Joe and Jada - Keith Sweat talks state of modern R&B, Afrobeats explosion & his catalog of classics

Fat Joe and Jadakiss are joined by the incomparable Keith Sweat. The R&B legend talks to Joe and Jada about the state of the genre he helped pioneer, the wild story of the time he walked into Bad Boy and cleaned out Jada's pockets at the gambling table, how he feels about getting shouted out by Drake and scores of other rappers in their lyrics, why he thinks Afrobeats is "the new R&B," and his R&B Lovers Tour with Joe, Dru Hill, Ginuwine, and more. He also plays one of his new hits, "Working II" featuring Lil Wayne and Qing Madi.

Joe and Jada is now STREAMING ON NETFLIX!

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Episode Transcript

Speaker 1 (00:00):
Yeah, I wrote freak me, freak me, baby, lose control,
speak slow.

Speaker 2 (00:05):
For them, slow to the man, let me come in
with them.

Speaker 3 (00:07):
And lick you up, and.

Speaker 2 (00:10):
Jesus saying you stop.

Speaker 4 (00:14):
Boom Yeah yeah, Joe cracked the Dawn aka Journal.

Speaker 3 (00:33):
Of vert rest in peace to my big brother. You
know what it is, your boy, Jada kiss?

Speaker 5 (00:40):
You know what it is that Joe and Jada show
every show legendary, every show iconic, and I can't guarantee
your safety.

Speaker 3 (00:49):
Mm.

Speaker 5 (00:49):
When we talk about today's guests, a lot of things
come to my timeless classics, somebody that grinded from the bottom.

Speaker 2 (01:02):
Show my top five dead or lie.

Speaker 5 (01:04):
You know that turns nothing into something into a lot
of something into a plethora of success.

Speaker 4 (01:13):
You can see the motherfucking game songwriter, genius businessman.

Speaker 3 (01:19):
The ability to break groups.

Speaker 5 (01:21):
Smarter than everybody, uh one of the flyes niggas ever
in the word.

Speaker 2 (01:26):
Fucking right, Lady's not boring.

Speaker 5 (01:29):
Without further a dude makes some noise fun guess that
ain't keithswast?

Speaker 2 (01:37):
What up?

Speaker 3 (01:38):
What up?

Speaker 2 (01:38):
What up? Baby?

Speaker 3 (01:40):
What up? What's up? Brother? How you doing baby? Long time?
No see man? You know you know, you know, you
know how we used to do it, said, we're gonna.

Speaker 4 (01:48):
Get into the Yeah, Noah, I want to hear that
off rip like you were telling me a story behind it.

Speaker 5 (01:53):
But don't even go corporate style, young kiss. I'm in
the studio, bad boy. They're working on an avert. Sweat
and Gil out and little g I was penning some
balls as I was telling you, you know what I mean,
for somebody a dice game breaks out.

Speaker 3 (02:13):
I'm rolling on that.

Speaker 5 (02:14):
Go John, Keith and Jerald got the bank now every
I'm like, oh yeah, he'll giving me something this R
and B money the night.

Speaker 3 (02:21):
Baby.

Speaker 5 (02:22):
If I the last thing got, If I don't finished
the soul, you know, I'm going home with some back.

Speaker 4 (02:28):
They sleep on R and B. They think you are
might be the ain't got that ship on soup linen.

Speaker 5 (02:34):
They and the whole student everybody funny Rabbits Rabbit is.

Speaker 3 (02:40):
The old junior mafia. We your sweat.

Speaker 2 (02:44):
You ain't so sorry for these guys. You took all
the money, Boke.

Speaker 3 (02:48):
That's the hall of ship, That's what their money is there.
I top the lady the fact.

Speaker 2 (02:56):
I'll never forgetted.

Speaker 3 (02:58):
Dog.

Speaker 5 (02:59):
You can't tell me I was going home with I
didn't even care if I finished the second I got
some money. Shuttle with Chief today, psych They me, I'm
talking about to the bones, wristle man, the whole studio
though we killed everybody there, cleaned the damn whole stew out.

Speaker 2 (03:20):
So you've been a gambler your whole life. He was
always nice and shooting dice.

Speaker 1 (03:23):
Yeah, I'm good at that. I you know, I used
to tell him when I go on. I used to
go on to it and to the cacines. I used
to tell.

Speaker 3 (03:29):
Everybody better on me. Everybody made money.

Speaker 4 (03:32):
Who used to bet against like other R and B
singers at the talk or just at that casino.

Speaker 3 (03:38):
For table casino And I'm good. That's crazy.

Speaker 4 (03:43):
I remember when I wasn't talking to Jay z or
og wand I go down to Atlantic City with UH
with Chris Gotti, and you know, I don't gamble for nothing.
He I caught beginners. I was rolling for like an
hour straight. They was like seven. We just kept winning.
At boy one couldn't bet. He's on the other table.

(04:04):
He looked sick like a puppy. He like, damn it'
even got the roll of a lifetime. I mean I
was literally on there for like an hour.

Speaker 2 (04:12):
Listen. One thing is crazy about the casino. When you win,
they don't want to give you your money.

Speaker 1 (04:16):
Hunhyt, they don't want to give you your money. I
had the biggest rooms than ever at the Man that
Lay Bay because they were cam com com.

Speaker 2 (04:28):
They fucked up with me. One time they camped me.
The biggest suite.

Speaker 4 (04:31):
Is the only time my grandmother ever left the Bronx.
She never left the block in like eighty something years.
I Gus said it go to Atlantic City with me.
She looking out the window like his marshes that she
couldn't believe it was so beautiful.

Speaker 2 (04:46):
She never been in the ship.

Speaker 4 (04:48):
So we in there them They was sending me lops,
this steaks all type of ship.

Speaker 2 (04:52):
I don't know no better. They kept coming up to
the room. You ready to go downstairs, mister Joab.

Speaker 4 (04:56):
I was like, no chilling, We even lobs this, we
share pan everything to be like miss Joe, you ready
to come downstairs? I was like, man, I might have
played a couple of slots on the meiggas and broke out.
They got They lost with me. I'm telling you that.
I was like, oh, you can eat bouffe. They lost
Sweat Man. Let me tell you something. You're one of

(05:17):
my idols. You're one of my biggest inspirations. You know,
I'm thinking driving down here, well passenger down here in
Maya's car, and I'm just thinking, like I remember when
I fell in love with your music. I never even
thought I would meet you in my life, like just
to meet you, you.

Speaker 2 (05:37):
Know what I'm saying. And the fact that we're friends.
You know, it's surreal to me.

Speaker 4 (05:45):
Who's like that for you? Like you know, you know
I love Keith Sweat I bring you to every party.

Speaker 3 (05:49):
I think.

Speaker 4 (05:50):
You know who's like that for you that was out
before you that you can't believe you became cool with
or you or you.

Speaker 3 (05:58):
Love like a few Jay Johnny Gill.

Speaker 1 (06:02):
You know when I met Jerald, you know what I'm saying,
it was like Eddie LeVert when I met you know,
I grew up listening you know, Castin Noble Castain Nobles
was one of her joints.

Speaker 3 (06:13):
You know what I'm saying.

Speaker 2 (06:15):
For being friends, you know, that's fine, all of them like.

Speaker 1 (06:25):
So so when I you know, when I first came out,
like everybody used to go to the holiday off Jersey
full rout.

Speaker 3 (06:32):
The root Full. So you know, that's why you spend
a lot of time. And I had to hear reggae.

Speaker 1 (06:37):
God damn, you know, you know you take the girl,
you take the girl aload the root Full. So that's
how I met LeVert, not Mark. I met Mark.

Speaker 2 (06:47):
You met him at Route four.

Speaker 3 (06:48):
Yeah, at the holiday Inn, that holiday the root for right.

Speaker 1 (06:51):
Everybody knew one bout it. Everybody used to go that
one back in the day. You know what I'm saying.
It's like, you know, right off turn fight boom right there.
So that's why I met Mark. They standing there and
they had a show at the Apollow and I went
to the machine because I came up through it and
went to the snack machine to get a little sound.

Speaker 3 (07:08):
And I said, oh man, that was what I wanted.
Had just dropped it, just had came out.

Speaker 1 (07:13):
I said, oh man, damn, you Marked from the Vert?
Yeah said yeah. He said, you know, you know Mark
had the doc shad on. You know how Mark was,
he had got doc shaved on.

Speaker 3 (07:23):
He said, yeah, Keith Sweat, he said, keep sweat out
that name something for me.

Speaker 1 (07:26):
I got the little record. I called out Warner. He said,
oh shit, that's jail favorite record. We got a show
at the Apollow tonight with the Whispers. He said you
should come by, So.

Speaker 3 (07:37):
I came by.

Speaker 1 (07:38):
That was my first time meeting Jill and you know,
Sean and all of them, So you know what I'm saying.

Speaker 3 (07:44):
And then once we met each other, we became the
best of friends. We became like brothers.

Speaker 1 (07:48):
And you know, because I never thought, you know, I
was big friends of the old Jades and the Verse,
so used to go to Cleveland all the time and
stay at the house and everything. So for them that
was Johnny and him was That's why I put the
LSG thing together because they were.

Speaker 3 (08:02):
All my what was my two favorites? Still, Wow, I
didn't know that.

Speaker 5 (08:06):
But Johnny jilgad Apollo though, for you when you say
you went and pulled up on them at the Apollow.
For me, when I think it Apollo, I'm not sure
if I turned I was even turning eleven, I was
even twelve or thirteen, and I'm like, it's for my birthday.
I don't know what I asked for for that particular birthday.

Speaker 3 (08:30):
But you ended up at the.

Speaker 5 (08:31):
Apolllem my mom and my dad for you suckers down
And then go up with two parents and you think
it's a bad thing.

Speaker 3 (08:38):
They took me to the Power. It's you Heavy D
in l L.

Speaker 2 (08:45):
It was the best show model.

Speaker 3 (08:48):
I'm like, what I'm gonna do with a concert?

Speaker 2 (08:50):
My mom's right here, my fat's right here.

Speaker 5 (08:53):
This ship was amazing though you cute is left a
lifetime memory on me for tever well and at the
Power was shit was incredible.

Speaker 3 (09:04):
I will never forget it. Yeah, that was my first.

Speaker 1 (09:08):
It was crazy because my first tour was with Heavy
D and the boys, Salt and Pepper and myself.

Speaker 3 (09:15):
That was my first too.

Speaker 2 (09:16):
You know, shout out to Salt and Pepper.

Speaker 4 (09:17):
They just wonder your water in all the same Yes,
I was so proud of them. You know, let me
tell you something. I did some shows with Salt and
Pepper and the women. It's ninety nine. It definitely ain't
Fat Joe fans at that show because the women is
ninety nine percent come out. I mean there is no
man and the whole audience is just women. Three guys

(09:39):
went up in there to here floats. Yet you know
what I'm saying. So Salt and Pepper, man, I'm so
proud of them. We love them, man, and uh, you
know Heavy D. That's another one of my idols. You know,
I got to be real cool with Have Heaven. It's
come to Miami and hang out with us. I remember
the first time I met him, the same situation at
a Lbert. I'm at tap on the Green. They were

(10:01):
throwing them ill parties and I'm using the restroom and
the door opened and somebody going, you gotta flow, Joe,
you gotta I turned around the fucking Heavy D almost
pissed on myself. I couldn't fucking believe it. I was like, yo,
average man, my fucking idey man. He walked in and
we got cool and we went to eat after that,

(10:22):
and I was just like, yo, Heavy D.

Speaker 2 (10:24):
Like to me, that's that was light That was that era, man.

Speaker 3 (10:27):
That was the best error. You know.

Speaker 4 (10:30):
We had Mike Epps on here, and Mike Gepps gave
I told him, what's your top five comedians?

Speaker 2 (10:35):
He ain't mentioned Dave Chappelle.

Speaker 4 (10:38):
His excuse for not mentioning it, which right on, because
he says, you know, me and Chappelle the same error.

Speaker 2 (10:46):
I gotta mention Richard Priory.

Speaker 4 (10:47):
I gotta mention the old school guys that was before
us who inspired us.

Speaker 2 (10:52):
That's how I feel.

Speaker 4 (10:53):
I could see here and say nah's jay z, but
we offer the same error. When they asked me, I
got to say llll kale rad. You know that's that
error before us. These are guys we used to look
at what we didn't even think we would ever be
a rapper or be successful. So you know, when I'm
at Heavy D, man, I used to try to dance
like Heavy D. I still try to dress like Heavy

(11:15):
D today. I'm Jerald Bert and I heard some stories
about Gerlisborth. He had the ladies man.

Speaker 2 (11:22):
Jerl was, girl, you know, ain't nothing not gonna do
for you.

Speaker 4 (11:29):
The guys ain't giving it up like that, no, more
like they're not singing to the woman.

Speaker 5 (11:33):
Like how do you feel about the state of R
and B? Or is it even the state? I feel
like they trying to do away with the kind of
music we was raised and.

Speaker 3 (11:44):
Grew up on the texture of it.

Speaker 1 (11:47):
Like what I said about R and B now is
the arms Some of the R and B artists they
want to rap, they won't be rappers because you know
they My attitude is R and B is supposed to
be full play, like when you're breaking up making up
with your girl. You wanna play something fly, you know,
because if you are getting screaming, mother fuckuck you and

(12:07):
all that, then you put.

Speaker 3 (12:09):
The Army record on the Army record saying the same thing.

Speaker 1 (12:12):
You don't add a more confusion, the R and B
record cursing that all of y'all two do you know
what I'm saying?

Speaker 3 (12:17):
So the RM B reck this is supposed to calm
you down.

Speaker 1 (12:19):
Listen, baby, I can't say what I want to say
to you, so I'm gonna let this record said you
know what I'm saying. So we need to calm this
ship down, have a real conversation because if it's a nigga.

Speaker 3 (12:32):
I'm gonna fuck you and hit me over the head.

Speaker 1 (12:35):
And the RMV records talking about all that, You're like, Yo,
let's get you want. It's right, it's still a fighter
you something. This ship got out of the head about
two years ago.

Speaker 4 (12:46):
So I'm used to listening to LL doing it and
doing it well doing you know the guy and girl.
You know I need love or you're all surety I
need you. Every time they start to fuck me, nigga,
pistol whip me, mother fuck like a glow.

Speaker 2 (13:01):
Rilla and a money bag or something like.

Speaker 4 (13:03):
They started going like, I'm like, what the fuck it's
going up? Mister whippy and choked me, niggle and spit
in my face when you this.

Speaker 2 (13:10):
This, I owe your dick. I'm like, I owe your dick.
Hyu P.

Speaker 4 (13:14):
I'm like, yo, this ship out of control, like this
ain't doing it? Wow, this ain't not this ship. I'm like, yo,
this is the new. This is the new Bonnie and Clive. No, no, no,
I'm that serious.

Speaker 2 (13:30):
You know that.

Speaker 1 (13:32):
This ain't I can't do that because he by no
is it a better way than describing mister whippy nigga?

Speaker 3 (13:39):
But me, I'm like, oh, that's what they said.

Speaker 2 (13:43):
So it's shoes, you know what. I'm moji your head blow.
I'm like, yo, this is great.

Speaker 6 (13:48):
And the time into that kiss and they saying, fling
my ship is there? This the saves you know my ship?
I'm like, oh, said it wasn't.

Speaker 2 (14:00):
Meant to be that. Yo, listen, that's a fact.

Speaker 3 (14:04):
They don't do that to that classic.

Speaker 2 (14:06):
But let me tell you something.

Speaker 4 (14:07):
Keith Sweat and Jada Kiss I noticed right now they
got something in common. They got like the same humor.
I said him patriat Keith shit. He said, yeah, no problem, Joe,
send it over because it's people were trying to front.

Speaker 3 (14:18):
But I knew what's unr Keith on the phone?

Speaker 2 (14:21):
Was it you I was talking to?

Speaker 4 (14:23):
He was like, well, you know, I said, Okay, don't worry,
you'll get a phone called fucking Keith Sweat. Call that
motherfucking two minutes of like that Joe crap, we cleared it.
He said, send me this song, Joe, I send it
to a God damn you jacked my own fucking song, baby,
not singing every word of mine. Joe, this is gonna
cost you right here. I said that, Yo, Sweat, whatever

(14:43):
the fuck you want, you got it, baby. But because
we had the best of the best coming on this show,
and given that was one of the greatest answers to
any question I have asked, will you say, Yo, the
R and B is the fourth play. You know you
can't everything can't be fucking you and describe that's perfect.

(15:05):
I was the perfect sweat man. Let me tell you something,
but you my theme song man for my life. That
nobody that I used to dry because I was scared
to fly. And you know, when you when you meet
your wife for the first time and you get that song.
We have everybody dizzy in the in the in the lectures.

(15:25):
We keep playing Nobody ten thousand times, from Fucking the
Bronx to Miami twenty four hour Drive. Nobody, Babe, is
that the biggest song you ever put out of You
got a bigger one.

Speaker 1 (15:41):
They make it last and Nobody are the biggest? You know,
maybe Twisted make Nobody make it last, Maga last out?

Speaker 2 (15:50):
What's it is dead too? It ain't let my favorite forever?

Speaker 4 (15:54):
Oh no, no, I did the twenty year fan of
Verse when you was there, lean back and he could
have did whatever I said.

Speaker 2 (16:01):
Nah, I wanted him to come out the side and
go girl.

Speaker 4 (16:04):
I've been thinking, oh that stick Craig, the way you
started that record, girl, Like, how do you get that
ship right on time? They they had no protus. That's
the start, girl, that's it, takeoff immediately. Genius is an understatement.

Speaker 3 (16:28):
Facts.

Speaker 4 (16:29):
Let's not even talk about Keith Sweat. Let's talk about
the songs you wrote, because people don't really understand all
the hip records you've written for everybody else. May you
gotta be very unselfish to give other artist smash Hit Records.

Speaker 3 (16:48):
Yeah, I wrote, freak me, freak me baby, lose control.

Speaker 4 (16:53):
Swim me and you up and let tell them start keep,
tell them a couple boy, No, no, but you gotta
say it and give them a little off.

Speaker 2 (17:00):
Keep because some of these people they sat speak slow.

Speaker 5 (17:03):
For him, slow on them, and let me come with
them and lick you up, and Jesus saying stop.

Speaker 2 (17:16):
You know what else?

Speaker 3 (17:18):
You freakly baby? He wrote, just got paid?

Speaker 2 (17:22):
Oh god, just got paid Friday night? Who that Johnny Camp?

Speaker 7 (17:29):
Right?

Speaker 3 (17:30):
Camp? I wrote that with Teddy Let's chill. I wrote
with Teddy, but not that chill.

Speaker 2 (17:35):
I know that.

Speaker 4 (17:36):
I know that because somebody said they clear that they
had to stop by keep keep sweat office.

Speaker 2 (17:41):
I knew he wrote let's chill.

Speaker 1 (17:45):
You know, wow less chill like uh immature, extra extra beat,
all about it day.

Speaker 3 (17:52):
I remember a lot. Are you LSG.

Speaker 1 (17:57):
Vote on the l S Half of the LSG album, Yeah,
half of the LSG album.

Speaker 3 (18:02):
I wrote all my hits. You know what I'm saying?
So he how all right?

Speaker 2 (18:10):
No, No, it's very very important, h.

Speaker 3 (18:13):
I wrote Drew.

Speaker 1 (18:15):
I wrote on Drew hill first album, what you wrote
for Jewett? I shared my world and ship.

Speaker 4 (18:22):
Then the very underestimated jul They got bomb classics.

Speaker 2 (18:27):
I think Cisco dancing.

Speaker 4 (18:28):
They're doing all that ship, you know, throwing them off
for the you know, like you know the juwe Hill
jacket edge. I'm going jacket edge because you know they
throwing the army ship on in the first and yeah,
that guy got the dance and ship. You know, shut
out the know you go to Keith Sweat Dad. I
remember going to fucking the Keith Sweatshow I'm damn there

(18:52):
upper deck. You had the bed.

Speaker 2 (18:54):
In the middle of all. That's the squire card.

Speaker 3 (18:57):
Yeah, the bed came up on on I give on
my love of you.

Speaker 2 (19:01):
I all my love to you, y'all.

Speaker 3 (19:05):
Yeah.

Speaker 1 (19:06):
I used to walk up to the top and get
on the bed in the bed go down like this
really Yeah, that was that was on the truth with
threat too.

Speaker 2 (19:14):
That was in the maze.

Speaker 3 (19:15):
He was doing it like that. How many years ago
is the man?

Speaker 2 (19:18):
That's just something years ago? This is fucking Keith Sweat
Key Sweat.

Speaker 4 (19:23):
You know where I want to go. They get mad
at me, right, I'm not. I don't I'm fifty five.
I don't give a fuck. I'll show my age. I
don't give a fuck.

Speaker 2 (19:32):
I don't.

Speaker 4 (19:33):
I go to Stephanie Mills show, I go to the
Whisper Show. I go show Jimmy Jam, another fucking phenom
songwriter right the man doing some shit. I'm like, yo,
what I'm listening to the radio. They said the fifteenth
wine Celery Ship. I said, Yo, get my tickets. Now
I'm going to see Jimmy Jam. He gonna talk about
all the songs he wrote. And you know my favorite

(19:55):
band of all time, it's s a West band.

Speaker 3 (19:58):
Okay, yeah, I've recently.

Speaker 2 (20:00):
Found out Jimmy jim Roller l shit.

Speaker 3 (20:05):
Just be good to me.

Speaker 2 (20:07):
Whoo yo, I'm fooling up.

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Speaker 4 (22:06):
Keith Sweat, you're a very shrewd businessman. I heard some
stories about.

Speaker 2 (22:12):
You behind the subject. Is it you or is it No? No,
it's Keith Sweat.

Speaker 4 (22:17):
You're a good businessman, obviously if he got what he
had it. But it's Keith Sweat.

Speaker 5 (22:21):
Did you go through a lot of bullshit early to learn,
you know, to get shipped tightened up?

Speaker 2 (22:26):
And I think he was smart.

Speaker 3 (22:28):
They being very stern or you came in.

Speaker 1 (22:30):
I went through a little bullshit. Not everybody, not not
not what everybody raping? You recognize now I wouldn't.

Speaker 2 (22:40):
Now I can't throw the fly.

Speaker 3 (22:43):
Yo.

Speaker 2 (22:43):
We had a meeting the other.

Speaker 4 (22:44):
Day, he said, Jada Kiss was like this feels like
all over again. I said, damn, this guy's traumatized.

Speaker 2 (22:54):
This guy. Thirty years later they did some ship to
the dudes this day. I was like, Yo, Dada calmed down.

Speaker 3 (23:01):
I thought the real gas at this.

Speaker 5 (23:03):
I thought, the real gangsters kill you, robbing you all that.
I never knew they had contract gangst.

Speaker 4 (23:10):
I've never got robbed of tons of jury. Whatever you
want to name mountains that much his nigga pull out
us down on rob me.

Speaker 2 (23:20):
Don't sue. It's niggas don't counting.

Speaker 3 (23:22):
What's the guy? The lawyer's nigga? As you see they
told you what is his name is?

Speaker 2 (23:27):
Kelly Bean? Yeah? Oh he robbed me twenty million.

Speaker 4 (23:30):
Yeah, he came to me on the Latino Shit, Yo,
we Latino on n watch your back, yo, sign your publishing.
I'll take care of you. I've discovered donnaut there that
nigga raping you records. He robbed me for like fifteen years.
You know how I found out? I did a soundtrack
for a movie and to me at the time, it
was big money. I was like, Yo, I need one

(23:51):
hundred and fifty dollars. You know I'm on fire. I'm thinking,
I can't you know how come for five hundred dollars
a show? I'm getting them for one fifty days and
hold up. You know your publisher he wants three fifty.

Speaker 2 (24:03):
I said, who what it was like?

Speaker 4 (24:05):
Yeah, jelly Bean Banita is one to allow you to
be on this soundtrack. He wants street fifty. I think
I'm robbing him for one fifty. That's when I was saying, oh, no,
we got to find this dude because you know, he
wasn't in the same surface and it was imalleable and
all that.

Speaker 2 (24:19):
We had to catch him outside of the ward shop
and be like your brother, talk the gigs up.

Speaker 3 (24:24):
Like.

Speaker 1 (24:24):
These lawyers know both parties, so they got their friends
over here. They act like they're your friend over there.
So they put these little things in the contract that
you know, because they supposed to have watched your back.
I got two lawyers going after I'm gonna put it
right there. I'm gonna get that ass though, because they slick,

(24:45):
so I just gotta, you know, be slicker.

Speaker 3 (24:49):
So I gotta get that.

Speaker 2 (24:50):
They robbing me. Now did the lawyers?

Speaker 3 (24:54):
I got some.

Speaker 2 (24:57):
Allegedly, I don't know if I coulday.

Speaker 4 (25:01):
I got some serious I got some serious friends, who
thank you. I got some serious friends. And I don't
care if we in dinner or whatever. He's fucking lawyers.
But I never understood that. I felt like, you do
your job, I pay you this and this. Right now,
I'm like these fucking lawyers, Like.

Speaker 3 (25:19):
Yo, these lawyers, so you're going through the same thing
I'm going through.

Speaker 2 (25:22):
That they're the biggest crooks I've ever seen.

Speaker 1 (25:24):
Oh, you know, you gotta but you know some of
them when they're doing what they doing, you know they
can lose their license because they really.

Speaker 2 (25:31):
Man, I don't know about that. Yeah, they gotta do
a lot to lose their life.

Speaker 1 (25:36):
What I'm telling you is like if you doing things
knowing you're doing things and you catch him, you know
what I'm saying it Like, it's like if they're representing
both Ark, we.

Speaker 4 (25:46):
Caught tight Wan Nigga twenty times, Keith, he's still ain't well,
let me tell you half of the time they represent
both parties, but you don't know they resent both parties,
you know what I'm saying, because they for eniggling in
the contract where you don't know they represented this part
in that party.

Speaker 3 (25:59):
So they can't be serving your best interests.

Speaker 1 (26:02):
And their job is to serve your best interest, right
And if you go to the corner and say that
they didn't have my best interests at hard and they
finagled because they were friends over here and they didn't
serve my best interest. Half of the time them, if
you go the right get the right judge, and go
to the right place, because a lot of times they
put in the contract.

Speaker 3 (26:20):
We will only settle this in this state or this
whatever they powerful, right.

Speaker 1 (26:24):
So basically what it is, if you're doing business in
any state, whether the land or whatever, if that business
is being done in that particular state, you can suit
in that particular state. You know all that shit about
we got to go to Connecticut the settle in all
that fuck that.

Speaker 4 (26:41):
These guys, man, let me tell you something I could
tell you guys one million percent. You need an attorney.
Don't sign no people without an attorney. But these guys,
let's just say they get paid.

Speaker 1 (26:51):
Well, they want the bag. We said, don't sign the
people out of an attorney. Yeah, I won't sign up
even if you sign an attorney.

Speaker 3 (27:00):
Bitter chick. Another attorney attorney attorney attorney for an attorney.

Speaker 9 (27:05):
Did you hear it?

Speaker 3 (27:05):
Be I got lawyers watching lawyers. It's the truth and
all you got because the attorney.

Speaker 1 (27:13):
Half these attorneys are friends with these record companies and whatever.

Speaker 3 (27:16):
So they boy, so you got to have an attorney
watch the attorney attorney. In fact, you can't have this
like you have to have an attorney who don't know
this attorney to.

Speaker 4 (27:26):
Read whether this journey I do gonna house watch Rob
fifty thousand, Julius's crook.

Speaker 2 (27:33):
I got a girl.

Speaker 4 (27:35):
She's been my attorney maybe ten years. And everybody I
work with, they're like, yo, you need a bigger time attorney.

Speaker 2 (27:42):
You need this. I said, listen, she needs somebody that's
for you.

Speaker 4 (27:45):
I know you and don't Rob, and she's smart and
I'm fucking with her, and every attorney you know try
to have a meeting with me. Joe, you know, I'm like, Bro,
I've been through them fast talking niggas.

Speaker 2 (27:58):
I'm good.

Speaker 4 (27:58):
Let me stay with my girl. She watched my back.
She may be a little bit slower than I'm being
in like in speed, but got mother.

Speaker 2 (28:06):
Oh no, she she she's not.

Speaker 3 (28:07):
Playing with me.

Speaker 4 (28:08):
But these other guys you use them for any Oh god,
I'm dizzy. His nigga said, Happy New Year.

Speaker 3 (28:15):
They gave me no.

Speaker 4 (28:17):
If I tell you the matter of fact, when we
get off there, I'm gonna tell you this, lawyer, Bell,
you gonna cook.

Speaker 2 (28:23):
You're gonna smoke forty blunts for me. You and Cake
gonna roll them ships up and smoke thirty six therapy blunts.

Speaker 4 (28:30):
You're gonna be like, give me the whole bondy chronic
I can't be fifty five pairing this shit.

Speaker 2 (28:37):
Shit. I'm supposed to be on my retirement gatherings. Nigga
like that, you're supposed to be looking like jailer.

Speaker 4 (28:43):
They's trying to wipe me out. Look they get mad
at me, even like you, you spent too much money
on clothes. I'm saying, fuck you. I'm working for this
fucking money. I'm gonna be fly till I died. Like,
look at yo, Keith, you look fucking amazing. Now tell
him every time I face him here, I tell him

(29:07):
all the time. Every time I facetimed Keith. He on
a fucking machine running thirty miles. But out you think
you work out? You call Keith swear anytime in the morning.
Nigga like the incredible He's gone bro in the fucking him.
He don't jog on the track, he ain't walking. He
gone all systems go. That's why he looked great moving

(29:29):
in his medicine. Now you tapping in the afro beats.
What's going on with that?

Speaker 3 (29:33):
Yeah, that's the new R and B. Baby, I can
feel that.

Speaker 1 (29:37):
I feel the new because you know, the R and
B had changed so much. I just wanted something that
made you feel good, that made you, you know, because
AfroB got that.

Speaker 3 (29:47):
He got that whole vibe. You know, no matter where
you act out.

Speaker 1 (29:50):
The country and you're like, ohh that shit, it feels
like them girl shit, don't stop beloved. So that whole
afro beat thing got a whole vibe to it. So
that's what made me tap into that, because you know,
I always love afrobeat.

Speaker 3 (30:04):
I always love it.

Speaker 1 (30:05):
But the music essential, it's sexy essential, and you know
it just says all right. That's just why I tapped
into it. I always loved this though. It just feels
like it should be me me too. You know, Africa
is so big. I always knew that shit was gonna
blow on another level when I'm out there.

Speaker 3 (30:25):
I thought you was about to say afro beat started
in the Bronx.

Speaker 2 (30:35):
We might have hold up, no hold on, no.

Speaker 3 (30:43):
Listen.

Speaker 2 (30:44):
We might let me say something.

Speaker 4 (30:45):
We might have more Africans definitely in the fucking Bronx
right roun in Africa. I wouldn't say Africa, but the
Bronx is African Mania. Like we got Africans all over
from I'm not saying African Americans trait people from Ghana
got bone from fucking Zamonga. Theyin't that motherfucking the Bronx

(31:09):
hearing no more Puerto Ricans in the Bronx is all
and that is Africa.

Speaker 3 (31:14):
You know how we like toys, right, he got the
R and B lover's toy. Come now he like go
and look who he got.

Speaker 5 (31:22):
Look who's on the bill Joe Drew Hill Genu wind
cut close.

Speaker 2 (31:28):
Cut close, that's fit.

Speaker 4 (31:30):
Really, get up, you wrote that shit, Get upon it.

Speaker 2 (31:36):
That's one of the greatest. That's classic, yo, cut close,
All right, this is what I was asking before the
man detoured me. Right, so elf, you get to this question.

Speaker 4 (31:46):
Taught me to Africa. Man, let me tell you something.
Creating music, it's something you gotta be born with.

Speaker 2 (31:55):
How did you know the woman to put on the
wets with you?

Speaker 3 (32:02):
Like?

Speaker 2 (32:03):
They just as good as you?

Speaker 3 (32:04):
Bro man, What was the name of Athena in the
cage esus?

Speaker 2 (32:09):
Let's give it up for Atheena cage.

Speaker 10 (32:13):
Yo?

Speaker 4 (32:13):
Man? Like, how do you pick because all these girls
singing back to you, it was just perfection?

Speaker 2 (32:20):
Let me cut close perfection everything. When you coming, I
like the way you you thought they killed?

Speaker 4 (32:28):
I said, you come real freaky baby. But how do
you pick the perfect people that are.

Speaker 1 (32:40):
Like like like that way, like going to the studio
listening to them, saying saying if you know if I
say singing this saying if they can follow my lead
on stuff, cause you know, like if you can't, if
you're having a hard time riffing on some ship.

Speaker 3 (32:54):
That I'm giving you, like, yo, you ain't the one,
but if you get.

Speaker 1 (32:58):
When I heard her wrist was so like, oh my god,
so incredible that I'm like, Okay, I can write anything
for this girl, you know what I mean? Yes, when
I came up, if you really really wanted and she said,
I like you when you real figer, you know what

(33:19):
I'm saying. So she made me want to sing it
like that, you girl when the wig? So she made
me want singing like that.

Speaker 3 (33:27):
You know what I'm say?

Speaker 4 (33:27):
Oh freaky baby, wasn't talking that ship I stepped on stage?

Speaker 2 (33:34):
Girl scream block Keith.

Speaker 4 (33:35):
But see mention on how many fucking hip hop records
your man drinking I'm a light skin Keith sweating man.

Speaker 2 (33:43):
I mean, how many rappers don't mentioned Keith sweating?

Speaker 4 (33:46):
They songs and all that, and how you feel about
that when you hear the record and they talking that
Keith Sweatship.

Speaker 1 (33:53):
I mean, it's like like it just shows me the
generations that I've touched, you know, like when I was
talking to somebody today, they was telling and touch the mamas.

Speaker 4 (34:01):
No, no, I'm gonna tell you something, the daughter, the
little kid, the little kid. Way, I'm gonna tell you something.
Because I watch everything you do. You popped out an
Applies show where the oldest person was twenty three, twenty.

Speaker 2 (34:14):
Five and something.

Speaker 4 (34:16):
Every fucking word, even fat Joe, you're a number one fan,
wouldn't be able to bet if we had to do
hard rock bets. There's no way I would have said
every twenty three y'aralld would know every single key sweat word.

Speaker 2 (34:31):
It's impossible.

Speaker 4 (34:32):
The whole stadium starts singing every fucking word like that
got a feel amazing.

Speaker 1 (34:38):
That shit was crazy because when I went on the stage,
I was supposed to hit sing nobody too. I was
supposed to be a special guest and come on and
say make it last forever and nobody. But when I
got the Applies, I said, yo, I already do right
in the wrong way, right, right and wrong. So I
think I was supposed to come on before applies, and

(34:59):
he said, now you need to come up with me.
So he was he does writing the wrong way at
the end of the song. So he said, Yo, this
could not be no better situation. So when he started
writing the wrong way, I came out, you know what
I'm saying, And that's when they went crazy. Then I
was winning to make it last right, and I knew

(35:20):
this was the Millennial tour and I was supposed to
go in there nobody. They said, no, no, no, we
can't let him do nobody because everybody. If he do nobody,
there won't be no more show. Yeah, so they made
me stop.

Speaker 4 (35:31):
You be careful stout on your fucking little show, cause
they will kill that.

Speaker 2 (35:36):
But they will body that bitch. You bring the wrong
guy out. I told a story. I'll tell her to
gain fuck it bid you know somebody nah, because it's legendary.
You know.

Speaker 4 (35:48):
One of my favorite sausho is Eld the barge. I'm
trying to bring on my birthday maybe ten years in
a row. One year I had him, We had private
playing for him. Everything Swiss beat was gonna drive him up.
Motherfucker ain't show up like you know the bars he
get missed. So one day I'm I'm doing the show
with Dave Chappelle. You was with me that day, reci
Peace Clark, can yo man hit me out of the

(36:12):
clear blue sky, say yo, I'm in town.

Speaker 2 (36:14):
I said, pull up the Madison Square card. Let's go
on covering up there, and I got him. He was ooh,
and I like the whole garden was singing that shit.
That shit. You be careful who you bring on stage
because they'll rip that ship down. Legendary yarn you.

Speaker 4 (36:30):
But yeah, that's what happened, you know. Keith swamt oh
super I'm gonna tell a story.

Speaker 3 (36:37):
I don't know.

Speaker 4 (36:37):
If it's private, then we'll cut it right. But he
gets scared when I say some shit. But I remember
it was COVID and somebody canceled a show. I don't
know if it was Essence Fast or some festival shit.
And I happen to be with you when you started
politicking that money. You was like, I know you got

(36:59):
the Eppe Niggase, I know you did.

Speaker 2 (37:02):
I was like, yo, you think you know numbers? I
was dizzy with he hold.

Speaker 4 (37:07):
Up joke, Yeah you got that PPP Loan homeboy was
gonna charge you this and this and that. This is
last minute. I don't know if I feel like going
out there. You know this, man, you caught these dudes
for so much money out there?

Speaker 2 (37:21):
Where was? It had to be New Orleans. She jazzed,
lessing some shit.

Speaker 3 (37:25):
Yo.

Speaker 2 (37:25):
I heard you. I said, Yo, I never seen nobody
negotiate like that like you. A hell of a fucking negotia.

Speaker 3 (37:33):
I meanuse well, you know you're worth and I know numbers.

Speaker 1 (37:37):
I'm be like, yo, yo, I know you got that
PPP long Nah. I was there and I said, I
know you got it.

Speaker 3 (37:43):
I know what you got. You know what I'm saying,
it's public knowledge.

Speaker 4 (37:47):
You knew what he got to I was standing you
was like, yo, I know what you got on the
PPP loan.

Speaker 2 (37:53):
You gotta spend that otherwise it is illegal. I know
what you was giving. Who was at Franky Beverly.

Speaker 1 (38:00):
Somebody was supposed to do that shah because you know,
because all that seasons, because a lot of people don't know.
All that is public knowledge. So you can go and
see what everybody got, you know what I'm saying. So
if you don't know that, you're not gonna go and
look and see what everybody got so I know what
you've got.

Speaker 3 (38:14):
It's not tax the duftiboll. You ain't got to pay man,
you know, so spend that money.

Speaker 4 (38:21):
That was the coldest shit. That was the coldest shit
I ever seen it by life business negotiations. Your kiss
this he stole the promoter that. Yes, he's showing the promoter. Yo,
you got one point something, not ten million. You got
ten million PPP. You gotta spend that shit or you
go to jail.

Speaker 3 (38:39):
My brother this.

Speaker 4 (38:41):
Keith Sweat telling them so Frankie Beverly got sick or
something last minute. It two days to the show. They
want Keith sweat. Keith Sweat, start telling them you got
this to PPP. You paid this for the venue. I
know Frankie Beverly. I do the shows with him. He
ain't moving without four point fifty or four. He was
breaking this is shit down said typically. I'm like sitting

(39:04):
there like yo, I ain't no people could do. He
got him too.

Speaker 2 (39:07):
Keith got him.

Speaker 4 (39:08):
That's when I knew, I said, I always knew you
was a smart businessman. But that's when I said, oh no,
this guy here, God forbid you negotiate with Keith.

Speaker 2 (39:18):
You not beating Keith Sweat, not in the negotiations.

Speaker 3 (39:23):
When it so? When is the for R and B lovers?

Speaker 1 (39:26):
So it's stars in February the first year, February thirteenth,
oh right before val I think, yeah, I believe it's
February thirt thing. But for those that want to know,
you can go to keep Sweat dot com.

Speaker 3 (39:37):
You know what I'm saying. By my bags my candles,
So he definitely.

Speaker 2 (39:40):
Got the luctury lining bags and candles.

Speaker 4 (39:43):
That's crazy. And I know they going out there. Man,
they're gonna be using that rewind too. You know what
I'm saying, This ship right here? Why why why be
fifty three when you you.

Speaker 3 (39:52):
Ain't got me on none of them? Why you ain't
got me on none of them boxes? Man?

Speaker 2 (39:55):
Man, you definitely told me that I'm trying to politics.

Speaker 3 (39:58):
Now you want? He told me.

Speaker 2 (40:00):
He called me man, I'm.

Speaker 3 (40:02):
Held flying yo.

Speaker 2 (40:07):
He told me he called me.

Speaker 3 (40:09):
I said, man, Joe, you ain't tell me. You ain't
called me about that.

Speaker 2 (40:12):
I did call you, man, I did call you either.
You up like Yo, Joe, you fucked up? Man. You
had I sell more boxes than they I believe it.

Speaker 1 (40:20):
I said, I'm making last ever man, I said, Yo,
they see me on the look, look they see me on.

Speaker 3 (40:26):
I still got mine.

Speaker 2 (40:27):
Look mine ain't going nowhere to go to Turkey.

Speaker 3 (40:30):
Real, No, ain't no Turkey, No bro, I went to Turkey.
That's good, Joe.

Speaker 2 (40:37):
I ain't got no head, so you can't judge me.
I went to Turkey.

Speaker 4 (40:40):
In that fucking airport, eight out of ten men had
they ship wrapped.

Speaker 2 (40:46):
Up and bloody, like, ain't going to Turkey for that
ship like girls going to Columbia d off of bb L.

Speaker 4 (40:53):
They are in the airport is flooded with dudes with
they still little blood on their ship.

Speaker 2 (40:59):
They're going to get their head. They take that your
ships still el natal rat.

Speaker 3 (41:06):
You know that's no frame. But you know what, then
we need to we need to do something together.

Speaker 4 (41:11):
How about these guys DC jung Up. One of them
guys came on the show. They were like, yo, kiss
you got your head? Like he said, yeah, they you
bought them bigga ship back here. He's trying to say
that go big Shinko big huh. That boy Chino bing
eighty five sop this ship pushed back here. I'll give up.
I gave up a long time ago. My ship pushed

(41:33):
back like that, I'm giving up. Take a bit and
shave your ship. Oh take a big, take a big ship.

Speaker 3 (41:40):
That's what I use.

Speaker 2 (41:41):
You know my ship smooth as fuck, but I use
a big Don't you want to be used a thousand
dollars raisor.

Speaker 1 (41:47):
This ship is just it's better work. See fashionate my don't.
I ain't gotta worry about it this shit. I'm right there,
you know what I'm saying.

Speaker 3 (41:59):
Fortunately, I'm fussing the baby.

Speaker 2 (42:01):
Oh no, very, I wish i'd tell him all the time,
I would not take these.

Speaker 3 (42:05):
Make it last verver piell. So it make my head grow.
You what.

Speaker 4 (42:17):
I got shipped with Keith Swat you got he got
shot a movie with him and all that.

Speaker 1 (42:23):
Yeah, we're doing Darren Hanston, Nicole Murphy, myself, Fat Joe
came down, did his thing and it.

Speaker 3 (42:30):
You know what I'm saying.

Speaker 2 (42:31):
So you know Darren from the Bronx too. You can't
dispute that he grew up with raul On Melrow. So
you know we got he say he ain't from the Bronx.

Speaker 3 (42:38):
He full of ship.

Speaker 2 (42:39):
I'm telling you, from the Bronx.

Speaker 1 (42:41):
Yeah, Darren, Then he don't say he's not from the Bronx.
He from the Bounce because he was on that dance.
You know, what's his thing to dance?

Speaker 4 (42:50):
But hey, look he screw Let me explain Sunding you chief, right,
you never you never been into drugs or nothing like that.

Speaker 2 (42:58):
Right, that's not that's I'm not calling weed drugs, right,
weed is like I said, no, I'm no.

Speaker 4 (43:07):
The point is the reason why he's still rich and
get all that money is because he's not on drugs
and he don't take drugs. I'm trying to tell you
that every time we see a legend like him look
great live. I went to his house, this ship on
the water, big ass of state. This is that same
thing when I watch Eddie Murphy and his fucking arm
documentary is.

Speaker 2 (43:27):
Starting a ninety million dollar house.

Speaker 3 (43:30):
Beat that shit.

Speaker 2 (43:31):
Come, I knew he ain't use drugs. That motherfuckers like
naw nigga, I ain't never smoke a cigarette.

Speaker 4 (43:37):
And every time our legends are well kept and they
look amazing, it's because they didn't fuck with the drugs.

Speaker 2 (43:45):
The drugs that you hard drugs. I'm not talking about.

Speaker 5 (43:51):
Doing the documentary, it was he said they were slogan joint,
and he turned grilled and already mad rich.

Speaker 2 (43:59):
I understand us. Some people smoke the joining when they
owe to go to sleep and know not me.

Speaker 3 (44:03):
I run. They know the leg time I ran up.

Speaker 2 (44:08):
Bullshit leg say you smoked and ran after weed one.

Speaker 3 (44:12):
It wasn't we, it was we.

Speaker 2 (44:15):
The girl gased me.

Speaker 4 (44:17):
The sex is gonna be incredible. We them freaky baby,
my nigga sit. I smoked the old dirty basket, but
she gassed me. The sex gonna be great. This this
that I smoked that ship. I ran out that crib,
but asked nigga like three in the morning, Thank god.

(44:37):
I was like kids in the heart attack.

Speaker 3 (44:40):
I gotta go to us.

Speaker 4 (44:41):
She gassed me, Joey just getting the car. Don't worry,
I'll take it. Getting the car, she went around the block.
I took like eight showers. I ain't never do that
ship again. And I'm in the studio when the D
eight can knock us.

Speaker 2 (44:53):
Nigga.

Speaker 4 (44:53):
The niggas got mountains and weed and everybody smoke every night.
I drove home from the stuard. You know, I swore
I was gonna go to jail for just secondhand smoke.
I smell like Jada, kids, and I don't even smoke.
Every night I'm going home.

Speaker 3 (45:08):
I smell like, hell yeah, I'm a casual smoking.

Speaker 2 (45:18):
Hold on, hold on, if.

Speaker 4 (45:25):
You could, old d Off, let me tell you. You
can't smoke in this building. Shut out the rock nation.
Somehow he found the loophole. He got a window about
the loop where this guy could smoke in this fucking place,
right he go.

Speaker 3 (45:38):
He come back.

Speaker 2 (45:38):
I said, damn man, and there on the whole BONI chronic.

Speaker 4 (45:41):
How you can't You can't even speak too loud in
this fucking building, Jada, come back, And I know the
difference to I don't get high or nothing like that,
but I know how to observe. I know when they
gave him the pure or he's just fun with it,
like sometimes they give him that ship. He stuck, right,
I gotta say everything the fucking there like that.

Speaker 5 (46:01):
Look, poach your guys outsto, Joe, go for big.

Speaker 3 (46:06):
What you're thinking.

Speaker 2 (46:08):
Talking to you?

Speaker 4 (46:09):
Probably pull your guyst out you and that ship like yo,
bull it, Yo, that shit crazy.

Speaker 3 (46:15):
But Yo, your foot is full of asking for it.
Right now, he keeps shaking. It's the meeting foot, all right.
We ain't doing deals gonna go through it.

Speaker 2 (46:29):
No, you're doing these office man. Let me tell you something.
We put our foot in the ass.

Speaker 4 (46:36):
We came on the podcast, you saying that ship that
ain't no poorest tue time felling.

Speaker 2 (46:41):
That's just the truth. You're part of American history. What's
going on here?

Speaker 4 (46:47):
We started a fucking podcast, these guys in the game
twenty years, ten years, this that, and got ten followers.
We on with Keith Sweat, t LC this every fucking day.

Speaker 2 (46:57):
You saw that list yesterday.

Speaker 4 (47:00):
Uh, they send this a list about thirty people, superstars,
all begging to be on the show. People this ship
they don't we on Netflix in six months.

Speaker 3 (47:09):
I don't get this.

Speaker 5 (47:10):
Never do that ship you.

Speaker 2 (47:11):
Think I deliver, I'm not. Let me tell you something.

Speaker 4 (47:14):
Keep I'm gonna tell you something. I don't give a
fuck what he said. He want to be humble. I
am not the one thing Kanye West. Yes, you gotta
fucking say what the fuck is going on? Because they
try to act like this regular ship. This ain't regular ship.
They nerdiced. They flabby and sick. The motherfucker looking like
Mitch blood Green.

Speaker 3 (47:33):
You go crazy.

Speaker 2 (47:35):
I don't see the list.

Speaker 3 (47:36):
You know what they tell me. They know me and
you was good, so they probably just told me right
before you came up on the elevator. You know your man,
Keith is Keith is my gun.

Speaker 4 (47:46):
That's why they don't show me that you ain't dressed
like Jerald LeVert. Nigga, you should have had a mock
neck on or something.

Speaker 3 (47:54):
What nigga like?

Speaker 2 (47:55):
You gotta tell you, I can't, you.

Speaker 3 (47:59):
Can't.

Speaker 2 (48:00):
Jada kiss y'all is fucking it a fact. I'm looking
like motherfucking you. I like the way you.

Speaker 3 (48:08):
Well, he was not That why he wasn't at the
next game that I was there last night? Man, oh
you was there.

Speaker 2 (48:13):
I ain't there to the next game yet, but I
ain't fighting.

Speaker 3 (48:16):
They called.

Speaker 2 (48:17):
I invited you in the hardest thing to.

Speaker 4 (48:19):
Get it, kids, hardest, let me think saying the hardest
sticking in the world he got access is the All
Star game. I don't give a fuck. If you got pneumonia,
you go to that game and you sitting in that seat,
or next year, Chris Tucker, take your ship.

Speaker 2 (48:38):
They didn't give you part two. You turn that ship down.
You ain't getting part two. It ain't for considered race.
That seat is yours. If you're blessed enough. There is
no money.

Speaker 4 (48:52):
Billionaire dudes, ask me, yo, let me give you two
hundred thousand five. Ill said, fuck no. They'll be like, oh,
he's sitting in, Fat Joe. See fat Joe ain't never
come in again. The other one is Christmas Day in
New York City. I'm telling my business partner, Yo, what's up.

Speaker 2 (49:07):
I got you.

Speaker 4 (49:07):
Let's go, let's shop on them, let's sit course out.
He was saying, you know, I'm gonna do marshmallows in
the fireplace. He almost burnt down the whole fucking house,
fucking with the s'mores and ship on the fucking house.
He almost burning ship down with the fireplace. You're doing
too much, Jada.

Speaker 2 (49:23):
I know you are Netflix and all that, but you
got it, Jill, No, motherfucker.

Speaker 3 (49:29):
Then we come back that game. That's when I was Texan.

Speaker 2 (49:32):
You we won that game.

Speaker 4 (49:33):
You was like, Yo, Joe, this shay yo. You sleeping them, Joe,
you look like you sleeping on the ship. We was
getting I asked by twenty he was dissing me the
whole ship, yo, Joe, wa come up, it's no fools,
new fluidity.

Speaker 2 (49:47):
They came back. He sai't he got that dog?

Speaker 3 (49:50):
That was a good you've seen that ship right.

Speaker 2 (49:53):
It's trying to listen to some music. Alright, let's call
it plugged in.

Speaker 3 (49:58):
Let's go we're listening to well we listen. They all right,
lot's working, baby, let's go work. Let's go working. That's
what we do. We work, playing loud and come on
with that ar.

Speaker 11 (50:17):
Love that working.

Speaker 5 (50:18):
First, you're about to get another couple of million ndred.

Speaker 3 (50:23):
Million surgeon.

Speaker 9 (50:27):
Working working work for your searching surgeon sasag for you.

Speaker 3 (50:36):
I'll bean I put that work in. I put that
work in.

Speaker 2 (50:39):
You got that virue, I got that r W.

Speaker 12 (50:41):
I cracking early. I think it's perfect. The true art
is silo. I got her thirst. Question yes, say let'st
a girl, say I'm a dog telem.

Speaker 3 (50:49):
I hate past you got.

Speaker 10 (50:53):
Trying to came out the game with crazy flag on
the plate. Make weezy baby, fine, shut out the wazy s.

Speaker 2 (51:05):
Ring up rocking.

Speaker 9 (51:08):
Work work for your known't searching surger, work work for
your knowing such such sus.

Speaker 3 (51:25):
I'll bet I put that work in. I put that
work in.

Speaker 12 (51:28):
You got that fire, I got that cocking her, I
got I got her thirst.

Speaker 3 (51:36):
Say let'st a curse. I'm a dog, tell a bitch,
I hate past me.

Speaker 12 (51:39):
Sometime we make love, make messing, smoke, blunt up, fly
trying to be employe, cut.

Speaker 3 (51:43):
Them money every month.

Speaker 11 (51:44):
Gotta work for it. I'm gonna work for it.

Speaker 12 (51:47):
That's a job well done, like certing on the baby
baby love me like your first born loves flying.

Speaker 3 (51:52):
But I searched for it.

Speaker 12 (51:53):
You know, I gotta let it all work out. And
I'm gonna let that ship. She said, don't sweat.

Speaker 3 (51:57):
That picture.

Speaker 7 (52:00):
Makes you my godliness.

Speaker 11 (52:03):
But when I'm close to you, the feeling supernatural.

Speaker 3 (52:08):
To your feeling energy.

Speaker 11 (52:10):
Is that why you're playing agency?

Speaker 3 (52:13):
I take two step forward and you take three.

Speaker 7 (52:15):
Bay Darling Dan examting exam alone, you emitted fi fields
like that. The den't working working work, working for your
love norg surgeant searching sen seargent for you, not at.

Speaker 9 (52:37):
Work and working work, working for your norg seurgeon search
sasagent for your love.

Speaker 5 (52:49):
It.

Speaker 11 (53:06):
Don't be trying to give me thirst. I'm being outside.
You know, open up your let me give you a
little more fa asking for and you know the wife
is a closed as spoke. Say you know you've got

(53:26):
me right away. You know, thet me get anywhere.

Speaker 3 (53:30):
And I decide, I'm my fall.

Speaker 11 (53:32):
I know that I've been working. Do you in a surgery?
There's another guy I know something like get.

Speaker 3 (53:42):
High mother working working.

Speaker 11 (53:47):
John shucks?

Speaker 4 (54:02):
So wow.

Speaker 2 (54:38):
Here what hold on? Hold on? I'm prematurely speaking. When's
your what year was your first hit?

Speaker 3 (54:46):
Eighty eight?

Speaker 4 (54:47):
How the fucking feel to drop a hit at eighty
eight and twenty twenty six? Drop another ship? Now hard
it is to do that. That's a smash hit. There's
nothing they could do with that. Who's a girl that
was singing at the end?

Speaker 3 (55:01):
Man, she's from Nigeria.

Speaker 2 (55:03):
She ain't fucking playing like that? Shit was incredible?

Speaker 3 (55:06):
Did you fun?

Speaker 5 (55:06):
I hell?

Speaker 3 (55:07):
You do incredible? Why did he make that? Honey?

Speaker 2 (55:11):
Don't think it is nothing he can't do to bet
her alive. I'll tell you that.

Speaker 4 (55:19):
Every time somebody come up on here and start talking
about that on B shit, I went on Tank show
all of me.

Speaker 2 (55:24):
Everywhere I go, they bring it up, like your Joe
who your top five?

Speaker 4 (55:27):
On B You always there, man, always there, Luther Van Josh,
You always there, Like I'm like, yo, you see, it's nothing.
I am surprised. Because that is a super smashit at
twenty twenty six. But at the same time, I'm never
surprised when it comes to real hit makers.

Speaker 2 (55:46):
If Nelly came out tomorrow.

Speaker 4 (55:48):
With the biggest record on the Earth, I would say, Okay,
fifty cent, come out tomorrow with a new goat Shorty
right now, I'd be like, that's what they do. That's
what Keith Sweat do. Unfortunately, we take you for granted
because that's what you do. You knock them out the
park all the time. I see the bag coming out
of gainsh that bag coming back out.

Speaker 3 (56:07):
On that tour.

Speaker 5 (56:08):
That's all I seen, you know, at the first four
boars A hundred million went by.

Speaker 4 (56:18):
THEO ballfucker search it y'all, Keith. One question I got, Yes, sir,
this legendary. You knew I had the time to go
out you with Atlanta. What made you say I'm going
to Atlanta before everybody?

Speaker 2 (56:31):
You there before untapped? Anything happened out there at that
time must have been woods.

Speaker 3 (56:37):
It just woods and everything.

Speaker 1 (56:38):
Well, you know, basically, it was more a sort of
move that I made for my mom because you know,
I wanted to really take care of her, and you know,
for the houses that I would have bought in New York,
it was like it wasn't big enough. I felt for her,
so I moved to Atlanta basically because I wanted to
give her.

Speaker 3 (56:53):
The biggest house or the biggest situation she ever had.

Speaker 1 (56:56):
So I got bought a house on two acres of
Lione now Alfaretta. I just happened to look up and
get it go to Alpharetta back in the day because
Alpharetta was it nothing.

Speaker 3 (57:06):
Now Alfaretta is the biggest thing in Atlanta.

Speaker 1 (57:09):
So I ended up being at the Alpharetta, you know,
and I had the time, had time, yeah, So I
mean I was able to build everything because you know,
when I went out there, I was one of the
first person to be put a SSL board in my house,
fifty four channel input, you know what I'm saying. So
after the second album, I put the SSL board in

(57:30):
my house, and that's where I did the Silk album,
my album, on my album LSG, every album I did.

Speaker 3 (57:36):
That's why I got all my masters on my reels
in my in my garage. You saw my thank in
the garage, nothing but to freak me the I give
all my loves of you, all that you know, because
I did it on my board SSL board in my house.
You know what's crazy is yoe?

Speaker 2 (57:52):
Come on g yo, man shout out Johnny gil Man.
He came to see me.

Speaker 3 (57:59):
I was in la. He hit me.

Speaker 4 (58:00):
He was like, yo, I heard you a Where you at?
I'm at the wall door for story. The man pull
up in the rose voice, Oh take it down. And
you don't understand like me, I've never been a hater
in my life. I always love inspiration. I want my
legends to look incredible.

Speaker 5 (58:19):
Man.

Speaker 4 (58:19):
When that man pulled up in that double law with
that shot, I said, thank god, this guy's doing great.

Speaker 3 (58:27):
I love you color.

Speaker 2 (58:30):
I think it was like gray or green or someone
who gave a fuck. We sitting in the lot.

Speaker 3 (58:35):
He came to my house. Man, I'm going to get
me one.

Speaker 2 (58:38):
He did it, Yo, he did it.

Speaker 3 (58:41):
He did it.

Speaker 2 (58:42):
He pulled up on me with that ship and hit
my house.

Speaker 3 (58:46):
I'm going to give me one.

Speaker 2 (58:47):
A fucking right, fucking right that.

Speaker 4 (58:53):
Man, that man pulled up, I said, Yo, he made
me so happy, I said, because I love it looking
at my my legends and my icons, my idels.

Speaker 2 (59:03):
Looking good and living good. You know Mary j my
sister you know what I'm saying.

Speaker 3 (59:09):
So she told me we need to do an album together.
Keith swearing with all, tell her I need her to do.

Speaker 1 (59:15):
Make it last, Betther with me, get up on it
with me all my female dog classic me. Oh my god,
Dan you do Keith Keith sweating married to her.

Speaker 2 (59:25):
Let me ask a question, did you did you ever
do a Christmas album?

Speaker 3 (59:28):
You did a Christmas job? Did it? I did it,
but you're not.

Speaker 1 (59:30):
Just did some videos on it recently year. I did
one eight years ago. But I started putting the songs
out there and.

Speaker 4 (59:36):
That Christmas Christmas time I had that soulful Christmas man.
He had all our young Jackson five ship that Luka
that man. It's so much good Christmas music out there.

Speaker 3 (59:48):
Man, this ain't that and that ain't this.

Speaker 2 (59:51):
It's cracking. I stepped on stage your screen like tea,
appreciate you am proudly smartness