OUTRO: A Real Mixed Bag

On today's poddy, there's filth, reminiscing and art discussion.

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Featuring Jason Hoyte, Mike Minogue, and Keyzie, "The Big Show" drive you home weekdays from 4pm on Radio Hauraki.

Providing a hilarious escape from reality for those ‘backbone’ New Zealanders with plenty of laughs and out-the-gate yarns.

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Episode Transcript

Speaker 1 (00:01):
For all you med bastards loving the Big Show podcast
Get up even closer on Instagram, YouTube, and TikTok for
raw targets four to seven every weekday on radio record
Good Ray, hellas Hello. Just to put this in context,
the time is five forty five am and we've all

(00:25):
just staggered in here bluary eyed.

Speaker 2 (00:27):
Have you noticed that we've all got smaller eyes than normal?
I have, jac Yours are tiny?

Speaker 1 (00:33):
Are they really? Yeah?

Speaker 3 (00:35):
Right?

Speaker 1 (00:35):
Okay? That hot pot? No, no hot pot yesterday? But
I paid the price yesterday. I won't get into the details.

Speaker 2 (00:44):
Three favorite for I knew it as soon as you
said I work in the details.

Speaker 1 (00:50):
I was like, hey on, here comes with details. How
are we going? Fellos? All g so fun? I was
saying the keysy moogi because we into each other coming
in today. You know what's going to happen, of course,
is that our body is going to fully adjust by
the end of the week to this time frame, and
all of next week we're going to be fucked because

(01:11):
we'll be waking up because our bodiesn't go. Oh that's right,
We're doing breakfast boing, wake up at four, and that'll
be us all next week I wake up for anyway,
are you really? Yes? Sometimes I think every day.

Speaker 3 (01:24):
Yes, earlier, earlier, and then I just go back to
sleep if I can, Yeah I can't.

Speaker 1 (01:28):
Then I get up and I do a little bit
of work, A little bit of work. Wanted to say,
funk all there. I woke up a quarter to four
this morning and the alarm I woke up at twenty four.
I woke up a quarter past right, and so I
went out into the lounge and I was at four. Ye. No,

(01:51):
I didn't know jacket on it. But you turned your
lac off, yeah, because I didn't want it to go
off and wake my wife. So it hadn't gone up,
and hadn't because I'd said it for four thirty or something.
But anyways, I'm just in the lounge there, just you know,
flicking through the YouTube and all the political dramas, and
then I hear this bing bing bing bing bing, and

(02:12):
I was like, what the fuck is that? And it's
some dude walking down the street ringing a cowbell chest
banging on this cow bell all the way down the street.
And I was like, good on you man, Fuck why not?
I mean, it's only you know, teen to four in
the morning.

Speaker 3 (02:30):
It's just made me think that maybe we could do
a segment on the show where we play our alarm
What is your alarm like? Because I was just thinking
this morning when mine went off, I was like, should
I got to change that?

Speaker 1 (02:39):
It's brutal? Yeah, what is your alarm like?

Speaker 3 (02:41):
But we can we can make we can have a
bit of fun with it if you like, because I
know yours as people having sex?

Speaker 1 (02:48):
Is it? Can you play it? What I mean like
vigor of six or.

Speaker 3 (02:54):
Just towards the end there, you know, Harry up, kezy.

Speaker 1 (03:00):
Y pretty hammer and tongue stuff. Jason, is it actually
you heaven? Yeah?

Speaker 2 (03:05):
Yeah, five forty eight in the morning right now, that's
good stuff it. I do actually have a strategy around
my alarm.

Speaker 1 (03:18):
Oh you do. It's quite interesting. Alarm chair.

Speaker 2 (03:21):
He's arm chat with me, Mogi. Jason's is just audio
of him taking a steamer.

Speaker 1 (03:28):
Yeah, exactly. It's three a days, Ding ding ding feelers.
Come on fux sake.

Speaker 2 (03:37):
The Whole Lucky Big Show week days from four on
Radio Hierarchy with the Whole Wracky Big Show podcast.

Speaker 3 (03:45):
Be Sam Neil last night, Yeah said very sad news, said.

Speaker 1 (03:50):
Neil lovely Man from the few times that I met him,
and just an icon. He's in an acting he he's
had a huge He'd be.

Speaker 3 (04:00):
The one, wouldn't he. Yeah, to choose one, and I
think he'd be the one. Yeah, I agree.

Speaker 1 (04:07):
Devastatingly good looking too, He's a beautiful looking backing as
right through but amazing actor. Sad news.

Speaker 3 (04:16):
I was just watching a reel with Alec Baldwin because
Alec Baldwin did Hunt for Red October with them. Oh yes, yeah,
and he said, oh, you know, I'm just I just
wanted to jump on here and talk. I'm absolutely stricken
about sam Neil. Yes, so I did Hunt for Red
October and eighty eight came out in eighty nine. It
was my first sort of proper meaty roll up until then.

(04:40):
I don't know that beetle juice and other things and
a sort of small roles.

Speaker 1 (04:44):
God, it was a great car.

Speaker 3 (04:45):
So I just had to write it down against her,
and he reads out all the cars and he sort
of talks. So anyway, it goes on for about four
or five minutes. At no time as he mentioned sam Neil,
except to say that he's sad about it at the start,
and then at the end, after mentioning every other actor
in the film and how great it was working with them,
He then his sam Neil very said for his family,

(05:10):
he doesn't even say that sam Neil was in Hunt
for God Almighty, very honest.

Speaker 1 (05:16):
I think you're thinking of Hunt for the Wilder People. Yeah, yeah,
that's right.

Speaker 3 (05:18):
Wrong.

Speaker 1 (05:19):
One I remember. I remember an interview with Ian Mune
in Muni, who's worked with him a lot, and he
and he was talking about he was saying, I'm sleeping Dogs.
Wasn't Sleeping Dogs classic film? Your wife wouldn't like it? Keasy?
She likes sleeping dogs and does she let them lie
or no? Ian Mune was talking about sam Neil and

(05:41):
he was going, there's a fucking this amazing looking guy,
and his ons going he's not doing anything, He's not
doing anything, and you know, he's just so still, and
I'm just like what you know? And Ian Mune's quite
a big act and he was just going, what the
fuck is this guy about? But he realized that's that
was his genius, was that he was very still as

(06:02):
an actor, very sort of settled, and that was his power.
And he went back and then I realized that I
saw him on screen and went ah ah, yeah, okay,
that's what it is.

Speaker 2 (06:14):
Ian Barry Mune, New Zealand character actor, director and screenwriter.

Speaker 3 (06:18):
Director What Becomes the Broken Hearted Sleep.

Speaker 1 (06:22):
Very controversially, remember, because he was fuming about the reviews
and stuff. Yes, and he had a rent at the
Film Awards about it. Yeah, he was a little bit.

Speaker 3 (06:35):
I remember because I used to televise them live back
in the day, and I remember compatriot of Mune and
old d and do you see him, Neil the Bruno
Lawrence And he was absolutely maggot pursed when he got
his award, yes, and my mother was disgusted.

Speaker 1 (06:54):
And he well that was not unusual. Smash Palace, Smash.
That was a great movie. That is a great movie.
It says here he died at fifty four. That's young. Yeah. No.
David Lawrence one of Jack Nicholson's favorite actors.

Speaker 3 (07:12):
Kesey really and he's a key he was. But he
grew up in six symbol as well. Despite the Yeah
he was, but he was just so virile you can tell.

Speaker 1 (07:24):
Yeah, yeah, And he was a bit of a character
and he loved his pess Bruno did. Yeah. I was
actually told true story when I was doing seven Periods
with mister Gormsby, and it was by not his relative,
but it was sort of a distant relative of Bruno's.

(07:45):
And she was part of the crew on seven Periods
of mister Gornsby. And she said, you remind me of
Bruno because I was really over well I probably was.
Bruno was like my hero.

Speaker 3 (08:00):
That might have been very nique. Yeahs a script supervisor. Maybe, yeah,
she's a weapon.

Speaker 1 (08:08):
But yeah, really sad, really sad about sam Neil. Also
just on the man. It's a very good painter, really
very good painter I've seen in the houses. No, he
does portraits. He's fucking good. I was like, he puts
them on Facebook every now and then. I'm like, ship,
that's good.

Speaker 2 (08:27):
Eu.

Speaker 1 (08:27):
Just do a fruit bawl anymore? Come on here?

Speaker 3 (08:31):
Yes, really, still life everyone, that's how you learn.

Speaker 1 (08:37):
I was going to say, it's your classic art school
sort of first step, the fruit bowl and.

Speaker 2 (08:42):
Then why the human form? Why does that become a thing?
The painting nude thing.

Speaker 1 (08:49):
Same thing. Yeah, it's just about light and shade and
the same thing, muscularity.

Speaker 3 (08:54):
And the amazing thing about it is because my wife's
a painter, and she she's learning more and more. But
what you learn at school and what you get taught
so back and it's over in Europe, especially in here
a little bit, but not as part of the curriculum.
You're actually taught about the physiology of the human body.

(09:14):
So you start you learn the skeleton, then the muscles
go on, so you learn and then fat and so
you learn why the body looks the way it does,
why the face looks the way it does. You know,
all of the layers that are underneath, all the way
down to the skeleton. Is it primary school this as
well with kids over there not Maybe not primary school probably,

(09:35):
well later in primary school maybe, but yeah, it makes
a huge difference to the art.

Speaker 2 (09:40):
And because that's why da Vinci was so great, because
he dissected so many cadavers to understand why the human
body looked like it did.

Speaker 1 (09:48):
Yeah, and then made his pan paintings looking more lifelike. Yeah.
I used to do a bit of modeling back in
the day, actually noses.

Speaker 2 (09:56):
Yeah, he posed for the Easter Island head when they
were carving those gutty something I got.

Speaker 1 (10:10):
It's too early, fucking hell, I'm trying really hard not
to just overgo overboard. On the coffees by the way, Fellers,
I only had one yesterday for the entire show and
morning you should have another one. Well, I had one
when I went and met my wife. They should have
two today. No keysy because it makes me feel nauseous.

Speaker 2 (10:30):
Listen to the Big Show for weekdays. Radio Hurduki Okay
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