Carín León Habla de Venezuela, Rompe el Silencio Sobre "De Compas" y Revela a Quién Va en el Mundial (Edition de Radio)

Entrevistamos a Carín León en una conversación sincera donde habló de su carrera, su música, el Mundial y hasta de las polémicas que han rodeado algunas de sus canciones. En esta entrevista descubrirás: La verdad detrás de "De Compas" y si realmente fue pensada como una canción para la comunidad LGBTQ+. Por qué Kany García es una de las artistas que más admira y considera un ejemplo a seguir. La inesperada confesión de que nunca imaginó dedicarse profesionalmente a la música. A qué selección apoyará durante el Mundial y cómo vive la pasión por el fútbol. El emotivo mensaje que envió a Venezuela tras la tragedia provocada por los terremotos. Además, nos cuenta todos los detalles de su esperada presentación este fin de semana en Miami y lo que pueden esperar sus fanáticos. Una entrevista llena de risas, confesiones, música y momentos que no te puedes perder. Suscríbete para más entrevistas exclusivas con los artistas más importantes de la música latina. 

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Episode Transcript

Speaker 1 (00:01):
Creaky Santos.

Speaker 2 (00:06):
Podcast, You and You Ra Spredicio, Principio, Musica no d Naoma, Lottari,
Finiando Lo motrando and Tempo Real carrying Leong Moss par Domingo,

(00:32):
Victoria Primer Latino, Primero par Primer Latino and Concierto and
new stadium Casa into Miami where you got it.

Speaker 3 (00:42):
We can compas. I have to know the compass.

Speaker 4 (00:52):
It's a home deep pride, it's it's it's it.

Speaker 5 (01:00):
Was like the mime and it all royals for commosa
member not la general. And they turned one come compound
mac compounds. Yes, the para can sell, the man lam,

(01:32):
the universal and many yes, falta especial.

Speaker 2 (01:36):
They get to momentos, the comments a pero venezuela, the
constant different, I mean come away, moto co man.

Speaker 5 (01:55):
Know the mellum weaving he certain and possil knows posca
in possibly by experience you cares mood efficial, the pongos,
the toll Mundo and crooket paratos manos par pulico and

(02:22):
solo malta manus croque as a coel mundo, momento.

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Person for venezuela, cantando grandees must create the ca ca jelly,
row Englas and men canta.

Speaker 5 (02:49):
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Hen mission mas para como exciting.

Speaker 5 (03:08):
And interest respect and industry by experiment ever comtional okay,
minoster experiments.

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Us horizontes.

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(04:15):
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and m BB and a more Australia and.

Speaker 2 (04:33):
In the most el mundo so la music Americana so
la Musica Latina.

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and the most concerto where knowstra music, son O n
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the musica the on the esperan prectos y castro musica
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(05:26):
constematica construs letters, contest croquet no soil pot and heno rescur.

Speaker 3 (05:37):
And no permit and who are young your c and
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Music root musical, technical, minimal, lineal melodicas mile presence r
monicas on the nina pretiosndos can.

Speaker 4 (06:25):
The country reflections.

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Speaker 5 (06:37):
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in the the persona Ma Laska and the persona Camels

(07:02):
and Zucaro, Croke Lookatel, the Musica Country, the Musicamicana line.

Speaker 4 (07:10):
Crooke Al Final, the quentas.

Speaker 5 (07:13):
Tendency in the quantas a momento ca terminal and the
lansman a triminial Conjoin America, Marcantonio, the American crook parents,
Aldo My Universal Musical Race, Mexicano and person alias press

(07:35):
Universal and the Universally Parlos hens.

Speaker 4 (07:40):
Guando Gondola takes you to Alex.

Speaker 5 (07:47):
The car in the Kings and this is a see
quest can be Endo Hotel in Morrow, Carla Musica, no
man Yeah you master is in Losso, Yeah, Trella and

(08:12):
Preparatoria and to press down Win contact Musicamchico and Casa Musica.
Also going too familiar see empir comment those amost to
met Universe, thosemesters, the music, the group of and com

(08:33):
we Bronstrotters, the you know pers music can talent music.

Speaker 1 (08:46):
Peculiar, Creak Santace.

Speaker 6 (09:02):
Podcast Center Creaky Santace Podcast, Don't don't.

Speaker 2 (09:20):
You know? You know? Okay, I eat as letters, letter,
I go mesic, Linda like okay, my breakfast.

Speaker 4 (09:33):
It's amazic that.

Speaker 3 (09:35):
Means by breakfast, yeat the iss the sentiment.

Speaker 4 (09:44):
Savage yeah okay, come on you and proctor the careen
b lat indention. Okay, it's the stuff as a resta

(10:06):
and to Momento.

Speaker 5 (10:07):
Yeah, it's the stamatic conn and the.

Speaker 4 (10:13):
Apparent courses intend there for les Quell and young Momento
and the Royal music Musica, pulic.

Speaker 5 (10:26):
In com music, postal care, nip car large care you
know Mempha was okay, Yeah, it's to the inter music
and connector royal musica. Really I got, I got called

(10:52):
music blo okay, character course disc care for Yeah, para
artists the most important and rely artist and.

Speaker 4 (11:16):
Croque most the most just in Brasilo and is to
look as.

Speaker 2 (11:28):
No parish editoria in Miami in a Randel news stadium
like Inter Miami Domingo and Premier Arta Latino. In present
and sphere the Las Vegas. I took my radio wife Diana.
We went to go see the Wizard of Ours we
have and we were like, oh my, but we felt

(11:49):
so proud of you walking the halls and the spheres
by you having a couple of beers.

Speaker 3 (11:55):
Yes, yeah, Is it make you nervous? Are you more nervous?
New stadium or.

Speaker 4 (12:03):
I think the sphere like.

Speaker 5 (12:07):
Miami, Miami d nastunt super lead most comment the Miami
even the show printer Miami com Common mass approxim.

Speaker 4 (12:24):
Okay, okay, I feel better.

Speaker 5 (12:27):
It's the man, it's always the nerve, like you know,
it's needfult but I think like the sphere is, it's
like a very big compromise for me, like like you know,
a lot of responsibility because it's a big form.

Speaker 4 (12:42):
Okay, okay, So for with with this tinto the.

Speaker 5 (12:55):
Queen on a big opportunity, be a you know, everything
can happen, but we are very prepared and very excited
for this. But you know it's it's it's just here.
You know, it's like it's always got your nervous. But
but that's the kind of nervous that push you to

(13:15):
to break the limits.

Speaker 3 (13:19):
Socialist Socialist and.

Speaker 4 (13:25):
Releases Karen.

Speaker 5 (13:29):
Metal pent feedback, So Muro and you.

Speaker 4 (13:44):
Tempo be an information your men.

Speaker 5 (14:01):
Not stars for Molestia, what was he simpression my co
diferent process into coms stint mental critica simply has come
for common real the Temple because capon the malascon isn't

(14:27):
okay ya tant information moch information cokay Alex Perriman and
prop royal you know, the sequentary so is over to
the cafe or com multiple resid and incomo and the
employ them okay and poke alpant p.

Speaker 4 (14:53):
Proctive so almas claras like simple yes, yes, yes, post.

Speaker 3 (15:04):
Oh yeah, I gonna take your own bullying.

Speaker 5 (15:11):
Sela of courses. So that's another critical career.

Speaker 2 (15:19):
Torman masters and Mente Celebrando Lho so called karim lopees,
Premier Meicano fimal and in the first draft the n
B A this is big, grand grande Grandioicano being grande

(15:40):
par Latino, I.

Speaker 4 (15:41):
Mean, nomic.

Speaker 5 (15:45):
Locom c o and the Tanto artist Toto Talento, Tanto,
troy p, Canno standing.

Speaker 4 (15:58):
Mission personal, the.

Speaker 5 (16:02):
Ports and the PLA, the miss Mundo Carrimo, your record,
the Morio, the Metro.

Speaker 4 (16:15):
No of course super super.

Speaker 5 (16:20):
Superheroball persons, Meto, cost.

Speaker 4 (16:29):
The port and yeah, the Cannando local talent, my.

Speaker 5 (16:41):
Very talentedgether and NBA product Premier vehicanos a number you
know like those Metro says scaring leng mos Okay, the Porto,
who are you? Oh goals, No, you said sport that's

(17:04):
the business, that business.

Speaker 3 (17:05):
Thank you.

Speaker 2 (17:06):
You can tell them what they're going extreme and it's
a tremendous So if you don't sweat, it's not a sport.

Speaker 5 (17:13):
Yeah, but it's like more like a business. But you
know it has the technique. It's hard to play. I
just want one time and it looks like it's but
you can't have when I hear you, you have to
what it is like and I can't. I cannot do that.

Speaker 3 (17:31):
You have to practice that movement compass. Yeah, I didn't.
Thank you brother, the best day the day I'm wearing mine.

Speaker 4 (17:53):
Thank you. You have the kid already, your brother.

Speaker 3 (17:55):
It's awesome.

Speaker 5 (17:57):
That's that's the only thing. You need this more. It's
no year as the question.

Speaker 2 (18:07):
You know.

Speaker 4 (18:10):
Everybody, everybody wors in our country.

Speaker 2 (18:13):
Sombredos allowed carding, thank you brother, get the get the.

Speaker 4 (18:21):
Most and and concerto.

Speaker 5 (18:24):
No minster in Canta Miami, conos okay to prey to
you he FSA and as well as important to massdars.

Speaker 4 (18:47):
And tormental.

Speaker 1 (18:50):
Creaky Santos

Speaker 6 (18:54):
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