The Brooklyn Boys SLICE TIME for Ep. #372

The Brooklyn Boys' "SLICES" comments, feedback and iHeartRadio Talkbacks for Episode #372 and earlier.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
Brooklyn Boys podcast reactions.

Speaker 2 (00:14):
This podcast all depends on you.

Speaker 3 (00:17):
Baby in.

Speaker 4 (00:28):
Brooklyn Boys Slice time for episode three seventy two and beyond. Wow,
we've made it that far. I'm scary of Joe backwards.
That's David Brody. What's going on, bron David Brody? I
was gonna introduce myself. I'm capable now. I took the
course on how to introduce yourself and I passed. But
isn't it a better honor when somebody does the intro

(00:50):
for you? I've always wondered, is it better to introduce
yourself or is it cooler to have someone do the honors?

Speaker 3 (00:57):
Well, i'll tell you why. I'll tell you what.

Speaker 4 (01:00):
Stalt the music again, don't say anything, start the music again.
Start the music again, and you want to you want
to do?

Speaker 5 (01:06):
No?

Speaker 4 (01:06):
No, no, stalk the music now and we'll see how
you feel good. Let's go stop, No, let's we gotta move.
We got it, We got so many. Now want me
to introduce him? He asked the question, is it better
to be introduced to have someone introduce you? And when
I try to make the own, because I know your
introductions come with some fucking joke. So I was gonna

(01:30):
do it just the way you do. I was gonna say, well,
is welcome to next slice time you do, David Brody,
that's Scary Jones.

Speaker 3 (01:37):
All right, here we go. Anyway, this is not.

Speaker 4 (01:40):
The main episode. This is the episode about the episode.
This is like kind of a feedback episode. Right, So
if you're listening for the first time, welcome, but you're
gonna hear some things here that are basically our listeners
giving us feedback. And you could do that if you
listen through the iHeartRadio app. Only when you click on
the microphone, you leave us a talkback, right Brody? Yeah,

(02:02):
all right, there you go in a nutshell. All right,
we got a lot to do, so let's just move along.
If you are at all American rejects, you see what
I did there, David Brody? Yeah, and I said thank
you Brenda, good ladies at the same time. All right,
life in a nutshell.

Speaker 6 (02:18):
Hi Brody, Hi, Scary. It's velvet interior. It's my second time.
I'm leaving a talk buck and I didn't think I
would leave one. But I usually listened through the podcast station.
But then if I want to talk, so I switch
back to my Heart to listen to the podcast. But
I just want to let you guys know two things. One,
the name for the like episode three seventy one, it's

(02:43):
different on one and then different on the other.

Speaker 3 (02:47):
So okay, I'll explain.

Speaker 7 (02:49):
So sorry, this is Velvet Interiors again. I was just
saying that I think at thirty years in the office,
they should have done something for you guys, even a
cake or something. But for my husband's company, when he
reaches twenty years.

Speaker 8 (03:03):
They get him a Rolex. Oh, I thought that was
pretty clean. So yeah, Rolex.

Speaker 4 (03:11):
If we got one of those, it would be spelled
ro O l e k S if they gave us
a Rolex. Hey, So to respond to velvet interiors, it's
not different on different app on different platforms. We originally
called the three seventy one three seventy three seventy was

(03:32):
Pounds Your Meat More, and we noticed that it had
not as many listeners as the ones before the episode
before the episode after it, so we thought maybe it
was too sexual, so I.

Speaker 3 (03:43):
Changed the name, Thank you sexual, changed the name to.

Speaker 2 (03:51):
Mediums.

Speaker 4 (03:53):
Okay, you switched the name, and now the listenership has
gone up dramatically. So I wonder if people were offended
or didn't want to listen to an episode called Pound
Your Meat More. I don't know to me that would
have tracked him episode triple the amount of listeners than
the other one.

Speaker 3 (04:07):
But okay, it didn't, all right, I didn't. I don't
understand why, all.

Speaker 9 (04:11):
Right, he booking bus forow this any So it's pretty scary.
I work in the restaurant inter Street. We have butter
of the wazoo. We literally don't know what to do
with all the butter, but uh, seventy five cents. It's
the most exactly I would charge for butter.

Speaker 3 (04:32):
Yes, and even then.

Speaker 4 (04:33):
They're making a crazy profit. But you Broady got charged
three dollars for butter, three dollars at Houston's crazy.

Speaker 3 (04:42):
Well, my friend Paper even from.

Speaker 10 (04:44):
South central Pennsylvania, and as always Birdie and scary. I
just wanted to thank you guys. After the week I had,
I needed that laugh and that episode was top shelf.
I have not laughed that hard in a long time.
The whole bougie light switch. I looked on their wa
the site and their prices. I was laughing so hard
at that stuff. Who is buying this stuff?

Speaker 4 (05:06):
Not me?

Speaker 10 (05:06):
Anyway? I have a going guys, Thank you Ethan again.
I mean, seriously, you know it's bad, it's scary. Isn't
willing to commit to spending that kind of money straight?
I just yeah, I don't even know what to say.
I look at the website on their prices and it's
freaking insane. Love you guys, Thanks again.

Speaker 4 (05:24):
Where do they get the balls for charging four hundred
dollars for a freaking light switch cover plate? Give me
a break?

Speaker 3 (05:31):
The people who spend three dollars for butter?

Speaker 4 (05:33):
You know what, people, it's insane, But I guess they
say there's an ass for every chair someone's gonna buy that.

Speaker 3 (05:38):
We probably know people who have, well, we know someone
who bought them.

Speaker 4 (05:42):
All right, we're gonna move on now.

Speaker 11 (05:45):
According to that list, Billy Joel got ripped off.

Speaker 3 (05:49):
He did.

Speaker 11 (05:50):
There's no way that you could put half of those
artists above Billy Joel with all the different sounds and
styles he has, including how many decades he spanned over.

Speaker 4 (05:59):
No, it's probably worth it because you got more press
out of it this way, right. I mean everyone's talking
about are there articles? Are the articles written about how
Billy Joel's not in there?

Speaker 3 (06:07):
Or was it just us?

Speaker 2 (06:08):
No?

Speaker 4 (06:09):
It's it's a known thing. It's all over, It's it's.

Speaker 3 (06:11):
All over online. Yeah, people are people ridiculous pissed.

Speaker 12 (06:16):
Hey, Brooklyn boys, this is Jody Frum. I'm the Midwest
listening to episode three seventy two about the buster and
punch white plates. So scary? Does this mean those are
Brooklyn Industrial? Maybe they come in near Brooklyn Gray that
you're looking for. That's the first thing that came to
mind when I went to check out their website. Those

(06:36):
are some pretty fancy light plates. Maybe you should consider it. No, thanks,
have a good one, got it.

Speaker 4 (06:41):
They're not Brooklyn Industrial. They're Beverly Hills Industrial.

Speaker 3 (06:44):
Get the hell out of you h four hundred dollars
to turn on a light switch? Really, you could honestly
pay someone to stand there and turn the light on
and off.

Speaker 13 (07:01):
Scared your love us on a radio show attempted to
comcast the weather. Its money broad a saniticture phone is scary?

Speaker 2 (07:12):
You please? But the big up he's seting anything before
a double He's a the lp ones.

Speaker 3 (07:25):
To be continued here. You have the view of the.

Speaker 14 (07:29):
Empire Saint and in door pool would.

Speaker 2 (07:32):
Be great, but don't see them move out. Feel scary.
It don't be that move out.

Speaker 3 (07:40):
Feeding no way, please don't be that move out feet.

Speaker 2 (07:47):
They're full of shit, No, full of shit.

Speaker 3 (07:52):
Can you move it out?

Speaker 4 (07:54):
It's full of ship.

Speaker 2 (07:57):
Move it up.

Speaker 13 (08:01):
SHM take a long sending them a pull, stated chick
and dated twenty seven.

Speaker 3 (08:12):
Y thank you there he's he's doing a fade. He's
fading out. Prody nice, aren't we all?

Speaker 4 (08:23):
I love the way he faded out.

Speaker 2 (08:25):
I mean.

Speaker 4 (08:27):
That's hard to do, so a self fading the first
ever self fading talk back.

Speaker 3 (08:35):
He chose that song because the chorus is moving out.
That is correct.

Speaker 4 (08:40):
You were moving out and I was moving out, and
it didn't use the moving out lyrics right about moving out.
And it's also called in parentheses Anthony song and my
name is.

Speaker 3 (08:48):
Anthony, Anthony song'st.

Speaker 4 (08:50):
And the first lyric is Anthony works at the grocery
store saving his pennies for Sunday, Someday, someday.

Speaker 3 (08:58):
Misheard lyrics all right anyway.

Speaker 4 (09:00):
Also Billy Joel, great songwriter. That's a Billy Joel song
that is awesome, scary.

Speaker 15 (09:05):
This is Kelly from West Virginia. For that amount of money,
I'll make the switch plates indoor knobs and hunches for you. Hell,
I'll come to your house in storm and I'm in
West Virginia. That's ridiculous. Sure, just go buy some colored
ones that match everything. She's just spending your money like

(09:30):
a gold digger. Have a great day.

Speaker 3 (09:33):
Yeah, what you got? Cut off thirty seconds?

Speaker 2 (09:39):
I was very funny, he booke and busy one with
this and pretty scary on.

Speaker 16 (09:44):
The bustard and punch or punch or nuts after you
pay the price? Scary Johns from fact. I do have
custom plates what and I they change my hinges and
my handles. But I am a former country, so I
do get a cutback.

Speaker 2 (10:03):
Or you know, if you do have a code, you
get it for cheaper.

Speaker 3 (10:09):
Maybe you want to share that with.

Speaker 16 (10:12):
So scary again on the buster or punch your nuts
on the gang bang?

Speaker 2 (10:19):
How many switches do you have? I I know I've
seen the building you live in. It's not that difficult.

Speaker 16 (10:27):
But go room by room and who are we getting
for this gang bang? Are we getting Daisy Taylor? Are
we getting Bailey j Are we getting the fence down?
Who are we getting for this gang bang?

Speaker 3 (10:39):
Wow?

Speaker 4 (10:40):
He pulled those point stars out real quick.

Speaker 2 (10:44):
Why it's so expensive, okay against scary Johnes.

Speaker 16 (10:49):
They do change the room. If you change the hinges
and you change the handle, they do change. But it's
it's the side on the room. If you're going to
go your red room, if you have blackhnes and black handle,
you know, upset the light switches, you decide maybe change

(11:10):
the ones in the bedroom and the ones in the
red room.

Speaker 2 (11:14):
So scary doesn't final talk back.

Speaker 16 (11:17):
So you know, what's the difference between mousi people and
really rich people. Light light changes everything. I've been you
know me, I'm a contractor. I've been in five million
dollar homes. I've been in seven I've been in mansions
upstate and light. The control of light changes everything.

Speaker 3 (11:43):
Absolutely. I agree with you. So we're gonna, you know,
we'll figure that out.

Speaker 4 (11:46):
I gotta put stuff on dimmers.

Speaker 2 (11:50):
Final final, final talk back.

Speaker 16 (11:55):
If they're charged me three dollars for the butter, I'm
taking the ramikin, okay, Yeah, and if I take the
plate and the silver war I would also take them.

Speaker 2 (12:05):
Fuck them three dollars. I am Where is this place?
I want to go? Or don't want to riot? I
want to lunch. I love against them. I'm gonna send
the Dog Bob Dog dog log dot Com.

Speaker 17 (12:20):
All right, rub a right, rub dog, eat that fucking
restaurant who charged me three dollars for fucking butter. Bob Dog, Right,
you have a dog and he wants to eat people,
say it to this restaurant, eat the manager for charging
me three dollars for butter.

Speaker 2 (12:37):
Well, that's out.

Speaker 4 (12:38):
Top Dog Love. By the way, not a sponsor this podcast,
but sponsoring everything else in radio. So maybe they want
to join because of the free publicity from Juan Valdez. Yeah,
and by the way, he does sound like he needs
to up his dosage of his medication.

Speaker 3 (12:54):
But all right, thank you one.

Speaker 4 (12:56):
I love it, I love it.

Speaker 3 (12:57):
I love the enthusiasm.

Speaker 18 (12:59):
Coming to you this summer only in Select brought to
you by CBT Productions in association with Brooklyn Moors and
Becard Kailed dot Com, Slice.

Speaker 2 (13:13):
Connection and Erotic Tale.

Speaker 18 (13:15):
Depicting the other side of some of your favorite slices
and how they managed to finally hook up and get
their groove on.

Speaker 4 (13:24):
This summer will.

Speaker 2 (13:25):
Be dead ass hot.

Speaker 4 (13:28):
Now he's doing parody commercials, and might I point out
that is now two slices here in the first ten
minutes that have referenced porn, so we know where their
heads are at.

Speaker 3 (13:39):
All right, continuing.

Speaker 18 (13:41):
Inspired by Scary Jones and his exotic travels to Palm Springs.

Speaker 2 (13:46):
California.

Speaker 18 (13:50):
Stories, it's shade by the way, Maria from Union City,
and none other.

Speaker 2 (13:57):
Than Reggie Marks.

Speaker 18 (14:03):
And for the first time these making a special appearance,
none other than.

Speaker 4 (14:25):
Who is that making the first appearance on these coast
I think that was him.

Speaker 3 (14:29):
I think that was the drop O truck. All right,
thank you, we long hand dropping.

Speaker 4 (14:35):
I'm gonna fade him.

Speaker 3 (14:36):
Out there, you go. I did the fade out there
on that one.

Speaker 4 (14:39):
Yeah, So thank you so much. Love the effort this
week that I mean, these are five star, five star
talkbacks from the Trucker. All right, let's take a quick break.
I'll take a short pause for the cause that my
boys podcast. Yeah, time flies when you're having fun. These

(15:03):
are fun having a good time.

Speaker 3 (15:05):
So far there, brody, all right, what have we got?
All right?

Speaker 8 (15:11):
Cue from all over the map? I bet you bust
Her and bust a Nut.

Speaker 19 (15:15):
Or whatever the company was called, was probably sponsoring her.
And I'm pretty sure that one thing that she has
was for free, probably because she finally made that one
sale that is crazy.

Speaker 8 (15:28):
Don't do it. Scary, she's trying to run you down,
doing a gang bang on you. Thank you again. Any
other day I would have said, Brodie is wrong. But
it seems like.

Speaker 19 (15:42):
She was really happy to get rid of all those
pork funds, and since you're a regular, I'm pretty sure
she was happy to give it to you then to
waste it off. But any other day I would have
been like, what the fuck is this ballheaded, big bag
bitch coming into the wrong door. Cue again, Brody, you

(16:02):
know I'm playing calling you a big back bitch. Actually,
I'm pretty proud of your weight loss journey if you
see if you're even trying to lose weight.

Speaker 8 (16:10):
But you look good, man, you do look good. On
another note, I.

Speaker 19 (16:13):
Was so happy to hear Spencer on the line. I'm like,
oh my god, I was geeking out. But now we
need to hear Danielle. I want to hear her go.

Speaker 2 (16:21):
In on y'all.

Speaker 3 (16:24):
All right, thank you so much. She's I think she
left another.

Speaker 19 (16:27):
One, one last thing. Cue from all over the map. Scary.
Don't let this woman bully you. If I think you
said that, you've known her for twenty years, so she's
gonna know the key words to try to make you
buy it, like the latest things, and she knows that
you have a big heart, so she's gonna try and
guilt you and to buying these things. Don't let this

(16:49):
saleswoman bully you into buying the things that.

Speaker 2 (16:53):
You don't need.

Speaker 8 (16:54):
It's your house, you get what you want me you'll
be afraid to say no.

Speaker 4 (16:58):
If I had fuck you money, would I would buy
I'd buy them for me and my neighbor. I mean whatever,
but it's just not ain't going down like that. I
don't have that kind of cash.

Speaker 5 (17:09):
Brooklyn boys, it's Maddie from Brooklyn and on the toilet.
It's not me having to fucking come out of my
fucking hiatus just to fucking tell these morons to stop
with the bullshit about landing on the fucking moon. I mean,
really tell me that you're uneducated. Without telling me that
you're uneducated, get a fucking life, bro. And I know
people who worked on the Mars Rover, so perhaps perhaps

(17:29):
you need to associate yourself with better people and stop
listening to the fucking fake science.

Speaker 3 (17:33):
Stop it, stop it.

Speaker 5 (17:34):
The world is fucking round. We land on the moon
and scary Brodie is one thousand percent right about the
First Amendment. The First Amendment, in every other amendment, only
applies to rights that we have as individuals when it
pertains to the government or government actors, not a private corporation,
and certainly not the fucking Brooklyn Boys podcast. Okay, nobody
has a First Amendment right to say what they want

(17:55):
to you or Brody or to anybody else. You have
a First Amendment right to express your opinions, which means
an amendment where the government cannot stop you from the
expressing your me and any individual and any corporation can.
In fact, he can choose what they want to hear
from other people. So when some Tom Dick and Harry

(18:16):
is on fucking TikTok talking about, oh, my first Amendment right,
I can say what I want. No, the fuck you can't.
It's TikTok rules, it's Instagram rules. So please please know
what you're talking about before you keep spreading misinformation. For
fuck's sakes, this is how we get flat earthers and
no landing on the moon people.

Speaker 4 (18:33):
Wow, she came out of retirements and I'm kind of
concerned that she would went into retirement to begin with.

Speaker 3 (18:38):
That's what she said.

Speaker 4 (18:39):
Yeah, let's have more of those calls. By the way,
just a quick phrase, that's very helpful. You want to
reach around on an amendment gives you, No, the First
Amendment gives you freedom of incarceration, but not freedom from consequences.
Your private industries can control what you say, and social

(19:01):
media platforms can control what they say. You just can't
be So here's another one for you. You can't be prosecuted,
but you can be persecuted. Well, like I have the
freedom to say scar is like go up to a
big guy in a bar and go, hey, your mother's
a whore. But I'm gonna get punched in the face.
The government's not gonna arrest me for saying.

Speaker 3 (19:21):
It, but get punched.

Speaker 4 (19:22):
So yeah, it's it's personally, well, yeah, I'm gonna get
persecuted with a punch in the face. It's consequences that
I'm gonna get so First Amendment, but I'm still getting
punched in the face.

Speaker 3 (19:32):
All right, Next caller.

Speaker 20 (19:33):
Game from b Boys and asked this guy. But when
we say we don't know if it's gonna go through,
please don't say it always does, because it doesn't. Last
week Brody's wrong jingle. He didn't get it because he
didn't play the setup before. I don't know what happened here,
but this was the song game. He missed this Destiny's
Child song.

Speaker 4 (19:53):
Here listened to the audience, all of our audience, as to.

Speaker 3 (19:57):
Why you couldn't say my name.

Speaker 21 (20:00):
It might.

Speaker 20 (20:01):
Go through here Genesis New.

Speaker 3 (20:04):
Except for some of the furniture. You know, that's all.
That's all.

Speaker 4 (20:07):
That's all. That's not Genesis. That's Phil Collins on his own.
I believe we'll look that up there, Brody fact check me.
But that's very nice. I loved I love the song
title call outs, say my name DESTINYE Child. And why
these talkbacks are not making it? I don't know that
A lot of times listen, we've you don't know, we're

(20:28):
not talking about that. That's not the issue. Was whether
or not we say you don't have to worry about
them going through. Oh, that wasn't the issue.

Speaker 3 (20:35):
I got you.

Speaker 4 (20:35):
Also, that's all is Genesis. It is Genesis lead singer
Phil Collins.

Speaker 3 (20:40):
Of course, Genesis.

Speaker 4 (20:42):
That's all is by Genesis and not Phil Collins solo. Huh,
I'm slipping.

Speaker 20 (20:51):
Bro It is wrong, is wrong?

Speaker 2 (20:57):
Thank you, bro.

Speaker 22 (21:02):
D Row he's fucking round?

Speaker 2 (21:08):
Hey, went is punk?

Speaker 3 (21:12):
Thank you so much?

Speaker 2 (21:17):
Favorite person.

Speaker 3 (21:17):
Hold on, before we get to that, what were you
going to say that, Brody?

Speaker 4 (21:21):
Wasn't that moving out? No, wasn't that the instrumental it? Again,
let's last this London.

Speaker 22 (21:28):
Bronges, he's fucking round.

Speaker 4 (21:40):
I don't know about that, all right, all right, let's
get to uh c T from NC with the noise
in the background, Brooklyn Ball.

Speaker 23 (21:52):
Is this your favorite person from NC with too much
motherfucking background noise? And today, on this lovely Monday morning,
I'm sitting here listening to the most recent episode of
the Brooklyn Boys.

Speaker 2 (22:01):
And well, scary. Normally I'm the one.

Speaker 23 (22:04):
That likes to make jokes call you a sellout for
your ads and shit, but you were real slick with
this one. I ain't even really catch your own until
Bertie started explaining what the hell was happening. Now it
is also now forty two, I'm still halfway awake and
scary you are to know who it is. But anyway,
I would like to apologize few episodes ago on Lifetime

(22:27):
where I called you a sellout and made fun of
you for your twelve minute long ad and I would
just like to say sorry for that again, you know,
because I can tell you got pretty little kind of
short of pissed off with men and then ended the
damn episode.

Speaker 3 (22:40):
So yeah, I still want to say sorry for that one.
I wasn't a bad.

Speaker 2 (22:46):
Though.

Speaker 4 (22:46):
Let's use our heads that you know, this is dollars
for the podcast. We don't want to lose sponsors. That
would be bad, So you know, be careful when you're
criticizing people that are spending money with us and investing
in your boys.

Speaker 3 (23:03):
All right, and I don't.

Speaker 23 (23:05):
Really mind a twelve minute ad personally, I'll be honest
with you, though I preferred like a thirty second ad.
But the only reason that I made fun of that
twelve minute long ad was because it was unannounced and right.

Speaker 8 (23:16):
In the middle of the podcast. It proved me off.

Speaker 23 (23:20):
It was kind of awkward, but I thought it would
have been funny.

Speaker 22 (23:22):
And I'm sorry.

Speaker 3 (23:24):
Yeah whatever, you know.

Speaker 4 (23:25):
It's all good.

Speaker 3 (23:26):
We don't have to continue to draw up more attention
to that. Okay, let's move on.

Speaker 4 (23:30):
I got it, Yeah, we got it, we understand, we
got you, we got you, we feel you.

Speaker 23 (23:36):
Boy, just your favorite person with too much background noise.
I apologize about the hammer strikes in the background. But anyway,
I'm gonna have to take Brodie's side on this closing
up store or deal because sorry, scary, but you know
you wanted to try clothes on and have to go
put clothes back and all this and that and the next.
And as someone who worked in the grocery store at

(23:57):
one point, I know that the people who do the
steam area. So what I was saying, uh everything the
port dumb ones would have went into the dump if
Birdie didn't show up and buy him. So he actually
saved the people from having to take all that shit.

Speaker 8 (24:14):
Out to the dumpster.

Speaker 23 (24:16):
And the business still makes a little bit of money
because they would have threw it away, but instead they
could sell the price and six of them and not
have to throw any of them away and just give
the rest away.

Speaker 3 (24:26):
So I mean, I'm gonna have to side.

Speaker 4 (24:29):
With I'm siding with David Brody on this. There's one
fact that you are all missing. The indoor was locked,
and he went in through the outdoor. He did something illegal.
They were not accepting any customers. They didn't they were
not accepting any in their minds. They closed because they

(24:51):
locked the front door, and they did it for a reason.

Speaker 3 (24:53):
They didn't want anyone else coming in.

Speaker 4 (24:56):
You walked in through the outdoor, and right there, you're
wrong forget about what happens next.

Speaker 23 (25:02):
So just.

Speaker 3 (25:04):
Hold on, just to paint the picture.

Speaker 4 (25:05):
There is a there's a there's an inner door and
an outer door right in both sections. So I went
in the outer door exit and I stood in the
little waiting area between the door, and I said, hold on,
and so there's another door you have to that would
normally be the outdoor and right so I said, can
I come in? I just want to get dumplings from
the steam table? Is there still time? Just yes, absolutely,

(25:29):
So they gave and walk in the store. I walked
in the little vestibule and they said come in, and
I made the money they weren't going to make because
they sold all. It doesn't matter. That last part doesn't matter.
You walked in through the outdoor.

Speaker 3 (25:41):
Commission, no.

Speaker 8 (25:46):
Person. What's the background noise?

Speaker 23 (25:48):
And this talk back is for Brodie only Brody what
the round with a mother home?

Speaker 4 (25:53):
Talking about we only got one light.

Speaker 23 (25:54):
Which we got at least one in every room at
least well that's two the living room together. They might
have like three boone total maybe something like that.

Speaker 4 (26:04):
I lived in a mother home tailor home in my
whole life.

Speaker 2 (26:07):
I'm about to buy one here in like twenty days.
What the what the fuck you picking.

Speaker 8 (26:10):
On us right next?

Speaker 23 (26:12):
And just so you know, my ubber home tailor home
gonna be a motherfucking double wive mother.

Speaker 3 (26:17):
Home tailor home.

Speaker 23 (26:18):
And ha's got an addition to it, motherfucker. So yeah,
and guess what, it's not a mother home tailer dough
front door. We put a house dough on that bitch,
because well it's like in the family house.

Speaker 3 (26:30):
You know, my granddad owned it originally.

Speaker 4 (26:32):
And now it's my turn.

Speaker 3 (26:33):
I'm about to buy it.

Speaker 24 (26:33):
For my aunt.

Speaker 4 (26:34):
So yeah, hooray. Ketterist Pond, I was not referring to
luxurious double white mobile homes. I was referring to the
one that my aunt uncle used to have it upstate
New York that was all like basically one room and
a curtain for a bedroom. So that's what I was
referring to when I said no light switch, The one

(26:55):
where they may have had two at most, the one
where two trailer park girls golden round the eye side
round the outside. My aunt uncle lived in a trailer
park upstate New York. And there was it looked like
there was a lake, but it was a rock quarry.
There's this giant hole that was like then they put
the trailer homes around it. The park was around this

(27:16):
big quarry. There's just rocks and like you couldn't you
could fall into it and die. And they had maybe
maybe two light switches in their in their uh not
double wide.

Speaker 2 (27:27):
All right, Hey, god, what's going on?

Speaker 14 (27:29):
It's me the old cow boy trucker one more time, Yes,
sir Rebarbarino.

Speaker 13 (27:35):
Whoa.

Speaker 14 (27:36):
You know, all these vacations that Cody took, you know,
it kind of screws things up, you know, and then
it takes some time to get back into the swing
of things, you know, and then.

Speaker 2 (27:45):
Get back on track.

Speaker 14 (27:46):
So you know, I'm gonna have to be commenting on
stuff from prior episodes. You know, hopefully that's okay, but
uh well, eventually we'll get caught up.

Speaker 13 (27:55):
You know what.

Speaker 2 (27:55):
You know, you got the Straight of ver moose all
close up.

Speaker 14 (27:59):
As the Secretary of Defense would call it, old slippery
feet there, the Straight of Vermouth, you know, Straight of Vermouth.
But anyway, you know, it's all closed up. But once
it opens up, it's gonna open up soon, that's what
they say. It's gonna take a while to get things
back to normal, if it ever, If things ever back
to get back to normal, you know, if you I'll
take time. But anyway, you know, I'd like to comment

(28:22):
on the whole toilet paper thing, because that was every
interesting topic you know that goes well, that ranks right
up there with interesting topics that we discuss, you know,
like gasoline, run flat tires and browns you know, yes,
sir Rebarber, you know, you know. But me personally, you know,
I like to get the toilet paper and wrap it
around my hand, you know, maybe one, two, maybe even

(28:44):
three times, you know, and then to use it like
a glove, okay, and then you you reach back in there,
and then you always go from front to back, all right,
front to back. Otherwise if you do it in the
reverse order, you know, back to front, you're gonna get
a nutsack fullish, you know. And ladies, you know, you
gotta do the same otherwise you're gonna get some doodoo
on your little fingerbaill. They're ningling and lingling, you know.

(29:06):
And then when your significant other goes down there the pleasure.

Speaker 3 (29:09):
It's not gonna be so nice for them.

Speaker 14 (29:11):
You know, have a little common courtesy there are girls, okay,
But anyway, you know, when you're wiping, you.

Speaker 2 (29:16):
Know, if you want to get everything, all.

Speaker 14 (29:18):
The stuff out of the crevices there and get a
good you slightly raise up your two middle fingers, you know,
and when you're whipping, you know, you gotta get those
two fingers in there, and you're not of all the crevices,
but you have to make sure and keep your fingernail
strim because if you got a long fingernail.

Speaker 2 (29:36):
It's gonna pro trude through the totet paper and.

Speaker 14 (29:39):
You're gonna get a fingernail full of shit.

Speaker 2 (29:41):
You know, you can't watchet for these.

Speaker 3 (29:43):
Kind of things.

Speaker 14 (29:43):
Okay, And then once you're done, you know, if you
want to wet your tolet paper and do a little down,
that'll clean things up and refresh also, okay, thank you.

Speaker 4 (29:51):
All right, we need to take a time out. That
is just gross, Scario Rudie. I just looked up where
my my family lived in a trailer park. Yeah, it
was in Cairo, New York.

Speaker 3 (30:06):
Is all the way up that's up to all the
way up. All right, you think the trucker was done?
How do I dare continue? Let's see.

Speaker 2 (30:18):
That Cleanliness and freshliness it's.

Speaker 3 (30:20):
What you get when you what that Joe sings all
the way up? Ah, you got me all the way up?

Speaker 4 (30:28):
Yeah, all right, it looks like trucker is not finished.
Come wipe the truck or somebody.

Speaker 14 (30:33):
Cleanliness and freshliness, that's what you get when you, you know,
top it off with a little a little wipe if
perhaps a little witch hazel pad, you know, or something
like that gives you the sensation of swishing through the alps.

Speaker 2 (30:44):
You know, it's like the cherry on top, you know.

Speaker 14 (30:48):
But anyway, you know, I also wanted to come in
on the B day because a lot of people were
saying that that would be the way to go, that
you can't beat them a day. But I got to
thinking about badays because all the articles that the BDET
knocks on your asshole there.

Speaker 2 (31:04):
What happens to them? Where do they go? Do they
fall back.

Speaker 3 (31:07):
In the nozzle?

Speaker 2 (31:07):
And then the next person that uses the BDET do
they get it all over their ass?

Speaker 14 (31:12):
I don't know so, but you know what a bedey
If my apartment had a bday.

Speaker 2 (31:17):
That would be.

Speaker 14 (31:18):
Something that I would definitely replace it before I moved in,
you know, because I don't want other people's articles shooting
all over my ass there right, Okay, I know I
did about sixty three talkback X, but it's partially you're
partially to playing for tickets, so many vacations. I got
all this bottled in, you know, and I don't know
where to starting, where.

Speaker 2 (31:38):
To finish, you know, but you know, eventually we'll.

Speaker 14 (31:40):
Get back on track and I'll get back to my
usual seventeen talkbacks.

Speaker 2 (31:44):
Okay, So I appreciate you, guys, I love you, and we'll.

Speaker 14 (31:48):
See you have a great week, and then we'll hear
from you, hopefully on Thursday or Friday, hopefully Thursday when
I'm still working so I can hear you.

Speaker 2 (31:55):
Okay, guys, audio, so all of you he's out.

Speaker 3 (31:58):
Wow, woof, that was a lot to digest, guy.

Speaker 2 (32:04):
Catching up, catching up. The more we get done today,
the less we have to do tomorrow. You know. Concerning
your buddy tall bearing there, you know that that was despicable.

Speaker 14 (32:15):
What he did, you know, taking that air mattress back
to Target after he slept on it. He probably slobbered
all over it, went to the restroom, came back and
got some urine drops on it, and uh see him
in from a wet dream and whatnot.

Speaker 2 (32:29):
You know.

Speaker 14 (32:30):
Well, you know, I was under the impression that that
was gonna be some kind of house warming gift for you,
Scooty in your new apartment with two and a half bets.

Speaker 19 (32:38):
You know.

Speaker 14 (32:39):
Uh, but it turns out that your buddy is a
chief bestard, then the top chief bastard of all time,
you know. And from now on, I don't want to
hear that Brody is a chief bestard.

Speaker 2 (32:48):
Brody is just careful with his money.

Speaker 14 (32:50):
And Brody would never return an air mattress like that
after sleeping on it unless there was some kind of
defect with it, okay, because and he has conceal iteration
for his fiddle man and unlock tall Barron there that
sheap bastard.

Speaker 2 (33:05):
Let him know that I think he's a cheap bastard, okay.

Speaker 14 (33:09):
R So, oh boy, it makes me so angry when
people do stuff like that. But at MJ, why would
you say that that that that was so smart?

Speaker 2 (33:17):
Boy?

Speaker 15 (33:18):
MJ?

Speaker 14 (33:18):
Come on, MJ.

Speaker 2 (33:19):
You're breaking my heart. MJ.

Speaker 14 (33:21):
But I'll tell you, golly I'm so long lord.

Speaker 25 (33:27):
All right, Brooklyn Boys, John and your mail man from
Long Island. Here question regarding the bust and nut light
switch that you're potentially going to get. Traditionally, like DOM
witches are near like door seams or on the walls.
So if you're gonna get a USB charger, do you
also then have to install like a floating ledge, because
how are you gonna put your phone down unless you

(33:47):
have like a twenty foot wire to the floor.

Speaker 8 (33:50):
This doesn't seem like it makes any sense instead of
just using.

Speaker 4 (33:52):
An outlet, You're definitely not getting a USBC charger there.

Speaker 2 (33:57):
I'm well saying three dollars, God's in the butter? Okay, okay,
I'll let me know.

Speaker 3 (34:06):
Brody I think, I think. I think Brodie fell asleep. No,
I was waiting for more trucker talkbacks. Oh well, don't
speak so soon.

Speaker 2 (34:16):
The price on the butter for three dollars bore? What
do I win? What do I win? Man?

Speaker 14 (34:20):
Maybe some of my free merch from a Brooklyn Boys
at bigcartil dot com.

Speaker 18 (34:25):
That's Brooklyn Boys at Bigcartail dot com for all your
Brooklyn Boys perch.

Speaker 14 (34:29):
And does come on, guys, send me something maybe a
shirt or a key Kane or a beamie. Come on, guys,
I'll never win anything.

Speaker 2 (34:37):
Ten miss some come home.

Speaker 4 (34:40):
Don't mean to send you a muzzle. Come on there, trucker,
what are you doing to us?

Speaker 3 (34:45):
Olvi here?

Speaker 4 (34:45):
You're crushing us. You're right you I've never I've never
seen Brody' speechless. You've actually silenced the David.

Speaker 3 (34:54):
The David. No, I got no complaints. He's fine.

Speaker 20 (34:59):
Maybe from listening episode, I think we need a new jingle.

Speaker 2 (35:05):
Poor Brody is a hypocrite. Brody is a.

Speaker 23 (35:09):
Hypocrite getting all scary about his clothing store and his
breakfast place.

Speaker 14 (35:15):
But then you're allowed to go through the outdoor because
the place is lot because they are closing.

Speaker 2 (35:21):
I'll get out.

Speaker 3 (35:23):
And asked, yeah, are you not going in the store?

Speaker 4 (35:27):
I stuck my head in the in the vestibule and
I said, excuse me, yep, may I enter the store?

Speaker 3 (35:32):
You're not into the store, and made them feel bad. No,
I did not.

Speaker 23 (35:39):
Boy is it's your favorite person with too much background
noise and uh, this is a very different taught bag
than most of my top bags, which is best stupid ship.
But I'm a couple of weeks away from buying my
first home. And I've never done nothing like this before.
And I know both of y'all are homeowners and have
owned homes, and I'm all, please give me some advice. Dude,

(36:02):
I'm in a world a question.

Speaker 26 (36:04):
And one scary and brody, brody and scary.

Speaker 3 (36:06):
You know, hold on, hold on. If the man asked
for advice, you hit the next talk back. I thought
it was him. I thought that was a continuation of him.

Speaker 4 (36:12):
Ah wow, all I could say, I mean, what kind
of advice do you advice?

Speaker 3 (36:16):
What do you want advice on? What do you start?
A light switch?

Speaker 4 (36:21):
Buy punch drunk light switches from Scary's company, don't don't
do this.

Speaker 3 (36:25):
Listen. So here's the problem.

Speaker 4 (36:29):
Scary bought an apartment where the building fixed everything, so
you really can't ask his advice on owning a mobile home,
and I owned a home, which has different challenges than
a mobile home. However, you still have to have money
put aside for I don't know if you fix a
roof on a mobile home, I don't know how that works.
But there's going to be repairs that are not necessary

(36:49):
in a mobile home that you have that money for.
So always have a little money in the bank because
if something breaks, you don't want to put on your
credit card, right, that's whatever, you you know what.

Speaker 3 (36:58):
I mean, So always be prepared.

Speaker 4 (37:00):
I with a little nest egg for home expenses because
it's a money pit regardless of whether it has wheels
or not.

Speaker 3 (37:05):
Yep, it costs your money. It sure will.

Speaker 26 (37:08):
Scary and brody, brody and scary.

Speaker 3 (37:10):
You know who this is.

Speaker 26 (37:11):
I laughed so hard at the conversation about Buster and Punch.
First of all, I've never heard of it. I'm also
not boogie as fuck like scary, although I feel like
he would normally be boogie enough to purchase something like this. Nope,
although totally out of a normal person's price point. And
I love that Elvis knew about it because Elvis probably

(37:32):
has the money to spend on boogie light switches, which
is because you know, I feel like Elvis has that
kind of bank roll where he could afford a light
switch that's seventy five million dollars. But also I took
the time to go on the website because I.

Speaker 3 (37:48):
Was like, well, how could it be?

Speaker 26 (37:50):
And I started going into like the regular light fixtures,
and there was one chandelier and it was four thousand dollars,
and I was like, Wow, how far does.

Speaker 1 (37:58):
The boogie iss go.

Speaker 3 (38:00):
I guess you've got to have a bougie bank roll
to afford that buster and punch it.

Speaker 4 (38:03):
Absolutely, And with the amount of people who we drove
to their website inadvertently, they should be a sponsor of
our podcast, don't you think. I don't know if what
he said it the kind of things that no, no, no,
our audience isn't buying that stuff, should not be a sponsor.
I'll take their money.

Speaker 21 (38:24):
What up?

Speaker 27 (38:25):
It's Lessa originally from One Island Lemon, Connecticut aka Dollamel.
So I'm on episode three h nine, still not caught up,
but I was listening about the Timu or Timu whatever
it's called.

Speaker 8 (38:39):
Purchase.

Speaker 27 (38:40):
I mean, my husband never purchased from these sites, but
he saw this really cool three D like boat model,
so he wanted to get one of our boat. Stay
tuned for part two.

Speaker 3 (38:51):
Okay, here it comes a little tease.

Speaker 27 (38:55):
So the picture looked exactly like our boat, and it
had like it looked just like it was like this
three D model, and it was so cheap and.

Speaker 3 (39:03):
It looks so cool.

Speaker 28 (39:05):
So my husband buys it and it gets here, and
it's just a flat piece of cardboard on a stand
with like a picture glued onto it.

Speaker 27 (39:16):
And the description said two D not three D. So
read the description, folks.

Speaker 28 (39:21):
All right, love you guys.

Speaker 7 (39:22):
Bye.

Speaker 4 (39:23):
That's the old bait and switch right there. Yeah, that's terrible.
Don't buy anything off of those sites.

Speaker 3 (39:30):
Temu.

Speaker 4 (39:30):
By the way, uh Des called a few minutes ago,
a couple of calls ago, and she said she'd never
buy Buster and Punch. But what I know about Dez
is I think she could probably name her her des bombs,
Buster and punch, Buster.

Speaker 3 (39:44):
And punch left and right. Yeah, yeah, left and right,
Bustern punch from Buster, Punch, Buster Punch. You know, Brody
that I have that company. I have them on our car,
the hinges on our car.

Speaker 29 (39:56):
It's amazing. By the way, it's scary. She's playing house
with you. She's playing like she's married to you. I
would give her a snickers bar.

Speaker 23 (40:05):
Good.

Speaker 5 (40:05):
Just you know.

Speaker 29 (40:05):
The odd says, if you're hungry, you don't act, you
don't act right. So yeah, she is basic acting like
she's married, like she's moving in with you. It's I'm
just laughing the entire time.

Speaker 4 (40:17):
Thank you, Liam.

Speaker 3 (40:19):
Liam on Helium there.

Speaker 8 (40:21):
I like that.

Speaker 4 (40:21):
I like the new I like that version of Helium.
I liked Flee he Lium, he'll Lium all very fun.
I like the upbeat Liam very nice.

Speaker 3 (40:32):
Okay cool for the boys?

Speaker 2 (40:34):
Is te whit Brody you we're correct?

Speaker 30 (40:37):
New talkbacker Frank White is not of relation to Tea White,
but shout out to him anyway. Scary in regard to
the dumpling story in the restaurant, stop serving at eleven
whatever you guys, go off the air at at ten.
Really it's nine p fifty. We get the peace out everybody,
So I'm expecting now to hear you on the radio.

(40:58):
I don't care if everyone else leaves, but I need
here scary until ten am.

Speaker 4 (41:04):
All right, here's why that can't happen. We are a
network show and we have to leave at nine fifty.
At nine to fifty, we need to provide those ten
minutes for all of our affiliates to go to commercials,
play their local weather and a song before their top
of the hour hits. So that is logistically why we

(41:28):
leave at nine to fifty, so you can't hear me. Unfortunately,
after that time, that.

Speaker 3 (41:32):
Is what we call a hard out in the biz,
and we have a hard out.

Speaker 4 (41:37):
We will get if we could, if we don't get,
if we don't, if we don't finish the show at
nine to fifty and forty one seconds, to be exact,
we get cut off by the satellite. It's a it's
just a non negotiable. So I wish, but we go
bye bye, and the local stations.

Speaker 3 (41:56):
Take it away. Okay, Andrew and Man Nope, okay, Dave Matthews.

Speaker 4 (42:02):
Yeah, So technically in New York at ten o'clock on
the Dot, you could hear Scary. You just couldn't hear
him anywhere else outside of New York, well except the
Ryan Seacrest show takes over at ten o'clock.

Speaker 3 (42:15):
There's no but you you don't have to stop that.

Speaker 4 (42:17):
There's no room for Scary.

Speaker 3 (42:18):
All right, Yes we do, all right, here we go.
It's very angry if we don't.

Speaker 2 (42:22):
But it's a gray area.

Speaker 30 (42:23):
I think all of it. It's a gray area, Brody asked.
They said it was all right from the go in.
He got extra obviously he didn't do them a disservice
with breakfast. You didn't order until eleven. Still a gray area,
But technically they were done with breakfast at that point.
The store where you were shopping, maybe they could let
you try things on, but it does make a difference,

(42:44):
and you guys were only there for another day, so
grab some sweats and move on.

Speaker 4 (42:49):
All right, Okay, Oh thank you, Tea White. I appreciate it.
It's a nice scaring his voice. He doesn't leave enough talkbacks.

Speaker 26 (42:58):
So back to the bus her in Punch conversation. And
this brings me back to believing that you, scary are
going to single handedly fund your interior designer's ability to
now get all the buster and punch at her house.

Speaker 2 (43:14):
So she's like, oh, I have some, and you're like, yeah, no,
I know that.

Speaker 26 (43:18):
But now she's going to be able to afford the
whole the gang bang, the three bang, the four bangs,
the shitty shitty bang bang, titty titty bang, bang bang
bang bang buster and punch style.

Speaker 4 (43:29):
Thank you so much. I appreciate you. I love her too.

Speaker 2 (43:36):
The Brooklyn Boys Podcast.

Speaker 1 (43:38):
We will be right back.

Speaker 4 (43:41):
Okay, now we're in the final stretch. You see what
I did there, I made like a little Kentucky Derby
reference coming off that final stretch.

Speaker 3 (43:52):
Mm hmm. Brody, Hello, Wake up. Yes, I heard you, Yes,
final stretch, I heard you.

Speaker 8 (43:58):
Scary.

Speaker 31 (43:59):
This is Heidi, Hi, Heidi, just listening to you discuss
what your interior designer is recommending. Yeah, and I'm just
thinking about the joys of home ownership. You don't have
to do everything at once. Sometimes it's fun to, uh,
you know, decide later on. I'm going to paint that room.

(44:22):
I'm gonna remodel the kitchen.

Speaker 3 (44:24):
Yeah, that's part of it is yeah. See hi do
you don't know me very well? Sorry you got cut
off there thirty seconds. We're up.

Speaker 4 (44:33):
I just want to be done with it. I want
to set it and forget it.

Speaker 3 (44:35):
I need.

Speaker 4 (44:36):
I am a maniacal about having this place finished, because
once it's done, I won't touch it for another twenty years.

Speaker 3 (44:44):
Brody knows me. That is exactly who I am. I
want to just.

Speaker 4 (44:50):
Is that Taylor Swift one hundred percent is crystal Waters
pure love.

Speaker 3 (44:55):
But anyway, hell, Taylors Swift, things all too well.

Speaker 4 (44:58):
All too well, okay, all right, yeah you win. So yeah, Like,
for instance, this studio is not done yet. I still
have to get a rug in here, waiting on my
shelving to be delivered waiting on that sofa bed which
should be here any week now. And I still have
to hang these or by some chandeliers or pendant lighting

(45:18):
for the fixtures, and I need plants, and I need
to update these cover plates. So yeah, so there's still
little projects. But until it is all done, I won't sleep.
I need to get it all done, like right now,
like yesterday, like I should have done it a month ago. Okay, Beatles,
I must have given you six songs in that little
diet run. Thank you.

Speaker 3 (45:39):
Alanis More said You're.

Speaker 30 (45:41):
Welcome brooking boys is te wait, I'm back again. You're
here from me a lot because I missed the last
lifetime whatever, I don't care. The songwriter list, jay Z
is a worthy inclusion even though technically he doesn't write,
but the Dream has written a ton of songs for Beyonce, Rihanna.
Justin Bieber a very worthy and inclusion on the list.
Name for Missy Elliott. I didn't look at the list,

(46:02):
but I do draw the line at young thug. You
got to diversify the list, but he's maybe I gotta
do some research. But everyone else is a worthy of inclusion.

Speaker 4 (46:12):
Okay, Now, if you really want to start fighting. Rolling
Stone just came out with the list of the one
hundred greatest guitar riffs of all time, and we should
talk about this on The Brooken Boys. How the fuck
do you put Metallica's one at number twenty seven? They're

(46:33):
ranked in order. The number one riff they say is
Prince Purple Rain. While an awesome guitar solo, it's again
one hundred greatest guitar solos of all time. While that's great,
look to see what number two to twenty six is.
You tell me Metallic is one shouldn't be at least

(46:57):
top five?

Speaker 2 (46:59):
Absolutely not.

Speaker 3 (47:02):
The solo in one.

Speaker 4 (47:05):
That fast fucking solo.

Speaker 3 (47:07):
It's fast, it's frenetic on So what you could come
up with?

Speaker 4 (47:11):
Okay, hen Chunk and Berry Chuck Berry Johnny be Good
is in like the top fifteen. Oh, that should absolutely
be updates one of the all time. It was a
trend setting, all time song that laid the groundwork for
hundreds of artists after him, thousands. All right, we'll talk
about this on The Brooken Boys. But to your research, folks,
the one hundred greatest guitar solos of all time, according

(47:33):
to Rolling.

Speaker 30 (47:33):
Stone, just came out of the ones you guys said,
of course we're worthy inclusions, except for young Thug if
he's on the list, or a little baby whoever you said.
But yet there's definitely a few people on the list
who are indeed missing. We gotta we gotta pull whoever
made the list.

Speaker 2 (47:52):
Thank you, T White, Good afternoon. This is Chad from Omaha,
and it's always going to be Brody scary, you know scary.

Speaker 32 (48:04):
I do not think at all that Brody's restaurant story
on this last episode compares to your Dublin clothing store
and the monting to get breakfast after breakfast hours had
passed already.

Speaker 2 (48:20):
They do not compare it at all.

Speaker 3 (48:22):
They're not the same.

Speaker 14 (48:23):
Yes, the door was locked, and Brody went in anyway
to the other door, and the lady gave him permission
to go in and get some dumplings.

Speaker 3 (48:33):
You know he got permission.

Speaker 4 (48:36):
Now, if he.

Speaker 2 (48:36):
Would have gone in there, if he would have gone
in and then the lady would have said, no, you
can't come in, no come in, you got to leave,
and then Brody would have.

Speaker 32 (48:45):
Come and given a rent of how the lady didn't
let him in, then it would have been the same.

Speaker 3 (48:51):
But it's not because he got permission. That's very good.

Speaker 24 (49:00):
This is Nick from Washington leaving and talk back about
punching Judy Siasco Skart Jones.

Speaker 21 (49:08):
I'm afraid your friend, who knows you very well for
many years and then you hired her as your decorator,
she knows how much money you spend.

Speaker 8 (49:22):
On vacations, so I think she's assuming you're gonna do.

Speaker 33 (49:27):
So she thinks you got I'm gonna spend the same
amount of money on the lights, light fixture and outlets
and all that, you know crap. So I think you
need to grab the you know, grow some cohonas and
tell your friend politely that you're just not gonna do
that shit. And if she wanna, you know, guilt trip

(49:51):
you to whatever, then that's her freaking choice. So yeah,
don't fall in to that tactic where you being feeling
guilty for not buying something, not personsing something.

Speaker 29 (50:06):
You know.

Speaker 24 (50:08):
I think Buster and Punch is a great company, but
you gotta have Buster and Punch money, and you only
have bust these balls money.

Speaker 2 (50:18):
You don't have Buster and Punch money, So use your.

Speaker 24 (50:21):
Money for your tevy shirts and your boogie vacations.

Speaker 3 (50:24):
Thank you.

Speaker 4 (50:25):
It's all I have enough for scraping, scraping it all together,
all right, we just have two more.

Speaker 13 (50:30):
This is it.

Speaker 3 (50:32):
We've come to the end of the road, Brody.

Speaker 34 (50:37):
So the supermarket Asian market that you are describing sounds
to me, and it's.

Speaker 20 (50:42):
In your area, sounds to me to be ninety nine ranch.

Speaker 34 (50:46):
They have a great food cord, the steam table. So
what they do is at the end of the day
they pack all the leftovers and containers and they and
they sell it in those portions at a discount.

Speaker 8 (50:56):
That's what they do.

Speaker 34 (50:57):
It's leftover foods at the end. So you got a
good deal though, at least got thirteen.

Speaker 3 (51:04):
And no, you're not in the wrong, Brody.

Speaker 8 (51:06):
You you did just fine.

Speaker 21 (51:08):
Uh.

Speaker 34 (51:08):
As an Asian person, when we close up, we just
want to get rid of everything wherever we can, so
nothing goes to did good job.

Speaker 3 (51:17):
I'm a good person.

Speaker 20 (51:19):
I don't know what.

Speaker 8 (51:22):
Well you mentioned the next big daning. Last time you've
got to say thank you, Duran Durant.

Speaker 3 (51:28):
Hey, Maddy brook from Brooklyn Bronx.

Speaker 4 (51:30):
How you doing all right, Duran Durant. The next big thing?
I don't know if that was a very next that's
that one went over my head. I got got past me.

Speaker 32 (51:42):
All right.

Speaker 4 (51:43):
Thank you so much for your submissions, your emissions. Sorry
if there were some omissions. I was told by iHeart
that the uh the no, that that the talkback thing
had some glitches this week. It's all good though, It's
all right. We're getting it together, and I'm sure Truckle
will call and leave us talk backs about premature emissions.

Speaker 3 (52:06):
There is that.

Speaker 4 (52:06):
Thank you so much appreciated, but I could do with
Thatt the grossness. Sorry, thank you.

Speaker 1 (52:13):
All right, Book the boys.

Speaker 4 (52:23):
Reactions.

Speaker 2 (52:26):
This podcast all depends on you, baby,