#367 Green Means Go... F Yourself!

Episode Transcript
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Speaker 1 (00:00):
Start Up, dot Up, start Up Brooklyn, Buy start Up Brooklyn.

Speaker 2 (00:08):
Buy start Up, dot Up. They making noise, not up
start up, Data, dot Up.

Speaker 1 (00:15):
Episode three sixty seven. It's the Brooking Boys podcast in
Scary Jones's makeshift studio. My god, it sounds like shit.
Let me tell you something, David Brody. I'm in my
new apartment. I'm lucky we're on the air. We discussed
this a bit on Slice time. We're cobbling shit together.

(00:36):
We will get there, and I'm gonna I'm gonna tell
you that when all is said and done, I'm gonna
have the most mac daddy fucking studio.

Speaker 2 (00:44):
I'm gonna have, like you know how, like call her daddy.

Speaker 1 (00:47):
Alex Cooper's got the couch with the mic stands and everything.

Speaker 2 (00:50):
Yeah, I'm gonna I'm gonna.

Speaker 1 (00:51):
Have such a smooth, sexy, sultry studio, which, by the way,
has been painted burgundy like red. This is my red
room of pain that this is gonna be. I'm gonna
have awesome shag rugs I'm gonna have. I'm gonna have radios,
multiple shag rugs I'm gonna have. I'm gonna have I'm
gonna have radios on display from yesteryear. I'm gonna this

(01:14):
is gonna be my fucking pimp pad for and that
sofa is gonna double as a guest bed. It's gonna
open up to a sleeper and that bed is gonna
house everyone from Toilet Brian to Danny Connections and every
other freeloader.

Speaker 2 (01:32):
I know, I'm glad.

Speaker 1 (01:36):
I'm glad you got a second bedroom so all your
freeloader friends have a place to cras measured the.

Speaker 2 (01:40):
Sofa tall, Darren's gonna be able to fit on it.

Speaker 1 (01:43):
Oh, toilet Brian's gonna have three toilets to be able
to fall to sleep on. Now, when all is said
and done, this now, this room has a long way
to go. I'm sitting here in the fucking dark, and
it's I have a view of the Empire State Building
from my desk now, and this isn't even gonna be
my permanent desk. But truth be told, there's boxes around me.

(02:04):
I'm not settled. I'm not nearly settled. Uh. I feel
like I'm doing a monologue, but I just want to.
I wanted, I wanted to bring everybody up to date.
And I feel free, you know, And I know you're
gonna come at me as soon as I'm done talking. Uh,
so I might as well just finish off. Uh just updating?
What's happening here? What are you taking picture to me for?

Speaker 2 (02:23):
What are you doing? What the fuck are you doing?
What is this?

Speaker 1 (02:26):
I'm gonna post this on Instagram. I want slices to
see you. I have way too close to my screen.
The top of your head is cut off because I
don't have shoulder is off the screen.

Speaker 2 (02:37):
Let me be clear.

Speaker 1 (02:38):
I do not have my my my webcam, my my giant,
my awesome webcam, the proper lighting. Nor do I have
my gold microphone or the process or connected. So I
sound like the ship. I look like ship, look like which?
What's your Apartment's?

Speaker 2 (02:53):
Nice? I got?

Speaker 1 (02:55):
I got doubled my Space and and and and and listen.
We'll talk about the trials and tribulations as we go.
But I just wanted to say to the slices, thank
you for putting up with us and staying with us
to all this, because it has been maddening. Moving is
not easy. I now realize why I didn't move for
nineteen years.

Speaker 2 (03:14):
But here I am. I gotta take a breath now.
Are ready to breathe.

Speaker 1 (03:18):
So in regards to Scari's apartment again, David Brody, man
of the people I call Scary oh God, because we're
ready to do the podcast, and he says, I can't
talk right now. I'm on the phone with my interior designer,
not his his decorator, his interior designer.

Speaker 2 (03:42):
Yeah.

Speaker 1 (03:43):
So, in case you're wondering, the podcast was, we had
to wait an extra half hour to forty minutes shut up,
which Wednesday, and we're getting a podcast off time. I'm
on the phone with my interior decorator. Okay, first of all,
let me say this, where's your lighting specialist? Because just
sitting in the dark, as I said, this is makeshift.
This is this was just find the equipment in all

(04:06):
the boxes, rummage through everything, dig it out, put the
basics together, connect the cables, and plug the shit in
and we go. This is just bare bones. This is
not the beginning. This is bare bones, Scary Jones. This
is not like coolcom Collected I wanted to get. We
cannot miss another fucking week, you know. And now we're

(04:26):
on the air and we're good, and now we can
and slowly but surely things will improve around here, I
would like to just tell you that when I moved,
when we moved from our townhouse.

Speaker 2 (04:39):
Into our first house. Yeah, we moved in November.

Speaker 1 (04:45):
In boxes like as you imagine, my wife made Thanksgiving
dinner the day after we moved into a house.

Speaker 2 (04:55):
How the hell did she accomplish that?

Speaker 1 (04:58):
Because she's awesome and you're not, Wow, so you can't
put a studio together?

Speaker 2 (05:05):
She made a Thanksgiving dinner? All right, Look, all right,
there's a lot to cover.

Speaker 1 (05:10):
I don't want to make it all about the move,
but unfortunately my life lately, my life lately has been
about the move.

Speaker 2 (05:18):
I've learned a lot of lessons along the way.

Speaker 1 (05:20):
There are some things that we're gonna laugh about, because
when I tell you them, you're gonna be like, no, oh,
I can't wait. But tell me specifically, give me one
thing that your interior designer is doing for your apartment
that you couldn't figured out on your own. Well, the
last time, you just saw a picture in a magazine

(05:40):
and you bought everything in the picture and recreated it,
and you're okay, this is the reason why I'm having
someone help me, and I'm hiring her. But she's also
a longtime friend of mine. Her name is Loraina. Let's
give her her name, Okay, her name is Lorena. Lorena
is helping me out because specifically, I don't want to
be made of. You know, the last five episodes, that's

(06:02):
gonna happen either way, you know, the last ten episodes,
how we've been talking about a white off white, shades
of white and earth tones and whatever, and I'm gonna
straight jacket in a fucking in a in a crazy
room for for the vitally right Institution And what was
that paint?

Speaker 2 (06:19):
That clay painting, all that stuff. So I hired her
so as to not get made fun of.

Speaker 1 (06:27):
So so actually I can do the right thing because
I don't have listen, I don't have an eye for
this crap. It's like, and I'm not I don't want
to stereotype, you know where it comes. But I gotta say,
I go into the homes of my my gay friends,
and their.

Speaker 2 (06:45):
Ship is on point, and they know what they're doing.
What are we talking? What are we talking about?

Speaker 1 (06:51):
When you say your gay friendship is on point.

Speaker 2 (06:54):
We're talking about their houses and the way they're.

Speaker 1 (06:57):
I know what you're talking about. Sorry, And I don't
think it's because they're gay. I think it's because they care. No,
it's because they have an eye for that stuff. You know,
the remember queer Eye for the straight guy the show.
That's scary, I know. But but but having an affinity
towards a person of the same sex has nothing to
do necessarily you no, no, but you would agree with me.

Speaker 2 (07:17):
I have I have gay friends.

Speaker 1 (07:19):
I'm not going to say his name, but I have
a gay friend is a comedian who like is a
star trek nerd and slop. Yeah, I mean he's not
a slot but he's like, he's a dude bro like
he's you never noting stereotype.

Speaker 2 (07:31):
It's just but but he's gay.

Speaker 1 (07:34):
But I feel like I feel like fashion sense, I
feel like home decor and interior design. I feel like
I'm in better hands with I'm better hands with people
like something like that. I can't what what are they converse? Okay,
straight speakers, straight man, Okay, being a straight guy.

Speaker 2 (07:54):
But it's you. You don't represent on straight men.

Speaker 1 (07:57):
So you're saying there's a lot of straight guys out
there that are into interior design.

Speaker 2 (08:02):
And it's about Yeah, I don't I.

Speaker 1 (08:07):
Okay, I think there are men straight men who have
an eye for what I have. You've never walked into
a house of a person who's wealthy or uh or
has good taste that is straight. Yeah, they had somebody
to do it. They hired someone, or they hired a
woman or somebody with Okay, they didn't do it themselves. Okay,
but my dad Tony would know how to No, he

(08:28):
gets mad at fancy garbage pails.

Speaker 2 (08:30):
But scary.

Speaker 1 (08:31):
Who is the who is the the biggest gay person
we know in terms of like in our lives? Elvis Elvis? Okay,
Elvis is. Elvis's homes are unbelievably uh stunning, But he
has he hires someone, Yes he does. He hired the
right person. But but but under your under your explanation,
the fact that Elvis likes to sleep with men. He no, no, no, no, no, no,

(08:54):
don't put words in my mouth. I'm just saying when
it comes to fashion, he he knows what what's up
when it comes I guarantee you he knows how to.

Speaker 2 (09:03):
Decorate on his own.

Speaker 1 (09:04):
But he doesn't a whole lot of time on his hands,
so he has somebody do it for me.

Speaker 2 (09:08):
Maybe maybe that's what happens.

Speaker 1 (09:09):
When when when you're you're talking about uh, the your
your your stereotypical effeminate gay person is what I think
you're doing.

Speaker 2 (09:19):
No, I don't think stereotypes around.

Speaker 1 (09:21):
No, no, no, no, no, I think I think you're you're
you're like you know, they don't have they're not in
Like Elvis isn't into sports, so therefore he has a
lot of free time on his hands to think about swatches.

Speaker 2 (09:31):
Okay, whatever, listen, we'll leave it. But just you you
you brought this up. Lorena? Is that Lorena who your
interior design?

Speaker 1 (09:40):
A friend of my boy Will and a friend of
mine and Robin like she's she's hung out with us
in the past.

Speaker 2 (09:45):
She's gone drinking.

Speaker 1 (09:46):
She's the best, and she works for a an architect
and a developer, one of the huge Well, I'm sure
she's very talented. So what did she say about all
your white bedrooms and stuff that herd and her and
her measuring tape and her she knows what's up and
she's she's putting a masking tape on the floors.

Speaker 2 (10:04):
This is what I need. A person's a masking tape
on the floors.

Speaker 1 (10:08):
No, someone to measure measure spaces and to a straight
man could never measure anything. You know, men with men
aren't really good with tools.

Speaker 2 (10:17):
All right, just belittle me all I want. I'm not
bullowing you.

Speaker 1 (10:20):
I'm saying, you gotta I gotta have a designer to
measure your room. No, but she's picking out furniture from me.
She's okay, here's what she's doing. Okay, hold on, are
you keeping your white bedroom set? The white bedroom set stays,
But you'll be happy to know that I painted my room.
Call is the bedroom sand, which is an earth tone

(10:40):
and it's dark.

Speaker 2 (10:42):
It's a darker tone. No, but the motifa Wait wait
wait wait wait wait wait wait wait? Is it like white?

Speaker 1 (10:48):
Hold on, don't answer till I finished the question. Is
it like Aruba sand white beaches? Or is like Coney
Island dirty, filthy, condom ridden sand. It's more like the
Coney Island kind. I put more shape of brown in there.

Speaker 2 (11:02):
Connie Allen has shades of brown everywhere. Everywhere.

Speaker 1 (11:05):
People people put crap on the beach. Listen, my bedroom
was is my bedroom the set? It's a brand new
set that came with me.

Speaker 2 (11:13):
But what size? What size bed did you have? Queen?

Speaker 1 (11:16):
Okay, staying with the queen every everything stays the same
in the bed apparently it's staying with the queen. You
want your house designed right, Hio anyway, No, so no,
my bedroom has got the earth tones. Everything else my
Loreina did everything else. Everything else is color color drenched.

(11:39):
That means that means floor to ceiling, including the ceiling
and the floorboards and the and the the doors are
all in my in now, in my bedroom, in my
living room it's blue Kensington blue. So you you look
into my apartment and the and the hall the hallway,
you got a gray hall of very deep gray hallway

(12:01):
like a silver Brooklyn gray, like its Brooklyn gray. It's
like a metallic you walk through and the and the
walls are gray, the floorboards are gray. The you've got
solid oak are brown floors, and the ceiling is blue.
And so it's the gray on the blue. It's the
blue that matches the gray. And then when you walk
into the space, you've got white marble on the on

(12:23):
the kitchen, you've got the you've got the brown floors
like the you know, the the the wood oak, and
you've against Now that brown against the blue is.

Speaker 2 (12:33):
Fucking chef's kiss. The blue ceilings, the blue walls. I'm
telling you.

Speaker 1 (12:38):
It's I assume the ceiling is a lighter blue than
the walls. No, no, it's the ceiling should always be lighter.
So it makes this, it makes it look more spacious.

Speaker 2 (12:48):
The whole it's all one color blue.

Speaker 1 (12:50):
Oh no, No, you don't paint the ceiling the same
color as the walls when you do dark whit. Why not,
I've got because it gives the illusion of it gives
the illusion of a bigger room when the ceiling listen,
I'm straight, but I know this. Like when we when
we did our house, we did like shade three of
the color we liked, but shade one on the ceilings.

Speaker 2 (13:10):
Yeah, well we know.

Speaker 1 (13:11):
And in this red room, everything's red, including the ceiling,
except we use flat on flat paint on the ceiling.

Speaker 2 (13:17):
Anyway, and you know what.

Speaker 1 (13:18):
Anyway, that being said, that being said, there's a lot
going on here, a lot of moving past. I am
happy with it, I think once you see the space,
and I'm not ready to reveal it. God knows, I
don't even have furniture. I don't even have a sofa yet.

Speaker 2 (13:33):
So wait a minute.

Speaker 1 (13:34):
If I if I was coming over to get your
mad magazines, I would be able to come up. You'd
come up, you'd see the space, but just know where
it's going and where you know it'll it's not.

Speaker 2 (13:43):
Yeah, I don't. I'm not.

Speaker 1 (13:44):
I'm not there for the unveiling yet, for the big
grand puba opening. But uh, I'd like to think I
would be allowed to walk in anyway.

Speaker 2 (13:51):
You know, of course you would. You know you're invited
your family, all right.

Speaker 1 (13:54):
So if you had told your interior designer, uh, Lorena,
I want to do my bedroom in white off white
with the white furniture, what would she have said to you?

Speaker 2 (14:04):
Already talked what she tell you? She wasn't having it? Yeah,
say so, So who knows more about about this thing
that me.

Speaker 1 (14:11):
So she's already picking up furniture, rugs, lighting, fixtures, everything.

Speaker 2 (14:15):
And just spending your money left and right.

Speaker 1 (14:17):
I'm going to Yeah, well, she's giving me options, and
then I'm picking from the options because I can't. I
don't have the time of the bandwidth to shopping all
these places. She knows, she knows all these all these
awesome stores to shop at.

Speaker 2 (14:31):
You know, the manager manager Levitz, she.

Speaker 1 (14:33):
Gets a twenty five percent bomb count because of the
company she works for to develop. They own buildings, they
owned half Homeboken. But anyway, all right, let's enough about that.
Let's change the topic. We'll be right back, all right.

Speaker 2 (14:45):
The podcast.

Speaker 1 (14:48):
We will be right back.

Speaker 2 (14:50):
Okay, all right, what would you do in this situation?

Speaker 1 (14:53):
Yeah, I was in doctor's office office building, second floor
a couple of days ago, and I'm waiting for the elevator.
And the elevator is not a very big elevator. It's
like a four person elevator. So when you walk in,
you can walk to the left and stand by the buttons,
or walk straight and stand closer to the door. That's

(15:15):
really all you can go. Maybe four people two buy
the buttons two. It's not a big elevator. So I'm
waiting for the elevator, and you know, like a smart person,
I'm a few feet back from the elevated door so
that I don't stand in front of the door, so
if there's someone on the elevator they can get off.

Speaker 2 (15:29):
Great.

Speaker 1 (15:30):
Okay, Okay, So while I'm waiting, this woman about my
age comes over and uh, she stands a couple of
feet to my right. Now I'm closer to the door
to the elevator. Now when the door opens. Scary.

Speaker 2 (15:46):
What would you do? I get off the elevator and
let her off. No, no, scary. We're waiting to get on
the elevator. Okay, I would wait on that. I would wait. No,
I would wait for the people to get off.

Speaker 1 (15:56):
The elevator to see if no one's on the elevator.
No one's on the elevator. Door, door's open, doors open,
all right. Let her go first, ladies first, okay, okay,
so I say, and I do the hand. I go
after you. Oh, thank you, And we get in. She
goes to the buttons on the left, and she stands
by the buttons and she pushes the button to the
first floor. And I stand by the door because that's
the other half of the elevator, and I don't make

(16:17):
eye contact with her, not really talking to her. Doors open.
I am closer to the door. What should I do, Um,
get off the elevator because you're closed off to the door.
I step back against the wall and do the hand
again after you. That's very nice, But in that case,
you're right near the door. Let her and get it's

(16:39):
time to get off. When it comes time to leave an.

Speaker 2 (16:42):
Elevator, the person closest to the door gets off.

Speaker 1 (16:46):
But that was very chivalrous of you, And I don't
see a problem with you, okay, stepping back and saying
you go first, right. So I let her go, and
she makes her right down the long hallway to the
door to get out of the building. And I get
out of the elevator after her, and I'm I don't know,
ten feet behind her. I don't want to creep up
on her. Walk behind her, that's kind of you know.
I give her some space, maybe ten feet behind her.

(17:08):
And she walks to the two glass doors and she
pushes the door that says push, and she walks right
the fuck out, knowing I'm right behind her, and doesn't
hold the.

Speaker 2 (17:16):
Door for me. Ah.

Speaker 1 (17:18):
So my question is scary and slices. What would you
do in that situation?

Speaker 2 (17:24):
What would I do? Yeah, I'd be like I would.
I would.

Speaker 1 (17:29):
I would just mumble some thing to myself, bite my tongue,
and keep going throughout my You know, it doesn't affect
my day.

Speaker 2 (17:36):
No, do we think that's what David Brody did? Fuck?

Speaker 1 (17:39):
Now you're gonna say something that's correct. So I opened
the door and I said, excuse me. She turns around
and go. It would have been nice if you held
the doll for me. You are Larry David once again,
this is another reason. There's another reason why you're laughing,
because that's what Larry would do. Yes, And so I said, well,
you know, would have been nice to dol for me,
And she says, oh, I didn't realize you were behind me.

(17:59):
I was like, the whole way only goes one direction. Yeah,
I said, yeah, my, but you didn't even look. Look,
I'm not asking for her to open the door. Hold
it open and I walk past her, but reach back
with your hand and do the whole I'm holding holding
it as I get do a little fake or a
little something right, doing something. But I'm I'm right behind you.

(18:20):
That's what I get for being a jumps you know what.
She ruined it. But every woman from that one, that's it,
because you're not holding the door for anyone anymore.

Speaker 2 (18:28):
That's it. That's it. I'm going off the elevator first.
I'm not going to do the hand. I'm not gonna
do the fter. You huck them all, yeah right, everybody
huck them all.

Speaker 1 (18:36):
Oh, that's what I get for being nice? Yeah, Well,
you wouldn't have said anything.

Speaker 2 (18:39):
I I wouldn't have.

Speaker 1 (18:41):
Said, nah, you can't do that, you can't, you can
although although I said something today, oh my god, David Brody,
you and I was in the right.

Speaker 2 (18:53):
So Elvis and I are in my car and the
windows are.

Speaker 1 (18:58):
Rolled down, and we are leaving the radio station garage
and we are driving down, cruising down fifty something street whatever,
not the Atlanta Highway, thank you.

Speaker 2 (19:11):
Jay Z's fifty two.

Speaker 1 (19:15):
Cruising down West Side high No cruising down the Atlanta Highway.
Oh that's love Shack, that's befifty two. Well I'm thinking
of jay Z, Bonnie and Clyde with Beyonce. But that's okay.

Speaker 2 (19:27):
Anywayway for me. Anyway. So as I we're driving, the
light is green.

Speaker 1 (19:36):
And and there's no cars in front of us. But
we're approaching Seventh Avenue on the fifty something street and
as you know, seventh Avenue is a busy pedestrian shit,
well you know, people cross and crossing. It's a green light,
and I'm driving and the people are just crossing, they're
just they're just walking in the mid And then I'm

(19:57):
talking about people walking in both directions with the green light.

Speaker 2 (20:02):
So that's what they do yeah.

Speaker 1 (20:03):
No, no, I'm like, no, no, no, no, no. They're walking
across the way. They shouldn't be walking with the green light.
They're walking across my fucking roadway. I've got a crossing
with a red light. My light is green in front
of me, and people crossing purple dick people are crossing
the street coming up. They have a red light and

(20:25):
they're crossing on a day sign the no, no, no,
they've got a green light. They no, they're for them,
it says don't walk because right So they're crossing in
front of my path, back and forth hard.

Speaker 2 (20:40):
So I rolled right up to them and I.

Speaker 1 (20:42):
Start jamming on the horn and one fucking fat guy
goes in the middle of the street. Everyone scatters like roaches,
and this guy, this blobberly guy, goes. They're like a
deer in headlights and then he runs because he didn't
know what the fuck was going on. And my windows
were clearly rolled down, and I'm rolling up slow. I'm
going slow, and I'm like, all I say is just

(21:05):
like this, And then everybody's back on the sidewalk and
I'm like, and they must be about twenty people on
each side.

Speaker 2 (21:11):
I'm like, what are you guys doing? It's a green light?

Speaker 1 (21:14):
And as I roll through, some guy curses me off,
says something like, oh you fucking news and you fuck
and I'm like, fuck you as I'm rolling away as
I passed through the light. But you know what, don't
don't fucking do that? What is wrong with people? What
is wrong with people? It's a green light? Do you

(21:36):
want to get killed?

Speaker 2 (21:38):
People?

Speaker 1 (21:38):
Half the people are looking, they're looking at the floor.
Were they already in the street when the light changed?
The light never changed, The light was always green. It
was the dawn of time, it was at some point
it green.

Speaker 2 (21:50):
It was green, green, green the whole way.

Speaker 1 (21:54):
But people felt the need to just say, like, I
don't care if it's green light, We're gonna walk and
the car coming down the side street is gonna stop
nonetheless for.

Speaker 2 (22:04):
Us, Okay, it works.

Speaker 1 (22:07):
So if you're talking about like being in the Times
Square area, basically Midtown, where you are when you come down,
when you come down the street, the car Mines is
on forty fourth, is it right?

Speaker 2 (22:14):
Forty fourth?

Speaker 1 (22:15):
When you try to go across Broadway and seventh, people
just go right, They just cross, They just keep going.

Speaker 2 (22:21):
So you everybody kind of break the chain and be like,
it's a green light.

Speaker 1 (22:25):
Hank right right if they're on the other side, on
the eastern side of that intersection.

Speaker 2 (22:31):
Right.

Speaker 1 (22:31):
So you cross the one crosswalk, then the second crosswalk
as you go across Broadway and Seventh, I'm coming. I'm reving,
and I got the horn going. I'm like, I'm letting
them know I'm coming because you have the right of way.
It's a green light for me. You're saying your shit
says don't walk. You stand on the sidewalk. As a
New Yorker, I will cross when it says don't walk.

(22:52):
But if there's a car coming, I'm getting the hell
out of the way. The problem is some New Yorkers,
he can't see the car coming.

Speaker 2 (22:59):
They don't give a shit. Well that's what happens. I
don't hit me.

Speaker 1 (23:02):
Well, well, you know half of them were tourists, so
they got a nice little little fucking New York cheer.

Speaker 2 (23:07):
Problem with the problem.

Speaker 1 (23:08):
With tourists is they think they're back where they're from,
where you're gonna stop for them.

Speaker 2 (23:15):
So that's the two types of people.

Speaker 1 (23:16):
The New Yorkers don't give a fuck if you hit
them or not, and the tourists think, Oh, they're gonna
stop for me because they're nice. Like where I'm from,
You're both wrong. I'm gonna run you over. Well, the
New Yorkers are right, I'm gonna hit But but does
this guy have a reason to curse me off when
I have a clearly right green Yes, the world sucks
right now and he's yelling at you because you sucked. No,
but because he's gotta be yelling something, I have a

(23:38):
green light? Is hen right?

Speaker 2 (23:39):
Is right?

Speaker 1 (23:42):
His free speech, so he has a right to do
it in the right is the No, he isn't wrong.

Speaker 2 (23:47):
No, he should not have cursed you off.

Speaker 1 (23:48):
But you know you bullied, you bullied through Oh I rightfully,
so dude, I'm from Brooklyn. Fuck you okay, But now
when you yell fuck you right, what would have happened
if the car front of you stop short and now
you're stuck and the guy you just cursed out can
walk right up to your car? Yeah you see, I
made sure that wasn't the case. Yeah, you made sure
there was Again, there was no one in front of me,

(24:09):
so and I had another street and I was like
clearly across, but I got to check that first, I
let him hear it. I let him, but admit it.
Admitted to the slices. You looked forward first to make
sure you were clear before you curse the guy. Oh
absolutely might be able to. Yeah, right, But I was
at first when I was rolling through passing them. As
I was, as my open window rolled right past these people, I'm.

Speaker 2 (24:31):
Like, guys, what are you doing? It's a green light,
just like that, That's all I said, what are you doing?
It's a green light.

Speaker 1 (24:37):
I'm driving over here, trying to drive. I had a
little little driving problem this week. I I so where
I live. To get to the main shopping area, yeah,
there's you go on a on a relatively busy street,
and then when you get to the big street, right,
the big the big street. Yep, you got to make

(24:59):
a left on a left turning signal.

Speaker 2 (25:01):
Okay. So when the left turn signal goes, you're in
the left lane.

Speaker 1 (25:04):
You make a left, and then about one hundred yards
south is a light.

Speaker 2 (25:11):
Okay, so you make the left. There's not the light.

Speaker 1 (25:15):
Most of the time that light is red. So when
you turn, all the cars are backed up waiting for
the light, and you just pull onto the end of
the line of people waiting for the light to change.
But every once in a while, when you make that left,
if your timing is right, that light is green. But
you got about eight seconds to get there. So when

(25:35):
you make the left, you got to speed up a
little bit to make that light. Okay, make the left.
There's that light. Got to make that light. So you know,
I drive a car that can move pretty quickly. It's
not like a Porsche, but it goes and it sounds.
You know, it's loud car. I got a V eight
Hemi engine and he goes. You know, it makes a
room sound. So sometimes it sounds faster than I'm actually going. Okay,

(26:00):
so I make the left turn the light was the
light was yellow, so I made it. Granted the guy
behind me right goul to right, Thank you yellow. I make.
I make the left onto the main the main street,
right the main parkway, and I see the light is green.
I know it's not gonna be green for long, so

(26:22):
I hit the gas and the speed limit is I
don't know, maybe forty five, maybe fifty, so I probably
got it up to sixty five sixty something like that,
but it's not I don't have my connisan goes zero
to sixty, you know, like from ten miles an hour
to like one hundred that quickly. I sped up to
make the light. And I made the light, and that

(26:44):
light was changing yellow because I know it changes quickly.
As soon as I go through the light. I drive
another I don't know fifty odds and I see a
police call behind me.

Speaker 2 (26:54):
So I'm in the I'm in the left lane.

Speaker 1 (26:55):
I go, oh, police call now you know means scared
of nothing but respect for police officer.

Speaker 2 (26:59):
Respect.

Speaker 1 (27:00):
I signal, I pull over to the right lane. I
slow down so he can pass me, and he changes
lanes and he's behind me. So I rolled down the
window and I waved, like god, officer go around me.
I'm good because I don't I'm I don't know what's
going on. I'm I don't think I did anything wrong,
so why would he be bhying me?

Speaker 2 (27:16):
Oh no, woooooo. So I'm like, what the fuck?

Speaker 1 (27:19):
So I pull over and like my dad, my police
officer father trained me, I dropped both windows, get my
licensed registration, hands on the wheel.

Speaker 2 (27:28):
I'm in.

Speaker 1 (27:28):
I'm in pulled over mode, doing everything but right by
the book. Police officer gets out of the car goes
to my passion's side. Oh boy, he says, roll up
the other window. I said, okay, I only lowered it
for you, like at a courtesy. Uhuh, he's the right,
right polite. And he says, uh, you got a fast

(27:48):
car here. Oh okay, Uh you know I pulled jover.
I said, no, no, no, I don't. I honestly don't.
I said, do I have a tail light out? Because
I'm like, I don't. I don't break laws.

Speaker 2 (28:00):
I don't know. I know you're David Brody. Right.

Speaker 1 (28:03):
So he says, you went through a red light and
you were doing seventy. So I go what he says,
just you know, my body came is on. We're recording this.
So I like, hey, Brody, I didn't.

Speaker 2 (28:19):
Wow, you didn't tell me this?

Speaker 1 (28:21):
Yeah, so I so I So, I said, I said, officer,
I gotta be honest with you. I don't break laws,
and I certainly don't go through red lights on purpose.
I'm fairly confident the light was yellow. And also I'm
pretty sure I wasn't doing seventy. Uh that that would
that would be like a lot of acceleration. I just
came from the light.

Speaker 2 (28:42):
At the corner. Uh.

Speaker 1 (28:45):
You know anyway. So I he goes license registration. So
I give him my license registration and behind my driver's
license in my wallet is my father's police ID in uniform,
his ID card, and I give him the registration and
the insurance and my driver's license and card. So he says, uh,
here is where you're going?

Speaker 2 (29:05):
We live around here. I said, yeah, I tell them where
I live. He says, oh, you're localist. Huh yeah, yeah.

Speaker 1 (29:09):
Now he was a state trooper. He wasn't from my
town because the town has police cars and say the
town name on them. This guy says it like county
would whatever it was. He was not the town guy.
Maybe he was the county I live in, if I
remember correctly. So I'm shitting myself because you know, I'm like,
I don't need a ticket and I don't break laws,
and I don't want to be like I. Then I

(29:30):
start thinking to myself, where could a police officer have
been parked where he could not only have seen I
went through a red light, but also determined my speed
because in order to track my speed, I'd have to
go past him perpendicular, I have to drive past the
front of his car. But so I'm thinking there's a
parking lot. If he was in the parking lot, he
would not have been able to see the left turn

(29:51):
signal because I was coming from the other direction.

Speaker 2 (29:54):
So there's no way he saw the light and my speed.

Speaker 1 (29:58):
So either he's lying about the light, he's lying about
the speed, or because I went by fast and I
went through the light, you know, he doesn't. He's like,
I bet this guy went through the light because after
I went through it, the light changed in the other direction.

Speaker 2 (30:10):
I think he's assuming these things.

Speaker 1 (30:12):
So I'm feeling fairly confident that, you know, he doesn't
have any proof on radar that I was going because
I wasn't going seventy no way, and I know.

Speaker 2 (30:19):
How to go through the light.

Speaker 1 (30:20):
So I sort of like, I sort of like sat
to breathe again, and I'm like, I don't know what's
going on here, but I didn't do it. So he
looks at me and he goes, whose ID card is this?
So it's my father's the same last name obviously, so
he sees it on the card, he says, who is this?
I said, that's my father. He said your father was
a police officer. I said yes, for thirty or thirty
two years in New York. I said, now, I gotta

(30:41):
be honest with your officer. My father raised me not
to break the law.

Speaker 2 (30:45):
I don't.

Speaker 1 (30:46):
I don't speed. I mean, you know, I don't. I
try not to go through red lights on purpose, certainly not.

Speaker 2 (30:51):
I said.

Speaker 1 (30:52):
If I did, it was by accident. It's not who
I am, you know. So he looks at me, he goes,
uh huh. He goes, yeah, you got a fast car.
Here Again, he says it, I said, looks, officer, the
car does go fast, but that that's because I like
the way it looked.

Speaker 2 (31:04):
I don't know. I'm not a speed guy. Like, that's
not why I bought the car. So he says, huh yeah.

Speaker 1 (31:11):
He says, uh, Brody, huh Brody, Brody, huh brody. Now
I'm thinking he knows who I am. I mean who
I used to be, right, he knows I used to
be on the radio. He's given me. His eyes lit
up when he said my name. So I'm like, oh,
maybe he's a slice. I don't know.

Speaker 2 (31:27):
So I'm like, if he knows i'm, you know, who
I used to be.

Speaker 1 (31:29):
On the radio, may make it out of me a chance, right,
because I didn't because I I I did.

Speaker 2 (31:36):
I told this story.

Speaker 1 (31:37):
I got out of a I got pulled over like
five or six years ago on my way to work
one morning, and when I told him.

Speaker 2 (31:42):
Who I want?

Speaker 1 (31:43):
What? I was going, What is the So he says
to me, he says to me, he says to me,
he goes, Brody.

Speaker 2 (31:47):
Huh you know.

Speaker 1 (31:50):
Do you know what movie in the seventies had a
very famous character named Brody. Now, of course, of course
I do it. I said, yeah, of course, George Jeff Brody.
He goes, that's right, slow down when you drive, get
out here. So I answered a movie trivia question and
I didn't get out of a pocket.

Speaker 2 (32:06):
I got a speaking ticket.

Speaker 1 (32:07):
I got out and I didn't give a fuck. And
he didn't know that you were who you used to
be or do you know? But saying my name, He's like, Brody,
huh bro oh Brody. So I was like, I'm out,
I'm out to movie trivia. Movie trivia me trivia gets
you out of the ticket? Yeah, boom done. I love
a half I love a coppy ending. If you know

(32:28):
what I bet you do, I bet you do. By
the way, speaking of cars, real quick, last week I
noticed my car has I don't know, twenty miles left
before it's empty. Now, normally I do a lot of
local driving. I don't you know, I don't need to
fill up my tank again. I give you twenty bucks,

(32:48):
Give me thirty bucks.

Speaker 2 (32:49):
Okay. Well, I'm not sure if you're aware of this,
but we're in a war right now with one of
the oil producing nations, and the straits of hormone is
being affected and gas prices of skyrocketing. Well, knowing all that,
I went and got gas at two eighty nine. A
gallon filled up the car, and I'm like great, and

(33:11):
then he's storing some gas. Now you packed it away.

Speaker 1 (33:13):
I should have if I had tanks to put the
gas in at nine.

Speaker 2 (33:17):
Believe me, I would have.

Speaker 1 (33:18):
But I'm like I said, I said, I said, Uh,
I told everyone I spoke to that day, go get gas,
load up, load up, two days, loaded up, baby can
get two days before it's skyrockets. Right now, gas for
me is three fifty nine, so it's like seventy cents
a gallon. So yesterday I go for gas because now
my tank is now low since I got the discounted

(33:40):
gas the regularly you know, cheap gas.

Speaker 2 (33:42):
So I pull into the quick check.

Speaker 1 (33:45):
And I say, uh, give me thirty dollars regular because
I'm not putting. I'm not filling up my tank at
three fifty nine. That's that's that's that's three years ago prices.
I'm not I'm not, but you're gonna eventually have to
fill it up. I mean, you're gonna use the gas anyway,
might as well just but yeah, but I know, but
I want that well, if it's only gonna go, you know,

(34:06):
get right, more should get right, get get that gas right.
But but at a force of habit, I said, give
me thirty regular. So the guy, so my radio is on.
I turned the car off and the radio is still on,
and I said thirty regular. And the guy says uh
uh and I said yeah. So he goes and he
goes to the gas tank and he puts you know,
in Jersey, they pumped the gas view and he walks

(34:28):
away because it's quick checking. It's like thirty pumps and
he's walking other people whatever, And I'm sitting there, dude
to him on my phone, not paying attention. Yeah, you
should have confirmed what he said. You just said, Yeah,
that's that's well. Stake number that's a mistake number one
right there. Yeah, so all of a sudden, click, the
little little handle clicks on the gas pump.

Speaker 2 (34:47):
It's filled. I'm done. I'm great.

Speaker 1 (34:48):
Yeah, you turned around around.

Speaker 2 (34:51):
That's sixty of course, because.

Speaker 1 (34:55):
Yeah, because you didn't confirm what it was you heard. Sorry,
oh the window down and go dude, I said thirty,
he says, I said filler up, and you said yeah.

Speaker 2 (35:05):
I said no, I said thirty. You said I thought.

Speaker 1 (35:08):
He said I thought he said thirty, So he didn't.
So I got sixty four dollars worth of gas that
fill up my car. My point is, when you know
there's a war coming, go get gas. Okay, thanks, Yeah,
I was on a more lighter note. I was on
TikTok and this woman has a problem with eating pizza

(35:32):
the correct way.

Speaker 2 (35:33):
Okay, didn't you send you this video? Did you send
me this video because I show you live it out? Yeah,
it was you who sent it. She's a rage bait
video rage bait.

Speaker 1 (35:44):
She might have a point, though, She wants you to
eat pizza upside down because it hits the taste buds.
The cheese and the sauce hits the taste buds before
the crust because the way we currently eat it, the
taste buds hit the crust first bottom of the pizza,
the bottom of the pizza. So I I gotta tell
you she's kind of right. No, no, well, listen, I

(36:10):
understand you gotta have all kinds of physical problems where
the cheese cheese is.

Speaker 2 (36:14):
Gonna fall straight down.

Speaker 1 (36:15):
Yeah, let's say you got a reheated slice that's a
straight you know, it's like I got a lot of
crunch to it. There's no flop. Oh stop it with
the fuck you turn it? You turned it upside down
and you you fold it. I could kind of side
in outside in. I kind of see it way. Yeah,
I kind of see it that way. I kind of
see I want to try it. Okay, So a couple

(36:37):
of things. I don't you remember this because you don't
remember anything about ten fifteen years ago, Elvis tried to
get us to eat cheeseburger is upside down because all
the toppings are on the top, and if you if
you turn it upside down, you get all the toppings first,
and you take your tongue would taste all the sauce
and the cheese and all the toppings.

Speaker 2 (36:55):
We're not doing that either, Well, what I because you're.

Speaker 1 (36:58):
With the burger, why don't you just why don't you
make the burgers, the bun, the two burgers, and then
put all the leaduce, put the lettuce, tomato, and the
bun in the middle, and you can just so your
tongue feels the sensation of the burger. First, well, it does.
If you bite the burger the regular way, you get
through the bread the bread first, your tongue hits the breadth. Well, listen,

(37:20):
if you want to do a burger sandwich burger, you're
gonna I canna hold it and hold the burgers.

Speaker 2 (37:25):
Hold the burgers between your fingers. Who well, who cares
no as far as the pizza goes.

Speaker 1 (37:31):
First of all, if you what's the part of the
pizza that burns your mouth the cheese.

Speaker 2 (37:35):
It's the cheese.

Speaker 1 (37:36):
So now you put the cheese down, it's gonna burn
your tongue off. That's first of all. Second of all,
you might as well just eat the cheese then, because
you're biting the cheese is the best part. But that's
what that's not doing it okay. Also, when you fold
it the regular way, it's almost like you're squeezing the
grease out like a rag.

Speaker 2 (37:56):
Yeah, and the grease goes through the back. You put
the napkin there.

Speaker 1 (37:59):
When you fold at the grease, the grease is like
you're wrenching the grease out of the cheese.

Speaker 2 (38:03):
Right.

Speaker 1 (38:04):
If you follow the other way, you're getting grease puddles.
Drop it onto your tongue.

Speaker 2 (38:07):
I guess there by the way, Well, listen the video.

Speaker 1 (38:12):
The video was a rage bait video because people people
who stitched it with her. She commented and said, I
guess the rage bait worked. Ah, she's a she's a comedian,
she's a rage bait.

Speaker 2 (38:26):
Yeah. But it made you think. I get it. It made
you think. It made me stop and think, which is
a miracle in himself.

Speaker 1 (38:33):
No, listen, what what we what we last to a
Brooklyn Boys episode? Was it before my vacation slices?

Speaker 2 (38:41):
No, we did one. We did one coming back from vacation.

Speaker 1 (38:45):
But last week, let's see where we're coming off of
an entire week of uh when oh, we went to
our went to the Chefs for Kids Cancer dinner last.

Speaker 2 (38:56):
Night, which was which was a lot of fun. But
at the same time, you know, very very very moving.

Speaker 1 (39:02):
There's a lot a lot going on, and Uh.

Speaker 2 (39:08):
I don't know how I can tell the story. I'm
just gonna tell it because Elvis told it on the air.
So it's free. It's free game, free rain now, Okay.

Speaker 1 (39:14):
So Elvis's husband Alex, decided to bid bid on a
live lot.

Speaker 2 (39:21):
What is a live lot?

Speaker 1 (39:23):
That's when the person gets up there on stage by
a day, they say, oh, we have a package, uh,
four days and five nights at at at a villa
in Tuscany.

Speaker 2 (39:35):
And you can treat it to a wine dinner. And
then we're.

Speaker 1 (39:37):
Gonna start the bidding at one thousand dollars and then
everyone holds up the paddle with the number on it
and then you you know, you try and outbid.

Speaker 2 (39:45):
Each other until you get a winner. It's an auction.
It's a live auction. So this was for.

Speaker 1 (39:54):
This was for a forty person like cocktail party at
Chef Dan Klueger's private private like nightclub underneath one of
his restaurants, right, hosted by Neil Patrick Harris and his
husband David Burka.

Speaker 2 (40:13):
Right. Well, it was for forty people. So that's a
big party, right.

Speaker 1 (40:20):
So the bidding starts going, starts whatever, and Alex, Elvis's husband,
is like, fuck it, I'm doing this. So he's bidding
and he's battling his friend across the table, running up
the price for a party that he was gonna be
invited to.

Speaker 2 (40:41):
Anyway, Yeah, it doesn't make any sense. So like he
like it was going. They're going back and forth and
like they think it's like a joke.

Speaker 1 (40:47):
I'm like, what are you doing? You gotta use strategy here. Anyway,
the price gets way out of control. But Alex like
five thousand it was a lot of money. No, no,
we're not. I'm thinking out of control for David Brody.
For me, five thousand is like out of.

Speaker 2 (41:05):
David Brody world.

Speaker 1 (41:06):
Anyway, Alex is playing with the with the Elvis's money,
all right, I didn't say that he's playing with big bucks.

Speaker 2 (41:14):
Who's big Anyway, el Alex wins the bid.

Speaker 1 (41:19):
Now keep in mind, what's Elvis doing while he's waving
this round panel. Surrounding Surrounding Alex is the Confordo family.
These are the guys that basically own the pizza place
Alma from Hillsboro.

Speaker 2 (41:35):
We've been talking.

Speaker 1 (41:35):
About this place, and it's the family, the mom, the dad,
and the two youngest, the two sons with the girlfriend
and they they become great friends with Alex. So the bid,
Alex wins the bid, and the guys around him, the
Conforda brothers jump up and celebrate with Alex. And Neil

(42:00):
Patrick Harris is in the room and he's sitting on
the other side.

Speaker 2 (42:04):
So what does he do.

Speaker 1 (42:05):
Him and his husband get up come running over to Alex.
But by association, you got the two guys flanking Alex.

Speaker 2 (42:17):
All that your credit for they get the credit for
the win. Made it look like this was a group thing.

Speaker 1 (42:25):
And so so the Neil Patrick Harris comes over and
like the Confordo guys are high five of them and
like so now so like this whole big group picture happens,
and I just feel bad for Alex because he got
upstaged by his friends who got credit and didn't put
in a penny.

Speaker 2 (42:44):
So so Alex wins his party. And at the very
end of the whole.

Speaker 1 (42:48):
Night, Uh, Neil Patrick Harris and David Burker come running
by the way.

Speaker 2 (42:54):
You don't know Neil Patrick Harris, doogie howser hello? They
come running back over. Okay, he was on how I
met your mother and how I met your mother?

Speaker 1 (43:01):
I know what was Barney Stinson, right right, they comes
running around, comes running around the table. You know on
that show he was legend wait for it, Derry Okay,
legendary legend, Darry.

Speaker 2 (43:16):
Yeah, he comes running around the side and then starts
talking to them for twenty minutes. But in Neil and
David's mind, yeah, it's the group of them that kind
of did this, put this together. So my question is,
have you ever taken credit for someone else's win?

Speaker 1 (43:38):
Yes, yesterday, yesterday? Because this is a very funny moment,
but what yeah, not quite not quite the same. But listen,
this is the Seinfeld episode where.

Speaker 2 (43:49):
Uh, George and George and Kramer, George.

Speaker 1 (43:52):
And Jerry go to get a salad Burlane the big salad,
and when they come back, Jerry says he is the salad.
So she thanks Jerry for the salad, and George's like,
I paid for the salad, like the whole something to
that effect where he won about no, no, no, I don't
you talked about the episode with Kramer where he was
sitting in the audience as a seat filler for something

(44:14):
for the I don't know about that anyway. That so
there's a guy at pickle ball. We we I don't
remember who came up with the name. Could have been me,
come with somebody else came up with the name. In
pickle ball, if you love the ball over somebody's head, right,
that that's a strategy occasionally to do that. Well, there's
one guy who's very good at it, and we've we've

(44:36):
dubbed him the lob Father, the lobby, the lob Father. Yeah,
so we got him a shirt. We all agreed, let's
get him a shirt. So this one guy, right, this
one guy is like, I'll get the shirt. I'll order
the shirt and uh and get the shirt for him.
I'll find a shirt with that logo and whatever. So

(44:57):
I found a logo, I created a logo on chet
ept and then it didn't work out. He ended up
finding a logo that was already made. It looks like
the Godfather logo, but it says the Longfall. So he
goes and he custom makes the shirt and it probably
costs like thirty five dollars to get the logo the
graphic on his shirt, and the company made the shirt.

Speaker 2 (45:13):
He orders the.

Speaker 1 (45:14):
Shirt and you know, so the guy was like, I'm
gonna give him the shirt tonight. Great, So I say, hey,
do we owe you any money? No, I got it.
At least I could do for this guy. I love
the guy. He's a great guy. Get love father. So
after we played last night, like the six or seven
of us that all kind of pal around. We get around,

(45:34):
we get around the guy love father and uh, the
guy who ordered the shirts like, hey, got this shirt
for you? Yeah, thought you love the shirt and he
sees it, Oh my god, this sha hella. It's good's terrific,
and he starts hugging all of us, shaking our hands
and hugging all of us, and not one of us said,
you know, uh it was Jake paid for it.

Speaker 2 (45:54):
Right, all you got the crab. You all got the credit,
got the credit.

Speaker 1 (45:58):
Yeah, because I didn't want to be like know because
I offered money to him and he's like, don't I
don't need your money. But everyone else was like, oh,
you're welcome. It was on pleasure, right, if anything doing it.
I put in the effort to help design the logo.
That right, I was involved in the process, But I
didn't pay for it. But we all got We all
got it. Drop your talk back you if you've ever
taken credit for someone else's win or if you've basically

(46:22):
been a victim of that and somebody took credit for
your win, I can't imagine.

Speaker 2 (46:27):
Now I have one last question.

Speaker 1 (46:28):
Yeah, so forty people, Now, you gotta think at least
six or seven just after that his own friends fucking
like and ran up the score on him for no reason.
I'm thinking from the Morning show, minimum fifteen people are
gonna be in that forty.

Speaker 2 (46:49):
I don't know, maybe maybe I don't know.

Speaker 1 (46:52):
It's not my mag it's out well, but it wasn't
really Alon Elvis's bidding.

Speaker 2 (46:56):
It was Alex. So he's gonna does he include the
pizza guys? Are they are? They like, oh yeah, yeah,
Oh they're definitely there.

Speaker 1 (47:03):
Yeah, because Neil Patrick would like to see them now
because you know, so now when they show up, Neil's
gonna assume they helped pay for it. Has, in fact,
so much so that Mikey Conforido, the one of the
Conforido brothers. By the way, Michael Confordo played for the Mets.
That's why Michael, Yeah, different Conforido. Uh, Michael Confordo. He's like, hey,

(47:27):
he goes look at this. Neil Patrick. Harris is following
me now on Instagram he told him who he was.
He owns a pizza place. Neil is all in, Neil
is all in on on mikey and and it's like,
wait a second, Oh, let's see if he's following Alex,
because because Elvis was talking about this on the air,
he goes, Neil Patrick Harris isn't following me, but he's

(47:49):
following Mike.

Speaker 2 (47:52):
Todd.

Speaker 1 (47:53):
Did Elvis we've interviewed Elvis has interviewed him. Yeah, we
had him on the show, him in the studio, we
got to meet him.

Speaker 2 (48:03):
Did he remember Elvis? Or did Elvis say, hey, their pats?

Speaker 1 (48:06):
Of course a lot. Elvis was on stage for this.
Elvis is on stage every year for this. They go
to interior decorator shows together, and Neil doesn't follow Elvis.

Speaker 2 (48:16):
Wow, let's follow Let's see he's following Alex though, hold on,
let's follow here.

Speaker 1 (48:22):
Uh. You imagine Neil Patrick Harris and his husband invite
the Confordos out to like the Hampton's and don't invite Alex.

Speaker 2 (48:31):
Like they partner up with those guys. Oh, poor Alex.
Neil Neil Patrick Harris, let's see n p h uh
eight eight point eight million followers, he's following from my
friends Mikey Confordo. Uh huh huh, that's it. Wow, nobody cares.

Speaker 1 (48:55):
Right, our friendly that's it. Oh my god. All right,
all right, well there you go. All right, poor Al,
you know what, poor Alex? Yeah, all right, well, poor Elvis.
I mean, the two of them, they have to pay
for whatever this party was. Couldn't have been an expensive

(49:15):
I mean it's tax right off. It's a great cause,
but it still a lot of money. So I hope
to have it. I hope they have a great time.
I would imagine they can have a great time. It's
Elvis and Alex know how to party, so I think, yeah, anyway, yeah,
I thought that was I thought that was worth bringing
up because I don't know. I mean again, I would
never be able to. I would actually have to tell
Neal and say, hey, just just for the record, it's

(49:36):
not my not my bid, not my money. But yeah,
hey you know what, we didn't bid, but we're we're
thrilled for you. Well listen, Indirectly, the Confordo family helped
run the price up, so they were involved in the
amount of money that was eventually rewarded.

Speaker 2 (49:51):
So all right, we'll take a break all right, I'll
be right back. Yeah, it's.

Speaker 1 (49:58):
That was now U great jingle that that I wrote
right before that commercial break? No, no, you don't get
credit for that. No, you know that was my jingle,
you know. No, No, it was not the one that
said it's the Brooklyn podcast. Yeah, and and tell me
what the original jingle was. Where did I get that

(50:18):
music from?

Speaker 2 (50:20):
I have no idea because it was yours. Yeah, but
you tucked on a cat scale. I forgot about that. Yeah.

Speaker 1 (50:26):
Well I'm a creative person. So they still run those
commercials I have. I have not heard that in a
very long time. I have not heard that commercial. Hey
is this our last break?

Speaker 2 (50:34):
No it's not. We got more. There's still more to
come because I have I have a big story and
it's getting late. So I want to boys podcast. So
I want to.

Speaker 1 (50:43):
Ask the slices what you would do and what you
think I did because I went out for dinner a
few nights ago to I'm not gonna say the name
of a place, but it's a casual dining place and uh,
we went to sit at the bar and watch the
World Baseball Classic sou we were being served by the bartender.

(51:05):
This very nice young woman bartender and I ordered. I
ordered an entree and my appetizer was Mozzrelli sticks. And
the Muzzirella sticks there are not inexpensive. They're probably twelve
or thirteen fourteen dollars eight. Yeah, they're very good. I mean,
I don't know if they're a handmade. But okay, Oh,

(51:31):
I have to call you out on something. Something's happening.

Speaker 2 (51:33):
I call you out on. I'll get to that in
a minute. So well, call gauging topic here.

Speaker 1 (51:38):
No, I got the TV on in the background, and
it just reminded me that you're a terrible person. Do
you want me to change the topic. Well, let's finish
the Mozzarelli sticks story. Okay, So I get five Muzzirella sticks.
I get four of them that looked like my middle finger, okay,
just for size purposes, big long, round, beautifully breaded, and

(51:59):
I've had them there for I know they're delicious. And
one of them that looks like my pinky. Oh, it's
a mutant or if uh or half a sock. Maybe
it's like less than two thirds the size of a
real muzzerell st.

Speaker 2 (52:14):
It's the run, it's it's the runt of the litter.

Speaker 1 (52:16):
Yeah, it looks like it looks like cigar cigar, cigar,
marijuana joint. Like, that's what it looks like. So I
know I'm supposed to get five. I've ordered there before.
It wasn't like I was. I was supposed to get
four and I got a bonus one, supposed to get five.
So eventually the bartender comes round, How is everything now?

(52:39):
What what am I hoping for? By when I when
she asked me, how everything is?

Speaker 2 (52:44):
What am I? What am I looking for in this point?
What am I gonna?

Speaker 1 (52:48):
Obviously we know that you want to say something about
the runty little um half a Mozzarella stick, right, So
so that's already on your mind, right, somehow it has
to come out right.

Speaker 2 (53:00):
It's a matter of wind, right.

Speaker 1 (53:02):
And so when I so, I uh, I said, well,
you know, uh, look at this Mozzerell stick. And I
hold up one of the big ones and the little one,
and I said, I think there's a problem with this
Monzrell stick. Now, what would David Brody want to happen
at that point? David Brody would want them to either

(53:26):
a comp the Mzzarelli sticks or at the very least,
at the very least or b give him a free
order of Mozerel sticks next time he's there, because he's
a regular. Something easier, easier than that. Just another an extra,

(53:46):
another order right on the spot. No, just give me
one mozrel stick. Just go get me who one normal?
I'm not asking for much. Oh well, dude, usually you
do so usually you you know, you give your finger,
you take the whole arm.

Speaker 2 (53:59):
So so all right, so.

Speaker 1 (54:00):
So ezy top is eazy top. I didn't ask you
for much. Just look, give for some tush so I So,
so I'm looking at her, and she just really says
to me, oh, the kitchen, I have no idea what's
going on in the kitchen today.

Speaker 2 (54:14):
And walks away kitchen. That's what she said.

Speaker 1 (54:20):
Just now, huh, I have no idea what's going on
with the kitchen today.

Speaker 2 (54:24):
Okay, now see now that is that's wrong now because
she thinks I'm saying, like, isn't this funny?

Speaker 1 (54:30):
It's well, it's well within her power to go in
and even if it's she does it in a cute
see way to give you a free mutsie stick and
put it on a plate and serve it to you,
saying here is a full size Muzarella stick. Right, yeah, right, nope,

(54:50):
because you go to places that just exude bad service.
Now did she say, you know what, I'll take the
soda off your order or not. No, I wanted five months,
anyone's four and a half because these places suck. How
does the kitchen see that I got a shriveled up
little mozzerell stick and go fuck it? Give him four
in that one and not go throw that one out

(55:12):
or give it to him as a bonus one. Give
a bone in five a bonus one that could be
a bonus one, right, you know what that you know
what it would be like? You know when you order
French fries and is an onion ring sitting in there? Yeah,
you're like, oh, bonus onion ring, bonus, give me the
extra five and a half Monzrell sticks for the price
of five. I love this place. Now I'm thinking that's bullshit.
It is, but I should have taken a picture of it.

(55:34):
I should have taken a picture posted on Instagram like
what the fuck? But instead I got four I got,
you know I did. I got four fingers and a pinky,
That's what I got a little ring on my thumb
now now you I'm shocked that you look to get
away with this. I was so shocked by the response
to the balltender that she was like, huh, I can't blae,
I don't know what's going with the kitchen today. She

(55:54):
walked away like like those crazy bastards, and then she
walked around the bar.

Speaker 2 (56:03):
It's a square bar.

Speaker 1 (56:04):
She went to the other side of the bar, and
she's talking to other people, helping them out, so I
can't get her attention. Her backs to me because it's
a square bar, so the outside of the bar, the
bottles are all in the middle, So I'm like, what
am I gonna get up and go around the bar?

Speaker 2 (56:17):
Like? Oh? So by the time she ever came back
to me, I was already done eating. So very disappointing,
very dope slices. Should I have gotten up? Should I
have what? Should I have done? On?

Speaker 1 (56:28):
I thought you were gonna go for the gusto and
ask for the free dessert, but you know what giving
you I think in this case, giving you a free
mutsie stick would have been the right thing to do,
or at least she should have asked you the question
and said, oh my god, that's terrible.

Speaker 2 (56:45):
Would you like me to get you another one? Done? Right?
I guess what? Fuck you? Claire?

Speaker 1 (56:51):
Fuck you, because that's that was who she was. It
was Claire, Fuck you Claire.

Speaker 2 (56:57):
You know what?

Speaker 1 (56:57):
I should have said, Hey, excuse me, I get another
Montreial stick. This one's too small. But instead I left
it up to her. That's my problem.

Speaker 2 (57:04):
I left. That was my mistake, scary. I left up
to her.

Speaker 1 (57:06):
I said, hey, uh, look at what she thought? Always
be like, hey, get a load of this right?

Speaker 2 (57:12):
Funny? Is that right? Look at a run but trail stick? No?

Speaker 1 (57:15):
No, I wasn't pointing it. I wasn't like, hey, this chip,
potato chip looks like Jesus. I was like, hey, this
this mo Trelli stick? Is a fair question?

Speaker 2 (57:22):
Is are you going to say something next time? No?

Speaker 1 (57:26):
No, because because I'm I'm going there a fair amount
of times. And it wasn't Tommy's because I know I
mentioned Tommy's. You want to know, well, No, yeah, I
in good in good graces with them, right okay, but
before before we take another break, I do have them.
I do have a bone to pick with Tommy's. You
know I love Tommy's taving and tap love them. I'm
there all the time. Now it's not really a bone,

(57:47):
it's not really the fault, but it's a bone for
David Brody. So they have seasonal menus. Okay, so every
three months there's a specialty menu in addition to the
regular menu. I love the regular menu, but the specialty
menu all has awesome things. So, for instance, in the
fall menu, they have something called the gobbler, which is
this massive mound of bread and turkey and stuffing and

(58:10):
gravy and sweet potato fries and marshmallows, sauce.

Speaker 2 (58:14):
The gobbler. It's awesome. I look forward to it every
year at Tommy's. That was my first girlfriend. She was
the gobbler. Nice. Nice.

Speaker 1 (58:23):
So they also always have a flatbread special, right, always
one of the pizzas of flatbread. So for the fall
they had a steak, a steak and provolone with a
sesame seed cross flatbread. It was scary, it was outrageous, outrageous.

(58:45):
Then all of a sudden it's gone. Now the winter
menu flatbread is a smoked I think it's a smoked
Gouda cheese with an onion infused. A smoke gooda cheese
with a with sliced steak and red pepper.

Speaker 2 (59:03):
I think they normally put a rugel on top. But
I get about your room. It's awesome. I got it.

Speaker 1 (59:09):
I went there every week for it, almost every week,
loved it. I went back last week and I said, oh,
and the and the bartenders know me, and I said, hey, uh,
let me have the uh steak the steak flatbread.

Speaker 2 (59:24):
Oh I'm so sorry.

Speaker 1 (59:25):
We already switched to the spring menu. So I would
like to reiterate, scary, the steak and provolone. Then it
was the steak and cheese sauce with the onion and
the aguda and the red pepper, the flatbread for this
three months scary.

Speaker 2 (59:44):
Ready? Yep, what would you think?

Speaker 1 (59:47):
We went from steak and provolone steak and onion with
red pepper.

Speaker 2 (59:52):
What are we looking at for the spring.

Speaker 1 (59:55):
Steak and caramelized onion or something? Oh right, that'd be
nice if I liked onion. I don't, but like something
like a little bit more, you know, for the next
have some blues next three months? Yeah, blueberry and pair
Wait what blueberry and pear flatbread pizza?

Speaker 2 (01:00:15):
What the hell kind of combination is that? I don't
know that I don't know that is outgeous.

Speaker 1 (01:00:24):
I ended up ordering the shrimp scampy pizza flatbread because
that's awesome and again, nothing but love.

Speaker 2 (01:00:29):
I'm there all the time.

Speaker 1 (01:00:30):
The food is fantastic, The caesar sounds outrageously good. The
Asian ribs, I mean, the the the bang bang like
fifty to fifty shrimp colomari amazing, nothing but love.

Speaker 2 (01:00:42):
But that's just not me. Now.

Speaker 1 (01:00:44):
People may love it, but I'm going from steak and cheese,
steak and cheese to blueberry and pair flatbread pizza. And
the flatbread pizza scary is like fifteen inches wa by
somebody from the West Coast that there's only what these
people don't know pizza.

Speaker 2 (01:01:01):
Well they do though, that's the thing. The food there
is amazing.

Speaker 1 (01:01:05):
I just don't get why you blueberry and who's putting
blueberry and pear on a just not doing it?

Speaker 2 (01:01:11):
Slices.

Speaker 1 (01:01:11):
Are you ordering a blueberry pant pizza? Death des des?
Are you ordering blueberry pant pizza?

Speaker 2 (01:01:17):
No?

Speaker 1 (01:01:17):
No, because especially Jenny from Brooklyn, Vinnie, come on, so scary.

Speaker 2 (01:01:22):
You love all the food food stuff? Are you ordering
it all? No?

Speaker 1 (01:01:25):
I'm not, No, I'm not, but you know you know
back in the day when we were you know, the Locerto's,
our friend the Licerto's, they had their their their sandwich
shop and Hoboken. Yeah, they would pair things like they
would No, no, the fig and the pig, the fig
with like a prejute because it's sweet with salty. Oh Sam,

(01:01:46):
I get that. But the pear and the blueberry don't
go together. I don't know, not for me at least. Yeah,
that's awful. All right, well, and I again not looking
to knock again. Love love the place just from me.
That's a strike that strike me. Let's take a break. Okay,
all right, my mouth is watering, but not for blueberry impairt.

Speaker 2 (01:02:11):
Uh I Oh, I've got to rip you for something.
You you go first, please, This is a what is
your ethnic background? Italian? Italian? Italian?

Speaker 1 (01:02:27):
You're and you're proud of your Italian ancestry, and I
am uh you know that on the Italian flag stickers
on the back of cars it should be green white red,
not red white green. That is correct, right, you're very
proud of your Italian heritage. You've even finally been to Italy.
I've been at least several times now, and I can't
wait to go back again.

Speaker 2 (01:02:49):
Now.

Speaker 1 (01:02:50):
May be planning a trip family trip this summer to
uh to Italy. So we're gonna go to maybe Pooglia
if we can get oh very nice got there. It's
gonna be fun. Yeah, hopefully.

Speaker 2 (01:03:04):
So. Your last name is Chiare, your name is Anthony.
Couldn't be more time. Your father's first name is what Anthony? Tony?

Speaker 1 (01:03:13):
Anthony again, Tony, couldn't be more Italian. I got a
TV on in the background, and after coming off of
victory beating the USA Palahouse team the Italian Baseball Classic,
the Italian team, by the way, scared. You know what
they do after they hit a home run, the Italian
team in the World Baseball Classic.

Speaker 2 (01:03:30):
They do a shot of espresso. That's right, could have
and they put on what do they put on? Scared?

Speaker 1 (01:03:35):
You know what they put on? They put on their
uh what they put on? What they put on? An
Armani jacket. You put on Armani jacket and there was
a shot of espresso. You couldn't get more Italian than that.
Last night as we're taping this, as we're recording this,
they beat the American team the shot herd around the world.

Speaker 2 (01:03:54):
Did you watch the game. I did not watch the game.
Not favorite to advance tonight.

Speaker 1 (01:04:01):
As we speak, right now, Italy is playing Mexico. If
Italy wins, not only do they advance to the quarterfinals,
but America advances in a quarterfinals. If Mexico wins by
less than five runs, Italy and Mexico go in and
America is out.

Speaker 2 (01:04:21):
But before you continue, are there any American baseball players
playing in this? Which team America? Yes? For America, Yeah, Americans,
your dumb ass, Yes, dude.

Speaker 1 (01:04:36):
Aaron Judges on the team. Half the Phillies are on
the team. Dylan McLain from the Mets is on the
team we're talking about. I'm not watching with j Yes, everyone,
they are.

Speaker 2 (01:04:48):
All major leaguers. This is like an all star team.

Speaker 1 (01:04:51):
That's awesome. I'm not watching it. It's not on my radar.
But okay, I've been I don't know if you know.
I've been, you know, in the middle of moving the
past two weeks.

Speaker 2 (01:04:59):
And I have a store.

Speaker 1 (01:05:00):
I've got no TV's on my roll yet, there's no
TVs in my apartment.

Speaker 2 (01:05:03):
I'm lucky you have internet service. Yes.

Speaker 1 (01:05:06):
The story of the World Baseball Classic right now is
Team Italy, Fortas Italia, Fortune Italia.

Speaker 2 (01:05:13):
Yeah, and right now they're playing Mexico. And not only
is Italy playing.

Speaker 1 (01:05:19):
For themselves, but if they win America America with them,
I am what is more American than Italy fighting for
America America?

Speaker 2 (01:05:28):
Italy fighting for Italy and you are not watching it?
Oh so you want no knowledge of it?

Speaker 1 (01:05:34):
Well, you're ripping me first of all, because I want
to get a podcast off the ground, so the slices
can have an episode. So but you can be recording it.
You could be recording how I don't have TVs Brunie.
You have to understand. I mean I've got you don't know.
You don't understand. I just today got my TV delivery

(01:05:55):
tomorrow they're gonna be hung on the wall. I just
got internet service three days days ago. We just got
back on the air. My priorities are very different right now.
I'm this is out of the basics to survive. Now
have I been? If I was in my apartment hanging out,
I was all bulled in, I was relaxed. Of course,

(01:06:18):
I'd know all about it. I'd see everybody playing. I'd
be like fort Tahlia, I would be all about it.
But brody, when you're living in a fucking cave right now,
in box out of boxes, like I am worrying when
my fucking sofa is gonna get here and trying to
dig my cables out of the fucking box. I have
other priorities. It's like, have you tried to esk your

(01:06:39):
own cable?

Speaker 2 (01:06:41):
You know?

Speaker 1 (01:06:43):
By the way in Italy against TM USA? Who would
your root for Team USA? Okay, I'm America, America. First,
come on now when I'm sitting there. And then now
when you think about the like life and what it
takes and what it's me okay, to survive, you have

(01:07:03):
the basic necessities first, like shelter, clothing. Then you build
on that stuff with and as the pyramid gets higher,
become the less important things, so so the survival part.
As the pyramid gets higher, it's more important at the

(01:07:24):
top of their.

Speaker 2 (01:07:24):
Less you need a foundation.

Speaker 1 (01:07:27):
No no, no, you put shelter and clothing and food
at the bottom as the base of the foundation. Because
but how can I worry about doing a podcast if
I'm starving and I don't have food? How do I
worry about? How do I worry about the baseball? Watching
the baseball classic. If I don't have a place to live,
how do I worry about driving a car, driving a

(01:07:49):
car and filling it with gas? If if I don't
have if I don't have a shelter or job, right,
you know what I'm saying. Like, So my point is
like there are things that come first. There's there's your
your your your food, your shelter, your clothing, your right yeah,
ca and your and your job, and then you start
building off of that. So because I'm not settled right now,

(01:08:12):
for the past three weeks, I can't even fucking think
about if I want to have a boogie dinner with
my girlfriend. I can't think about making plans. Do you know,
Slices don't get upset but you're hanging out with Neil
Patrick Harris de Slices. Do you know we have another
vacation coming up after God the day after Easter. We're
off that whole week after that. Do you know, here

(01:08:33):
we are, in the middle of March. I haven't even
thought about or planned a vacation. Oh my god, your
poor bastard.

Speaker 2 (01:08:42):
Because there's an order of importance.

Speaker 1 (01:08:44):
Yes, I know, I know. Once again, I'm going out
of boxes. I'm not settled my brain is all over
the place. And you know, slices, if you've ever moved,
and why don't you take a vacation and then unpack
everything while you're on vacation, stay home, get your house ready,
I build a foundation.

Speaker 2 (01:09:01):
It may come down to that. Where where is a
ruba in the pyramid?

Speaker 1 (01:09:04):
If I'm not settled, it's on the top, because no, no, no, no, no, no, no,
it's it's it's it's further away. If if I don't
have all my furniture and I'm not settled in this place,
I can't think about going to a ruba.

Speaker 2 (01:09:16):
I'm already. I think.

Speaker 1 (01:09:17):
I think every slice knows right now, if you still
have boxes when you go on vacation in April, you're
out of there.

Speaker 2 (01:09:22):
Oh absolutely, And then.

Speaker 1 (01:09:23):
You're gonna and then you're gonna. Then you're gonna say
I needed to get away. It was overwhelming. I worked
so hard, I earned a vacation, My move was streighted.

Speaker 2 (01:09:30):
It wore me out.

Speaker 1 (01:09:31):
Okay, So like you know that it's important for me
to go to the gym right because it's been one
of the things that have been my priority.

Speaker 2 (01:09:37):
Right. I can't go to the gym tomorrow.

Speaker 1 (01:09:39):
Because they're gonna be guys in my house drilling holes
in my fucking walls trying to hang these TVs. I
gotta rush home after the show and make sure I'm
here for that. You can't drill your own holes to
hang in television.

Speaker 2 (01:09:52):
I gotta I gotta find the beam. You gotta, you gotta,
you gotta drill into the bea.

Speaker 1 (01:09:56):
Get a stunt finder. You gotta put a racket mount
in racktor?

Speaker 2 (01:09:59):
What do you hang?

Speaker 1 (01:10:00):
And then I'll do it for half. You are not
going to do this. This isn't the fucking what are you?
Home improvement?

Speaker 2 (01:10:06):
You dude?

Speaker 1 (01:10:08):
Any Okay, so you remember, So let's let's talk about stereotypes.
Most straight men can hang in television, but can you drive?
I've hung a lot of time. Yes, I don't trust myself,
so I have to have somebody to do it. Anyway,
the word I got three TVs to hang up and
and so anyway, my point as I think, so yeah, So,

(01:10:29):
so you asked me about the World Baseball Classic and
who's on?

Speaker 2 (01:10:32):
Are you know?

Speaker 1 (01:10:32):
Not even paying attention? Italy is winning six nothing over Mexico.
It's unheard of.

Speaker 2 (01:10:36):
Dude.

Speaker 1 (01:10:36):
I'm lucky, I know, that there's a war going on,
and I ran right now. It's been the best distraction.
This move has been the best distraction because I'm outside
of social way. It's not not award, it's an excursion, which,
by the way, whatever it's like, whatever we're doing, it's
almost finished. It's a war, whatever's going on. My point
is you'renoring distraction. I'm ignoring everything. So I'm just worried

(01:11:01):
about getting you know, like like my clothes put into
my closets and my what am I doing with all
the extra stuck my storage unit? Here's what I would say.
Gas prices are going so high right now? No, No,
I think when you get guests next time, you should
turn the engine off the same gas. That's how the
prices are going high. All right, Hopefully next week we'll

(01:11:22):
have more together. I wanted to go ranting today about well,
I'll tease you. Let me ask you this, brody.

Speaker 2 (01:11:29):
Yes? Should should I pay.

Speaker 1 (01:11:34):
A move out fee from my previous apartment as a
as an original owner of that unit for nineteen years?

Speaker 2 (01:11:41):
Hm?

Speaker 1 (01:11:43):
They fucking hammered me out for five hundred dollars a
nonble five hundred dollars as a move out fee a
move for what they don't They don't have to redo
your apartment. You didn't, you didn't go on rent.

Speaker 2 (01:11:54):
It's a move out. It's a move out of the
building fee.

Speaker 1 (01:11:56):
It's like it's the association saying, here's a I'm gonna,
we're gonna here's a cash grab. Was that in your
contract when you moved in? When I moved in, it
was not part of the original deed. The price wasn't
I'll tell you what. It wasn't five hundred. If anything,
it might have been one hundred hundred and fifty. But
at the very least I should be entitled to two

(01:12:17):
thousand and seven prices because I'm an og owner.

Speaker 2 (01:12:20):
And why is it the longer I stay, the more
I pay?

Speaker 1 (01:12:24):
Well, what is the money being used for them for
the wear and tear the hallway which just goes carpet
in the hallway just goes into the association's fee. It's
it's a fucking money grab. And what happens if you
don't pay it? Well, I need I needed to pay
it in order to get the elevator to move out
that day. You have to They fucking ball a cashiers check.

(01:12:46):
But they haven't cashed it yet because I have a
gripe and I'm complaining about it, and you know, I
don't want to.

Speaker 2 (01:12:52):
I don't want to get into it and name names.
Right now he's working on it.

Speaker 1 (01:12:55):
But apparently this is the executive board that put these
laws into places. I'm like, oh, you mean the executive
board of the people that have been here for three
or four years and and I've been here fucking nineteen.

Speaker 2 (01:13:06):
Yeah, do you know who the fuck I am?

Speaker 1 (01:13:08):
I'm Scary Jones, and I don't want VIP treatment because
I am Hawaiian.

Speaker 2 (01:13:13):
And oh you're og though Ogg.

Speaker 1 (01:13:16):
And what if one of the other ogs decides to
move out of twenty thirty the price one thousand dollars.

Speaker 2 (01:13:22):
You know, that's fucked up. That's fucked up.

Speaker 1 (01:13:24):
Now, Was it was an elevator rental fee? Because if
it's an elevator rental, no, it's not, it's not. I've
already determined that. In fact, I have put down another
thousand dollars security deposit. That's the fucked up that that
is I got back, because that is if you fuck
up the elevators, the carpets. So with the place we
left an immaculate we're fine, I got my money back

(01:13:46):
on that. This is the non refundable. You're moving out.
Let's hammer you over the head. Here's a gut punch.
Let's punch you in the face with five hundred bucks
for no reason. And there's a move infee too. Anyway,
I don't know if I can get it too that
lay next. I just kind of did, right, But they were,
they're working on it. They're gonna try and see if
that can make an appeal. I think it's bullshit. I

(01:14:08):
don't know, slices, if you heard of such a thing. Now,
if you rent it's it may be different. I'm an owner.
I would when you sell your apartment, I would charge
the person who you are selling the apartment to a
five hundred dollar moving into my apartment.

Speaker 2 (01:14:22):
Faith exactly. I don't know.

Speaker 1 (01:14:25):
It set me off. I was so bent I had.
I had a fight with the guy. I probably shouldn't
have gotten as loud as I did, because it was
because it's because he's just kind of a punching bag
and he's sitting there like taking it, and it's not
his choice. He just has to enforce it. So you know,
it's the the e board, the backwards board, in my

(01:14:45):
in my previous building. But all right, honestly, I'm hoping
they come to the table and they do the right thing.
But that's like when they fuck you get the drive through.
They funked you on the way out, they fucked you
on the way out. Well, we'll see next week. Next week,
I'll have an update for you on that.

Speaker 2 (01:15:00):
All right? Is that all? You want to go watch
your baseball classic? No? You said we have one break?
That was the break. That's four. We're good. We're good.
Five breaks. We're good. Oh, we're good, We're good.

Speaker 1 (01:15:12):
Were good, we're gucci. All right, all right, take a breath.
Next week, maybe I'll have better processing. Maybe i'll be
a little bit closer to uh to comfortable. All right,
And we're gonna the closer you are to find so
uh We're gonna do a slice time on time, an
episode on time. We're all good next week, and I

(01:15:34):
may go to I may go and get the blueberry
pan pizza just like a report.

Speaker 2 (01:15:37):
Back report pack.

Speaker 1 (01:15:39):
Please do not gonna happen slices. Thank you so much
for bearing with us during this time.

Speaker 2 (01:15:44):
And I'm gonna post a picture of scary no but
my view, No, you are not no shot.

Speaker 1 (01:15:54):
I do need a Brooking Boys background now that I
have a wall behind me.

Speaker 2 (01:16:00):
Boys shot Brocoln Brocklin, Bob Boys, brock Brockly

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Skeery Jones

David Brody

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