Club 520 - Joe Johnson, Roscoe Dash, Pour Minds, DJ Drama ATLANTA LIVE SHOW - Club 520 Podcast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
The man.

Speaker 2 (00:05):
Listen.

Speaker 3 (00:05):
You know what Tommy is. Boostmobile Club five to twenty.
We tapped in.

Speaker 1 (00:09):
Listen.

Speaker 3 (00:09):
We're here to tell y'all you need to get a
new phone. Tap me with bootsmoble.

Speaker 4 (00:13):
Man.

Speaker 5 (00:13):
They got that new iPhone seventeen.

Speaker 3 (00:15):
That's right, the new iPhone seventeen ready for you to
get and listen.

Speaker 5 (00:19):
If you want it, they'll pull up on you. Talk
to them be here.

Speaker 1 (00:22):
Yeah, I'm going tomorrow to get mine.

Speaker 6 (00:23):
Man, it's time I need to upgrade immediately, man, tap in.

Speaker 3 (00:27):
Yeah, they'll pull up to your crib. You don't even
got to do. No, you ain't gotta go tap in
with the stores or whatever. They'll have the phone, come
to your crib. Boostsmobile pull to your crib and get
everything situatedbile for real. Yeah, it's mobile. They're getting active.
Listen many way.

Speaker 6 (00:42):
They pull on the hold on, hold on way they
pulling up Boostmobile. Pull on my new iPhone seven at
the crib. You ain't gotta leave, man, come on off
the couch with it. Listen to step code.

Speaker 2 (00:54):
You know what I'm saying.

Speaker 3 (00:54):
When you get a new phone, the worst part is
transfer your contacts and pictures and message all that.

Speaker 5 (00:58):
You ain't even gotta do all that. They're gonn handle
that for you.

Speaker 3 (01:00):
Just tap in listen, man, the most powerful I phone ever,
iph one seventeen. Bootsmobile got you and he gotta leader crib.
They gonna break your phone transferred for you. Man, what's
what's excuse not to get it?

Speaker 1 (01:10):
Be here?

Speaker 6 (01:11):
I ain't no excuse, especially they pulling on to your
door with I never know other providers ever?

Speaker 2 (01:15):
Did that come on? Man? Or step service?

Speaker 1 (01:18):
Wow, that's definitely new man, it's tight.

Speaker 2 (01:21):
Yeah, shouts of bootsmoble.

Speaker 1 (01:22):
Man, I forgot where we got a pull?

Speaker 3 (01:24):
All right, man, I think the bobs is right now, ladies,
how y'all doing tonight?

Speaker 2 (01:27):
Man makes a noise for four miles in the building
one more time.

Speaker 1 (01:30):
God damn it.

Speaker 2 (01:31):
Y'all First and foremost, we appreciate y'all pulling up? How
y'all doing?

Speaker 1 (01:35):
Y'all going crazy?

Speaker 2 (01:36):
Right now? How's life? Hooy?

Speaker 4 (01:38):
I don't worked up a little sweet?

Speaker 7 (01:40):
Y'all know I got a bad kneed.

Speaker 3 (01:42):
Shit all right, man, we're gonna have some fun to
kick it off with the show. We're gonna play poor
or pass. I'm gonna see how y'all feeling about the questions.
You let me know if you're pouring it or if
you passing. The first thing's first for you.

Speaker 2 (01:53):
Me and be here.

Speaker 3 (01:54):
Uhh, y'all. Two favorite drinks poor past ian j or
taylor Port.

Speaker 8 (02:01):
Taylor Port of course, because we ladies, we gonna drink
a little wine.

Speaker 1 (02:07):
Taylor Reporter is a wine no drinks.

Speaker 8 (02:11):
They both wind no drinks, but out of the tool,
I'm gonna choose taylor Port.

Speaker 7 (02:16):
And also that's our sponsor.

Speaker 2 (02:20):
Respect disrespecs.

Speaker 3 (02:24):
They mustn't heard the song, but which I don't know.
It's my boy he sponsored by NJ. He got a freestyle?

Speaker 4 (02:31):
Who got a freestyle?

Speaker 7 (02:33):
I gotta here.

Speaker 1 (02:34):
Now it ain't available. It ain't a chill loud, chill loud.
Let's move on, move it along, move it along.

Speaker 3 (02:42):
Shout to copyright man. We're gonna get the freestyle leading
up for y'all for sure. Next question, if you met
a man he's cool, the vibes is right, but he
happened to just live with his baby mama?

Speaker 2 (02:52):
Is that poor or.

Speaker 4 (02:54):
Past past past? He lived with his baby mama?

Speaker 2 (02:58):
Their roommates right now, they just figure it out now because.

Speaker 8 (03:00):
If their roommates still let me know, he don't need
to be trying to talk to me.

Speaker 6 (03:04):
What if he about to move out though? What if
he about to move out? No, I'm saying maybe maybe
they just broke up. He would give your scenario fuck it,
And I know this happened all the time in atl
So do a nigga break up with this girl, right

(03:28):
and then he's still living with her, all his ships
still there. But it's God's take him out? He mean, legs, how.

Speaker 2 (03:36):
You doing take me through that?

Speaker 9 (03:37):
Take me?

Speaker 1 (03:39):
You know what I mean? It's fresh? You feeling no?

Speaker 10 (03:43):
The reason I'm not because if I was a baby
mama and my baby A's to live with me, we
still fucking we still sucking.

Speaker 6 (03:50):
Not on the first day of the break up. What
if I'm really tired as though? What if I'm really
tying for real? Here a dude literally like, what is
his time limit to move out? Or it's just an automatic?

Speaker 2 (04:03):
No?

Speaker 4 (04:03):
Why would he not move out immediately?

Speaker 2 (04:05):
You know?

Speaker 1 (04:06):
It's just fresh. I just told her I don't like her.

Speaker 8 (04:09):
No more today, okay, And so you should be out
of there tomorrow, okay, rispect unless unless y'all gotta split everything.

Speaker 4 (04:19):
And that's why you need to stay.

Speaker 1 (04:20):
Okay, what if I got to stay to the lease
is up?

Speaker 7 (04:22):
Huh?

Speaker 1 (04:23):
What if it's three months left on the lease.

Speaker 8 (04:25):
Then you can still move out. If it's only three
months left, that ain't say long? Feel help up with
the movie?

Speaker 6 (04:33):
So y'all, don't they don't have no grace? DJ What
you got next?

Speaker 2 (04:37):
Question? Poor past?

Speaker 5 (04:40):
If you hit your line and say he going teague
time tonight?

Speaker 1 (04:42):
Oh lord.

Speaker 3 (04:45):
Wait if you're going to tig time tonight, don't you
don't know what time is? Uh?

Speaker 4 (04:51):
Uh?

Speaker 2 (04:52):
Take me through that?

Speaker 11 (04:52):
Take me through that, yo, show up?

Speaker 2 (04:59):
Listen? No draws, Jersey, no draws?

Speaker 7 (05:04):
We need a poosta like what to be talking about
with like nothing on the.

Speaker 4 (05:10):
Bottom and who you are?

Speaker 12 (05:12):
Me?

Speaker 4 (05:12):
The man of me?

Speaker 13 (05:13):
No?

Speaker 1 (05:15):
How cool with a little winned.

Speaker 4 (05:16):
The poostle.

Speaker 6 (05:19):
For you don't want no nigga walking around your house
with a T shirt and no draws?

Speaker 4 (05:28):
Ain't mad at it?

Speaker 8 (05:29):
Didn't I just say that on the song Trading Places.

Speaker 1 (05:34):
She Trains.

Speaker 2 (05:38):
Were about to have some fun and were Barbie Man,
we need some more drinks up here, right?

Speaker 1 (05:46):
Oh oh that's what damn big I love?

Speaker 4 (05:51):
And what's up Atlanta? Yeah, okay, let me do my job.

Speaker 1 (05:59):
Hold on what we got today time?

Speaker 4 (06:02):
Oh, we ain't got no pennies on, I ain't got
no pennies. We got no penny the walk drink this tray.
I can carry the squirk because she.

Speaker 8 (06:15):
Ain't got nothing off for real, silly man, you about
to drop the play.

Speaker 2 (06:23):
Be in the wrong city, be saying that. Okay, we
got you.

Speaker 7 (06:28):
Now that's talent.

Speaker 1 (06:30):
He's gonna let it.

Speaker 3 (06:30):
Drink.

Speaker 2 (06:31):
It's okay, want me to hold some man reached them
in there, brother yourself.

Speaker 1 (06:36):
That's how they getting into them game.

Speaker 2 (06:37):
We got we are our business.

Speaker 6 (06:41):
That's how they getting into them games. Do motherfucking dose
between their legs.

Speaker 4 (06:50):
I didn't bring be here no drink. He got a
whole bottle over here.

Speaker 1 (06:52):
Okay, respect glasses on.

Speaker 4 (06:55):
He already faded.

Speaker 3 (06:56):
Putting up all right, Well, barbies up here, we're gonna
have some fun. We're gonna ask you this too, poor
a past. If a man hits you up, he said
he want to take you out to eat. He ain't
gonna tell you where y'all going. And when you get
to the destination you find out it's Texas row house.

Speaker 1 (07:08):
Nigga, don't do answer the fucking question.

Speaker 2 (07:10):
No nigga, don't do that.

Speaker 3 (07:12):
Let the old ladies answer this question. Poor or past?
Are y'all something rolls?

Speaker 8 (07:23):
Is it an option for that to be pre dinner
because I will get the rolls and then we can
go to dinner for real.

Speaker 1 (07:31):
So so basically what.

Speaker 7 (07:35):
It's crazy today?

Speaker 3 (07:36):
So we're supposed to go somewhere else after text row House.

Speaker 2 (07:39):
That's there.

Speaker 4 (07:41):
We can take a few shots, get some rolls, fill
ourself up on their bread.

Speaker 2 (07:45):
If you get shots to text row House, the police
are on the way.

Speaker 4 (07:52):
She said, a pre where are we going afterwards? Your
first date? This is your first date?

Speaker 2 (07:57):
She gonna go to.

Speaker 7 (07:58):
Little Alley, Little Alley. But me, I'm not wrong, Bi.

Speaker 4 (08:07):
Yeah, heir rodal steak. It ain't gonna be med aslects
when the last one, the last time you ate it textas.

Speaker 2 (08:18):
Long business exactly fine, Donna.

Speaker 6 (08:22):
When you hear what I got a question, what's your
biggest I in the man, don't do that now, ship,
I ain't mean that.

Speaker 4 (08:32):
Be super braggy when you first meet.

Speaker 1 (08:34):
Them, super braddy.

Speaker 8 (08:35):
Yeah, just bragging and bragging about what they got they
did for others.

Speaker 4 (08:41):
Yeah, just show me, do it. If you really who
you say you are just show up.

Speaker 2 (08:45):
And we be lying.

Speaker 4 (08:47):
You're saying, what.

Speaker 3 (08:50):
The fu?

Speaker 2 (08:51):
Yeah, like a month here, that ship was Michael Core's.
But ship you talking about.

Speaker 1 (08:59):
It can take your shopping on the first date?

Speaker 9 (09:01):
Yeah?

Speaker 4 (09:02):
No, of course.

Speaker 11 (09:08):
And do.

Speaker 6 (09:10):
Lord no, Well some girls I asked, they said, that's
not like respectful to take a woman out the gate
to the man because they say you're supposed to be
in their quarter.

Speaker 1 (09:20):
I ain't doing that.

Speaker 2 (09:21):
I did.

Speaker 1 (09:28):
Yeah, alright, Barbie said it on my mom never ever
ever we talked about it.

Speaker 14 (09:39):
The pigmy bitches that was up under our post, like
no Texas roadhouse for our first date?

Speaker 2 (09:43):
Is good for you?

Speaker 4 (09:46):
Money?

Speaker 3 (09:46):
On me?

Speaker 8 (09:47):
I mean, I feel like that's fine if it's within
that man's budget.

Speaker 3 (09:52):
I do.

Speaker 8 (09:53):
I feel like that's fine, like him taking his girl
to take this row house and clapping that ain't Yeah,
I didn't say that was my nigga.

Speaker 1 (10:02):
Okay, real quick.

Speaker 4 (10:07):
That's his budget and that's the man that you child today,
then that's what he can afford to do. Then you're
not cool.

Speaker 10 (10:13):
But I'm not.

Speaker 2 (10:14):
Why are you talking to Barbie like that? Because talking
my ass about it?

Speaker 14 (10:20):
Because I said I didn't want to go to Texas
row house.

Speaker 4 (10:22):
She said, yeah, they dragged me.

Speaker 1 (10:24):
What was the place for cheap day?

Speaker 2 (10:27):
What do we say?

Speaker 7 (10:27):
Listen?

Speaker 14 (10:28):
I said, one hundred dollars for two people is cheap
going out to eat?

Speaker 7 (10:31):
Do you agree?

Speaker 2 (10:32):
Yeah?

Speaker 3 (10:33):
Yeah?

Speaker 4 (10:33):
Hell no, spells sick.

Speaker 7 (10:37):
I can't stand.

Speaker 4 (10:38):
I absolutely feel yeah, and I feel like that is
cheap because that's just the food. We don't want to drink.

Speaker 13 (10:45):
Exactly.

Speaker 14 (10:46):
By the time we drink two or three drinks an
appetizer in our meal, we're spending one hundred dollars. Yeah,
one hundred dollars. And I said, me and my girls,
we spend that all the time. So the men is like,
oh no, then don't.

Speaker 4 (10:58):
I don't know, but I'm an alcoholic.

Speaker 1 (11:00):
The dollars is my drinks alone.

Speaker 2 (11:02):
All right, all right, let's bring it back here. Let's
bring it back in hell on, be like that in
our car, all right, poor past.

Speaker 3 (11:13):
The man is perfect. Y'all have a good time, y'all
go swimming. One time you find out he got a unit, he.

Speaker 4 (11:19):
Got a unit.

Speaker 7 (11:20):
Yeah, I ain't a man in fact, because I do too.

Speaker 1 (11:24):
Cheer cheer room.

Speaker 4 (11:28):
You know, I would only be upset because why you
ain't tell me.

Speaker 3 (11:36):
That?

Speaker 4 (11:36):
Why I gotta find out because it's floating in the pool.

Speaker 8 (11:40):
Like you could have told me that up pray and
I still probably would have dated you, but like, it's
weird that you wouldn't tell me.

Speaker 4 (11:46):
And then I'm finding out because it floated off.

Speaker 1 (11:51):
I don't know about floating off some of them. Some
somebody got some good units out here and.

Speaker 4 (11:54):
Some me in looks sexy ball like I don't know
what's with me and and like not wanting to writing
the ball.

Speaker 1 (12:01):
It's not giving. A man's biggest insecurity is his hair.
So if the nigga got there, I'm gonna ask you this.

Speaker 6 (12:06):
So if a nigga got the unit, all right, y'all,
six months in, it's time for him to get a
new one, that hold on. That mother fucker gets a
lifting in the back. You already six months in, you
really like him. You then told baby girl about him.

Speaker 1 (12:22):
You locked in. Is that a deal breaker?

Speaker 4 (12:25):
We six months in, I'm just now finding out he
got a UNI.

Speaker 6 (12:28):
But you you demned love this nigga, y'all. He damned
it a little spoon cool.

Speaker 8 (12:36):
I'm just don't let him know. Gently, babe, I think
it's time for you be like, are you wearing a UNI.
I don't know, like that might be ground for me
to stop talking to him because you're dishonest?

Speaker 1 (12:53):
How is he just honest? Y'all never talked about it?

Speaker 4 (12:55):
Exactly? You lie about.

Speaker 1 (12:59):
He didn't lie though. That's just his hairstyle. That's just
his hairstyle.

Speaker 4 (13:02):
But why wouldn't you tell me that you were a piece?

Speaker 1 (13:05):
Because, I mean, it wasn't time to tell you yet.
I didn't think it was a big thing. You liked
me for me, you exactly, I'm natural.

Speaker 2 (13:15):
This is.

Speaker 4 (13:17):
Let us tug on it list.

Speaker 1 (13:18):
See you can right this motherfucker?

Speaker 4 (13:22):
Yeah, he waves him.

Speaker 3 (13:25):
Oh man, y'all were crazy for poor Pass and Maxon
nos for Barbie Man.

Speaker 2 (13:29):
Starting troubling the crowd soon as you get all hair.
But we're want to talk about y'all. How did y'all meet?
How did y'all start? Poor mans?

Speaker 4 (13:37):
We met working at the strip clubs together dancing off.

Speaker 1 (13:41):
We wasn't then were about to ask what your name was?

Speaker 4 (13:46):
Now we was bartenders.

Speaker 8 (13:47):
We worked working behind I mean we met working behind
a bar together at a strip club in Houston.

Speaker 4 (13:53):
We became really cool. I moved to Atlanta a year.

Speaker 1 (13:57):
After we met.

Speaker 8 (13:57):
We kept and touched the whole time. And then a
year after I moved here, I had convinced her to
move here, and then we ended up starting a YouTube channel.

Speaker 4 (14:07):
That's what happened.

Speaker 3 (14:08):
Been going crazy ever since. Y'all have a lot of
stuff going on, yall pod. I want to ask a
couple of questions. What's the wildest guests y'all had on
y'all show? Because y' don't have some people on that
motherfucker show.

Speaker 8 (14:18):
I don't know, because sometimes I be feeling like I
ain't nobody wilder than us.

Speaker 4 (14:21):
I know, I do feel like we watered.

Speaker 10 (14:23):
In against but you know what, I think the person
that came and like really turned up with us, it
was probably tea Pain t Pain, Like we got really
lit and it was like a story. Remember the story
he told about a certain We're not gonna say that, yeah,
but we literally had to edit it out because it
was like really it was.

Speaker 2 (14:41):
It was the story.

Speaker 7 (14:43):
I don't remember. I don't remember the story and being real,
like you.

Speaker 2 (14:50):
Be nice, to be nice.

Speaker 7 (14:52):
I think that was probably one of our guests.

Speaker 4 (14:53):
We were like, okay, and slim Thug too, was a
slim Thug was like he was a wild guest.

Speaker 2 (14:58):
Yeah he was. Yeah.

Speaker 8 (15:01):
I mean it was even more crazy because it's like
we know him, We know him in real life, so
it's like, why are you cutting up like these?

Speaker 4 (15:07):
On the college?

Speaker 7 (15:10):
He asked that every five seconds.

Speaker 4 (15:11):
Every give me none, Like why y'all ain't give me none?
We did a counter. He actually asks like forty five songs.

Speaker 7 (15:17):
Yeah, it was a counter.

Speaker 2 (15:19):
It was a counter.

Speaker 3 (15:20):
Now, I see, great question. He's like, no, our brother,
this question, this question, lex p. You got a theory
about niggas and socks I do in the bedroom. Oh yes,
please elaborate for our crowd here.

Speaker 10 (15:39):
I feel are you talking about when I was talking
about when they have the socks song?

Speaker 1 (15:42):
Yeah?

Speaker 10 (15:42):
Yeah, Like I feel like if we having sex and
you keep your socks on, you don't love me for real,
you don't.

Speaker 7 (15:47):
Trust me, You ain't my man. Like if a nigga
is ladies, I know it's not a lot of ladies
in here.

Speaker 10 (15:54):
If the nigga you went right now, you ain't ever
seen his feet, That nigga do not fuck with you.

Speaker 4 (16:00):
Or he just got a black to be ugly, or
he got a black.

Speaker 7 (16:07):
So that's what I'm saying.

Speaker 1 (16:11):
He might be insecure about his feet.

Speaker 7 (16:14):
I always look he hitting it from the back, chick
it off.

Speaker 6 (16:22):
A nigga might need it for that group. Though, what
if a nigga hit you on his carpet? Now, I
won't hit you on his carpet Right here, this old
lady carpet.

Speaker 2 (16:32):
Trust and be hearing them skys on, socks curled.

Speaker 6 (16:36):
Up, He slide this shipig nigga slipping out of that boat,
trying to hold on.

Speaker 1 (16:43):
She trying to throw that motherfucker bag.

Speaker 8 (16:46):
I feel like socks do take away from the intimacy
though I need to see you but booty wholes, we
need to be naked.

Speaker 10 (16:56):
Did y'all feel if you were having sex with a
woman and she had her socks on?

Speaker 1 (17:00):
I'm cool with that every time, every every time.

Speaker 4 (17:05):
Every time, youse, she got her socks on. It you like,
bab you can take.

Speaker 6 (17:11):
No, it's not it's not really about the I mean like,
if we're in the shy Fresh after show on that
but ship, if we if we fresh out the club,
I'm just taking my pants off of this is game
time scene.

Speaker 7 (17:23):
See you don't fuck with that bitch, You don't fuck
with that whole?

Speaker 2 (17:27):
Yeah I do.

Speaker 6 (17:27):
I'm saying though, like, I don't think you should judge
man because you want to keep his socks on though.

Speaker 1 (17:31):
That's kind of crazy. That don't mean he don't love you.

Speaker 4 (17:34):
But I want to see the real you. I need
to see them feed.

Speaker 1 (17:37):
You might saying we might take a shower together and
you see him. Y'are not y'all, don't y'all not that
big on no motherfucker feeds.

Speaker 7 (17:44):
Damn no she is.

Speaker 6 (17:46):
You just said you will let a nigga hit you
with a jersey on it. You ain't worried about no sucks?

Speaker 4 (17:53):
Absolutely?

Speaker 1 (17:54):
Why would I not?

Speaker 4 (17:56):
If that's what make him.

Speaker 1 (17:57):
Color him nigga the rivers in Jersey and I need
to know.

Speaker 4 (18:01):
Jersey though.

Speaker 2 (18:05):
Oh man, y'all, that nigga said a horrible classic.

Speaker 8 (18:11):
And you know that's once he gets comfortable. Once he
at my house all the time. You know he can
walk around with his T shirt on, his shirt.

Speaker 7 (18:20):
And his pennies.

Speaker 6 (18:23):
That nigga might swing the other side if you just
castually walk around the house to the T shirt with
no draws.

Speaker 1 (18:28):
On you the other way fro pocket. I want to ask, like,
what's your be for my uncle? Though?

Speaker 4 (18:42):
What's your okay? We just talked about these stage.

Speaker 6 (18:46):
Like, Kim, that's my uncle. I don't like what you said,
Like like you was like I hate when What did
you say about the song that she don't like at
the brunch?

Speaker 4 (18:55):
Well that was the go Appoli song.

Speaker 6 (18:57):
Yeah, she don't like that song, but I can't stop
loving you as a classic, like what's your b.

Speaker 4 (19:03):
You know that's debatable.

Speaker 10 (19:05):
So we were talking about songs like very popular songs
that everybody loves that we don't like, right, and I said,
I hate it.

Speaker 7 (19:13):
Closer to my dreams, be hater.

Speaker 4 (19:18):
Fuck that positivity.

Speaker 7 (19:20):
It's to be a hater. I don't want to hear
that ship.

Speaker 1 (19:25):
So what y'all want to hear brunch when y'all go out? Kim, Yeah,
I don't hear no Kim to my dreams.

Speaker 8 (19:32):
That branch I'm trying to turn up. I want to
hear a little migos. I want to hear a little future.

Speaker 1 (19:38):
So no R little gunner. You said, what no R
and B.

Speaker 4 (19:43):
We can do R and B at branch, but I
just feel like I can't stop. That's gonna kill the vibe.
I ain't trying to hear that that branch.

Speaker 10 (19:56):
People like it's working by my pancakes because some people
swark win be phone.

Speaker 1 (20:00):
Then we're gonna play.

Speaker 7 (20:02):
I like R and B.

Speaker 10 (20:05):
I do like R and B at brunch, I do,
but let's turn it down to sometimes the music be
too loud.

Speaker 8 (20:11):
A good DJ gonna have a good balance the R
and B and hip hop, but they're not gonna play
him no.

Speaker 1 (20:19):
All right.

Speaker 3 (20:20):
I want to ask you some questions. Would you rather
Would you rather date an athlete or a musician?

Speaker 13 (20:25):
Neither?

Speaker 2 (20:26):
Yeah, you got to pick one.

Speaker 4 (20:31):
Athlete. I would pick an athlete up.

Speaker 2 (20:34):
Okay, athlete or pastor?

Speaker 4 (20:37):
Athlete? Are pastor?

Speaker 3 (20:41):
Oh?

Speaker 4 (20:43):
Because I want to still be able to listen to
the weekend but tonight in the choir. You can't do
that with the past.

Speaker 2 (20:51):
You can't, Yes, you can't.

Speaker 1 (20:56):
You're picking the athlete over the man of God.

Speaker 4 (20:59):
The athlete might be a man of God. We might
be in his Bible and in the field.

Speaker 2 (21:05):
Okay, athlete or photographer.

Speaker 1 (21:08):
Athlete, that's all one, niggas and take pictures.

Speaker 2 (21:13):
God damn freaky Mike freaking mout my nigga.

Speaker 1 (21:16):
Get done, Freaky White, You're done, boy.

Speaker 3 (21:20):
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Speaker 2 (22:35):
Okay, athletes or Jim Trainers.

Speaker 4 (22:38):
I finished because I would say the same thing.

Speaker 1 (22:44):
I don't.

Speaker 10 (22:44):
I don't like athletes, so I would say, Jim Trainer.
I don't care what the occupation is.

Speaker 1 (22:48):
Not the athlete, damn, not the athletes. I ain't an athlete,
and he look a FINGI too.

Speaker 2 (22:57):
I'm sorry that nigga played linebacker.

Speaker 1 (23:03):
Respect, that's right. What's your beef? What's your beef for athletes?

Speaker 2 (23:07):
Though? For real?

Speaker 1 (23:08):
What's your beef? Tell the truth? Don't lie.

Speaker 4 (23:11):
I'm not lying.

Speaker 7 (23:12):
I keep it real.

Speaker 2 (23:13):
I just there.

Speaker 10 (23:14):
I have never seen a situation with in my close
friend group of it being a good situation.

Speaker 1 (23:24):
Mmmmm.

Speaker 6 (23:29):
I learn about the people's mistakes, and so would you
prefer a rapper or athlete?

Speaker 1 (23:36):
A lit rapper?

Speaker 4 (23:37):
The athlete?

Speaker 1 (23:38):
Okay? Damn? What's wrong with the rapper. Why do you
look like that?

Speaker 4 (23:42):
No, I would never want to date a rapper.

Speaker 1 (23:44):
If he lived, if he on top of the world,
that's fine.

Speaker 8 (23:47):
But most rappers don't own themselves. But that's a topic
for another time.

Speaker 1 (23:52):
She a little too tapped in.

Speaker 4 (23:54):
Yeah, if anything, I would want the nigga to own
the label.

Speaker 6 (23:57):
Oh okay, So that's why you can't tell her tenses.
You want the nigga their own Texas row house.

Speaker 4 (24:05):
Exactly.

Speaker 1 (24:09):
I respect.

Speaker 5 (24:11):
Another question? What's the crazy place to go on the
first we talk about?

Speaker 2 (24:13):
That's my girl.

Speaker 3 (24:18):
What's the crazy place to go on the first back home?
The strip club or a funeral? You say, what, what's
a crazier first date? A strip club trip or a funeral?

Speaker 7 (24:30):
A funeral because strip club is fine for a first day?

Speaker 2 (24:36):
He said. If I tell you who made these questions,
you want, believe tell you to a funeral?

Speaker 1 (24:39):
They kind of punk.

Speaker 4 (24:40):
You want to take me to your aunt Geraldine funeral
on the first day?

Speaker 2 (24:44):
I got your unk.

Speaker 1 (24:45):
I got motion the boss.

Speaker 4 (24:47):
Noah, that's wild.

Speaker 2 (24:48):
I will block you know I've been to it.

Speaker 6 (24:53):
What's the what's the worst day? Both of y'all can
answer this. What's the worst date? Y'all have been off.

Speaker 1 (24:58):
Mm hmmm, says name too.

Speaker 4 (25:02):
I ain't gonna say his name, what team he played for, because.

Speaker 1 (25:10):
We heard about y'all.

Speaker 6 (25:11):
One of my niggas that that whole said one of
y'all ain't ship. But I ain't doing that because they
ain't here to def be here with the football.

Speaker 1 (25:21):
Nigga. It was a nigga played for the Falcons.

Speaker 2 (25:23):
He said that.

Speaker 6 (25:25):
Nigga said Lex ain't worth a quarter. But I didn't
want to do that because.

Speaker 2 (25:32):
I'm about to have me one of those.

Speaker 1 (25:34):
She's a potential breeder, a potential breezing.

Speaker 2 (25:45):
He just knew that was going.

Speaker 1 (25:46):
So so I'm up here to get y'all to Florida.
You know, speak y'all truth.

Speaker 10 (25:51):
Okay, So what's the worst that you been Honestly, I
just had a conversation about this last night. I just
think it's a bad day, like you said, when when
niggas be name dropping and doing all that ship.

Speaker 7 (26:04):
But also like I can't stand like I'm a big girl, right, like.

Speaker 13 (26:09):
Hold on.

Speaker 4 (26:16):
What one hold on?

Speaker 1 (26:19):
Like that.

Speaker 2 (26:22):
Video and the kid was like, Yo, get the guns,
damn not too many.

Speaker 10 (26:32):
So it's like I'm like I'm five eight five nine.
So when I were here like six one six two
because I like big heels, and I felt like he
was just being weird because he was a big ass nigga.
He kept calling like regular ubers and we sweezed in
the back of the kids.

Speaker 2 (26:48):
Damn.

Speaker 10 (26:50):
He was like, yeah, because when you order Uber black,
it ain't no difference for real.

Speaker 2 (26:55):
Yes, yes, he ain't getting no Uber black.

Speaker 1 (27:03):
Black, seat an Ober black.

Speaker 7 (27:05):
And he was tall to.

Speaker 4 (27:08):
PRIs and then don't all people in a prince It's crazy?

Speaker 10 (27:14):
And then he was trying to order an Excel and
then it was gonna get upgraded.

Speaker 1 (27:19):
That bitch pulled up in a minivans.

Speaker 7 (27:22):
You've got me fucked.

Speaker 1 (27:24):
Least you have to say by yourself you need a
single seed.

Speaker 4 (27:27):
No, so a MENI man better than a PRIs.

Speaker 1 (27:30):
Yeah, but does how he matter though? Lex for you?

Speaker 10 (27:34):
Honestly, it doesn't hold on nigga niggas probably five three, No,
it doesn't matter.

Speaker 11 (27:44):
Though.

Speaker 1 (27:44):
It's not like a deal breaker anymore. All right, So
nigga five to seven can talk.

Speaker 4 (27:48):
To you five to seven when he's on she like
five e living.

Speaker 7 (27:54):
No, I'm literally six ft six one with my.

Speaker 10 (27:58):
Hands, so I feel like as long as like when
I'm in flats, if we can see out of aye,
we good, like with my flat song and like.

Speaker 7 (28:09):
But I care more about the size. I don't like
skinny niggas.

Speaker 2 (28:14):
I like niggas with that meat.

Speaker 4 (28:17):
You feel me what meat were about?

Speaker 1 (28:21):
Both respect?

Speaker 7 (28:26):
It's not a poor moth.

Speaker 4 (28:27):
That's type matter for me.

Speaker 1 (28:29):
Yeah.

Speaker 8 (28:29):
I mean I'm short, like I'm five too, So I
just feel like you just need to be taller to me,
at least five to seven. I prefer because I feel
like little niggas be short. I mean, little niggas be
angry and mean.

Speaker 1 (28:46):
Damn what niggas be mean?

Speaker 4 (28:48):
Well, little niggas be mean, may be having a chip
on their shoulders.

Speaker 8 (28:52):
Yeah, because they little, they already got that against them,
so they be angrybody.

Speaker 1 (28:56):
It shots all my niggas five seven out there. Man respect.

Speaker 8 (29:02):
Saying that because I've dated like shorter men and then
I've also dated tall men, and I just feel like
short me and be mean.

Speaker 1 (29:11):
The taller men got better attitudes.

Speaker 2 (29:13):
They do.

Speaker 4 (29:13):
Yeah, definitely attitude because they be tall. They be happy,
they know that.

Speaker 10 (29:19):
But also with tall men, they be making it their personality.
Sometimes they be like, yeah, nigga I'm six eight and
you sleup foot me.

Speaker 7 (29:29):
We ain't finna make no athletes. Nigga, fuck out of here.

Speaker 4 (29:35):
You ain't wrong.

Speaker 10 (29:36):
I'll be looking at the knees, bitch, and they'll be
having I know them when them calf muscles win at
the bottom.

Speaker 7 (29:44):
You ain't ship nigga.

Speaker 4 (29:48):
You ain't wrong, and sometimes they be having a little ct.

Speaker 2 (29:51):
CT is crazy.

Speaker 1 (29:53):
Okay, now your body shaming.

Speaker 7 (29:56):
Oh I'm a body shaming nigga.

Speaker 1 (29:58):
That's crazy.

Speaker 13 (29:59):
Don't get of a fuck.

Speaker 3 (30:02):
Oh man, listen, we gotta get a full episode, which
all we appreciate y'all pulling up.

Speaker 1 (30:06):
I make some lawyers and.

Speaker 3 (30:07):
Pour minds one time for the one time. Thank you
being drained the cold ladies. We appreciate y'all.

Speaker 2 (30:13):
Thank y'all appreciate. Oh man, listen, it's long away the episode.

Speaker 3 (30:20):
We got a guy in the built, Yes, sir, t
yo og event man talk. I gotta tell the story
immediately as soon as you get your ass out here,
because I'm surprised.

Speaker 1 (30:30):
You showed up.

Speaker 3 (30:31):
But anyway, so man, we came here to Atlanta maybe
what about two or three months ago?

Speaker 2 (30:36):
Yes, sir, yes you know this. Nigga do a yoga
type of or ganmi and shit. Yes, so we pulled up.
We like Joe, we in town.

Speaker 1 (30:44):
We can't see this nigga literally, Josh.

Speaker 2 (30:48):
No, we.

Speaker 6 (30:50):
Spent thousands and thousands and thousands of dollars listen to
get to at hold on, Joe, it's not your turn.

Speaker 1 (30:58):
We drove past that motherfucker yoga. So y'all said, let's
shoot this motherfucker. He ain't answering the phone. Let's blow
this motherfucker up.

Speaker 2 (31:06):
Hey, while we knock on the door. Were never fucker
sit there, Joe.

Speaker 1 (31:12):
It was a white lady there with the legs behind
her head.

Speaker 3 (31:14):
His ship got the nerve to write me on Instagram, y'all,
nigga's funny as hell.

Speaker 1 (31:25):
Under all our posts. What's up?

Speaker 2 (31:28):
Man?

Speaker 1 (31:28):
What's your reasons?

Speaker 13 (31:29):
Man?

Speaker 17 (31:29):
I can't go to the grocery store or nothing without
somebody stopping and asking me, Man, where you gonna go
on the I'm like, bro, it's gonna happen.

Speaker 1 (31:37):
Timing is everything, baby.

Speaker 2 (31:38):
That's a fact.

Speaker 1 (31:39):
We're here that way.

Speaker 3 (31:40):
Y'all bring up the own that bad juju. They were
praying bad juju around him. Man, my fault brother, for sure. Man,
glad we could probably make it happen. Man, I wanted
to ask you. He always telling stories. What was the
first song you met young show lock?

Speaker 4 (31:53):
What was he?

Speaker 3 (31:54):
Man?

Speaker 13 (31:54):
Uh?

Speaker 17 (31:55):
You know when you draft, when players get drafted, like
the very next day, they go to the team and
they got drafted to and they do their press conference
and all that. In eighteen years playing in the NBA,
I never went to any of these press conferences.

Speaker 1 (32:08):
But he get drafted. I go to the press conference.
You know.

Speaker 17 (32:11):
I had washed him in college and I was a
big fan bro. So I got a chance to only
meet him, but meet his parents, meet his folks, and
that was a cool, you know, cool little deal.

Speaker 13 (32:20):
So I was a fan since day one. Man, I
was fans at day one.

Speaker 2 (32:24):
Appreciate that old.

Speaker 3 (32:28):
I remember that day because in college I played point
guard and shooting guard.

Speaker 2 (32:32):
And then they was like, yeah, he are starting shooting guard. Nigga.
I'm six one, nigga, you six eight.

Speaker 1 (32:37):
I said, damn.

Speaker 2 (32:38):
My daddy said you ain't gonna play nigga.

Speaker 3 (32:42):
I said, ain't no way. He don't play parall forward.
They was like, nah, he the two guard. I said, Lord,
it's over with And I didn't.

Speaker 2 (32:49):
Play it right.

Speaker 1 (32:51):
Nah, chill.

Speaker 17 (32:53):
The point guard position when you come into the NBA,
especially for young guys, that's probably, you know, the hardest
position to play. It's kind of equivalent to football as
a quarterback coming into the NFL, that shit hard, man.

Speaker 13 (33:04):
It takes a while. You gotta league grown as men
who've been in the.

Speaker 17 (33:08):
League for five, ten, twelve years, and if you don't
come in with the right demeanor, you know what I mean,
you can get lost.

Speaker 13 (33:15):
So his opportunity came, it can't It didn't.

Speaker 17 (33:19):
Come at the time he wanted to because at the time,
you know, we were playing in the playoffs and he
didn't get to play till the second round and d
Rose was the MVP.

Speaker 2 (33:31):
Hold on, nigga, you saying it like that.

Speaker 1 (33:36):
Job, nigg bro. He did do his thing.

Speaker 17 (33:40):
I'm just saying, you know, sometimes you can ask her
something then it's gonna come in away.

Speaker 1 (33:44):
You may not think.

Speaker 17 (33:47):
Kirk Heinrich got hurt and he stepped in. He had
to play the point. Yeah, he held it down, but
it was tough. I ain't gonna lie because that year
de Rose, well he was the youngest MVP. Oh man,
he was a wants to but we end up winning
game one, I'm thinking we really had a chance.

Speaker 13 (34:02):
But when they came here, I don't know he had
another level.

Speaker 2 (34:08):
They had forty five. I said, Joe Switch. She said, Thigg,
it's so mad you wanted this now, Nigga, I ain't
dream about this.

Speaker 13 (34:17):
One right, and you gotta gauge yourself.

Speaker 1 (34:19):
You know you're playing your VP gage.

Speaker 13 (34:21):
You're a little bit.

Speaker 3 (34:23):
After game three, it was Mother's Day. Ironically, my mama
called me and said, baby, it's okay. I said, no,
everybody mad at me. She said, why they say he
had forty five? Mama, she said, worry about he did
that to everybody.

Speaker 2 (34:40):
Shout out to my mom.

Speaker 1 (34:41):
Man for so.

Speaker 2 (34:43):
Oh.

Speaker 5 (34:45):
I would to ask you what was like for you
when you first came into the Hawks organization?

Speaker 17 (34:48):
Man, the Hawks organization, Uh Man, it didn't it didn't
seem it didn't seem like the NBA.

Speaker 1 (34:56):
I'm not gonna lie. You know.

Speaker 17 (34:57):
I had just left Phoenix. I had just left Phoenix.
We had won sixty two games. Yeah, and we were
the number one the number one seed in the playoffs
that year. So coming here, prior to me coming here,
they had only won eleven games.

Speaker 2 (35:12):
Ship it, say, y'all put more respect on my dog
because they don't want eleven.

Speaker 11 (35:18):
Games when you can't here, when I can't.

Speaker 2 (35:19):
Hear y'all was the playoff team shut out to my dog.

Speaker 17 (35:24):
And then nah, they had won eleven games before I
got here. When I got we only won twenty nine.

Speaker 3 (35:30):
To hurt.

Speaker 13 (35:31):
We won twenty nine in the first game, I think,
I mean the first year.

Speaker 17 (35:35):
Then the second year we end up winning like forty,
almost made the playoffs.

Speaker 2 (35:39):
And then by the time you got here, y'all was lit.

Speaker 13 (35:42):
Yeah, it was.

Speaker 17 (35:42):
We had already been through the through the rough part,
you know what I mean? Like literally, we go in
the rin man, it's like three four hundred people in
that it did not feel like the NBA.

Speaker 2 (35:52):
But what was it like when you left the arena here?
I know it. I'm trying to think I was on
enisoda that we were sad.

Speaker 17 (36:04):
My had fun though the first year we didn't really
hang out a lot, man, Like what it was too depressing.

Speaker 1 (36:10):
Bro, You get your ass be mother and you think
you're gonna go out in part. I couldn't do it.
Its just I couldn't do it. So it took a
little while.

Speaker 2 (36:19):
Oh that's why you was who you are.

Speaker 13 (36:21):
By the time you got here, you already know what
it was.

Speaker 1 (36:26):
You was comfortable at that point.

Speaker 2 (36:28):
Oh man, they fucked my life up.

Speaker 3 (36:30):
Man.

Speaker 2 (36:32):
They showed me what I've been Listen.

Speaker 3 (36:34):
I know were gonna get back to you being a
professional you are, but I'm gonna tell you, y'all some
professional go outers.

Speaker 2 (36:40):
Yeah they went.

Speaker 1 (36:41):
To the club.

Speaker 3 (36:42):
No, no, no, the whole team went to the club,
so don't worry about it. We used to win games
and the whole team would go out and shout out
to Joe. He didn't hate me. Everybody else made me
do rookie ship. He didn't, but he would always invite
me to the club and he went. He ain't go
every time like me and some of my other teams
went every night. We ain't missing a night because Magic City, Lucky,

(37:05):
Bilvy Room Crazy. The other one, the far one out here,
wasn't like that velvet.

Speaker 1 (37:14):
Legendary compound is legendary compound.

Speaker 3 (37:18):
When I felt when I felt crazy, I used to
go to the one what Jez saying, that one song
where they had the big ass blue motherfuckers with a
big cup You'll on Central Station.

Speaker 2 (37:27):
God damn it.

Speaker 1 (37:27):
Oh you.

Speaker 2 (37:29):
Na, Yeah, I was out there blue flying Yo.

Speaker 1 (37:33):
That was me Yo.

Speaker 2 (37:35):
I don't go to that Joe he was, he.

Speaker 1 (37:38):
Was up there. I didn't.

Speaker 17 (37:40):
I didn't hate him as a rookie because I hated
that ship when I was a rookie.

Speaker 1 (37:44):
You know, they make you with him pink backpacks, you know.

Speaker 18 (37:48):
Uh uh uh.

Speaker 17 (37:51):
You have to do all the chores. Go get the propylactics,
go get coffee don nuts. I hated all that ship,
so I never messed with him about it.

Speaker 3 (38:00):
He ain't do that, man boy PTSD man from that popcorn. Yeah,
did you know about the popcorn? Yeah? Man, See he said,
all that good ship and this nigga.

Speaker 17 (38:11):
Look, hey man, you gotta pay your due. You know,
I mean, they gonna get you, especially if you don't listen.

Speaker 1 (38:18):
You know what I mean.

Speaker 2 (38:18):
So I ain't listen. You a little hard headed like
you know, you caught on you remember what.

Speaker 3 (38:23):
I don't know if you remember, but you remember we
had y'all wanted to like Krispy Kreme donuts.

Speaker 16 (38:27):
Not you.

Speaker 1 (38:28):
You ain't really eat that.

Speaker 2 (38:28):
This nigga like a machine. This nigga don't even eat.

Speaker 1 (38:31):
I don't know what you ate. Chill, Chill, chill.

Speaker 3 (38:33):
But everybody else ate them donuts and then they didn't
eat them for like a month, and I just left
them there and they turned green and they's smooth here.

Speaker 2 (38:40):
I don't know smooth here or not. But he opened
that up. They was green.

Speaker 3 (38:45):
They was molded that nigga said, hell, nah, you're gonna
pay for this motherfucker.

Speaker 1 (38:52):
That's who used to be on his ass, Josh Smith.

Speaker 2 (38:55):
As God shout to my man smooth though he was
on my ass.

Speaker 1 (39:00):
Who was Jovid coming into the league. Who was jove
coming into my events?

Speaker 17 (39:04):
Coming into the league was Antwine Walker and Paul I
was in I got drafted by Boston oh one. And
what I did for Jeff is what those dudes did
for me. They looked out for me anytime we went somewhere,
did anything. You know, we did it as a group.
I ain't never have to pull my wallet out, you
know what I mean. They always took care of me.

(39:24):
So uh, I just passed it on down, you know
what I mean? What happened, but we had some good times.
You know, torn can party something else.

Speaker 3 (39:34):
Yeah, So what happened when you adopted t and my
dog Jordan Craford is your young boys? Because they was
outside what happened when you adopted there? You took him
one of your way. They was outside.

Speaker 1 (39:43):
Yeah, we were every.

Speaker 17 (39:45):
Everywhere when Jordan Crawford got here. I think that was
tea second year. Every night if something it's either a
comedy show, uh concert.

Speaker 13 (39:57):
It was something in Atlanta every night. And were we was,
we was moving, We was moving around.

Speaker 2 (40:01):
Bro.

Speaker 3 (40:02):
Yeah, shout out to Joe here. I mean, I don't
like to tell nobody business on. He probably got these
cars from where. It's a long time ago, but he
used to have a ghost right. Y'all know Rose Royce
had motherfucker with nine. But he ain't give a fuck.
He lets you driving shit. Me and Jordan hopped in
that motherfucker one night.

Speaker 2 (40:19):
Joe. You know he was responsible. He was a star.

Speaker 3 (40:22):
He's averaging twenty something points. He had to be in
bed at the right time, Me and Jordan to give
a fuck.

Speaker 2 (40:29):
So we end up getting this car.

Speaker 1 (40:31):
He's like, now, y'all got it, young fellers.

Speaker 2 (40:33):
You know how you talk. He smoothing a motherfucker.

Speaker 1 (40:35):
Y'all got it, young fellers.

Speaker 2 (40:36):
Me y'all go tear that motherfucker up at the club.

Speaker 3 (40:39):
We're like, yeah, we didn't put our fifteen hundred together
to get a section.

Speaker 2 (40:44):
We take his motherfucker.

Speaker 19 (40:45):
Car.

Speaker 3 (40:47):
We ain't realized until we got to the club. This
nigga got two all over this motherfucker. It's two on
the rims, two on the head seat. To where we
pulled up smoothing. A motherfucker. Nigga at the door said, Man,
that's joke. Car, I said, trying to stun Then I said,
fuck this motherfucking shut up.

Speaker 1 (41:08):
The fucker was.

Speaker 13 (41:09):
Clean, that it was clean. Hey, man, you gotta let him.
You gotta let him have some fun sometime. Man, you
know it's Vince, you got.

Speaker 17 (41:16):
It's imperative that we look out for the rookies, make
sure they you know, they experienced some good times.

Speaker 2 (41:23):
No, definitely DoD.

Speaker 1 (41:25):
Hey.

Speaker 13 (41:25):
Look that man probably didn't miss nothing anything that was
going on.

Speaker 1 (41:29):
He was out.

Speaker 2 (41:29):
Come on, man, I ain't trying to call nobody out,
but my teammates went out.

Speaker 10 (41:34):
Ive.

Speaker 2 (41:34):
If you didn't go, somebody else was.

Speaker 3 (41:36):
I was out there, bufuck boy at l They probably
tired of me, they compound.

Speaker 2 (41:41):
I didn't miss a Saturday. I got so bad.

Speaker 3 (41:44):
We played at Charlotte. Charlotte bout forty five minute flight.
I went to compound after I ain't playing so I
want tire. I don't want to tire.

Speaker 2 (41:53):
I was dood until they threw a little lass in
there against the road.

Speaker 3 (41:57):
Yeah, I'm gonna let you had a moment to get
but I remember we about to play, were about to
play d Rose in them and Kurt he heard his
leg the last game of that series and the whole
year I've been talking about.

Speaker 2 (42:09):
Man, I'm better than this dude.

Speaker 1 (42:10):
I'm better than that dude.

Speaker 2 (42:12):
I should be playing ball.

Speaker 3 (42:13):
Joe like, man, man, you keep asking for ship mane
that motherfuck don't come main man man. And then next thing,
you know, the nigga get hurt, you know how, like
you ready for the moment, but you really ain't ready.
Nigga said, Kurt, get hurt. Coach, Shit, we're gonna go
with you. T I said, damn for really.

Speaker 1 (42:33):
That nigga.

Speaker 2 (42:33):
Jo said, Man, you got the UV, so I'm ready.

Speaker 15 (42:42):
Man.

Speaker 2 (42:42):
He said, yeah, all right. Nigga walked out, shout out
to my man. Joe.

Speaker 3 (42:46):
Though now a good time does a hog push? I
want to ask you know what I'm saying. You went
to Brooklyn nets. You know what I'm saying, free agency?
You have to play with my dog.

Speaker 2 (42:56):
I didn't go to I didn't go to free agency. Sorry,
you gott tray to go to Brooklyn free agency.

Speaker 17 (43:01):
I got traded right when Danny Ferry took over for
the Hawks. I was the first person we traded.

Speaker 2 (43:08):
Yeah, me too.

Speaker 3 (43:10):
Uh.

Speaker 1 (43:11):
He traded me to He traded me to Brooklyn, and
you know the rest is history.

Speaker 2 (43:16):
And you know what, you know, I got a bonus
hold on. He ain't like.

Speaker 1 (43:21):
Right here.

Speaker 2 (43:22):
He teld me, pull your fucking pants up. I pulled
them up to my ankle.

Speaker 1 (43:28):
You know.

Speaker 17 (43:28):
You know the weirdest part about that is uh, I
used to have because all the guys who I hung
out with in the summer, you know, we played, they
played ball, whether it was overseas or whatnot. So when
they came over to the States in the summer, I
would get him a spot on the ross on the
summer League, on the Lanta Hawks Summer League team. So
I got one of my homeboys on the summer league team.
Even though I just got traded, I'm still coming to

(43:49):
the arena every day for practice, and I see Danny
Faerry every day. That man never spoke to me, never
said nothing to me. He never looked my way and hey,
look I.

Speaker 2 (44:03):
Yeah, I like that energy.

Speaker 17 (44:06):
That was probably the weirdest thing because I still had
a great, uh a great vibe with the coaches. But
everybody was on pins anita when he took over because
they already knew that at some point, you know, he
was getting everybody about him.

Speaker 3 (44:19):
You know, I ain't gonna lie. You know, I was
mad at you, bro for about a year. You got
trade to Brooklyn. He was like, this is my first year,
gonna start my second year.

Speaker 2 (44:28):
You was like, he was like, man, I finally get
to play with a great point guard.

Speaker 1 (44:32):
I said, dam And the sad point is we got jo.
Hold on, hold on though, tell him, tell him how
you used to bustee. Will all start.

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Speaker 1 (45:54):
Will was great.

Speaker 3 (45:54):
That's why when we played on the playoffs, I was like, Yeah, Joe,
that nigga good, ain't We beat the hell out of
the niggas.

Speaker 13 (46:03):
Hey, look, sometimes you need something like that man to
give you a little booth being.

Speaker 1 (46:08):
There to give you a little booths you know what
I mean?

Speaker 2 (46:10):
No in facts?

Speaker 17 (46:12):
Hey, what about that? What about that game we played
y'all in London when I killed? Huh, you're talking when
I was killing. We played y'all in London. You don't
remember when y'all.

Speaker 13 (46:21):
Uh, when the Brooklyn Nest played y'all in London, I.

Speaker 2 (46:23):
Had twenty six.

Speaker 1 (46:28):
That Joe, You old that, Joe, humblieve. We got to
you know, we're running up. I had third at the half.
I had third at the half.

Speaker 2 (46:37):
Oh no, no, you're cold.

Speaker 1 (46:40):
I'm just saying you don't. You don't remember that, Joe.
You're good as fun. You're supposed to be. You probably
gonna be in the Hall of Fame if.

Speaker 17 (46:47):
You ain't in a halo. The bullshit when I went
to Brooklyn. We probably ain't beat y'all too many times,
but that was one.

Speaker 1 (46:53):
Yeah, you had a good guy and ship with guardy.

Speaker 2 (46:56):
I think Kyle might have been guardy.

Speaker 13 (46:58):
Now that my mayor my man.

Speaker 20 (47:03):
Hey, look, you know, you know a funny story. I
played against us when that game he had thirty who
he did what Jeff had? Ain't doubt o peas Louise.

Speaker 2 (47:29):
Sey.

Speaker 1 (47:33):
Hey, I appreciate that.

Speaker 3 (47:35):
Hey, that nigga and take his ass out of their
I had twelve niggas.

Speaker 1 (47:43):
That's the game. That's funny to the boy.

Speaker 3 (47:46):
That's funny as fun I like you matter fact say,
after shock, I talked to you then, Joe, you said
you had a story. Ah, you should have had a
story about col gorpor.

Speaker 2 (47:58):
Oh.

Speaker 13 (47:59):
I played when we was eighteen playing A played against
him in the national uh oh yeah championship for the
Nationals AU Nationals Championship game.

Speaker 2 (48:09):
Who did you play for?

Speaker 1 (48:10):
I played for the Arkansas Hawks.

Speaker 2 (48:12):
Oh they legendary.

Speaker 1 (48:14):
Yeah, we played again.

Speaker 17 (48:15):
I I don't remember the name of the team, but
I know we played against him and a you in
the championship game, Calvin Nice for a minute.

Speaker 3 (48:22):
Yeah, Arkansas Hawks for US is a legendary team because
Mike Conley junior, he grew up playing for Yeah.

Speaker 13 (48:29):
Yeah, because his dad want to uh Arkansas Yeah, alumni.

Speaker 3 (48:33):
Speaking of Arkansas, y'all got a good coach this year.
I'm excited for your team. Many got Colapio. You had
him last year. It was the first start. But now
y'all gotta y'all got a whip over there.

Speaker 1 (48:44):
Yeah, we got some talent. You help a recruit though,
are you helping recruit Chrish?

Speaker 13 (48:55):
We got?

Speaker 17 (48:56):
Hello, there you go, we got we got. We got
some great recruits. But you know, they don't necessarily lead
the championships.

Speaker 1 (49:02):
Bro.

Speaker 17 (49:03):
You gotta get them to buy in. So I think
that's gonna be the hardest thing. But having coach Kyle,
you know we're gonna have talent.

Speaker 1 (49:09):
That's fun.

Speaker 13 (49:09):
I mean, so that's all we can ask you for
at this point.

Speaker 2 (49:12):
That's the fun. I want to ask you this question.

Speaker 3 (49:14):
You got a legendary highlight one of the craziest crossovers
against Paul Pierce.

Speaker 2 (49:17):
Please talk us.

Speaker 3 (49:18):
Through that moment, please please, because he end up being
your teammates. So I know y'all addressed that at some point.
Like I tell y'all, Paul Pierce, Paul Pierce was my vic.

Speaker 1 (49:30):
Oh g brou dude. He gave me hell every day
as a rookie.

Speaker 17 (49:35):
Mind you Boston, they weren't a great team, you know,
prior to us get by the time we got this
kind of like by the time you got that, Atlanta
was a playoff team, but they hadn't made the playoffs
since they had Paul Pierce and Antoine Walker, so they
had three first round picks ten eleven and like twenty two.
So we was I had two other guys on me
who were rookies, and Paul Pierce used to like he

(49:58):
hates us every day, bro, but he was like he
was probably the most prolific scorer at that time. Like
I think he led the league in scoring, uh throughout
that whole season. I know he finished probably top three
in like thirty twenty nine, thirty A game.

Speaker 3 (50:14):
Man.

Speaker 17 (50:14):
Listen, listen, I'm saying, even if he had to be
in one, one, o two, I guarantee he was at
least top three, top four and scoring.

Speaker 3 (50:23):
And like.

Speaker 1 (50:26):
Nigga, tell you.

Speaker 17 (50:29):
Listen to the story, Nigga, So listen with all that.
I never forgot that how he used to go at
us and mess with us all the time. So to
get that little get back at him, you bring it
up to him. Now he gets sensitive about that him.

Speaker 3 (50:41):
I can't wait to see his said, I'll tell we talk.
We play that cross over them. There once a more
that nigga touched the floor and start reaching for marbles
and domino and shit. Nah, And you had a crazy highlight.
So before I got before I got drafted to the Hawks,
you hit d way and you played the Miami Heat.

(51:02):
Y'all was balling and stuff. And then you played the
Boston Celtics in a series wherey'all went Game seven and
you hit a step back.

Speaker 2 (51:09):
I don't know who was called? Was Rey yeality, it
was Paul again? Damn which one you hit the deep
step back?

Speaker 1 (51:15):
Three? Here?

Speaker 2 (51:18):
It was Posy.

Speaker 3 (51:19):
Yeah, that's when I started watching the Hawk. I used
to play with y'all on two K and I was like, yeah,
that nigga Joe Different. I ain't realized you was six eight.
I thought she was like six four.

Speaker 1 (51:28):
So that was my third year here.

Speaker 2 (51:30):
That the first time. Yeah, y'all, what was that like?

Speaker 3 (51:34):
Because the atmosphere in the playoffs when the Hawks was good,
it's crazy. I want to know what it was like
for y'all to be in the playoff for the first time.

Speaker 2 (51:41):
What was the atmosphere?

Speaker 17 (51:42):
Luck it was us being in the playoffs for the
first time that year was pretty much everything I envisioned.
Come in here, meaning and Boston ain't gonna lie. We
wouldn't even compete. They was thrashing, so like the first
two games, like, man, they're.

Speaker 13 (51:54):
Gonna sweep them boards, ain't gonna be nothing. Then they
came to Atlanta.

Speaker 17 (51:58):
I've never seen Atlanta is so crump like any and
every celebrity wh was.

Speaker 13 (52:04):
On the front road, from t I to JD Ludacris,
all them dudes.

Speaker 17 (52:07):
Man, they were showing us love and support, and honestly
it was like the sixth the sixth man that we
needed because they kept giving us whole energy and anytime
Boston made the runs like they couldn't was standing here
in Atlanta like I don't care what it was. They
didn't win a game here, and they didn't. So we
took them seven Cleveland where Lebron took them seven. Then

(52:28):
they won the championship in six or less. Yeah, so
we had we had a decent run, bro we had
decent run there.

Speaker 15 (52:33):
Yet.

Speaker 3 (52:34):
Yeah, I think I always say to these guys like
our team that we had my rookie year, even my
second year. We were just ahead of our time. Like
how Wood played. We switched everything because you had.

Speaker 1 (52:47):
Al at the five, you got Josh at the four.

Speaker 17 (52:49):
They neither wanted well they both probably powered forwards, which
would be great in today's game.

Speaker 13 (52:54):
But I wasn't shooting three.

Speaker 1 (52:56):
Like you know what I mean.

Speaker 3 (52:59):
But just think about you had that team right now,
like with Al Horford, the way we played like you
was you was a one through four really, but you
can you was playing the three. You had Bib at
the one and then Marvin and then you still had
Jamal Crawford as a sixth man. I'm like, if we
had that team in today's basketball Atlanta, howson win a championship?

Speaker 1 (53:20):
Bro? Oh yeah, game would be a we for sure.

Speaker 2 (53:24):
Hell on.

Speaker 1 (53:26):
Nah nah nah. I love y'all probably.

Speaker 6 (53:30):
Boy boy in today's games, Joe, I love you to death.
With that nigga over there, I love him to depth.
I love him to death. Y'all ain't winning no championship,
and I'm gonna lets you'll get you ship out because
y'all haveing no moment, Big Brol, Little Bro.

Speaker 1 (53:47):
A championship is crazy? You straight?

Speaker 13 (53:52):
You sure?

Speaker 3 (53:52):
Bro?

Speaker 1 (53:53):
I'm saying though, like let's let's.

Speaker 6 (53:54):
Keep it real, and I don't mean to fuck up
the big bro little bro moment. But but that team Joe,
you was a mind. When I first seen you, I
thought you was AI nigga. I thought she was the
first AI.

Speaker 1 (54:05):
I told him.

Speaker 6 (54:06):
I said, Bro, this is the biggest two guard I've
ever seen in my life. Chest busting out of the jersey.

Speaker 1 (54:11):
Pause. Respect, But I swear.

Speaker 6 (54:14):
To God, Bro, I don't know if y'all could beat
that Oklahoma City Thunder team right now?

Speaker 1 (54:19):
Bro, why not be a good one? Why not? I mean,
if y'all made it to the finals, I give y'all
one or two games today.

Speaker 2 (54:30):
The seven we hold on, hold on, hold on, hold on,
hold on, hold on, and.

Speaker 6 (54:35):
Y'all had y'all have some killers, Bro, y'all was the coachers.
But I swear to got that have been the today's game.
I can't just I can't just sit up here and
let you say.

Speaker 1 (54:45):
Y'all gonna win a championship. Now say say y'all be
a two, three, four five seed?

Speaker 16 (54:52):
Cool?

Speaker 1 (54:53):
But as ship y'all, y'all disrespecting today's game.

Speaker 11 (54:58):
I hate that nigga, man, that's my nigger to them,
but you should. But y'all asked why y'a always trying
to humble me in my moment. I'm not trying to
humble you. But you just said the championship is so easy, Bro,
the NBA ain't swing. Look, God, dam any seen Joe
play forty seven eight?

Speaker 1 (55:14):
Na, Joe's Joe. Couldn't nobody fuck with Joe? Get up
at forty two up here? That's the problem, really hard, Joe,
get you a shot.

Speaker 2 (55:23):
Hey, Joe's gonna guard this.

Speaker 10 (55:24):
Yea.

Speaker 2 (55:25):
It might have been long night.

Speaker 1 (55:26):
Joe ain't wait.

Speaker 13 (55:30):
Long.

Speaker 2 (55:30):
Not long now, it's been long long. Listen, y'all is
gonna have to cancel.

Speaker 1 (55:34):
Each other now, y'all. I'm boyshit though, y'all team it
was fine and been a longe night for a lot
of people.

Speaker 2 (55:42):
I wouldn't guard.

Speaker 6 (55:43):
I wanted to ask you, though, how was it going
from like that Phoenix team and stepping into that leadership
bro with the Hawks? Was that like a big transition
for you?

Speaker 1 (55:52):
Was it easy for you?

Speaker 2 (55:53):
Nah?

Speaker 17 (55:54):
It was a huge transition for me because I'm just
a chill, laid back I ain't no roight rod dude.

Speaker 13 (55:59):
I ain't gonna be out here, you know.

Speaker 17 (56:01):
Trying to hype you up this and the third I'm
a guy who kind of just leaves by example.

Speaker 1 (56:05):
So uh, you know, we.

Speaker 17 (56:07):
Professionals at the end of the day, we expect everybody
to come ready to play, you know what I mean?

Speaker 1 (56:11):
Yeah, because y'all here, it was a U and that
was a championship. Take what that Phoenix team?

Speaker 17 (56:18):
Yeah, we only had one year together, bro, one year.
You give us three years together, we at least get one.

Speaker 1 (56:23):
Nah, that's a fact.

Speaker 2 (56:24):
And I want to ask you this.

Speaker 3 (56:25):
A lot of people discredit Steve Ash, say he didn't
deserve two MVPs.

Speaker 2 (56:28):
But how good was he player? With a player like that?

Speaker 1 (56:31):
Man?

Speaker 3 (56:31):
Uh?

Speaker 2 (56:34):
Nash was?

Speaker 1 (56:34):
He was?

Speaker 17 (56:35):
He was great, bro, But he was great because he
understood the guys who were surrounded around him.

Speaker 1 (56:41):
You know, you got a march stout of mine who.

Speaker 13 (56:43):
Was damn man child, you know what I mean, since
he came into the league like he won.

Speaker 1 (56:48):
Rookie of the Year over y'all mean facts.

Speaker 17 (56:52):
Then you got a Parenter, an All Star, and Sean
Marion who you ain't got to run no plays for
and he gonna get twenty and ten every night. And
then you got Quinn Richardson who came over from the Clippers,
who led the league in three point makes that year. Man,
I didn't even know this needs to shoot threes. I
because want we should play the Clippers in Q, they

(57:13):
would run a turn three. It's just a post up
player every time. So I didn't even know he could
shoot the way he could shoot. And I ended up
leading the league in free throw percentage at forty eight
forty nine percent from three, and Nash took the back seat,
to be honest with you, because he could have averaged
twenty five easily, but he settled for sixteen points and
thirteen assists.

Speaker 13 (57:34):
You know what I mean.

Speaker 1 (57:35):
So uh.

Speaker 13 (57:37):
And I think, yeah, he won MVP with that, we
were the best.

Speaker 1 (57:39):
Team in the league.

Speaker 2 (57:45):
That's Kobe for shit. Joe said it was it.

Speaker 1 (57:49):
It was Steve Nay pretty one. Well, then they.

Speaker 2 (57:53):
Tried to say it was Kobe undt, I said Steve.

Speaker 1 (57:55):
Nash sh.

Speaker 17 (57:58):
Hey, man, I think when you win, obviously everybody gets rewarded, right,
That's a fact, considering the fact when he he came up,
we wasn't even a playoff team the year before. Yeah, facts,
and then we end up making to the Western Conference Final.

Speaker 2 (58:13):
That's the MVP word.

Speaker 17 (58:17):
Against the Dallas series, the series I got hurt against
Dallas and that man putting a forty three sixteen thirty
seven fifteenth like crazy.

Speaker 1 (58:28):
So people thanks.

Speaker 2 (58:29):
People forget that older, people forget that older.

Speaker 1 (58:32):
Yeah, they do, forget that. I forget.

Speaker 13 (58:34):
Look, but you know he wanted to get back anyway
because Dallas didn't want to resign him.

Speaker 1 (58:37):
So you know he was they gonna get the best
he was on. He was a beast.

Speaker 3 (58:41):
Broh, my boy be here, double cup be good over there, brother.

Speaker 1 (58:47):
Hey boy, this this motherfucker tequila kicking mind. I ain't
gonna lie ill fuck with yoe, with y'all taking toes.

Speaker 3 (58:57):
The way you here though, Man, you guys the flight
back here, that's what he's drinking water.

Speaker 2 (59:02):
He just fake it.

Speaker 1 (59:03):
What you like that song?

Speaker 2 (59:05):
I'm gonna tell you a story about that song.

Speaker 1 (59:08):
That nigga right there.

Speaker 2 (59:08):
That's how I met him because he said he had.

Speaker 6 (59:12):
No no no, no no no no, you get me
locked up, police said snigger Charms and white ass sniggle
six nine as Sniggy.

Speaker 2 (59:21):
God damn, why you ain't say the other nothing scared? Scared?

Speaker 3 (59:39):
Oh you bolus say hey, listen, man, make some noise
for eyes Old Joe pulling up man for the live
show in the a. Sir Big Dog, we appreciate you, man,
long time coming, man, we gotta do it together. Man,
make some motherfucking noise for Rosco dash in the building
one time for the one time, sir.

Speaker 2 (01:00:02):
Yes, Sir big Dog, we appreciate you.

Speaker 1 (01:00:04):
Slide on tonight. How you feeling that's happening?

Speaker 2 (01:00:06):
Me?

Speaker 19 (01:00:06):
Man, I love this ship, bro, I love this podcast,
so I'm happy to be up here.

Speaker 1 (01:00:09):
I appreciate you all too. I appreciate you baby. You
got real fans me.

Speaker 5 (01:00:14):
I know that right.

Speaker 1 (01:00:15):
Yeah, Man, this shit crazy, bro. We celebrate you all
the time.

Speaker 2 (01:00:19):
Hold on the fuck up now, nigga, you line.

Speaker 1 (01:00:22):
Hold on.

Speaker 6 (01:00:23):
I'm gonna tell you why I celebrate, and we're gonna
tell you he tried to clown up and.

Speaker 1 (01:00:30):
Now hold on, I did.

Speaker 6 (01:00:32):
But let me tell you how big this This is
a hay Man s nig o me me so for
you to be so influential that you made this nigga
get a mohawk.

Speaker 1 (01:00:45):
Vegas.

Speaker 3 (01:00:47):
I ain't gonna lie what I pull to Atlanta and
I was like, damn this ship hard man, it's so spine.
I got the mohawk people fucking with I'm about to
get and this nigga roast me every day.

Speaker 1 (01:00:57):
For this because only reason why not know?

Speaker 6 (01:01:01):
But Bro, I only roasted him because he got the
blond tips and this shit when he put the blond
in this air.

Speaker 1 (01:01:08):
Na I'm doing on the.

Speaker 2 (01:01:10):
West side of that. Bro, I ain't had no blond tips.

Speaker 1 (01:01:13):
So Bron just want to say thank you so much.

Speaker 4 (01:01:15):
Bro.

Speaker 1 (01:01:16):
You appreciate it. Bro, I appreciate it.

Speaker 3 (01:01:19):
No, we really do that because when I came to Atlanta,
that was the vibe. So like even to see like
Metro kind of bring that vibe back a little bit,
that was a vibe.

Speaker 1 (01:01:27):
But like them.

Speaker 3 (01:01:28):
Songs like show out all that wa you had me
dancing in the club.

Speaker 1 (01:01:34):
Bro, you know what you had back then?

Speaker 19 (01:01:38):
No, I think we were just trying to like do
something fun for me. I grew up as a student
of the game. Like I used to go to ear
Wax and ship like that, go get records and CDs
and read the booklet you know what I'm saying. So
like I was really a student of what's going on
and not just ship from Atlanta, you know what I'm saying.

Speaker 1 (01:01:51):
Like everything, whether it's d blocking them.

Speaker 19 (01:01:53):
DMX whoever like one hundred three thousand autumn Like, so
when I got my opportunity, it was about just pouring
that back into where.

Speaker 1 (01:01:59):
What made me fall in love with music? You know
what I'm saying?

Speaker 19 (01:02:01):
So same thing with the Metro. I think it's just
about making music fun again.

Speaker 3 (01:02:05):
Literally, what was that like when like like we just
played Turn Up and like everybody still get hype for that?

Speaker 1 (01:02:13):
You know what I mean?

Speaker 2 (01:02:14):
That's so vibe? What's that like for you?

Speaker 1 (01:02:17):
I just love.

Speaker 19 (01:02:18):
I'm a person that's built out of reciprocity, bro, to
be honest, So anytime that you can give your all
or put your effort and energy into something and get
something back the same way, that's love, you know what
I mean?

Speaker 1 (01:02:27):
So, Bro, you literally literally one of the biggest Like
who who put you in the booth? Like did you
just man?

Speaker 19 (01:02:36):
I've been doing this shit since we had boomboxes with
the little cassette taping, we stuff and paper in the
side to wrap over the karaoke machine.

Speaker 3 (01:02:42):
Like whoever that is hold as fun? Because y'all was
emotional as fun? She said, Nigga, I'm thirty.

Speaker 19 (01:02:53):
No for real, It's just it's in me, Bro, I
come from a music family. My my mom played the
clarinet and some woodwind shit or whatever my brother may be.

Speaker 1 (01:03:02):
So it was like kind of just in me. I
was around music all the time. I'm like, man, I'm
finna rap. What can I tell?

Speaker 19 (01:03:06):
I'm in there?

Speaker 1 (01:03:06):
Okay, yeah, because you definitely you make timeless fucking music. Though.
Are you working on anything new right now? Yeah, we're
coming off of the metro thing.

Speaker 19 (01:03:15):
It's still a futuristic summer right now, so we're shooting
all the videos for that. Just continuing to just pour
fun back into the community, man, and just doing stuff together,
bringing it together. I feel like, honestly being from Atlanta,
just being a student of the game, I feel like
we've always.

Speaker 1 (01:03:28):
Been a place of camaraderie.

Speaker 19 (01:03:29):
That's why people want to come and be a part
of what we got going on, whether that's art, where
that's theater, whether it's music, whatever it is. So for
me right now, it's just about continuing to build on now.
There's a lot of people who didn't bridge those gaps.
So now that I'm in a space coming in at
nineteen years old to now being thirty five, like I'm
the bridge now you know what I'm saying.

Speaker 1 (01:03:45):
So I'm just gonna try to keep putting in what
needs to be there, you know what I mean. So
now for sure, now I gotta ask, man, we ain't
oh neither. Somebody said that in the front.

Speaker 2 (01:03:55):
We ain't oh.

Speaker 1 (01:03:56):
I ain't accepting that shit. Well, yeah, what what what
made you get the mohawk? Dash?

Speaker 6 (01:04:04):
Look, tell me about the mohawk journey because he just
got it off the strength.

Speaker 1 (01:04:09):
He just went to the barbershop said give me the
number thirteen. That's what dance got. Damn thirteen. So I
want to know. I said, that's crazy. Where did mohawk
come from? The start?

Speaker 2 (01:04:21):
Set?

Speaker 19 (01:04:23):
I always had like hair and shit, And I think
I cut my hair when I was like seventeen, I
was in high school, and then I started growing.

Speaker 1 (01:04:28):
It back, and I think I cut my own first mohawk.

Speaker 19 (01:04:31):
And then I was inspired by like Young La and
that type of stuff, like just having the designs in there.
I fucked with Leland Leland, yeah him, you know what
I'm saying. So shout out to Leland for that. But yeah,
I cut my own first mohawk. Then I just started going.
I was like, man, I can't keep doing this because
this ain't really my speed, trying to be in the
mirror doing my own ship. And so I went to
go fuck with barbershop, bill Over Off Candler and Westley Chapel,
and then from there I ran into Bobby's world and

(01:04:52):
it was history from there.

Speaker 1 (01:04:53):
Oh okay, cool because I know that.

Speaker 3 (01:04:56):
I know people probably was adding you like a motherfucker
when he said that ship hundred.

Speaker 19 (01:05:02):
Because I was mad. I ain't gonna a lot. I said, nigga,
you got me fucked up. He was mad because he
couldn't get no. He couldn't do it, you know what
I'm saying, Waiting for growth process?

Speaker 1 (01:05:16):
That was crazy.

Speaker 2 (01:05:17):
WHOA right? You carry you right out? Process. I'm gonna
mute with my mic. That's cry. I don't deserve the same.

Speaker 3 (01:05:27):
It's a bad weekend for that kind of WHOA shout
out to the city respect. Oh bad games he y'all.
I want to ask you about No Hands. How did
that record come about?

Speaker 11 (01:05:41):
Man?

Speaker 19 (01:05:42):
I think me and Walker was doing. We was always
like around each other. We used to go to Mariachi, Monday's,
Blue Shi Up and Guene. We used to like move
around and just do ship together. So I think he
was coming off the road and I went to passwork
literally to go fun. I think it was gonna fuck
with Gucci. When he first got out one of them
times and Walker was in the b rooms, it was
like super flooding in the room.

Speaker 1 (01:06:02):
So I'm like, let me go find something else to do.

Speaker 19 (01:06:03):
I'm not feeling you know, I mean and drum a
boy happened to be in there with Waka and we
was actually talking about doing something else, like some other
type of music. But I looked at Walker, I said, Bruh,
the ladies love you, bro, and I don't know why,
but they love you though, So we're gonna make a
song for them. Like you know what I'm saying, Like
you do a record for them, they gonna love you
for the rest of your life.

Speaker 1 (01:06:19):
And I was like, I got the hook, Bro, just
write the verse. While they happened to walk in.

Speaker 19 (01:06:22):
He was like standing off to the side somewhere just
jotting on that BlackBerry and shit. And I was like,
Reciad came in shout out to Recis too. She helped
put that together. She was like, whyle they got something
you want to put I said, man, this is why
put then on through tell me go on the booth
and the rest was history. Bro came out the next
day on more about Nothing, I Think or something like that,
and it was up from there. Did you know that
was a hit when you I knew it immediately. Yeah,

(01:06:43):
I knew it immediately. I don't know if they knew it.
I knew that shit though.

Speaker 2 (01:06:46):
It's crazy.

Speaker 3 (01:06:47):
I know, Joe, before you got here, Joe was like,
I know we gonna play that no hen but he
didn't even know you was coming. Because one day we
went to a club. My fault, Joe, I don't know
if you still here. We went to a club. We
was the first motherfucker's in the club. Literally, it was us.
It was a couple of girls.

Speaker 2 (01:07:07):
Listen, and we played this song twenty times in a row.

Speaker 1 (01:07:11):
That's crazy.

Speaker 2 (01:07:12):
It was just us and we got hype every time.

Speaker 1 (01:07:14):
That's fine, like we heard it for the first time.

Speaker 19 (01:07:19):
I think music is supposed to do that for you though,
you know what I'm saying, Like, even before I knew
how to make music, Bro, with songs that made me
feel like that no matter what type of day I
was having. So I just wanted to have something like
back to the assef I wanted some I wanted my
own version of that.

Speaker 2 (01:07:31):

Speaker 1 (01:07:32):
So, yeah you got that. We got there for show.

Speaker 2 (01:07:37):
I don't know if that show family over? I mean yeah, yeah,
going crazy?

Speaker 1 (01:07:43):
What you want to hear? She fuck with your Hey,
I ain't pem dropped that no hands? Then drop that
no hands?

Speaker 2 (01:07:53):
Now play that show out every time I.

Speaker 1 (01:07:56):
Go out, play that, play that show outbutt in.

Speaker 3 (01:08:08):
Yeah, yeah, what's UPMC so little my guy shout out
to DJ PMC, saying the vibe drawn, big dog, We
appreciate your sliding on somebody.

Speaker 1 (01:08:16):
How you feeling, how you living, brother, I'm living good man.
Thanks for having me man.

Speaker 12 (01:08:19):
Congratulations y'all going on tour the five to twenty podcasts
doing big Things come on, Thank you, thank you, naptown
in the building.

Speaker 1 (01:08:26):
You know.

Speaker 3 (01:08:28):
Man, I'll boost my boo against DJ Drama ended building.
Listen all of us, man, we all have enjoyed your music.
Everybody in the crowd, Big says going crowd. I want
to ask you to put you on the hot seat.
What's one of your favorite mixtapes you ever made? That
people may not know that one of.

Speaker 12 (01:08:40):
Your favorites one of my favorites that I made that
people may not know. Yeah, what y'all think, y'all saying
y'all saying the obvious ones though, like we know trapadd
that you're talking about the ones that people may not know.

Speaker 1 (01:09:00):
Yeah, Snaptound's finest.

Speaker 12 (01:09:06):
I'm gonna probably say, you know, there's always that's a
good one. Shout to g Perico, Yo, Gotti, I told
you so we can be here for days.

Speaker 1 (01:09:16):

Speaker 12 (01:09:17):
This ship, I'm gonna definitely say Crenshaw recipes my brother
Nip King Nip. That's one of them for show Me
and Chris Brown did in My Zone back in class.
Oh wait oh nine, that's a fucking classic. Definitely a classic.
The bird print was one of the ones the movie.

(01:09:40):
The movie was a classic. That's the greatest Gucci tape
Jeremia Late Knights, Jeremi lay Knights is a good one.

Speaker 3 (01:09:48):
I don't want to cut you off, but you got
too man. Naptail Ship, we gotta say, I know a
c O. That's your guy.

Speaker 12 (01:09:57):
But in that the movie, Yeah, the movie was I
could see that the Liz Gucci tape era bro.

Speaker 2 (01:10:04):
That might be when they like his photo shoot pimps. Oh,
they said they try to add crazy.

Speaker 12 (01:10:10):
I gotta I got a funny story about the movie too,
because that was that was me and Gucci's first tape
that we did together. And right after we did that tape,
he had he had got locked up for one.

Speaker 1 (01:10:23):
Of one of them stints.

Speaker 12 (01:10:25):
And and and like the tape, the tape had like
it didn't really have a buzz at first, you know
what I'm saying. When we first dropped it, I don't
I don't remember what was going on, but to a
point where I couldn't really like feel it, feel it.

Speaker 1 (01:10:40):
And then I was going out of town.

Speaker 12 (01:10:42):
I was going to places like Pittsburgh, the Nap Town,
and I would ask what niggas is listening to? And
there's like, Nigga, all we playing is that Glucci the movie.
I'm like, Oh, that ship is going and that ship
was turning into a classic right under my eyes.

Speaker 1 (01:10:55):
So shout to go out, na bro, good times. How
did you get into the game? Though? I want to
ask how you got into the game? But DJ like,
did you start DJing in the clubs? What's your what happened?

Speaker 2 (01:11:13):
Hold on? I can what you saying.

Speaker 6 (01:11:18):
Ah, Now y'all know that Nigga used to bugs and
shit in this house. I know he come from humble
beginnings he had. That's trauma. So trying to catch bugs
and roaches and rings, that's trauma. Were here with drama today,
don't pay.

Speaker 2 (01:11:35):
I got nice ship, respect, we got raid, we got
raid man.

Speaker 1 (01:11:43):
Shut the fuck.

Speaker 16 (01:11:45):
No.

Speaker 12 (01:11:46):
I want to ask how you got into this like
DJ and space, Like who was you know, I'm originally
from uh from Philly, YOA. And when I was growing up,
I want to go see the movie Juice, and I
was pretty much about Omar Epsen's character in the movie.
That was like my first time like like seeing a
DJ on a big screen, you know what I'm saying.

Speaker 1 (01:12:07):
And like, you know, I was always in the music.

Speaker 12 (01:12:10):
I didn't feel like I could really really rap, even
though I talked the best shit ever in life, I
just can't make that shit ron But so, you know,
so I decided to get into DJM. I convinced my
grandmom to buy me a turntable. She bought me a turntable.
I got a turntable in a mixer. This is this

(01:12:30):
is old school ship, y'all, before the computer. And you know,
I had like a creative Records. When I was in
high school, my sister took me to New York. I
bought my first mixtape. It was like an old school
mixtape and then I was just fascinated by mixtape DJs
ever since, Like, you know, the mixtape DJ for me,
Like you know, when it comes to DJ and there's
there's there's like different forms. There's like club DJs, there's

(01:12:53):
radio DJs, there's show DJs, and you know, and my
time when I was coming up, it was mixtape DJs.

Speaker 1 (01:12:59):
So to me, mixtape DJ.

Speaker 12 (01:13:00):
Always felt like the biggest you know what I'm saying,
because they were like their own artists, they had their
own product, you know what I'm saying. I would go
places I would hear DJ Clue coming out of cars
and shit like that, and I was like, that was
a dream of goal of mine, Like, you know, I
want to I want to hear my ship plan out
of somebody car. So I moved to Atlanta. I went
to Clark Atlanta University. I met my shot at c AU.

(01:13:21):
Shot at the AUC in the building, I met my
business partners, my best friends then Lake Show, Don Cannon
and DJ Sence, and you know, we befriended each other.
We started the Affiliates and you know, a short story,
long hour, long story short. I created Gangster Girls in
like two thousand, maybe around that time I had. I

(01:13:41):
was introduced to t I by his manager Jason Jeter.
Tip came to my crib. I used to live in
the Full Forward and Coach K used to live around
the corner from me. And shot the shot to Coach K.
And you know, Tip came through for the first time.
He was the first person to ever call me I
forgetting my number off of the back of a mixtape.

Speaker 1 (01:13:58):
He had just got his deal.

Speaker 12 (01:13:59):
And Young t I comes through the crib and he
spits his freestyle and at the end of it he
says like he's the King of the South. And when
he left, I told my man DJ Sense, like, Yo,
this little niggas crazy. He just said he's the fuck
king of the South. Like the fuck is going on.
Next thing, you know, me and Tip I got a
friend of by Grand Hustle. Coach told me he had
this new artist he was working with named Young jez

(01:14:23):
Gz and Coach were the first people to ever pay
me for a mixtape. They gave me a thousand dollars
to do Streets is watching, nor Rest is history.

Speaker 1 (01:14:31):
No, that's hard, bro, Streets is watching.

Speaker 3 (01:14:34):
When I first heard you, But the reason I fell
in love how you did mixtapes was trapp or Die
for sure. And when I first heard Trapper Die, like shit,
I was trying to trap her die.

Speaker 2 (01:14:48):
Night.

Speaker 3 (01:14:48):
Never been a street nigga, but I was trying. I said,
if anybody got some weed, I'm ready to sell them.

Speaker 1 (01:14:55):
Thank you, thank you?

Speaker 2 (01:14:59):
What's up?

Speaker 1 (01:15:00):
How you doing?

Speaker 2 (01:15:01):
We gotta get these niggas some ice packs out of pocket?

Speaker 1 (01:15:04):
Cause what what was y'all listening to?

Speaker 12 (01:15:07):
Like what mixedtates were y'all listening to in the locker
rooms and the practice and stuff like that.

Speaker 3 (01:15:11):
I wanted mixtapes, Bro, we listened to dedication, We listened to,
we listened to.

Speaker 1 (01:15:17):
I was a trapper.

Speaker 2 (01:15:18):
I played Trapper do still to this day, like I'm
a JZ.

Speaker 1 (01:15:22):
Is that how you heard about Z? Through Trepida? What then?

Speaker 2 (01:15:25):
Like that snowfall? Like when that first that intro, I said, Oh,
they trying to take me back? Lord, I was so hyped.

Speaker 3 (01:15:34):
Everybody know, they know I listened to JIZ all day,
so I listened to anything at Like when I came here,
I was like adopted, so like Future all them, like
everybody Atlanta.

Speaker 2 (01:15:44):
It's just what I listened to.

Speaker 1 (01:15:45):
You know, we've all been adopted by the city. Anybody.

Speaker 3 (01:15:48):
I gotta take it back because I know this is
a lot of people favorite here. But the first time
I heard that Dedication too, like, I was hit the
Dedication one for sure. When I heard Dedication two for
the first time, fuck my life up up.

Speaker 1 (01:16:01):
Yeah.

Speaker 12 (01:16:02):
I mean I feel like Trappa Dye and Dedication like
really changed my life.

Speaker 1 (01:16:08):
You know. Trappad was was a lot of the first
for me.

Speaker 12 (01:16:13):
Again, that was the first time I like, you know,
anybody had ever like really gave me money to do
a mixtape.

Speaker 1 (01:16:21):
You know.

Speaker 12 (01:16:21):
That's kind of where I feel like I found my
personality too. I was talking shit before that on like
earlier Gangster Girls, Like before Gangster Girls was how y'all
know it today, it was like it was like a
compilation of the hot of songs in the streets. So
it was kind of similar to every other mixtape. But
I had always wanted to make it where it was

(01:16:41):
like its own brand, where like, you know, that was
the only place you could get that music. So when
I linked up with Tip and with Jeez, you know,
they gave me the opportunity to do that. And you
know when when Jeep, when we did Trappade, we did
a DVD that was the first time that had been done,
and so people found out what I looked like like
because of my voice is kind of deep. You know

(01:17:02):
a lot of people thought I was like dark skin
and like like this big dude, you know what I'm
saying and right, so everybody was like it was this
white guy saying nigga all over the songs when the
DVD came out, and and then you know, with with
with Dedication, you know, Wayne was like really coming into

(01:17:23):
his own at that point when we did the first one.
He had kind of he was he was doing the
Carter albums. But like Dedication and Traviada were tapes that
you know, because they were mixtapes and they were in
the streets, you know, they they went a lot of
different places, so you know a lot of people heard
those those guys do those tapes. Like they wasn't playing

(01:17:44):
geez on Hot ninety seven in New York at first,
but niggas in New York was listening to the mixtapes.
You know what I'm saying, so they heard it, you
know they were they were hearing Wayne through dedication. So
you know, a lot of with gangster girls like I
can look back on through history and say like it was,
it was very pivotabal in helping you know, Southern hip
hop culture reach the masses and go worldwide the way

(01:18:05):
it did.

Speaker 2 (01:18:06):
That's the fact.

Speaker 3 (01:18:07):
I want to ask, what's the gangster grills that almost
happened but didn't happen?

Speaker 10 (01:18:11):
Oh?

Speaker 1 (01:18:11):
Man, which one I'll talk about? The rico.

Speaker 2 (01:18:18):
Niggas is federal tonight. We're having a good time. Shit
got dark. That nigga drink get out? He look that
word that let a nigga you know better.

Speaker 1 (01:18:33):
I don't remember. I don't remember that rapper. I don't
remember the I don't remember that rapper. Damn.

Speaker 12 (01:18:40):
What was the question the ones that almost happened? Travis
Scott mm hmmm, uh what is it? Days after Rodeo?
I was going to be a gangster grills?

Speaker 3 (01:18:54):
Damn?

Speaker 1 (01:18:55):
Then Kan Kanye told him, don't no, I don't do that. Damn.

Speaker 2 (01:18:58):
Yeah, hate it, hate it.

Speaker 1 (01:19:01):
I don't think it was. I mean, it was kind
of hating.

Speaker 12 (01:19:04):
But you know, sometimes people just like you know, for
whatever reason they they want to go in a different direction.

Speaker 1 (01:19:11):
I ain't mad at them. We did the future. We
did the tate. We did.

Speaker 12 (01:19:16):
We didn't what it's actually called. The movie that's whereose
chosen one came from the future got a classic. No,
that's a fan niggas don't know, like it's the best
forever ever.

Speaker 1 (01:19:30):
To do it right there and shot the shot the future.

Speaker 2 (01:19:34):
That shouldn't have told me that.

Speaker 12 (01:19:37):
That tape don't get talked about enough. That was a
good tape for sure. I was going to ask, y'all,
what who should I do a tape with that? I
haven't done a tape.

Speaker 15 (01:19:48):
With think.

Speaker 1 (01:19:51):
That's the one.

Speaker 2 (01:19:56):
I ain't mad at that one.

Speaker 1 (01:19:57):
You know, Kodad, who's shasty? All right? Bun Bee? All right?

Speaker 12 (01:20:10):
I did want me and Bunbe did one me and
but we could do another one. But yeah, I did
one with fun. That's a lot, a lot of good ones.

Speaker 3 (01:20:21):
I'm hearing shouts, y'all. Shot y'all want to ask you
always had an offer talent? What's it like back to
back years? You going on tour wherez you're bringing out Oozzi?
You bring out Jack Carlow being the executive you know
what I'm saying, piece of stuff together coming from a
dejac perspective.

Speaker 2 (01:20:34):
What's that like?

Speaker 12 (01:20:36):
You know, it's crazy because I feel like it was
you know, it's it's it's a progression, it's an evolution.
It's really being like, you know, loving the culture like
and wanting to continue to put on for hip hop
and leaving a legacy behind, you know, interestingly enough, like

(01:20:58):
we started the label Generation Now in twenty fourteen, and
around that time, I started to notice that, you know,
the mixtape ground was kind of slowing down, and the
mixtape game wasn't the same. Streaming was you know, was
was being introduced, and you know, I just was wasn't
doing as many tapes. I had just built the studio

(01:21:19):
in Atlanta called Mean Street Studios, and through that studio,
you know me and me, Lake Show and Don Cannon.

Speaker 1 (01:21:28):
When we started Generation Now.

Speaker 12 (01:21:30):
You know, Uzi was was the first artist that we signed,
and we had we had kind of missed out on
a couple of artists that we were interested in signing
and that at the at the time, Uzi came along
and you know, Cannon brought Uzzi to the table and
we was like, Yo, we don't want to miss any
more artists. So I was working at Atlantic, and we

(01:21:51):
took Uzi to Atlantic through a generation now and you know,
becoming an executive like being an an R. I got
an an R job because I was putting out my
own album. I was putting I was making my own records,
and people believed in me because of the success I
was having. So you know, I went on to becoming
the A and R. And I had to find my
footing at first, Like when I first got in the building,
you know, they were putting me with artists that they

(01:22:13):
had already had signed and that what really wasn't my
forte or like how my style of A and RN was,
And you know, it was more about discovering new talent,
which I had been doing for years already through the mixtapes.

Speaker 2 (01:22:26):
You know.

Speaker 12 (01:22:26):
So when we brought Uzzi to the table, a lot
of people didn't believe in it, like, you know, they
didn't see the vision, especially like this kid with purple
hair from Philly, from a city where like you know,
at the time it had been known for real splinters
and always has been like you know, Meek and State
prop and Segul and stuff like that. So Uzi was
you know, something something like kind of kind of new

(01:22:50):
at the time. You know, I remember having to tell
people like people are like, you know, what type of
artist is, and I'd be like, you know, he's like,
he's like what asap Rocky is to Philly? You know
what I'm saying. And that was the only way I
could describe him at the time. And you know, a
lot of Uzzi's success also came here in Atlanta because
we were here in Atlanta. You know, he moved here,
he met Thug here, I took him on tour, Whiz

(01:23:11):
and you know, I basically like almost created this like
this formula of us breaking artists. So after you know,
I worked with Uzzi and we signed Jack, we kind
of ran through the same routine. Like he moved here,
We introduced him to everybody at the studio. You know,
I took him on tour, and you know what he
made was popping and the rest is history.

Speaker 2 (01:23:33):
That's the fact.

Speaker 3 (01:23:34):
What's more fun DJing in the club or making the
music that you play in the club?

Speaker 12 (01:23:39):
What's more more more fun DJing and the club and
making the music? I like both of them, you know,
at the club, like being on stages. You know, I
guess it would be comparable to say, like you know,
being on the court, like it's performing, you know what
I'm saying. So you know, I love to be in
front of whether it's you know, two hundred twenty twenty thousand,

(01:24:01):
like doing what I do best. But you know, being
in the studio is still it's that creative size. So
you know, that's where I can kind of go on
my zone and you know, work with the music and
you know, create the music for people to hear. So
they're both very invigorating in a lot of different ways.
Like they're going hand in hand.

Speaker 1 (01:24:21):
So how was that tour? Man with Jeezy going on
this orchestra tour? Oh man, did.

Speaker 12 (01:24:28):
Anybody come to that tour? Did anybody get an opportunity? Chantha, y'all?
I appreciate you all. Orlando, Yeah, absolutely, you know you
was in the building. If you haven't got a chance
to see the tour. We were doing a residency in
Vegas at the end of the month, end of October.
We have two dates then and then two dates in December,

(01:24:51):
a masquerade ball and then a Nutcracker during the holidays.

Speaker 3 (01:24:55):
So you know, sorry, drop Autist is but sure gotta
watch that the front man, ye'd.

Speaker 2 (01:25:05):
Be watching everything.

Speaker 1 (01:25:07):
But you know that tour, that tour was, like is
that different? Yeah? It was.

Speaker 12 (01:25:12):
It was different because, like you know, it's it's twenty
years later, it's celebrating thug Motivation.

Speaker 1 (01:25:18):
You know, an album that you know, changed changed a lot.

Speaker 12 (01:25:22):
It changed Jez's life, It changed my life, It changed everybody.

Speaker 1 (01:25:25):
It changed so much.

Speaker 12 (01:25:26):
Shit, Like there's not a lot of albums in hip
hop like that, like Doug Motivation that twenty years later
still bang the way that ship banged. Like you can
put that ship on the club right now, twelve thirty
one o'clock.

Speaker 1 (01:25:39):
Would you say you know what I'm saying, just like
like it was two thousand and five.

Speaker 2 (01:25:46):
Come on back there, listen, JZ.

Speaker 1 (01:25:49):
You do get your mind right.

Speaker 2 (01:25:50):
Like what what did you say?

Speaker 1 (01:25:52):
Play? Get your Everybody's gonna sing a word from word
like it was two thousand and five. Now, what's in
the studio making this together? Yeah? It was at a
uh passwork made the whole album. That's a legendary studio,
by the way, for.

Speaker 12 (01:26:04):
Sure, shout the patchwork. You know what's crazy is to watch.
What's crazy is to.

Speaker 1 (01:26:16):
Shut up Uncle goose brother, uncle Guch, Uncle Gucci, Uncle Gucci.

Speaker 3 (01:26:24):
That's my brother. Now they call him uncle what uncle
GUTCHI ask why. I ain't gonna ask you why to
call him that?

Speaker 2 (01:26:32):
Though?

Speaker 10 (01:26:33):
Nah?

Speaker 1 (01:26:33):
How was that though? In the studio working with Jezy
on that.

Speaker 12 (01:26:38):
It's always the time. I mean, Jeez works pretty Uh.
How would I describe it productively? I guess to say,
I mean, he, you know, he he Like this most
recent mixtape we just did Still Snowing. He did that
ship in like two weeks. Like you know, he'll go

(01:26:58):
in getting his own and and bang it out, you
know what I'm saying. So, you know, to think about
like trapadn Dog motivation, like oh, pause, what do you say?

Speaker 2 (01:27:14):
What I say?

Speaker 4 (01:27:15):
What I say.

Speaker 12 (01:27:17):
Now, that's not a banging, that's not a pause. Reaching
with that one, that's not a pause. I didn't say
like no, no, no, no.

Speaker 1 (01:27:26):
No no no, I'm not going don't worry about I'm
not going for that one.

Speaker 2 (01:27:29):
No no no, no, no no no.

Speaker 12 (01:27:33):
But you know, like even like back to the toll,
like you know, it's a suit and tie affair. You know,
it's it's it's people in the building that you know,
grew up listening to Jezus at different points in their
lives and you know, went from whether it was elementary
school or you know, high school, college and hustling or
you know, getting you a degree or whatever. You know,

(01:27:54):
now they're doctors, lawyers, you know, nurses, flight attend and
it's you know, I'm doing they thing, getting money.

Speaker 1 (01:28:02):
So it's like, you know, it reminds you of a
time of your life.

Speaker 12 (01:28:06):
And it's like, you know, it's no different than if
you think about it like a Frank Sinatra or the
OJ's or something.

Speaker 1 (01:28:13):
It's just fucking trap music. And you know we had
a time in life.

Speaker 12 (01:28:17):
You know, listening to a twenty years later, We're gonna
be listening to it forty years later, and you know,
god willing sixty years later.

Speaker 1 (01:28:23):

Speaker 12 (01:28:23):
But you know, to watch the way people react to
that music and just the feeling that it gives them,
it's like it's specialist. It's not a lot of artists
that can do that with an album that what Jeezy
is able to do with Doug Motivation.

Speaker 3 (01:28:38):
That's a thing I want to ask you this. Everybody
talks about the mixtape you made. Obviously, Legendarre but you
don't made some fire albums too. Is there a difference
between making a mix tape and making an album?

Speaker 12 (01:28:46):
Yeah, absolutely, it's definitely a difference, specific specifically for me personally,
because you know, I'm more like a conductor than you know,
a typical artist. Like so when I'm when I'm doing
my mixtape, it's, you know, what people know normally for
my mixtapes, it's normally one individual artist, and you know,
I approached the album from a different standpoint and like

(01:29:09):
trying to put together collaborations that people may not haven't
have seen before, you know, just just make it more.
It's about making a cohesive body at work that's with
either form of them. But you know, me and my
team generation now, like you know, we'll put in more
of the work to get those albums done.

Speaker 1 (01:29:28):
Definitely a lot.

Speaker 12 (01:29:29):
More clearances, paperwork and ship like that that has to
get done on my side. So the business is a
lot different per se as you know, when I work
on a mixtape, I'm I'm normally almost coming in like
an artist.

Speaker 1 (01:29:41):
So it's like a you know, one off type of
thing situation. For sure.

Speaker 3 (01:29:44):
I know we got to get out here with MC.
I know you got a couple of slaps off that
album that people need to hear.

Speaker 2 (01:29:48):
Man, y'all noticed my second home.

Speaker 3 (01:29:58):
I really appreciate you. Y listen, we had a grand
time five twenty. Were gonna keep turning up. We're gonna
keep doing what the fuck we do. Be here and
I don't know where he is, but he gonna con
carry you to be your fucking clown and DJ You're
gonna hold it down.

Speaker 2 (01:30:11):
And we really appreciate y'all though. Love Mattie, Yo, we
catch o OPI tonight turn up.

Speaker 18 (01:30:16):
So listen tonight we taking the after party. Were going
to Opium. But before you go out of here, I
gotta remind you if you have an official meet and greet,
stay in your seat. We're gonna make that happen as
you exit the building. Please get your five twenty merch.
Shut out to DJ Drama, Shout out to the poor Mind,
Shout out to Aiso Joe, Shout out the rocks, Go

(01:30:37):
Dash for holding us down tonight. We in New York
next week. Continue to listen and subscribe to the Bond

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Club 520 - Joe Johnson, Roscoe Dash, Pour Minds, DJ Drama ATLANTA LIVE SHOW

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DJ Wells

Jeff Teague

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Club 520 - Joe Johnson, Roscoe Dash, Pour Minds, DJ Drama ATLANTA LIVE SHOW