Fat Joe and Jadakiss are joined by Mya to celebrate her 10th studio album ‘Retrospect.’ Mya breaks down the album's sonic inspirations as well as the features from Snoop Dogg, 21 Savage, Too $hort, and Joyner Lucas. She tells Joe and Jada the wild story behind joining Brandy and Monica’s ‘Boy Is Mine’ tour last minute, her decades-long commitment to independence, owning her masters, and the American Music Fairness Act, with Mya detailing her Capitol Hill advocacy for legacy artists who aren't getting paid every time their songs play on radio. Joe and Mya bond over the physical toll of constant touring, the financial expectations that come with fame, the upcoming Chris Brown and Usher tour, and the pressure of taking care of family and community. Plus, a spirited debate on gender, divorce, and men suing women for money.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
So I told my manager and agent. I said, I
can't do this tomorrow the way I did it tonight.
I gotta have floor mined, just because if the ears
go out, then I'm probably gonna sound horrible.
Speaker 2 (00:09):
You know, social media is a forgiven.
Speaker 3 (00:12):
Let me tell you something. All you had to do
was walk out with you my y.
Speaker 4 (00:34):
Yo.
Speaker 3 (00:34):
What ut? This is Joe crack the dawn. I ain't
doing ladies and gentlemen. This is your boy, Jada kiss
Lord and Pierre s Lord Pierre the night.
Speaker 5 (00:49):
Did Joe and Jada show every show, legendary, every show.
Speaker 6 (00:53):
I cut iconic Baby and we're killing him off and
we're gaming. You make me be nice for some reason. Right,
I'm not gonna courage too much. I'm not gonna say nothing.
You got that respect me order about your live, don't
do too much.
Speaker 3 (01:14):
Forget you're done. Yeah. When you think of today's guests,
it's a lot to think of it.
Speaker 5 (01:24):
Think of a Grammy Award winner winner.
Speaker 3 (01:29):
You got a lot of nomin knees on it. Me
and him been nominee.
Speaker 5 (01:32):
You think of a woman who stepped into the Lady Mama,
laid alongside Little Ken, Pink, Christina and missy and made
the whole world stop.
Speaker 3 (01:42):
You think Case of the X. You think that old superstar.
Take me there, get super the best of me?
Speaker 7 (01:51):
Mmm?
Speaker 3 (01:52):
You know what I mean? What's the record? You got? Whatever?
I mean? That's a big deal. Ladies and gentlemen, You
see what I gotta go to?
Speaker 5 (02:05):
You think Vegan Warrior, animal rights champion, marathon running label
on it. You think a woman who has been writing, producing, engineering,
and financing her own music for over two decades because
she decided a long time ago that nobody was going
(02:26):
to own her. You think twenty five years in entertainment
is still the most underrated conversation at R and B.
Speaker 3 (02:36):
Ladies and general, still looking brand new, still looking.
Speaker 6 (02:45):
Let me tell you something. God has been good to you.
You looking brand new? No, see Mimi, that fatherly guy,
she looks.
Speaker 3 (02:53):
Wow.
Speaker 1 (02:57):
No, thank you so much for the introduction. It's so
good to see you, and too. I'm always seeing you
and passing. We're always working on the road, you know,
and same with you. I saw you somewhere recently and
(03:18):
you were also working performing. Was the cartoon concert?
Speaker 3 (03:23):
No, I wasn't that vibes.
Speaker 2 (03:25):
It was somewhere somewhere. It was an Area shirt.
Speaker 6 (03:27):
Yeah, so you went to Vibes and you did the
Ziggy's Ours and Ziggy Ziggy.
Speaker 1 (03:32):
I was I just went to you, just hanging out.
I was just hanging out. New album, Yes, sir ten
studio album.
Speaker 3 (03:41):
I want to make some noise for tention. Big features,
big features.
Speaker 5 (03:50):
I've seen snoop on man, I've seen joining a lupis,
I see twenty one, I see some big who else went.
Speaker 6 (03:58):
Too sure, too short, your dog King of the and
they had me in too short? Uh interview h vice president,
the former vice president. I'm like, how this ship go
which was had Joe the gainst the too short fight
Kamala harris Man when we interviewed me and too short
(04:18):
that all people b t nice stuff, nice stuff. But
I was at first, I was frightened by the lineup,
fat Joe, too short, All this ship gonna go all
the way left?
Speaker 3 (04:30):
You know, he might be like, Yo, what's my favorite word?
Speaker 7 (04:33):
Bitch?
Speaker 6 (04:34):
I swear to God yesterday, right, she answered it, but
we are she answered it ignored.
Speaker 3 (04:40):
She's from the Bay Area. Yeah, we edited that ship.
She said, bitch, real.
Speaker 2 (04:46):
Amazing, amazing, iconic.
Speaker 3 (04:50):
You see Vegan h why Vegan?
Speaker 2 (04:55):
Oh?
Speaker 1 (04:55):
It's a lifestyle, you know, not not just food. As
it went down the rabbit, I found out a lot
of information that I wasn't privy to. So once I learned,
there was awareness, of course that took place, and I said, okay, yeah,
I can claim vecon because I changed my diet. But
I didn't realize I wasn't a true vegan without adopting
the full lifestyle, so fashion, make up, hair products, home,
(05:21):
the core. I didn't realize that there were so many
well animal cruelty aspects, you know, to the things that
I wear, put on my body, in my body.
Speaker 6 (05:32):
So I just coconut. Would that not be like we
kill nobody over that?
Speaker 2 (05:39):
Yes?
Speaker 3 (05:40):
Yeah, cod You know I'm a cereal all.
Speaker 6 (05:49):
I'm a fucking like a serial killer of steaks and
hamburgers all this ship, I don't chickens vegan For a
couple of hours, I went in now, no, no, I did.
I wanted to whole Foods, bought everything began that.
Speaker 3 (06:06):
Shit was hard?
Speaker 7 (06:07):
Was it?
Speaker 2 (06:07):
Okay?
Speaker 3 (06:07):
It was horrible that I couldn't survive. What did you make?
Speaker 8 (06:13):
It?
Speaker 3 (06:13):
Don't matter?
Speaker 6 (06:14):
Everything you like horrible? Beyond this ship tastes like cardboard.
All that ship I was like, yo, I can't do it.
Speaker 3 (06:22):
You might have got to make them.
Speaker 1 (06:23):
Yeah, you gotta experience the real true vegan flavorful food.
Speaker 3 (06:29):
Seen people go vegan and get fatter because I got
now you don't, Yes, I've seen it.
Speaker 1 (06:38):
I experienced that during my first two weeks of vegan life,
right because I didn't know what I was doing, and
it was all about the cars for me, because I
love Italian food. I love rice, I love bread, I
love pasta, all that stuff, and I put on some weight,
you know, and I'm like, what is this working? This
is not working. But it's about, you know, a well balanced,
nutritious meal, more old food, pl foods and all that
(07:02):
greens are good.
Speaker 2 (07:03):
The more wrong that you can.
Speaker 1 (07:05):
Eat are the more pure food without overheating your foods,
because once you overcook it, you kill all the nutrients
and enzymes and whatnot. But the process began food is
not too good for you.
Speaker 2 (07:18):
You know what I'm saying.
Speaker 3 (07:19):
I gotta eat some ship, Maya, you know, how fucked
with you?
Speaker 6 (07:22):
Man? And you my people, man and boy, I gotta
eat some ship not on this earth. I gotta, I gotta,
I gotta.
Speaker 3 (07:32):
Eat some ship. They have to do it.
Speaker 1 (07:35):
They do have some amazing vegan food that you know,
you can still be fulfilled with. They do have vegan
steaks that they make with like oyster mushrooms and all
kinds of amazingness and the sauces and the flavors and
the spices. So you got to go to the right spot.
Speaker 3 (07:50):
You know, our brother styles P celebrating birthday in the
vegan spot.
Speaker 2 (07:55):
I ran out it in and ate.
Speaker 6 (07:56):
Some cereal so fast. He was like, you're not enjoying this, Joe,
And it was his whole ship was for me to
enjoy it. Coconut savi this, I'm like, yo, get me
the fuck out of here. Let me go eat me
some King vitamin and some shit fast. Like I can't, no, no,
(08:20):
but this one thing I just can't do vegan.
Speaker 3 (08:22):
I just can't do it. I wish, I wish, I wish,
and I do it lot of you know, fat Joe,
not so fat, but vegan is hall.
Speaker 6 (08:31):
And then you look like, now you look like I'm
gonna categorize you as someone really does their dude diligence
and everything so you like pay attention to every detail.
So you see I never did that right. So they
had like a movie. Russell Simmons sent me a movie
(08:52):
where they're killing the animals and the and I just
never watched it because I said, damn, I might. I
want to eat no beef, no more or nothing like that.
I'm not gonna watch this shit because I know the truth.
The truth is fuck pretty fucked up.
Speaker 3 (09:07):
Huh.
Speaker 6 (09:08):
So I don't want to watch that shit. I don't
want to know. I want to eat a cheeseburger deluxe.
Pick her on the side, you know what I'm saying.
But wow, you've had such a long career, chilling under
the raidar minding your own business, staying classy.
Speaker 3 (09:29):
This is what we're missing, right.
Speaker 6 (09:31):
People don't realize, well, we do this show. This ain't
a messy show. That's why you came here.
Speaker 3 (09:36):
You know, it ain't messing that.
Speaker 6 (09:38):
Joe may be crazy. He might say some crazy shit,
but not crazy enough. This ain't a messy show. We
deal with positivity. And so you know, they pull out
rankings and anybody who went before us or you know,
shot jocks.
Speaker 3 (09:53):
You know they talked Tupac is still alarvee. You know
they talking all that wild shit, right, and.
Speaker 6 (09:58):
So we keep it classy and you keep it classy?
Is that like, did you intend on? Like y'all gonna
keep my ship classy? Because it's pretty messy out there.
Speaker 1 (10:12):
I mean, I like balance. I'm gonna say I like balance.
I'm just me, you know, but I'm gonna have my
fun too, So I like to identify as clatch It.
I like classic Ratchet.
Speaker 2 (10:24):
You know, there's a balance clatchy it, clatch It clash it.
Speaker 3 (10:31):
So you got your ratchet moments. I don't think God ratchet.
Speaker 1 (10:35):
It's light, but you know, I enjoy I enjoyed it
dance dancing. I enjoy doing what I do and just
being who I am. So there's a balance of get
the best of both worlds. I'm just me and I
don't know anybody else for being them whatever that might be.
Speaker 2 (10:51):
That's it.
Speaker 3 (10:52):
The easiest job in the world class.
Speaker 6 (10:57):
Some people don't even know who I'm all. That's yo,
that's real talk. Some people don't know who they are.
They're like trying to fit in and trying to be this,
or trying to be that, or trying to be down
with this. They don't even know. I know, groom men
that still haven't figured out who they are. That's the
(11:21):
craziest shit in the world. When you when you're looking
at somebody and.
Speaker 3 (11:24):
They keep it. You know, women that they like this woman,
that they like that woman that they di women at
that they done with this crew. That could I seen.
Speaker 6 (11:31):
I've seen rappers throw on ten chains, rough riders, terror Squad, Rockefeller,
fucking uh.
Speaker 3 (11:39):
No limit.
Speaker 6 (11:40):
I to watch motherfuckers throw on them chains like one
of them got a stick. That's you already know when
it's a real moment, you need a real bottom. That's
why we rock with eighteen hundred tequila. These people been
making tequila for eleven generations.
Speaker 3 (11:59):
That it's a legacy. That's the og status.
Speaker 6 (12:03):
They were the first to introduce a najo set the
standard before most of these brands even.
Speaker 3 (12:09):
Existed, and you could taste the difference for real.
Speaker 5 (12:13):
The eighteen hundred Cristillino and Resposato is what we've been
on late smoove, clean elevator, no rough edges, just a
premium poor that speaks for itself.
Speaker 3 (12:25):
You know when something is just built right, that's what
this is. Real talk, That's just what it is.
Speaker 6 (12:32):
It's always around for the best night's winds, the celebrations
to remember that night, stories.
Speaker 5 (12:40):
Whether you're keeping it low key with the crew or
you pull up to something big. Eighteen hundred fits every sentiendy,
it ain't trying too hard. It's just as that eighteen
hundred tequila, real legacy, real smooth.
Speaker 3 (12:56):
That's the move.
Speaker 7 (12:58):
Wow.
Speaker 3 (12:59):
Great.
Speaker 5 (13:00):
What's important is ownership because you've been independent and owning
your own things for a long time. A lot of
people just catching on to that. A lot of people
is just getting into the owner ship wave and trying
to get their masters and learning about things they should
have learned about.
Speaker 1 (13:17):
Hansm Well, I think, you know what, as all of
people are artists in this game before they even step
into the system, there's a bit of independency in that
space anyway, right, That's how you get discovered and signed.
I think it's important to keep that. Not everybody is
built to be independent either. If you don't know how
to work and you're not trying to work. I have
(13:40):
the independent spirit because of watching my parents. They're independent thinkers,
they've always kind of been against the grain. I watch
my dad like literally record, write, produce, dish out his records,
walk his vinyl to radio stations. So the independent spirit
is ending. I love to work too, And I do
(14:04):
love music, and.
Speaker 2 (14:06):
I've kind of always been a little bit of a beast.
Speaker 1 (14:09):
You know, in another world before I got into the
music business, and so that's just in me now. It's
a lot of hard work and it's a lot of
hard grind. It's just not natural. It's not healthy for
your body either, But to each his own, you know
what I'm saying. For me, it's worked because I get
(14:29):
to create and do what I love the most with
no ceilings, no limitation, and then something beautiful happens, Like
you start getting younger, when you start really having fun
and leaning into what you love and it doesn't feel
like somebody's making you do anything or you have to
conform because it's somebody else's dollar. So there's freedom there
and that's what I've learned that works for me and
(14:51):
how I'm built.
Speaker 3 (14:52):
But don't we always got to do, like we always
got to feel like we got to do shit.
Speaker 6 (14:58):
I don't know about y'all. Like, say, I got two
shows in Vegas. I'm kind of mad.
Speaker 3 (15:03):
I gotta leave, Like.
Speaker 6 (15:04):
I like this ship you gotta live with to go
do the two shows. Man, baby, I want to just
sit my ass on the couch and watch some tennis
or something like like I'm constantly we just flew in yesterday,
like I'm constantly just work, but I gotta get the money.
Speaker 3 (15:22):
Don't stop. You gotta get the money. So in some case,
like when I see all.
Speaker 6 (15:27):
My sisters or I wouldn't call them aunties, but when
I see like Patty and Labell and Stephanie Mills and
Gladys Nang, I wonder why they're eighty years old still
on the stage. That's the type of shit scared me
right because I'm wondering if they're doing it because they
just want to be there along with the nice pick,
(15:48):
along with the nice peck. But you get what I'm saying, right,
I do.
Speaker 1 (15:52):
I just spoke about this recently with politicians. I went
to the Capitol Capitol Hill and the American Music Fairness
Act AMFA. We were talking to congressmen, you know, in
their offices about this and how legacy artists eighty years
old plus are still out here touring. Their bodies are
(16:14):
breaking down like in heels, all kinds of stuff. Is
it because they have to or because of this issue?
And so in the United States, artists that don't write
their music, of course, and a lot of our legends don't.
Speaker 2 (16:29):
I weren't able to because they are paying.
Speaker 1 (16:31):
Yep, that too, and we didn't necessarily know the business
back then, and there was an opportunity and plus we
didn't have social media and all these platforms. And so
there's a bill that we're trying to press to be
passed for those reasons, not just legacy.
Speaker 3 (16:45):
Art Now, what does he do get them paid?
Speaker 1 (16:47):
Every time your song plays on radio, you should get
getting paid. And because of the United stuck because of
the United States hasn't adopted that, but the rest of
the world has international.
Speaker 2 (17:01):
Is also not paying us. So I spoke about that.
Speaker 1 (17:04):
But it hurts me when I see our legacy artists
out here right in a way, and I know how
my body feels on the road after touring and touring
and I dance and I work out. I'm like, something
has to change. And then all the overhead that artists
and her and the commissions, I.
Speaker 2 (17:23):
Get up, Yeah, I get up. I'm not complaining because.
Speaker 6 (17:31):
And I get that shower and I look at that
mirror just before I go to do an hour concert
and my bones start tweaking, and all I'll be like
damn we like, I gotta do this ship again. Don't
get it fucked up, fucking with the fans.
Speaker 3 (17:44):
I'm there. I love you guys, thank you for your support, this, this, that.
Speaker 6 (17:48):
But I don't know about anybody else, but I'm getting
older and the fucking like I'm catching pains for no
reason everywhere. Like ship two days ago. This ship hurt
for no reason. Sure to be hurting from leaning back it. Shit,
fuck the gym, You're gonna get me hurt more.
Speaker 3 (18:10):
I never oldbody. I got hurt bored working out. But
it's cool what I'm saying to you, And don't got
nothing to do with the gym.
Speaker 1 (18:18):
Man.
Speaker 6 (18:18):
She knows yoursefing like Smokey Robinson is performing. All of
them is performing. I just want to know you said.
They do it because they love.
Speaker 3 (18:25):
It and they get in the bag.
Speaker 2 (18:28):
Of course the problem.
Speaker 1 (18:30):
What else to I know, especially for men, the responsibility
and the expectation of taking care of others, even those
that are not in your bloodline, like your community, your cruel.
It comes with the expectation, and a lot of us
want to do it because we've been blessed with the opportunity,
the gift to step up into that position, So it
(18:51):
comes with a lot of giving constantly, but also not
just your blood or your immediate family. All so people
that rely on you to stay employed, to stay work
and help help their families. And then there's community, you
know what I'm saying. That's a part of you know,
your heart if you have it in you, and it's
(19:12):
also expected as well. I am not complaining because we
are so blessed, true blessed, but it's also the reality
of what people don't necessarily know that comes with own
fame or notoriety, you know, But I love you.
Speaker 6 (19:26):
Help others, and you're absolutely right right because fortunately enough,
God shed's a light on certain artists and they're able
to make a great living. But your family's expectation of
spending goes up if your bracket go up. They know
(19:48):
how to spend more. They know how to spend more.
And it's like it's real shit. They know how to
spend more. And like I'm going back to eighty year
old artists, seventy year old artists. They got grandchildren, they
got kids that you know, if they're working ad Meyer
(20:09):
l LC. That's what's going on. That's that's what's going
on when you see these artists and their son is
the fake manager. The this is that they got to
employ everywhere and they're living a life. Your son is
going in yo, Fatjo Son. Fat Joe's already eighty years old.
He's supposed to be super rich. He's selling rewind the time.
(20:33):
And you know there's somebody that's the problem. I've had
a lot with like people close to me or I've
employed over the years because because k is down with
kiss where he throw his daughter party, he got to
act like, don't call it young, and that.
Speaker 3 (20:53):
They expect shit just because he's affiliated and works with you.
That ain't fear. No, no, this is the price of fame,
the price of fame and all that.
Speaker 6 (21:03):
And then you know it's and so it's like, you know,
you got people got a big heart, and then you
got people who just don't give a fuck. You got
some guys that'll be like, y'all, don't give up to
Tracy Morgan. Tell you, I know he's a comedian, but
he was like, yo, he call the cops on his
family when they come to that mansion, and Jersey like, yo,
two black guys on the corner. It' his fucking brother.
(21:25):
Two black guys in the corner look suspicious. Get him
out of here. Thee motherfucker Tracy bulking that mother fucking
It's like, yo, they don't belong in this neighborhood. Get
him the fuck out of here.
Speaker 3 (21:37):
Like it's like yo. Like anyway, I don't know how
we got it.
Speaker 9 (21:47):
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Speaker 3 (23:31):
You know what I'm saying.
Speaker 5 (23:32):
The Boy's Mind Tour Okay, Oh, like I was, what
did you do to your body?
Speaker 1 (23:41):
Well, you know what, First of all, shout out to Brandy, Monica, Kelly,
Coco Jones was on that tour money Moon. Now, all
the ladies is just so incredibly talented, and they've been
in this game for like thirty years and before that
because they were putting in the work prior to them hitting.
(24:04):
So just first of all, to be present, to give flowers,
to be a part of that era is wonderful. And
then also to see an arena tour sell out verbatim,
every word, every ad list, amazing production, boxy where ast well,
(24:26):
everybody sounded good, looked amazing, represented for our generation. And
then the real music aspect, Oh my goodness morning. It's
like I was so happy just to witness, and then
of course to be a part. I would happily just
post it and brought out the ladies. You know what
I'm saying. It was a last minute situation.
Speaker 2 (24:44):
I showed up. I will share a story, you know.
Speaker 1 (24:48):
The day of that, I was called it's kind of funny,
but I went down to Florida to one of my
dad's spots just to kind of like decompressed start detoxing
and working out to try to take care of myself
as I had been grinding and hustling and doing my
own type of thing on the road, and I was
ready to old sir and get all my stuff uploaded
(25:09):
into the system for this album whatever. I got to
call it like one, and I have my alarm set
for like maybe two o'clock. Thirty minutes later. I was
supposed to take a bottle of some natural stuff that's
supposed to have you stationary for twenty four hours to
detox your body.
Speaker 3 (25:30):
Not the sugar free red but not a dive PEPs.
Speaker 2 (25:34):
Literally, I was going to be pretty much asked out.
Speaker 3 (25:37):
And I got all asked out, like you was about
to let that ship fry.
Speaker 1 (25:42):
Yeah, So you know, my manager and the agent called
me like, hey, can you get on a flight to
night get to Chicago.
Speaker 2 (25:53):
I'm like do what? Oh?
Speaker 1 (25:56):
The Boys Mine Tour, And you know, I kind of
wanted to be on it when it started because I'm
kind of like from that era. I came a little
later three years later, so I'm like, where is it Chicago?
What time is my set time? Okay, I've done the
venue before. I'm familiar with wind Trust Arena. I think
that's what it was. And I said, look, I got
(26:17):
to look up flights to see if any flights even
leave out of this part of Florida. There was one
flight on Southwest Airlines right three thirty five. Yeah, I
think it landed around six thirty something like that. I'm like,
what do I even have to wear? So I had
(26:38):
done a birthday party twenty one. I had a birthday
party in Atlanta, that's actually where I came from. I said,
I have one outfit, that's it. And I got to
wear that outfit again. So I hope no pictures come out.
Speaker 2 (26:48):
Nothing like that.
Speaker 1 (26:49):
To make it happen if I can make it to
the airport on time, hopped on a plane, edited my
set while I was in an airport, and pro Tools
sent it to them right you know, hopped on the plane.
They said, oh, we have a hotel room for you,
you know, right across the street. I said, no, just
give me an office, because I know how this thing goes.
I got to do my own air got to do
(27:10):
my own makeup, got to sol the inner monitor, packed mustard,
no sound check, my house, no sound check, no sound check.
I don't know what the stage looks like really, there's
luckily a runway where first of all, the stage is
dead silent because there's no floor monitors. I don't have
(27:33):
a sound check to check the ears. Nothing is working
in my ears. I cannot hear music. I can't hear myself.
And when you can't hear yourself as a singer, you're
singing in the wrong key. You can't even hear the
beat right. So I just make my way to the runway,
the tip of the runway to even get with the
front of house or the audience is hearing.
Speaker 3 (27:56):
That's not even true.
Speaker 2 (27:59):
Experience.
Speaker 1 (27:59):
But I'm like, just smile. Just there's just sing and
you want to be here because it's supposed to be
here right now. It's about them. But get through it.
Speaker 2 (28:07):
But I'm like, this is a nightmare.
Speaker 1 (28:09):
If your ears go out on that tour, oh my goodness,
and you're a vocalist, it's the most scary thing ever.
But I got through it, and they were like, oh,
we'll see you in Kansas City tomorrow. I'm like, no,
you won't, No, you will not. So I told my
manager and agent. I said, I can't do this tomorrow
the way I did it tonight. I gotta have floor
monitors because if the ears go out, then I'm probably
(28:32):
gonna sound horrible.
Speaker 2 (28:33):
You know, social media is unforgiven.
Speaker 3 (28:36):
Let me tell you, all you had to do was
walk O.
Speaker 2 (28:40):
My god, that's exactly what That's what I did.
Speaker 1 (28:50):
And I just prayed that nothing horrible vocally would come
out because that's the situation.
Speaker 2 (28:57):
And Lord I did the next day because they got
the Now.
Speaker 3 (29:01):
You a hustler.
Speaker 6 (29:02):
I see you everywhere. I see you working hard. You
know that not every artist is a hard working artist
like that, and I've seen you grind. There's no disrespect.
There's a blind guy. Tell you Andrea Bocelli. If I
go to Afghanistan to perform the scientists and drab Bocelli
(29:24):
next week, I never seen a man work harder like that.
I know how I work, So wherever I go, it's
like drillable Celli Like, I'm like, yo, this motherfucker work.
Speaker 3 (29:36):
Maa like that.
Speaker 6 (29:37):
Like, and you know how many concerts I go to
that we cross paths and she's even performing or I'm
performing like you.
Speaker 3 (29:43):
You you grind. You make no excuses, no excuses. You
know I was waiting for that tour. You don't want
my experience of what happened on that tour, like you
don't want to know? And so uh that dude, yes
we dom. I show up. I'm an offendi for her,
(30:10):
all white and ship. You know what I'm saying. I
got my wife with me. She looking good. Crap baths
and ship like that. I walk in, I see jay
Z the young I say, yo, what's up? Guys?
Speaker 6 (30:23):
Everybody's in the building. And when I get in there,
I'm trying to watch. Actually, they asked me to perform,
so well, I'm getting ready.
Speaker 3 (30:33):
I performed.
Speaker 6 (30:34):
I came out fucking fight breaks out backstage. I've been
waiting twenty years to see the Monster and Brandy tour
and they fucked everything up, man, And so you know that,
I'm telling you the truth is fucking my experience.
Speaker 3 (30:52):
So no, no, no, Like.
Speaker 2 (30:58):
A manager, industry, people will fight people.
Speaker 6 (31:02):
But it's horrible because I'm sitting there and I'm looking
at Connie Orlando, I'm looking at everybody I respect from
the industry from all over and.
Speaker 3 (31:12):
I'm like, how is this ship happened in the in
the backs? What the fuck?
Speaker 1 (31:19):
Like?
Speaker 3 (31:20):
Huh oh no, nobody, but.
Speaker 7 (31:25):
It was.
Speaker 3 (31:26):
It was bad for me. You know what?
Speaker 6 (31:27):
I mean, uh, Monica. I came out of Monica said
she had hit me up. Everything's okay. I said, yeah,
everything's okay, you know, but it was you know, it's crazy, but.
Speaker 3 (31:37):
I waited for that tour.
Speaker 6 (31:38):
Another tour I missed was the I missed the Boys
to men Uh do addition and Tony Brax come, how.
Speaker 3 (31:48):
Did I miss this tour? Man? This ship.
Speaker 6 (31:52):
It's like I go to the tours I support, you know,
I love Do you go, like as a fan to
two shows?
Speaker 1 (31:59):
If I can chance to, I'm there. I mean I
came to Brooklyn just to witness vibes, you know, and
I brought my friends with metel fan and yeah in Brooklyn.
So if I get a chance and I can bring
people along you know that are also fans, it's a
fun time for me.
Speaker 2 (32:19):
And especially now.
Speaker 1 (32:20):
I didn't get to go out when I was of
course paying my dudes in this industry, so I do
all that now at this age. And so when you
mentioned the brand and Monica tour, I was just so
proud of the lady. So salute you know what I'm saying.
There was a beautiful sight to that experience. They it
was the biggest tour of last year and they did
(32:41):
the damn thing, and I'm so happy that they got.
Speaker 3 (32:44):
Different from Cardi B. Huh.
Speaker 2 (32:46):
I love Cardi.
Speaker 3 (32:48):
She's shaking ass.
Speaker 2 (32:51):
She's on more than that different music's.
Speaker 6 (32:59):
Artists, because I think Cardi B blew the bag on
the set on every I don't think you could just
go up there like regular. You know, you know some
artists they want the whole bag. So if you headlining
a tour like that, the arena tour ship like that,
you gotta spend money on the center, background, the set.
(33:19):
I think Cardi B spent a lot of money on
her set, and that all I heard from everybody, people,
the at L people here, people, they were like, yo, hush,
ship is crazy.
Speaker 3 (33:29):
You know what I'm saying.
Speaker 6 (33:30):
So I think you should invest in yourself if you're
gonna head line the tour, to get the ship right.
Speaker 3 (33:36):
But Cardi B, she definitely was. She was throwing that
ship out there. Yeah.
Speaker 1 (33:41):
I mean.
Speaker 3 (33:43):
Usher Usher tour was incredible too.
Speaker 2 (33:46):
Went to Usher ves here. I always wanted to go
to that one.
Speaker 6 (33:54):
But are you going to show up to the Chris
Brown Usher That's somewhere you gotta I gotta go.
Speaker 3 (34:01):
That's not going to that shit.
Speaker 6 (34:03):
Man, when I'm going, I'm gonna drink eighteen hundred at
that motherfucker too, can't they?
Speaker 3 (34:09):
No, I get drunk on shit like that, like like
like Chris Brown talk, ain't even going to marry you?
Speaker 6 (34:17):
Yeah I have, Yeah, I went to the first Thank god,
I was going to have my ticket and everything. But
you know, four shows came up at that point, going
over there, you see them, perhaps no Cadillac, little car
bowl Lettle there. I got to go get the bag man.
Nobody else paying these fucking bills. Man, and yo, these
bills keep coming.
Speaker 3 (34:38):
Hold, they do shit, but bills don't take a break.
Speaker 2 (34:42):
Huh oh.
Speaker 3 (34:43):
Ever, especially in this, are you siscally conscious?
Speaker 1 (34:47):
Like like you you look like you damn because yess
who is my account since my mother my mom is
my accountant since nineteen ninety.
Speaker 3 (34:56):
Seven, father's accountant. You both have something, so I look.
Speaker 1 (35:02):
My mom's advice to me has always been lived below
my meanings and oh my goodness. As an artist, of course,
that's hard because you always got you have to make
the investment always and then the independent game is completely different.
It's all on you, right, unless you have an investor
or whatever. I haven't even allowed anybody to invest in it,
because you know that comes with other things.
Speaker 2 (35:23):
So it's just all me.
Speaker 1 (35:25):
But I've been so blessed to have her in my
corner watching the numbers. She puts me in check when
I want to say, Okay, I got to make this investment,
or can I do this for this person? No you can't, No,
not right now, or yeah, you can take a break
right now if you want, for the rest of the year.
So she'll be the voice of reason before I make
(35:47):
some big decisions or when I can make those big decisions,
and that keeps me.
Speaker 2 (35:53):
Aware.
Speaker 1 (35:54):
But I always have been like this, living right here
below my means, so I don't ever get in too
much debt. And you know, I'm not a man either.
You know what I'm saying. I'm not meaning with being
being a man comes with the expectation of taking care
of everybody. You see what I'm saying, would.
Speaker 3 (36:16):
You take care of guys? A lady man's out here
to lady man. I keep beating that.
Speaker 2 (36:25):
I know my whole crew Bosses is no society.
Speaker 3 (36:34):
Women. I'm making more money in there higher places.
Speaker 1 (36:37):
Oh yes, absolutely, but the expectation is not for the
woman to carry it all the time.
Speaker 6 (36:41):
Woman, if I could come back, come back to earth.
Next time, I'm gonna be a gold digging man. I'm
gonna give me old bitch to pay my bills. I
don't give a form and all that ship carry the
burke in that. I'm that you fuck out here? You
(37:02):
think of that, man, I'll be stepping in one second,
you fucking yo. Get where you at?
Speaker 2 (37:07):
Girl, I don't do you need a vacation.
Speaker 3 (37:15):
No, I don't need a vacation. I just deal with
reality and this. It's crazy.
Speaker 1 (37:19):
I know.
Speaker 3 (37:20):
Gosh. I have a friend.
Speaker 6 (37:24):
She's a billionaire, well on her yacht, and she had
a boyfriend, nice young, handsome guy.
Speaker 3 (37:30):
He was.
Speaker 6 (37:30):
He had a couple of fucking businesses. He wasn't no bump,
and we on the boat one time. The way it
works is if I'm Maya's friend and you introduced me
to your boyfriend tyrone or something, I'm still Maya's friend.
Speaker 3 (37:44):
I don't know.
Speaker 6 (37:44):
That's just the way I've always been. So the guy
sits down your crack. Let me holler at you. I said,
well s, he said, Man, you know, I'm intimidated. She
pays for everything. She this and this, and I'm looking
at that mom bucks, and the guy colding me is like, Man,
you to fucking marry this bitch right now. Fuck wrong
with you, nigga. But I can't cross the the DNA.
(38:07):
The DNA says, I'm her friend. I'm like, my eyes
is looking like bringing them ships popping out, they say,
I want to tell them so fast you want to?
Speaker 3 (38:16):
Are you great? She broke up with him, she got
married in six months. Oh now you're when you need
to check on them. Yeah, that nigga like this that
ain't got the wrecks and all that shit. That ain't
moving like this, he like.
Speaker 6 (38:31):
But there's nothing wrong with a woman being more successful
than a man, you know, especially if when the little Yeah,
when the woman perhaps when I have a joint account
or something, I'm down with it, you know what I'm saying,
Like that put me on the wheel. It's a lot
more men, right, It's a lot more I think without
(38:54):
saying names. It's a lot more men gold diggers these
days than ever was before. Like men are getting married,
men are divorced in accent for half the ship.
Speaker 3 (39:06):
This this that that I can tell you. That's one thing.
A lot of the more ladies kicked up. Yeah, but
but what not. That's not how I was raised.
Speaker 5 (39:16):
So he just told us the typical way of the
world is men supposed to make the money.
Speaker 3 (39:26):
Why he's swing the Why are they trying to get
woman now andadays are making more money? You just said it.
It's you know what I like, Maya, and you don't
got it. You ain't gotta agree with me.
Speaker 6 (39:38):
I don't like One time she ship was going on
with the divorce and I watched six men, six fucking
men that work every day on the podcast.
Speaker 3 (39:49):
Ida took her for the money. Yo, I need that
paper she's about the day. I'm like, what the FUNO
he's talking about? I know what I'm talking about. I
don't know. I'm about it. No, No, I'm telling you that.
Oh so you'll take the money. You know what's going
with Gail? Listen? Did you do the man's your hunting?
Speaker 6 (40:09):
The man's that's surprised provided you used to be doing?
Speaker 3 (40:14):
Say anything? Complain that I don't, But he didn't do
what we're talking about.
Speaker 7 (40:19):
That man.
Speaker 3 (40:20):
There's nothing wrong with that. Enjoying the lady. Not saying that.
Speaker 6 (40:24):
I'm saying that nowadays, when you have a woman getting
divorced with a man, and.
Speaker 3 (40:29):
The man no fucking rat stars and ship like old
type of sh is going on in today's time, A
making getting batter like I'm showing that shit in Dubai.
Man's in Dubai. They don't cut the man's arm off.
Speaker 6 (40:46):
In the Middle East and asking on it for the
paper like asking for the paint. I watch six grown
men talking about I would get it for the money.
Speaker 3 (40:54):
Yo. I'm suing yo. I need some of that Yo.
You a man, So it's just okay to give half
a your fortune or I don't think it's right either way.
But I think if you with a woman and you
divorced and you've been with it with some time, can't
go off? What's wrong? Give us some ms. I'm not
mad at that. What about vice versus you mad at
that a man asking a woman for money? That's crazy?
(41:19):
SA ain't the same thing in reversed. It's not that
it is crazy to me for a man asking a
woman for money's crazy.
Speaker 2 (41:29):
I think every situation is expected.
Speaker 1 (41:32):
I think every situation is different, and then we might
be talking about people that are not real adults. Anyways,
you know what I'm saying. It could be out of spite.
I don't know if they have kids, SPIKEE could be it.
I think it's the ego. I think it might be pride.
Speaker 6 (41:47):
You know so, No, it ain't no pride in the guy.
It ain't no pride in the god. Let me tell you, guys,
there ain't no pride in the guy suing the girl
for some money. There ain't no prodect well.
Speaker 2 (41:59):
Of the wars Is file. If they got caught.
Speaker 3 (42:02):
I need to be a lot of problems.
Speaker 5 (42:04):
These devices right here is much worse than back in
the day. You can make a man feel like a smurf.
Speaker 2 (42:13):
I don't know.
Speaker 3 (42:14):
I just told you earlier.
Speaker 6 (42:15):
I would get with a rich woman and while I'm
with us, she could buy me whatever the fuck she want.
Matter of fact, i want a diamond the size of
a dinosaur. I'll take everything. I'm talking about the current
status of guys getting divorced with a woman and they
acting like they got to get paid.
Speaker 3 (42:34):
I'm from when my father had three jobs.
Speaker 5 (42:36):
They didn't fall down. There's nowhere of being that different.
You can't be taking care of them. It's just in
stone that when some go wrong, that men take all
my money.
Speaker 3 (42:49):
No I'm not all the way agreed. Man, I'm not
all the way disiting, okay.
Speaker 6 (42:54):
To me, it's pretty weird, me being a man who
has sacrificed and work my whole life for my family
to see six grown men on the podcast talking about
how they're gonna sue a girl and take her money
and this and this and that. I'm on my second die.
I'm drinking water now, Thank you, man, Scott Rizzy back
(43:15):
to back, pellagreeno, diet pets.
Speaker 3 (43:17):
You don't know what he what it system that't do
other I can't do it crazy.
Speaker 6 (43:25):
You know, people don't realize it's really really hard to
be an independent artist. But when you win as an
independent artist and you really win, and so uh, it's hard.
It's good that you said your moms knows how to
manage the books, because I don't know how to man
and ship.
Speaker 3 (43:43):
But I win independently. You know, I win all the time.
But I can't take what are you talking about? I'm crazy, man, I.
Speaker 6 (43:54):
Just told you the other day. I wait, I went
broke three times. I don't give a fuck.
Speaker 3 (43:58):
I'm on this art one and I'm a motherfucking ball
to the ship is over. I'm a fucking ball.
Speaker 6 (44:07):
I'm gonna buy me a fiscal watch right after this motherfucker.
Speaker 3 (44:10):
I don't give a fuck.
Speaker 6 (44:13):
Courtside everything, everything, I don't give a fuck. I don't care.
Nobody worked for it, nobody got it for me.
Speaker 3 (44:20):
I work for it. I want to live good.
Speaker 6 (44:22):
When my daughter looks great, I love it with my wife,
my family look great. I love it when my people
drive fancy cars. I love it when I just I
love this ship.
Speaker 3 (44:32):
I don't give up. I love this ship.
Speaker 6 (44:35):
I'm addicted to the ship. I paid my tax, do it,
and I'm addicted to the ship. Nah, because it ain't
nothing fiscal about me.
Speaker 3 (44:46):
What money mine's the ship ain't don't give My.
Speaker 1 (44:53):
Dad is very much like smart. He's independent, he likes
nice things. He he's into cars. He's right there by
the way. Yeahs young fu and he's young spirit is
not vegan.
Speaker 3 (45:11):
But you can rewind the time whenever you want to
say yes the sus Hey white fight the time when
you can rewind the time.
Speaker 2 (45:19):
So he does what he wants to do. Why he goes.
Speaker 3 (45:26):
Nobody might slip.
Speaker 6 (45:27):
From a banana pill. Real, that's a wheezy taking lot.
You're vegan tupacs. Hell, no, right, you're gonna eat that ship.
Come on, man, that ship crazy. You gotta be ship.
Speaker 3 (45:48):
You tried it, right, I tried it for four hours.
It was over cardboard records. It was three those two.
Speaker 1 (45:56):
It's out of love anyway. I say that to say
that my dad is independent spirit. I've watched him grind
my entire life. I'm talking about multiple jobs at once
because family was important, but he also likes nice things.
Speaker 2 (46:13):
He's going to live how he wants to live. He's
going to eat what he.
Speaker 8 (46:18):
Now.
Speaker 3 (46:19):
He already rewinded the top.
Speaker 1 (46:21):
Facts, and he does what he loves to do, which
is why he looks the way he looks.
Speaker 2 (46:25):
You know what I'm saying.
Speaker 1 (46:27):
But nobody's going to tell him to do anything that
he does not want to do. And he's not going
to die on a empty stomach. That's what he says
when I try to get him to eat healthy. No,
I'm going to go out of this world with a
full stomach and a happy one. Right. But out of love,
I come in. I heard y'all talking about veganism, and
(46:50):
I'm not doing this and I'm not doing that. But
he's trying, right, and it's because you know, I care
about my dad. I care about my.
Speaker 2 (46:57):
Family, right.
Speaker 1 (46:58):
But he's stubborn because he likes the things that he likes,
and he's gonna do what he wants to do what
he wants to do it. And it's just so I
understand everything that you're seeing.
Speaker 2 (47:09):
Mh. And he likes when his daughter is happy.
Speaker 3 (47:13):
Guess what.
Speaker 2 (47:14):
And protected want you.
Speaker 3 (47:15):
To live great. They love you. They want you to
do whatever you want to do. That's your fans like
it's like, yo, I'm I just got to keep making money.
Speaker 6 (47:27):
God, please let me keep making money so I can
keep enjoying this ship.
Speaker 3 (47:32):
I just love it.
Speaker 5 (47:38):
Joe and jadashow dot com. We got new merch fresh
off the presents. Go get it big out of Big
Bob Joe and jadasshow dot com.
Speaker 3 (47:50):
You can get the little Cold for a T shirt
with the hoodies. It's my favorite right there. I need
an extra large showing jadashow dot com. Go there and
get it. I just bought a new car. You see me.
You brought me on Instagram? You seeing me right? Huh?
(48:13):
You see that new I parked that ship excellent? What
are they talking about?
Speaker 2 (48:20):
Reverse?
Speaker 6 (48:24):
People hate on people for I really realized people hate
on people for no reason.
Speaker 3 (48:31):
Right, so somebody caught me film.
Speaker 2 (48:33):
Not the ones that are winning. Huh when has a
winner you?
Speaker 3 (48:37):
Oh?
Speaker 6 (48:38):
Yes, I agree, wins people get their own and whatever.
They're not hating on nobody. My thing is the other
day I'm in Miami, I'm making you turn. I parked
the car ship like a boat. That's how big that
bitch is. Right, but I parked that shit so perfect.
That shit came back boom. I thought they was gonna
give me a warm I'm looking at all the comments.
(48:58):
Somebody feel me, all are you? He's the worst drive
ever lived.
Speaker 3 (49:02):
This not a bump. That shit was like Emirates Airline.
Be smooth as shit. I parked that car.
Speaker 10 (49:08):
I realized I can't win. Can you could win? When
you win it, you technically you already you win it.
You won't, that's why you can you win it. But
they try to make you think.
Speaker 3 (49:22):
That's what I do. When they do all these lists
and all that, like who's top ten, Who's this? They
try to make you feel like like you know they do.
Speaker 6 (49:31):
They try to make you feel like you ain't the
top spot, But you know the algorithm is energy, and
I know energy, and so if, like Joe and Jada,
we only been around one year, let me tell you something.
We got to pay the bills. What y'all saying, stick
to the script. We've been sticking to all scripts in
the world. We ain't even curse yet.
Speaker 3 (49:53):
This is Maya. We know the different level. You wouldn't
sell us.
Speaker 6 (49:57):
We gotta your mind, you know, whenever I say out
of you, I gotta got well, I feel like you
got that thing about you and a lot of women
have that and some don't.
Speaker 3 (50:13):
Where it's like, it's like.
Speaker 6 (50:15):
You gotta respect me, like you know, you gotta respect
her as a woman and not play with her like
you play with other people. She just always even since
she was young, she to me, she's always had that
aura about her that you know, y'all.
Speaker 3 (50:31):
Say, hey, Maya, how are you? Everything's great?
Speaker 6 (50:34):
Yeah, yeah, yeah, yeah, keep it pushing because she's all
about respect.
Speaker 3 (50:39):
You know.
Speaker 6 (50:40):
You don't let a guy think they could disrespect you
or come at you in a certain way. Even though
it's some full of ship guys anyway, they don't give
a fuck. There's some guys like that, you know. Yeah,
what's the what? What's toast? The guy said, to usself.
Speaker 3 (50:56):
And that, Yo, let me tell you say you ain't ship.
Gonna tell this ain't ship decided.
Speaker 6 (51:05):
This is the hat is nice Yo. Jayda is crazy. Yo,
your dad's crazy. By the way, your dad is crazy.
Speaker 2 (51:14):
But my when this new album come out, O, the
new album is retrospect respect album.
Speaker 3 (51:22):
You see this episode.
Speaker 6 (51:23):
The album is out, you know, you know What's good
is the same day as Drake's album, right, so there'd
be a lot of emotion.
Speaker 5 (51:31):
You don't Shaggy Shaggy a lot of fluid, a lot
of that's a good day.
Speaker 6 (51:37):
You know, before the verses, before verses ever existed. I
had a show with Sancho Pey and It's Fat Joe
before me and Shaggy shows up and hooked this ship up.
Every song I did, he did a song. He did
it so he like battled me on stage of Sancho
pe for no reason. He just showed up, Joe, what's
(51:58):
so I'm friends with Shogging? Did ain't up there to
battle me for the song for song? So on for
song I'm like, Yo, it wasn't me. I'm like, motherfucker
trying to battle me.
Speaker 2 (52:08):
Before versus it was a versus before versus shaggy.
Speaker 3 (52:13):
What's the name of this song?
Speaker 6 (52:14):
We're about to play off the new album and so
off that Retrospect album.
Speaker 2 (52:19):
Let them know we don't because that's.
Speaker 3 (52:23):
If I could. The young girl, it's she for the
d nice and welcome to Retrospect Live.
Speaker 11 (52:32):
That's me take you on a trip through one of
our favorite time and we're digging in the streets, bringing
you that funk, that song, that fields good music.
Speaker 3 (52:43):
That what's going down?
Speaker 7 (52:46):
So what are you livingroom?
Speaker 11 (52:48):
Getting ready for.
Speaker 3 (52:48):
That block party? Or listen to those states? You are
certainly hitting the right LEAs all with the spies. Let's
do it?
Speaker 12 (53:02):
You know that cold tesselated, But I just gotta keeping.
Speaker 3 (53:11):
You want back?
Speaker 2 (53:12):
Can't so related and nothing the Juicio.
Speaker 7 (53:18):
Cant about club just wanted up, usually into the spread
A can't help it.
Speaker 2 (53:29):
Tell him something, but you can't.
Speaker 12 (53:32):
Just like everything you are can't help me.
Speaker 3 (53:37):
You got it up.
Speaker 12 (53:40):
Get close of kill you, my lord up, get the
close of kill you. So tell me for just situation,
Just get me, because.
Speaker 2 (54:00):
How are you getting? I sprung out all that can
sweat and you must take You're trying. I'm trying to
take get.
Speaker 1 (54:11):
Out on you.
Speaker 2 (54:15):
My floes.
Speaker 3 (54:18):
Usually you don't do this.
Speaker 8 (54:19):
My egg can't help it.
Speaker 2 (54:23):
On the floor.
Speaker 12 (54:26):
Everything, you can't help me.
Speaker 3 (54:30):
You got it and your husband.
Speaker 8 (54:34):
Put some.
Speaker 7 (54:45):
Joke.
Speaker 3 (54:46):
I will.
Speaker 7 (54:50):
I no, you don't do this. But when I say something,
I won't.
Speaker 6 (54:54):
I know, shame of that day?
Speaker 2 (54:55):
You're what's you wrong here? I just want to I
just want to give.
Speaker 3 (55:36):
Spect.
Speaker 6 (55:39):
Have you ever seen the girl that goes viral from
New York? That she'd be dancing. I started dancing like
her for a second. She do that funny face when
she goes slow. But nephew, you know the girl right,
she's young. She do them dances to the old school?
Speaker 3 (55:54):
What's the what? What we gotta bring on here? One
day we should have brought her for that. She start
doing that. You have a whole shids the man old
school ship? She jelling that ship?
Speaker 2 (56:06):
My goodness?
Speaker 3 (56:06):
What's this? Next song? By?
Speaker 8 (56:08):
That? Was?
Speaker 3 (56:08):
That?
Speaker 9 (56:09):
Was?
Speaker 8 (56:09):
That?
Speaker 3 (56:09):
Was that Janet Jackson sample?
Speaker 2 (56:11):
No samples on the.
Speaker 3 (56:14):
Dependents.
Speaker 2 (56:14):
You know, it's very reminiscent of like one.
Speaker 3 (56:18):
That's how good is self?
Speaker 2 (56:22):
Jammy lewis sound that one?
Speaker 3 (56:24):
Let me take you that GM cutting you out for
asking that. Yeah, don't don't know y'all. No, no, no,
new new cut me out, saying you would have cut that.
That's the ship. She could get soup for that. She
don't have a simple I.
Speaker 2 (56:41):
Will say this it was inspired by Minneapolis.
Speaker 3 (56:44):
Next trust me, it's close enough for the bullshit.
Speaker 13 (56:50):
There's no sample. I don't want album. I don't no sample.
Fleet tweet that no girl said it wasn't no sample.
We lie, but it says spy Minnesota South Minneapolis, Prince
Prince MINNEATOI lewis.
Speaker 3 (57:10):
Them people's like the ir rest. You can't lie.
Speaker 5 (57:14):
You can fight.
Speaker 3 (57:14):
You can't if you sampled it. They coming for your ass. Brother,
You can say it ain't no samples.
Speaker 2 (57:23):
Join another, This is joining joint, ain't another?
Speaker 3 (57:26):
This the joiner? Yeah? Yeah, did you enjoy a look
like oh my god, look it did?
Speaker 2 (57:52):
Who the name another name?
Speaker 14 (58:02):
If we will talk together, you know I make it
heartly's don't care your kiss it sis me batcham listen.
Speaker 2 (58:17):
You know who can't control?
Speaker 7 (58:20):
Yeah, it might get your attention, but I just not
a tripping.
Speaker 2 (58:27):
Already know that fall goes.
Speaker 8 (58:30):
You can't know about love your bad. I'll make you
did that the rain over Romney that sways alb should.
Speaker 3 (58:44):
I love it?
Speaker 2 (58:45):
You see get the rain Over Rummy say that of
you man and it gets a confused.
Speaker 8 (59:00):
Maybe kind of your cue.
Speaker 2 (59:04):
So keep doing what you do and.
Speaker 12 (59:10):
Don't get who your kissing because sits make catch you
miss it.
Speaker 2 (59:16):
You know who they control.
Speaker 7 (59:20):
Might get chow attention, but I guess not for Christmas.
Speaker 2 (59:26):
I already know that.
Speaker 8 (59:28):
Go I know that to help your father. I'm like
you did it at the rain Over Rummy. Well, sweet
Proba showing in mom ecu see.
Speaker 2 (59:46):
And the rain Over Rubby.
Speaker 8 (59:52):
Nobody trying to tell you bo.
Speaker 2 (59:59):
Ain't another maya.
Speaker 4 (01:00:01):
I know exactly how you feel, confident but still not
attracted by the thrill, because if it ever happens, that
it happened by yourself, and if you never find love,
you'll be happy by Yourself's got a certain type of
swag if I be real type of fire that don't
need to match the light of grill, type of it
made me get a cabin by the hills. I been
only just imagine how it feels. I remember when we met,
we got lost some time actually with you had a
(01:00:23):
name or can I call you my little funny pickup line?
Speaker 3 (01:00:26):
Just to spark some vibes, A type to kick it
all the.
Speaker 4 (01:00:28):
Time before you cross the line, having by the she
trying to toss the line tnny fishing and see that
I would toss the side, had me dunking all these
to your hearts on mine because trying to find the
real ones really hard to find.
Speaker 3 (01:00:43):
You know, you want to one man.
Speaker 2 (01:00:55):
The rain over.
Speaker 8 (01:01:00):
To chuck you.
Speaker 7 (01:01:03):
And it gets kiss you.
Speaker 14 (01:01:08):
Staty fine of your cue money, so't keep doing what
you do and.
Speaker 7 (01:01:20):
Who go love your better? They're paying another maid. And
when we're built together.
Speaker 8 (01:01:35):
And make it help to leave.
Speaker 2 (01:01:41):
No stay to take it to shirt, ain't another?
Speaker 3 (01:01:50):
Oh man? Which one is the thing?
Speaker 1 (01:01:58):
Oh well give it to you? I released last year,
but d Nice is on it now to intro the album.
So the first part of the album is you know
all party from this specific ERAa of late seventies into
the eighties, and then midway through number sevens ain't another.
But the current single is featuring too Short called just
a Little Bit.
Speaker 3 (01:02:19):
I like that.
Speaker 6 (01:02:21):
Join the I like him as a rapper because he's
domb Nice. You know, it's crazy he came on a
song like Jadakis would have came on the song Yeah
I'm being honest with you. When he came in yeah,
I said, Dan, that's how I kissed with the kids.
Speaker 2 (01:02:35):
He's definitely studied.
Speaker 3 (01:02:38):
Y'all can't.
Speaker 6 (01:02:38):
He's looking at me like I'm stupid and I'm quitting.
I don't know what I'm saying.
Speaker 3 (01:02:42):
How you don't know how Jada kiss come on the song?
Speaker 5 (01:02:46):
Yeah, but I don't know how you can say how
he is coming on the song, like, maybe have my eards?
Speaker 3 (01:02:53):
Maybe you got different ears? He do guilt it I do.
I don't. I think I would have sound totally.
Speaker 6 (01:03:01):
I'm saying in the way he came on, that's all
I'm saying, just to yo, ma yo, that you know
how you would have.
Speaker 3 (01:03:10):
Went in on it. I can't hundred percent of dreaming.
I mightn't win another up.
Speaker 2 (01:03:19):
Respect.
Speaker 3 (01:03:20):
He'll be on the remial. She actually called me for
this album. He was busy on the silence. No, no,
you was busy, was missing. I can't get him on
a song and he's sitting right next saying this. It's God.
So can I get you on a song? Because I
got a song? I want you one? You think saying it.
Speaker 6 (01:03:44):
Because otherwise I'll be waiting to order some ship rather alright,
that's respect. Retro album Worker We love him. Everything you do,
the people love you. Continue being you. I know you
don't need the pep talk, but everything you do is perfect.
Speaker 3 (01:04:04):
Five point eight million monthly audience, you know what I mean? Wow,
that's a lot. Two plus billion stream songs and videos,
That's what I mean. Two point doing shit the billion
two plus.
Speaker 6 (01:04:19):
Well, you know what, not too many people got songs
that you got and yeah, this classics. Just but your
shit is like it sounded like man new the minute
that shit come on.
Speaker 3 (01:04:32):
It's like.
Speaker 6 (01:04:34):
It just sounded like it came out today. I don't
know how to describe it to you any other way.
It's just your shit is timeless, timeless, timeless. And whoever
wrote did you write those those songs?
Speaker 2 (01:04:49):
All about me? And moving on with Cisco, Cisco.
Speaker 6 (01:04:53):
Wrote that let me tell you something, he wrote some shit.
Oh yeah, because it's like when you when you sing,
it's too it's too relatable. You know what I'm saying.
It's too relatable. And that joint right there, that h
joining Lucas. That's the right way to say it, because I'm.
Speaker 3 (01:05:13):
Gonna name that's his name, okay, Jo, Yes, that joints
a hit. So you know I'm independent, like you. That's
the one I blow the bag on. You know what
I'm saying.
Speaker 2 (01:05:23):
That's yeah, I'm gonna shoot a video for it.
Speaker 3 (01:05:25):
If I got to drop that paper. It's on that
thing right there. This ain't that. That ain't this. It's cracking. Kiss,
make some noise.
Speaker 2 (01:05:36):
Appreciate you.
Speaker 3 (01:05:41):
Let your stuck.
Speaker 2 (01:05:42):
Thank you,
So I told my manager and agent. I said, I
can't do this tomorrow the way I did it tonight.
I gotta have floor mined, just because if the ears
go out, then I'm probably gonna sound horrible.
Speaker 2 (00:09):
You know, social media is a forgiven.
Speaker 3 (00:12):
Let me tell you something. All you had to do
was walk out with you my y.
Speaker 4 (00:34):
Yo.
Speaker 3 (00:34):
What ut? This is Joe crack the dawn. I ain't
doing ladies and gentlemen. This is your boy, Jada kiss
Lord and Pierre s Lord Pierre the night.
Speaker 5 (00:49):
Did Joe and Jada show every show, legendary, every show.
Speaker 6 (00:53):
I cut iconic Baby and we're killing him off and
we're gaming. You make me be nice for some reason. Right,
I'm not gonna courage too much. I'm not gonna say nothing.
You got that respect me order about your live, don't
do too much.
Speaker 3 (01:14):
Forget you're done. Yeah. When you think of today's guests,
it's a lot to think of it.
Speaker 5 (01:24):
Think of a Grammy Award winner winner.
Speaker 3 (01:29):
You got a lot of nomin knees on it. Me
and him been nominee.
Speaker 5 (01:32):
You think of a woman who stepped into the Lady Mama,
laid alongside Little Ken, Pink, Christina and missy and made
the whole world stop.
Speaker 3 (01:42):
You think Case of the X. You think that old superstar.
Take me there, get super the best of me?
Speaker 7 (01:51):
Mmm?
Speaker 3 (01:52):
You know what I mean? What's the record? You got? Whatever?
I mean? That's a big deal. Ladies and gentlemen, You
see what I gotta go to?
Speaker 5 (02:05):
You think Vegan Warrior, animal rights champion, marathon running label
on it. You think a woman who has been writing, producing, engineering,
and financing her own music for over two decades because
she decided a long time ago that nobody was going
(02:26):
to own her. You think twenty five years in entertainment
is still the most underrated conversation at R and B.
Speaker 3 (02:36):
Ladies and general, still looking brand new, still looking.
Speaker 6 (02:45):
Let me tell you something. God has been good to you.
You looking brand new? No, see Mimi, that fatherly guy,
she looks.
Speaker 3 (02:53):
Wow.
Speaker 1 (02:57):
No, thank you so much for the introduction. It's so
good to see you, and too. I'm always seeing you
and passing. We're always working on the road, you know,
and same with you. I saw you somewhere recently and
(03:18):
you were also working performing. Was the cartoon concert?
Speaker 3 (03:23):
No, I wasn't that vibes.
Speaker 2 (03:25):
It was somewhere somewhere. It was an Area shirt.
Speaker 6 (03:27):
Yeah, so you went to Vibes and you did the
Ziggy's Ours and Ziggy Ziggy.
Speaker 1 (03:32):
I was I just went to you, just hanging out.
I was just hanging out. New album, Yes, sir ten
studio album.
Speaker 3 (03:41):
I want to make some noise for tention. Big features,
big features.
Speaker 5 (03:50):
I've seen snoop on man, I've seen joining a lupis,
I see twenty one, I see some big who else went.
Speaker 6 (03:58):
Too sure, too short, your dog King of the and
they had me in too short? Uh interview h vice president,
the former vice president. I'm like, how this ship go
which was had Joe the gainst the too short fight
Kamala harris Man when we interviewed me and too short
(04:18):
that all people b t nice stuff, nice stuff. But
I was at first, I was frightened by the lineup,
fat Joe, too short, All this ship gonna go all
the way left?
Speaker 3 (04:30):
You know, he might be like, Yo, what's my favorite word?
Speaker 7 (04:33):
Bitch?
Speaker 6 (04:34):
I swear to God yesterday, right, she answered it, but
we are she answered it ignored.
Speaker 3 (04:40):
She's from the Bay Area. Yeah, we edited that ship.
She said, bitch, real.
Speaker 2 (04:46):
Amazing, amazing, iconic.
Speaker 3 (04:50):
You see Vegan h why Vegan?
Speaker 2 (04:55):
Oh?
Speaker 1 (04:55):
It's a lifestyle, you know, not not just food. As
it went down the rabbit, I found out a lot
of information that I wasn't privy to. So once I learned,
there was awareness, of course that took place, and I said, okay, yeah,
I can claim vecon because I changed my diet. But
I didn't realize I wasn't a true vegan without adopting
the full lifestyle, so fashion, make up, hair products, home,
(05:21):
the core. I didn't realize that there were so many
well animal cruelty aspects, you know, to the things that
I wear, put on my body, in my body.
Speaker 6 (05:32):
So I just coconut. Would that not be like we
kill nobody over that?
Speaker 2 (05:39):
Yes?
Speaker 3 (05:40):
Yeah, cod You know I'm a cereal all.
Speaker 6 (05:49):
I'm a fucking like a serial killer of steaks and
hamburgers all this ship, I don't chickens vegan For a
couple of hours, I went in now, no, no, I did.
I wanted to whole Foods, bought everything began that.
Speaker 3 (06:06):
Shit was hard?
Speaker 7 (06:07):
Was it?
Speaker 2 (06:07):
Okay?
Speaker 3 (06:07):
It was horrible that I couldn't survive. What did you make?
Speaker 8 (06:13):
It?
Speaker 3 (06:13):
Don't matter?
Speaker 6 (06:14):
Everything you like horrible? Beyond this ship tastes like cardboard.
All that ship I was like, yo, I can't do it.
Speaker 3 (06:22):
You might have got to make them.
Speaker 1 (06:23):
Yeah, you gotta experience the real true vegan flavorful food.
Speaker 3 (06:29):
Seen people go vegan and get fatter because I got
now you don't, Yes, I've seen it.
Speaker 1 (06:38):
I experienced that during my first two weeks of vegan life,
right because I didn't know what I was doing, and
it was all about the cars for me, because I
love Italian food. I love rice, I love bread, I
love pasta, all that stuff, and I put on some weight,
you know, and I'm like, what is this working? This
is not working. But it's about, you know, a well balanced,
nutritious meal, more old food, pl foods and all that
(07:02):
greens are good.
Speaker 2 (07:03):
The more wrong that you can.
Speaker 1 (07:05):
Eat are the more pure food without overheating your foods,
because once you overcook it, you kill all the nutrients
and enzymes and whatnot. But the process began food is
not too good for you.
Speaker 2 (07:18):
You know what I'm saying.
Speaker 3 (07:19):
I gotta eat some ship, Maya, you know, how fucked
with you?
Speaker 6 (07:22):
Man? And you my people, man and boy, I gotta
eat some ship not on this earth. I gotta, I gotta,
I gotta.
Speaker 3 (07:32):
Eat some ship. They have to do it.
Speaker 1 (07:35):
They do have some amazing vegan food that you know,
you can still be fulfilled with. They do have vegan
steaks that they make with like oyster mushrooms and all
kinds of amazingness and the sauces and the flavors and
the spices. So you got to go to the right spot.
Speaker 3 (07:50):
You know, our brother styles P celebrating birthday in the
vegan spot.
Speaker 2 (07:55):
I ran out it in and ate.
Speaker 6 (07:56):
Some cereal so fast. He was like, you're not enjoying this, Joe,
And it was his whole ship was for me to
enjoy it. Coconut savi this, I'm like, yo, get me
the fuck out of here. Let me go eat me
some King vitamin and some shit fast. Like I can't, no, no,
(08:20):
but this one thing I just can't do vegan.
Speaker 3 (08:22):
I just can't do it. I wish, I wish, I wish,
and I do it lot of you know, fat Joe,
not so fat, but vegan is hall.
Speaker 6 (08:31):
And then you look like, now you look like I'm
gonna categorize you as someone really does their dude diligence
and everything so you like pay attention to every detail.
So you see I never did that right. So they
had like a movie. Russell Simmons sent me a movie
(08:52):
where they're killing the animals and the and I just
never watched it because I said, damn, I might. I
want to eat no beef, no more or nothing like that.
I'm not gonna watch this shit because I know the truth.
The truth is fuck pretty fucked up.
Speaker 3 (09:07):
Huh.
Speaker 6 (09:08):
So I don't want to watch that shit. I don't
want to know. I want to eat a cheeseburger deluxe.
Pick her on the side, you know what I'm saying.
But wow, you've had such a long career, chilling under
the raidar minding your own business, staying classy.
Speaker 3 (09:29):
This is what we're missing, right.
Speaker 6 (09:31):
People don't realize, well, we do this show. This ain't
a messy show. That's why you came here.
Speaker 3 (09:36):
You know, it ain't messing that.
Speaker 6 (09:38):
Joe may be crazy. He might say some crazy shit,
but not crazy enough. This ain't a messy show. We
deal with positivity. And so you know, they pull out
rankings and anybody who went before us or you know,
shot jocks.
Speaker 3 (09:53):
You know they talked Tupac is still alarvee. You know
they talking all that wild shit, right, and.
Speaker 6 (09:58):
So we keep it classy and you keep it classy?
Is that like, did you intend on? Like y'all gonna
keep my ship classy? Because it's pretty messy out there.
Speaker 1 (10:12):
I mean, I like balance. I'm gonna say I like balance.
I'm just me, you know, but I'm gonna have my
fun too, So I like to identify as clatch It.
I like classic Ratchet.
Speaker 2 (10:24):
You know, there's a balance clatchy it, clatch It clash it.
Speaker 3 (10:31):
So you got your ratchet moments. I don't think God ratchet.
Speaker 1 (10:35):
It's light, but you know, I enjoy I enjoyed it
dance dancing. I enjoy doing what I do and just
being who I am. So there's a balance of get
the best of both worlds. I'm just me and I
don't know anybody else for being them whatever that might be.
Speaker 2 (10:51):
That's it.
Speaker 3 (10:52):
The easiest job in the world class.
Speaker 6 (10:57):
Some people don't even know who I'm all. That's yo,
that's real talk. Some people don't know who they are.
They're like trying to fit in and trying to be this,
or trying to be that, or trying to be down
with this. They don't even know. I know, groom men
that still haven't figured out who they are. That's the
(11:21):
craziest shit in the world. When you when you're looking
at somebody and.
Speaker 3 (11:24):
They keep it. You know, women that they like this woman,
that they like that woman that they di women at
that they done with this crew. That could I seen.
Speaker 6 (11:31):
I've seen rappers throw on ten chains, rough riders, terror Squad, Rockefeller,
fucking uh.
Speaker 3 (11:39):
No limit.
Speaker 6 (11:40):
I to watch motherfuckers throw on them chains like one
of them got a stick. That's you already know when
it's a real moment, you need a real bottom. That's
why we rock with eighteen hundred tequila. These people been
making tequila for eleven generations.
Speaker 3 (11:59):
That it's a legacy. That's the og status.
Speaker 6 (12:03):
They were the first to introduce a najo set the
standard before most of these brands even.
Speaker 3 (12:09):
Existed, and you could taste the difference for real.
Speaker 5 (12:13):
The eighteen hundred Cristillino and Resposato is what we've been
on late smoove, clean elevator, no rough edges, just a
premium poor that speaks for itself.
Speaker 3 (12:25):
You know when something is just built right, that's what
this is. Real talk, That's just what it is.
Speaker 6 (12:32):
It's always around for the best night's winds, the celebrations
to remember that night, stories.
Speaker 5 (12:40):
Whether you're keeping it low key with the crew or
you pull up to something big. Eighteen hundred fits every sentiendy,
it ain't trying too hard. It's just as that eighteen
hundred tequila, real legacy, real smooth.
Speaker 3 (12:56):
That's the move.
Speaker 7 (12:58):
Wow.
Speaker 3 (12:59):
Great.
Speaker 5 (13:00):
What's important is ownership because you've been independent and owning
your own things for a long time. A lot of
people just catching on to that. A lot of people
is just getting into the owner ship wave and trying
to get their masters and learning about things they should
have learned about.
Speaker 1 (13:17):
Hansm Well, I think, you know what, as all of
people are artists in this game before they even step
into the system, there's a bit of independency in that
space anyway, right, That's how you get discovered and signed.
I think it's important to keep that. Not everybody is
built to be independent either. If you don't know how
to work and you're not trying to work. I have
(13:40):
the independent spirit because of watching my parents. They're independent thinkers,
they've always kind of been against the grain. I watch
my dad like literally record, write, produce, dish out his records,
walk his vinyl to radio stations. So the independent spirit
is ending. I love to work too, And I do
(14:04):
love music, and.
Speaker 2 (14:06):
I've kind of always been a little bit of a beast.
Speaker 1 (14:09):
You know, in another world before I got into the
music business, and so that's just in me now. It's
a lot of hard work and it's a lot of
hard grind. It's just not natural. It's not healthy for
your body either, But to each his own, you know
what I'm saying. For me, it's worked because I get
(14:29):
to create and do what I love the most with
no ceilings, no limitation, and then something beautiful happens, Like
you start getting younger, when you start really having fun
and leaning into what you love and it doesn't feel
like somebody's making you do anything or you have to
conform because it's somebody else's dollar. So there's freedom there
and that's what I've learned that works for me and
(14:51):
how I'm built.
Speaker 3 (14:52):
But don't we always got to do, like we always
got to feel like we got to do shit.
Speaker 6 (14:58):
I don't know about y'all. Like, say, I got two
shows in Vegas. I'm kind of mad.
Speaker 3 (15:03):
I gotta leave, Like.
Speaker 6 (15:04):
I like this ship you gotta live with to go
do the two shows. Man, baby, I want to just
sit my ass on the couch and watch some tennis
or something like like I'm constantly we just flew in yesterday,
like I'm constantly just work, but I gotta get the money.
Speaker 3 (15:22):
Don't stop. You gotta get the money. So in some case,
like when I see all.
Speaker 6 (15:27):
My sisters or I wouldn't call them aunties, but when
I see like Patty and Labell and Stephanie Mills and
Gladys Nang, I wonder why they're eighty years old still
on the stage. That's the type of shit scared me
right because I'm wondering if they're doing it because they
just want to be there along with the nice pick,
(15:48):
along with the nice peck. But you get what I'm saying, right,
I do.
Speaker 1 (15:52):
I just spoke about this recently with politicians. I went
to the Capitol Capitol Hill and the American Music Fairness
Act AMFA. We were talking to congressmen, you know, in
their offices about this and how legacy artists eighty years
old plus are still out here touring. Their bodies are
(16:14):
breaking down like in heels, all kinds of stuff. Is
it because they have to or because of this issue?
And so in the United States, artists that don't write
their music, of course, and a lot of our legends don't.
Speaker 2 (16:29):
I weren't able to because they are paying.
Speaker 1 (16:31):
Yep, that too, and we didn't necessarily know the business
back then, and there was an opportunity and plus we
didn't have social media and all these platforms. And so
there's a bill that we're trying to press to be
passed for those reasons, not just legacy.
Speaker 3 (16:45):
Art Now, what does he do get them paid?
Speaker 1 (16:47):
Every time your song plays on radio, you should get
getting paid. And because of the United stuck because of
the United States hasn't adopted that, but the rest of
the world has international.
Speaker 2 (17:01):
Is also not paying us. So I spoke about that.
Speaker 1 (17:04):
But it hurts me when I see our legacy artists
out here right in a way, and I know how
my body feels on the road after touring and touring
and I dance and I work out. I'm like, something
has to change. And then all the overhead that artists
and her and the commissions, I.
Speaker 2 (17:23):
Get up, Yeah, I get up. I'm not complaining because.
Speaker 6 (17:31):
And I get that shower and I look at that
mirror just before I go to do an hour concert
and my bones start tweaking, and all I'll be like
damn we like, I gotta do this ship again. Don't
get it fucked up, fucking with the fans.
Speaker 3 (17:44):
I'm there. I love you guys, thank you for your support, this, this, that.
Speaker 6 (17:48):
But I don't know about anybody else, but I'm getting
older and the fucking like I'm catching pains for no
reason everywhere. Like ship two days ago. This ship hurt
for no reason. Sure to be hurting from leaning back it. Shit,
fuck the gym, You're gonna get me hurt more.
Speaker 3 (18:10):
I never oldbody. I got hurt bored working out. But
it's cool what I'm saying to you, And don't got
nothing to do with the gym.
Speaker 1 (18:18):
Man.
Speaker 6 (18:18):
She knows yoursefing like Smokey Robinson is performing. All of
them is performing. I just want to know you said.
They do it because they love.
Speaker 3 (18:25):
It and they get in the bag.
Speaker 2 (18:28):
Of course the problem.
Speaker 1 (18:30):
What else to I know, especially for men, the responsibility
and the expectation of taking care of others, even those
that are not in your bloodline, like your community, your cruel.
It comes with the expectation, and a lot of us
want to do it because we've been blessed with the opportunity,
the gift to step up into that position, So it
(18:51):
comes with a lot of giving constantly, but also not
just your blood or your immediate family. All so people
that rely on you to stay employed, to stay work
and help help their families. And then there's community, you
know what I'm saying. That's a part of you know,
your heart if you have it in you, and it's
(19:12):
also expected as well. I am not complaining because we
are so blessed, true blessed, but it's also the reality
of what people don't necessarily know that comes with own
fame or notoriety, you know, But I love you.
Speaker 6 (19:26):
Help others, and you're absolutely right right because fortunately enough,
God shed's a light on certain artists and they're able
to make a great living. But your family's expectation of
spending goes up if your bracket go up. They know
(19:48):
how to spend more. They know how to spend more.
And it's like it's real shit. They know how to
spend more. And like I'm going back to eighty year
old artists, seventy year old artists. They got grandchildren, they
got kids that you know, if they're working ad Meyer
(20:09):
l LC. That's what's going on. That's that's what's going
on when you see these artists and their son is
the fake manager. The this is that they got to
employ everywhere and they're living a life. Your son is
going in yo, Fatjo Son. Fat Joe's already eighty years old.
He's supposed to be super rich. He's selling rewind the time.
(20:33):
And you know there's somebody that's the problem. I've had
a lot with like people close to me or I've
employed over the years because because k is down with
kiss where he throw his daughter party, he got to
act like, don't call it young, and that.
Speaker 3 (20:53):
They expect shit just because he's affiliated and works with you.
That ain't fear. No, no, this is the price of fame,
the price of fame and all that.
Speaker 6 (21:03):
And then you know it's and so it's like, you know,
you got people got a big heart, and then you
got people who just don't give a fuck. You got
some guys that'll be like, y'all, don't give up to
Tracy Morgan. Tell you, I know he's a comedian, but
he was like, yo, he call the cops on his
family when they come to that mansion, and Jersey like, yo,
two black guys on the corner. It' his fucking brother.
(21:25):
Two black guys in the corner look suspicious. Get him
out of here. Thee motherfucker Tracy bulking that mother fucking
It's like, yo, they don't belong in this neighborhood. Get
him the fuck out of here.
Speaker 3 (21:37):
Like it's like yo. Like anyway, I don't know how
we got it.
Speaker 9 (21:47):
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Speaker 3 (23:31):
You know what I'm saying.
Speaker 5 (23:32):
The Boy's Mind Tour Okay, Oh, like I was, what
did you do to your body?
Speaker 1 (23:41):
Well, you know what, First of all, shout out to Brandy, Monica, Kelly,
Coco Jones was on that tour money Moon. Now, all
the ladies is just so incredibly talented, and they've been
in this game for like thirty years and before that
because they were putting in the work prior to them hitting.
(24:04):
So just first of all, to be present, to give flowers,
to be a part of that era is wonderful. And
then also to see an arena tour sell out verbatim,
every word, every ad list, amazing production, boxy where ast well,
(24:26):
everybody sounded good, looked amazing, represented for our generation. And
then the real music aspect, Oh my goodness morning. It's
like I was so happy just to witness, and then
of course to be a part. I would happily just
post it and brought out the ladies. You know what
I'm saying. It was a last minute situation.
Speaker 2 (24:44):
I showed up. I will share a story, you know.
Speaker 1 (24:48):
The day of that, I was called it's kind of funny,
but I went down to Florida to one of my
dad's spots just to kind of like decompressed start detoxing
and working out to try to take care of myself
as I had been grinding and hustling and doing my
own type of thing on the road, and I was
ready to old sir and get all my stuff uploaded
(25:09):
into the system for this album whatever. I got to
call it like one, and I have my alarm set
for like maybe two o'clock. Thirty minutes later. I was
supposed to take a bottle of some natural stuff that's
supposed to have you stationary for twenty four hours to
detox your body.
Speaker 3 (25:30):
Not the sugar free red but not a dive PEPs.
Speaker 2 (25:34):
Literally, I was going to be pretty much asked out.
Speaker 3 (25:37):
And I got all asked out, like you was about
to let that ship fry.
Speaker 1 (25:42):
Yeah, So you know, my manager and the agent called
me like, hey, can you get on a flight to
night get to Chicago.
Speaker 2 (25:53):
I'm like do what? Oh?
Speaker 1 (25:56):
The Boys Mine Tour, And you know, I kind of
wanted to be on it when it started because I'm
kind of like from that era. I came a little
later three years later, so I'm like, where is it Chicago?
What time is my set time? Okay, I've done the
venue before. I'm familiar with wind Trust Arena. I think
that's what it was. And I said, look, I got
(26:17):
to look up flights to see if any flights even
leave out of this part of Florida. There was one
flight on Southwest Airlines right three thirty five. Yeah, I
think it landed around six thirty something like that. I'm like,
what do I even have to wear? So I had
(26:38):
done a birthday party twenty one. I had a birthday
party in Atlanta, that's actually where I came from. I said,
I have one outfit, that's it. And I got to
wear that outfit again. So I hope no pictures come out.
Speaker 2 (26:48):
Nothing like that.
Speaker 1 (26:49):
To make it happen if I can make it to
the airport on time, hopped on a plane, edited my
set while I was in an airport, and pro Tools
sent it to them right you know, hopped on the plane.
They said, oh, we have a hotel room for you,
you know, right across the street. I said, no, just
give me an office, because I know how this thing goes.
I got to do my own air got to do
(27:10):
my own makeup, got to sol the inner monitor, packed mustard,
no sound check, my house, no sound check, no sound check.
I don't know what the stage looks like really, there's
luckily a runway where first of all, the stage is
dead silent because there's no floor monitors. I don't have
(27:33):
a sound check to check the ears. Nothing is working
in my ears. I cannot hear music. I can't hear myself.
And when you can't hear yourself as a singer, you're
singing in the wrong key. You can't even hear the
beat right. So I just make my way to the runway,
the tip of the runway to even get with the
front of house or the audience is hearing.
Speaker 3 (27:56):
That's not even true.
Speaker 2 (27:59):
Experience.
Speaker 1 (27:59):
But I'm like, just smile. Just there's just sing and
you want to be here because it's supposed to be
here right now. It's about them. But get through it.
Speaker 2 (28:07):
But I'm like, this is a nightmare.
Speaker 1 (28:09):
If your ears go out on that tour, oh my goodness,
and you're a vocalist, it's the most scary thing ever.
But I got through it, and they were like, oh,
we'll see you in Kansas City tomorrow. I'm like, no,
you won't, No, you will not. So I told my
manager and agent. I said, I can't do this tomorrow
the way I did it tonight. I gotta have floor
monitors because if the ears go out, then I'm probably
(28:32):
gonna sound horrible.
Speaker 2 (28:33):
You know, social media is unforgiven.
Speaker 3 (28:36):
Let me tell you, all you had to do was
walk O.
Speaker 2 (28:40):
My god, that's exactly what That's what I did.
Speaker 1 (28:50):
And I just prayed that nothing horrible vocally would come
out because that's the situation.
Speaker 2 (28:57):
And Lord I did the next day because they got
the Now.
Speaker 3 (29:01):
You a hustler.
Speaker 6 (29:02):
I see you everywhere. I see you working hard. You
know that not every artist is a hard working artist
like that, and I've seen you grind. There's no disrespect.
There's a blind guy. Tell you Andrea Bocelli. If I
go to Afghanistan to perform the scientists and drab Bocelli
(29:24):
next week, I never seen a man work harder like that.
I know how I work, So wherever I go, it's
like drillable Celli Like, I'm like, yo, this motherfucker work.
Speaker 3 (29:36):
Maa like that.
Speaker 6 (29:37):
Like, and you know how many concerts I go to
that we cross paths and she's even performing or I'm
performing like you.
Speaker 3 (29:43):
You you grind. You make no excuses, no excuses. You
know I was waiting for that tour. You don't want
my experience of what happened on that tour, like you
don't want to know? And so uh that dude, yes
we dom. I show up. I'm an offendi for her,
(30:10):
all white and ship. You know what I'm saying. I
got my wife with me. She looking good. Crap baths
and ship like that. I walk in, I see jay
Z the young I say, yo, what's up? Guys?
Speaker 6 (30:23):
Everybody's in the building. And when I get in there,
I'm trying to watch. Actually, they asked me to perform,
so well, I'm getting ready.
Speaker 3 (30:33):
I performed.
Speaker 6 (30:34):
I came out fucking fight breaks out backstage. I've been
waiting twenty years to see the Monster and Brandy tour
and they fucked everything up, man, And so you know that,
I'm telling you the truth is fucking my experience.
Speaker 3 (30:52):
So no, no, no, Like.
Speaker 2 (30:58):
A manager, industry, people will fight people.
Speaker 6 (31:02):
But it's horrible because I'm sitting there and I'm looking
at Connie Orlando, I'm looking at everybody I respect from
the industry from all over and.
Speaker 3 (31:12):
I'm like, how is this ship happened in the in
the backs? What the fuck?
Speaker 1 (31:19):
Like?
Speaker 3 (31:20):
Huh oh no, nobody, but.
Speaker 7 (31:25):
It was.
Speaker 3 (31:26):
It was bad for me. You know what?
Speaker 6 (31:27):
I mean, uh, Monica. I came out of Monica said
she had hit me up. Everything's okay. I said, yeah,
everything's okay, you know, but it was you know, it's crazy, but.
Speaker 3 (31:37):
I waited for that tour.
Speaker 6 (31:38):
Another tour I missed was the I missed the Boys
to men Uh do addition and Tony Brax come, how.
Speaker 3 (31:48):
Did I miss this tour? Man? This ship.
Speaker 6 (31:52):
It's like I go to the tours I support, you know,
I love Do you go, like as a fan to
two shows?
Speaker 1 (31:59):
If I can chance to, I'm there. I mean I
came to Brooklyn just to witness vibes, you know, and
I brought my friends with metel fan and yeah in Brooklyn.
So if I get a chance and I can bring
people along you know that are also fans, it's a
fun time for me.
Speaker 2 (32:19):
And especially now.
Speaker 1 (32:20):
I didn't get to go out when I was of
course paying my dudes in this industry, so I do
all that now at this age. And so when you
mentioned the brand and Monica tour, I was just so
proud of the lady. So salute you know what I'm saying.
There was a beautiful sight to that experience. They it
was the biggest tour of last year and they did
(32:41):
the damn thing, and I'm so happy that they got.
Speaker 3 (32:44):
Different from Cardi B. Huh.
Speaker 2 (32:46):
I love Cardi.
Speaker 3 (32:48):
She's shaking ass.
Speaker 2 (32:51):
She's on more than that different music's.
Speaker 6 (32:59):
Artists, because I think Cardi B blew the bag on
the set on every I don't think you could just
go up there like regular. You know, you know some
artists they want the whole bag. So if you headlining
a tour like that, the arena tour ship like that,
you gotta spend money on the center, background, the set.
(33:19):
I think Cardi B spent a lot of money on
her set, and that all I heard from everybody, people,
the at L people here, people, they were like, yo, hush,
ship is crazy.
Speaker 3 (33:29):
You know what I'm saying.
Speaker 6 (33:30):
So I think you should invest in yourself if you're
gonna head line the tour, to get the ship right.
Speaker 3 (33:36):
But Cardi B, she definitely was. She was throwing that
ship out there. Yeah.
Speaker 1 (33:41):
I mean.
Speaker 3 (33:43):
Usher Usher tour was incredible too.
Speaker 2 (33:46):
Went to Usher ves here. I always wanted to go
to that one.
Speaker 6 (33:54):
But are you going to show up to the Chris
Brown Usher That's somewhere you gotta I gotta go.
Speaker 3 (34:01):
That's not going to that shit.
Speaker 6 (34:03):
Man, when I'm going, I'm gonna drink eighteen hundred at
that motherfucker too, can't they?
Speaker 3 (34:09):
No, I get drunk on shit like that, like like
like Chris Brown talk, ain't even going to marry you?
Speaker 6 (34:17):
Yeah I have, Yeah, I went to the first Thank god,
I was going to have my ticket and everything. But
you know, four shows came up at that point, going
over there, you see them, perhaps no Cadillac, little car
bowl Lettle there. I got to go get the bag man.
Nobody else paying these fucking bills. Man, and yo, these
bills keep coming.
Speaker 3 (34:38):
Hold, they do shit, but bills don't take a break.
Speaker 2 (34:42):
Huh oh.
Speaker 3 (34:43):
Ever, especially in this, are you siscally conscious?
Speaker 1 (34:47):
Like like you you look like you damn because yess
who is my account since my mother my mom is
my accountant since nineteen ninety.
Speaker 3 (34:56):
Seven, father's accountant. You both have something, so I look.
Speaker 1 (35:02):
My mom's advice to me has always been lived below
my meanings and oh my goodness. As an artist, of course,
that's hard because you always got you have to make
the investment always and then the independent game is completely different.
It's all on you, right, unless you have an investor
or whatever. I haven't even allowed anybody to invest in it,
because you know that comes with other things.
Speaker 2 (35:23):
So it's just all me.
Speaker 1 (35:25):
But I've been so blessed to have her in my
corner watching the numbers. She puts me in check when
I want to say, Okay, I got to make this investment,
or can I do this for this person? No you can't, No,
not right now, or yeah, you can take a break
right now if you want, for the rest of the year.
So she'll be the voice of reason before I make
(35:47):
some big decisions or when I can make those big decisions,
and that keeps me.
Speaker 2 (35:53):
Aware.
Speaker 1 (35:54):
But I always have been like this, living right here
below my means, so I don't ever get in too
much debt. And you know, I'm not a man either.
You know what I'm saying. I'm not meaning with being
being a man comes with the expectation of taking care
of everybody. You see what I'm saying, would.
Speaker 3 (36:16):
You take care of guys? A lady man's out here
to lady man. I keep beating that.
Speaker 2 (36:25):
I know my whole crew Bosses is no society.
Speaker 3 (36:34):
Women. I'm making more money in there higher places.
Speaker 1 (36:37):
Oh yes, absolutely, but the expectation is not for the
woman to carry it all the time.
Speaker 6 (36:41):
Woman, if I could come back, come back to earth.
Next time, I'm gonna be a gold digging man. I'm
gonna give me old bitch to pay my bills. I
don't give a form and all that ship carry the
burke in that. I'm that you fuck out here? You
(37:02):
think of that, man, I'll be stepping in one second,
you fucking yo. Get where you at?
Speaker 2 (37:07):
Girl, I don't do you need a vacation.
Speaker 3 (37:15):
No, I don't need a vacation. I just deal with
reality and this. It's crazy.
Speaker 1 (37:19):
I know.
Speaker 3 (37:20):
Gosh. I have a friend.
Speaker 6 (37:24):
She's a billionaire, well on her yacht, and she had
a boyfriend, nice young, handsome guy.
Speaker 3 (37:30):
He was.
Speaker 6 (37:30):
He had a couple of fucking businesses. He wasn't no bump,
and we on the boat one time. The way it
works is if I'm Maya's friend and you introduced me
to your boyfriend tyrone or something, I'm still Maya's friend.
Speaker 3 (37:44):
I don't know.
Speaker 6 (37:44):
That's just the way I've always been. So the guy
sits down your crack. Let me holler at you. I said,
well s, he said, Man, you know, I'm intimidated. She
pays for everything. She this and this, and I'm looking
at that mom bucks, and the guy colding me is like, Man,
you to fucking marry this bitch right now. Fuck wrong
with you, nigga. But I can't cross the the DNA.
(38:07):
The DNA says, I'm her friend. I'm like, my eyes
is looking like bringing them ships popping out, they say,
I want to tell them so fast you want to?
Speaker 3 (38:16):
Are you great? She broke up with him, she got
married in six months. Oh now you're when you need
to check on them. Yeah, that nigga like this that
ain't got the wrecks and all that shit. That ain't
moving like this, he like.
Speaker 6 (38:31):
But there's nothing wrong with a woman being more successful
than a man, you know, especially if when the little Yeah,
when the woman perhaps when I have a joint account
or something, I'm down with it, you know what I'm saying,
Like that put me on the wheel. It's a lot
more men, right, It's a lot more I think without
(38:54):
saying names. It's a lot more men gold diggers these
days than ever was before. Like men are getting married,
men are divorced in accent for half the ship.
Speaker 3 (39:06):
This this that that I can tell you. That's one thing.
A lot of the more ladies kicked up. Yeah, but
but what not. That's not how I was raised.
Speaker 5 (39:16):
So he just told us the typical way of the
world is men supposed to make the money.
Speaker 3 (39:26):
Why he's swing the Why are they trying to get
woman now andadays are making more money? You just said it.
It's you know what I like, Maya, and you don't
got it. You ain't gotta agree with me.
Speaker 6 (39:38):
I don't like One time she ship was going on
with the divorce and I watched six men, six fucking
men that work every day on the podcast.
Speaker 3 (39:49):
Ida took her for the money. Yo, I need that
paper she's about the day. I'm like, what the FUNO
he's talking about? I know what I'm talking about. I
don't know. I'm about it. No, No, I'm telling you that.
Oh so you'll take the money. You know what's going
with Gail? Listen? Did you do the man's your hunting?
Speaker 6 (40:09):
The man's that's surprised provided you used to be doing?
Speaker 3 (40:14):
Say anything? Complain that I don't, But he didn't do
what we're talking about.
Speaker 7 (40:19):
That man.
Speaker 3 (40:20):
There's nothing wrong with that. Enjoying the lady. Not saying that.
Speaker 6 (40:24):
I'm saying that nowadays, when you have a woman getting
divorced with a man, and.
Speaker 3 (40:29):
The man no fucking rat stars and ship like old
type of sh is going on in today's time, A
making getting batter like I'm showing that shit in Dubai.
Man's in Dubai. They don't cut the man's arm off.
Speaker 6 (40:46):
In the Middle East and asking on it for the
paper like asking for the paint. I watch six grown
men talking about I would get it for the money.
Speaker 3 (40:54):
Yo. I'm suing yo. I need some of that Yo.
You a man, So it's just okay to give half
a your fortune or I don't think it's right either way.
But I think if you with a woman and you
divorced and you've been with it with some time, can't
go off? What's wrong? Give us some ms. I'm not
mad at that. What about vice versus you mad at
that a man asking a woman for money? That's crazy?
(41:19):
SA ain't the same thing in reversed. It's not that
it is crazy to me for a man asking a
woman for money's crazy.
Speaker 2 (41:29):
I think every situation is expected.
Speaker 1 (41:32):
I think every situation is different, and then we might
be talking about people that are not real adults. Anyways,
you know what I'm saying. It could be out of spite.
I don't know if they have kids, SPIKEE could be it.
I think it's the ego. I think it might be pride.
Speaker 6 (41:47):
You know so, No, it ain't no pride in the guy.
It ain't no pride in the god. Let me tell you, guys,
there ain't no pride in the guy suing the girl
for some money. There ain't no prodect well.
Speaker 2 (41:59):
Of the wars Is file. If they got caught.
Speaker 3 (42:02):
I need to be a lot of problems.
Speaker 5 (42:04):
These devices right here is much worse than back in
the day. You can make a man feel like a smurf.
Speaker 2 (42:13):
I don't know.
Speaker 3 (42:14):
I just told you earlier.
Speaker 6 (42:15):
I would get with a rich woman and while I'm
with us, she could buy me whatever the fuck she want.
Matter of fact, i want a diamond the size of
a dinosaur. I'll take everything. I'm talking about the current
status of guys getting divorced with a woman and they
acting like they got to get paid.
Speaker 3 (42:34):
I'm from when my father had three jobs.
Speaker 5 (42:36):
They didn't fall down. There's nowhere of being that different.
You can't be taking care of them. It's just in
stone that when some go wrong, that men take all
my money.
Speaker 3 (42:49):
No I'm not all the way agreed. Man, I'm not
all the way disiting, okay.
Speaker 6 (42:54):
To me, it's pretty weird, me being a man who
has sacrificed and work my whole life for my family
to see six grown men on the podcast talking about
how they're gonna sue a girl and take her money
and this and this and that. I'm on my second die.
I'm drinking water now, Thank you, man, Scott Rizzy back
(43:15):
to back, pellagreeno, diet pets.
Speaker 3 (43:17):
You don't know what he what it system that't do
other I can't do it crazy.
Speaker 6 (43:25):
You know, people don't realize it's really really hard to
be an independent artist. But when you win as an
independent artist and you really win, and so uh, it's hard.
It's good that you said your moms knows how to
manage the books, because I don't know how to man
and ship.
Speaker 3 (43:43):
But I win independently. You know, I win all the time.
But I can't take what are you talking about? I'm crazy, man, I.
Speaker 6 (43:54):
Just told you the other day. I wait, I went
broke three times. I don't give a fuck.
Speaker 3 (43:58):
I'm on this art one and I'm a motherfucking ball
to the ship is over. I'm a fucking ball.
Speaker 6 (44:07):
I'm gonna buy me a fiscal watch right after this motherfucker.
Speaker 3 (44:10):
I don't give a fuck.
Speaker 6 (44:13):
Courtside everything, everything, I don't give a fuck. I don't care.
Nobody worked for it, nobody got it for me.
Speaker 3 (44:20):
I work for it. I want to live good.
Speaker 6 (44:22):
When my daughter looks great, I love it with my wife,
my family look great. I love it when my people
drive fancy cars. I love it when I just I
love this ship.
Speaker 3 (44:32):
I don't give up. I love this ship.
Speaker 6 (44:35):
I'm addicted to the ship. I paid my tax, do it,
and I'm addicted to the ship. Nah, because it ain't
nothing fiscal about me.
Speaker 3 (44:46):
What money mine's the ship ain't don't give My.
Speaker 1 (44:53):
Dad is very much like smart. He's independent, he likes
nice things. He he's into cars. He's right there by
the way. Yeahs young fu and he's young spirit is
not vegan.
Speaker 3 (45:11):
But you can rewind the time whenever you want to
say yes the sus Hey white fight the time when
you can rewind the time.
Speaker 2 (45:19):
So he does what he wants to do. Why he goes.
Speaker 3 (45:26):
Nobody might slip.
Speaker 6 (45:27):
From a banana pill. Real, that's a wheezy taking lot.
You're vegan tupacs. Hell, no, right, you're gonna eat that ship.
Come on, man, that ship crazy. You gotta be ship.
Speaker 3 (45:48):
You tried it, right, I tried it for four hours.
It was over cardboard records. It was three those two.
Speaker 1 (45:56):
It's out of love anyway. I say that to say
that my dad is independent spirit. I've watched him grind
my entire life. I'm talking about multiple jobs at once
because family was important, but he also likes nice things.
Speaker 2 (46:13):
He's going to live how he wants to live. He's
going to eat what he.
Speaker 8 (46:18):
Now.
Speaker 3 (46:19):
He already rewinded the top.
Speaker 1 (46:21):
Facts, and he does what he loves to do, which
is why he looks the way he looks.
Speaker 2 (46:25):
You know what I'm saying.
Speaker 1 (46:27):
But nobody's going to tell him to do anything that
he does not want to do. And he's not going
to die on a empty stomach. That's what he says
when I try to get him to eat healthy. No,
I'm going to go out of this world with a
full stomach and a happy one. Right. But out of love,
I come in. I heard y'all talking about veganism, and
(46:50):
I'm not doing this and I'm not doing that. But
he's trying, right, and it's because you know, I care
about my dad. I care about my.
Speaker 2 (46:57):
Family, right.
Speaker 1 (46:58):
But he's stubborn because he likes the things that he likes,
and he's gonna do what he wants to do what
he wants to do it. And it's just so I
understand everything that you're seeing.
Speaker 2 (47:09):
Mh. And he likes when his daughter is happy.
Speaker 3 (47:13):
Guess what.
Speaker 2 (47:14):
And protected want you.
Speaker 3 (47:15):
To live great. They love you. They want you to
do whatever you want to do. That's your fans like
it's like, yo, I'm I just got to keep making money.
Speaker 6 (47:27):
God, please let me keep making money so I can
keep enjoying this ship.
Speaker 3 (47:32):
I just love it.
Speaker 5 (47:38):
Joe and jadashow dot com. We got new merch fresh
off the presents. Go get it big out of Big
Bob Joe and jadasshow dot com.
Speaker 3 (47:50):
You can get the little Cold for a T shirt
with the hoodies. It's my favorite right there. I need
an extra large showing jadashow dot com. Go there and
get it. I just bought a new car. You see me.
You brought me on Instagram? You seeing me right? Huh?
(48:13):
You see that new I parked that ship excellent? What
are they talking about?
Speaker 2 (48:20):
Reverse?
Speaker 6 (48:24):
People hate on people for I really realized people hate
on people for no reason.
Speaker 3 (48:31):
Right, so somebody caught me film.
Speaker 2 (48:33):
Not the ones that are winning. Huh when has a
winner you?
Speaker 3 (48:37):
Oh?
Speaker 6 (48:38):
Yes, I agree, wins people get their own and whatever.
They're not hating on nobody. My thing is the other
day I'm in Miami, I'm making you turn. I parked
the car ship like a boat. That's how big that
bitch is. Right, but I parked that shit so perfect.
That shit came back boom. I thought they was gonna
give me a warm I'm looking at all the comments.
(48:58):
Somebody feel me, all are you? He's the worst drive
ever lived.
Speaker 3 (49:02):
This not a bump. That shit was like Emirates Airline.
Be smooth as shit. I parked that car.
Speaker 10 (49:08):
I realized I can't win. Can you could win? When
you win it, you technically you already you win it.
You won't, that's why you can you win it. But
they try to make you think.
Speaker 3 (49:22):
That's what I do. When they do all these lists
and all that, like who's top ten, Who's this? They
try to make you feel like like you know they do.
Speaker 6 (49:31):
They try to make you feel like you ain't the
top spot, But you know the algorithm is energy, and
I know energy, and so if, like Joe and Jada,
we only been around one year, let me tell you something.
We got to pay the bills. What y'all saying, stick
to the script. We've been sticking to all scripts in
the world. We ain't even curse yet.
Speaker 3 (49:53):
This is Maya. We know the different level. You wouldn't
sell us.
Speaker 6 (49:57):
We gotta your mind, you know, whenever I say out
of you, I gotta got well, I feel like you
got that thing about you and a lot of women
have that and some don't.
Speaker 3 (50:13):
Where it's like, it's like.
Speaker 6 (50:15):
You gotta respect me, like you know, you gotta respect
her as a woman and not play with her like
you play with other people. She just always even since
she was young, she to me, she's always had that
aura about her that you know, y'all.
Speaker 3 (50:31):
Say, hey, Maya, how are you? Everything's great?
Speaker 6 (50:34):
Yeah, yeah, yeah, yeah, keep it pushing because she's all
about respect.
Speaker 3 (50:39):
You know.
Speaker 6 (50:40):
You don't let a guy think they could disrespect you
or come at you in a certain way. Even though
it's some full of ship guys anyway, they don't give
a fuck. There's some guys like that, you know. Yeah,
what's the what? What's toast? The guy said, to usself.
Speaker 3 (50:56):
And that, Yo, let me tell you say you ain't ship.
Gonna tell this ain't ship decided.
Speaker 6 (51:05):
This is the hat is nice Yo. Jayda is crazy. Yo,
your dad's crazy. By the way, your dad is crazy.
Speaker 2 (51:14):
But my when this new album come out, O, the
new album is retrospect respect album.
Speaker 3 (51:22):
You see this episode.
Speaker 6 (51:23):
The album is out, you know, you know What's good
is the same day as Drake's album, right, so there'd
be a lot of emotion.
Speaker 5 (51:31):
You don't Shaggy Shaggy a lot of fluid, a lot
of that's a good day.
Speaker 6 (51:37):
You know, before the verses, before verses ever existed. I
had a show with Sancho Pey and It's Fat Joe
before me and Shaggy shows up and hooked this ship up.
Every song I did, he did a song. He did
it so he like battled me on stage of Sancho
pe for no reason. He just showed up, Joe, what's
(51:58):
so I'm friends with Shogging? Did ain't up there to
battle me for the song for song? So on for
song I'm like, Yo, it wasn't me. I'm like, motherfucker
trying to battle me.
Speaker 2 (52:08):
Before versus it was a versus before versus shaggy.
Speaker 3 (52:13):
What's the name of this song?
Speaker 6 (52:14):
We're about to play off the new album and so
off that Retrospect album.
Speaker 2 (52:19):
Let them know we don't because that's.
Speaker 3 (52:23):
If I could. The young girl, it's she for the
d nice and welcome to Retrospect Live.
Speaker 11 (52:32):
That's me take you on a trip through one of
our favorite time and we're digging in the streets, bringing
you that funk, that song, that fields good music.
Speaker 3 (52:43):
That what's going down?
Speaker 7 (52:46):
So what are you livingroom?
Speaker 11 (52:48):
Getting ready for.
Speaker 3 (52:48):
That block party? Or listen to those states? You are
certainly hitting the right LEAs all with the spies. Let's
do it?
Speaker 12 (53:02):
You know that cold tesselated, But I just gotta keeping.
Speaker 3 (53:11):
You want back?
Speaker 2 (53:12):
Can't so related and nothing the Juicio.
Speaker 7 (53:18):
Cant about club just wanted up, usually into the spread
A can't help it.
Speaker 2 (53:29):
Tell him something, but you can't.
Speaker 12 (53:32):
Just like everything you are can't help me.
Speaker 3 (53:37):
You got it up.
Speaker 12 (53:40):
Get close of kill you, my lord up, get the
close of kill you. So tell me for just situation,
Just get me, because.
Speaker 2 (54:00):
How are you getting? I sprung out all that can
sweat and you must take You're trying. I'm trying to
take get.
Speaker 1 (54:11):
Out on you.
Speaker 2 (54:15):
My floes.
Speaker 3 (54:18):
Usually you don't do this.
Speaker 8 (54:19):
My egg can't help it.
Speaker 2 (54:23):
On the floor.
Speaker 12 (54:26):
Everything, you can't help me.
Speaker 3 (54:30):
You got it and your husband.
Speaker 8 (54:34):
Put some.
Speaker 7 (54:45):
Joke.
Speaker 3 (54:46):
I will.
Speaker 7 (54:50):
I no, you don't do this. But when I say something,
I won't.
Speaker 6 (54:54):
I know, shame of that day?
Speaker 2 (54:55):
You're what's you wrong here? I just want to I
just want to give.
Speaker 3 (55:36):
Spect.
Speaker 6 (55:39):
Have you ever seen the girl that goes viral from
New York? That she'd be dancing. I started dancing like
her for a second. She do that funny face when
she goes slow. But nephew, you know the girl right,
she's young. She do them dances to the old school?
Speaker 3 (55:54):
What's the what? What we gotta bring on here? One
day we should have brought her for that. She start
doing that. You have a whole shids the man old
school ship? She jelling that ship?
Speaker 2 (56:06):
My goodness?
Speaker 3 (56:06):
What's this? Next song? By?
Speaker 8 (56:08):
That? Was?
Speaker 3 (56:08):
That?
Speaker 9 (56:09):
Was?
Speaker 8 (56:09):
That?
Speaker 3 (56:09):
Was that Janet Jackson sample?
Speaker 2 (56:11):
No samples on the.
Speaker 3 (56:14):
Dependents.
Speaker 2 (56:14):
You know, it's very reminiscent of like one.
Speaker 3 (56:18):
That's how good is self?
Speaker 2 (56:22):
Jammy lewis sound that one?
Speaker 3 (56:24):
Let me take you that GM cutting you out for
asking that. Yeah, don't don't know y'all. No, no, no,
new new cut me out, saying you would have cut that.
That's the ship. She could get soup for that. She
don't have a simple I.
Speaker 2 (56:41):
Will say this it was inspired by Minneapolis.
Speaker 3 (56:44):
Next trust me, it's close enough for the bullshit.
Speaker 13 (56:50):
There's no sample. I don't want album. I don't no sample.
Fleet tweet that no girl said it wasn't no sample.
We lie, but it says spy Minnesota South Minneapolis, Prince
Prince MINNEATOI lewis.
Speaker 3 (57:10):
Them people's like the ir rest. You can't lie.
Speaker 5 (57:14):
You can fight.
Speaker 3 (57:14):
You can't if you sampled it. They coming for your ass. Brother,
You can say it ain't no samples.
Speaker 2 (57:23):
Join another, This is joining joint, ain't another?
Speaker 3 (57:26):
This the joiner? Yeah? Yeah, did you enjoy a look
like oh my god, look it did?
Speaker 2 (57:52):
Who the name another name?
Speaker 14 (58:02):
If we will talk together, you know I make it
heartly's don't care your kiss it sis me batcham listen.
Speaker 2 (58:17):
You know who can't control?
Speaker 7 (58:20):
Yeah, it might get your attention, but I just not
a tripping.
Speaker 2 (58:27):
Already know that fall goes.
Speaker 8 (58:30):
You can't know about love your bad. I'll make you
did that the rain over Romney that sways alb should.
Speaker 3 (58:44):
I love it?
Speaker 2 (58:45):
You see get the rain Over Rummy say that of
you man and it gets a confused.
Speaker 8 (59:00):
Maybe kind of your cue.
Speaker 2 (59:04):
So keep doing what you do and.
Speaker 12 (59:10):
Don't get who your kissing because sits make catch you
miss it.
Speaker 2 (59:16):
You know who they control.
Speaker 7 (59:20):
Might get chow attention, but I guess not for Christmas.
Speaker 2 (59:26):
I already know that.
Speaker 8 (59:28):
Go I know that to help your father. I'm like
you did it at the rain Over Rummy. Well, sweet
Proba showing in mom ecu see.
Speaker 2 (59:46):
And the rain Over Rubby.
Speaker 8 (59:52):
Nobody trying to tell you bo.
Speaker 2 (59:59):
Ain't another maya.
Speaker 4 (01:00:01):
I know exactly how you feel, confident but still not
attracted by the thrill, because if it ever happens, that
it happened by yourself, and if you never find love,
you'll be happy by Yourself's got a certain type of
swag if I be real type of fire that don't
need to match the light of grill, type of it
made me get a cabin by the hills. I been
only just imagine how it feels. I remember when we met,
we got lost some time actually with you had a
(01:00:23):
name or can I call you my little funny pickup line?
Speaker 3 (01:00:26):
Just to spark some vibes, A type to kick it
all the.
Speaker 4 (01:00:28):
Time before you cross the line, having by the she
trying to toss the line tnny fishing and see that
I would toss the side, had me dunking all these
to your hearts on mine because trying to find the
real ones really hard to find.
Speaker 3 (01:00:43):
You know, you want to one man.
Speaker 2 (01:00:55):
The rain over.
Speaker 8 (01:01:00):
To chuck you.
Speaker 7 (01:01:03):
And it gets kiss you.
Speaker 14 (01:01:08):
Staty fine of your cue money, so't keep doing what
you do and.
Speaker 7 (01:01:20):
Who go love your better? They're paying another maid. And
when we're built together.
Speaker 8 (01:01:35):
And make it help to leave.
Speaker 2 (01:01:41):
No stay to take it to shirt, ain't another?
Speaker 3 (01:01:50):
Oh man? Which one is the thing?
Speaker 1 (01:01:58):
Oh well give it to you? I released last year,
but d Nice is on it now to intro the album.
So the first part of the album is you know
all party from this specific ERAa of late seventies into
the eighties, and then midway through number sevens ain't another.
But the current single is featuring too Short called just
a Little Bit.
Speaker 3 (01:02:19):
I like that.
Speaker 6 (01:02:21):
Join the I like him as a rapper because he's
domb Nice. You know, it's crazy he came on a
song like Jadakis would have came on the song Yeah
I'm being honest with you. When he came in yeah,
I said, Dan, that's how I kissed with the kids.
Speaker 2 (01:02:35):
He's definitely studied.
Speaker 3 (01:02:38):
Y'all can't.
Speaker 6 (01:02:38):
He's looking at me like I'm stupid and I'm quitting.
I don't know what I'm saying.
Speaker 3 (01:02:42):
How you don't know how Jada kiss come on the song?
Speaker 5 (01:02:46):
Yeah, but I don't know how you can say how
he is coming on the song, like, maybe have my eards?
Speaker 3 (01:02:53):
Maybe you got different ears? He do guilt it I do.
I don't. I think I would have sound totally.
Speaker 6 (01:03:01):
I'm saying in the way he came on, that's all
I'm saying, just to yo, ma yo, that you know
how you would have.
Speaker 3 (01:03:10):
Went in on it. I can't hundred percent of dreaming.
I mightn't win another up.
Speaker 2 (01:03:19):
Respect.
Speaker 3 (01:03:20):
He'll be on the remial. She actually called me for
this album. He was busy on the silence. No, no,
you was busy, was missing. I can't get him on
a song and he's sitting right next saying this. It's God.
So can I get you on a song? Because I
got a song? I want you one? You think saying it.
Speaker 6 (01:03:44):
Because otherwise I'll be waiting to order some ship rather alright,
that's respect. Retro album Worker We love him. Everything you do,
the people love you. Continue being you. I know you
don't need the pep talk, but everything you do is perfect.
Speaker 3 (01:04:04):
Five point eight million monthly audience, you know what I mean? Wow,
that's a lot. Two plus billion stream songs and videos,
That's what I mean. Two point doing shit the billion
two plus.
Speaker 6 (01:04:19):
Well, you know what, not too many people got songs
that you got and yeah, this classics. Just but your
shit is like it sounded like man new the minute
that shit come on.
Speaker 3 (01:04:32):
It's like.
Speaker 6 (01:04:34):
It just sounded like it came out today. I don't
know how to describe it to you any other way.
It's just your shit is timeless, timeless, timeless. And whoever
wrote did you write those those songs?
Speaker 2 (01:04:49):
All about me? And moving on with Cisco, Cisco.
Speaker 6 (01:04:53):
Wrote that let me tell you something, he wrote some shit.
Oh yeah, because it's like when you when you sing,
it's too it's too relatable. You know what I'm saying.
It's too relatable. And that joint right there, that h
joining Lucas. That's the right way to say it, because I'm.
Speaker 3 (01:05:13):
Gonna name that's his name, okay, Jo, Yes, that joints
a hit. So you know I'm independent, like you. That's
the one I blow the bag on. You know what
I'm saying.
Speaker 2 (01:05:23):
That's yeah, I'm gonna shoot a video for it.
Speaker 3 (01:05:25):
If I got to drop that paper. It's on that
thing right there. This ain't that. That ain't this. It's cracking. Kiss,
make some noise.
Speaker 2 (01:05:36):
Appreciate you.
Speaker 3 (01:05:41):
Let your stuck.
Speaker 2 (01:05:42):
Thank you,
Hosts And Creators
Colin Cowherd
Jason McIntyre
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