
Now they're good people. Man, shot at the whole mark.

Speaker 6 (10:38):
They invest in the world, and so Max be how
many years? Max be, well on this eighteen's just been.

Speaker 2 (10:45):
There's seventeen years too much? How many told? And I
did eight New York, so I did twenty five years,
but this was seventeen Them men back. A lot of
dudes don't have the chanity.

Speaker 4 (11:00):
I don't member, don't know what's going on after doing that.

Speaker 6 (11:02):
But last time I seen you, I was in the
club and you had a captain and to Neo hat
On you had some pilot shit you remember when he
rocked the pilot hat We in the club. Next day,
you in jail. I said, what the fuck, I'm looking
at you your movie. I know your wife is here now,
but I'm talking twenty years ago.

Speaker 2 (11:18):
This is old wife.

Speaker 6 (11:19):
You had like four white girls with you, and you
had a captain and to Neil shit On, I'm looking
at him in the club, and then you got the
pilot's had him. I said, Yo, this nigga bigger veil
was crazy. And so the wave about to take off
on the legendary It already took off, but it was
about to take off on another legendary form. You sitting

(11:40):
in jail, I can't imagine what's that like facing life?
You smelling it when you was about to get the
Grand prize?

Speaker 3 (11:50):
How horrible is that?

Speaker 1 (11:52):
It was something? It was horrible, but it was something
I had to get over like that. I had to
get it, Judge. It was nothing that sat on. It
was like next day was like, all right, off to
the next How we're gonna get the fuck out?

Speaker 2 (12:03):
That said?

Speaker 1 (12:03):
You walked in there and said, I'm bidding it's so
whatever the rodeo. So I kind of I knew the
ropes that ship going. I mean, I was maneuvering the
v I was behind the scenes. I had motherfuckers, you
know what I'm saying.

Speaker 6 (12:17):
So you know I did four months. I was running
that ship for four months. Tell you, I thought, you
don't let nobody lie to you.

Speaker 2 (12:23):
Ain't thinking that much.

Speaker 6 (12:25):
The night before I go to Josse your pistol, what's
it gonna be like for me? He said, man, you
Joe the dawn. Man, It's gonna be just like that
is here, like it is out here. You don't know
no other way to be. He ain't fucking lied. We
went in there, we locked that shit down and killing
me the other second.

Speaker 2 (12:42):
You know what the Hong Kong going Hong Kong.

Speaker 3 (12:45):
I had a dude in there, caught Hong Kong.

Speaker 2 (12:47):
No, no, I'm not even gonna throw the flag on
that one.

Speaker 3 (12:51):
No, No, Hong Kong's my coach.

Speaker 2 (12:53):
Listen.

Speaker 1 (12:55):
Unfortunately, in jail, blackstick with black Latinos with see those
whites with white Asian with Asian.

Speaker 6 (13:02):
This guy was like a misfit. He was a big
white boy, and the white people ain't want him because
he looked a little slow.

Speaker 1 (13:09):
I took him strong boy, like you hear me.

Speaker 6 (13:13):
He ain't a post up on the basketball court. Start
filing everybody I was looking at on my set.

Speaker 1 (13:18):
Something special about this guy.

Speaker 2 (13:21):
Pause. That was crazy about this guy.

Speaker 6 (13:29):
So I say, yo, I put him down with the team,
and I say, you know what, you Hong Kong's mon Goldian.

Speaker 2 (13:36):
He said, huh. I said, I can't let it go, man,
I can't. I can't let it go.

Speaker 3 (13:41):
Say you Hong Kong's monk Goldie.

Speaker 5 (13:44):
The way you dragging though, you know that's just the
first time meeting.

Speaker 3 (13:49):
Dude used to stand like this.

Speaker 2 (13:51):
Hurt the leg, hurt.

Speaker 3 (13:57):
You like here, I don't want to say the word.

Speaker 6 (14:01):
We talked about four on another level, but what I'm
trying to tell you is this guy could take twelve
guys in a fight, like you could just tell he
had that boot strength. So I put him down here,
shine the table and ship like that. But one day
he comes.

Speaker 1 (14:16):
Up to me, he says, he said, Boss, Boss, I
just realized that Hank Kung in Mongoli is.

Speaker 2 (14:23):
Two different places.

Speaker 6 (14:24):
I said, man, shut the fuck up and enjoy your
No the fuck out of here with that shit, dust the.

Speaker 5 (14:31):
Table, niggavel was they asking you, man, stupid questions? It like,
did you have to put a shut down and don't
ask me.

Speaker 2 (14:38):
All the time? Open minded though?

Speaker 3 (14:40):
If I fuck with the dude, if his bib.

Speaker 1 (14:43):
And he ain't on no corn bullshit, I might entertain
a nigga conversation. I might entertain a nigga sixteen or
you know what I'm saying.

Speaker 2 (14:52):
It depends.

Speaker 6 (14:54):
I was there short. I wouldn't want to hear nothing.
The niggas ran up there. I said, Yo, stay where
you at. It's not hip hop nigga. That's so they
want to rap. I broke hearts in the first two minutes.
They ran up in that bit. They was like, yo, here,
y'all said no, no, no, No, this ain't.

Speaker 2 (15:11):
Rap now, I ain't rapping for you.

Speaker 3 (15:13):
No, I don't know, No, I don't know.

Speaker 2 (15:14):
J long have twenty of them niggas in there rapping
a little fun just when I'm in the mood. I'm
most shit.

Speaker 1 (15:20):
I smoke a joint and get twenty of them niggas
in there, they'll start battle wrapping.

Speaker 2 (15:25):
Quzy.

Speaker 3 (15:26):
You know the saddest thing I for your moot.

Speaker 2 (15:28):
When artists go to jail. What was Christmas? Like?

Speaker 6 (15:32):
Eighteen christ seventeen Christmas? Are you in there for Happy
New Year?

Speaker 2 (15:38):
Quick? They quit? That'sh it.

Speaker 1 (15:41):
You just gotta get olver them shits. That's one one
ship can't shut up in there like hell, I'm stump.
Sound what's I was on?

Speaker 2 (15:48):
Quick?

Speaker 1 (15:49):
I put it a Christmas tree up this year? Spent
Christmas with the family or sweat is drunk drunk egg nog?

Speaker 2 (15:55):
I did all that ship this year? They had.

Speaker 6 (16:01):
We got never one, me and him gonna talk about
I'm gonna talk about the dirty section?

Speaker 2 (16:05):
Is it? You know we just got.

Speaker 6 (16:09):
You ain't even let me talk like you ain't even
let me talk like you gotta take the flag back
in the second.

Speaker 2 (16:17):
Listen what I'm saying is.

Speaker 3 (16:20):
You know, nobody, you're not listening.

Speaker 1 (16:23):
Nobody came in the podcast game like Joe and Jaden.

Speaker 2 (16:27):
It's impossible.

Speaker 6 (16:29):
Every day the biggest star, the bigger one, the bigger one,
the bigger one, the bigger one, the bigger one. We
we seventy episodes were like sixty eight superstars in and
everybody else is online.

Speaker 2 (16:40):
Ready to crazy poor super poor. Yeah that one was
a disrespect.

Speaker 6 (16:47):
Now, but there's a part of YouTube that we call
the dirty section.

Speaker 1 (16:53):
AM radio is a good money he no, let me
talk about every They violating everybody.

Speaker 3 (17:01):
They don't care.

Speaker 6 (17:03):
It's the dirty section, the bigger They don't make it
the Netflix.

Speaker 2 (17:06):
You know what I'm saying.

Speaker 6 (17:06):
They ain't getting to the bag like that, right. They
doing it for you know, five hundred a month or
some shit.

Speaker 2 (17:12):
Right.

Speaker 6 (17:12):
Unfortunately, is really crabs in the barrel. You come out
you did twenty years. I never heard no dirt on
your name. I never heard nothing, But here come the
dirty section trying to throw rumors on your name and
all that, and this is the place to address that.

(17:33):
And does it even bother you that it's a family member.

Speaker 2 (17:37):
God got me right where he won me.

Speaker 1 (17:41):
After all I've been through that time is and to
get back here and doing what I'm doing.

Speaker 6 (17:46):
Do it look like it bothers me? No, not at all.
It's just sad. I don't know if any other culture
get down.

Speaker 2 (17:54):
Like that like this. It ain't just you.

Speaker 1 (17:56):
I say that what big needs niggas When they don't
get their way with something that will work for him,
they get disgruntled.

Speaker 6 (18:03):
It's always disgruntle people. They're not hearing no more and
everybody think they're in the wave. And then the minute
you say, yo, you know why this guy's not good
for me, and its lights out. It's back to the roaches.
When you put the lights on this ship running around
the crib, you fucked up.

Speaker 2 (18:21):
There's no more dubai.

Speaker 6 (18:23):
And so that's when they start trying to dirty somebody's
name or some reputation because you.

Speaker 2 (18:29):
Know what, I think they disgruntle.

Speaker 4 (18:31):
I think, salute to you and salute you and salute
the yaw.

Speaker 5 (18:35):
You came out and the rollout was like nobody rollout.

Speaker 6 (18:43):
You couldn't wait and still roll it out, yo. That
fits like a genie in a bottle.

Speaker 3 (18:48):
They let a unrolling dudes come home.

Speaker 1 (18:51):
How about how about this army coaching nobody, and then
that's ever that ship is over.

Speaker 2 (18:59):
Jimbos kept holy for Jimbo.

Speaker 3 (19:02):
You can't get some thousand with your brother. You right
there for him.

Speaker 6 (19:06):
You got a strong brother with you, one hundred million.

Speaker 1 (19:09):
Percent from my whole nother side, because that's a whole
different thing, side of planet. Listen to me, that's a
whole different thing, like whole out stillbody don't do. Everybody
don't do.

Speaker 6 (19:21):
Seventeen years and your brother waiting for you, and he's
still up and he putting this ship in play.

Speaker 3 (19:26):
What what kind of blessing is.

Speaker 2 (19:27):
That this nigga?

Speaker 1 (19:29):
Know how of all the motherfucker's on the planet, I
got genuine happiness, pure friendship for this nigga.

Speaker 2 (19:37):
No money, no nothing.

Speaker 1 (19:39):
I shit is based on street, solid friendship, music creation.
That's just my nigga. Anything else happened. So when I'm
in jail seeing this nigga on TV, I ain't in
nig gonna fuck that should have been me. No, I'm
in that motherfucker crying with happiness. That's right, this nigga. Yeah,
look my nigga, fuck y'all. That's how I was in there.

(20:05):
I mean a lot to him.

Speaker 2 (20:06):
He mean a lot to me. That's my nigga, that's
real ship.

Speaker 6 (20:09):
That's it, because I like when you got with Max,
that's when the real French mantana was discovered. That's when
you've been doing it Coke DVD.

Speaker 2 (20:19):
It's all that.

Speaker 6 (20:20):
But I never forget I'm in the studio with cooler Dre,
and Dre is like, Yo, your man French is catching
the old fade. Were listening to both of y'all. He
a big fan of you, Drake. Dre was like, Yo,
and this guy Max B and we just listening and this.
You know, we're just like Yo, this ship crazy. And
you never turned back.

Speaker 2 (20:40):
Yeah, Noah, for sure. I mean it was a wild
times man. I think we we first started when I'm
when I met Max. I think I had the whole
Cocaine City show. You know, you ready killing this and
and he already has something going on too. So when
we got together, just like bringing the movement together, you
know what I'm saying, like bringing kiss the styles and

(21:01):
the sheet togethers like you and Punk Together movie. It
was like that, you know what I'm saying. Rest in peace, Chinks.
We lost Chinks. He was in the mix with us.
That's my guy. When he first got the seventy five,
I was rocking out with him for the whole seventy five.
It wasn't even like oh no, oh, I know you're
gonna get eighteen and get it back. I was rocking.
He didn't find out he was gonna at eighteen until
probably after what like thirteen years in Yeah, let.

Speaker 1 (21:22):
Me out the box with time, nigg We was at
like phillyas Shugar up the trend. I was just locker,
like Wayne Gate Vigi babe, can she He pulled me
out the box man the windows.

Speaker 2 (21:35):
But he was living spontaneously through me though I'll be
face side. I mean, you know, calling him with with
with like Vin Diesel, calling him with like wind them out.
He'd be in there.

Speaker 3 (21:43):
This has been Diesel?

Speaker 2 (21:45):
Yo? What up? Max? Nah? Yeah? Yeah, he was living
spontaneously through it. Man.

Speaker 6 (21:52):
You know it's crazy because we was he's home now,
but we was calling floys to millionaire. He was at
the parties. He was like, Yo, I'm at the party, nigga,
what's going on here? Maybe JA gonna talk Yo?

Speaker 2 (22:02):
What stuck.

Speaker 6 (22:03):
It's like like he at the party. You got two
or three spectators, you trust watching the face like, Yo,
this ship crazy, you know, mean Yo, it's on.

Speaker 2 (22:13):
I mean, it's nothing like that at French.

Speaker 6 (22:17):
First of all, I'm looking at all them diamonds and
I'm saying to myself like it dude, Like no, I'm thinking,
save a little peace for you know, I took that
motive from Master to flex you.

Speaker 2 (22:31):
You never save a little beecet for living rich a
long time. I'm throwing the flag on.

Speaker 6 (22:36):
Yo, yo, French, your French type of wealth and this
I know where you.

Speaker 2 (22:41):
Live, little a little pet. I ain't gonna lie. Crackerill one,
crackerill one, say I got that's more than diamonds. That's
the more than gold. That's the more than anything I
could give you. It was always like that.

Speaker 3 (22:57):
Nah nah, I could take a give.

Speaker 2 (23:06):
A gift. Let me get a little beast for later.

Speaker 6 (23:08):
I looked at him myself, French one time, the princessd
by there. I'm ready to get a job with this nigga.
Bright I'm sitting there, I said, damn, man, save a
little beast for later, for your guys who don't know.

Speaker 10 (23:22):
Uh.

Speaker 6 (23:23):
French was having a hard time getting his music on
the radio on the box, and I went up there
and had a serious, serious conversation with funk Flex because
he was y'all was a ready on fire.

Speaker 2 (23:35):
Yeah, he had just got he had just got locked up.
You was already here. But they black boy? I was,
I was black boy? What I'm listen?

Speaker 3 (23:45):
They black balled me.

Speaker 6 (23:47):
I had beef with the biggest dudes you've ever seen
in your life.

Speaker 3 (23:50):
I had beef and they was like, yo, he can't
get that.

Speaker 2 (23:53):
He can't.

Speaker 1 (23:54):
Fat Joe made it through the Chitlin circuit with number ones,
number one.

Speaker 3 (23:59):
In the America, and they was like, no, you perform
in Alabama?

Speaker 6 (24:02):
You would you go to PA. You can't get on
this tour. Like every tour I was trying to get on.
They was like, yo, you can't what lock it? Super Facts.
I never cried about it, but I go up there.
He was my son's favorite bat and I said yo,
and he played it in. Six months later, that shit was.

Speaker 1 (24:21):
Pop that, Pop that you took off.

Speaker 6 (24:25):
In six months it went from shot caller.

Speaker 3 (24:28):
To Pop that and we never turned back.

Speaker 2 (24:30):
Run.

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Speaker 4 (27:01):
I see the French at summer gym man, I think
you got shot in the hand.

Speaker 5 (27:05):
I can't even leave you at the gunction said, well,
he ain't gonna get this nigga.

Speaker 1 (27:10):
You have to ship on your head and all that.

Speaker 4 (27:17):
This nigga's gonna get rich.

Speaker 1 (27:18):
It's there's no way I would have went to first
time getting shot that nigga from a bacco.

Speaker 2 (27:26):
What the fuck does that mean? Man? Morojo? All right,
shoot niggas. Yeah, my hold on there. Let me tell
you something.

Speaker 3 (27:35):
I go to mock of ash this the time I
met the little.

Speaker 2 (27:38):
One, a Marra cash Man, a Mara cas.

Speaker 6 (27:40):
But you know, fast show your French. I fuck everything off.
I'm fried. But listen, I get in the car. They
booked me to do a show, and they drive into
the desert for like two hours straight and they talking
Arabic and I said, that ship.

Speaker 2 (27:56):
The talent.

Speaker 3 (27:58):
I got set up. I thought it was the town.

Speaker 6 (28:00):
I thought it was the Taliban, but nigga, like they
just talked to it wasn't two hours French and into
the desert, like I'm really seeing fucking camels and all that.
It's nothing, nothing, not, not a gas station, nothing. I'm
driving in for two days and then you gotta know
this place they pull up and this ship like an oasis.

Speaker 1 (28:21):
They got fillers there, and I'm like, thank god, I
walk up in.

Speaker 6 (28:28):
That place and they're like, you got the biggest filler
fat Joe this this. I was like, Yo, what the
I for sure I was getting that. I'm looking out
the window. I'm like, damn man, and then put me
on the screen and that jug I'm done, nigga, they're
about to chop my sit off.

Speaker 2 (28:45):
A Maca's got a lot of desert.

Speaker 3 (28:46):
You've been to that.

Speaker 6 (28:47):
Place when I'm talking about right, like it's like in
the middle of nowhere.

Speaker 2 (28:50):
It's like a hotel in the middle of that hotel
in the middle of nowhere, oasis.

Speaker 3 (28:54):
It is an old.

Speaker 2 (28:55):
Asian Yeah, I forgot the name, but I know what
you're all wrong.

Speaker 3 (28:57):
How's your brother?

Speaker 2 (28:58):
Man? Oh? He good.

Speaker 6 (29:03):
You could probably get the princess to get him a
diplomatic community.

Speaker 2 (29:08):
We're trying, We're trying, yeah, we're trying. Just get that
off man.

Speaker 6 (29:14):
Shan he's almost like he's almost like you. You came
home and you got right to a shot.

Speaker 2 (29:21):
You know.

Speaker 6 (29:21):
Sean was the setic jew. He did it all. He
made sure he was getting.

Speaker 2 (29:26):
Back in there was impossible.

Speaker 3 (29:29):
He came back that came like his third time.

Speaker 1 (29:33):
Sean Zach the one that got the country about three
times over exactly.

Speaker 2 (29:39):
But he's back.

Speaker 3 (29:41):
But he could over there.

Speaker 2 (29:42):
But that was well.

Speaker 3 (29:43):
He wanted to have big fun.

Speaker 1 (29:44):
He go to th Bay, right, yeah, he still he
could go to Europe.

Speaker 2 (29:48):
Ship like that. You know, you're past fashion better than
being in jail, so I tell him all the time.

Speaker 6 (29:55):
Way better than jail. I told Max right before you
got our first late customer, Oh I'm bad first ever.

Speaker 2 (30:03):
I really thought you was on wrap hours. I was like,
just telling me twelve then on the two hours setting
my bad show. I know, y'all my two favorite people
in the world even doing good. Ben Stinka been up
but not here.

Speaker 6 (30:19):
But that's what I'm saying, right, I tell you fact, Max,
come out what they call it in court side?

Speaker 3 (30:26):
What's what's the ship when you're on the field.

Speaker 2 (30:28):
Side sides on the old.

Speaker 3 (30:32):
I don't know football like that.

Speaker 2 (30:33):
I mess your door, door shut the door.

Speaker 6 (30:36):
You come right out of jail when you're on the
sidelines LV day. Don't forget that. The Instagram going crazy.
The point is you had a hell of two months.
The hype around him is almost like when fifty said
just had the mixtapes and it was like, all right,
let's hear his single because that's what they want.

Speaker 2 (30:57):
Facts.

Speaker 6 (30:58):
I'm telling you, you beyond you got it to put
it out. Nobody got flows like you, Nobody wrapped flow
like you.

Speaker 3 (31:05):
You crazy.

Speaker 6 (31:06):
I'm telling you as a hip hop fan, I done
heard your music. That flows, the melodies, the distant that.
But if you come with that, surety, it's shipper. We're
gonna you. Come with one that does. You'll be walking
into Louis Vaton Paris Runway. That's how big you know

(31:27):
right now, it's great. Moms and pops, everybody taking care
of you. They're getting you to the bag. But you
got a silver surfer bag if you put it out
the park.

Speaker 1 (31:37):
If we come with one of them African joints.

Speaker 2 (31:41):
We might have one. S might might have one.

Speaker 1 (31:45):
We might have one on But you know what's doing.
It's a lot of It's a lot of storm.

Speaker 2 (31:50):
Yeah, we got a lot of music.

Speaker 1 (31:51):
My first thirty days, I gave him a twenty plus
twenty four song mixtape my first day out.

Speaker 2 (31:57):
That's crazy.

Speaker 1 (31:58):
I have no hours in the day and ain't got my
kids with me every day. Wife every day still went
there and gave niggas an urge and.

Speaker 2 (32:07):
We got another one coming out with twenty two joints
on it.

Speaker 1 (32:11):
Now the joint men, bro did you're gonna hear just
and just do this and y'all gonna go back to
the first ship I did, and it's gonna do that again.

Speaker 2 (32:21):
I'm not worry about Dad, this new shit about the
dog the streak.

Speaker 1 (32:26):
I'm just predicting a dog out straight, dog in the
fuck out, top the bottom, dog out, music, singles, videos,
the rollout Bomp. As soon as I think it's over,
I'm gonna come smack out with a million dollar baby
dog got niggas the fuck out there. Then we got
another wave God album dropping. Then I'm doing another mixtape

(32:46):
don Snow. So it's a lot of store. I never stopped.
I have unlimited classic wave.

Speaker 6 (32:59):
Because you know why Max B here guard in the
streets in New York, especially Hallom shout out to my
nephew Beady and all I see y'all playing his g night.

Speaker 3 (33:10):
There's a global interest in Max B. And so that's
what I'm trying to say is if you're pulling out
the park, it's a different bag.

Speaker 2 (33:22):
Drive showed me how to do that.

Speaker 6 (33:26):
Listen, you got that, but listen when flow. Joe came out.
I was getting five hundred dollars a show. It was
number one in America and I was going to Connecticut,
both Jersey the next day is Yonker d C. That
was in ninety three. It was no money in the

(33:47):
rap game with the number one.

Speaker 2 (33:48):
That's crazy, no money.

Speaker 6 (33:51):
The money's out there now big and another way, they'll
paint you in silver and you'll be on a surfboard
going through Madison Square Garden on the fucking silver surf
on that bitch. This is a different type of reggaetne niggas.
They hit one and they getting a half a million.
The show one song, you know, And I'm trying to

(34:11):
figure out French?

Speaker 2 (34:12):
What is it? Melfit and pants right there, Lisa. The
boy got his own money. Ud be too heavy.

Speaker 6 (34:24):
I'll tell you about the Bronx. Kill the Bronx. We
don't know how to act. Bronce person someone. You see
how CARDI be becoming shitting boat. Take a trench in
the ankle with the boots to match with the You
give a Bronx, dude, somebody your girl.

Speaker 2 (34:41):
They don't know how to act.

Speaker 1 (34:43):
Tell you boy, French coming in here, this ship looking
like fucking exotic emberusey ship he's made, killed the frost.

Speaker 2 (34:52):
We gotta get that hit Max, We hit that hip
crack cracking all about them this I told you, I surrendered.

Speaker 6 (35:00):
It's funny. He told me out there, I surrender. And
what's crazy is last night I was sleeping, I sleep
with the TV on right, and that turn and I
see little Tubo. Literally, it gotta be millions, millions of
white people jumping up and down, singing the words. And

(35:21):
I look on, I don't know who the fuck these
guys are. It's a rock group. So I look at
the ship. I say, what the fuck? He was a
million people and they all was singing, going crazy.

Speaker 1 (35:34):
And then the hook come and the name of the
hook was I Surrender. It's the food Fighters crazy and
it was called I Surrender.

Speaker 2 (35:42):
He told me today you are surrender. I said, Yo,
that might be you. You gotta tap into that. However,
that making I did make it one way. I could
never go on what is the process.

Speaker 1 (35:53):
That's probably of the weakest part of my game to
go in there and say, yoh, listen to a beat
that I don't dude, would you are going there be
some produced They'll be like, do this record right here
and it'll be a hit record. I might not like
the track, though. If I can't die with the track,
I'm not gonna do this ship.

Speaker 2 (36:12):
I did it. I sold out. I know. This is
why I'm trying to say this. I made it.

Speaker 6 (36:17):
I made a number one that I can't stand. The
white people love it. It went number one, Like that's the
decision we out there.

Speaker 3 (36:26):
Yeah, y'all want to sing.

Speaker 2 (36:27):
That same record over and noh or you want it.
That's how I was looking.

Speaker 3 (36:31):
I did it.

Speaker 2 (36:32):
I'm ready to sing the record.

Speaker 3 (36:33):
We mechanically sold out.

Speaker 6 (36:36):
Like we war records, and we said, all right, we
need to beat that sounds like this.

Speaker 3 (36:41):
We need to get the homemie on this hook. We
need to rap like this.

Speaker 6 (36:46):
And this ship really went number one, like we cloned
the number, like we made a number one that wasn't
from the heart, like lean Back was a mixtape song
that just went number one. You know, I don't give
a fuck up, go your faults. This happened, that went organic.
But I made the number one that I'm disgusted. And

(37:07):
I know what you're saying, because I just every time
I hear it and they want to hear it.

Speaker 2 (37:10):
The white people ship went.

Speaker 6 (37:13):
One independent when you madeleen back, No, I was independent,
make it rain.

Speaker 2 (37:20):
So you know what happened to me is a famous story.

Speaker 6 (37:22):
So I'm in Atlantic Records and I'm selling two million
rackets and I'm the big They had a.

Speaker 2 (37:28):
Post of me six floors, W.

Speaker 6 (37:32):
Had the orange level shirt. I had to lion the
dalling and I walk up in there every day. So
Cocky put out an album and ship flop. They took
off that poster so fast, and they threw a TI
join up this the new guy t I. I'm like, yo,
this major label ship is disgusted, bro.

Speaker 2 (37:54):
Right now.

Speaker 1 (37:54):
At that time, going independent, they were giving you seven
dollars a a sold a half a million, they calling
me a failure.

Speaker 6 (38:03):
Still a half a million people went to the store
and bought that shit. And I said, you know what,
if I get seven dollars for a half a million,
I make three and a half million. It's more than
the five hundred thousand or the million dollars they're giving
me to do the whole album. So I go back
the next day, I say, yo, I don't know if

(38:24):
y'all know. I started out digging in the Crates. I'm
going back to my underground. You ain't got to worry
about me. You'll never hear from fat Yo again. I'm
never making a hit again. I'm done naked rain four
million records on the masks with the fucking Independent. The
money was coming so much French. I'm kicking it.

Speaker 1 (38:44):
Safe and to close this shit, like Jesus, I'd be
like throwing my wife just bundles of money, like go spend,
go shop this shit crazy.

Speaker 2 (38:52):
I'm like, Yo, I can't close the safe.

Speaker 3 (38:55):
It was ring tones. When the ring tone shit just
came out, that's it went four million on them.

Speaker 2 (39:01):
That was the next I know.

Speaker 3 (39:02):
They wanted to commit suicide when our lefts make it Rain.

Speaker 6 (39:06):
Four million soul. That's crazy Independent. I've been independent ever since.
We win every time. You know, these record labels ain't
nothing but a bank, but they make you believe a
hit won't go without them, though it's a lie. All
the Way Up went. We just got a new commercial ESPN.
Ten years later, ESPN ABC.

Speaker 2 (39:26):
I'm all the way up. I ain't gonna lie. The
story about all the way Up is crazy.

Speaker 3 (39:31):
All I want to hear the story about all the
way Up.

Speaker 2 (39:33):
Yeah, let me.

Speaker 3 (39:34):
Hear French is on.

Speaker 2 (39:35):
All the way up. Yeah, let me hit now, hold
on kids, now kats come back. I'm telling the story.
So I'm just sitting back in the crib. Crack him
out of know it like, Yo, come by cooling, Drake studio,
I got this joint. It's out of here. This is
the one I go to the studio, we knock it out.
I'm not thinking none of it. The shit come out,
take off, boom. We're doing shows, even Drake him. I'll

(39:59):
telling you, boy, like yo, I need signed me three times.
I need a verse on that. So it was one
of them. One time here and Crack doing a big
ass show. That's how I know he was a real one.
I'm like, yo, Crack, I never really I never really
told you, but I checked with my lawyer.

Speaker 11 (40:13):
He told me I ain't get no publishing on that song.
I had zero publishing on a song. I said, Yo, cry,
I know you're not running a business like that. He
was like, frend what you want me to do? I said,
when I did the song with you, I was like,
my brother got me. I ain't gotta worry about nothing.

Speaker 2 (40:30):
Crack was like, you know what he called this lawyer
right on the spot, and he was like, you know what,
friends ship, I forgot what you gave me ten percent.
But the thing is it was five. It was five.
I was.

Speaker 9 (40:40):
It was.

Speaker 2 (40:45):
After the sack.

Speaker 3 (40:49):
I fucking got temper.

Speaker 2 (40:53):
But you didn't. You did not. You did that though,
of course you did that though in the front.

Speaker 3 (40:59):
What happened to me?

Speaker 6 (40:59):
And that's after the PaperWorks when he's moving this this day,
he come and sit next to me. We had a
ward show. He sit next to me.

Speaker 2 (41:07):
He said, Yo, but you forgot how you told me?
I told you.

Speaker 3 (41:11):
You said, yo, crack. You know it's that million dollar
boyster made that.

Speaker 2 (41:14):
Ship, don't.

Speaker 3 (41:17):
I look your friends? I said why.

Speaker 1 (41:19):
He was like, yo, sta, I put that million dollars
clothes on that pitch.

Speaker 6 (41:24):
I said, all right, let's call a lawyer down. It's unacceptable.
You know with me, I don't feel good if my
people don't make money with me. You know you knew JR.
Rest in peace.

Speaker 2 (41:36):
JR.

Speaker 6 (41:36):
Right has changed my whole life. It's a billionaire. I
was with every day for five years, Right, and he
taught me everything about business. And the biggest thing he
taught me is that everybody gotta eat you go to
my stores, the managers, Yes, the seminar's marketing Mica, but Jr.

Speaker 1 (41:55):
Is a billionaire genius. He may sure everybody made money.
And then he was good record labels that.

Speaker 3 (42:04):
It's the same thing where Remy came home.

Speaker 6 (42:07):
You know, it was just struggle. Me and her lean
Ram was struggling, right, So I sit it then in
the cars and listen. Let me tell you something and
that I know I'm hallucinating. Guys don't get mad at
me in podcasts. Well, but I told her, Yo, me
and you, we like doctor dre snoop. If we hit
one out the park we had here is after le

(42:30):
lean back in Instagram eraror oh my god, it's a
different type of animal. Old ladies would have been doing
on is Beyond. We'd have been buying Yankee Stadium. Imagine
all the girls on Instagram right now.

Speaker 3 (42:52):
If she was a model for a year and a
half and if she got it that shit and go
down to her ass and man, TikTok, y'all.

Speaker 2 (43:01):
Bro what yeah, y'all knew them joints was the ones.
Every one of them joints, y'all put out. Y'allknew was
the ones I knew everything.

Speaker 6 (43:11):
For real though it was it wasn't one that you
was like, I don't know the one real thing the
record label ever taught me great coming. He said, Yo,
you not Beyonce. He said, you can't put out two
three songs. And he says, if it hits, we'll get
another video, we'll get another song, we'll put the bag
behind it. So he taught me that I gotta hit it,

(43:33):
get a hit every time. So I was thinking like
a program director.

Speaker 2 (43:38):
Bro.

Speaker 6 (43:38):
I used to go to South Carolina and watch little
kids running across the grass and all that, and play
those songs there and said, if these kids can hear
this on a Sunday, this shit out of here, and
that's how we'll pick it hit every single time.

Speaker 3 (43:57):
And so I trained myself to pick a hit.

Speaker 2 (43:59):
That's what you saying.

Speaker 6 (44:00):
You don't do You just go in there and naturally
do her do songs and then if it goes go Now.
I heard a lot of artists say.

Speaker 2 (44:07):
Them, I just treat him like, I don't try to
make a hit. That's not what it was. I just
go with a good joke, and it happened. It happened.
It would takes a nigga like to come in like, oh,
he come in and go that's the one that.

Speaker 1 (44:23):
That's some ship. Or he'll come play some ship all
the time. That like the ship we just did shot
the video for last night. We got Death on the
Bitch coming out. That's that's some ship.

Speaker 7 (44:35):
You know.

Speaker 2 (44:36):
Shout out Booby the boxes. That's how I shot the Booby. Yeah,
Punk's cousin. Yeah, you and Booby was super tight. Crazy
Puny used to come and players the albums on one
one one eighty third right by the basketball court. Puny
used to pull up with his bends. He used to
have the custom custom made seat. Used to come in
there just put that Capital Punishment on. And it was
even before Capital Punishment when he when he came out

(44:57):
there with the mixtape that you I drove before that
with the cassette tables like the six joints on it.

Speaker 6 (45:03):
When you've been around French. You know why I say
that is because pun would drive to Miami and play
DJ Khalid his album Yeah or his songs. He would
go all the way to Miami. He trusted Khalid's ear before.

Speaker 2 (45:18):
All of us.

Speaker 6 (45:19):
Crazy and I played all the way up for Calid
and Calus sat in the speaking. I said, Yo, this
to one. He was like, I really don't know. I said, motherfucker,
get the fuck out the studio, nigga.

Speaker 3 (45:29):
I'm putting the bag up. I'm independent.

Speaker 6 (45:32):
This shit is the one just before that I was
fucked up. I did like four months of the FED.
They took all my money, millions of dollars. Imagine you
looking at your bank for ten fifteen years and you
cake the fuck up and one day you looked and
that shit down like this. They took all my money, penalties, this, this, that,
and I already paid the account the fucking money.

Speaker 2 (45:55):
Atlisha was still in the game. Oh no.

Speaker 3 (45:58):
I came home like you in a different way. There
wasn't no people there. There wasn't no football field, no
none of that ship.

Speaker 6 (46:05):
I went right to Cooling Dre Studio or d told me, yo,
we're gonna work, and I'm sitting up in there and
they got the little niggas with the with the pink
hair and the red and it was that time.

Speaker 2 (46:14):
Party like her rock stars and little pumps.

Speaker 3 (46:17):
And all of them, and they up in there and
they looking at me like, what the fuck this old
nigga doing in this studio.

Speaker 1 (46:24):
It was getting one and I said, man, I always
do it, yet one I was talking about your leg
too much.

Speaker 2 (46:30):
Fuck my leg up?

Speaker 3 (46:33):
He now have the year old styliship. Let me tell
you something man and super paws.

Speaker 6 (46:39):
I'll throw it right now. But I'm a little light
on my ass. I'm two thirty bright now look good,
I'm two thirty.

Speaker 2 (46:45):
Poles twenty five yump. I feel magnificent. Oh, just watching
the interview with you interviewing Big l I had it.

Speaker 1 (47:00):
Uh about about two weeks before I came up. They
had the full back joint show and they played got
a float joke. You had that big army on that.

Speaker 2 (47:07):
Army, the big.

Speaker 3 (47:11):
Motherfucking' playing with him like that. You know, I'm trying
to stick.

Speaker 2 (47:14):
Around Fred, what's so at come? I was that? What
was that?

Speaker 1 (47:18):
Like?

Speaker 2 (47:19):
I ain't never I ain't never do nothing that big
in Morocco since since I left Morocco when I was thirteen.
So it's kind of like a moment, you know what
I'm saying. I went there like two billion people ship
it was like a billion, two billion viewers off huge
but and there was like seventy thousand, Yeah, seventy thousand
billion was.

Speaker 6 (47:39):
The biggest who gave me I could move to Morocco
and live forever free of for your strength. I've got
on the plane the warrior. What's it called? What's the airline?
Royal Morocco pilot came out. He's with frenchman dinner. How
you got he's throwing the motherfucker flew that bit so
smoove over there, it lads, so smooth over there for

(48:02):
Rocco man. And they got the man. I'll let you finish.
The man go like that, huh for hours? Ship you
eating in the restaurant. He's finished some ship.

Speaker 2 (48:12):
Right the guy with the what is that call that one?
You never seen that? There's a guy.

Speaker 3 (48:19):
No, yes, Dizzey likes a guy. He got the fuck
the string on.

Speaker 2 (48:24):
His head with the like, oh yeah, that'll be playing
playing the ship like this for hours.

Speaker 6 (48:28):
You be like this, dude, dizzy Yet you eating all
type of fucking the new ship all type and keep
going like this.

Speaker 3 (48:37):
You got he got a tough job.

Speaker 2 (48:39):
He got the string. He keeps seeing that keep that
ship moving tradition. Yeah about half cut. Yeah, So it
was the opening game Morocco red one had hit me
here the producer all the music over there. He was
like he had the veto one, got that yeah, yeah,
so that one he runs, you know, because he Moroccan.
So the King let him run.

Speaker 3 (48:59):
So he was nah, he produced your making song.

Speaker 2 (49:03):
He produced Jamaica songs, but he Moroccan. He did all
the Lady Goga music. Yeah, so the King grabbed him
to do all the music for that for the Afghan
for the African Cup. And he just hit me, like
a week before the joint, he got the biggest single,
Come hop on it, come perform, we want you to perform.
So I went there, the King came to watch it.
It was like a moment. I took Mom and Dukes
over there and it was just like, you know, it

(49:24):
was big.

Speaker 3 (49:25):
Ever been a more famous Moroccan ever, right, I mean
in a humble way.

Speaker 2 (49:29):
Yeah, now that I think of, I mean that that
that really I mean there is that went to Europe,
like different parts of the world, but as far as
like the mecca of music that somebody that came here
and did not I gotta.

Speaker 5 (49:40):
Take an old man pissed Morocco is playing Brazilian Brazil
for the World couple.

Speaker 2 (49:46):
Yeah, that's crazy. And Jersey yeah, I gotta go. That's big.
Morocco was never this big as soccer until like the
past couple of years. Soccer was never this big ship.
Like I think it's always huge. We call it footballard
I think.

Speaker 1 (50:06):
In general brought it all of it. Every sports you
got basketball, yeah.

Speaker 2 (50:11):
Just watch everything that was watching. The TV deal was
the commercial deal. I think when Morocco made it to
the semifinals in the World Cup, I think it was
it was a moment where everybody was like, you know
what getting Yeah, we belong here.

Speaker 1 (50:23):
Even like the low market teams got like they stadiums
be let I'm saying, it ain't like it used to be.
Remember used to go certain teams. You know, you watched
like Atlanta game. Nobody ain't see nobody that. She's like
that like the market a.

Speaker 2 (50:41):
You right about that.

Speaker 5 (50:43):
A lot of arenas that were small markets that used
to be they only showed one pack because the people
was only ship is lit.

Speaker 2 (50:49):
It's so you're right, that was like one of the ships.

Speaker 1 (50:52):
I used to like, she in jail when I be
watching TV and ship, I'm like, yo, the world is evolved.

Speaker 2 (50:59):
The economy, the money brought the monk. You know what
I'm saying is the whole ship is like the Internet.

Speaker 1 (51:06):
You really could come on hend and do what you
want from the crib, like for real, you really just
gotta put your foot and some ship and go. That's
some ship though, Yeah, but messy MESSI coming to Miamiroco
and she a soccer game.

Speaker 2 (51:21):
I got to. I called this PI over the last game.
I was like, yo, let him coming, like nah, yeah,
I'm working on that. I'm getting about to get that
pass for me. I'll try to get you out there.
I can't wait to get you out there. We'll know
some things that work up the sumthing and gotta go
nowhere Morocco. We're gonna gona Morocco playing. I would like
to go to Morocco. Yeah, you got to whoever the
track call or whoever that's it is, he said, bock

(51:43):
of that fucking starts speaking language.

Speaker 6 (51:55):
Maybe you definitely said before, but something I want our
audience because we sucker free this audience.

Speaker 2 (52:01):
We're killing these niggas in the podcast.

Speaker 6 (52:03):
Man, they are hey, yo, fuck all these I want
to smell with all of them. I can't really respond
to the dirty section the AM radio. Good morning Vietnam.
We leave them niggas over there, them niggas over there
at that am Ma from TV, go dirty yourselves up?

Speaker 2 (52:23):
Fuck that?

Speaker 6 (52:24):
But that why you do that? When I heard that,
why you do that? I said, Jesus christ Man, this
ship incredible.

Speaker 3 (52:36):
And the name Bigger Valley. Could you break down the name?

Speaker 2 (52:41):
It may be a weird little concept. No, I love it.

Speaker 1 (52:45):
So when I first started doing music and I knew
I could write, I was like, all right, now you
need a name. I always thought the name is what
is like very significant when it comes to art. Absolutely
need to name that ring that people gonna love and
respect what type of music you're trying to put out there.

Speaker 2 (53:07):
So why not?

Speaker 1 (53:08):
I said, how would I sound if I mixed these
three niggas together, Big Jigger and mcavelly. Not true pop Mcavelly,
that's the late pop. There's a difference from about that
late probably seven day theory pop. Them the three niggas,
that's that's that was it. So I came up with

(53:29):
Max Bigger Belly, Bigger Belly fucking incredible.

Speaker 6 (53:34):
What a name, Jada? How you came up with Jadakiss
Cracker Jackson h h it said Jadakiss Jeus.

Speaker 2 (53:47):
I wanted to ask you.

Speaker 3 (53:48):
That she started to believe you.

Speaker 7 (53:49):
You got.

Speaker 6 (53:51):
I started to believe the turkey chops, the turkey chops
he brought Johnson's Fried chicken.

Speaker 3 (53:58):
It, I'm starting to believe you.

Speaker 2 (54:00):
That's my old shout out to my mayor.

Speaker 5 (54:02):
Rod Lee chilled on the block with older dudes and
one day he just came outside.

Speaker 2 (54:09):
Somebody must have called them beat them. Asked him who
was on.

Speaker 4 (54:14):
The block, and he starts saying, he start giving everybody names,
but he he said, and that kid Jady Kiss.

Speaker 2 (54:23):
I just kept oh, he said it like that? Who
well did kay? Hey?

Speaker 4 (54:28):
They this that kid Jady Kiss And I got a
nice man.

Speaker 2 (54:36):
Make it mean French? And what made you tony mantana? Nah?
I mean when I when I first came from Morocco,
I used to speak French. And I moved to the
Bronx and he used to have all these Africans on
my block on Elsman and they always used to be
talking to me in French. Any time to come out
to me, they go, bon this is calling first. After

(54:58):
that they start calling me French. Then, you know, after
I realized I couldn't, you know, go to college or
play ball or none of that I started hustling con'
gett on scholarships and then so that's how I got it.
So French was from ELSB and Montana. Just hustled. It's
crazy because I thought you was nice and ball right
at once. Yeah, it was playing ball. My knee bad

(55:21):
right now, you know, went to Kou time win in
the city, got the join crack legs. Now I can't
play legs. I can't play yeh, let me sit in
my kneecap. I can't jump like I used to. I'm done.

Speaker 6 (55:36):
Oh no, you're done. But you was dead nice. Yeah
in basketball, I was always fat Joey.

Speaker 2 (55:40):
Yeah, I was born. I had had a bunch of
letters from colleges and everything. I was trying to figure out.
But it was like you had good qualities.

Speaker 6 (55:47):
I had good quality quality. They was like, yo, that's
fat Joey. I didn't even call myself fat Joey. The
old block called me fat Joey. You always take the
name you Peter. Yeah you can't.

Speaker 5 (56:02):
That's amazing, ship, but it's fires. Usually you don't get
to make your nicknack y'ah. People give it to you
in the stick.

Speaker 2 (56:10):
Yeah you can make. You made your shitn' he shp
is clack legendary because I was going for something. That
ship took gain ship. They just popped. I had like
four other names before that ain't right. They ain't working.
My first ship was feeddi Chini. First my ship, my
ship on the hood, Charlie Brambo, Charlie Bramble.

Speaker 1 (56:30):
I heard thaty boom boom Charlie baring boat Fetti Fettycini
fed lost it fetty grin, mister big yard, mister big
It's great, mister big, y'all's brsh doll gets a little night.

Speaker 2 (56:44):
So now I was listening to your ship. I used
to dive in y'all niggas ship, Paul, but I couldn't.
Y'all was so. I loved y'all niggas I was. I
was looking for minds. You beat me to it, my yo.
I was so on y'all ship, right. I didn't want
it to rub off into my ship. Oh my god,

(57:08):
I was.

Speaker 3 (57:11):
Nigga fried he fried.

Speaker 2 (57:13):
I ain't wanted to I ain't wanted to see it.

Speaker 1 (57:15):
So I just had to distinguish my my sam So
as hurtful as it was, I had to stop listening
to my locks.

Speaker 2 (57:24):
So Damn, that's respectful. So I just get better because
you know what I'm saying.

Speaker 1 (57:29):
As I started getting better, aroun like two thousand and one,
two thousand, I came with the name Max Max B.

Speaker 2 (57:36):
But guess what, I didn't know what to be. I
didn't have no name for me.

Speaker 1 (57:39):
When I came out of three oh five oh four,
I caught the little violation. I went back up for
ten months and I was writing like a like adult,
and that's when the shit came to me.

Speaker 2 (57:50):
Nobody didn't have him on that big, big g Lamarro.
We went to school. He's the same class.

Speaker 1 (57:56):
Lamark, so you knew and you knew his brother Lee. Yeah,
you know what brother was legend give ship. He was
giving it up.

Speaker 2 (58:05):
Legend out there.

Speaker 1 (58:06):
Listen, man, them thirty nine boys was all. They was
all terrorizing ship. And I'm gonna keep it real. When
L went, when rest of beef, that's bro. When L
first came through, we didn't appreciate it.

Speaker 2 (58:17):
We took it. Jordan was flinging them off the booth.

Speaker 1 (58:20):
It didn't take me to like ten years ago to
really understand the significance of Big L Shit and how
nice he was. He was nasty he was super nasty,
but it took me, It took maturity, flamboyant.

Speaker 2 (58:36):
To go in to that.

Speaker 1 (58:38):
I done mastered by saying, now I'm going I could
go back and listen to Now I know, I know
how not to never sound like nobody, but now I
can listen again.

Speaker 6 (58:47):
Big L would call me and be like, yall, I
got beef on the block and we would go over
there in the white van, ougly and we jump out
and hold up grills. We ready to tear that ship
up one on one and were like, well, who will
be the biggest dude on the block.

Speaker 2 (59:05):
He fight him one on one. I'd be like, hell,
you want to fight this guy? Like are you shooting?

Speaker 7 (59:10):
Nah?

Speaker 3 (59:10):
No, he wasn't the dirty guy.

Speaker 2 (59:12):
Man.

Speaker 3 (59:12):
He would fight him on on one and we got
the animals in the van.

Speaker 2 (59:15):
Man.

Speaker 1 (59:15):
He used to fight my brother, and my brother was
a nut. But L wasn't like you. No, he wasn't
running around on the No, he.

Speaker 2 (59:21):
Fights, you know.

Speaker 3 (59:22):
He never wanted to set nobody up. If he knew
you like that. He was like, because we coming in
the event early fat Joe, three fat.

Speaker 1 (59:30):
Jokes, we got Thaco, we got this and he's like, oh,
it's one.

Speaker 6 (59:34):
On one and it always be the biggest guy in
the world. I'm not gonna say he won, but l
fort them one on one. I was out there when
he when he got killed Cam and Number was out
there too. I seen him on the floor. That was
like the saddest shit man. But l man, he had
so much coming, man, he had His future was really really,

(59:55):
really really bright. He did whatever, man, but shot out
at the hall.

Speaker 2 (59:58):
A lot of love now shot and his flow never
got outdated, like the way he rapped cy right. People
were just rapping like that now custom to him. Trying
to tell you.

Speaker 1 (01:00:08):
I went back and had well one of his joints
like a few months ago, and it just gave me
a whole different feel.

Speaker 2 (01:00:14):
I was like, you know, Finess discovered him.

Speaker 6 (01:00:16):
So Finess was the hottest rapper in New York and
it was different from us we partying, you gonna Charlie baby,
Finess the cross standing there waiting for the ooh.

Speaker 3 (01:00:31):
Ah, like this grown man.

Speaker 6 (01:00:33):
That's all they wait and he going there freestyle and
they're like, Lord, Finess is the man that you got
to hear flowing ooh the whole crowd, Like every punchline no,
every punchline was dramatic and where he said, Yo, I
found this kid from Hall.

Speaker 2 (01:00:51):
I didn't even know that.

Speaker 6 (01:00:52):
You asked, he said, that's how he's digging in the crate,
you know. And man, that man b L came out
in that first song that first show was up there
like broad Away and like over there by Marble Hill.
Big Al spit his fucking ass off the whole crowd.
They was there for the ooh magine. He come up
in there, the baby for ness at the time, and

(01:01:15):
he tore that shit down. He the only artist I
ever did this song with this and he gonna he
gonna rip me down on a song and take all
my fans. We had DVD D and D primo due
the beat to the Enemy. I had just went gold
for the first time. So he sits me down.

Speaker 2 (01:01:31):
He's my little brother, he says, listen, I'm here to
take all your fans here.

Speaker 3 (01:01:37):
That's some all them shit, right, I'm here to take
all your fans.

Speaker 2 (01:01:41):
I need it.

Speaker 6 (01:01:42):
So just no, come with your very best right now,
because I'm gonna go crazy on you on this song.

Speaker 3 (01:01:48):
And I had and that's my favorite whine I ever
said in.

Speaker 2 (01:01:51):
My life because I was on the spot. You remember
that Lords and the Underground freestyle dish wreckage you did?
Oh yeah, you remember that for Finesse.

Speaker 3 (01:02:01):
They good guys.

Speaker 6 (01:02:01):
Now, man, the Lords of the Underground, Yo, who is
well because you know they caught beef for Finesse because
it was Lord Finesse. For some reason, the Lords of
the Underground, they try to go at Finess. You know,
it's like every I didn't mind my business. I was
a wild They're just coming in.

Speaker 3 (01:02:21):
And damn man, I hope they don't reserve that ship
the resurface.

Speaker 2 (01:02:24):
They good beeping.

Speaker 6 (01:02:28):
This is what it is, your friends. You had enough battles,
aren't you. That ship was like, well right now we
we we're really not into nothing. This ship we used
to be into.

Speaker 2 (01:02:38):
I think so so y'all was the first one to
really actually start drill rap because drill rap is basically
who was the first m C to start beefing? Right,
because they were telling us that's cool, mold D, that's
cool mo D busy busy beef.

Speaker 6 (01:02:56):
But they say the first gangster rapper was Iced Tea,
and then kr Rest was the second one. We googled
that ship, right, like google that ship. I see was
the first gangster rap. I think the first rapper with it.

Speaker 2 (01:03:12):
This song was icy first nigga with it.

Speaker 6 (01:03:16):
First of all, the other battled half battles gold crush
against the romantic, the niggas, they've been battling forever, But
the first big battle was Como D and Busy B.
Busy B was like a Max B. Life of the party,
having for an. I don't know if you remember the
old school movie. He spelled his name with the money.

Speaker 2 (01:03:37):
He was Busy B.

Speaker 6 (01:03:38):
Busy B was rocked to party crazy and your man,
a young k D came up and there it was
like that ball to the ball, take that ship on home.

Speaker 3 (01:03:47):
His ship was like his hit. His lean back was
to the ball, to the ball, the bang, the bang.
He said something in it on take that ball to
the ball.

Speaker 2 (01:03:55):
I was sham a little bit. That's a little bit.
They put a.

Speaker 6 (01:04:01):
Picture on Instagram yesterday kr risk one and they said
what comes to mind, MH. I immediately wrote south Bronx,
South south Bronx. I looked at the comments and they
was like, let me begin. There were just over then
they coming they like, are you a philosopher?

Speaker 7 (01:04:18):
Yo?

Speaker 6 (01:04:18):
There is so many Chrress quotes, I don't think no fighting,
repeated the quotes like every sommer you must learn my
main man, Rob, Now what you what the fuck am I?

Speaker 3 (01:04:30):
You remember that love's gonna get It's gonna get your love?

Speaker 1 (01:04:36):
He said, school Ji Week Fu school your Love's gonna
get your week.

Speaker 4 (01:04:42):
It finished you right now, Jim, We did it was good.

Speaker 2 (01:04:46):
Shot Shot to Jamaica shaking up with the Gi Week.
Somebody Jamaican who started hip hop. That's crazy. Shout at Jamaica.

Speaker 3 (01:04:53):
You didn't know that, no hurt.

Speaker 2 (01:04:55):
Yeah, I didn't even know he was Jamaican though. Shot
that Jamaican Jane.

Speaker 3 (01:05:02):
He's the most solid one of all the founders.

Speaker 2 (01:05:04):
Crazy, you know, he's a real nigga. Cool yo.

Speaker 6 (01:05:07):
When the Bronx, when the Bronx looks like Vietnam where
all the buildings was blue blown up and birth of
that nigg got the convertible with the fucking speakers in
the back driving through the Bronx when this ship looked
like Vietnam like.

Speaker 3 (01:05:24):
On them Big John before the Spike traint and something that.

Speaker 1 (01:05:27):
Was before the feeding. That nigga was out there with
the convertible ship like a dawn you know. Yeah, yeah, yeah, Goddy,
you have to caddy the big ship. He was riding
around and he was he driving through the ship. This
is cool, Hurt, the founder of hip Yeah.

Speaker 2 (01:05:44):
Well, just to know somebody Jamaican created hip hop and
then Jamaica they don't even do hip hop. It's kind
of it's kind of crazy. Something that's crazy, right.

Speaker 6 (01:05:54):
The I don't want nobody kill me at the deli,
but every Sunday I go to the Italian Deli, go
get the dollar. Was the turkey to everything. So there's
a man there that's like the rain man. He's a customer.
He stands there, hear my flag every no. The man
start telling me so white dude. He's really really smart.

(01:06:14):
He got like as Berger's or autism on a high
level with a smart, smart god. And then he asked me,
he said, yo, man, what instruments you're played for hip
hop and all that? And I was like, you know
why we don't really play the instruments We sample? He said,
what do you mean sample? They got these machines, but
they take jazz, they take rock, they take Southside, they

(01:06:36):
take R and B, they take that. And I realized
hip hop come from everywhere. I never really thought about
it till he asked me that question. It actually is
a fucking gumbo sample, all the shit together together, and
that's how hip hop come out. Oh the album would
be out already.

Speaker 2 (01:06:55):
Turn it the coke wave mana three point five. Let
me tell you how we got a three point five
because we were so high that we skipped no more,
they said, But that's all. They were so high. They
skipped three. We skipped three, so we were we went
straight from to the four. So he come home. I'm like, yo,

(01:07:20):
we got a problem. We skipped the whole value. You
gotta come back the three. Like, I got a solution.
We're gonna call it three point five. That's both, he said,
the three for the one we missed, and the point
five for the one that come after four. So we
got two vacuums.

Speaker 3 (01:07:38):
You want to know what's crazy.

Speaker 2 (01:07:41):
That's the genius.

Speaker 3 (01:07:43):
You know you know what's crazy. I could never get
the vision out my face.

Speaker 2 (01:07:48):
Pause, Come on, man, come on back. You can't get
what the vision vision.

Speaker 6 (01:07:56):
I ain't saying nothing pose on my face to this
man with a cat's hat with forced white girls, just
it looked like he was what's my man that died
the playboy dude you after that night in the club,
I'm looking at him. I'm like, Yo, this digging b
is at a controve. Bro, what a life man. Now

(01:08:20):
you're married, got your wife everywhere with you. Smart man,
keep you out of a lot of trouble.

Speaker 1 (01:08:29):
Une, nice system implemented. Can't complain, but you got it.

Speaker 3 (01:08:36):
You got your shit together. And I've watched other interview.

Speaker 2 (01:08:39):
Now you got your shit together.

Speaker 12 (01:08:40):
Bro.

Speaker 6 (01:08:41):
You ain't with that ship. You ain't falling for nothing
you doing. You got your ship together. And everybody, if
everybody's even the goons, I know they've been waiting seventeen
years for you to come home. Everybody's been waiting for
the money to come in. Whatever the case may be.
Everybody been on max time. So you gotta let them know.

Speaker 2 (01:09:00):
We all got to be in harmony.

Speaker 3 (01:09:02):
And that's one of the toughest things I had to
learn since day one.

Speaker 2 (01:09:06):
I'm coming with the animals and they beating up.

Speaker 6 (01:09:09):
My fans, ugly ones. Well you gotta flow Joe. We
beat I SLNT. Look they do Flow Joe. It's number
one in America. They do a concert. My first show,
Leam in college in the Bronx. I come up with
the whole forest projects, not half, not two thirds black

(01:09:30):
Spanish before that nine three right.

Speaker 2 (01:09:37):
You funny too.

Speaker 3 (01:09:38):
We was in Patterson project and he told me, Yo,
you you safe.

Speaker 2 (01:09:42):
I said, Nigga, I sold my first.

Speaker 6 (01:09:43):
Back Yo for the fucking I swear to god, I
sold my first bag of dope in.

Speaker 3 (01:09:51):
That park on that bench.

Speaker 2 (01:09:53):
Came out.

Speaker 9 (01:09:55):
Yeah.

Speaker 3 (01:09:56):
But he told me I'm safe.

Speaker 2 (01:09:58):
I said, all right, friend, the wordy man, you know,
you know, remember like an elephant.

Speaker 6 (01:10:03):
No, I said, Yo, I don't smoke, I don't drink.
I'm focused my sugar, right, I'm good.

Speaker 2 (01:10:09):
You stopped drinking away before everybody. Man, Listen, I can't
even give crack a bottle of nouvo. I was making
all the way up. I'm talking him to drink nova.
I'm like, there was no liquor in this crack. He
stopped drinking before everybody.

Speaker 3 (01:10:21):
Well, you got me, you got me high.

Speaker 6 (01:10:24):
We shot the video to cooking in the desert and
I went in your fucking trailer. I don't know if
you remember that. You Zach and y'all was there, and
y'all had chocolate chip cookies. Of course, my fat ass
going out, started eating the truck and they all laughing.
I don't know why they laughing at me. I'm tearing
up the chuncolate chips. Next thing I know, I'm high.

(01:10:44):
I don't smoke nothing.

Speaker 3 (01:10:45):
I'm like, yo, what the fuck?

Speaker 6 (01:10:46):
In the desert we had tigers in the I'm so high,
I'm banging on Remy's doors.

Speaker 3 (01:10:53):
She's in the arm trailer.

Speaker 6 (01:10:54):
Next morning, boom boom ban we gotta go turning dark.
That ship was like twelve noon stort and dark video.
As soon as the sun goes down the videos over.

Speaker 13 (01:11:04):
I was hot.

Speaker 6 (01:11:05):
Then I realized im way back. I said, she said
something wrong with you, Joe, I said, yo, Ram stops.
She's like you're high something.

Speaker 3 (01:11:13):
And I went back.

Speaker 2 (01:11:14):
I said yo.

Speaker 3 (01:11:15):
They started dying laughing at the.

Speaker 2 (01:11:18):
Old treatment.

Speaker 3 (01:11:31):
So the shit, what's the African joint where the kids
is dancing?

Speaker 2 (01:11:35):
Unforgettable?

Speaker 3 (01:11:36):
I'm forgettable. How many diamond is that ship now?

Speaker 2 (01:11:39):
Probably like going on twenty, but like eighty four around
the world. I wish man, I wish I walked out
the label and and and did make a rain, like
how you did it with that record? You were the smith.
I wish I had vote that victory.

Speaker 3 (01:11:54):
Your French. I think you went.

Speaker 6 (01:11:57):
I think you was off the label, right, it was
leave in the label and then you hit that one.
And they came back and said, hold up.

Speaker 2 (01:12:04):
Just work this out because I paid for that record.
I paid. I paid half of that record. Then when
I was in the studio just working on the album,
I remember Travis coming in. We did a joint. A
couple of people came in, but Jeremiah came in for
like two days. They stayed up for like two days cooking.
There was a point where Jermia was playing records and
he played this one joint was it was a radio

(01:12:24):
hook on there? Yeah, Jerema played it.

Speaker 3 (01:12:26):
You gave him that million dollar voice.

Speaker 2 (01:12:29):
I turned around, looked at him. He looked at me.
Pull that joint up. It was liu. Yeah, he played it.
How genius? Was it your idea?

Speaker 3 (01:12:37):
I know you African, but it was your idea to
go get the.

Speaker 2 (01:12:40):
Kids, because yeah, to the kids. I was watching them
kids before I even had the record them kids. I
was already watching them because I'm like, man, these kids
like they don't dance like nobody, and I'm like, so
I started asking doing my homework. They were like they
don't watch no TV, no nothing, So they had to
learn all their moves like on some you know, just
as they're going what part of Africa was that? It

(01:13:02):
was Uganda. It was Uganda. So I was look Kamala,
So I was shoying.

Speaker 3 (01:13:07):
To Kamala the wrestler Samala.

Speaker 2 (01:13:10):
I was shot to fly him in. They was like
they can't get no visas. No now, like you gotta
go there. It was a thirty hour flight. And mind you,
when I got Unforgettable, the record leaked. The business wasn't
done so and so when Jeremiah gave me the record,
I remember I called up Sway. I'm like, yo, bro,
I want this record. There was like they already had

(01:13:30):
the record going on something else. So imagine like you
had lean back and somebody called you saying, nah, you
can't have that record no more. So I hoiled that
Sway and I how that Mike Wilson. It was kind
of back and forth, but I think my man Sal
came in shot the South. Sal came in. He was like, bro,
I'm gonna tell you how you gonna get this record.
Just give him three hundred thousand for the record. We
paid five thousand for beats. We paid ten grand for beats.

(01:13:52):
I never paid for a record three hundred thousand. I
was looking at Salad. He was crazy, but the record
was already out. So now the record is already out,
and somebody is telling you paid three hundred thousand for
a record. Nobody in the right state of mind gonna
be like, I'm paying three hundred because you still don't
know if the record gonna go or out. But the
record was already leaked out, is already out. When I
went to the label that said the record is already out,

(01:14:13):
the label was like, nah, we don't want to invest
in this. So I had to go on my pocket
and I was like, look, if y'all match me, I
get it. So I put up one hundred and fifty
and shot the silvia your own. She put up one
hundred and fifty. But I went to Africa and I
shot the video out of my own pocket. Too crazy. Yeah,
we shot the video and we had the song and
the song was already out, so he just had to gamble.

(01:14:33):
It was like a million dollars a gambling, you know.

Speaker 6 (01:14:36):
I caught an l like that one time I did
this song with I was so honored to do a
song with Kanye West.

Speaker 2 (01:14:41):
He made me.

Speaker 6 (01:14:42):
Book Hype Williams. He made I paid Hype Williams. I
think maybe three hundred thousand. I'm independent. Man come with
a flashlight?

Speaker 2 (01:14:53):
Was the light? You know how they got?

Speaker 3 (01:14:55):
They got more lights in here right.

Speaker 2 (01:14:56):
Now than the bit. He came with a flash light.
He's like, so the new one working on I shit
what you talk about.

Speaker 6 (01:15:05):
I got bodied fro night Bullions. Might have spent ten
grand on that video, but the video came out phenomena.
He can't Yeah, and then your man Kanye.

Speaker 2 (01:15:14):
Never charged me, but he said yo, Joe covered the wardrobe.

Speaker 6 (01:15:18):
He ordered ten thousand dollars tank tops from France and
shit like he.

Speaker 3 (01:15:24):
He killed me on that budget.

Speaker 6 (01:15:26):
Like I'm like, Kim Kardashian comes through. It's a movie, right,
But I flew the bag on that. A couple of
hundred thousand radio video, this, this, that and this sh
it ain't go. And I came back and threw another
bag on that number three hundred thousand.

Speaker 3 (01:15:44):
I just knew it had to be hit. Yeah, man
didn't go.

Speaker 2 (01:15:49):
It was great.

Speaker 6 (01:15:49):
It's a nostalgia piece. I rocked with Kanye. This shit
looked beautiful. But I caught a hell on that. This one,
I caught a hell on.

Speaker 2 (01:15:57):
Yeah, Kanye had me him meet him in the middle
of the desert planes with this shat. Incredible. Yeah, that
video was incredible getting him and Nas there. That's when
I was like, I was like us getting French Montana.
It wasn't Moses, it was I forgot the name. It

(01:16:18):
was like a hip hop joint. I never expected it
to be a hit.

Speaker 3 (01:16:21):
No, it was incredible on the graveyard of the of
the plane.

Speaker 2 (01:16:25):
It was with this shot con air. That was a vibe.
That video right there was legend. Yeah, when you had
to get them there, Yeah, how crazy is that light
in the bottle?

Speaker 3 (01:16:40):
You show about three hundred thousands. I'll tell you a
story I never said before.

Speaker 2 (01:16:45):
It was crazy. We're just talking.

Speaker 3 (01:16:46):
But I never forget we shot John Blaze, had.

Speaker 2 (01:16:50):
The young Jada kiss a reckond.

Speaker 6 (01:16:54):
The only one that was late was nos and last
minute Steve Stout showed up.

Speaker 3 (01:17:01):
And was like, Yo, we need ten grand for him
being the video. This is when Joe cracked his down card.

Speaker 2 (01:17:07):
Gen I ain't paying for a peach, nigga.

Speaker 1 (01:17:10):
I'm walking in the supermarket getting free food like I'm like, yo,
I ain't paying walking like I'm in the supermarket taking
free peaches and ship like yo, Dawn, don't pay for
ship ya.

Speaker 3 (01:17:21):
I was sowing my heelings even though I was rich already.
I was like, you know what, I was like, yo,
ten grand.

Speaker 2 (01:17:27):
He was like, yo, you know it's nots.

Speaker 3 (01:17:29):
I said, no, no, that's not even a question.

Speaker 6 (01:17:31):
He did the song for free, but I gave them
that ten That felt like the three hundred for that
like cause in them days, yeah, I don't think nobody
was paying for nobody to show up, but nothing like that.

Speaker 2 (01:17:42):
Jade is there? Who was there? Ray Kwan is there?
Pun is there? Acting up? Mac tenth? But I learned
from that. Though I saw the weekend pay somebody as
big as the weekend was, I was bugging. I was like, yo,
why are you paying me the weekend? My man cash
was like when they asked us for something smoked, Who

(01:18:06):
you gonna smoke? They smoke? They gizzets.

Speaker 3 (01:18:08):
We got we got new music to play.

Speaker 2 (01:18:10):
We got new music.

Speaker 3 (01:18:13):
Don't play that joint you've been talking about French that
you think is.

Speaker 2 (01:18:16):
The I'm gonnat. I'm gonna let Max pick one. I
pick one off the tape. Oh Papa half, He'll play
pop a half and I play, and I'll play ever
since you let me join Frank don Vell Pad.

Speaker 13 (01:18:39):
She propped a half guy in TV show.

Speaker 10 (01:18:42):
Miss Bad was No Pase count Cash is my favorite song,
the cool black but the baby croopy.

Speaker 2 (01:18:51):
I make the mouse of it.

Speaker 7 (01:18:53):
I bet the house love it.

Speaker 2 (01:18:54):
Flop by that playing man. I love bringing out look
might just go goost fucking white bitch, got no stomach.

Speaker 7 (01:19:00):
Coke boys they hang man, wait, guys, they.

Speaker 13 (01:19:02):
Own I'm cashing the song probably with four five bitsits.

Speaker 2 (01:19:06):
You're on the show, probably four five years and not
be gone.

Speaker 13 (01:19:10):
Probably want my dog's high sitting on the throng file?

Speaker 2 (01:19:14):
Can can these niggas on that?

Speaker 12 (01:19:19):
I'm probably the bulls baby, I'm usually getting.

Speaker 2 (01:19:23):
This ship go West, I do this. That's this baby man,
I'm getting in here. You get up man, get him
in here. Man.

Speaker 12 (01:19:38):
Yeah, we ain't smowing corn shoe ushers, give me a
hen and gee's up to get mustard.

Speaker 2 (01:19:44):
New attitudren new mood.

Speaker 12 (01:19:45):
Now clusters gathering at the bullship the shnoozy to us
some other type of niggas show how they explain it
PABs is the way show all the containing.

Speaker 2 (01:19:56):
Bigger bout the steeze back. You're so awful you're seeing
him in the street. He's a local that.

Speaker 12 (01:20:02):
S niggash nigga there with the chopping them in there
when the wave my arm, I make a glums go
at the store of your niggas.

Speaker 2 (01:20:09):
Now home, put up with chit. These niggas is old.

Speaker 7 (01:20:12):
They're going home.

Speaker 2 (01:20:13):
I couldn't care.

Speaker 10 (01:20:15):
She propped the half guy A TV show that Miss
Bad wasn't no panise on Big count Cash is my
favorite song, the cool black but the baby crooked.

Speaker 2 (01:20:27):
I make the most of it. I bet them host
love it, flop by that plank marn Our love bringing
out luck. Might just go ghost fucking white bitch, got
no stufing coke boys. They ain't mar wave guys their own.

Speaker 13 (01:20:39):
I'm cashing the zone, probably with four five bitches ring shown,
probably four five.

Speaker 7 (01:20:45):
Years and not be gone.

Speaker 2 (01:20:46):
Probably want my dogs hot, sitting on the throne. Probably
the niggas on.

Speaker 12 (01:20:55):
I probably st baby.

Speaker 2 (01:20:58):
I'm getting ship. Yes, just the taste, just the taste.

Speaker 4 (01:21:21):
That's hard.

Speaker 2 (01:21:23):
Playing one more, Yeah, yeah, just the taste, No one,
play one.

Speaker 3 (01:21:31):
Oh no, this is the one y'all.

Speaker 2 (01:21:34):
This the one. This is the one. No, no, this
is the one, is the one.

Speaker 6 (01:21:40):
I heard you on the studio when y'all played this,
I was like, this ship out of you, it's the one.

Speaker 3 (01:21:44):
I never even heard one word, just the one, the look.

Speaker 2 (01:21:48):
But I told you this is what? This is what?

Speaker 3 (01:21:51):
One second? When did I already know this the one?

Speaker 2 (01:21:55):
Let's go.

Speaker 3 (01:21:58):
Ready, this ship gass.

Speaker 2 (01:22:00):
I went death on the bitch. Ever since you left me,
more money, more cars, small home, small show, Ever since
you left me, more diamonds, small gold, more emotion, more hoes.

Speaker 7 (01:22:14):
I went death on the biff. I went death on
a biff. All I need is one night.

Speaker 4 (01:22:25):
You're gonna have this pass.

Speaker 7 (01:22:28):
All I need is one night. I went death on
the bitch.

Speaker 2 (01:22:33):
Yes, my yes, I'm es stop drop top g wagons,
willing do testlas, don't pay fitted bad god pick semesters.
I turned dream girls to my new extras. Had niggas
recognize here, girls do too. Run through the city like
the two LIVEE Crew. Got a hauling broad, got a
Brooklyn broad. I ain't come this far just to come
this fall. A friend to all is a friend to nothing.
But don't push me, bitch, because I pressed the butt.

Speaker 7 (01:22:55):
I went death on the biff, got it. I went
death want a bit. All I need is one night
you're gonna have this spige.

Speaker 2 (01:23:08):
All I need is one night in the past.

Speaker 7 (01:23:12):
I went death on the bit.

Speaker 12 (01:23:13):
I need this one name one chick, dumb drip baby
want to be scrubby scrumbs shies baby want to be
with me and called me a husband.

Speaker 2 (01:23:20):
She was shocking on my night.

Speaker 14 (01:23:21):
Teddy fan, he you lave pool little time. The floor
ain't new pool, Christina bean Bon lime mud, got the
d P shoot me blue limp shoot shop. I went
in that missed blue mind boom.

Speaker 1 (01:23:33):
I just get bit.

Speaker 7 (01:23:35):
I went death on the bitch who I went death
on the bit.

Speaker 3 (01:23:44):
All I need is one night you're gonna have this pride.

Speaker 7 (01:23:48):
All I need is one night.

Speaker 6 (01:23:51):
In the past.

Speaker 2 (01:23:52):
I went death on the bit, trying get her, trying
get you. The other didn't get you another this is
a monster. Didn't get you a rock. The monkey want
to build. We're gonna get that. I didn't get you

(01:24:13):
the my rock. I didn't get you to see the
monkey right there. He's gonna get that. I don't get
you your own. We're gonna get that pass way death
far that's crazy with that, I said, he a couple
of pieces of taste. This a taste that's a global
new clear monster right, listen and shout. The broke. The
rollout was crazy. Still roll the Viney, We're still rolling.

(01:24:35):
Roll still having them rolls. Several Man, Big Swishbow from Miami,
the Big the Big Swish Fow.

Speaker 1 (01:24:42):
We still rolling. Rollout was crazy. You know, put like
three fourth way old together Alpha changes. That's the way
we got kids. Johnny the Johnny Kidd videos. That joint
he nice the mall was crazy.

Speaker 2 (01:25:00):
That record for like, yeah, I just had to talk.
I'm heard it. I'm gonna give it two seconds. I
heard it. I saw none.

Speaker 1 (01:25:07):
Yeah, there's no way Max being coming home to wrap
all this. I said this because you you got so.

Speaker 6 (01:25:14):
Much charisma, so much style, and you know, it takes
me back to the little clips when you had the
long head.

Speaker 3 (01:25:21):
So I knew you was gonna do what you had
to do to this.

Speaker 2 (01:25:24):
I said, oh my god, he made he made, he
made it. A boy, I get on that break he's
like doing. We got ship going on, but get on this,
like you need this. Yeah that.

Speaker 3 (01:25:38):
You shot the video yet you shot the video.

Speaker 2 (01:25:40):
That's that man.

Speaker 6 (01:25:41):
You didn't bring out the pilot hat. N we was
looking to go out the pilot.

Speaker 3 (01:25:48):
The pilot hat. I've never I've seen a lot of
things in my life. That pilot hat.

Speaker 2 (01:25:55):
Boy.

Speaker 1 (01:25:55):
We had the velvet blazers going on. I was going
crazy on the head about a minute. That out of
your ship on last night, French.

Speaker 3 (01:26:02):
That's out of you.

Speaker 2 (01:26:03):
Thank you.

Speaker 6 (01:26:04):
The bag behind it is not fucking around. You got
welcome the Royal Airlines. What's the ship take you to Morocco?
What's the name of it? The Airlines?

Speaker 2 (01:26:12):
Which I wish? I go independent at that bag like here,
what's the Morocco rock sad?

Speaker 3 (01:26:20):
I get it a mock ass. I should have brought
the little man in the video.

Speaker 1 (01:26:25):
This ain't that cracky Gill.

Speaker 2 (01:26:33):
I was hunger tough. It was tough.

All Episodes

Joe and Jada - French Montana & Max B on 'Coke Wave 3.5: Narcos,' Max's prison stories & "All The Way Up"

Episode Transcript

Hosts And Creators

Colin Cowherd

Jason McIntyre

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Joe and Jada - French Montana & Max B on 'Coke Wave 3.5: Narcos,' Max's prison stories & "All The Way Up"