Club 520 - Cyhi The Prynce on working with Kanye West, Travis Scott, NBA Finals picks - Club 520 Podcast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The volume.

Speaker 2 (00:05):
Shout out to Boost Mobile, official sponsor of Club five
to twenty, and they back again and let y'all know
that you don't have to overpay for great wireless service.

Speaker 3 (00:13):
Unlock the new savings account with twenty five for the unlimited.

Speaker 1 (00:16):
Wireless It's a permanent price with no contracts or no
price hikes.

Speaker 2 (00:20):
Listen, ed, you can keep your phone and your own
phone number that you had previously and saved up to
six hundred dollars a year by switching over to Boostsmobile.

Speaker 3 (00:28):
Stop overpaying and pay a fair price at boosmobile dot com.

Speaker 2 (00:31):
Based on average single line payment of AT and T,
Verizon NT mobile customers, compares to twelve months on the
boost Mobile Unlimited plan as of January twenty twenty six.
For full offer to tell us, visit boosmobile dot com.
All right, man, we backed another episode of Club five
to twenty podcasts. I'm your host Minamy is DJ W Wells
brought you by a boost Mobile. Hey, listen, man in
May is going up boost Mobile five twenty. You gotta

(00:53):
collapse aside. Hi, You've been around a long time, brother,
I know you had a next deal.

Speaker 4 (00:56):
Chirp back in the day for Showskiwoski had them on
fucker jump who thank god.

Speaker 1 (01:04):
Off phone calls by the way, either. But you know
I had Boost. Don't get mad at me.

Speaker 5 (01:09):
I had my rigged up through a company.

Speaker 4 (01:12):
Never paid the bill five years. Because what you need, buddy,
I'm on the way. Wait wait, thank you boost mobile.
That like a forrestick in the first jail break, first jailer,
get people's undergger.

Speaker 5 (01:29):
For five year.

Speaker 1 (01:30):
Cle I got the hook up for shore shout we need,
by the ways, give us the recipe for show.

Speaker 2 (01:37):
Oh yeah, for sure, I got you shouts of hard rock.
Bet Man be here playoff time? Last get you paid?
I hire you a bet man. You tapped in the
sports bet.

Speaker 5 (01:44):
Man, I ain't really on I bet it on Charlotte
this year.

Speaker 4 (01:49):
Brother, we're supposed to go to the finals.

Speaker 5 (01:52):
Are you that nigga? That eleven?

Speaker 4 (01:55):
I mean, I ain't gonna bet. I ain't gonna bet
on Boston or nothing. I'm gonna go with something that's
gonna give me some paper a million. Yes, we got
sabotaged by the coach. We'll talk about that.

Speaker 1 (02:15):
We're gonna talk about But listen, if you're making the
futures on the hornets, please call the hot line below.

Speaker 2 (02:20):
Value yourself and your money. Man, shout toast, keep us
fresh and it set as well. We got a special
guest in the building as usually you know, introduced him
last my far left. We got my dog Bishop be
hearing out the prail least. How you what nasty, Let's
get to it.

Speaker 5 (02:33):
My guy is your sir? Yes, sir, the whole.

Speaker 2 (02:35):
Lot to talk about for sure. Long time coming to
my right. We got my dog young natch your young tig.
How you what, chilling, bro We already had some debass
for the pile game. I can't hear those debase, but
about to be a fun pile.

Speaker 1 (02:45):
Yeah, for sure we might snitch on air man. We
ain't gon to that, you know to heal legend and
the gonna keep it that way.

Speaker 2 (02:52):
Appreciate speaking legend of a man we in the ass
only right. We got our dog in the building man,
the man behind some of your favorite songs and the
man who made one of my favorite albums of all time,
dope on. Come on Sunday, ye sure the real right now? Man,
it's how to press in the building, big dollar. Appreciate
you yourself. I appreciate y'all for having me. Man, I
appreciate y'all for having Yeah, we got a whole I talk.

(03:15):
I got crack it off though, Kick it off. What
we're doing for your money?

Speaker 5 (03:18):
Bro?

Speaker 1 (03:18):
That's one of my favorite songs. That first verse. Bro,
oh man, that's one of the most epic verses. Boy
shot my boy feel that show back to back to
back that versus fucking crazy?

Speaker 5 (03:30):
What was going through your mom when you did that? One? Man?

Speaker 4 (03:33):
That album was like, Man, you know, I tried to
like do something to kind of sum up my childhood, like, well,
like my teenage is is just being on some I
was a part of some ship I was supposed to
be a part of, and I was just like, how
can I like make a capsule of it and kind
of make it an experience but also have some lessons

(03:55):
in it.

Speaker 5 (03:55):
So I guess that whole album I was just in
that mind frame.

Speaker 4 (04:00):
I had to kind of like take myself back to
that time and all the lessons I learned and things
that I went through during that time.

Speaker 2 (04:06):
I just put it in, put it in lyrics. You
say that to you because my favorite song on the album,
it's on my own boys too. It's closer. Oh yeah,
example crazy like you were really wrapping your life on
that bit. You feel that shit?

Speaker 4 (04:19):
Yeah yeah, I mean that's kind of like been my
whole thing. Like I can't even write it if it
ain't about me or like it's close to me, you
know what I'm saying, No pun attendance. So I think, yeah,
that whole project was just a reflection of right before I,
you know, got in the music industry. It was just

(04:40):
like how I just kind of just you know, went
cold turkey in the street and just kind of fully
focused on my career and you know what I mean,
and my blessings and my talent that I had.

Speaker 1 (04:52):
People say that a lot of times they pursue their
dreams leave alone, but like, how did you make that
type of a transition, because obviously, know what I'm saying,
it was a littleuccessful to feel at first, and then
you just like, fuck, I got to chance some music.

Speaker 5 (05:01):
It's up. I mean, because I always wanted to do
music before anything.

Speaker 4 (05:05):
I just thought, to me, I've always thought the streets
was like I was disappointed.

Speaker 5 (05:09):
I was in the streets, Like how the fuck did
I get here?

Speaker 4 (05:12):
You know what nigga be like excited to be there.
I'd be like I had man I was. I was
really an athlete growing up, so if varsity and two small,
I was a varsity in track in football, so I
was on that and then I got kid out of school,
kind of dropped out after that, and then it was
just a shit pick up a pack and then after

(05:34):
that my life just you know, whirld win, jail shootouts,
all types of foolishness. So I was just like, man,
what can I do? And then my buddy had a
studio in this in his garage. Yeah, so I just
went in there and just kind of was like really
just wrapping my frustration as a I was only fifteen sixteen,

(05:54):
so yeah.

Speaker 3 (05:55):
When year did you start like taking it rap SERI
stuff like, oh I really got some my can.

Speaker 5 (06:00):
Do something with this?

Speaker 4 (06:01):
Oh I think I had to be like almost like
I always took well, I started rapping when I was young,
so I had to be like ninth grade kind of vibe.
But then like three years after that, four years after that,
I was like on five just like throughout the industry.
So I just started when they started putting them numbers

(06:23):
on the table with them zeros, I was like hold
up now, and I was just like, shit, okay, I
could take this serious now.

Speaker 2 (06:30):
Hell yeah, they say, you know what I'm saying. He
was on the field where the position you play. I
played tailback and receiver. You know what I'm saying with him?

Speaker 5 (06:38):
I was him.

Speaker 4 (06:39):
I always tell people that my where I grew up at,
I had a my Before I went to high school.
I played my little league team seventeen win d one
like a leon. Went to the league and I was
the countain. So I played with Reggie Ball, Craig Lunk
and all them. So yeah, yeah, yeah, we was we was.

(07:01):
We were cold. So shout out to talland from the East
side of Atlanta. Yeah, you have some offers. I mean,
I was supposed to go to Georgia. Georgia was crew
me in the ninth grade.

Speaker 5 (07:13):
With him.

Speaker 1 (07:13):
Yeah.

Speaker 5 (07:13):
I went to Junior Olympics twice. I'm I with him,
bro respect So you know what I'm saying.

Speaker 4 (07:18):
I know the sports sh I'm here here like from
here to like.

Speaker 5 (07:24):
Let y'all you know what was in the Olympics. Ain't
got no bars about there yet. Man, you ain't flexed out.

Speaker 4 (07:34):
I mean, you know what I'm saying. Varsity of two sports.
My representation receded me. You know what I mean, it
was real. I was I was him on that for sure.

Speaker 5 (07:43):
Man now about around a little bit.

Speaker 2 (07:45):
But like your sound being from Atlanta, it's totally different
than what you would expect from somebody to quote unquote
be from Atlanta.

Speaker 5 (07:50):
How did you get your sound of? What did you
grow up listen to? Well?

Speaker 4 (07:53):
I couldn't really grow up listening around. So like I
heard rapped, like in like the club already seen, you know,
trips like ball we were just party to that.

Speaker 5 (08:03):
But I ain't. I couldn't listen to rap in the house.

Speaker 4 (08:06):
So I was just I ain't had no music with
my parents listened to gospel or jazz or whatever. That's
why I could listen to But I didn't get my
first CD.

Speaker 5 (08:17):
I had a.

Speaker 4 (08:20):
I had to do to my neighborhood. He loved rap
and he was like from New I think he might
have been from New York, New Jersey or something. And
the first CD he gave me was reasonable doubt, and
I was like, God, who is it? Then I started
getting into nas and I started I just he just
put me on a bunch of East Coast niggas.

Speaker 5 (08:38):
And then what happened. Let me tell you what really happened.

Speaker 4 (08:41):
I was in high school and we had an influx
of uh, you know, East Coast New York dudes moving
to Atlanta. So they would have these little ciphers at
the end of the hallway and they used to embarrass
all my buddies that was from Atlanta. And like one
summer I was just upset with them. Then I think
at the end of the school I just one of
them just destroyed one of my potlots. I'm like, you

(09:02):
know what, Nixy, I'm gonna come back. I'm gonna get
this nigga the business. So after that, I just went
home that summer just you know, start working on some shit.
Right I came to school, I'm flaming. So I just
say after that, when I destroyed all the New York
dudes in my school, I knew I had.

Speaker 5 (09:19):
So damn that's crazy. You go for your first say
you listen to a reasonable doubt.

Speaker 2 (09:22):
To being on the song with him and low Key Washington,
Yeah Wash, And I freestyled that like a lot of
people don't know.

Speaker 5 (09:29):
I ain't. I wanted to expect to be on that song.
Oh he was just in the studio. I was just
in the studio. I was bored.

Speaker 4 (09:35):
He asked me to write the hook on saw Paul,
so I was just like, I'm just give him a
little hook. And then after that, I was telling the engineer, like,
move me to the eight minute mark because the song
was only like the lyrics stopped at like a minute
and a half. So I told him to put me
at the eight minute mark so I could just get
my little freestyle off. And he heard it like two

(09:56):
months later because he was playing for jay Z and
Beyonce and he didn't press stop on the beat so
that the.

Speaker 5 (10:04):
Song still playing in pro toue.

Speaker 4 (10:05):
Then my verse just come in and then Ship Beyonce
was like, whoever that is, you need to sign them.
So that's how that's how it started. That was your
first shot that was not not into the industry, but
working with ya you know, it was my first thing.
But I had deals with I used to work with.
I was signed by Jazzy Faye back in the day

(10:26):
when I was in the group. Then I worked with
A Coon for a second. Then after that, that's when
I linked up with A Yeah.

Speaker 1 (10:33):
You telling me you freesed out that verse bro, God
had power on the playlist. That was just on your spirit.

Speaker 5 (10:39):
It might have took me about yeah, it might have
just took me five minutes. Kind of that's crazy, damn
bro getting up.

Speaker 4 (10:46):
That's why I was kind of like I wanted him
to let me go in and really, but I was like, if.

Speaker 5 (10:50):
You already like you it, just go with it. So
sh it was that dude? That was it?

Speaker 4 (10:55):
I don't care how good? Yeah, yeah for sure. Show
that's my burgo sister. So you know what it is.

Speaker 5 (11:06):
I looked at I look at the clean what time?

Speaker 4 (11:10):
I mean, I mean, we know, you know the Knicks
in the hair, you know the Nicks and the Hawks
when nisk okay he fucking wrestled. Okay, oh he wrestled. Okay, okay, cool,
all right, what you got. But we need you need
people like you and the crew, So we appreciate you.
We appreciate that.

Speaker 3 (11:29):
How is that being part of that good music group?

Speaker 5 (11:31):
Bro? Like at first I was like that first year, No,
it was the first. It was. It was cool when
we first it was camaraderie.

Speaker 4 (11:40):
Man was the to me, that was the craziest moment
in hip hop kind of vibe because It's like it
was almost like we was the Power Rangers of like
Captain Planet. So you know what I'm saying, we all
just came together and then I mean it was really
a learning to me. I always tell people like, I

(12:03):
don't like to say this, why I gotta say this,
because it's just like my truth. By the time I
met Holmes, I kind of gave up on WRAP. I
was just happy to be out the street at that
point because it was just like I had, you know,
growing up, I was signed to like some street dudes,
So a lot of my early opportunities I wanted to have,
I couldn't really get it all the way done because

(12:27):
people that was affiliated. It was kind of like making
the record labels nervous and shit like that. So by
time I kind of just got all that out the
way and you know, got through the Akon situation, the
cap situations. It was just like by the time me
the genuine nigga, it was just like, bro, what you
need me to bring in coffee?

Speaker 5 (12:45):
Character bags? I'm like, you know on that and this point,
you know what I mean. So everything after that was
just like I was just some service man.

Speaker 2 (12:55):
You was around for so much, even that situation, like
RB the Brgil Like you was around for that, Yere
tell people that don c Era.

Speaker 5 (13:01):
It was such a creative area.

Speaker 2 (13:02):
You got to witness all of that and what was
that like even not even thought about music.

Speaker 4 (13:06):
Man, all of them was just super creative, bro, I
mean it was, it was. It was amazing to see.
Like I was there when they created the Nike. Uh,
I forget which one that one, the one with the
glowing the gray woman and the black one. Yeah, yeah,
both of them, the first Fault, the first Adidas, all

(13:27):
that I was there for. But I always tell people,
man like that was really yay.

Speaker 5 (13:33):
Bro.

Speaker 4 (13:34):
His his his taste level and his style and just
he just you know, radiates that kind of energy throughout
the room. It's just and you know he he bringing
in the most swagged out shit ever. Like for him
to make one shoe, he might go thrifting around the
world twice and bring in I would say, three thousand

(13:56):
pair of shoes to make one shoe, Damn, Like, don't
go to get every shoe from Japan to Australia.

Speaker 5 (14:03):
Bring that in the room. Like Okay.

Speaker 4 (14:05):
I like the soul of that, I like the shoe
strings on that I don't like the tongue on that,
but I like the fabric on that tongue cut that,
you know what I mean. Like he was on that
that level of thinking. So just to be able to
see that process throughout all that with all them guys,
it was it was just it was cool.

Speaker 5 (14:21):
Yeah, that lineup was crazy. Man, You shine, changes.

Speaker 2 (14:24):
Around, pushes around like y'all really was a rap Superheroes too,
and is it not won't shine the spher at all?

Speaker 4 (14:30):
Absolutely not, especially not me, you know what I mean,
especially not me fact fire.

Speaker 5 (14:37):
Yeah, have my dog on there in the world.

Speaker 4 (14:43):
Yeah, oh yeah, yeah, No, I mean here llegit man, Robert.

Speaker 5 (15:00):
The show for the show.

Speaker 4 (15:04):
That's a classics all whatever. It was a crazy is
super work hard? Make you to the studio to see
the sound?

Speaker 5 (15:18):
No, it don't sound. They got no sound too, their
motherfucker music, mother fucking not. It's not there for sure,
you know, stupid.

Speaker 1 (15:32):
Is it easier working on music for yourself or is
it easier working on helping the team project?

Speaker 4 (15:40):
I would say myself, but to me, it's to me,
it's just creativity. So I'm cool with it either way,
you know what I'm saying. Maybe when I work on
stuff with other people.

Speaker 5 (15:49):
They they ain't.

Speaker 4 (15:50):
They they don't like to take as many risks as
I would like some artists to take.

Speaker 5 (15:55):
You know what I'm saying.

Speaker 4 (15:55):
So you know, people kind of just go with will work.
But me, I'm for myself. I feel like I can
just be you know, creative as possible.

Speaker 5 (16:05):
Yeah, do you.

Speaker 3 (16:06):
Pick those people like yourself or like the industry bring
them to you song for this person?

Speaker 4 (16:12):
Yeah, they come to me, but I don't. I don't
work with all of them. If you ain't. If you ain't,
I'm an a list kind of guy, and as somebody
who like really want to be you know, want to
have somebody to kind of bounce ideas off of. But
you know what I mean, if you ain't that I
really ain't. I ain't really ain't doing nothing with you
for sure?

Speaker 5 (16:31):
So you didn't wrote whole songs for people, like the
whole songs half a song, you know what I'm saying.
They didn't. They didn't they do bar for bar.

Speaker 1 (16:40):
Yeah, that ship like when you hear it and like
somebody like fucking with the song like, yeah, that ship cold.
Do you ever feel like, come on, bro, that ain't you.

Speaker 4 (16:53):
Because it's a process I learned from Yay that I
do whereas I make myself have to you know, I
need to be around the artists for at least two
to two weeks two a month, you know what I'm saying,
just to be able to like know what you own,
kind of know your vibe, what's your process, how you
I want to meet your parents, your girlfriend, Like, I

(17:14):
need to know what you own. So when I write it,
it don't sound like it's my verse. It sounds like
something you over. You know what I'm saying. So I
like to try to, like, you know, gather that information
prior to going into the studio and working on something
for artists.

Speaker 1 (17:30):
What's the song that you were in the studio that
came about? Is you was like, oh this is the one?
All this is crazy? Uh?

Speaker 4 (17:39):
Two was Father Stretch and Sick on Mold hey man,
We shout out to Metro. We were just in Vegas
and Metro play that as an opening song in his
set and everybody in the club lost they fucking mind.

Speaker 2 (17:52):
And I you know what I'm saying, I'm gonna say
it for you. The person who had the hardest vers
in this song should have been on that song and
it's just human because my hands its fucking praise.

Speaker 5 (18:02):
It's not that.

Speaker 4 (18:04):
Noah, oh for real, Yeah, damn I did that in
the car. I mean, I know somebody stripped off the internet.
Damn nah that Yeah, you know it's crazy, bro. It's
like I tell people this all the time, Like I've
been to ship for so long. When my verse get

(18:26):
ticking off a song, I don't even trip, Damn, I
got a I got a problem.

Speaker 5 (18:32):
Bro.

Speaker 4 (18:33):
It's like when you've been that niggas in kindergarten. It'd
be like, Bro, I'm gonna put big Sean on the
little bit rap on it, man, you know what I mean.
Like I've been nah, literally been famous for twenty years.
I've been famous for twenty years too, you know what
I mean. So I just never had.

Speaker 5 (18:54):
That, you know what I mean?

Speaker 4 (18:57):
Right here for show. I'm want tone fans too, nas.
I meant I tell you a non story. I tell
the story. I was in a cipher and a dude came,
you know, I was I was rapping and I was
this dude was teaching me how to rap.

Speaker 5 (19:14):
And he's the first person I ever heard.

Speaker 4 (19:17):
You know, back then, it wasn't no end of that
or that, So we learned how to rap learning other
people raps.

Speaker 5 (19:24):
You get what I'm saying.

Speaker 4 (19:25):
We couldn't go to the studio and wrap our own.
R ain't no freaking studio. So he wrapped me. I
gave you power. I meane you wow. When when he
told me that NAS wrote that and turned itself to
a gun, that shit made me instantly lock in on
like how creative I could be with music? So that
that Illmatic album that was that was groundbreaking everything.

Speaker 5 (19:50):
Yeah, you said, sick, old old man, that's a How
was that? Like? How did that come about? Well?

Speaker 4 (19:58):
I think the beauty of it was I was around
trying for a minute and we were just locking in
and the grace of God, he had to go to
Dennist that day, so his mouth was fucked that he
couldn't wrap. But he told me about this beat that
he got from hip Boy or something and was like, Bro,
this shit hard. I need some some lines on this.

(20:20):
This is what I kind of want to come on
this vibe, you know what I mean? I want to
do this, this this, And then you know that was
down the time. I think Kylie was there with him,
and then I think brother It's so funny, Like every
time I do some of my most amazing shit. The
artist I'm working with got his girl, and his girl
want to go do something. So they either want to
go to the movies. I have to eat or something,

(20:40):
so they went out to eat or something. And then
I just was just vibing to the record. I just
you know, came up with some lyrics for him and
asked him what you think about this?

Speaker 5 (20:50):
I had a lot.

Speaker 4 (20:51):
He just kind of like, oh, I like this part
o this verse hard like you know, doing what producer
artists extraordinaries do so and then just you know, I
didn't know he's gone for Drake on them.

Speaker 5 (21:03):
Once Drake got on, it was up.

Speaker 1 (21:04):
Today's show is brought to you by our presenting sponsor,
hard Rock Bet, the official sports book partner of the
Orlando Magic.

Speaker 6 (21:11):
And speaking of the Magic, they're back in the NBA Playoffs,
where the lights are brighter, the pressure is higher, and
every possession can change the series. And on Harrock Bet,
every night is your shot to score major bucket.

Speaker 2 (21:21):
With Winter go Home energy on the hardware. You gotta
love the same game part as however you draw it up.
That's right any way, you want to do it, man,
you can get this money. They give you tons aways
to be successful on your hard rock Bet.

Speaker 4 (21:32):
If you ever relate to the tip off, don't worry.
Hard Rock Bets lets you live bet from all game,
from the first bucket to the final buzzer.

Speaker 1 (21:38):
Try your first bet on hal rock Bet today. You
can score one hundred and fifty bonus bets. If you win,
just place five dollars and if it hits, you get
your winnings, all your earnest everything, but also extra one
hundred and fifty thousand bonus bets.

Speaker 2 (21:50):
And that's not all man. Harrock Bet has new promos
every single day on the app. Men, so tap in
and see what today's bet is.

Speaker 1 (21:56):
And sure, Harrock Bets is florida only legal sports book.
You don't have to be in Florida to join the party.
Hallrock Bet is also in an Arizona, Ohio, New Jersey, Indiana, Tennessee, Virginia, Illinois, Colorado,
and Michigan, with more states on the way. Down Load
Harrock Bet app today and let's get the party started.

Speaker 2 (22:14):
Offered by the similar tribe of Florida and Florida offered
by similar hard Roight Digital LC and all the states
must be twenty one of open and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,
New Jersey, Ohio, Tennessee, or Virginia to play terms of
conditions apply. Concerned about gambling and Florida called eight one
three three playwise in Indiana if you or someone you
know has a gambling problem, and once helped call one

(22:34):
Day hundred nine with it in Ohio called one Day
hundred and eight My reset gambling problem called one Day
hundred Gambler in Arizona, Colorado, Illinois, Michigan, New Jersey, Tennessee,
and Virginia. That drake right on the track, but you
know it's gonna be fired even before, just because how it's.

Speaker 4 (22:50):
Gonna be hall Yeah, because it was the only thing
like that on his album. And then I think Sylvia
Rone and Big John came into the studio one day,
I think they was with like six seven people, and
he played his whole album and they just kept saying,
play that scape mold again, play that sycame mold again.
It was just like, Oh, that's the one that's a
crazy feeling for show for the sure look nice.

Speaker 5 (23:16):
Man.

Speaker 4 (23:16):
They supposed to be bigger. But you know what I mean,
we're gonna we're gonna take our blessings.

Speaker 5 (23:21):
How they go. It's like what Royal teas or you don't, yeah, royalty. Yeah.

Speaker 3 (23:25):
We were just speaking to camp about that shit. Like
if you write a song that you ask like this,
this motherfuck cost one hundred and fifty thousands like that.
Like do y'all go about doing some stuff like that
or is it straight on the back again?

Speaker 4 (23:38):
Well, now that I mean, I kind of conduct my
business like that because I got, you know, enough cache
in the game. But you know, early on, they mistreated songwriters,
you know what I use. It's like, you know, most
especially in urban or like especially in hip hop, the artists.

Speaker 5 (23:56):
Don't be wanting you to know a nigga helped them
with the song.

Speaker 4 (23:59):
I'll be like he like, bro, every artist got helped
with a song, even either their partners was there or
wasn't there. It's like, that's what we get our inspiration from.
I used a lot of lines and I heard my
og say back in the day, or my buddy smoking
we he just saying some funny shit. I might just
throw it in the round, you know. But in the

(24:20):
Black community. We don't look at that as as contributed.
We look at that as just niggas just here because
you know, we don't professional lines nothing, so it's like
we're just kidding it.

Speaker 5 (24:31):
But now it's like.

Speaker 4 (24:32):
Nah, songwriters need more, you know, input, And I would
give a lot of credit to Yay for that too.
It's like by him being a producer, he was the
first one that actually gave rock co writers credit.

Speaker 5 (24:47):
Like a lot of artists, they.

Speaker 4 (24:49):
Ain't gonna tell you you gonna beat this little check
on the table and then shut up right. Yeah, that
was that was Quinn Miller thing. It was like they
was telling quin Miller he couldn't say nothing. They were
saying that to me too. But I just this ain't
even been that type of nigga to even tank the
art anywhere. I want the fans that they because a
lot of the inspiration that songwriters do give to artists
come from the artist. That's why we can you know

(25:11):
what I mean, yeah type end of that. So yeah,
put all forty niggas names on them. So yeah, for
sure they give everybody credit. The niggah bringing the coffee
if you stay up long enough at three in the morning,
you in there.

Speaker 5 (25:26):
He's gonna give you credit like.

Speaker 4 (25:27):
He gives the most miscellaneous credit out God damn yeah, bro,
But he feels like the girl with the short hair
came with the vibe she dances to the song he
need up publishing for she don't publish.

Speaker 3 (25:44):
I have just seen a few. The only one that
got forty people. Yeah, it's no way they had to
get one word a piece. Bro, Yeah for this to be.

Speaker 4 (25:53):
But that's yay, yayyy. Respect everything in the room. That's
everything in the room.

Speaker 5 (26:00):
I have seen.

Speaker 4 (26:00):
Maids get get percentages on shoes, you know what I mean.

Speaker 5 (26:05):
Like anything he do.

Speaker 4 (26:06):
If anything inspire him, he gonna give you something for it.

Speaker 5 (26:11):
That's only the first one that I ever seen do that.
I'm like, damn home cold, that's crazy.

Speaker 2 (26:17):
Not to nerd out too much about it, but I
want to ask because my Beautiful Dark Twins Fancy is
my favorite rap album Baal Time mines two understandably so
some of them sessions like that Charlie Wilson shit like
what was that?

Speaker 5 (26:28):
Like what something? Stuff? It didn't make it. It just
seemed like the vibes around the time all together was
just immaculate. Man, there's ultra light beaming bro for show Bro.

Speaker 4 (26:37):
I mean all those sessions, Alicia Keys, I mean I've
seen Lisia Keys seing all of the lights, pregnant Swiss beats,
Nicki Minaj coming to the studio like it was just
it was. It was the linus of black music and
culture all in one. Yeah, you know, conundrum or whatever,

(26:57):
you you know what I mean.

Speaker 1 (26:58):
So I think that right there was just that was
the time to be alive. Is that something that could
happen again? Or has streaming kind of ruined stuff like that?

Speaker 5 (27:07):
Ah?

Speaker 4 (27:08):
Yeah, but it just takes the powers that be that, Like,
I think it just takes us to kind of come together.
I think I think media kind of ruined it a
little bit because it's media kind of like took away
the mystique of artists, and you know, sometimes they get
a little messy and kind of like tarnished artists when

(27:31):
artists should still be kind of.

Speaker 5 (27:32):
Vague with their and let the art speak.

Speaker 4 (27:35):
But you know, when these when music is blowing up,
you got more publications, like people want to speak with you,
and then you know, you get to start seeing the
flaws of these human beings that we so called looked
up to and then it kind of like tanks the music.

Speaker 1 (27:51):
I think like kept that kind of like Jay right right,
kind of kept that mystiqu about them, Like even though
people try to pull him into the media spacey don't
never like he don't give you shit, Like he might
talk to one person one time every five years, but.

Speaker 5 (28:06):
He show a little personality.

Speaker 4 (28:08):
But you're right, but you know, the media start not
playing your records and not supporting you too, So it's
like it just takes a balance. Like I think as journalists,
you know, we got to kind of protect the artists
sometimes two versus you know, a lot of times they
want to get a story, you know what I'm saying,
They want to get something about you. But I think

(28:30):
it's a tasteful way of doing it. And I think,
you know, it's still early on in two hip hop.
Like I tell people, hip hop ain't number what fifty
years old. Yeah, so I think we're still doing against
some learning. But I think, you know, it'll come back
around today. I think we'll get those times again. I
think Drake about the drop, so yeah, yeah, just dropped
Drake about the drive. I think the energy gonna be back,

(28:51):
So it's a good time. In music, Miss Drake for sure?

Speaker 2 (28:56):
Yeah, yeah, I mean to be real, I mean, we
feel how you feel about the battle, but always good.
We got good music all around the play, especially Drake
for sure.

Speaker 5 (29:04):
No, I don't know if or not, but you see
the picture of Yah and Drake.

Speaker 4 (29:08):
I did it looked like yay, But I don't know
if that's you know what I'm saying. I ain't spoke
to him, but I think I think, I think yeah,
to me, Drake is great for the culture. I think
to me, I just think he took the battle a
little too serious as you too.

Speaker 3 (29:26):
How you feelt about like when artists, since you are artist,
when artists beef like, do you think sometimes it can
kind of go too far? Or do you funk with
the sport of the little rap battle as long as
don't nobody die?

Speaker 5 (29:39):
Well, it's a two part of the question, I feel
like one.

Speaker 4 (29:44):
To me, I feel like we got to professionalized music
and especially rap. If you don't have a major record deal,
you can't be called a rapper or artists. To me,
you gotta be an inspiring like even if you any
I like YouTube basketball.

Speaker 5 (30:01):
I like the dudes on YouTube, but they don't worry
he gonna he want to depute right now, I'm been
saying the next a little. I'm just somebody policy goddamn truth.

Speaker 4 (30:14):
And I'm just like if if if a YouTube small
player got caught selling bricks, they be like, man, the
NBA basketball player got caught selling bricks like that, like I.

Speaker 5 (30:28):
Think, what about it? But indie artist is like on
this ship though good.

Speaker 4 (30:32):
I know a lot of on them that tea would
be like, man, home got some games, he ain't make
it to the league. Because this is what I'm trying
to say, it taints the sport. You you know what
I'm saying if you're an Indian artium because because you
got to think, you're saying, what if they got beef
right they killing and smacking each other? Now they think

(30:54):
those same kind of artists is the equivalent of what
Drake and Tindrick going through his level to them niggas
is they make music on the side to kind of
just let pass the day by. So that's what I'm saying,

(31:15):
Like to me, the Draken Kendrick thing was more professional.

Speaker 5 (31:19):
It should have stayed professionally.

Speaker 4 (31:20):
I think the lines get blur or when we start
artists start trying to behave like the inspiring, aspiring artists.
That's what I'm saying. Like, like I tell people, excuse me.
If Dray would have been like, man, you know, that's
one of the greatest rappers of America. In America, he's good,
you know, woo woo woo woo woom, I got something
else coming out boom, we would have took it as

(31:43):
like oh, I feel like we would have got more
records from Drizzy, But we didn't get that because.

Speaker 5 (31:50):
Me was over there like, man, what we gonna do
to this nigga? So rap?

Speaker 1 (31:58):
You know what I'm saying, it's walked up at the
time period about it was a different level of excitement
because we were looking forward to them drops.

Speaker 5 (32:04):
Bro.

Speaker 1 (32:05):
That's what about the drops on it'll be kind of
detrimental because we didn't have music and nigga didn't want
to drop music.

Speaker 5 (32:10):
With the year year and a half after that exactly exactly,
Oh Ship Cold one of my favor rappers. Man, Canon,
It's like, damn, I don't nobody want rap no more.
I'm like, what'll going Niggas is good? Kids?

Speaker 4 (32:24):
Literally, y'all ain't from y'all ain't grow up, Like stop
it man, this th ain't poking big, ain't no Like, yeah,
you might have recruited some real street niggas around you,
but it's been real street niggas around us since we've
been kids.

Speaker 5 (32:41):
And we've been dealing with that type of Yeah. So
not saying you.

Speaker 4 (32:46):
Guys ain't stand up me in, but like, let's not
take it to the point where we're gonna lower.

Speaker 5 (32:51):
Ourselves to an indie status like the indie artist. All right, now,
hold on, so drive, let's let's just go right here.
What's up? What's up?

Speaker 3 (33:01):
So you say you're saying take the high major record
label over doing it the independent roup.

Speaker 5 (33:08):
Yeah, it's never ever gone.

Speaker 3 (33:10):
You're never gonna be that big of an artist if
you keep doing in the end, you know what I mean.

Speaker 4 (33:15):
I mean, what I'm saying is you can make money.
But what I'm saying is we have to professionalize it
to the point where it's like it's like this Spotify
payout like I think four hundred and fifty million a year,
and it has to disperse to every artist that's on Spotify.
So your sister could make ten songs tomorrow, she can

(33:38):
go to Guitar Center get a twenty five five thousands
setup sing ten songs. Now her album next to Beyonce's
Fiance been running in heels and singing on trad meals
all shit for twenty five years to get this spot
on Spotify or whatever.

Speaker 5 (33:57):
Nigga, what if I'm better than that?

Speaker 4 (33:59):
But that's what you're saying. You gotta prove it multiple times,
like she had to prove it. Like I can say, yeah,
I'm better than tea, right, but you gotta prove it
in the eighth grade.

Speaker 5 (34:10):
Make a grades and you're gonna make it. JB, you
gotta make your bars. You gotta go to school, red shirt.

Speaker 4 (34:15):
Yeah, you gotta go through the steps to be able
to say because you gotta think this.

Speaker 5 (34:19):
Four hundred and fifty million is being.

Speaker 4 (34:21):
Split up between seven hundred and fifty thousand artists. I
understand you can't pay Kevin Durant twenty million a year
if it's three thousand niggas on the bench like when
we getting in the game. The only reason you can
say him that much is because it's only three hundred
and fifty of y'all.

Speaker 3 (34:41):
So what about the rold of Russell too? What about
the rould of Russell?

Speaker 5 (34:44):
Toob?

Speaker 4 (34:45):
Yeah, I mean that I would call that like he
playing in China.

Speaker 5 (34:49):
Got Nigga stef. I'm all berry, he in China, playing
in China. He getting paid.

Speaker 4 (34:54):
I mean, but you're still any You still getting paid.
But you ain't in the NBA.

Speaker 5 (34:59):
You know what I mean. You ain't no Sony Universal careful.

Speaker 4 (35:03):
In the store them the fold if you ain't on them.

Speaker 5 (35:09):
Nice dribbling hot sauce. But I'm just saying they have
to run up shoe.

Speaker 4 (35:19):
Lovely niggas Lebron playing the heat the night Nigga into
the game.

Speaker 5 (35:29):
You're saying what Heaven said, man, give well so of Lrussell.

Speaker 4 (35:32):
Man, I'm just telling you all God love.

Speaker 5 (35:38):
I want to talk about your freestyles. Man.

Speaker 1 (35:40):
You go to radio stations, man, you murder ship everywhere.
You shut ship down. Like every time you do a freestyle,
I get on Instagram or wherever I go, and the
automatically pop up shout to my boy Brandon Beasley. Every
time you do a freestyle, he posted, immediately appreciate that
that they be unbelievable every time. Bro, Like, do you
go there like I'm about to fuck this. I'm about

(36:01):
to suck the internet up real quick.

Speaker 5 (36:03):
Yeah.

Speaker 4 (36:03):
So before I like, I mean, I do like I
write for like practice and rituals. So it's almost like
it's like a pickup game, you know what I mean.
I like to refer to like this, like me going
to a you know what I mean, a little pickup
game in the gym over the sometime dropping seventy. You
know what I'm saying.

Speaker 7 (36:23):
Be honest, I'm proemned sold, you know what I mean.
You know I'm Drew Leie Shalley, so working, you can't,
you know what I mean.

Speaker 5 (36:34):
So that's just me, just little bars that didn't make
my eybum.

Speaker 4 (36:37):
I'd be like, you know what, I'm going to write
a couple of warm up wraps and then I just
you know, I can remember them fast because the way
I write them, and I just you know, remember.

Speaker 5 (36:47):
And then when people want something like this, you know
what I'm.

Speaker 1 (36:51):
Saying about your call, I would have asked, what's your
favorite body of work or some of your favorybody's working.
It's a lot to ask for me, I would say,
for me, the first time I heard you shot my
boy West, he put me on to the first Ivy
League drop.

Speaker 5 (37:03):
And when I heard that ship.

Speaker 2 (37:04):
With Mike Well, I was like take a call on rap,
you still go back in that catalog.

Speaker 5 (37:10):
I mean, I.

Speaker 4 (37:11):
Don't you know, it's so crazy about that time shout
out to live mixtapes and that pill. Come on man, me,
I would say me Kendrick Currency Wiz, Krick Shine, Oh
the whole blogerer. We invented streaming.

Speaker 1 (37:29):
Lo.

Speaker 4 (37:30):
What it was was we wasn't streak hot rap to
the labels, so we was all on major labels. They
wouldn't just put us out because they focusing on the
A list acts. So what we did was, Okay, we're
gonna go to that pif we're gonna go to live
mixtape and and let them put it on their site

(37:51):
and you can stream it from their site. Yeah spin, yes,
spin realer, you know what I mean. So we start
getting so much notoriety on them sites. Apple Music and
Spotify and Title came up with streaming, and the record
labels came up with streaming because they seen that they
major artists was losing steam to the artist that they

(38:11):
was had on the shelf. So that's how the blog
ever kind of came up.

Speaker 5 (38:16):
And I was the first.

Speaker 4 (38:18):
Yeah we we Yeah, I'm just saying we weren't no
streaming before that.

Speaker 5 (38:22):
Pivo in live mixedtatione sp.

Speaker 3 (38:24):
Just thinking about Soldier Boy line Wire.

Speaker 4 (38:28):
He was the first, No, but I mean he got discovered,
but I don't feel like he put out projects like
multiple projects. He just had that one song that caught
fire and then you know.

Speaker 1 (38:39):
What I'm saying, ok.

Speaker 5 (38:42):
The Soldier Boy, but he did he got.

Speaker 3 (38:52):
What Soldier Boy is the first streamer.

Speaker 5 (38:54):
Wo okay, we'll take that. Take. We'll take that.

Speaker 4 (38:59):
You know what I'm saying, first or everything. The Soldier
Boy put that song out and he was fifty cent.
He wasn't even Soldier Boy when he did that.

Speaker 1 (39:06):
If you get ed up Slize Boy, it was whatever
song yeah yeah, the first the first captives yeah, true.

Speaker 5 (39:16):
Played on everything.

Speaker 4 (39:18):
So that was the virus that Yeah, that was That
was Gens.

Speaker 5 (39:23):
I ain't gonna say that. That's one thing I can
say that was Genians.

Speaker 1 (39:26):
But be here remember them time period, like especially when
when Mikle dropping the dream change was changed. Bro, they
was everywhere bus those major places and they was crashing slights.

Speaker 4 (39:33):
Meet Me was like yeah he was on the Freshman
cover with me. Yeah yeah, yeah, So that's what I mean.
We all was that's what brought streaming to the forefront.
I think Drake kind of was the first major artist
that took it serious though, Like I think Apple gave
him a deal. Yeah, and then he was the first
to kind of that's what right yea?

Speaker 5 (39:54):
Not the title?

Speaker 3 (39:55):
Yeah, m what's that studio process like for you?

Speaker 5 (39:59):
Though?

Speaker 3 (40:00):
You got like a certain thing you gotta have in
the studio.

Speaker 4 (40:03):
I used to, but now I can just go in
there and just yeah, it used to be you know
what I mean? I do like flowers and candles and
ship like that. I don't northodox ship holosanto and just look,
you know, work.

Speaker 1 (40:18):
Younger artists now, yeah, say that to get candles something
about the candles.

Speaker 5 (40:24):
Man said you shouldn't have kendles in your house. Man.
I ain't say you shouldn't have candles in your house. Man,
I don't know what what I said about candles. Already
remember the studio. In the studio, that's the vibe, that's
the vibe.

Speaker 4 (40:33):
Don't want to get on that, bro, Damn man, Okay
what I say about candles?

Speaker 5 (40:38):
What do you saying about? Get you?

Speaker 3 (40:43):
It was kind of for niggas have candles for real?

Speaker 5 (40:47):
Yeah, DJ say like candles.

Speaker 4 (40:51):
I don't know what you're talking about, Like my candles
is real candy ain't no, he ain't no family dollar then.

Speaker 5 (40:58):
You know what I mean? Feel me serious?

Speaker 4 (41:02):
Halligan ship walking my crib smell that Louay baby like yeah,
come on baby, going to go up stairs now.

Speaker 5 (41:12):
Works stand I'd be having flowers all around.

Speaker 4 (41:17):
The crib bo. It's a vibe, bro. I mean you
might be you far removed from that. Probably I love it.

Speaker 5 (41:25):
I don't live around my house. You know what I'm saying.

Speaker 4 (41:29):
Using the league, you you ain't gonna have nothing.

Speaker 5 (41:37):
All right now, Jersey, I better go a game.

Speaker 4 (41:43):
You know what I want to say this the t
I was in, I was in I don't know who
who ladies.

Speaker 5 (41:49):
This lady just just fellas we was in. I was
in Miami, I mean.

Speaker 4 (41:53):
Houston with trial and I think Houston played the timblewo
was and I'm like, man, damn, it's three niggas on
the court that hit my main three bitches nail.

Speaker 5 (42:08):
It was.

Speaker 4 (42:08):
It was, it was like, you know what, I love
these niggas, right my nigga, bro we on the same thing.
I knew I could have made it to the leave.

Speaker 5 (42:22):
Bro, Yo. They gonna be out that man.

Speaker 4 (42:31):
I was like, no, niggas, Bro, I ain't know who
to root for that Like he's a man. Yeah, bro,
nigga didn't know what side of the gym I was
on both.

Speaker 5 (42:43):
We all with jail team. I love that. I thought
I was a big player, like fucking bitches that you
know what I mean.

Speaker 1 (43:01):
I went on that team. Bro, you gonna be funny
in the Jersey swamp back in the game. Why Ke
Trump put me on that team?

Speaker 5 (43:12):
I remember one t it won't be I can't remember,
but I knew it was all three of y'all. She
got blurring.

Speaker 4 (43:22):
Man, it was Joe hardened people the things like my
game and show the real people, real big.

Speaker 5 (43:41):
Playing.

Speaker 4 (43:42):
Bro.

Speaker 1 (43:42):
Were talking about basketball, thinking though you was talking about Lamello. Man,
you're talking about best PG in the easy.

Speaker 5 (43:47):
Oh yeah, he's the best. Man. Don't do that though,
mellow the golf and they're no bigger fans. Bro.

Speaker 4 (43:56):
This is what they messed up this year at the
trade Dad line, we got Kobe.

Speaker 5 (44:00):
We appreciate coach. You supposed to go get lines no
lines on over Kobe White, No, I said, you get you.
You ain't get long on fro me.

Speaker 3 (44:13):
He coming off the what's ain't two mil?

Speaker 5 (44:19):
Yeah, he's probably on the team next year. The wall
don't move.

Speaker 4 (44:22):
Well, that's why Canipple started missing all on shot because
the coach he playing caniple without LaMelo. He sit LaMelo
on lead Canipple out there. Canipple can't get off, get
no shot off. He can't get this run, no offense.
You need lones on out there to Yeah. I ain't man,
I ain't man. Come on, bro, wait till my Chino

(44:45):
Hill Boys getting the league.

Speaker 2 (44:48):
Yeah, all right, man, it's Club five to we back
with our family over there at g l D hit
as our resident jury expert.

Speaker 5 (44:55):
I know you tapped in brother.

Speaker 4 (44:57):
Yeah, man, every day night with the lady, Man, I
rocked my gold piece shout outs to GLD.

Speaker 2 (45:01):
Come on, man, listen, they got something for everybody. Man,
every guy has to go to pieces. Man good got
something for you and t it ain't gotta be for you.
It could be for your family or anybody else. It'll
be for anybody. And the crazy thing you can get
any kind of in anything they work with. The MLB, yeah,
c WA, NBA, all the major sports teams and brands.

Speaker 5 (45:18):
So shout out to gold.

Speaker 2 (45:20):
Man Quality Gifts Man Quality to keep you fresh and listen.

Speaker 5 (45:23):
If you want something custom, you can do that as well.

Speaker 2 (45:25):
So if you don't see something you like, you can
go crazy and make something special for that special day
or your loved one as well, and be here. Like
you said, Man, once you get into rotation, you never
want to stop.

Speaker 5 (45:33):
Man for sure.

Speaker 3 (45:34):
Man shout out to GLD.

Speaker 6 (45:35):
Some of your favorite celebrities is tapped in with GLD,
Justin Bieber's Eleague, neighbors, Michael Parsons, even the brook Man.

Speaker 2 (45:42):
The best part about it is it's guaranteed for life
as well. To tap in with gold today.

Speaker 1 (45:46):
If you want to look or feel your best, make
sure you tap into gold Man.

Speaker 5 (45:49):
They get you right in.

Speaker 2 (45:50):
The outfit Man, missus pieces you've been sleeping on, they
got you covered for sure.

Speaker 5 (45:54):
Man, work hard and change the game. That's right.

Speaker 2 (45:56):
For a limited time only, new customers are getting a
crazy deal. Use that pomo called Clie five twenty for
forty percent off at g o D dot com. That's right,
forty percent off of that promo code Club five twenty
at g l D dot com. After you make that purchase,
they gonna ask you where he came from. Man, tell
him club five twenty cent. You now, where'd you want
the rappers? It was mad when Jello had to slap
and they were just like he playing with the game.
You talk about it was he one of the people

(46:16):
who you know what I'm saying, Jello, the real brother.

Speaker 5 (46:19):
You say he was playing with the game. What you
mean been a rapperhanded major? No?

Speaker 4 (46:24):
I mean, I mean they gave a major deal. He
like he like flow rider, like pit bull like he and.

Speaker 5 (46:31):
That like shout out to Celsius. You know what I'm saying.
You know what I mean? He he a lower level
pit bull right in that like lane. You know what
I'm saying. But they made club like, Man, we need
Jelo in the league too.

Speaker 4 (46:46):
Man, he want you put my Chino heel on and man,
what squad would get my We gotta go to Sacramento?

Speaker 5 (46:52):
Is that where we gotta go to?

Speaker 1 (46:53):
You listen, boy, y'all a been Jimmy Sacramento. We can
go to Sacramento, Bro.

Speaker 3 (46:58):
They can't go to Jello. Gotta go somewhere that they
already polished.

Speaker 5 (47:04):
If you get Lonzo and if you if you are
about thirty, put Jello in it.

Speaker 4 (47:08):
Bro Let me tell y'all something I've seen that you
canna take something. And I think from four to five
years when Lamellos in the ninth grade and Lonzo was
a senior. All them players that's in the league when
they play right now.

Speaker 5 (47:22):
We're whooping them by forty and they all want the
same squad. You gotta be.

Speaker 4 (47:29):
The it's all five star. We're doing them a bout forty.
Why we can't do them about forty nine? What changed
in three years then.

Speaker 1 (47:37):
Y'all have y'all had big O two that from the Hawks,
a big old give us a big old second trade
for big old man, y'all gonna get beat by sixty.

Speaker 5 (47:46):
Man, I'm trying to something else. You cold, but they're
gonna be the worst team now. I'm gonna tell you
what we got.

Speaker 4 (47:55):
All we gotta do is figure out how to get
Lonzo on the squad and trade zion.

Speaker 1 (47:59):
Ooh you want LaMelo and sign the same we're talking
about that lies over there.

Speaker 5 (48:06):
We ain't doing that to night. She got to stay
at the room. We're going up to Milwaukee.

Speaker 4 (48:13):
We're playing Milwaukee, right They ain't got no ain't nobody
got no big bro on the squad. I'm saying this
last thing I want to say about the coat. Bro.
I just watched Tyree maxon play seventy six minutes the
other night. This nigga still got LaMelo and his team

(48:35):
on minutes restriction. I, Bro, don't think about the game.
If we lose, we going fishing.

Speaker 5 (48:42):
Yeah that's true, though I hain't.

Speaker 4 (48:48):
He on the sideline is all folded trying to do
his little one.

Speaker 5 (48:53):
Two like niggas to let us. Yeah he should have.
He sucked it up with up like the hordes like that.

Speaker 4 (49:01):
I love the hard, but I love Bro. I'm I'm
a ball fan till the depth. Bro, my boys need
to be on the same un messed up my Laker run,
but we ain't.

Speaker 5 (49:11):
Don't getting into that. How Bro mess up the Laker? Bro?

Speaker 4 (49:14):
We had longso randw.

Speaker 5 (49:21):
Y'all, b I what's my CARUSO? Were out here throwing love.

Speaker 3 (49:28):
You're not taking ano account that them niggas got injured
this ship bro, No bro, Bro, we was only twenty one,
niggas was young and herd bro No no, Heven Cosmo
is the only really nigga that stayed healthy on the.

Speaker 5 (49:39):
Sad she was good. What you mean be out? I
love Jr. But I'm telling y'all them niggas wasn't durable.

Speaker 4 (49:46):
Bro.

Speaker 1 (49:47):
I can't even want to chip though, man got you
and saying hold on, hold on, we got you.

Speaker 4 (49:52):
We don't count that one. That's that's the asterisk one. No,
that's that's like the lockout chip.

Speaker 5 (49:59):
They don't care. I mean count, But it's funny under
the same sentence though.

Speaker 4 (50:03):
No, it's like nah, It's like if I'm a four
hundred runner and you a hunted runner, right, and they
make you run the four hundred, but you get to
stop at We gotta stop at the two hundred and
let you get your breath and recouper rate, then we
run the next two hundred.

Speaker 3 (50:18):
You ain't eat me, that's true, But me in a
basketball game ain't none of that.

Speaker 5 (50:23):
You know what I'm saying. You know what I'm saying.
We play a fool.

Speaker 4 (50:26):
When you took a break that helped the veteran player,
that ain't help the young niggas who got who need rhythm,
who got to stay in the in the thickest ship.

Speaker 5 (50:35):
Never take shit.

Speaker 4 (50:37):
We can't get no podsy like we Got's the part
of we gotta eat long jump silvering. It's like they
won't let her bring no business. Then it's like you
can't have no place there. It's like it's in the cup.
We can't smoke no dope. It's like, man, you got it,
nigga trying to see that lady man Bron.

Speaker 3 (50:59):
Bron kept l a alive. Bro, y'all was mid as
fun and you kept that team. I don't do that,
Oh god, y'all.

Speaker 5 (51:06):
Was the New Orleans Pelicans, Nick, are you did't trade
have some niggas to hear? That was the New Orleans No, no, no, no,
you don't let Josh hard go. Would have been okay, c.

Speaker 4 (51:17):
We would have been okay if we would have lost
for two to three years. Who would have had what three.

Speaker 5 (51:25):
Top five picks?

Speaker 4 (51:28):
Saying that's what we would have ended up having a
lot of young pieces, a lot of top five picks
because we would have been in the bottom.

Speaker 3 (51:35):
Y'all, y'all, I don't even fuck what draft what pick?
Y'all would have never had a shake Lakers.

Speaker 4 (51:41):
Last shame is something him do it?

Speaker 5 (51:48):
Why are you doing all this foreigners? Last thing?

Speaker 4 (51:55):
I grew up in the neighborhood, Bro, we played basketball
every day you like a hell twice a year.

Speaker 5 (52:04):
Ye never failed that much yoke saying the like for
the floor, Yeah, I'm in d wait til it's a whole.

Speaker 4 (52:18):
He's trying to punch it on the then d Wade
tail fifth he's trying to punch it on the the
He ain't falling because.

Speaker 5 (52:23):
He screening, just slid on the wheel.

Speaker 4 (52:30):
So that's why I only watched highlights on you to
watch the game, bro, your support Lucas to finish, that's
how you.

Speaker 5 (52:37):
Get a hold. Think be falling everywhere.

Speaker 4 (52:43):
I can't do the foreigners in the league.

Speaker 5 (52:45):
I ain't won another championship, bro, he gotta. It's talk
for some Coultale conversations all time. The who, the third who?
The first two.

Speaker 1 (53:00):
Magic It's gonna be him and Isaiah Thomas. The third
spot is to man because isa got one VP back
as well.

Speaker 5 (53:09):
Yeah, I mean yeah, show love yeah.

Speaker 3 (53:14):
And that Lacacy would have never had no nigga like that,
I promise you, BRO.

Speaker 5 (53:18):
I think owner ship the way you're thinking.

Speaker 4 (53:21):
Okay, see whooping ships over the lock hill up?

Speaker 6 (53:24):
Bro?

Speaker 1 (53:25):
You know what's crazy, y'all shouldn't even have got lines
over y'all should have had dear Fox. Yes, y'all should
have had Jason Tatum.

Speaker 5 (53:31):
I should have had your Jason. Yeah, y'all should have
Jason Tatum. What you're saying.

Speaker 4 (53:36):
In high school, we bleue Fox Entitatum out. In college,
we blue Fox and Tatum.

Speaker 5 (53:40):
Out that what happened? When what happened? When y'all wing
U c l against playing with don't do that. Ain't
nobody from his squad make the lead TJ lea face legend.

Speaker 4 (53:56):
Fro we beat this nigga with over there, all them
niggas is all the American Donald.

Speaker 5 (54:04):
Americans to the court.

Speaker 3 (54:06):
I'm gonna beat you with the white boy you bullshit,
ain't no wheying fuck you think Liz is fucking They
ain't even close.

Speaker 4 (54:14):
Y'all, No, no, no, What it is is there's no
team that will let them play their style of ball.

Speaker 5 (54:20):
Bro We full court pressing.

Speaker 4 (54:23):
Get me them three, Get me who game my father
my ball brothers.

Speaker 5 (54:30):
Okay, give me a signer who could play my Draymond Greens.

Speaker 4 (54:33):
But I need a power for who can pass. That's
why I tell Bridges. I love Bridges, but Bridges.

Speaker 5 (54:38):
Don't know how to do the dribble handoff.

Speaker 4 (54:41):
He don't know how to run the action off the
the Draymond mother for that's why we need to trade
for Draymond. That's on the low loaf because Steph coming
in two years when he is up and he got
a retired okay, but we need to go get a
dray Man who can play that fool who know how
to pass that like Eli Scott did it.

Speaker 5 (54:58):
And you know here, poor man Draymond, I ain't no nigga.
You tapped in. That's when I'm trying.

Speaker 4 (55:06):
Now you're talking a bunch of bullshit, but you tapped in.
They give me something like, what's my boys from Phoenix? Dylan,
what's the light skin? Give me some Dylan Brooks. I
need seven other Dylan Brooks.

Speaker 5 (55:16):
So what team play basketball? Text? So what team are
y'all beating? Though?

Speaker 3 (55:22):
Put them niggas out east on the East on the East.
Give me don't make the playoffs.

Speaker 4 (55:26):
And get put me on any for you know who
played like us. That's why they went on this twenty
this last part of the year, we went on the run.
Holler Berg and them did it last year. They kind
of tried to play our game. See it's gonna come
into our game, but it's gonna be too late.

Speaker 5 (55:45):
They was they was pressing and stuff. Yeah that's what.
But I'm talking about all game, were pressing all games.
They don't get you no press stuff. You don't have
a free agency, They say, get me off. This team
play like college. No, no, no, we're gonna we're gonna be
forcing up. What is it called the ain't gonna be crying?
It's high nigga.

Speaker 3 (56:05):
If you think the NBA team is gonna press for
forty eight minutes, nigga, that's what you're gonna Nobody off.

Speaker 5 (56:13):
The backboard off bro, telling what niggas in a two
one B. I'm trying to tell you, Bro.

Speaker 4 (56:20):
That why I say you gotta get certain players. We
need some G League niggas.

Speaker 5 (56:25):
You just.

Speaker 1 (56:27):
Talking about rap. Were just talking about rap niggas went
on the majors, But the G League is still in
the NBA. They like the niggas that's on the shelf
at a major label.

Speaker 5 (56:38):
They like. They like still trying to get their album together.
La local coaching. That's your niggas that don't play.

Speaker 4 (56:47):
That's the third all right, bro, I'm just telling you
what God love we get we get, we get our ball,
we get to play our ball.

Speaker 5 (56:54):
We just put LaMelo and lawnso together.

Speaker 4 (56:57):
I promise you, bro, they gonna run through the do
it next year.

Speaker 5 (57:01):
I promise that if Lonzo was healthy.

Speaker 3 (57:03):
I sure of God I'm wrong because Linzo healthy.

Speaker 4 (57:07):
Brother, It's just this Lonzo bro is the old point guard.
See the new point guard want to do this.

Speaker 5 (57:14):
All they want to do is score, you know the
Jane Hard motherfucker.

Speaker 4 (57:18):
My boy Lonzo is here here here here, here he
here he and then on the and on the defense again.
I'm locking down, lock down.

Speaker 5 (57:31):
Now. Saw how we had that conversation on the Morning show.
What's up? Who would you rather have? Between Lonzo Ball
and Alx Caruso? Lonzo? We picked Caruso.

Speaker 4 (57:42):
Man, I'm going Lonzo Ball, man, I mean yeah, he's
a tag along. It's a tag along brom Okay, bro,
wait wait, I got a feeling somebody, because you know
my boy already got his bag. Yeah, LaMelo. The next
one is we're doing the Yanni.

Speaker 5 (58:03):
O w wee aen't playing. We're getting to bring my
whole family, my aunt, tie, uncle, everybody got to be
on the star.

Speaker 2 (58:10):
Oween't playing now, Charles Lee benshamin Midderseasey, you feel like
he got that type of leverage.

Speaker 5 (58:14):
Now you're gonna make them calls? Might name be with Charlotte?
Keep playing with us? It ain't you ain't We ain't
ain't be.

Speaker 4 (58:21):
Playing with John There gonna be in Sacramento. We're gonna
be in Sacramento. Bro, we're gonna be with who another
team need us? Brooklyn, Sacramento.

Speaker 5 (58:31):
I don't. I don't wish to Brooklyn. That's on nobody. Man.

Speaker 4 (58:33):
If you give them to the ball boys, we we
they're gonna they're gonna be in the chip.

Speaker 5 (58:37):
You need a star we need We don't need another week?

Speaker 1 (58:40):
Bro?

Speaker 4 (58:41):
Who the fact that with Michael Porter, look looks like
that was Michael Warter LaMelo and Lawnso okay, but see
if we don't run the league.

Speaker 5 (58:47):
Listen, man, listen to you. Listen to your beat? Michael Porter.
Oh God, we beat beat Bam. What's my other? Nigga?
Won the knick?

Speaker 1 (58:59):
He about get Deonta von Knuckles. He beat Greg Oden
high school? Who dude knuckles?

Speaker 5 (59:06):
What Greg? He was? He was better than every b bro.
Greg Olden, he's smoking with dope?

Speaker 8 (59:19):
What Greg but he was the first tall nigga. He
went to the Natty Chip with the.

Speaker 5 (59:30):
Number number one pick over Kevin Durant. Injuries got him.
That's what I was about to get.

Speaker 4 (59:35):
But I'm just saying a big man, that's a generational
big man.

Speaker 5 (59:38):
Don't dominate little.

Speaker 1 (59:40):
But when you get to the big league dominated college
he played against alf Horford, Joe K Noah inspect Florida.

Speaker 4 (59:49):
Uh, you one of the best post defenders, every day defender.

Speaker 5 (59:53):
Yeah, but you ain't making me work on the who
I ain't defending nothing. I'm just chilling the pole.

Speaker 4 (59:59):
When you on offense, watching that, you gotta know you
gotta play if you're on the best going this one.

Speaker 5 (01:00:07):
My top five is Kobe.

Speaker 4 (01:00:09):
Jordan's, Steph, Tim Duncan, Lebron in that order, in that order?

Speaker 5 (01:00:16):
What the fuck? And that a horrible order? Why why
don't do that? Why the fun Lebron? Because because damn
so he barely made that five. What I'm saying you
because everybody else home Brown? What the fuck that means?
I won my chips with the team I was drafted with.

(01:00:38):
Lebron did too. That's like a no, I'm back, bro,
Don't do that. Boris and I made it right. I
made it right. No, that ain't his team no more.
He fixed it.

Speaker 4 (01:00:50):
No, no, no, no, no no, went to the lady no.

Speaker 5 (01:00:59):
Wing with the team.

Speaker 4 (01:01:00):
He was drafted to Jordan's Warner with the team. He
was drafted to Steph Wanner with the team. He was
drafted to Tim Duncan Warner with the team. He was
drafted that that that's it. No are you saying is
the best player or what are you doing it?

Speaker 3 (01:01:18):
The best players from championship just because they want.

Speaker 4 (01:01:22):
Ween in the league to get it weeen Finnish. Huh,
call my boy, come play with me the tape. You're
not doing that, bro?

Speaker 5 (01:01:36):
What you mean? They wouldn't They wouldn't trade for people
want to go to Cleveland, bro.

Speaker 3 (01:01:43):
Eric with gasol came to the Lakers. Shift of the
whole organization.

Speaker 5 (01:01:51):
Stop the Lakers before.

Speaker 4 (01:01:55):
What happens when you stay on the same team your
whole career.

Speaker 5 (01:01:59):
You gotta reload and unloaded, reloaded, unload.

Speaker 3 (01:02:03):
That's what you know. But they got the best. They
wanted to get his best friend and changed Pakasov's best
friend and he changed the game.

Speaker 5 (01:02:11):
So you gotta keep it real, take it.

Speaker 1 (01:02:14):
They got who they got for real? Your favorite player,
the difference maker, man man of the year. Nigga, what
you talking about?

Speaker 5 (01:02:27):
You ain't nurse? It was not that, Bro.

Speaker 4 (01:02:30):
Yes, yeah, Bro, he had a nice for next game.
He had a nice for next game. But he had
it because Kobe was teaching him about spots. He was
teaching him how to be a winner. He wouldn't have
been that without Kobe. He would have been stuck in Memphis.
Nobody won the championship without him. He was the most
important player.

Speaker 5 (01:02:47):
After We're gonna we was gonna get somebody.

Speaker 3 (01:02:51):
I'm Kobe, and you had to get somebody that fits
Kobe's program. Everybody couldn't play with coach. Okay, well I
found one that could play with me. But I'm still
go play with him. He came to play with me.
But I'm saying you discredited the pieces of around niggas.

Speaker 4 (01:03:04):
No, I'm not saying that they all NBA player Nah
fuck all that. I'm saying Pale Power was cool. Power
is an all star, deservingly, Bro. He was Pale used
to cook niggas. Bro, Like how Chris Bosh was important
to that motherfucking Miami hit team. Listen this is important
that Gasas was to that Laker team. Who, like you said,
who was important Chris Boss? Okay that yeah, they get

(01:03:27):
that change. Chris Boston was like top fifteen player when
he went to that team. He will pason was not
no top fifteen player, Yeah he would.

Speaker 5 (01:03:40):
Chris Boss was a nine time All Star. Yeah he was. No,
he was old.

Speaker 3 (01:03:46):
I'm just telling the same type of impact that they
hadn't the team.

Speaker 5 (01:03:49):
But I'm just saying that come from collect like Gasol
was not. But no, no, no, I say it was Garb.
You know, you're not saying his garbage. You're saying like
he was super mid and then when Kobe got him,
he was. I mean he was a B minus.

Speaker 1 (01:04:08):
In Memphis and the erapire forwards he was like he
was like Kevin Love before Kevin Love.

Speaker 4 (01:04:13):
Okay, I'm glad you said that he went to the Yeah,
I mean.

Speaker 5 (01:04:20):
That's crazy. Kevin Love to the league too.

Speaker 3 (01:04:21):
Niggas had the sacrifice state numbers to play with these
star players, bro, and you're taking away from them.

Speaker 5 (01:04:28):
I'm trying to tell you he got whatever in Memphis.
That's because he don't know what I'm saying. But you
got more shots and mythis, you're the man.

Speaker 4 (01:04:38):
Kobe got you better shots and more efficient shots because
everybody doubling me.

Speaker 3 (01:04:43):
Is reading the numbers, bro, everybody doubling me with Kobe,
he was over there and did the same thing he
again doing.

Speaker 5 (01:04:49):
Kobe didn't do nothing saying he got it more efficiently.
Kobe was over there.

Speaker 4 (01:04:56):
He took more shots when he was in Memphis because
he was the man. What I'm trying to tell me,
he was the man.

Speaker 5 (01:05:04):
We gotta move off from this subject. Just let us
know for sure, all right.

Speaker 1 (01:05:09):
Rookie of the Year obviously a fan conkle he got
share who was sharing it?

Speaker 5 (01:05:14):
We're not shaying Yeah, he's a group of flag Gotta
get that. Rookie of the Year. I love death. No, bro,
his use is rate too high.

Speaker 4 (01:05:24):
Y'all be having a lot of usages rate players to
be acting like they really don't.

Speaker 5 (01:05:28):
We had a hot usage, right, No no, no, no no
no no no no.

Speaker 4 (01:05:32):
He had a high shooting rate uses for me, No no, no,
no no. Lebron had a high uses right because he
Restbrook had a high uses break.

Speaker 5 (01:05:42):
They dominate the ball, but they the average ten eleven.

Speaker 4 (01:05:45):
Yeah, that's what I'm saying, Kobe job, my guys put
the ball in the bucket. Derek Fisher job is to
bring it up in the court. You want to know
why Derrick Fisher always hit game winning shots because he
had sweat equity. You know what sweat equity is. I
mean you get the touch the ball throughout the game.
That's true. You know what I'm saying. See it the
like Lebron and Westbood Right, I'm just I put Lebron

(01:06:07):
at five.

Speaker 5 (01:06:08):
It is because.

Speaker 4 (01:06:11):
If I'm on your team and I get paid twenty
million a year to get ten rebounds and now I
play with you on to get six because you come
and snatch him off the board every time I'm trying
to get my family paid. I can't be the point guard,
whereas can't be My players can't develop because you do everything.

Speaker 5 (01:06:31):
I know I'm saying.

Speaker 4 (01:06:32):
When people say Lebron didn't play with nobody, it's like, no,
you wouldn't let nobody develop.

Speaker 5 (01:06:37):
Because you do everything. You shoot the.

Speaker 4 (01:06:39):
Ball, you pass the ball, you prebound your defens I'm like, damn, nigga,
what we mann? What nigga playing by yourself?

Speaker 1 (01:06:47):
So what you say you're a better player, then huh
would you say he an overall better player.

Speaker 4 (01:06:51):
I would say he wanted to be a better player.
He wanted to be an overall better player. Well, most
niggas want to play with them when you want to wait,
we want you to do your job, Kobe, do my job.

Speaker 5 (01:07:05):
There, Fish, you do your job, or do your job.
It's like big shot Derek Fisher average like three sis. No, no, no, no,
he didn't. Don't do that. Don't do in the highest guy.
I mean, I'm not saying he has probably the work.
He gotta leave average, gotta least.

Speaker 1 (01:07:23):
Bro Let's look and we and we and we played
the triangle.

Speaker 5 (01:07:27):
So a lot never average was in the triangle. It's
a lot of hockey. It's a lot of hockeys, you
know what I'm saying. It's a lot of isolation.

Speaker 4 (01:07:33):
That's why I think niggas should get a half of
assists for scrab.

Speaker 5 (01:07:39):
Yeah.

Speaker 4 (01:07:39):
I feel like, if I'm in the nigga store, you
should get a half of assist. You ain't about five
round up for his career?

Speaker 5 (01:07:51):
Oh yeah, could we run? I told him, gets up.
He's just started one guard and could have pai not time. No, no, no, no,
don't do that. Don't do that. They skew they now
you know now you are now you know the assist.

Speaker 4 (01:08:08):
Back when Kobe and the play, you had to pass
it and you had to go with it.

Speaker 1 (01:08:13):
I looked at John Starking stats. You know you didn't
have to run it down.

Speaker 4 (01:08:20):
Now, niggas get a nigga hit the nigga with the.

Speaker 5 (01:08:24):
Nigga double Pa spree. Pain't away get that.

Speaker 1 (01:08:30):
There was a lot of isolation Kobe and don't get
they just brought the ball up through it to Kobe
and cut.

Speaker 4 (01:08:35):
To the I know it was it was, but I
feel like when you're playing in the triangle, it's a
lot of hockey assists, so it's like you got to
read the defense is different. But I just like, I
just feel like he brought I'm just saying he was
involved in the game sweat.

Speaker 5 (01:08:49):
You know he definitely got to bring the ball to
the court.

Speaker 4 (01:08:52):
Yeah, yeah, you gotta have that sweat equity, bro, because
but you're getting ball off the rim like Jr. And
runs the wrong way because you ain't got the ball.
This nigga's been dunkey on niggas three sixty. Now I
get the ball off the rim, running the wrong way.

Speaker 5 (01:09:10):
I'm like with the holes at the night, need to
check down out of the game.

Speaker 4 (01:09:15):
He ain't got no sweat after me.

Speaker 5 (01:09:19):
You know what I'm I got with that before I
got a fuck with that. I fuck with it. Hey man,
I'm just I do this sports ship. Man, I fuck
with that. But Brod, I fuck with that. People think
I be disrespecting them. Can I say he's five, that's

(01:09:40):
your fine name, that's that's always seen Brian. You know
what I'm saying, oop to his son in.

Speaker 1 (01:09:45):
The playoffs, he gotta be top three off that the low.

Speaker 5 (01:09:48):
He made his own teammates, so he's forty one. Bro
the best player you know Lukenard plays with on Lebron's
he you team?

Speaker 4 (01:09:54):
Yeah nothing, No, what I will say Lebron is the greatest.
I feel like he's the greatest and the best athlete
to ever live.

Speaker 5 (01:10:02):
Though. I will say that.

Speaker 4 (01:10:04):
Like if you had to tell every athlete to swim,
play golf, football, baseball, he gonna average out the best
just off of z he gonna do that.

Speaker 5 (01:10:15):
But basketball he number five because you got reasons make
you think about it a little bit.

Speaker 4 (01:10:27):
I appreciate my last one before I don't want to
talk to y'all to death about Kobe. Rest of Kobe
is the best out of all of them. And I'm
gonna tell you why. When Jordan came in the league,
niggas was playing the Congos when they dribble, Jordan was.

Speaker 5 (01:10:46):
The first nigga hit a nigga with did him that motherfucker?
You know right now?

Speaker 4 (01:10:52):
The dream chin go all the way around the world.
Eric Kidd want to be like Mike. I want to
be like Mike Kobe.

Speaker 5 (01:10:59):
Bet every nigga wanted to be like mind.

Speaker 4 (01:11:04):
Tracey mcgreg Vince Carter's your Penny Hardaway.

Speaker 5 (01:11:09):
I'm talking about your six five to six eight two guards,
Eddie Jones.

Speaker 4 (01:11:14):
Yeah, Jordan was playing like John Stars Horner said.

Speaker 5 (01:11:21):
Du Mars.

Speaker 4 (01:11:22):
The nigga six one six two Joorde six five six six.
Kobe beat all the niggas that wanted to be like
Mike and they were still six six sixth selm Kobe
giving a nigga forties.

Speaker 5 (01:11:38):
That's a good point, a man, what's you think, Lebron?
Say what you think Bron did? Lebron playing out of position?
Brother power forward Bruh.

Speaker 4 (01:11:50):
A power forward is the least athletic player on the tip.
Everybody know that Lebron freezing niggas got a switch.

Speaker 5 (01:12:00):
Switching brought us ball for it, bro.

Speaker 4 (01:12:03):
No, he a power for if you lined up everybody,
if we went to the street and played street basketball,
Lebron would be our power for he done brought Horse
Grant out to the topic key to the three point
line and driving the.

Speaker 5 (01:12:17):
Ball on him. Thorst ain't got no fee for then
you got.

Speaker 4 (01:12:20):
The five all the way in the corner. Like when
you when you see Jordan Duncan on niggas, it used
to be male purpet Tom bowl. He sell one niggas.
What niggas.

Speaker 5 (01:12:31):
Lebron don't need niggas six six six three under the
under the basket, like I ain't gonna sell. He ain'dunk
go to the duggie.

Speaker 3 (01:12:44):
Funcht on that nigga once in the yeah, and I
got ten dunkeys. You can get on YouTube right now.
Rings though, he said, but you switching, we're.

Speaker 5 (01:12:54):
Gonna let you punch. That's the point. We're gonna let
you get a couple off. But we're gonna win this chip.

Speaker 4 (01:12:59):
Thought grown players niggas we drafted.

Speaker 5 (01:13:05):
When he traded for these niggas, we developed these niggas.
You didn't develop Paul Gassoon. Know what I'm saying. I
developed and bio Andrew.

Speaker 4 (01:13:15):
We developed genob We didn't developed parts. We developed vinyl.
You didn't develop Hyah was drafted spur. That's what I'm
gonna say that he does.

Speaker 5 (01:13:25):
They they did. They definitely squad all developed. They got
ked Kevin. That's a health of blessing. But they didn't
let me tell you. Let me tell you Clay Steph Okay,
Steph was a.

Speaker 1 (01:13:41):
Lottery Yeah, Clay was what was clay?

Speaker 5 (01:13:49):
Then? He was high?

Speaker 4 (01:13:52):
You sure?

Speaker 5 (01:13:53):
Yeah, I swear he was a lot of Yeah, fact
checked that, bro. He was three? Yeah he dra Mud
what was Dramney taking around her? You know what I'm saying.
We won't say the.

Speaker 4 (01:14:07):
Two could we we with the church together? Bro, it'll
take him, We'll take him. But Lebron he got Hall
of famers on the court.

Speaker 5 (01:14:18):
They all got hall of famers. No, no, I'm talking
about hall of famers.

Speaker 4 (01:14:22):
Before you met him, Lebron, Chris Bosh was on the
Hall of Fame trajectory. D Wade Hall of Fame trajectory,
a d Hall of Fame.

Speaker 5 (01:14:30):
Talk about when he took that seven Irie.

Speaker 4 (01:14:32):
Hall of Fame trajectory, Kevin Love Hall of Fame trajectory.

Speaker 3 (01:14:37):
What about when bron took that O seventeen like like
Kyrie I O seven remember, Yeah, I mean I renewable.

Speaker 5 (01:14:46):
I mean, you know, very huge.

Speaker 4 (01:14:48):
Listen, outside of the top three teams in the East,
outside of the three teams in the E everybody on
the five hundred, everybody on the fire UND thirty nine.

Speaker 5 (01:15:01):
And I don't even fuck with the East Side in
my life. Lady twenty five.

Speaker 8 (01:15:11):
Ninety at the seventieed no playing.

Speaker 5 (01:15:19):
For real, No bro, I'm the team with God Love.
But this was bad.

Speaker 1 (01:15:26):
But put me down here side. I gotta see how
you feel about some of these things. But all right,
who you got winning the chip this year? Who's taking it?

Speaker 5 (01:15:32):
Okay?

Speaker 4 (01:15:33):
So who I want or who I got both? Who
I want is Cleveland?

Speaker 5 (01:15:38):
Yeah? Who I who I think gonna win it? I'm
going Boston.

Speaker 4 (01:15:45):
I want Boston to beat Okay, see because y'all talking
all this s g A.

Speaker 5 (01:15:53):
Who you're looking at me?

Speaker 4 (01:15:54):
I'm going Boston, going Boston, respect, But I want Cleveland, though,
come on, James, get us one to.

Speaker 5 (01:16:00):
See James me too. Yeah, for sure, are you a
Falcons fan. Mm hmm. Everybody do that to the Falcon
That is crazy.

Speaker 4 (01:16:11):
I mean we fan could we just from Atlanta so
it's like, you know what I mean, it's like we're here.

Speaker 5 (01:16:19):
Though.

Speaker 4 (01:16:20):
Yeah, yeah, we need to we need a real quarterback
though who they'replegic too.

Speaker 5 (01:16:29):
Don't do that, bro.

Speaker 3 (01:16:32):
To Bro, he might not make it.

Speaker 5 (01:16:34):
He is a sack away.

Speaker 4 (01:16:36):
That's that that nigga might fall on, Nigga might jog
onto the field.

Speaker 5 (01:16:41):
Or something happen to him. Come out to tell.

Speaker 4 (01:16:44):
Yeah, y'all, Bro, crazy not paraplegia.

Speaker 5 (01:16:52):
Man, We appreciate you for show Man, y'all. Man, long
time coming man fan of y'all show Man. Yes, Bro,
I'm a teg fan this person. Yeah, Bro, you know
what I mean.

Speaker 4 (01:17:04):
Like I'm an Atlanta house family. You know, my favorite
basketball player with Mookie blaylock Cod. You know what I'm saying.
He was the original Tea you know what I mean.
So I'm I go back that far from Atlanta. So
I appreciate that.

Speaker 5 (01:17:17):
Bro.

Speaker 4 (01:17:17):
I watch You'll show all the time, y'all hilarious and
y'all got good taste. And your brother not here, man, Yeah,
he's somewhere yeah, oh man, you gotta tell man.

Speaker 1 (01:17:27):
I'm looking for him. Brot for show Man. Listen man happy,
we can make this finally having a show man.

Speaker 2 (01:17:33):
So I how to press one of our favorite rappers,
one of your favorite rappers.

Speaker 5 (01:17:37):
Tap In New projects on the way, the.

Speaker 4 (01:17:40):
Story of mster e got two months, were rolling it out,
Let get.

Speaker 2 (01:17:44):
It tap In Club five, twenty shots, sponsors, one much
time boost my old family taping.

Speaker 1 (01:17:48):
How he told you I spend the block. I have
to pay for this one. You know what I'm saying.
But you know what I'm saying. We don't make it
back for show shouts to stock extra shots of hard
rock back until next time we out Peace

All Episodes

Club 520 - Cyhi The Prynce on working with Kanye West, Travis Scott, NBA Finals picks

Episode Transcript

Hosts And Creators

DJ Wells

Jeff Teague

Popular Podcasts

Joy 101 with Hoda Kotb

Stuff You Should Know

Dateline NBC

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Club 520 - Cyhi The Prynce on working with Kanye West, Travis Scott, NBA Finals picks