March 3, 2026 • 11 mins
On today's poddy, Keyzie's gaggin'.
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Featuring Jason Hoyte, Mike Minogue, and Keyzie, "The Big Show" drive you home weekdays from 4pm on Radio Hauraki.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Even closer on Instagram. Raw Dogs four to seven every weekday.
On radio, I could go a raw dog man.
Speaker 2 (00:16):
Fucking hell, I had a barn me over the road there,
barn over the head right, it was good.
Speaker 1 (00:24):
You'd your fierce year as well, CAZy.
Speaker 2 (00:25):
I've had two from there and they've been okay, today's
one fucking rule.
Speaker 1 (00:30):
Yeah. Did you go and give them a elder?
Speaker 3 (00:33):
Nah?
Speaker 2 (00:34):
When I gave them the old ktp here cappie, that's
what they said.
Speaker 1 (00:39):
Hey, what kind of barn me was it?
Speaker 2 (00:42):
Pork lemo?
Speaker 1 (00:44):
Yeah? Not very no, you see, I go chicken, but
each to their own key a very Vietnamese dishes, yes,
little chicken. Yeah. Why do the Vietnamese made on a peg?
Speaker 2 (00:56):
Yeah?
Speaker 1 (00:56):
I made on a peg. And they do a bit
more work around the farm. It's part of the ecosystem.
More a pig, you know what I'm saying. Chicken.
Speaker 2 (01:08):
Chickens do all but they lay eggs but not enough enough,
not enough eggs. So if you could have a chicken
that laid like a six pack.
Speaker 1 (01:17):
A sex peck, a chicken that's got a six pack,
and people come from far to see that. Check just.
Speaker 3 (01:27):
A ribbons exciting news keys that's great stuff, mate.
Speaker 1 (01:32):
I might go and give them a try out again
one day and then.
Speaker 2 (01:35):
You'll come back. And I went and tried it cause
it was terrible. Well, look I know what's going to happen.
Speaker 3 (01:41):
I have had a barn me from there before and
it was genuinely quite dry.
Speaker 2 (01:45):
Yes, same, so I went over. I used to go
over there like three ish. I went there and won.
So they was.
Speaker 1 (01:51):
Like the chance to dry out.
Speaker 2 (01:54):
Yeah, and it was like it was beautiful, so good.
Speaker 1 (01:59):
It was pump and I may I haven't been there
a couple of times and the person has been asleep
in one of the booths. Yes, and they.
Speaker 3 (02:07):
It does my head in a little bit because they
should be pumping.
Speaker 1 (02:12):
But the whole front facad is just terrible, not inviting,
is it.
Speaker 3 (02:17):
You just walk past it. You don't even kind of
know it's there. Yeah, a little bit of a hidden
hidden gym.
Speaker 1 (02:23):
They do a cheap coffee.
Speaker 3 (02:24):
It's like, come on, guys, just bright, come on making
a fortune.
Speaker 1 (02:29):
Go over there with a bit of advice.
Speaker 2 (02:30):
You should the white man walk in the White Savior,
White Savior.
Speaker 1 (02:34):
We're talking dangerous minds starrying, Michelle Pfeiffer. We're talking Moran.
Now he's African American.
Speaker 2 (02:42):
The blind Side.
Speaker 1 (02:43):
The blind Side was cyber Bullock. I might invest in it.
Speaker 2 (02:48):
What you do is you walk in and say and
you say, you should start doing your sticks out of
the Yeah, sandwiches is what you need to do. Ditch
all this Vietnamese stuff.
Speaker 1 (02:56):
They just keep doing what they're doing. But what he
jes up the beck in the booth instead of being
a sleep's jacket, you're jacking off.
Speaker 3 (03:01):
But the thing is, that's what what I had I
have noticed is the amount of barn me, because there's
one just underneath as well that does barn me.
Speaker 1 (03:10):
There's barn me everywhere at the moment.
Speaker 2 (03:12):
But that's part of a chain.
Speaker 1 (03:13):
Yes, a chain.
Speaker 2 (03:15):
There's a few of them, and that I feel like
those barmes are not made of as much love as
that one.
Speaker 1 (03:19):
I couldn't tell you the last time. You know what
I like about that place across the road.
Speaker 3 (03:23):
Actually it's quite coold, but I have to kill you.
It's quite filthy. No, that cross there where you went today,
it's kind of dirty.
Speaker 2 (03:31):
Yeah, and we went to Vietnam.
Speaker 1 (03:32):
It's kind of dirty.
Speaker 2 (03:34):
Vietnam is kind of dirty. Yep, So you go to
a street food stall in Vietnam. It's dirty, totally, man,
it's delicious.
Speaker 3 (03:41):
The first meal we had in Vietna Nam, I am amazed.
We didn't die, Yeah, but it was carendous and I
was taking the advice of Keasy and it was like,
just go to the shittiest, bloody, the local, the local
sort of stall there. And we went in there and
there were bloody mongrel dogs everywhere.
Speaker 1 (04:02):
There were literally piles of rubbis. Take your life into
your hands.
Speaker 2 (04:08):
Go to a place that all the locals are at.
It's packed with locals, were packed with local.
Speaker 1 (04:13):
Great because it was empty.
Speaker 2 (04:15):
Well, yeah, it was dogs.
Speaker 3 (04:16):
And I actually ended up getting in testine and I
was like, okay, you ordered that, well I did.
Speaker 1 (04:23):
I didn't quite know what I was ordering. My fault.
Speaker 2 (04:25):
You were sitting with dogs eating and.
Speaker 1 (04:27):
Tested story of shifting it not that I noticed.
Speaker 2 (04:31):
Otherwise, if I didn't tell you that, you would have
just gone to the hard Rock Cafe every night for dinner.
Speaker 3 (04:36):
But then the next day we did notice where all
the locals were going, and that's where we went.
Speaker 2 (04:40):
It was good, it was great, So that's what I mean.
Speaker 1 (04:42):
It was felthy, the.
Speaker 2 (04:44):
Wcky, big show week days from four on Radio Hurarchym
the WCKY Big Show Podcast. Can I discuss something with
you involving comedy that I was just having an interesting
conversation with someone earlier and they were saying that in
your generation, Jason, I don't think it happened. And then
(05:06):
sort of the the you know, the Diehindward generation doesn't happen.
But apparently a lot of the younger comedians don't write
their own sets reason and they are written by other comedians.
Speaker 1 (05:19):
What do you mean in New Zealand?
Speaker 3 (05:21):
Yeah, well, and you will find a lot of the
shows on TV are the same thing, but.
Speaker 1 (05:28):
One hundred percent yes, yeah, did you know that Allen
wasn't written by Allen?
Speaker 2 (05:32):
I'm talking about New Zealand though, you know, like so
Game of Two Halves, we'd go in there and film
it in like forty minutes. I have to redo a
couple of like bits where we've mucked up the way
we said words, whatever, and then it's done, whereas like
some other comedy shows in New Zealand, itsakes like three
hours talking about comedy shows shows, but stand up as well.
That's how this conversation started.
Speaker 3 (05:50):
I I have and actually not in my time.
Speaker 1 (05:56):
No, I've heard that there are.
Speaker 3 (05:58):
Comedians out there that from a comedian friend who don't
actually write their own stuff.
Speaker 1 (06:05):
We're talking about well known because young obviously young one
is going to pay for it. No, it would have
to be well known comedians.
Speaker 2 (06:12):
Yeah, so I think the agreement is they get a
cut of the yeah you're right jokes.
Speaker 1 (06:16):
Yeah, that's stance. So that's I mean, if they're big enough,
and there's a couple that I can think of that
would be that.
Speaker 2 (06:23):
I was just blown away by it because I was like,
we're talking about how if I was to go on
the big show and say any kind of joke that
I stole off of Instagram, off of real or TikTok
or heard someone else saying, and then repurposing it, yeah,
I would feel terrible. Then I was like, that's why
I'd feel terrible doing a comedy panels show where they
quite often write you jokes to say they always right,
they always write your jokes, And I was like, I wouldn't.
I would feel so weird about doing all that. And
(06:44):
then that turned into a big conversation about how we
actually a lot of comedians, not all of them. I
don't know, Like you know, they might have a general idea,
but then another comedian will flesh it out for them
and write it all for them. But they are better
at presenting, you know what I mean.
Speaker 1 (06:59):
Saying. But yeah, they have to be there have to
be a lot of money in it, and there's not
a lot of money in New Zealand comedy. I mean,
I just I need more specifics around there.
Speaker 2 (07:06):
Total. I'm trying. I'm trying not to be specific.
Speaker 1 (07:10):
Okay, No, I know, I'm just saying, yeah, I don't
want you to be specifical on here, but it's hard
for me to do.
Speaker 2 (07:15):
I do you believe?
Speaker 3 (07:17):
Yeah, no, I've genuinely heard that from a colleague who
is pretty big in the comedy scene.
Speaker 1 (07:25):
But he wasn't you know.
Speaker 3 (07:26):
There's also you hear stories of rampant plagiarism as well.
Speaker 2 (07:31):
Well. You've got a great story about yes I do,
which was a shocker, But there was someone was performing
a joke that you had told and you were in
the audience watching them, yes, and then you saw them
afterwards and they were very surprised to see you.
Speaker 1 (07:42):
And it was a very elongated joke too that.
Speaker 2 (07:46):
It was a well known New Zealand.
Speaker 3 (07:47):
It was a well known and I was like, what
the fucky man?
Speaker 1 (07:51):
And then I saw them after the gig and he
went pale.
Speaker 2 (07:53):
So I wonder if, like, you know, the biggest comedians
in the world, like it's hard for me to think
a Dave Chappelle or like them would.
Speaker 1 (08:01):
Absolutely they have writers. They working. Yeah, it's some of them.
What a matter of opinion. Absolutely, yeah, absolutely, because you
have these guys that come out they do a special.
There've been comedians for ten or fifteen years, they finally
get a special. It's their most home work, and now
they're doing one every single year, all of a sudden,
all of a sudden, they've got enough quality. Some of
them don't because they come out and they'll be shit.
(08:21):
But absolutely they use they use writers, and even more interesting,
I think that more amazing than that is is rappers
that do it. So you had Em and M writing
on the on two thousand and one, Oh the Chronic
No Doctor j Yeah, like Dre's and Snoop Dog's parts,
(08:42):
and jay Z was doing the same thing. They were
go writing and writing all of those songs as if
they were them and handing them over and the demos
would have jay Z or Eminem rapping as those guys,
and then those guys just come in there and did it.
That to me is a fucking disgrace.
Speaker 2 (08:57):
But that's obviously in a lot of music though.
Speaker 1 (09:00):
No, but I was shocked that that was happening, especially
when they are in their prime. So saying that shocked me.
Speaker 2 (09:05):
Eminem was actually the one walking down the street smoking indoos.
Speaker 1 (09:10):
That's right, it's unbelievable. But you get there to Google
there's some huge songs that are like that. Yeah, but
that's the thing. It's But also you'll have people that
are writers, like monologues on Late Night and all that
sort of stuff. But when you when you go in
and you'll write for you know, Ricky Gervais is presenting
Golden Globes or whatever it might be, and you can
(09:32):
just in the same goes for these stand up specials,
were you just go in and you write the jokes
for that person in their voice, so it's not like
you're wasting jokes that you would otherwise use yourself. Yeah,
you're doing because the voice is so completely different than
it would never but it never work for you.
Speaker 2 (09:46):
So it would be quite not easy, but it would
be easier to write for someone else if you know
their tone, you know.
Speaker 1 (09:51):
What they're like. Yeah, they're like a character, right, It's
like writing for fucking well into paranal.
Speaker 2 (09:57):
But I just thought it was interesting because the scope
of the comedians and evolved. I was just like, oh,
because I couldn't. I just cannot understand saying something that
isn't my work. I don't know. I was very weirded
out by it.
Speaker 1 (10:09):
I think it would be yeah, I mean, yeah, it's
hard to know. But if they were big enough, I
could see it happening. Yeah, because you got to keep
the money, come in it. If you're out of jokes it,
I'll just pay something.
Speaker 2 (10:19):
And also and also if you're another comedian that does
another style and you can make some money by helping
this person's right, I get it. I was just like,
I just was, Yes.
Speaker 1 (10:29):
Happened in New Zealand. Anybody that's making any money, Yeah.
Speaker 2 (10:32):
Yeah, totally. I was just like, oh fucking hell, yeah, jeez.
And I was, you know, because I was going to
be a comedian there for a but feelers, I.
Speaker 1 (10:38):
Need you that you could add writers and everything. Yeah,
we could write your gags.
Speaker 2 (10:41):
You could write me gags. I'd fucking hate to know.
Speaker 1 (10:45):
Actually, a good name for your first stand up special, gagging? Oh,
kezy gagging?
Speaker 2 (10:51):
Thanks Fellers, I like it, well you have, I can
see the poster for it.
Speaker 1 (10:54):
Actually, again, what about gaging hard? That? Maybe that's the
second one you do still? And then a third but
I'm still gagging and then gagging like a motherfucker.
Speaker 2 (11:04):
And then the last one's finally wrapped my lips around.
There's something out there and finally nailed it head.
Speaker 1 (11:09):
Is that vague enough? Yeah, we'll work on it.
Speaker 2 (11:11):
Yeah, we'll work shopping. Hey, this is the Big Show,
four or seven weekdays radio heard Acumen Stup
Even closer on Instagram. Raw Dogs four to seven every weekday.
On radio, I could go a raw dog man.
Speaker 2 (00:16):
Fucking hell, I had a barn me over the road there,
barn over the head right, it was good.
Speaker 1 (00:24):
You'd your fierce year as well, CAZy.
Speaker 2 (00:25):
I've had two from there and they've been okay, today's
one fucking rule.
Speaker 1 (00:30):
Yeah. Did you go and give them a elder?
Speaker 3 (00:33):
Nah?
Speaker 2 (00:34):
When I gave them the old ktp here cappie, that's
what they said.
Speaker 1 (00:39):
Hey, what kind of barn me was it?
Speaker 2 (00:42):
Pork lemo?
Speaker 1 (00:44):
Yeah? Not very no, you see, I go chicken, but
each to their own key a very Vietnamese dishes, yes,
little chicken. Yeah. Why do the Vietnamese made on a peg?
Speaker 2 (00:56):
Yeah?
Speaker 1 (00:56):
I made on a peg. And they do a bit
more work around the farm. It's part of the ecosystem.
More a pig, you know what I'm saying. Chicken.
Speaker 2 (01:08):
Chickens do all but they lay eggs but not enough enough,
not enough eggs. So if you could have a chicken
that laid like a six pack.
Speaker 1 (01:17):
A sex peck, a chicken that's got a six pack,
and people come from far to see that. Check just.
Speaker 3 (01:27):
A ribbons exciting news keys that's great stuff, mate.
Speaker 1 (01:32):
I might go and give them a try out again
one day and then.
Speaker 2 (01:35):
You'll come back. And I went and tried it cause
it was terrible. Well, look I know what's going to happen.
Speaker 3 (01:41):
I have had a barn me from there before and
it was genuinely quite dry.
Speaker 2 (01:45):
Yes, same, so I went over. I used to go
over there like three ish. I went there and won.
So they was.
Speaker 1 (01:51):
Like the chance to dry out.
Speaker 2 (01:54):
Yeah, and it was like it was beautiful, so good.
Speaker 1 (01:59):
It was pump and I may I haven't been there
a couple of times and the person has been asleep
in one of the booths. Yes, and they.
Speaker 3 (02:07):
It does my head in a little bit because they
should be pumping.
Speaker 1 (02:12):
But the whole front facad is just terrible, not inviting,
is it.
Speaker 3 (02:17):
You just walk past it. You don't even kind of
know it's there. Yeah, a little bit of a hidden
hidden gym.
Speaker 1 (02:23):
They do a cheap coffee.
Speaker 3 (02:24):
It's like, come on, guys, just bright, come on making
a fortune.
Speaker 1 (02:29):
Go over there with a bit of advice.
Speaker 2 (02:30):
You should the white man walk in the White Savior,
White Savior.
Speaker 1 (02:34):
We're talking dangerous minds starrying, Michelle Pfeiffer. We're talking Moran.
Now he's African American.
Speaker 2 (02:42):
The blind Side.
Speaker 1 (02:43):
The blind Side was cyber Bullock. I might invest in it.
Speaker 2 (02:48):
What you do is you walk in and say and
you say, you should start doing your sticks out of
the Yeah, sandwiches is what you need to do. Ditch
all this Vietnamese stuff.
Speaker 1 (02:56):
They just keep doing what they're doing. But what he
jes up the beck in the booth instead of being
a sleep's jacket, you're jacking off.
Speaker 3 (03:01):
But the thing is, that's what what I had I
have noticed is the amount of barn me, because there's
one just underneath as well that does barn me.
Speaker 1 (03:10):
There's barn me everywhere at the moment.
Speaker 2 (03:12):
But that's part of a chain.
Speaker 1 (03:13):
Yes, a chain.
Speaker 2 (03:15):
There's a few of them, and that I feel like
those barmes are not made of as much love as
that one.
Speaker 1 (03:19):
I couldn't tell you the last time. You know what
I like about that place across the road.
Speaker 3 (03:23):
Actually it's quite coold, but I have to kill you.
It's quite filthy. No, that cross there where you went today,
it's kind of dirty.
Speaker 2 (03:31):
Yeah, and we went to Vietnam.
Speaker 1 (03:32):
It's kind of dirty.
Speaker 2 (03:34):
Vietnam is kind of dirty. Yep, So you go to
a street food stall in Vietnam. It's dirty, totally, man,
it's delicious.
Speaker 3 (03:41):
The first meal we had in Vietna Nam, I am amazed.
We didn't die, Yeah, but it was carendous and I
was taking the advice of Keasy and it was like,
just go to the shittiest, bloody, the local, the local
sort of stall there. And we went in there and
there were bloody mongrel dogs everywhere.
Speaker 1 (04:02):
There were literally piles of rubbis. Take your life into
your hands.
Speaker 2 (04:08):
Go to a place that all the locals are at.
It's packed with locals, were packed with local.
Speaker 1 (04:13):
Great because it was empty.
Speaker 2 (04:15):
Well, yeah, it was dogs.
Speaker 3 (04:16):
And I actually ended up getting in testine and I
was like, okay, you ordered that, well I did.
Speaker 1 (04:23):
I didn't quite know what I was ordering. My fault.
Speaker 2 (04:25):
You were sitting with dogs eating and.
Speaker 1 (04:27):
Tested story of shifting it not that I noticed.
Speaker 2 (04:31):
Otherwise, if I didn't tell you that, you would have
just gone to the hard Rock Cafe every night for dinner.
Speaker 3 (04:36):
But then the next day we did notice where all
the locals were going, and that's where we went.
Speaker 2 (04:40):
It was good, it was great, So that's what I mean.
Speaker 1 (04:42):
It was felthy, the.
Speaker 2 (04:44):
Wcky, big show week days from four on Radio Hurarchym
the WCKY Big Show Podcast. Can I discuss something with
you involving comedy that I was just having an interesting
conversation with someone earlier and they were saying that in
your generation, Jason, I don't think it happened. And then
(05:06):
sort of the the you know, the Diehindward generation doesn't happen.
But apparently a lot of the younger comedians don't write
their own sets reason and they are written by other comedians.
Speaker 1 (05:19):
What do you mean in New Zealand?
Speaker 3 (05:21):
Yeah, well, and you will find a lot of the
shows on TV are the same thing, but.
Speaker 1 (05:28):
One hundred percent yes, yeah, did you know that Allen
wasn't written by Allen?
Speaker 2 (05:32):
I'm talking about New Zealand though, you know, like so
Game of Two Halves, we'd go in there and film
it in like forty minutes. I have to redo a
couple of like bits where we've mucked up the way
we said words, whatever, and then it's done, whereas like
some other comedy shows in New Zealand, itsakes like three
hours talking about comedy shows shows, but stand up as well.
That's how this conversation started.
Speaker 3 (05:50):
I I have and actually not in my time.
Speaker 1 (05:56):
No, I've heard that there are.
Speaker 3 (05:58):
Comedians out there that from a comedian friend who don't
actually write their own stuff.
Speaker 1 (06:05):
We're talking about well known because young obviously young one
is going to pay for it. No, it would have
to be well known comedians.
Speaker 2 (06:12):
Yeah, so I think the agreement is they get a
cut of the yeah you're right jokes.
Speaker 1 (06:16):
Yeah, that's stance. So that's I mean, if they're big enough,
and there's a couple that I can think of that
would be that.
Speaker 2 (06:23):
I was just blown away by it because I was like,
we're talking about how if I was to go on
the big show and say any kind of joke that
I stole off of Instagram, off of real or TikTok
or heard someone else saying, and then repurposing it, yeah,
I would feel terrible. Then I was like, that's why
I'd feel terrible doing a comedy panels show where they
quite often write you jokes to say they always right,
they always write your jokes, And I was like, I wouldn't.
I would feel so weird about doing all that. And
(06:44):
then that turned into a big conversation about how we
actually a lot of comedians, not all of them. I
don't know, Like you know, they might have a general idea,
but then another comedian will flesh it out for them
and write it all for them. But they are better
at presenting, you know what I mean.
Speaker 1 (06:59):
Saying. But yeah, they have to be there have to
be a lot of money in it, and there's not
a lot of money in New Zealand comedy. I mean,
I just I need more specifics around there.
Speaker 2 (07:06):
Total. I'm trying. I'm trying not to be specific.
Speaker 1 (07:10):
Okay, No, I know, I'm just saying, yeah, I don't
want you to be specifical on here, but it's hard
for me to do.
Speaker 2 (07:15):
I do you believe?
Speaker 3 (07:17):
Yeah, no, I've genuinely heard that from a colleague who
is pretty big in the comedy scene.
Speaker 1 (07:25):
But he wasn't you know.
Speaker 3 (07:26):
There's also you hear stories of rampant plagiarism as well.
Speaker 2 (07:31):
Well. You've got a great story about yes I do,
which was a shocker, But there was someone was performing
a joke that you had told and you were in
the audience watching them, yes, and then you saw them
afterwards and they were very surprised to see you.
Speaker 1 (07:42):
And it was a very elongated joke too that.
Speaker 2 (07:46):
It was a well known New Zealand.
Speaker 3 (07:47):
It was a well known and I was like, what
the fucky man?
Speaker 1 (07:51):
And then I saw them after the gig and he
went pale.
Speaker 2 (07:53):
So I wonder if, like, you know, the biggest comedians
in the world, like it's hard for me to think
a Dave Chappelle or like them would.
Speaker 1 (08:01):
Absolutely they have writers. They working. Yeah, it's some of them.
What a matter of opinion. Absolutely, yeah, absolutely, because you
have these guys that come out they do a special.
There've been comedians for ten or fifteen years, they finally
get a special. It's their most home work, and now
they're doing one every single year, all of a sudden,
all of a sudden, they've got enough quality. Some of
them don't because they come out and they'll be shit.
(08:21):
But absolutely they use they use writers, and even more interesting,
I think that more amazing than that is is rappers
that do it. So you had Em and M writing
on the on two thousand and one, Oh the Chronic
No Doctor j Yeah, like Dre's and Snoop Dog's parts,
(08:42):
and jay Z was doing the same thing. They were
go writing and writing all of those songs as if
they were them and handing them over and the demos
would have jay Z or Eminem rapping as those guys,
and then those guys just come in there and did it.
That to me is a fucking disgrace.
Speaker 2 (08:57):
But that's obviously in a lot of music though.
Speaker 1 (09:00):
No, but I was shocked that that was happening, especially
when they are in their prime. So saying that shocked me.
Speaker 2 (09:05):
Eminem was actually the one walking down the street smoking indoos.
Speaker 1 (09:10):
That's right, it's unbelievable. But you get there to Google
there's some huge songs that are like that. Yeah, but
that's the thing. It's But also you'll have people that
are writers, like monologues on Late Night and all that
sort of stuff. But when you when you go in
and you'll write for you know, Ricky Gervais is presenting
Golden Globes or whatever it might be, and you can
(09:32):
just in the same goes for these stand up specials,
were you just go in and you write the jokes
for that person in their voice, so it's not like
you're wasting jokes that you would otherwise use yourself. Yeah,
you're doing because the voice is so completely different than
it would never but it never work for you.
Speaker 2 (09:46):
So it would be quite not easy, but it would
be easier to write for someone else if you know
their tone, you know.
Speaker 1 (09:51):
What they're like. Yeah, they're like a character, right, It's
like writing for fucking well into paranal.
Speaker 2 (09:57):
But I just thought it was interesting because the scope
of the comedians and evolved. I was just like, oh,
because I couldn't. I just cannot understand saying something that
isn't my work. I don't know. I was very weirded
out by it.
Speaker 1 (10:09):
I think it would be yeah, I mean, yeah, it's
hard to know. But if they were big enough, I
could see it happening. Yeah, because you got to keep
the money, come in it. If you're out of jokes it,
I'll just pay something.
Speaker 2 (10:19):
And also and also if you're another comedian that does
another style and you can make some money by helping
this person's right, I get it. I was just like,
I just was, Yes.
Speaker 1 (10:29):
Happened in New Zealand. Anybody that's making any money, Yeah.
Speaker 2 (10:32):
Yeah, totally. I was just like, oh fucking hell, yeah, jeez.
And I was, you know, because I was going to
be a comedian there for a but feelers, I.
Speaker 1 (10:38):
Need you that you could add writers and everything. Yeah,
we could write your gags.
Speaker 2 (10:41):
You could write me gags. I'd fucking hate to know.
Speaker 1 (10:45):
Actually, a good name for your first stand up special, gagging? Oh,
kezy gagging?
Speaker 2 (10:51):
Thanks Fellers, I like it, well you have, I can
see the poster for it.
Speaker 1 (10:54):
Actually, again, what about gaging hard? That? Maybe that's the
second one you do still? And then a third but
I'm still gagging and then gagging like a motherfucker.
Speaker 2 (11:04):
And then the last one's finally wrapped my lips around.
There's something out there and finally nailed it head.
Speaker 1 (11:09):
Is that vague enough? Yeah, we'll work on it.
Speaker 2 (11:11):
Yeah, we'll work shopping. Hey, this is the Big Show,
four or seven weekdays radio heard Acumen Stup
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