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October 30, 2025 62 mins
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Speaker 1 (00:05):
Oh, Catherine, I thought of you because on yesterday's show
we talked about a woman who named her a newborn
daughter Disney, and I was just curious as your take
as a Disney one of the Disney adults who I
confer with it at times, along with a few others.
What's your what's your take on naming your daughter Disney?
You know, I think it's a little on the nose.

(00:28):
I thought you'd say that. So we like Disney, so
we name them Disney.

Speaker 2 (00:33):
Oh okay, our favorite movies is Disney, so we named
them that.

Speaker 1 (00:39):
My favorite food is hamburger, so this is my kid burger.
It would be like, I'm a big movies fan and
so I named my kid movie what instead of like
a character from a this is my daughter. AMC.

Speaker 3 (00:53):
Stubbs, Hello the Internet, and welcome to Season four to twelve,
Episode four of Say Guys. It's a production of by
Heart Radios, the podcast where we take a deep dive
into American shared consciousness.

Speaker 4 (01:13):
And it's Thursday, October thirtieth, twenty twenty five.

Speaker 1 (01:20):
All hallows, eviv Oh, yeah, Eve, Eve, Eve happy they
believe to you. Hey, if you like Wicked, the film musical,
it's your day. It's national or you're just from Boston.
You think something's cool, It's National Wicked Day, Palm, it's
National publicist Day. Speak up for Servey. I don't know
what the fuck that is National candy corn Day. Nope, sorry,

(01:42):
no fucking hate. I'm anyone who listens to the show
for the last eight years when I fucking hate candy.

Speaker 4 (01:47):
Forn Famously, I do not listen. Oh it's a one
way see here. Famously, I do not listen to anything
you're saying to me. I do like candy corn. It's
just little little nuggets of frosting, and I will I
will take them. Do we think that there's like a
contingent that is like, actually, the real scary day is
October thirtieth. That's National Wicked Like they just right, they're

(02:10):
the biggest losers in a feud. Ever, like I don't
know why everybody dresses up on the thirty first. The
thirtieth is the real day. Hell yeah, Hell yeah, man.
My name is Jack O'Brien aka, I'm a sugar freak.
Sugar freak, I'm sugar freak a ow that one courtesy
of No Clue on the discord. Because I'm a bit

(02:30):
of a bit of a sugar freak. They're replacing chocolate
with sugar in our candy this year to cut costs
on their end. And I might be the one person
who's like, yes, yes, we yah, yes, yes, don't mind
if I do as I reach into my kid's candy bag.

Speaker 1 (02:48):
Hey, look over there. Thrilled to be joined as always
by my co host mister Miles Grass Miles Gray aka
got dark chocolated in my lip. When not dip, you dip,
we dip. Put the chocolate in my lip. When not dip,
you dip, we dip. Okay, shout out to charl On
we o my Charles ennui fromage. If you want to

(03:10):
completely disprospect the French language, I pick up what you're
putting down. Thank you for that, akay, because yeah, the
dark chocolate, the special dark hershees that you get on homie.
I don't chew those. I let them melt in my mouth.
It's just a much more pleasant experience with the dark
chocolate melting down and.

Speaker 4 (03:26):
Get your teeth and gum health. The exact Four out
of five Denis recommend that you just pack a big
lip of chocolate. My friend Kevin, I used to say
this ship. He's like, you know what I would do.

Speaker 1 (03:36):
It's like remember airheads that candy. He's like, I put
a little bit and I put him. I line my teeth,
my upper and top lip, so I have sweet dreams
when I go to sleep. He had the worst teeth,
like making like a dental cast. Yeah. Yeah, his front
teeth are riddled with cavities. He will get it fixed. Ship. Yeah,

(03:56):
it's worth it for the bit.

Speaker 4 (03:58):
We're thrilled to be joined in their third seat by
a very funny actor improviser, a founding member of the
hip hop improv group North Coast and founder and operator
of Sweet Tea Studios. It's Douglas Why.

Speaker 5 (04:13):
It's a daddy with a patty eating York pepper mint patties.

Speaker 1 (04:17):
Hey, hey, hey, hey hey.

Speaker 5 (04:19):
Let's just going into the Halloween theme aka Douglas Parmesan. Yeah, yep,
Deep Parma in the building.

Speaker 1 (04:25):
Oh cross, Okay, I caught that. I caught that.

Speaker 4 (04:32):
How are you doing, Douglas. Wonderful to have you here,
wonderful partner of big money players. And hey, a lot
of the shows that we we make over there. Yeah, yep,
I'm d Studio.

Speaker 5 (04:43):
We have a lot of fun with the iHeart podcast
in here. We have a stradio lab in here, bombing
with Eric Andre in my studio. But most of all,
today I get to have fun with you at TDZ podcast,
of which I have heard.

Speaker 1 (04:56):
Is the best of the best of the iHeart crew.
So I thank you. I've heard very little. Yeah, because
I thought they were lying that this was even a
show when someone was reaching out book, I thought it
was a community hang.

Speaker 4 (05:10):
Yeah, yeah, for sure. Well, we're thrilled to have you here.
We're gonna get to know a little bit better.

Speaker 1 (05:16):
Hell Y. First, we're gonna tell the listeners a couple
of things we're talking about. We're gonna talk about.

Speaker 4 (05:20):
There's a new movie called Nuremberg starring Michael Shannon, Romney
Malick and Russell Crowe, and they just dropped some of
the posters for it and they kind of gave Hermann goring,
like the like a superhero treatment. It's just like Russell
Crowe is gouring and you're like, so we'll talk about that.

(05:43):
We'll talk about a bunch of layoffs at Amazon that
are happening because of AI. It's happening.

Speaker 1 (05:49):
It's happening, you guys, can't wait for that universal basic income.
Oh yeah, certainly they stopped talking about that. Huh, that's
pretty quick. Yeah, it was quick. And then I want
to talk about the ghost Face mask, which I have
observed in the past is the most popular Halloween costume
that I see every Halloween, and apparently it is the

(06:10):
most worn and sold costume for Halloween in the United States.
And I just want to talk about why so popular. Yeah,
everybody love ghost Face so much. All of that plenty more.

Speaker 4 (06:21):
But first, Douglas, we do like to ask our guests,
what is something from your search history that's revealing about.

Speaker 1 (06:28):
Who you are?

Speaker 5 (06:29):
Okay, So I've been very into DJ sets on YouTube lately. Okay,
So I never thought I would be that guy that
was like, I want to hear someone else's music preference,
But because of so much decision fatigue in my life,
I love just pulling up someone in their living room
and they spin vinyl for me. So I've been searching

(06:49):
a lot of DJ sets, like specifically dub music. It
just helps me zone out at the end of the day.
So lots of DJ sets.

Speaker 1 (06:57):
Wow, So you like listen to some my old Trojan
dub kind of vinyl like like, yeah, there's something about this. Yes,
wait you oh so you. I loved watching DJs on YouTube.
There's there's like so many fun ones. There's there's so
many now that I see at coffee shops and I'm
always like, Okay, now everyone's getting so into like the

(07:17):
background of where they're DJing. Yeah, but I'm like, sure, man,
get get it into the coffee shop.

Speaker 6 (07:22):
Oh.

Speaker 5 (07:22):
I love a good setup. I love I'm like, okay,
what they got the what are the plans they've got?
They've got some cool lighting and oh I've never heard
this song, and you know they're not making any money
off it because all the rights are going to it's
just about the vibes and yeah.

Speaker 1 (07:34):
So check out Drumming Based on the Bike. Drum And
Based on the Bike. It's a guy who, during the
height of lockdowns, wanted to like DJ. He's like a
drum and based DJ, but wanted people to do stuff.
They're like, well, we're all outside on bikes and just
biking as one big mob of people. So he has
like a huge tricycle that he spins on and there's
like like a thousand people on bikes behind him. It's

(07:57):
all that's sick. Yeah, I love that.

Speaker 4 (07:59):
Yeah, I'll check that out for sure, taking the like
animal herd approached where it's just like they can they
can pick up they can pick off some of you
around the edges, but they're not going to get us all.

Speaker 1 (08:10):
Now were two thousands strom. Yeah.

Speaker 5 (08:13):
You know what's funny is on the on the back.
On the other side of that, I have no interest
in a silent disco, Like I would never want to
go to a silent disco, but there's something about a
drum end bass on the bike that sounds really fun
to me.

Speaker 4 (08:26):
Yeah, that's what silent disco is, where everybody has headphones
in and yeah, so so to avoid noise violations and
also to encourage just freaking out anybody who like happens
upon them. Yeah, it's about upsetting other people. Yeah right, yeah, yeah,
I don't like that. I think I think the upsetting
other people is part of part of the joy of

(08:47):
listening to loud.

Speaker 1 (08:48):
Music, you know. Yeah for sure, ye wave a fist
at you, Yeah exactly. Thettle guy called the ship poop.
What is something you think is underrated? Douglas? Okay, underrated?
This is my hot take.

Speaker 5 (09:04):
It's not too cultury but New York City beaches I think,
you know, people are always talking shit about like, oh,
Coney Island's dirty, Rockaway this or that.

Speaker 1 (09:15):
I think they're.

Speaker 5 (09:16):
Awesome, totally underrated. I go all the time, even when
it's cold, to rock Away. I feel like, like, I
don't know, I feel like it's totally a little paradise
out there.

Speaker 1 (09:28):
I've I've never I've been to New York a lot,
but I've never gone to the beach. I'm always curious
because I see people at the beach. I see people
with spaghetti on the beach. Yeah, well what spaghetti on
the beach? Yeah, it's like a Dominican thing apparently. Yeah.
I kept saying, like, harrow go out and talk about
eating spaghetti, spaghetti on the beaches out there. But what wait,
what do you think? I guess I look at it

(09:49):
from an LA perspective, and I'm like, New York is
not a beach place, but.

Speaker 5 (09:52):
It's exactly And there's part of me that's like, great
more for me when I hear stuff like that. So
first off, water's cold in LA, water's cold in San Diego.
Water's cold here. So anybody who's like, oh, well, you know,
it's warmer out in California. You're like, sure, it's generally
the air is warmer, but the water's still cold. In
both places. You're gonna have to wear a wet suit

(10:15):
either way. But there's like a decent breakout here. It's
a great cross training if for a lot of different
type of waves. Like there's great food, like there's great energy,
and it's also got like a little DIY music scene
by the beach. And I just feel like it's like, oh,
definitely something that a lot of people haven't tapped into
who live here, especially I mean obviously during the warmer months,

(10:36):
but even when it's not warm, just like getting out
being near the water, there are whales that breach out
on rockaway from like it's like during the fall the
whales come out. I've served when there's like porpoise, like
schools of porpoise out in New York and people just
like are like, oh, New.

Speaker 1 (10:54):
York City beach. That's disgusting. I would never go.

Speaker 4 (10:57):
And I'm like, cool, it is because we're all images.
Like you walk off the beach and you have like
three different syringes stuck into different parts of your body.

Speaker 1 (11:05):
Yeah. I was just thinking of like the East River.
Is that why people are just like, it's the East River, right,
New York.

Speaker 5 (11:14):
Also, some of the best tap water New York City
does shout out to the Ashokun Reservoir. Yeah, but yeah,
I mean and maybe when the Ramones were going to
rock Away, maybe there was syringes in the water.

Speaker 1 (11:24):
But just from them, just from that supplied extra explicitly
by them. Yeah, I mean it is.

Speaker 4 (11:32):
There's a book called The Powerbroker that is about like
the building out of a lot of the beaches and
the parkways and the attempt to democratize all all of
the things that New York has to offer by a
horrible racist guy named Robert Moses. But it is cool
to see like somebody was just like at a time

(11:55):
when ambitious people went into doing public works projects and
built that whole thing out. It is pretty inspiring and
also a little depressing because it feels like it takes
place in a different universe than yeah, where we exist
now and have to hope that some tech billionaire tries

(12:18):
to develop something in a place that we want.

Speaker 1 (12:21):
To get maybe Robert Moses will get the Marvel treatment
on a poster or two if for.

Speaker 4 (12:27):
Yeah, so when you're going to the beach of the winter,
or you're going to surf, or are you going like
fully clothed to like look out at the water and
feel guilt about killing your friend big pussy. That's my
only experience New York City beaches.

Speaker 5 (12:46):
Yeah, no, I mean, it's definitely with the surf intension.
If the waves are too big and above my skill level,
I'll watch people surf. But it definitely has to do
with the surf community there. But the best surf is
in fall. It's when the hurricanes hit, it's when the
storms are heading and so it's more consistent shaped waves.

(13:07):
In the summer that kind of flattens out and it's
not as good as surf. So yeah, pretty much year round.
But I mean I even last there was like a
really grade ten days stretch last January, and I said it,
I'm going in the wet suit. I'm getting some salt
water and some sunlight, and I went in like thirty degree.

Speaker 1 (13:26):
Weather last year. Good for you wouldn't be me. You
don't feel any guilt about having killed your your good
friend big pussy. Look he was, he was, he was
collaborating with the feds. Had to be done. Yeah, that's
everyone in New York. Yeah, yeah, passed it.

Speaker 7 (13:47):
Is.

Speaker 1 (13:47):
What's something you think is overrated? Okay?

Speaker 5 (13:50):
I struggled with this because I didn't want to say
something too current that But I've got a current one
and I've got a knock current one. My not current
one is I'm not into eighties new wave music. I
think it's overrated. Anything that's like oh no no no
no no no no no no no no no no. Yeah,

(14:10):
it just sounds to me like it's like it sounds
like an unwashed blanket of sound.

Speaker 1 (14:16):
Give it.

Speaker 4 (14:16):
Give us an example of like I heard the example
like who what's the most famous?

Speaker 5 (14:22):
Like, you know, Smith's. Maybe I'm sucking up the genre
morrisy Is that the wrong genre? I'm not super into
Smith's and Morrissey. That's what I was assumed you were
talking about, Yeah with my little but you know, and
like I I think he's a badass person, but I'm
just not super into like the talking heads.

Speaker 1 (14:40):
Of it all.

Speaker 5 (14:41):
I know they're like legends, just some of that genre doesn't.
Like I love eighties music. I'm a yacht rock like fanatic.

Speaker 1 (14:47):
Okay, that makes sense because if you're fucking with yacht
rock you're not trying to hear, like, no, you don't know, Yeah, yeah,
you get you get it. Yeah, No, I'm like give
me logins. I mean they're kind of close. It's pretty close.

(15:08):
It was just like from a warmer beach, you know.
Like the difference is like I feel like an english
person doing new wave like Electro is looking at like
the Thames and it's gray. Yeah, everything is so fucked up,
and then you have a yacht rock where it's just
McDonald like with his what what's your uh more? Current? Overrated?

(15:39):
Oh Man?

Speaker 5 (15:40):
Season four of The Morning Show is not doing it
for me. I don't know if you're caught up on
the show.

Speaker 1 (15:46):
They lost me with the free preview they gave when
Apple TV came out. Okay, so you're not okay, Okay,
This reason is pretty hard, wasn't it sort of like
mirroring like the Matt Lower thing that first season that was.

Speaker 5 (16:01):
How they got out the gate, you know, that was
season one and Steve Carrel as a canceled sexual harassmer
is always going to be funny no matter what show
it is.

Speaker 1 (16:12):
But I think the difference is like his, like Michael
Scott didn't get canceled but then this character did but
still kind of the same guy, very cancellable guy. Yeah.
I feel like he is.

Speaker 4 (16:23):
Good at channeling the worst human beings alive right now,
you know what I mean, Like because he apparently nailed
the Matt Lower thing. He's that movie Mountainhead is like,
you know, I enjoyed parts of it, but his performance
is fucking so it's like a Peter Thiel esque like billionaire. Yeah,
Fox Catcher another great pervert. His Donald Rumsfeld.

Speaker 1 (16:49):
He is underrated, evil bastard actor.

Speaker 4 (16:53):
Yeah, but what so, what where have we gone since
the Matt Lower storyline?

Speaker 5 (17:00):
We're in ai Land, we're in the US is now
receiving dissidents from foreign countries but unintentionally, and the Morning
show is in the middle of the international drama. The
woke new CEO ended up becoming just as bad as
your straight white predecessors, and.

Speaker 1 (17:19):
That's that's it. That's a cool, like interesting idea.

Speaker 5 (17:22):
But the way it was executed was very melodramatic and
there was some payoff, but man, it was just like
getting there.

Speaker 6 (17:29):
It just really felt like, oh so, yeah, I feel
like AI stores both when it's incorporated into the making
process and also when it's the subject matter has not
has not done great things for I mean, I don't know,
I'm I'm kind of a freak.

Speaker 4 (17:47):
I didn't like the latest Tron movie starring Gared Letto
as a superhero AI. I didn't see it, but apparently
it's such shit. But yeah, I feel like trying to
get people's brains around what AI means that that's not
where we're going to go for it. It's not going
to be the writer's room full of you know, middle

(18:07):
aged people who are reading the New York Times and
being like, man, I guess this is the.

Speaker 1 (18:12):
Wave of the future. Huh right, Yeah, something about this
fangl technology. What if it's just like magic or something,
just like really good that stuff.

Speaker 5 (18:23):
Yeah, I think it's hard to extrapolate, like a human
angle from something that is so extractive of humanity, and
it's you're always having to inject the humanity into.

Speaker 1 (18:34):
It, right. Yeah.

Speaker 4 (18:36):
Well it's weird because TV news is as good as
it's ever been, you know, in its golden age, So
it's weird that the Morning Show is not like, yeah,
it is funny, like that feels like a premise that
made sense maybe even like ten years ago, when people
are like Good Morning America versus the Today Show, Like

(18:56):
that's a big rivalry in television and there's like a
lot of add money at stake, and I'm sure that's
still true, but like, I don't feel like I've heard
anyone talk about either of those shows in over a decade.

Speaker 1 (19:09):
Well, there's also just so many shows like that. There
are shows that I haven't heard people talk about. They're like, oh, dude,
it's the best show out there, and then you're watching, like, oh,
it actually is pretty good. Damn.

Speaker 3 (19:19):
Yeah.

Speaker 1 (19:20):
Yeah, it's too much shit out there, too many shows.

Speaker 4 (19:23):
There's something you are feel I don't. I don't really
dip my toe often into I'm watching The Chair Company,
which I really enjoy, although the third episode made me
feel like I had a type of mental illness that
I haven't had up to this point.

Speaker 1 (19:36):
But I watched the first two. I'm obsessed. It's so funny.
I loved the second episode. Yeah, but what is there?

Speaker 4 (19:44):
Is there something you're streaming that you're you're feeling particular?
That's what I had, I had The Chair Company? Chair Company? Yeah, yeah, right,
have you watched it yet? Most no, Because Her Majesty
also wants to watch it. So I was like, oh,
I had a plan to blow through the first three
just solo.

Speaker 1 (20:00):
But you know how it is man when you respect
a show that you're supposed to watch with your partner,
that inevitably they don't watch after the first episode, and
then three weeks and you missed the discourse, and then
you have to binge watch it. On the finales you
can keep up with the discourse and then they ask
you what happened. I thought were watching it together, but
they wanted to watch reruns a Buffy.

Speaker 5 (20:17):
We've all been there, that old trodden, well told tale. Yeah,
and you you call your partner, did you say her majesty,
her majesty?

Speaker 1 (20:26):
Yes? I love that. I love that. I might be
stealing that, Miles, It's fine, it's I mean, she is
the Queen of England, so oh okay, correct, Sorry, it's
an AI chat bot that I said should be the
Queen of England. We don't want to go too deep
into that.

Speaker 4 (20:41):
It gets really sad, but well, let's let's take a
quick break and we'll kind of and talk about the news.

Speaker 1 (20:58):
And we're back, and.

Speaker 8 (21:01):
Let's start out a little pop culture, well, a little
poppy culture. Culture mm hmmm. So next month, it feels
like a lot of the movies that are supposed to
be Awards contenders are coming out and I haven't seen
these particular movies I'm about to mention, but like, based

(21:22):
on reviews, they're like not supposed to. Like the people
at festivals were like, yo, House of Dynamite, the latest
Catherine Bigelow or yeah yeah, Bogonia, And it seems like
people are pretty tepid on once they've dropped, so we're
kind of that. The exception being one battle after another

(21:45):
seemed like it was kind of I don't know again,
people were like, yeah, it's good, and then everybody really
really loved it once it dropped.

Speaker 1 (21:53):
Not a commercial success though.

Speaker 4 (21:55):
Yeah, not quite a commercial success. But we do have
the first trailer for Nuremberg from writer director James Vanderbilt.

Speaker 1 (22:04):
It do we know who that is?

Speaker 4 (22:06):
I'm not, I'm not familiar, but it's a historical drama
starring Michael Shannon, Rommie Malick, Russell Crowe that wowed the
Toronto Film Festival last month and it drops next month.
It's a World War two like that. This seems like
a cool I'm glad this movie is coming out. It's
World War two in the European theater has ended. Adolf

(22:27):
Hitler is dead spoiler alert. His acolyte and the and
designated successor, Hermann Goring played by Russell Crowe, has been
captured the Allies, led by the unyielding Chief Prosecutor Robert H.
Jackson played by Michael Shannon. The always But when Michael
Shannon's serious in a movie, it's it's frightening, very frightening.

Speaker 1 (22:48):
I have that. I hate serious Michael Shannon. Yeah, he's
kind of tough because he's like, he is that funny
to you? Oh godless? Yeah? I like stoner Michael Shannon
from like the movie Mud.

Speaker 4 (23:01):
Yeah, yeah, a little more fun have the task of
ensuring that he and other surviving leaders of not the
Nazi regime answer for the unveiled horrors of the Holocaust.

Speaker 1 (23:10):
That's based in reality. They made Nazis answer for their crimes.
Just so I'm sort of taking it, taking the team
to what I see now. Wow wow, I thought they
were all chilling in Argentina, MAXI and with a my tie.
Well now they're just giving money to Argentina. There's still
an Argentina connection right now with forty billion we gave
to them. Uh wait, so that's do you know? You

(23:33):
know Herman Gurring, right, he tried to. He found out
Hitler was gonna off himself and was like, hey, dude,
can I be the on that. Yeah, that's what he
did in the last day, and then he was kicked
out by Hitler. Was like, get this motherfucker out of here.
That's just an idea of what herman. Herman Gurring was
all he made. He's a fucking vile motherfucker. Was also
the dude who was pressing the Reichstag fire immediately to

(23:56):
be like, it's communists, it's communists. Yeah, real architect of yeah,
a lot of it. Was the second most powerful Nazi.
Yeah it is. I don't know.

Speaker 4 (24:06):
Maybe it'll be instructive to see how people could be potentially,
at some future hypothetical point held accountable for their war crimes,
but it isn't.

Speaker 1 (24:16):
I see also that those people still are so driven
by their own narcissism and ego. Hey dude, her you're
gonna offer yourself in the bunker. Get I get that.
I get that kind of biding my time. This is
my spot. Jesus so to promote the movie.

Speaker 4 (24:33):
Sony released online character posters, which is you may recognize
those from like when X Men First Class came out
and there was like a Beast poster, and you know,
Superman had a character poster. There was a Star Wars
The Force Awakens one with Han Solo, and then they

(24:54):
really fucked up the right side of his face.

Speaker 1 (24:56):
I don't know if you remember that, but it yeah, yeah,
the proportions are way off here.

Speaker 4 (25:03):
I think they added a blaster like holding it up
over his face and then we're what's funny.

Speaker 1 (25:08):
Because his face is actually at an angle, and then
they used a straight on perspective to fill in the
other part of his face, which is why it looks
so weird and.

Speaker 4 (25:19):
Like a younger person. It seems like that part of
it has botox. Yeah, model, yeah, but uh yeah. So
character posters usually used highlighting popular heroes like the X Men, Superman,
Han Solo, and people had literally like made the joke
when Christopher Nolan was releasing Oppenheimer, they like made parake

(25:43):
posters with like Robert Downey junior Oppenheimer with like him
standing in front of like a mushroom cloud.

Speaker 1 (25:51):
Like folder of papers too, like he's like I'm I'm
an inventor.

Speaker 4 (25:58):
But yeah, no, he really assumed that they would employ
this strategy for a historical drama about real life tragedy.
So Sony Sony deleted the posts. But I just feel
like probably a good rule of thumb not to try
and marvelize literal nazis.

Speaker 1 (26:15):
Yeah, you know, just yeah, I think that's I think
I think we'd all get behind that. No need to
do that. They could just be like a piece of
shit or something and then say Gurring, Yeah there you go.

Speaker 5 (26:26):
I say, you know what about the lawyer. Let's marvelize
the lawyers or or some of the people holding them
to account, to put them in the hero's journey. You know,
it's like, Okay, we give them cool backlighting, we give
them beautiful touch up. It's like, are we gonna start thinking,
oh this who was this guy?

Speaker 1 (26:46):
Why is Gurring fucking shredded? Why are you smirking like
that shirt opening rippling six pack ads? That's so weird?
Twins on his shoulders.

Speaker 4 (26:56):
I mean, marketing movies like has never been like that.
That discipline has never been above trying to fool people
into seeing a movie by misleading them about what the
movie is. Yeah, there's many famous like trailers where it's like, oh,
I thought this was a totally different genre of movie
than it was. And I do wonder if in this

(27:19):
case they're trying to hit both sides of the American
populace by being like, yeah, we're gonna like make a
movie about them being held to account. And then they're
also like, hey, look how cool Gurring looks for like
trying to get like Steven Miller to like.

Speaker 1 (27:36):
Go to a movie. Yeah, you know, yeah, let's get
Gurring with a cattlebell, you know, some lifestyle. Yeah, right,
this thing his facial expression, Russell Crowe as Hermann Gurring
facial expression. It looks like if you didn't know the
context and you took away his outfit and just his
facial expression, you think this is like mister Holland's Opus

(27:56):
or something, where it's like he's very pleasant and he's like, huh, yes,
what a good life I've had. You're on trial for
your fucking war crimes and because you didn't get the
firing squad, you ended up taking a cyanide capsule the
day before.

Speaker 5 (28:09):
But anyway, so aspirational, so yeah, yeah, going out like
a g Yeah, I want firing squad, no hanging, give
me the sign?

Speaker 1 (28:19):
Then who gets these people to cyanide? I'm always curious, like,
who's handing that off to them?

Speaker 4 (28:25):
Oh, man, you need a Siinide capsule. I'll give you
a cale. You need a Nuremberg cyanide. Guy, it's Helen
Hunting contact. She shows up, gives you the cyanide and
then leaves.

Speaker 1 (28:36):
Right right right yeah.

Speaker 4 (28:37):
Our writer JM pointed out that this is not dissimilar
from have you guys seen the Kingsman movies? The Kingsman franchise.
At the end of King's Man, which was the last
one and the one that did the least well, didn't
see that it included a post credit scene that introduced
Hitler as if it were like Thanos or something like

(28:58):
he comes out of like a a door, like bathed
in light, and they're like, yes, it is our new.

Speaker 1 (29:06):
Scene, folks. He always needs to be sweaty, like he
always needs to have like the meth sweats with his
hair flapping around like that's don't just he always needs
to look stressed out and like a loser.

Speaker 4 (29:17):
Yes, you ever see that video? The I guess it's
not a video. I don't think they quite had a
digital video back then, but the film did reel of
him just sitting at the Olympics, and like you've always
you we've all seen like the photos of him like
standing up right and like watching the Olympics, but somebody
like actually got moving camera footage and he is like
rocking back and forth and just like working his jaw

(29:40):
and like it's just like this guy is so high,
it's unbelievable. He's like uncomfortably high at every moment of
his life. Like all those speeches that people are like, yeah, really,
really a great speaker. I've always been like, he seems
fucking like he is tweaking, he's yelling to fucking settle down.

Speaker 1 (30:01):
Yeah. An amount of meth only reserved for fighter pilots
and Hitler, right, yeah, yeah, I mean I think the
whole society at that time was kind of on one.
They started really handing out math pretty freely. Yeah. I
didn't know it was readily available at the time. Oh yeah,
oh yeah. They were like, have you guys heard about

(30:23):
this ship? Please tell me more. The fur is addicted
to them.

Speaker 4 (30:31):
Disappear go on makes you makes you really good at
big engineering projects that you'll never finish, which I mean
that kind of was their thing. They were like, we're
building a giant Uh didn't they have a giant magnifying glass. Yeah,
I believe this is I remember this from the crack days,
like the number of like uncompleted Nazi projects that were

(30:54):
like tornado gun checking the cannon.

Speaker 1 (30:59):
They had a rail gun.

Speaker 4 (31:01):
They had a giant space magnifying glass that was gonna
use the sun's beam to like roast entire sections just
the globe.

Speaker 1 (31:11):
Oh yeah, just very like meth project.

Speaker 4 (31:13):
Just a civilization littered with like unfinished meth projects that
were never going to come to fruition, and then some.

Speaker 1 (31:20):
Of them did.

Speaker 4 (31:21):
They had like a train that had a giant, like
three football field sized rifle. It was just like so
this is gonna be hard to aim, right, it's on
a train and it's too big.

Speaker 1 (31:34):
The sun gun does feel like peak drug addict invention,
where Hitler's like, I bet he had a fucking magnifying glass.
He was fucking with all high and he's like, oh fuck,
hold on, hold on, hold on, hold on. Inventors get
because like like when you read about it's like they
researched the concept, but that feels like you're think it's like, yes,

(31:54):
we'll look into that, and they probably looked like, what
the fuck is this guy talking about? Dude, a giants
magnifying glass. It's just all want to obcinerate the targets
on Earth. Okay, okay, all right, Just.

Speaker 4 (32:06):
Briefly going off of the story we were talking about
yesterday on yesterday's trending about the fact that we're seeing
a you know, right word shift not just here in
the United States, but across the globe, and connecting that
to people's feelings that maybe the current order of things
wherein we just trust corporations to take care of everything,

(32:31):
that maybe people are starting to feel like not great
about that circa I don't know, the year two thousand
and eight, and we're just seeing the outcome of, you know,
everybody losing faith in that system, which is still sort
of a default in a lot of places, and the
only other option being fascism. Just another another piece of

(32:53):
evidence that people might be looking at. Amazon announced that
they're laying off fourteen thousand corporate employees and that's not
the end of it. Reportedly, the job cuts will ultimately
reach thirty thousand because the company wants to replace the
workers with you guessed it. AI.

Speaker 1 (33:09):
Oh, I was gonna hope so hobing more people with
higher paid employees. Dang again, which.

Speaker 4 (33:19):
By the way, and just like that, this will be
greeted as like good news by Wall Street, Like this
will be seen as a good thing. So just seems
like a bad system to where like this is the
option that we have other than fascism. Is like, I
don't know, Amazon is really excited about this AI stuff, right,

(33:40):
let's give that. Let's give that, give them a cut
at that.

Speaker 1 (33:43):
This is all going well because, as we've talked about
on the show, every example or at least the most
significant examples of PEP be like my whole human customer
service team by welcome AI, Welcome to the new age
of AI. Oh shit, fire, please come back, please come back,
please come back. What was the one? Klarna? Klarna? Yeah, Klarna, Yeah,

(34:07):
Klarna went for it and they had to immediately re
hire human beings because like this, it sucks.

Speaker 4 (34:12):
Yeah, one the place that allows you to go in
debt for like a five dollars uber Etz order, they
let go of their entire customer service team and then
a year later, So like I was talking to people
about this.

Speaker 1 (34:26):
I was talking to.

Speaker 4 (34:27):
Talking to some other dads about AI, you know, as
we do fellas, and they knew that they had cut
their workforce and handed over to AI. Had no idea
that the CEO of the company it would seem to
be a pretty significant story, had no idea the CEO
of the company a year later had literally come out

(34:48):
and in the media openly been like, we fucked up.

Speaker 2 (34:51):
Man, The AI doesn't work at all, Like this sucks shit,
because the way it's covered in the media is just that, yeah,
they're amazing things are happening with AI.

Speaker 4 (35:02):
They're replacing humans and so yeah, that feels like that's
the message that's getting received.

Speaker 1 (35:10):
Yeah, yeah, yeah, yeah for sure, or so many people
on like shorthand they use like the short en of
like oh yeah, like I'm sure like with AI, like
all this other stuff, like they're sort of have bought
into this thing of just like evoking AI as this
other thing that's working in tandem with humanity to make
things better easier. Is like the truth rather than an
all out advertising marketing blitz from the people who have

(35:31):
spent billions of dollars trying to get this shit going
to make you just kind of automatically fill it in exactly,
exactly exactly this Amazon, is this their first we hired
or we fired humans for AI?

Speaker 4 (35:44):
Like interesting, they had put an AI algorithm in charge
of hiring. Okay to yank it after a year when
it became clear that the tool systematically discriminated against women
applying for technical jobs such as software engineers and was
just like that bad at the job that's.

Speaker 1 (36:05):
In charge of. I wonder if like the developers of
that hiring air or like, what's an improvement, you know,
because before it was racist and massage and now it's
just mysogistic. Yeah, and it hates women, so look the
next one, it'll probably hate some other group that we
can't figure out how the biases got in there.

Speaker 5 (36:23):
Yeah, and dual Lingo had a similar problem there. CEO said, oh, yeah,
we're going fully AI. We're letting a ton of people
go at dual Lingo. We even't fired the al even
it's like, okay, so I can learn a language and
speak it to nobody, Like there has to be humans
involved in the process of learning a language. And yeah,

(36:45):
I mean like, I'm all for cool tools, but not
when they remove the person behind the process.

Speaker 1 (36:51):
Yeah, yeah, didn't they like delete their whole like social
media accounts because the backlash was so insane, like we
don't even need human translators. And then it was just
like oh god, oh god, oh god, oh god, the backlash,
the backlash.

Speaker 5 (37:04):
Yeah, we're not heading towards the Jetsons right now. We're
heading towards like, you know, scorched earth. People heading around
like please please one dollar for so I can have
a place to pee or have water.

Speaker 1 (37:17):
And it's like we people aren't thinking just because it's
baked into like the congressional DNA of the stock market
that profits must be you know, some coming.

Speaker 5 (37:28):
Yeah, it's like, well, what's gonna happen to everybody? Like
there needs to be some sort of forethought government wise
of where what are people going to do?

Speaker 1 (37:37):
Where are people going to go?

Speaker 5 (37:38):
I don't care if there's a surplus created by technology, cool,
like if that's if that's what happens, like that's cool,
But there has to be a way for people to
thrive still.

Speaker 1 (37:48):
Yeah. Yeah, the thing is, we thought we could figure
that part out early on, and then we realized these
people are getting in the fucking way, man. Yeah, people
are in the way.

Speaker 4 (37:59):
Yeah, the whole system, I mean for a number of
years now, for a number of decades now, it's been
a wealth redistribution machine for taking money from people who
have less money and siphoning it upwards. Like you can
just see the overall model of like the wealth, the
wealthy getting wealthier, all other wages stagnating, Like it's it's

(38:22):
very very clear. They're not hiding it, and it'll be interesting,
like something's going to happen, something's going to give I
don't think people are just going to continue to be like,
uh yeah, man, that guy's bawling.

Speaker 1 (38:36):
Yeah. I think that's why too. With everything that's going on,
and there's certainly plenty to feel very cynical about the
one thing that I try to find optimism is if
this thing is about to break, then that means there's
going to be a new thing. Yeah, and what is
it's the one screeching Yeah, and some people and I
get why people think like it's going to give way

(38:58):
to this other terrible reality And it absolutely could, and
it could also be something completely different. It might it might,
it might awaken something and people that allows us to
move move towards something different. It's gonna be bad in
the short run. Oh yeah, yeah, yeah, yeah no. Could
you imagine one day? This is how Mike magical. I'm
sure some people are thinking like you're like, in twenty

(39:19):
twenty six, the Dems will take back the House and
they'll pay it, and then Donald trumple realized he needs
to lay off, and then he's gonna go away, and
then I can go back to Brunch and and and
that's it. And the suffering will continue ambiently around me,
but I will I will continue to turn a blind
eye to it and say that has no bearing on
my life. Sounds sounds like a plantyd. So that's so

(39:43):
I'm optimistic. Brunch twenty twenty six, that's the plan. Yes,
do you think the demokrats are looking for someone with
the last name Brunch? Tyler Brunch?

Speaker 5 (39:54):
Tyler Brunch has a really good platform, Yeah, Tyler, I
think yeah.

Speaker 1 (40:00):
Tyler Brunch. Vote vote bru Oh my god, literally brun.
Yeah god.

Speaker 4 (40:06):
All right, let's take a quick break. We'll be back
to talk about Halloween. We'll be right back, and we're back.
And I wanted to talk about the ghost face mask

(40:28):
from Scream because I we we have in the past,
looked at the and it maybe we still will.

Speaker 1 (40:36):
They were we're kind of running out of time this.

Speaker 4 (40:39):
Week, but didn't even do the like trending top top
costumes of the year thing. It's always been a bit
of bullshit where it's like, you know, they're just finding
the ones that are like popping up and in the
news so that they can like and then it's a
mixture of that with like it'll be like spider oh yeah, Batman, Yeah,

(41:00):
well spider Man, but the like truly you know, we
we have thousands of trigger treaders come to our house
every year. For the past six years, we've lived here
in a place that like has very like constant trigger treaters,
and without fail, every year, the most popular costume is

(41:23):
the scream the ghost Faith mask, Like that is it.

Speaker 1 (41:27):
And it's like, I don't know, I was.

Speaker 4 (41:30):
A little bit surprised, Like I don't know it. I
knew the screen movies were popular, but it's like from eight,
starting at age four up, people are just wearing scream masks.
So I feel like there's just something about that mask
that really connects with the national share consciousness. Like I've

(41:51):
always thought that Michael Myers is the scariest, coolest Halloween mask.
But the stream demolishes Michael Myers in terms of like popularity.

Speaker 1 (42:01):
So I think I got it. I got some ideas.

Speaker 4 (42:03):
I think maybe yeah, so uh yeah, And on Wikipedia,
Wikipedia can confirm since the appearance of ghost Face and Scream,
the costume has become the most worn and sold costume
for Halloween in the United States.

Speaker 1 (42:17):
Douglas, you a Halloween fan? Do you dressing? I like Halloween.

Speaker 5 (42:21):
I dressed up as a Bavarian chocolateeer this year, and
before that I was a pineapple. Nothing, nothing too scary.
I keep it light on Halloween, but nothing is scarier
than a three foot child in a scream costume.

Speaker 4 (42:36):
Scream you look Michael Myers too. Oh either or true
foot Michael Myers is hilarious.

Speaker 1 (42:42):
Michael Myers. I saw that at UCB one time and
that was a great show. My my Harald team three.
Michael Myers. Yeah, but no, I mean there is something.
It's I think it comes back to Van Goh, the
of it all. It is Monk.

Speaker 5 (43:02):
Yes, it's memordial, it's deep. No, everyone has felt the
Scream in their heart and so yeah, that's what I
feel like.

Speaker 4 (43:10):
I feel like it's connecting because so one of the
theories of like masks is that like you know, like
Michael Myers is the most neutral mask. It's like it's expressionless,
and I feel like that's what's scary about it, you know,
is it's just this like blank face that you can
both that both it's like creepy to have something stalking

(43:33):
you that like never makes an expression, but also you
can project whatever onto it, you know, like you can
project your own scary feelings. Where scream is like the
or the ghost face mask is the opposite of that.
It is the most expressive facial expression like possible, and

(43:54):
they just really like nailed it with uh yeah, I
mean they So a lot of people will point out,
like you did. They do seem to be borrowing from
the Edward Monk Scream, which is a famous painting because
from the time I was painted in the late nineteenth century,
I think it symbolized the existential angst and anxiety that

(44:16):
people were facing with the on set of the the
technical the Industrial Revolution.

Speaker 1 (44:24):
Wait till World War one, y'all? Yeah, world War one?
The face the face seems to be saying coming from
a deep existential horror and asking the question what's up
with World War one? World War one? Dude, dang influenza? Fuck?
I mean, I don't know if to me the reason,

(44:46):
I think the screen mask is the least scary of
the masks, and that's why it's so the embrace is
so easy because you look at it and it looks
kind of like a It looks like a decoration, you see,
like when Disney makes Disneyland look all spooky like, and
it's one of the ghosts where it's like, oh, it's
a ghost and it's like scary, but it's not like menacing.

(45:08):
And I think a lot of it comes from like
the film, so like, yeah, it is like ironic too.

Speaker 4 (45:14):
Like that's another thing that people have pointed out that
it's like post you know, Scream is a very postmodern
movie where it's commenting on horror movies and the rules
of horror movies, and like they have literal characters inside
it talking about the rules of horror movies, and so like,
the mask is both like can can be seen as
like expressing horror, but it can also it almost seems

(45:34):
like it's mocking, yeah, exactly, sarcastically being like oh no,
like doing a Kevin from Home Alone.

Speaker 5 (45:42):
Yeah, And in the movie, I think there's even a
bunch of jump scares that end up being a haha,
I was messing with you man, yeah in the movie,
And I think that actually helps it be scarier because
you don't know when it's gonna be the real one.
And there's so many parts in the movie where people
are like, oh, okay, stop messing around, come on, take

(46:02):
it off, and then it's like, oh.

Speaker 4 (46:05):
No, it's you watch you yeah right, Oh no, it's
the guy with the very specific voice changer.

Speaker 1 (46:10):
Yeah.

Speaker 4 (46:10):
I mean the like I feel like that Michael Myers
feels like otherworldly almost, and you know, his character is otherworldly,
like he kind of can't be killed, and it's just
this like force of evil that keeps coming from you.

Speaker 5 (46:22):
For you.

Speaker 4 (46:23):
Where's the screen movies which are like the most that
the most successful of the box office of any like
slasher horror movies. I think the first three ones, at least,
the bad guys are always just like on some Scooby
Doo shit. You know, it's always just like I've pulled
off the mask and revealed that it's you know, a

(46:43):
real person from the movie with a grudge and a
complicated backstory doing this because they've yeah, usually they've been
ruined by the world. But I do feel like that is, yeah,
there's something very human about both who the killers actually
are in the screen movies, but also like the mask
is like kind of very like embracing human emotion and

(47:07):
human horror and you know all of that. So there's
like which makes sense like that at a time when
we've like kind of mostly I think left behind the
idea that like there is another worldly horror that is
going to do us in like that it's the devil
that's going to do it, and now we're just like
people are bad. Yeah, that it makes sense that this

(47:28):
would be the mask we go with.

Speaker 1 (47:30):
I think there's like a comfort argument too, because think
about all the shitty fucking rubber masks that we were
subjected to in the eighties and nineties prior to Scream,
and they were like stinky inside of basketball smelling rubber
faces or like I mean, they're still popular now, Like
a lot of them were like those in My Near

(47:50):
Future unfortunately, and like a lot of like the like
scary ones we're like fucked up and kind of scary.
You're like, oh, bro, if I like, if I had
that in my room, I just wouldn't want to really
look at it, you know. And the scream mask a
little more comfortably were like a black hood of put
the mask on, and it's I think again, it's just
the fact that it's less menacing. I think appeals to children,

(48:12):
and because it's not like it's not bloody or anything
or has like you know, like it's like a mutant
face or whatever. It's like silly ghost mask. But also
the scream like to your point, Douglas is because like
you know, Billy Loomis and whatever the fuck Math the
other guy was called in the first movie was like
teenagers fucking around with the mask. It kind of has
that like so sorry, sorry, sorry, sorry, sorry sorry sorry sorry. Yeah,

(48:35):
Victor is giving it to me to be sorry for
the spoilers. I should have said that it wasn't Billy Loomis.
But like I think there's like a fun to it
that also makes it unpredictable, you know what I mean,
or like you don't like so it really is like
Mike Myers is, like you can kind of project your
own intent on it. It's the scream. The ghost face
mask starts from a place that feels a little more innocent,

(48:56):
and then from there it's like, it's really up to you.
How fucked up you want this thing to do? Yeah,
and to be killed by something that's making the scared
face that you're making is kind of like it's mocking you,
you know what I mean.

Speaker 4 (49:07):
The origin this is a quote from a slash film
article from I think this is what Yeah. Wes Craven,
or one of the makers behind the film, say they
were doing a location scout for like one of the
places they shot it. They saw this mask it must
have presumably it was around Halloween, and we're like, what
about this? And then this quote says no one could

(49:28):
agree on a mask. And I remember we were in
a location scout and we found ghost face in a
box of stuff in a garage where that you were
location scouting and just like just muddling through their shit.
Wes Craven immediately looked at it and said, this is
like the famous screen painting. And so we took that
to our production and we said, riff on this, make

(49:49):
something like this. They must have done twenty different designs,
every one of them was rejected by the studio, and
finally we were like, why don't we just get the
rights to the mask? And we have a drawing in
the dock of like what some of the things they
did looked like. And they look like fucking garbage pail kids.
They look like shit, it's so bad.

Speaker 5 (50:09):
Yeah, really half the brain exposed like no, yeah, and
not as breatheable. I mean, to Myles's point, children love
a breathable mask. And these would have been a rubber
basketball ship hole.

Speaker 1 (50:22):
Yeah exactly, steam steam cook your dome wearing a fucking
dumb anyway. Wait, so who's the person who has the
right That person must be fucking raking into.

Speaker 4 (50:31):
Yeah, it was like somebody from a Halloween mask creator
who like got the got the rights. Yeah, so fun
World a company called fun World that did like a
series of masks. So the screen mask was meant to
like kind of be flowy and spooky and like go
with your standard ghost sheet costume, and so like its

(50:52):
eyes were like a little bit more like wavy.

Speaker 1 (50:55):
Yeah, turn that clown outfit, the clan outfit into a
ghost outfit, would yeah, exactly, ghost up this clan outfit
basically got all these damn clan outfits I do, But
the origin story. First of all, the house that they
were scouting was apparently a house from a famous Hitchcock
movie that I'm not that familiar with, Hitchcock's Shadow of

(51:19):
a Doubt. And they found it in a box, Like
this is how it would exist in a Goosebumps tale
of a haunted mask that like comes out to like
possess people. Is like they find it in a box
in a garage somewhere, nobody knows who like designed it,
and they're just like try and like copy this, and
its power is just like so undeniable that it can't

(51:40):
be altered, and that it goes from like that garage
box to like movie screens to literally like every other
face on Halloween night, Like if you know, we were
talking to Douglas We had the host of a podcast
called other World on earlier this week, and just talking
about like the way that these ideas, whether they're like

(52:02):
from the unconscious or like these powerful energies, can like
come out and like if if ghost face is like
representing something real or like otherworldly or like unconscious or
something like if that's secretly the face of Zozo to
people who listen to that episode trying to get out
it has like so profoundly and thoroughly won and like

(52:23):
in a way that is exactly how it would happen
in like a Goosebumps. But yeah, yeah, absolutely yeah, but yeah,
the somebody got real real lucky. Apparently the TV show
tried to like alter it because they didn't have the
rights like they're and so MTV made the decision to

(52:44):
redesign the mask for the new series. And it sucks.

Speaker 4 (52:47):
It's just it's like a neutral mask from like the theater,
but it with like a blowjob mouth, like a mouth
made to get it.

Speaker 1 (52:56):
Looks so it looks like something from like, uh, what's
the word. I'm like the time of like cortisans in
Italy or something like a weird porcelain. It's like not scary.
It looks like it looks like bad decor in an
old person's house.

Speaker 4 (53:12):
I can't be scared by like things that like any
horror movie that happens in the like deep in that
period like a different period of history, Like I just can't.
It doesn't scare me. Like there there's that uh I forget,
like one that took places in Venice that I think
had Kenneth Brana attached a couple of years back. But

(53:33):
oh god, I don't know, man, I don't give a
fuck about this. Yeah, I mean just talking in Venice. Yeah,
just I think just show them trying to go to.

Speaker 1 (53:42):
The bathroom back then. That's horrifying enough.

Speaker 5 (53:46):
No, looks like maybe the Phantom of the Opera would
wear this, you know, as he's approaching in the catacombs
or something like that. I say, just give fun World
the money. I mean, they nailed it.

Speaker 1 (53:58):
They fucking ate with that one. They nailed it.

Speaker 4 (54:00):
They channeled something deep and dark about humanity, maybe by
copying one of the most famous paintings of the past
three hundred years, but the original Emo King, the original
Emo King, the scream paint.

Speaker 1 (54:14):
Wow, this is so people are so into the original mask.
Like apparently fun World started altering it a little bit
that there were like change dot Org petitions. We're like,
bring back the first generation mask, and people are saying
the original molds are gone. But I'm sure you can
make another one because oh so the original you can't

(54:35):
even find the og I think if you look for
like there no, there are plenty, I think there. I
think this is for people who are so in like
there have been different iterations. The one we see right
now is obviously readily available, but I think there's a
different one that people were like, no, I want this.
The Gen one is what I keep seeing on the internet.
Bring back the Gen one mask. Jesus, Wow. The Schnyder

(54:58):
cut of masks.

Speaker 4 (55:00):
Apparently a couple scenes I think the in the first
scream where it was pre them negotiating the rights to
get the original mask, and so there you can see
that the mask is like a.

Speaker 1 (55:13):
Little bit altered. It was like the version that they
were going to go with if they couldn't get the
right Oh dude, the Gen one Okay, Gen one is
different than the one we see in the movie. This
is Gen one with like sort of more triangular is eyes.
Yeah that one sucks. Shit, looks too happy? Yeah, that
one looks like if like I was hanging out with
Michael Jackson, I did too many mushrooms. Yeah yeah, why

(55:34):
is it smiling? Yeah?

Speaker 4 (55:37):
Yeah, I mean the original, the one that showed up
in the movie is fucking great. And yeah, that's that's
the one that I ride for, and that's the one
that it seems like everybody is obsessed with.

Speaker 1 (55:48):
And the crusette of Halloween masks. You only need one.

Speaker 5 (55:52):
You have it your whole life. You're scary your whole
life yet seasoned.

Speaker 1 (55:56):
You know, this mask has been seeping microplastics into the
faces of this family for three generations now, and it's
now your turn. Ye and now we're all a little quirky.

Speaker 4 (56:06):
I think the first year that we did Halloween here
and like we saw so many screen masts. I was like,
oh yeah, I think there's like a.

Speaker 1 (56:12):
Scream reboot coming.

Speaker 4 (56:13):
Wow, that's really like it must be popular with people.
And it's only grown since then, Like it's just like
more and more, and now there's like a lot of them.
You can like press a little button and it like
sprays blood onto the mass.

Speaker 1 (56:25):
Oh yeah, those on it. That's that's too much dip
on your chip man.

Speaker 4 (56:29):
Yeah, it's simple, simple, too much dip on your chip
I like that saying Douglas, what a pleasure having you
on the podcast.

Speaker 1 (56:36):
Where can people find you? Follow you all that good stuff?

Speaker 5 (56:40):
It's been a blast. You can find me at Douglas
Widick on Instagram, at Douglas Whidick on threads YouTube. It's
just my name on all the places and I've got
some shows coming up. I don't know if that was
the next thing you were going to ask if it
was allowed to say no, that's great, away, All right,

(57:01):
here's my plug. I've got three performances of Looking for Laughs,
which is a UK based comedy show that I'm producing.
The US version of at caveat January thirtieth is the
next one, and we take a live blind date and
then we do comedy inspired by the live blind date.
So that is a fun thing I'm producing right now.

Speaker 4 (57:21):
Oh wow, how do the people do on the live
blind date? Are they pretty nervous or is it.

Speaker 5 (57:27):
We just had one and they're going on second third date.
They're still texting and we take like a lot of
pains to make sure the matches seem like they make sense.
But yeah, I mean it's totally crazy and awkward. They
pull off like I'm asks and they're like, Hi, nice
to meet you on stage in front.

Speaker 1 (57:42):
Of one hundred people. So wow, Yeah, that's fun.

Speaker 4 (57:45):
It's a good time, wonderful. Is there work a media
that you've been enjoying?

Speaker 2 (57:49):
Oh?

Speaker 5 (57:49):
In media right now? I I mean I had I
had the chair company down for that. Uh, but a work, Oh,
like you could do a tweet. You could do whatever
you want it. Oh man, jeez, I had the chair
company down for that. Let me think that's great, chair company.

Speaker 1 (58:08):
We can plug the chair company again.

Speaker 5 (58:10):
Okay, Yeah, that's that's my work with media that I've
been enjoying. I mean I listened to a lot of podcasts,
so I know that that wasn't under the under the
umbrella of that.

Speaker 1 (58:18):
Podcast count Okay, Jesus please, of course they do. What
are we doing right now? If it does?

Speaker 4 (58:24):
I love some pivot. I love some pivot with Caro
swishering Scott Callaway. There you go, all right, Miles, where
can people find you as their working media you've been enjoying?

Speaker 1 (58:34):
Find me everywhere at Miles of Gray. You find me
talking about ninety day fiance on four to twenty day
fiance and pretty soon, my dear me talking about soccer
coming up soon. That's something that's something in the lab
I've been kind of talking about. But stay tuned for that.
What else? What else is there? Work of media that
I've been enjoying, And it's just oh, you know what,

(58:56):
I watched The Night of the Demon. Oh that one
from the eighties. I've never seen it. A Night of
the Demons from nineteen eighty eight. It's like there's multiple demons. Yeah, dude,
it's the most just like eighties ass fucking like movie
where like women just inexplicably are topless suddenly because it's
like one of those eighties movies. Like there's one where

(59:18):
like like a woman's like okay, like by like getting
off the phone and then just takes her shirt off
and then they got to the next scene and her
Massy and I were watches were like, this is so
fucking stupid. But this is, like we were saying, these
kinds of movies are started, like the Hallmark holiday films
for Halloween, are these like mindless eightiesless the slasher movies.

Speaker 4 (59:39):
That's when I saw sleep Away Camp last year. Was
just kind of fucking around watching.

Speaker 1 (59:43):
You don't need to pay attention really because every now
and they're like what the fuck's going on? And like
and why is she? Why is where'd her underwear go? Yeah?

Speaker 4 (59:50):
What is this?

Speaker 1 (59:51):
But anyway, that's I saw. Night of the Demon's just
so stupid. If you want to see something like that,
check that up.

Speaker 4 (59:57):
Uh you can find me on Twitter A Jack underscore
o Brown Loose skuy At Jacko b the number one.
I liked a tweet from Heydro Flask who tweeted one
thing nobody gives pigeons enough credit for is their ability
to get out of the way and the sidewalk. A
lot of you could learn a thing or two from
the haha. And then a New Yorker cartoon from Asher

(01:00:19):
Pearlman is just two people walking out the door of
an apartment and someone's putting a book into their carrying
bag and says, I better bring my book just in
case I want to spend all day carrying my book.
You can find us on Twitter at daily Zeitgeist, also
on blue Sky at daily Zeikeeist, where at.

Speaker 1 (01:00:41):
The Daily Zekeeist. On Instagram, you can go to the
description of this episode wherever you're listening to it, and
there at the bottom you will find the footnotes Nope,
which is where we link off to the information that
we talked about in today's episode. We also link off
to a song that we think you might enjoy. Hey, Miles,
is a song that you think that people might enjoy?

Speaker 3 (01:00:57):
Ah?

Speaker 1 (01:00:58):
Yeah, we were just it's fun. You are talking about
dub one of my favorite sub genres of you know,
reggae music. But I was just listening to Pachimon, who
is like one of these modern artists whose records on
tape is using all the same instruments amps because he
wants his music to sound like you picked up some

(01:01:20):
old like Dub forty five record from like the seventies
or something. And this is a track of his from
his album called in Dub called Jumpy. You know, it's
a little jumpy time, a little that's not scary, but
this song is just very vibe. So check it out.
Jumpy by Pachimon p A C H Y M A M.
All right. We will link off to that in the footnotes.
The Daily Zeitgeist is a production of iHeartRadio.

Speaker 7 (01:01:42):
For more podcasts from iHeart Radio, visit the iHeartRadio app
Apple podcast wherever you're listening your favorite shows. Okay, that's
gonna do it for us this morning, back this afternoon
to tell you what is trending, and we will talk
to you all then.

Speaker 1 (01:01:54):
Ba ah.

Speaker 5 (01:01:56):
The Daily Zeit Guys is executive produced by Catherine Long,
produced by by Wang, co

Speaker 1 (01:02:02):
Produced by Victor Wright, co written by J M mcnapp,
edited and engineered by Justin Conner.

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