Episode Transcript
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Speaker 1 (00:01):
The volume. Come on, Man Club five to twenty. I'm
here to talk about g l D be here.
Speaker 2 (00:09):
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Yeah.
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Quality peace. You don't even have to break the bank
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The show man.
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Every stone is meticulously handset. You know, I'm sing, they
gonna get you together. You ain't gonna look crazy. We
out in the streetswere it. They gonna give you some
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After you copy men, they gonna ask for you came
from Tell them Club Pop twenty sent you here. Tap
in Good dot com. New Buffalo Wrench has a rod
v hen what's up with that? Know you and McDonald's
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Speaker 1 (01:49):
Nah, not shit, man, But I'm gonna get to it.
Ain't nothing wrong with a little spice in that ranch, man,
especially with the crunch trap.
Speaker 3 (01:55):
Okay, tapped in.
Speaker 2 (01:56):
They got the snack rapp, they got them Chrispy sandwich
and the mccrispy strips.
Speaker 4 (02:00):
Tangy sang a Buffalo little creamy, cool, mild sauce, a
little wrench and you know, a little dip on there.
Speaker 1 (02:05):
You know what I'm saying. Okay, I tapped in with
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Okay, you already tapped in. Yeah, I'm of the best
sauce on the market. Now, all right, be here, you
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And even the food expert you are, he got you
hard in the game already. Nah, for sure, man, I
love any time I get the strip from McDonald's. Always
gotta have a sauce. So I'm gonna try to tap
into the new Buffalo ranch for shure.
Speaker 2 (02:23):
Come on, man, it's miu and why at the same time,
it's the sauce with balanced man.
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Give you a little bit of cool, a little bit
of hot. What can go wrong?
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Be here, listen, I'm gonna ask across the board snack
wrapped the mc ckrisby sandwich, the strips, just one y'all
gonna get the new sauce with.
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I'm gonna go with the strips. Okay, I'm gonna strip
guy myself be here.
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to load it up.
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Only watched applies last order. Now all right, man were
back another episode of Club A five twenty podcast. I
mean host might miss d J Wells. We got a
special special guest in the building. You know what it is,
(03:05):
gonna introduce him. Last, to my far left, we got
my dog Bishop be here after Prailes.
Speaker 1 (03:09):
How you what nasty, cool and national. Let's get to
a baby j.
Speaker 2 (03:12):
Listen, No, you tapped in with the show obviously got
the ten bows on and my boy be here man,
he be rocking the Black Forces with the white license
in the ATL Have you ever seen that before?
Speaker 1 (03:20):
Math?
Speaker 5 (03:21):
No, that's that's that's that's a little treacherous show.
Speaker 3 (03:25):
Is that even worse than All Black?
Speaker 1 (03:28):
It's a little worse. I like, I like black shoes
with white.
Speaker 6 (03:31):
Laces though, so I kind of understand it. But the
Black Forces, like it's a statement. You know what I'm saying,
I got you, I got you a period.
Speaker 3 (03:41):
They've been ranging the super show.
Speaker 2 (03:42):
They say, what's words the all black lows or all
Black mids like a nigga walking on the all Black Mids?
Speaker 1 (03:48):
Seen the Missing so long? I haven't either.
Speaker 5 (03:51):
That's like some alien ship seen miss in a minute.
Speaker 1 (03:54):
It was really terrible for real. Were trying to make
them cool, the White mid fire, but the Black Man
but was weak as hell about the top, the Hot
Tops team.
Speaker 7 (04:04):
The super keep them some she some joints, but I
feel to keep them like black Super High Black.
Speaker 1 (04:18):
You're going cowboy boots.
Speaker 4 (04:19):
He's gonna get away with every robbery you do that
day boy super Hummo shoes. I write my dog young
Natcho young team you.
Speaker 1 (04:25):
What I'm chilling bro excited man? I see y'all got
good feast today. Yeah, shout out to y'all. Man, I
wish I knew the k I knew was going. I
wish I would have knew too. Everybody I ain't know
you know what I mean to, But yeah, this is
not a fashion part.
Speaker 2 (04:44):
What's crazy about the shoot in the city Indianapolis, Oh
seven expo that Jordan came out that summer XBO used
to get with everybody in the Midwest to pull up
to that. They used to have the cars out, conventions,
all that stuff. Everybody had them all. They dropped. Everybody
in the city had them all downtown. Yeah, it was
a wave in the month. That's a historic Neptown shoot
on the Lord King Hard and some that said, listen, man,
(05:05):
we've got a special guests in the building live on
tour album outgoing crazy right now at l Spinus makes
some noise, My dog j I d big.
Speaker 3 (05:13):
Do appreciate your.
Speaker 4 (05:13):
Sliding on this man, appreciate you man A TL tigging
to building. I know you're at l Sports Fan. Get
well soon to your Falcons.
Speaker 1 (05:21):
Brother, Hey, I lead this motherfucker right.
Speaker 6 (05:26):
You saw what happened last week. I saw what was
still open. Come on you team, let's talk, let's.
Speaker 1 (05:34):
Get into it.
Speaker 2 (05:35):
Well, I'm a Cowboys fan, all I know it's paying
you feel me. Okay, I'm not true this ship. Okay,
but your bar looked at his tattoo of the Falcons.
He said, I should get this bitch removed.
Speaker 3 (05:44):
That ship.
Speaker 6 (05:44):
Hurt that that game because I'm really like the ambassador,
like third down, I beat any like in the stadium,
like get up.
Speaker 1 (05:51):
You know what I'm saying. I'm on the screen. So yeah,
so that they kind of broke. I'm a Falcons fano. Okay,
I with the Falcons. Do you want to talk to
you about the Super Bowl game?
Speaker 6 (06:05):
Then?
Speaker 3 (06:05):
Where was you when y'all blue history?
Speaker 6 (06:09):
I'm was that twenty sixteen, twenty seventeen. Yeah, uh, I
feel like I just signed. I feel like I just signed.
So I'm in La at a super Bowl party with
the label damn Yeah yeah yeah, and I'm popping it,
popping it.
Speaker 5 (06:23):
Because you know we're up to have going crazy. I
got bets.
Speaker 6 (06:26):
I'm in the company, got bet with label head. I'm
talking how drunk wool by the fourth quarter over time,
I just left shit now I did. Look, I'll tell
that ship real because like it's our second time. I
feel like the Falcon went. If my history started me
created went like fifty eight and then I'm gonna say
we went against the Broncos. L way real, Davis. I
(06:50):
can't think about it, y'all. Say ninety eight, I could
be wrong.
Speaker 1 (06:53):
You had Jamma Anderson, that was that dirty bird. That's
all that year, and then we went again.
Speaker 6 (06:58):
I will say sixteen seventeen that that twenty eight three
things crazy nigga nigga I'm saying.
Speaker 1 (07:02):
I'm saying that.
Speaker 5 (07:03):
I'm at the Grammy's next to uh Robert Kraft Bro.
Speaker 1 (07:06):
We talk, Grammy Bro. We're sitting there talking like, oh
we found this man. He's like, oh yeah, he.
Speaker 5 (07:13):
Taps this guy. This guy pulls out the twenty eight
three super Bowl show.
Speaker 1 (07:17):
It.
Speaker 5 (07:18):
Me and my dogs were just close it.
Speaker 1 (07:20):
I was like, dang real being that shit just stunning
on us like that, as if we're not already.
Speaker 4 (07:24):
Liked, that's like, that's hard, Bro.
Speaker 1 (07:33):
I want to ask, now, do you is it JIG
or j I D?
Speaker 6 (07:37):
It both like on me, like let me give a
ship right, I've been got damn Yeah, yeah, it's j
I D and Jig because like you know how Biggie
was b I G and big and then it just
came from my grandma and so I'm like, she used
to call me jittery. So when I was on rap shit,
I was like, all right, I'm gonna figure out this
rap name. I don't want to be my real name.
Let me use some real shit to me, like my
family nickname. And then I just broke it down that
(08:00):
it wasn't gonna be j I D D because the
crowd gotta be like j I.
Speaker 7 (08:03):
Yeah.
Speaker 5 (08:04):
Yeah, want a little process to get that.
Speaker 3 (08:06):
You've been throwing off.
Speaker 2 (08:07):
Now you're in the city around when people call you
by your government, yeah, hell yeah.
Speaker 6 (08:11):
Because even even like when I'm from Nigga Donna come,
government would be like my last name because I played football,
were gonna get into that what I'm saying, So they
call me little roote.
Speaker 1 (08:20):
You know what I'm saying, You played football, play football.
I'm gonta for scholarship. This is just just rapp aboud
it bro just the wee rapp. And I still I'm
still straight. You probably are forced to be rekled with.
I'm saying that's forced to listen. So what position did
(08:43):
you play? Like Connor nickel return return. Okay, okay, oh me.
Speaker 6 (08:56):
College but this on everybody hate that got kicked out
my sening year, so my junior years.
Speaker 1 (09:06):
But yeah, yeah great, did know.
Speaker 3 (09:11):
Your first love football?
Speaker 1 (09:12):
My leve for show for show like that was a yeah.
Speaker 6 (09:15):
I didn't even think I was gonna wrap, you know
what I'm saying until like that later years of my life,
Like after I kicked out of school, I was like, damn,
what do And I did the stereotypical nigga thing.
Speaker 4 (09:30):
That's funny, you just had v So he said the same,
He said, I ain't know it's gonna be a rapper,
but the show, but.
Speaker 1 (09:34):
I was foo.
Speaker 6 (09:35):
I always, you know, we always as black men, we
all freestyted some point saying I hate the stereotyps, but
you know it like in some scenario you just kicked it,
you chilling wool. But I was actually five this and
I kept it in my back pocket my whole life.
I always like steady wrap, always like just the great
you know what I'm saying. Music, I wouldn't say rap.
I was just say music period because my family like
(09:56):
super musical and all that.
Speaker 2 (09:58):
Speaking to everybody having a verse, I be here on
classic on YouTube. A clap, yeah, yeah, we're the remix
right now?
Speaker 1 (10:10):
Got what she was doing in twenty eleven. I was
in the boot I crossed so you could run. Hey,
come on, come on, you had you. I love that
you got the little clip.
Speaker 6 (10:25):
I love the fact that the box if every time
that's post E and J you after that, let's get
to it.
Speaker 1 (10:34):
Engineer came on, Oh my god, turn me up, turn
it down. What did you know though, that you was
like one of them ones though, or when you felt
like you could make it? It probably was like I was.
Speaker 6 (10:51):
I was big on writing period, you know what I'm saying.
Outside of songs and all that, I was just writing.
But I feel like I wrote a song one time
and went to record it.
Speaker 1 (10:59):
It's probab.
Speaker 6 (11:00):
They're not even out, but just the room, you know
what I'm saying. When you in need sessions sometimes with
your home budget, with the engineer. You sometimes you may
not know the enginet with your folks and stuff, but
the reaction from the room of the song, I'm like, oh,
I'm in the right direction, you know what I'm saying.
I see how my home budds looked at me. It
wasn't like no niggas, it's gonna be like, oh, but
it's fire regardless. These niggas a god damn, but it's
(11:21):
trash like real. So being around like having a good
community of folks like that let me know like I
was in the right direction and I just remember that
specific moment, that studio session.
Speaker 1 (11:32):
You feel gotcha?
Speaker 4 (11:34):
Like in Atlanta, we you know when I lived there,
I listened to the beats more like you lyrical? H
Was you always like a lyrical rapper? Would you like
at one time? Like now, I guess Metro kind of
brung it back. That's super you know that. I don't
know what they call.
Speaker 2 (11:51):
Bro.
Speaker 1 (11:52):
That was me young la all them dudes. That's why
I was in Atlanta. It was a vibe.
Speaker 4 (11:56):
But for you, when I listened to you, it's like
lyrics and I'm like, damn, it kind of get me
that vibe. Obviously you signed with Jacob he was with
colding them.
Speaker 3 (12:02):
But they give me that vibe. He's all that kind
of was that always your stuff?
Speaker 1 (12:07):
Yeah?
Speaker 6 (12:08):
For shure On something like I think like t I like, yeah,
outcasts them like my you know what I'm saying, that's
the pinnacle for me, Like as far as the storytelling.
Speaker 5 (12:18):
I be listening. Still ain't forgive myself.
Speaker 6 (12:19):
I like to you know what I'm saying, those type
of stories being told from the perspective of you know
what I'm saying, young black man from Atlanta. I'm like, oh,
I can adapt this, you know what I'm saying. I
can really still tell the story and still be who
I am, you know what I'm saying, Cause I'm from
where I'm from, you can still have that that that
way to it, that density to it, and the outcasts
(12:40):
himself being like aliens and all of that. It was
always just like, Okay, you can be me and got
to like follow trends. But also I did have everybody
had the area. I'm big shirt rapping. I'm I'm swaggy Jeb.
You know.
Speaker 4 (12:53):
I was on that.
Speaker 1 (12:55):
I wasn't actual rap. I'm just in the time being
a team with my friends and we rapping like how
the rapper was rapping.
Speaker 5 (13:00):
You know, I always you know what I'm saying, come
from Atlanta.
Speaker 1 (13:04):
I got him.
Speaker 6 (13:05):
It's always gonna seem like, oh no, he he's from Atlanta.
What It's just a different take on it.
Speaker 1 (13:12):
Now, you know what somebody from Alanta, you got the
accident for Shure. Yeah, talking about you for Shure.
Speaker 2 (13:20):
It's crazy because at one point obviously all was growing
up bro when the movie A c O came out,
But we all wanted to be from Atlanta like, and
then the music was following, Oh god, I didn't want
to go to that's what you want.
Speaker 1 (13:42):
To go to?
Speaker 3 (13:42):
Cast? I want to go you know my you know,
crazy movie. I ain't never gonna be mad my girl.
Speaker 1 (13:53):
Rich he was more she lied, Bro, Yeah, I like
to trustee whole Bro.
Speaker 5 (14:01):
Why he broke it down? No, hey, hold on, it's morals.
Speaker 1 (14:09):
A lot of me have you rich lot of me
where we come from, a lot of girls they don't
have nobody. So we see y'all was tripping in no fuck,
ain't no problem. That's that exact moment, bro.
Speaker 3 (14:24):
Okay, that was a vibe for shore.
Speaker 1 (14:29):
What was that like?
Speaker 2 (14:29):
Man, that moment for like the world to really be
like fixating on y'all, especially with the music scene growing
to going y'all damn are like the capital of music.
Speaker 6 (14:35):
It was hard, like you know what I'm saying being
from Atlanta, Bro, it's so much pride behind it because
it's such a black city. You know what I'm saying,
Like my whole life, bro, I grew up around all
black folks. I went to HBCU, you know what I'm saying.
The most white people I interacted with probably like right now,
like with my fans and stuff like that, and it's
it was a culture shock. But at this point it's like, okay,
like this is the world we like thirteen fourteen percent
(14:57):
of the population. But being from Atlanta every day you
can see the gut, the mayor, you know what I'm saying,
down to junking on the corner.
Speaker 5 (15:04):
Everybody's just black, you know what I'm saying, from top
to the bottom.
Speaker 4 (15:06):
So I want, what's it like at your show? You
see that white dude who front rolling on all your
lyrics fron Back. Yeah, it's crazy.
Speaker 6 (15:17):
It's crazy because I literally, like I be talking about
just like even if it's coming out of lyrical all
I be talking about is like black plight, leg ship,
my stories, my scenario. So to see like it resonate
with different people of cultures, I'm like this hard, you
know what I'm saying, because I'm not really like trauma
dump and I'm really just giving you a goddamn picture.
Speaker 5 (15:37):
You know what I'm saying. Let you see how you
see it type ship. So it's cool. I'm cool with
that too, like what I'm saying, like, you know what
I'm saying.
Speaker 1 (15:46):
Yeah, keep it longer, keeping it cordial, you know what
I'm saying there and watching like now, no, that's love moment. Man.
I would like to say that for a Black delegation.
(16:08):
Yes I do. I got a niggaccount and he stops
at one that'd oh my gosh, Oh.
Speaker 3 (16:16):
Man, I'm gonna have fun.
Speaker 6 (16:18):
I'm still told you I was a little I'm still
like a little turn from had some time last night.
Bro and I had to come forward.
Speaker 3 (16:25):
But we appreciate hoops. Man, what about all that?
Speaker 1 (16:28):
Let me shoot one?
Speaker 4 (16:29):
Oh yeah, all right, it's cameras. I'm hit broken, okay,
you hoop for real?
Speaker 1 (16:37):
I'm straight okay, because we don't have a lot of
people come on here and live. No, no, no, I can't.
Me and my dog right here.
Speaker 3 (16:43):
Okay, he about six three though, you.
Speaker 4 (16:47):
Know what, I.
Speaker 1 (16:52):
Come on, you play against any other artists, Like.
Speaker 6 (16:56):
I'm really a football I'm really bro like, but I'm
an athlete, you know what I'm saying. Uh, but I
ain't never played no celebrity celebrity basketball guy. I played
in like m l B the Little Baseball and I
played some seven o seven.
Speaker 3 (17:07):
OK. Yeah, who's your favorite football player? Who's some of
your favors?
Speaker 6 (17:11):
Uh?
Speaker 1 (17:14):
Three?
Speaker 6 (17:14):
Daiss ain't Like, I'm I'm gonna go. We're gonna go Prime.
If you're gonna go, i'ma go. I'm gonna go. We're
gonna go.
Speaker 5 (17:23):
I wanna say, who want a super Bowl?
Speaker 1 (17:26):
VI?
Speaker 5 (17:26):
Can't win no super Bowl. I want to say VIC.
I gotta say VI. If we bring it to like
to the modern day, who the one?
Speaker 1 (17:34):
Uh, I'm gonna go.
Speaker 2 (17:38):
Jon.
Speaker 1 (17:39):
I'm gonna go.
Speaker 4 (17:40):
Jon Robinson's monster Killer, Killer, Real Killer, best runner back
in the NFL for show for show.
Speaker 3 (17:48):
Horses, There to be got. That's that's one.
Speaker 1 (17:56):
That's one of the best.
Speaker 6 (17:57):
This is one of his best years right here back
like yeah, he really back. And then y'all got Daniel
Jones looking in m v P form. I'm not enjoying
what's going on.
Speaker 1 (18:06):
Play a couple of yeah.
Speaker 3 (18:12):
Back an watch it.
Speaker 1 (18:14):
Come on.
Speaker 6 (18:15):
You gonna be addicted to this ship, bro for sure.
But I am taking a little break on the Falcons
until until next Sunday.
Speaker 1 (18:29):
You model your personal game from in the NFL. Your
personal like when Jim was out there, who I'm going
tyring Matthew when he was when he was at l
s U.
Speaker 3 (18:46):
I was.
Speaker 6 (18:46):
I feel like I was going into school in Virginia
and they started passing the ball a lot of hbc
us and that's when my coach implemented the nickel and
I used to watch bro. Okay, I ain't got I
ain't got the I got my high school film online, but.
Speaker 1 (19:03):
I'm gonna pick it up. I'm gonna find it. I'm
gonna find it. Bro show, Yeah you gotta crazy.
Speaker 6 (19:13):
I made like all conference a couple of times that
say't up there because HBCUs don't be up on the
little internet stuff like that.
Speaker 1 (19:21):
A lot going on. I had, like, got a little
lot of niggas run bro, you want to see.
Speaker 6 (19:31):
Okay, this was you the third plate, take a picture
for your mom.
Speaker 1 (19:38):
And it was different though there, it was way different.
But I enjoyed. I enjoyed going to like a black school.
Speaker 4 (19:46):
No, I was going to ask you that what was
that like like a size of sports, What was the
life going to a black school? Because I went to
a predominantly white school, pro school. I went to Wake Forest,
Wake Forest.
Speaker 1 (19:56):
I knew that.
Speaker 6 (19:58):
Niggas say like like like like, first of all, I
went to hamp University just like fifteen to one women to.
Speaker 1 (20:07):
Me something like that. BT WEEKID crazy.
Speaker 6 (20:11):
Bro everything crazy. It's an experience outside of you know
what I'm saying. It's a beautiful campus is right here
on Chespea Bay, Yes, sir, it's.
Speaker 1 (20:18):
Right here like water.
Speaker 6 (20:19):
Everything about the beautiful studies of schools and girls helping you.
Speaker 1 (20:22):
You feeling nothing if you're playing sports.
Speaker 2 (20:25):
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Speaker 6 (21:41):
But it wasn't like, you know how like y'all got
big alumni. It ain't like big alumni. So it's like
thirty five people at the game, including the band. You
know what I'm saying when the teacher saying Hey, you
get extra credit if you come to the game.
Speaker 1 (21:53):
It's better.
Speaker 6 (21:55):
But it was foto because you know, you got your
boys come rider in football and souff like that. But
outside of it, it was great. Like the experience that
I had that college, it was good.
Speaker 1 (22:04):
I know, them parties were silly, crazy. It's like, see,
I never got none of that.
Speaker 6 (22:11):
Us.
Speaker 1 (22:12):
It's like, who left the work I do? I know
the fun things started out. Come on, now, come on,
(22:32):
we're gonna talk about it.
Speaker 3 (22:34):
Listen.
Speaker 1 (22:34):
You know you got a lot of people happy, a
lot of niggas in trouble. Why that was my gift
to the to the You're special for that. For that,
I want to say thank you.
Speaker 4 (22:45):
That was. I had to watch mine on mute was
I was in the bathroom down seriously, Yeah, that was.
That was a crazy experience, bro, What was that like?
So it was so organic that that should happened.
Speaker 1 (22:58):
Gang.
Speaker 6 (22:59):
So the song when it dropped, it dropped, I say
January twenty two, and within like my album dropped August
of twenty two that year. Within the first eight months,
it was platinum song. Specifically, it did book billboar charts
all that. Then we toured in twenty three. At the
end of tour, when the holidays rolled around, it was
(23:20):
like I want to say, the Philippines. It was a
little Asian guy put his phone in the ceiling. They
did like some It was cool. It was some kiddy
stuff they did like a circle. It was a classroom.
They was dancing and stuff. Then a couple of months
later December head and in South Africa some I don't
know who the catalyst was. I don't know who the
girl was, but she did it first, put her phone
(23:41):
and ceiling shut. That ass queen and she changed the
whole ego system.
Speaker 1 (23:47):
It was crazy.
Speaker 5 (23:48):
It was crazy, and it just from then on it
just flew out, you know what I'm saying. It went crazy.
Speaker 1 (23:53):
Even the song, the song bigger than Me.
Speaker 5 (23:54):
Sometimes sometimes you may know the sign, you might not
even know it's.
Speaker 1 (23:57):
Me, but knowing they came fromer.
Speaker 3 (24:03):
Can do that.
Speaker 1 (24:07):
That was That was crazy.
Speaker 4 (24:08):
It is crazy everybody when you hear that sound, somebody
he's freaking, you know. But as soon as you you
look at the dude.
Speaker 1 (24:21):
Like what you're watching. It's strange how that ship can
turn you up though. How you feel like about the
power of social media, like.
Speaker 6 (24:29):
You can't really control it. You just gotta you know
what I'm saying. If you're gonna be on social media,
you gotta play into it whatever. But it's too powerful.
You can't beat it. You know what I'm saying. You
just gotta fall into the line. It's like the wild West.
You gotta understand that.
Speaker 1 (24:41):
Yeah. So when that took a.
Speaker 6 (24:43):
Whole like it was, it was great on my side,
Like you know what I'm saying, I'm a young man,
I'm a man my parents. What is this?
Speaker 1 (24:56):
God like such a sudden lady bro make me like
bro South baby b Yeah, throwing it like that me
text messages. She did this through my whole career.
Speaker 6 (25:15):
You send me a text about the lyric or just
But around the time she sent me tell of booty here.
What is that?
Speaker 1 (25:22):
I can't be she's turning you up behind it, she
laughing behind it. Still, it was a thing.
Speaker 2 (25:29):
The song is so far and they't got nothing to
do with that. So it's like, Mom, I didn't make
this for this crazy. That's why earlier it's really about.
Speaker 1 (25:37):
Just being like from Atlanta, living around something here. Shot
savage on that, you know what I'm saying.
Speaker 6 (25:43):
But also in the video, we had just on some
we had We had an overhead shot and girls was
dancing around me just on some just vibes and that
kind of like what turned into the trend, So that
I don't know, little things you do. Can't dictate how
stuff moved, but you can't. You can't even like pay
for a viral moment like that.
Speaker 3 (26:01):
That's a fact.
Speaker 1 (26:02):
That was crazy.
Speaker 3 (26:03):
Show man. Appreciate you, man, that's all.
Speaker 1 (26:11):
Here.
Speaker 3 (26:12):
We're relland listen. Man, I want to ask, what's it like?
Speaker 2 (26:16):
Obviously you get your rap career going and then you
link up with Cole because I know, at least for
us to it, that's like one of my goals, you know,
day one j Cole fan bros Too. What's it like
when you get to like get that respect from somebody
who like means something to you.
Speaker 3 (26:30):
Remember he shot you out in the free style.
Speaker 1 (26:33):
Yeah, it just happened all organic because Bru is really
just solid dude. You know what I'm saying.
Speaker 6 (26:39):
He love hoops, he love wrapping family man, you know
what I'm saying. As simple as that, Like, but even
being like a superstar and being like down earth is
it's like something you don't really see like that.
Speaker 3 (26:50):
Yeah, Bro, Ryan Bikes and ship.
Speaker 6 (26:52):
Ryan Bike like real nigga ship, Like you know what
I'm saying, Ryan Bike probably got security with the fire
on right behind him.
Speaker 5 (26:57):
He got to found himself.
Speaker 1 (26:58):
No, it's one man, the really situation in the world.
Speaker 6 (27:02):
And it's so cool because but Steell like remain like
who he is even right now, like he's probably doing
his music, working with like with his family and stuff
like that, and when he pop out, it's gonna be
like the same thing, you know what I'm saying, So
ling with somebody like that legend like that, and then
like me being able to use this platform and helped
me like get my feet and helped me get get.
Speaker 1 (27:22):
The ball round my creb.
Speaker 3 (27:23):
Yeah, you can't.
Speaker 1 (27:24):
That's no better.
Speaker 5 (27:25):
For all I need is a platform opportunity, you know.
Speaker 2 (27:28):
And you can tell like all the artists who've been
around Dreamvield like it looks like it look like it
ain't nothing to look like everybody just getting to that
ship and it's just support us there.
Speaker 1 (27:35):
Too, show for sure. Yeah, it's a good situation.
Speaker 4 (27:38):
All right, Barbi here, it's all right bartender okay, oh man, okay,
birthday right, that's all it's real alcoholic benefage right now,
not before the Yeah, yeah, it's perfect.
Speaker 3 (27:58):
I love that having the women. Okay, we got Martarita,
so turn.
Speaker 8 (28:03):
Up and the name of the cocktail is Spider.
Speaker 3 (28:08):
Okay, that's hard. Thank you, Barbie, appreciate you.
Speaker 1 (28:11):
I got the ice and everything. She did a good
job today, break out, so look.
Speaker 3 (28:21):
Relations Congress.
Speaker 1 (28:22):
Bro. Yes, sir, God does like ugly going crazy?
Speaker 3 (28:25):
Right now?
Speaker 2 (28:26):
Tap in for the show going crazy for the show.
All right, man, shout out to chime Man, one of
our favorite sponds. I wanted to ask you we do
making the moments of chime Man, what was that like
that first moment when you went crazy? You know what
I'm saying, You ain't gotta be nothing responsible when the
guests is here marking her job. I heard y'all specify
that twice. What you were saying, My bro? What's that
(28:56):
first moment like? You know what I'm saying?
Speaker 3 (28:57):
All right?
Speaker 2 (28:57):
You feel like you all signed that did got a
little bit paper in your what's that crazy purchase like
for you?
Speaker 3 (29:01):
And ain't gotta be responsible? Or it could be what
I do.
Speaker 1 (29:06):
I did some responsible shit. I ain't gonna hold you.
I ain't like no young you know.
Speaker 6 (29:11):
I feel like I capped a couple of cribs. I
flipped it for real. I'm getting rid for one of them.
Speaker 1 (29:17):
The other one.
Speaker 5 (29:17):
I'm the break land On. I did some real responsible ship, can't.
Speaker 1 (29:22):
Hold you ship. I got some jury, I got some Jerry,
I got a couple of cars. Yeah, you know, I
can't be cool but crazy.
Speaker 6 (29:31):
I ain't get like my dream call yet because not
because I can't afford it, just because like I want
to Wait, you know what I'm saying.
Speaker 3 (29:37):
Okay, so what is that?
Speaker 1 (29:39):
What's your dream card?
Speaker 6 (29:40):
It's a red Ferrari. But I wanted to I've been
waiting to see if they make them like electric. I
don't know if that's gonna happen. I've seen they been
doing that like with a lot of these.
Speaker 3 (29:50):
Yeah, so you want electric.
Speaker 1 (29:53):
If they make I'm gonna beautiful. I want to get
it for the show for sure. Yeah, I ain't mad
at it.
Speaker 3 (29:58):
Maybe they waiting to get it.
Speaker 1 (29:59):
They want they dream what's your dream car? Since we're here,
I don't. I don't even know, bro, I'm not really
a car guy.
Speaker 3 (30:08):
Electric right now?
Speaker 9 (30:09):
I told you, why are you saying it like that?
I mean, you swagged it out he went for Yeah,
I bet that's that way. It's gonna be crazy. But
I actually need to tune in right right.
Speaker 1 (30:32):
I don't got no dream car though, bro, I ain't
really a card nigga. Like That'm cool, my true I
got one of my want know he got your car.
Speaker 2 (30:40):
I got one, but I wanted to seventy to shavelle
mm hmm. Yeah, I'm about to old school. Yeah, I'm
American muscle type nigga.
Speaker 5 (30:48):
I ain't mad at that.
Speaker 1 (30:49):
I gotta go to the old school. I'll be scared
of old school. You already got yours. Yeah, broke down, yea.
I just wanted to know love it, Mike Lowry. Ever
since I've seen bad boys, I wanted that call.
Speaker 5 (31:04):
Yeah, yeah, I feel that that's hard.
Speaker 1 (31:06):
That's but you did the goods. You've got stuff that
actually makes money, all blowing right in the house. Yeah yeah,
fat Cray you got.
Speaker 3 (31:19):
Responsible. Yeah, that's many rolics you got, though.
Speaker 1 (31:25):
I haven't really you got one since we talked about Yeah,
I'm gonna go back to my other course. But how
do you feel about the ankle bracelets? Like, what's your
take on the ankle bracelet? I mean, like jim My
mind went straight to like, I mean an.
Speaker 4 (31:40):
Ankle on men, like an ice style ankle, bras man
on grown man, because they have a grown man in
this room that just wants to.
Speaker 1 (31:49):
If if it's super icy, you're going and you're going.
Speaker 3 (31:55):
That's that's his motivation. That's what you are.
Speaker 1 (31:58):
Or on the beast. Just now that ain't good at
that ain't good out like the whole center right now
going black. This ain't for me. You got the pocket white, Okay,
I got something for you. I'm thinking like we're going
we're going suit. We're going suit or something. And you
(32:18):
got the ankles out a little bit. You know what
I'm saying. You're going glossy, You're going God damn red bottles.
He's going that fit right now? Dream he said, what
to the dreamvild I ain't gonna hold my but co
might throw that off for sure. So you cool on
(32:42):
a cool not like that, not like that. Bro. My
ship going tennis. I'm gonna go big tennis and then
I'm gonna have on like a three two piece suits.
Speaker 6 (32:54):
I'm almost some red bottles or something, and I'm going
to the draft, I don't know, somewhere.
Speaker 1 (32:59):
Just a regular just like How did you even notice this?
Speaker 4 (33:05):
Like the fact that you can search this is crazy
because why they got on phone positive I'm not.
Speaker 1 (33:13):
He do his research flag and play man.
Speaker 6 (33:17):
I was like.
Speaker 1 (33:21):
A bigger the Cuban on an ankle is insane. The Cuban,
but a little Cuban too. That ship, Thank you gotta
go big, like stupid fat Cuban on your like you're
gonna do it like you gotta be disrespectful. That's what
you're trying to do, though, I just wanted to take
on it. We always know I'm not going with them Jay.
Speaker 6 (33:43):
They got another nothing a thousand dollars shoot plus, like
we gotta be something stupid for seven right now, freaking
like man, it was.
Speaker 1 (33:54):
That's like what coch was waring.
Speaker 4 (33:55):
The Chicago was every day for like a year, bro,
That's what I mean. Me wearing them brom shoes.
Speaker 1 (34:01):
I bought with five pairs of Chicago onesgo once Bro.
Speaker 3 (34:05):
Every day I went to that concert. I forgot he was.
I was in Minnesota.
Speaker 4 (34:08):
What tour was that, I can't remember, but he came
out first and he did what's his alter ego alias.
Speaker 1 (34:17):
Yeah. He came out was the tour with the Yeah
Ja smith It was with Ja Smithy game.
Speaker 5 (34:29):
Yeah it was a good tour for sure.
Speaker 3 (34:30):
Yeah.
Speaker 1 (34:31):
Are you big with sneakers or a big sneaker head
with I fucked with fashion?
Speaker 6 (34:35):
So yeah yeah yeah yeah but all so sneakers fashion
you could be high and whatever they're like, So yeah yeah.
Speaker 5 (34:42):
I said, yeah, I'm talking love.
Speaker 1 (34:45):
No, You're good. I'm saying, what's some of your go tos?
Like are you a Jay? You were air Max or
you were I'm going three to performing too, not to
perform performing? I might, I might. I don't want to
suck up my shoes, you know what I'm saying.
Speaker 6 (35:00):
I performance some ricks or you know what I'm saying,
so like that would that looked better with the more
you mess them up? But I ain't gonna do like
my Jay's or nothing like I know, force ones, nonhing.
I don't like performing because I like wearing them like
on a casual Ok.
Speaker 1 (35:14):
Gotcha, gotcha? Gotcha?
Speaker 3 (35:15):
Yeah? Rappers before is different?
Speaker 6 (35:18):
Bro.
Speaker 3 (35:18):
Yeah, you got slave feet when you get with the show.
Speaker 1 (35:20):
That why beginning them and just throwing them away?
Speaker 6 (35:22):
And I ain't just like you know what I'm saying,
by keeping that money in there, show, you gotta got
damn keep all the money in for twist you can
run it because this ship, it's a it's an investment
for real.
Speaker 5 (35:34):
Yeah, you know what I'm saying.
Speaker 1 (35:35):
The headline artists front everything, buses, trailers, staff hotels, everybody.
I ain't know that. What's the hardest part about touring though,
because we just did our little bullshit three Legs too.
Speaker 5 (35:50):
Boys get into the motion of it, like, bro, we're
doing thirty six dates.
Speaker 6 (35:55):
So once you get into the motion, you win it.
Because I've been doing it for a minute, like I've
been touring like this. How you really make your money
as a artist. It's not like you can make it
from your music. You could be if you take us,
you know what I'm saying. If you the highest highest,
you're gonna see some whatever whatever. But if you're still
like in that in between almost a star, button star whatever,
(36:17):
it starts with God damn brand deals. There we go
merch and then like touring and it's other little ways
you can make. But those ways are like very known
and it's look the ways to get like bread. But touring,
like as the hellline artists front everybody, I mean, you
(36:37):
front everything. Hopefully those tickets all sell out and the
merch blowout, and then you do meet and greet, you
make money off that.
Speaker 5 (36:45):
That's another stream revenue.
Speaker 6 (36:47):
But yeah, it just be a lot of different things
to goddamn cross off before you make some bread.
Speaker 1 (36:55):
What your me and greet look like?
Speaker 4 (36:56):
Then?
Speaker 1 (36:56):
Because we've seen Chris Browns everything, it's a mixed it's
a mixing.
Speaker 6 (37:05):
It's it's some black, it's some black people there, it's
a lot of white people there. They get kind of crazy,
like somebody that wanted to me Greece proposed in front
of me, my whole proposal it was. It was insane,
called up needs to be pulling up the costume on
my birthday on Halloween. So they be like it be
kind of crazy, you know, not.
Speaker 1 (37:23):
Not Chris Brown level though he's legend Chris Brown. What
boy me and Greece is shorty back out like.
Speaker 3 (37:37):
I was like, you crazy legend, bro?
Speaker 1 (37:42):
What's the city that surprised you though? That you didn't think?
You know what I mean? You popping? And they show
him love. It'd be like.
Speaker 6 (37:54):
I say, out the country because I know, like America,
like it's gonna be lit whatever. Whatever's training Cooper cool,
But we go over there needs that don't speak your
language first and they saying all the words and then
they trying to communicate with you outside of that, and
it's just like chop.
Speaker 1 (38:10):
You can't have like that.
Speaker 3 (38:11):
That's the best thing crazy.
Speaker 1 (38:12):
You know what I'm saying. You can't speak English, but
you rapping these words. That's crazy.
Speaker 5 (38:15):
That be the craziest of it all.
Speaker 1 (38:17):
You know what I'm saying.
Speaker 5 (38:18):
I appreciate that part of it for sure.
Speaker 3 (38:20):
I was going to ask you now what you hit
a lot of your on tour? Now, what was it like?
Speaker 2 (38:22):
You know what I'm saying being on tour that's a
guest for somebody else in now. Like you said, you
to hear hot shoke, got everybody shout to you. One
of my favorites as well. What's it now?
Speaker 3 (38:30):
Yeah, one of the ones. What's like you know what
I'm saying.
Speaker 2 (38:31):
Like you said, having all those responsibilities and having to
go out there and do your set every night.
Speaker 5 (38:36):
Oh, it comes with it, you know what I'm saying.
Speaker 1 (38:38):
It's what it is. It just like y'all like y'all hooping, bro,
you feel me? Everybody on the road every day. Whatever.
Speaker 6 (38:44):
I don't know the whole process, but I know like
it's the same set of things. You just got to
make sure you stay on top of it.
Speaker 5 (38:49):
As far as like.
Speaker 6 (38:51):
How I was claiming, like I don't know, it's kind
of taking care of yourself, not even kind of you
have to take care of yourself.
Speaker 5 (38:58):
Everybody's down there like a part. You know what I'm saying.
Speaker 6 (39:00):
It's like you bringing the party in the tool bus
to another city every single night. You are the entertainment.
Speaker 1 (39:06):
You have to make this thing.
Speaker 5 (39:07):
So it's like usually I wake up show, they I
try to work out.
Speaker 6 (39:12):
We got in so early this morning, I couldn't really
work out to offset the night before, like getting lit
and all of that.
Speaker 5 (39:19):
That's how I'd be trying to like balance it a
little bit.
Speaker 6 (39:22):
But for the most part, it'd be like take care
of yourself, make sure the crew and everybody, you know
what I'm saying, good hotels, y'all eight, and then so
they can do their jobs. And then it's me like
putting on the best all I could because I know
the open I know everybody's going before me, Liken the
special guests, and then we got two openers. I know
they're gonna kill it, you know what I'm saying. So
(39:43):
I ain't even really worry about the artists, but for
the most part, just making sure you'll crew morale.
Speaker 1 (39:46):
Like that's why I was saying, like we might need
to go hoop, Like I was thinking about that. We
did take the crew. You just need to go hoop.
Speaker 6 (39:52):
Get the vib up, you know what I'm saying, the
vibs up, because it be litter every night, but at
the same times away from home, our kids and all
that stuff, so.
Speaker 1 (39:59):
It'll be a whole up.
Speaker 2 (40:00):
That's when I ask you said you on the thirty
six days, I imagine ain't too much days in between.
You'll get to leave or go back to your family, y'all.
Like living literally on the road for two months at
a time. Especially you said people got kids, girls, wives,
family audio above.
Speaker 1 (40:11):
I know that's a lot draining mentally, and so I
have to go to your job.
Speaker 5 (40:14):
Yeah, it is, it is.
Speaker 1 (40:17):
It is with me.
Speaker 6 (40:18):
I just brought my little one, you know what I'm saying.
Brought shot in and my little on the road for
like a week or so. He too, He was terrorizing everybody,
smoking all the blessing but it was a good time.
Like so stuff like that, being like blessing up the
brain like family on the road, but for the most
part is definitely taxing because you ain't gonna see things
(40:39):
for months. You miss holiday's, birthdays, events, whatever.
Speaker 1 (40:43):
I'm ready, you know what I'm saying. You ready, I'm ready.
You're ready to miss you You're ready to miss it.
Hit the road. I'm ready so that that next leg
in March, I'll be ready. I'm ready should push up.
You know what I say, face my family life. I'm
ready to go to the big three weekends in the
road and I was cook days the road back back
(41:10):
to the NBA's Now, what's that like? Bro? What's that process?
Speaker 3 (41:14):
Like? Go ahead?
Speaker 4 (41:15):
The NBA easier than that though, like cause we get
to go home at third game, almost like you got
a road trip. The worst is like you got like
an eighteen day road trip. Okay, now that could be bad,
but that's what you do. Yeah, that's eighteen We messed
up for.
Speaker 1 (41:28):
Eighteen days, like day sixteen. Everybody like.
Speaker 6 (41:33):
You gets like that at the last week or tour,
I would say, But also, it' be so fun because
every night these people are super excited to see you.
Bos energy out of the rule, niggas, drunk, niggas is hot,
niggas is sober, it's people crying, it's kitties being signed,
match pitting.
Speaker 7 (41:53):
Bro.
Speaker 1 (41:54):
It was last night Rock and showed the video. Dude,
I gotta get on tour. So I just got the
video this morning.
Speaker 6 (42:02):
But dude was hanging off the balcony with one hand, Bro,
like trying to die, trying.
Speaker 1 (42:09):
To make me be on. Hold on, No, it was
not cool. Bro. I was like, Yo, that's a major
insurance liability. I gotta cover again. Saint Louis is a
wild city to look at this, Bro, what the fun? Bro? Death?
Speaker 4 (42:36):
Bro?
Speaker 1 (42:37):
That is straight death. Bro, hold on, hold on. Bro
just showed him a little just pointed out for him.
Speaker 3 (42:42):
Bro. Bro was comfortable.
Speaker 1 (42:49):
I ain't gonna lie, Bro, this this is how crazy
it shows me though. Bro, this is you know, let's
look at the lights, let's listen to the music. You're
gonna make me jump off the small especially if I
got that oil.
Speaker 6 (43:04):
That's because like, even me being a lyricist, you know
what I'm saying, Like, it's still get litten at me.
Speaker 1 (43:13):
You know what I'm saying, still get crazy. That's hard, Bro.
That's that was the Saint Louis who Louise on Center.
I can't wait to see you because I haven't been.
I don't think I performed before knowing that I've never been.
You're gonna get love for show Bro facts that definitely
City support me. Ain't hanging. Look, you gotta work Show
(43:45):
City for sure for the show. I want to ask you.
One of my favorite songs off for one of your
projects is work. Yeah, that's my ship man who produced
that because you went crazy on that. Motherfucker my dog.
Speaker 6 (43:57):
Plus he did h plus he did sem of them,
several of them for Yeah. He's amazing. He with drummers
Mike will and all. He literally like one of my favorite.
We actually got a Grammy nomination together with Newdy on
Down Bad.
Speaker 3 (44:15):
Yeah.
Speaker 1 (44:15):
He produced Down Bad two.
Speaker 5 (44:17):
He called off the Revenge project out of Time.
Speaker 1 (44:20):
Yeah, tap into him. Now you performed that one onto a.
Speaker 5 (44:24):
Show for Shure that go credit that night too, bro
In then it is one of the songs at the end.
Speaker 1 (44:29):
Yeah, it goes crazy.
Speaker 6 (44:35):
Because we're taking through a little experience because like bro,
this is my fourth album, so it's like I got
a catalog to perform.
Speaker 5 (44:40):
So now doing our fifteen minis what I'm saying.
Speaker 1 (44:45):
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Speaker 8 (45:38):
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Speaker 3 (45:50):
Man, listen, you got there for hours.
Speaker 1 (45:54):
I was losing, and you be rapping, rapping to That's
what I said, And that's why I love work. But nigga,
I can't you wrap too fast?
Speaker 3 (46:07):
You know what I mean?
Speaker 1 (46:08):
Let me give him a simple hook, bro, because I'm finish.
Just do That's all I said. You startpp get quiet
because you we're crazy.
Speaker 6 (46:19):
That ship be coming from like an athletic background, bro.
Ship Like when I be listening to my ship, I
be working out and ship, you.
Speaker 1 (46:25):
Know what I'm saying.
Speaker 3 (46:26):
So that makes a lot of sense.
Speaker 6 (46:27):
Now, that makes you know what I'm saying. Like damn,
like you hear these songs like oh, nigga, I can
work out to this. You can listen to this whole album.
You can listen to a shoffl my catlet Bro. It's
mostly get your life together type of music.
Speaker 1 (46:40):
Be athlete.
Speaker 6 (46:44):
Around like, move around, be physical like you know what
I'm saying. I grew up like that, so I feel
like that ship like it zoos my music. I don't
know if people catch that all.
Speaker 1 (46:50):
The time because you with you versatile though you can
wrap on some slow ships and fast ship. Yeah, you're
definitely all around. My brother.
Speaker 2 (47:00):
One of my favorite underrated compos is You a Little Hair, y'all.
Y'all made slabs broyeh.
Speaker 1 (47:07):
But y'all, I got another one thing to come out
with him too.
Speaker 3 (47:09):
Yeah, y'all make is that twenty one?
Speaker 1 (47:11):
Yeah, little brother. They just from the same guy, you
know what I'm saying.
Speaker 6 (47:15):
The same then my boys and my boys man all
the twenty one said twenty one, goddamn newdie Hair, all
the boy good niggs.
Speaker 1 (47:25):
Y'all grew up around each other, or y'all met a
little later on, they grew up around each other. I
was like, down the street, gotcha.
Speaker 6 (47:32):
Okay, because Nigga, I moved around so much. I'm the
youngest of seven, so I stayed. I probably moved ten
times before I was like thirteen. You know what I'm saying,
Like a bunch of movement in my life. So I
stayed off mcafeel, I stayed on Bottle Cris Flash Show.
I stayed in Stone Mountain. You know what I'm saying.
Speaker 5 (47:49):
I stayed a bunch of different places.
Speaker 6 (47:51):
A Rock Springs, you stayed on No, Rod stayed Stone
mount South Shine, the City, know exactly what I'm talking about,
all through East East London and east of it. It's
like a different family, that's what saying.
Speaker 3 (48:13):
Like he much more when I was.
Speaker 1 (48:15):
I stayed in I stayed on forty first and Grace.
Coming from a big family and coming from like a
church background, Mam and ship we want in the same
for Shure Bro because you got your I'm yeah my mom.
Yeah that cool cose. But it's a blended family. Yeah
I know, it isn't one. Yeah, it's all the same.
(48:40):
Oh yeah, my dad got a dad, get him right now,
get right. Well, I'm just my mom. It's a lot
of us. She had one. All of us came out
that one little hole. Okay, well you know our family
played around a little bit. Okay, understand the game. I
(49:03):
actually got a brother from us that was bro. If
you don't know something, Bro, I'm just saying, bro me
and you want to say wrong the family, he the youngest,
How was that being the youngest kid. Not really, I
ain't talking about on money. I'm saying I'm talking about
(49:24):
like the protection around.
Speaker 6 (49:26):
Sure, yes, blowing that route because you just watching you
And I'm the youngest, like detached by like five years.
Speaker 1 (49:32):
So they they said I was a mistake, Like they
didn't even know I was coming. Was a mistake.
Speaker 6 (49:41):
Bro.
Speaker 1 (49:41):
Bro my birthday and Halloween I was born.
Speaker 6 (49:44):
I think I was born on the side of the
road and they took us to the hospital because my
mom was punking and she.
Speaker 1 (49:50):
Had me on Halloween. So it was the hospital.
Speaker 6 (49:52):
Wow.
Speaker 1 (49:53):
But after being on the side of it was crazy.
You went through a lot. You had to be. I
was on the side for sure. That's crazy. You gotta
have a crazy Halloween party. I mean, I know you
(50:15):
tour right now. Yeah, you know, you know it's crazy.
It's a couple of days. I don't think I'm doing
I might stay here for real, but we go to
Iowa Nex Damn, we ain't gonna do that. We're gonna
we so high. I'm mad. I used to do a
(50:38):
Halloween party, used to be crazy. Allwe crazy the last
the last, the last party.
Speaker 6 (50:52):
Yeah, but I'm still decided I'm gonna just rock out
here or just you know, because flying back home, Bro,
it's that's gonna take me out of like this zone.
Speaker 1 (51:01):
And man, you know what I'm saying, Like, I gotta
stay on the road until or if you willing to
go out, Bro, I'll find you something to get into
the city. Bro, we got you. Bro, that'll be hard.
I'm sure it ain't got being crazy. I really did
go to the studio, y'all know the studio, just really
rock out because I'm working on I don't know if
(51:22):
you'll wrap Look come on ian J boys, Bro, go
come on, bro, I can I can find the studio.
We could get in that boy fucking y'all ain't got
no wrappers from I give you a couple. I know
(51:43):
what some I ain't trying to hate.
Speaker 4 (51:45):
Shout shout brother lean the baby's.
Speaker 1 (51:52):
I'm gonna check them out.
Speaker 2 (51:54):
Yeah, we got we got like more of an underground
scene in the city. That's just getting to that point.
But we got some people been around doing that thing
for long time, you know when because.
Speaker 1 (52:03):
Rap always been so regional.
Speaker 6 (52:05):
The fact that it's not like a prominent like name
name from this area, that opened up the door for
you know what i'maying, becausehen niggas pop out from diferent areas.
Niggas want to know y'all lingo. Niggas want to know
who you are type ship. So if somebody do it
the right way and it's gonna hit in a different type.
Speaker 2 (52:21):
Of way, mm I like that, Yeah, I mean a lot,
but especially like in Atlanta, Like I think that's what's
so dope about y'all city is that, like the sounds
is the time you can always put name and faces
to the airs and stuff and the energy behind it.
Speaker 4 (52:33):
But like just for you to have your own lane.
And like, what was that like for you rapping with
eminem Bro? Yeah, sure hard, it was crazy.
Speaker 1 (52:44):
And that song we did that ship a couple well,
we got two reps.
Speaker 6 (52:47):
Yes, the one recently was just like a cold plunge,
Like you listen to it once you're like, Okay, I
got it. But the first song that we did together,
we're super special because I ain't expect the call.
Speaker 1 (52:57):
I thought it was kind of cat when it hit
me like, hey, in one a verse, you know what
I'm saying.
Speaker 6 (53:01):
The person I that said it was respectable, But at
the same time, I'm like, I ain't speak to him,
like you know what I'm saying, the whole collaborative thing
that come with artists artists type shit. So I eventually
got to beat and I just wrapped to them, motherfucker,
and then I sent it back to him, and a
couple of years later, that bitch just came out. We
had conversations and stuff probably to it, but it came out.
(53:25):
I heard his verse after mom was already laid type shit,
and I was like, Oh, this is actually kind of legendary.
Speaker 1 (53:30):
You know what I'm saying.
Speaker 6 (53:31):
This is how it is on this list, this level work,
and I don't know, It's just cool, bro, because that
was like somebody I looked up to look up to
to this day, on some like legendary store, like rap shit.
Speaker 1 (53:40):
That's what you said that because I heard Offen say
that Bodies was maybe like a year or two old.
Speaker 4 (53:44):
But when you hear that shit, that sounded like y'all
just went in to boop and spent that shit, bro music.
Speaker 1 (53:48):
It could be it could come out in a week
or it could be years.
Speaker 5 (53:52):
Bro.
Speaker 6 (53:52):
It just depends on the facilities, It depends on how
that shit gets put together, depends on the producer agreements
and potent the artist, the labels. So much little shit
that goes into one song going out or even not
even mentioned like a body of work, like a full
album like that. Yeah, we did that song and hungs
Out China game. Wow, we had a festival, hungs Out China.
(54:13):
We did that shit in the hotel room for show.
Damn made some tweaks on it afterwards, but that's where
it was like perceived that that's crazy.
Speaker 1 (54:21):
I can't believe music take that long to come out
two years it could be. Did you forget about it though?
When you did that versuon like.
Speaker 6 (54:29):
For show for show, And I don't even think I
really liked it at the time I heard it because
as an artist, like every day you growing, you think
it's better, better, like you're trying to practice to get better.
So at the time I'm like, damn, I could have
gave them something a little harder, But it turned out
like that shit did good.
Speaker 5 (54:45):
You know what I'm saying.
Speaker 6 (54:45):
Shit did billboard All of the things you want your
music to do when you drop song or being a
part of a album, so that she did well, like
and that's just been the case of I don't know,
just a case of how that shit is like when
you when this shit kind of meant to be?
Speaker 1 (54:59):
Is there anybody you want to work with that you
haven't worked with before, just like the bees Niggas maybe
like like whole you know what I'm saying. I love
Jay mm hmmm, producer to.
Speaker 5 (55:10):
Be crazy producer. Me and Metro got some ship we've
been working that's listening.
Speaker 1 (55:15):
I love working with to Bro.
Speaker 5 (55:18):
We was in St. Louis last night.
Speaker 1 (55:20):
Who else hit Boy?
Speaker 6 (55:22):
I fuck with hit Boy, but that ain't nothing. I
could make a little call, but I do want to
work with him. Alchemists, Alchemists will be Yeah, that'd be
a song produced by him on Freddy album.
Speaker 1 (55:34):
Yeah, I was on there and that was like.
Speaker 6 (55:38):
But also me and Alchemists got some ship that I
need to god damn put out, but it ain't out
to the world.
Speaker 5 (55:43):
So he's just like my wishless type ship.
Speaker 3 (55:46):
He won the hardest working people I've seen earth.
Speaker 4 (55:47):
He got a project out every other month, and that
ship is far too every time jeans.
Speaker 1 (55:52):
How many songs you got sitting in the chamber, Man.
Speaker 6 (55:55):
No, I'm loaded. I kind of got damn be on
some over things. Ship sometimes I got a lot of
ship that you know what I'm saying? That be the
bullshit right there?
Speaker 1 (56:01):
As an artist, I ain't gonna lie. You keep making ship.
Yeah you ran out, bro. I don't like it when
y'all don't put the ship out. The reason, bro, like
your is your art. I get it, But I'm like
us as just fans of just music, like in the
Tcher spin it's so low. But I'd be feeling like
(56:24):
when y'all hold on album, it'd be like or song.
I feel like you got like at least a whole
album raw if you just dropped it today, Yeah.
Speaker 6 (56:32):
That'd be a I don't know. The overthinking thing is
an artist, bro? That ship just come with the territory sometime. Yeah,
it comeled the territory.
Speaker 1 (56:40):
And don't I don't even know how to quit that.
Speaker 5 (56:41):
How would I equate that like to like a sports
what's name?
Speaker 4 (56:43):
Like?
Speaker 3 (56:44):
What would be over it?
Speaker 1 (56:45):
I don't even know. It's like not shooting the ball
when you can go get thirty to practice. That sounds
so bad that you put it like that. It's forty five.
But I'm gonna sit your hands down. If you ain't
gonna shoot the ball. What I got you out there for.
If you ain't gonna shoot, Damn, they're gonna clip every artist.
Speaker 3 (57:09):
Bro.
Speaker 5 (57:09):
Shoot the ball, bro, bro now.
Speaker 1 (57:13):
But I'm just trying to think, like, how y'all think
of songs?
Speaker 6 (57:16):
Bro?
Speaker 4 (57:16):
Like it's some people like you said, you probably got
one hundred, two hundred, three hundred songs, probably more than that, but.
Speaker 1 (57:20):
They got more than that. Like, how bro, how y'all
thinking the songs I would have? They suck? You know,
she could suck. Sometimes as as an artist, you're throwing
painted a wall.
Speaker 6 (57:31):
So sometimes they probably ain't not the part, sometimes not
that confident in it, or sometimes you just I don't
it be a it's a pleasant thing, bro.
Speaker 1 (57:41):
I'm just thinking, like the concept and you're just saying
make it here to beat, and then I gotta split
up part of that and like not recycle nothing. Yeah,
that ship is just it's repetition. Boy, I've been recycling
how they said the same bar roll play.
Speaker 6 (58:04):
No way bro, And the fact that you remember to
perform because you be rapping, rapping, too, it's a it's
a gift. It's a gift. And then just like harnessing
in on that ship, bro, it's not like no regular ship.
Like I know, everybody can they say everybody can rap,
but it's a certain level. It's it's it's levels to
everything like niggas. You know what I'm saying, it's forty
(58:26):
seven YU football right now.
Speaker 1 (58:30):
Levels like so that is so impressive. Now unless you're
talk about the lead, you're gonna tap in. They got the.
Speaker 5 (58:39):
Up.
Speaker 1 (58:39):
Everybody includesives. That's all.
Speaker 6 (58:41):
World is just all inclusive. Now you know everybody crazy
like they got gonna work out, they're risking.
Speaker 1 (58:48):
It five yards. Now, how do you know what to
put out though? Team? You know what I'm saying. It
comes within the team.
Speaker 6 (58:59):
And then if I feel super confident about something like
I'm gonna put it out type of shit.
Speaker 1 (59:03):
All right, that's really all bro. It goes how you
feel in your team.
Speaker 6 (59:08):
And then of course, like when I say team, I'm
thinking like management blah blah blah. That's like more the
closer internal team. And then you got the label and
stuff like that. Now the label they dictate certain things,
but they bottom line is make money. So if you
want to put some product out, you can get that
shit out unless it's just like not fine, And that's.
Speaker 5 (59:26):
That's a case by case scenario. It just depends on
like a personal perspective.
Speaker 1 (59:31):
This would be my question to the rappers. Answer honestly, bro,
how do you feel about people getting help with they
paying ghost riders and stuff? Yeah, rapping specifically rapping not
giving you a hook saying Jed, I wrote this little
bar for you, put it in there, or I give
you four bars. You're gonna take my four bars if
(59:53):
they fire? Are you gonna hate on me and say
no want it.
Speaker 6 (59:57):
Me? I'm been in sessions where nigga like I have,
I have the verse going and it ain't finished.
Speaker 5 (01:00:09):
You know what I'm saying. Nigga say like, hey you should.
Speaker 6 (01:00:14):
I might try it and change, just like all right, change,
But I don't know. Music happened in so many different ways. Bro,
you can't really like ship on the idea if niggas
in the room, if you're in the room full of
trusted God damn, you know what I'm saying, trusted associates,
You might use that that that ain't a nigga writing
(01:00:36):
for you, That ain't nigga writing for you.
Speaker 1 (01:00:37):
A nigga would have quick little you know what I'm saying,
singer right quick? That a fit right there?
Speaker 6 (01:00:42):
That ain't right for you, That's just that's studio vibes.
The nigga got them, getting you the whole layout.
Speaker 1 (01:00:48):
Blah blah blah blah blah. Then say like this like
this this, I.
Speaker 6 (01:00:52):
Said, up, that's that's places flavoring. But no a line,
I'm gonna say, no, that's cool.
Speaker 1 (01:01:00):
That So if i'd be like Dowstead, ask like your
friend due and you put that in your ship, do
we write it together shout out to belly, you might
get a little puff, not just for always.
Speaker 2 (01:01:20):
Like because everybody's respecting what that is different G B
t raps is not probably having for lots of because
I know R and.
Speaker 1 (01:01:26):
B singers get treated different than rappers. And I always
kind of wanted to know, like, Wow, what does it
matter if the song is far? Yeah, I'm a song
far so far, it's the bottom line for you.
Speaker 5 (01:01:36):
That really the only thing that matter for if the
music hard, she could Okay.
Speaker 3 (01:01:41):
I want to ask you this question.
Speaker 2 (01:01:42):
I always ask performers what's more for making the music
or actually going to stage and performing it.
Speaker 6 (01:01:49):
It's kind of both for real, It's just different things,
you know what I'm saying. The creation process in itself
is like once you get it down, like you feeling
the vibe you got damn got the right production, da
da da, the words coming to you good. That's like
something you really can't compare to anything. It's kind of
like the best feeling ever when you just feel like, oh,
I know this, you know what I'm saying. I know
(01:02:11):
a couple songs that I've a lot of the songs
that I put out like I felt like, oh shit, okay,
this is this is fucking great, like let's roll. But
being on stage also and seeing people let those words
that you wrote in that session take up their mental
space and they know these words and waiting for you
to perform it and foaming at the mouth for you
to say this next line. That shit like that connection
(01:02:34):
right there, That's what the world is about. They say art, like,
what was the thing?
Speaker 1 (01:02:43):
Say?
Speaker 5 (01:02:43):
Art paint something in music paints time or something like that.
Speaker 6 (01:02:47):
I can't think about what art paints some life. Art
paints life and paints time something like that. I just
read that shit this morning and I was like, damn,
that's kind of like genus. Hell, you know what I'm saying.
I don't know, I don't know. I'm I'm just mad rapping.
Speaker 2 (01:03:05):
I just imagine, like I mean, you know, saying we
got some for instance, rappers, just watching him cook on
saying it's like drop watch somebody drop thirty like everybody
crying fifty bro, Yeah, I only wanted diminished, like dude
hanging off the rafts with a bear in his hand.
Speaker 1 (01:03:18):
That's the fifty ball. Yeah, bro had the time of
his fucking life. Made it home safely. I suppose like that.
Speaker 5 (01:03:25):
She's great.
Speaker 3 (01:03:26):
Yes, he did, for legal purposes. He went home.
Speaker 4 (01:03:28):
He got you doing the where he went he went home?
What did sure you found him?
Speaker 8 (01:03:32):
Yeah?
Speaker 1 (01:03:33):
Okay, where we're at with it about the blinders?
Speaker 3 (01:03:36):
All right?
Speaker 1 (01:03:36):
Shout out to the production team. Damn, that's a bar,
that's what it is.
Speaker 3 (01:03:43):
Yeah I said that.
Speaker 1 (01:03:44):
Yeah I read that. I butchered the phrase. I always
do that ship, but I definitely remember the intention. You did.
How you like how you do my wrap? You you turned?
You try a rapper?
Speaker 3 (01:03:56):
That's what he gets you right now, You're about to
be real Timbulu Tour.
Speaker 1 (01:04:00):
Don't sound too bad with you.
Speaker 3 (01:04:02):
God damn push up man, Come on, is high? Bro?
Speaker 1 (01:04:05):
Crazy? I just can't believe they go for a whole
they don't go home. Bro. You see how it was
after we left Atlanta, like boys, we had five days off.
Speaker 6 (01:04:15):
Bro.
Speaker 3 (01:04:16):
In between came chilling niggas.
Speaker 1 (01:04:19):
Talking about going out, Like Nigga, we just went out
last week. I was traveling, playing playing.
Speaker 6 (01:04:27):
Oh that's the worst. Oh you think a tour bus
is way better? Hell, you got a bed in the backs? Man,
That bus put grown men to sleep like that, molde.
You know how it is now think about the tour bus.
But you got a bed and there's twelve months in there.
Niggas in the front of the two K automatic. Nigga
(01:04:48):
got the two K the matt Are you racing or
they're on the f one or something like.
Speaker 3 (01:04:51):
Yeah, Bro, it's a.
Speaker 5 (01:04:52):
Whole refrigerators, food, everything you need on that.
Speaker 6 (01:04:56):
And then like like I said, my bid is in
the back, and like I'll be laid out watching the movie.
Speaker 1 (01:05:04):
You know what, I'm playing games everything, I'm talking to
fans and stuff like that.
Speaker 6 (01:05:07):
He's way better experience in back your bags, taking your
shoes off the computer, felt.
Speaker 1 (01:05:15):
Say ten minutes of this ship driving from here to
God damn, l A is crazy. You're not driving, You're
not driving no gas. You still.
Speaker 3 (01:05:27):
This is mister first class.
Speaker 1 (01:05:31):
I'm Trichy.
Speaker 6 (01:05:34):
Chicago's different, but I'm telling you it was way better
the way.
Speaker 1 (01:05:40):
I don't know about that. You stopping here, You stopping
in this city? Oh boom yeah yeah, not sprinding, bro,
I'm talking about strape tour bus. You ain't on your
back muffle rope. But yeah, like on the like the
big like the old women, now the big boys.
Speaker 6 (01:05:57):
Not like the old cash money busses. And she's like, yeah,
real right down the street. You need, bro, you gotta
see what you gotta see this.
Speaker 1 (01:06:03):
I want to live. We gotta push, gotta want experience. Yeah,
because I'm really trying to get up for March.
Speaker 6 (01:06:13):
And you you go to Europe's deckers, bro, like you
see London, you double.
Speaker 1 (01:06:24):
That's how the tour buses.
Speaker 3 (01:06:25):
This game.
Speaker 5 (01:06:27):
It's the best experience.
Speaker 1 (01:06:29):
You make tour sound cool. Everybody else I talk to about,
I mean, you know, you gotta do it like it's
like ship is amazing. You said another day another dollar,
Come on, we gotta do it. Hell no, I love
to it. Bro, I don't know who'll be saying that ship.
I ain't gonna call nobody out what I'm saying. You
make it real exciting though, ever, go ahead, Bro, obviously
(01:06:53):
that's that may be the double decker in your right.
Who is this? Ru's me and okay shout him. He
got got he got that being wrapped. Something going on
my ship is one color the wrong but right up.
(01:07:15):
So yeah, you open it up and this little mirror
pop out, brot from the seat, sit down now, I'll
be saying that when we pull off the concert that
was fall the ship, the drums and ship, I thought
that was like all the equipment and all those be
Actually we'll be actually having like trucks for that, like
the bill old Max truck for that. Wouldn't you be
(01:07:37):
sleeping and that would be the crib for.
Speaker 3 (01:07:38):
The like even when we go to w W E.
I thought that stuff was like production team.
Speaker 1 (01:07:44):
That wouldn't even live in. Bro.
Speaker 4 (01:07:46):
That's why when I see the little heels get clicked
behind that bus.
Speaker 3 (01:07:51):
The bob just hot, I want to check it.
Speaker 1 (01:08:00):
I'm checking out.
Speaker 3 (01:08:02):
Here to her life man.
Speaker 1 (01:08:03):
All the way.
Speaker 3 (01:08:03):
We gotta get it going, Broly absolutely man, big dog.
We appreciate you. Slidings man.
Speaker 2 (01:08:08):
Please tell people that can find you man, tap in,
tap in, get them tickets. My dog is still on tour.
Speaker 1 (01:08:13):
I'm on the road.
Speaker 3 (01:08:14):
Bro.
Speaker 1 (01:08:14):
You find me. Bro, you look on y'all got the stuff?
Speaker 3 (01:08:18):
Come on, Yeah.
Speaker 1 (01:08:30):
Here working Yeah yeah, yeah, we're still working.
Speaker 4 (01:08:34):
That's a good man, respect man, god like out out
man tap in, appreciate you big doun signing on this
man for show. When my time but boot smoke you
know the vibes. Get you that new IPHO seventy team
boost mobile. Yes, what's going on?
Speaker 1 (01:08:53):
Yeah? Spinning? Yeah time, be honest.
Speaker 4 (01:09:00):
We're paying the bills. Baby out here you go with
that shit manro listen. We appreciate y'all. Like your subscribe.
We'll catch out next time. Club five twenty The Volume