Entrevistamos a Carín León en una conversación sincera donde habló de su carrera, su música, el Mundial y hasta de las polémicas que han rodeado algunas de sus canciones. En esta entrevista descubrirás: La verdad detrás de "De Compas" y si realmente fue pensada como una canción para la comunidad LGBTQ+. Por qué Kany García es una de las artistas que más admira y considera un ejemplo a seguir. La inesperada confesión de que nunca imaginó dedicarse profesionalmente a la música. A qué selección apoyará durante el Mundial y cómo vive la pasión por el fútbol. El emotivo mensaje que envió a Venezuela tras la tragedia provocada por los terremotos. Además, nos cuenta todos los detalles de su esperada presentación este fin de semana en Miami y lo que pueden esperar sus fanáticos. Una entrevista llena de risas, confesiones, música y momentos que no te puedes perder. Suscríbete para más entrevistas exclusivas con los artistas más importantes de la música latina.
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Speaker 1 (00:01):
Creaky Santos.
Speaker 2 (00:06):
Podcast, Trent rad Principio, Musica No d Naoma.
Speaker 3 (00:16):
Lot Motrando and Tempo Real carrying.
Speaker 2 (00:20):
Less Domingo, Victoria Primer Latino, Prime Primere Latino and Concerto
and New Stadium Casa into Miami where I got it.
Speaker 3 (00:44):
We can compas. I have to know the compass.
Speaker 4 (00:54):
It's home deep, no.
Speaker 5 (00:57):
Pride, it's it's, it's It was like the mime and
it all royals for commosation member not more.
Speaker 4 (01:08):
And they turned on come compound, the.
Speaker 5 (01:18):
Macy compound, wellmro, the Parakin, the man lam, the universal
and man.
Speaker 3 (01:35):
Yes falta especially mean they get to momentos.
Speaker 2 (01:40):
The comments are pero venezuela, the costant different, I mean, come.
Speaker 3 (01:53):
Moto co man know the.
Speaker 5 (01:56):
Millium when he cans in POSI knows the possibly by
experience and a mod IFICI. The army pongoos the toll,
Mundo crooke, parat manos par Pulico and sol and malta
(02:26):
prog manus croque as a coel Mundo.
Speaker 2 (02:36):
Momento for Venezuela, reports Barde that I meant perpet the
La music on the Central and also Crossover Latino Martin people.
Speaker 3 (02:59):
Man and you can call our.
Speaker 2 (03:02):
Blo the English parent mercado. But you know now it's
the other way around. Controso Grandees. Kelly Mus creates the
CA jelly row englass and panel mecanta.
Speaker 5 (03:22):
See comm propera a curios per connector connector uturas per
connector handed hennion.
Speaker 6 (03:35):
Mas paramo exciting.
Speaker 5 (03:41):
And we.
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Interest respect industry by Experimento.
Speaker 5 (03:46):
Comk paramos and parames experiments.
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Ters horizontes or Chris Okay mayor music.
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Raves the much rao como La television como o in
the LAS platforms India the most constab platform, the most
tantas propostas the adio can access on telephono. Crockest and
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propostist company rom perlmld Croqueta Mino Royal and Latinos is
mas the Latinos can the moost Okay Lamon for Latin America,
(04:48):
croc Cultus, Astra Musica D and tam forms.
Speaker 4 (04:57):
Latinos know the.
Speaker 5 (04:58):
Pst o okay a contrast in the crom Okay Latinos
and B and Australias.
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Can Grammy Festival, al Lo incret.
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And Yeah.
Speaker 5 (05:29):
Crooke and co Crookett no West in contact them, he
called me a man no sort talk man to music cow.
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Sim with the crocando Camino and come. The under state.
Speaker 6 (05:52):
Was your momento ca wow lo k the momento Crock
costumes and the grand pre.
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The persona was the cons.
Speaker 5 (06:15):
From Paramillo number La and the the heat you know
Paramillo lores important as impact of the grand and school
mentor the came beer courses Okay, the arresta mec Country
(06:39):
on the practical men American primerlative understanding Ovation Pepular Gran Grand.
Speaker 2 (07:04):
Musica Country, Coachella, Grandie Montos on your stage, Coach Italius
and Norman Cleando the sphere in the moul Mundo so
la music Americana so re la Musica Latina.
Speaker 5 (07:19):
They had to Mundo Crocks and Yea and the most
totals Thomas Explorando and los Filters and Tempe and the
concertmost music sonar O n d s Stra Musica Manerasi
(07:39):
limited Manerla and the valid Cornelio Musica Romantica. If cantes
duramos crentos sentaneous practical and the musica the on the
esperan prectos, kay to castro musica tomorrow so la par
(08:04):
looms India pers permitt who are constematics, construs letters, contest,
croquet and hens and permit and who are you your
c and met.
Speaker 3 (08:26):
Being organico Okay.
Speaker 2 (08:29):
Artist report the n b C LA Musica Latina no
portal second ect time per pacifica Latino a thousand lomicanos
immigrante call cau part.
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Ms pork l.
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The hustle is the same pro music can mimosa.
Speaker 5 (08:54):
Musical technicals and minimal lineal melodicas mind press r monicas
on the.
Speaker 4 (09:01):
Pretentious.
Speaker 6 (09:02):
You know candos call.
Speaker 4 (09:05):
Ma canal.
Speaker 6 (09:09):
The country.
Speaker 4 (09:14):
More super more why not.
Speaker 5 (09:23):
Kro him because a prohibians persona can su composition.
Speaker 4 (09:29):
Era fasil and the yep and complete.
Speaker 5 (09:39):
A public and in the there's a persona ma grand
the personaky camel and car Okay, look at la musica country,
the musica amicana in okay finel, the quintas tends in
(10:00):
the quantos momento terminary and the lamas triminal American Marcantonio,
the American parents, my universal musical.
Speaker 8 (10:16):
Mexicano and person alias press universal and universally pass.
Speaker 7 (10:26):
Quando takes you to Alex the car in the Kings.
Speaker 5 (10:36):
And this is a question, cambersdo hotel in Morrow, Carl Musica, No, yeah,
Masta is in press loss yeah, trolla entry, labor Paratoria
(11:01):
in press down Wing Contact music, Thechico and.
Speaker 4 (11:07):
Musica.
Speaker 3 (11:09):
Also going to familiar.
Speaker 5 (11:11):
Se empir coments almost to metus universe, thosemesters the music
and the group of Westertters, the you know pers.
Speaker 4 (11:30):
Music talent.
Speaker 7 (11:35):
Pey Creaky Santace.
Speaker 1 (11:50):
Podcast Centery Creaky Santace Podcast.
Speaker 8 (12:02):
You know, I eat a letter letters Linda.
Speaker 7 (12:12):
By breakfast. It's amazical that means.
Speaker 3 (12:19):
Asso by breakfast. Yet so there is a sentiment.
Speaker 4 (12:26):
Savage Yeah, okay, come on.
Speaker 5 (12:39):
Group Proctor the caring bet intention Okay, it's just a rest.
And to Momento, yeah, it's thematic. Can courses intend there
for less call and Young Momento and the art Royal
(13:03):
Music Music Public on the music post care nip calart care.
Speaker 4 (13:13):
You know Mempha was ok.
Speaker 3 (13:18):
Yeah to.
Speaker 5 (13:22):
The music and connect Royal Musica. Really I got got
music said well, okay, character cause a disc okay o contractistic.
Speaker 4 (13:48):
Comte ye para artists the most important.
Speaker 5 (13:55):
Interest and really really artist and really ever look and
really a caras Okay.
Speaker 4 (14:04):
Most when the most just hit Brasil and.
Speaker 3 (14:11):
To look, when did you find that moment? You know
what I mean? Look at ship. I hate something that
people are connecting to and people.
Speaker 5 (14:25):
Like see I was connecting on the first time, like
with my first album, I was connecting with with my people,
but more in the genre.
Speaker 6 (14:35):
And that was the time that I wanted to do
like something different.
Speaker 5 (14:39):
I wanted to reach new horizons and and and approach
more to the country music and.
Speaker 6 (14:44):
The soul music that I was listening on that time.
And I've been listening to soul music like all my life.
Speaker 3 (14:50):
I love that genre.
Speaker 5 (14:53):
Okay, I need to do this kind of motown song
and this and and and that. That's Whenasita came on
into life. Actually this song was like, Okay, we're gonna
do this song for for making time for the big
hit that we were.
Speaker 3 (15:14):
Keeping it and was like your resume like your first
walked in with it.
Speaker 5 (15:19):
No, it was it was like it was like this
this bass for for on the new album for for you,
like that Ship. There's more coming, Yeah, there's more coming.
And we didn't expect that was gonna be the big
hit because it was. It was a bed for us.
It was like very different. I think that at the first,
(15:41):
like this is not going to be a hit because
of the type of.
Speaker 4 (15:44):
The song, because.
Speaker 3 (15:52):
Yeah, it was like it was like.
Speaker 4 (15:58):
It was it was can you big hit?
Speaker 6 (16:01):
Okay?
Speaker 3 (16:02):
And it is a big big hit yeah?
Speaker 4 (16:04):
And different.
Speaker 3 (16:08):
And the B side song yeah yeah, the side.
Speaker 5 (16:16):
If they're okay, if you fulfill your desires as a musician,
there's something you need that is gonna come out and
the people is gonna feel that it's authentic, that it's new,
that is refreshing.
Speaker 3 (16:27):
Well, everything you're doing is refreshing. People are connecting with you.
No partis.
Speaker 2 (16:31):
Or in Miami in a Urando News Stadium, like I said,
inter Miami, Domingo and Latino and Present and a sphere
the Las Vegas. I took my radio wife Diana. We
went to go see the Wizard of Oz we have
and we were like, oh my, but we felt so
proud of you walking the halls and the spheres by you.
Speaker 3 (16:54):
Having a couple of beers. Yes, yea. Is it make
you nervous? Are you more nervous about new stadium or
you more overs.
Speaker 6 (17:05):
I think the sphere like, let's better Miami, Miami, DNA.
Speaker 4 (17:15):
Prudential. We've been on the poudential.
Speaker 5 (17:18):
The last center must super lead most comment the Miami
even the show comes print Miami common mass appre Okay, Okay,
I feel better. It's the it's always the nerve, like
you know, it's needful, bet. But I think like the
(17:43):
sphere is it's like a very big compromise for me,
like like you know, a lot of responsibility because it's
a big form.
Speaker 6 (17:50):
Okay, okay for with ditto with this tinto and question,
the big opportunity can be a you know, everything can happen,
(18:10):
but we are very prepared.
Speaker 5 (18:12):
I'm very excited for this. But you know, it's it's
it's just here. You know, it's like it's always got
your nervous. But but that's the kind of nervous that
push you to to break the limits.
Speaker 2 (18:24):
You know, you're breaking a lot of limits, breaking a
lot to break a lot of things. I mean the
first one, the first one, the first Mexican singing in
Spanish and and right in Nola and handed the Musica country.
Speaker 3 (18:53):
You know, yeah, that's big. It was.
Speaker 5 (18:56):
It was a big work, like hard work like three
years like we were, we were approaching to the country music,
to the artists, to the songwriters. Definitely, there's a community
of country music in Nashville and in all over the US.
But it's like, I love the way that they have
(19:18):
to accept you. They don't give a fuck about numbers,
They don't give a.
Speaker 3 (19:22):
Fuck about what do they care about.
Speaker 6 (19:24):
They do care about feeling your heart, that that you're
you know that you're you are there for the music,
not for the fame or for them.
Speaker 2 (19:33):
So who would you say is the first person in
the country music genre that that said thumbs up, that
said yes green light?
Speaker 3 (19:40):
They said, oh man, this guy cutting.
Speaker 6 (19:41):
Is the first artist that I believed in you that
I recorded with?
Speaker 4 (19:46):
It was Kane Brown.
Speaker 7 (19:47):
Uh.
Speaker 5 (19:48):
There was a song of my album called the One.
I don't remember what I think it wasn't but I
don't remember. I do almost like like every day.
Speaker 3 (19:58):
I got a lot of songs, bro.
Speaker 6 (20:01):
But the first, the first guy that approached to me,
the first guy that opened me for the door.
Speaker 5 (20:06):
We we didn't do this song first because of the times,
but the guy that leave me the first it was
Coddie Johnson, for for sure, he was the first guy
to approach me and I love what you're doing and
we have to do a track together. And then we
made the track with Cody Johnson that is called she
(20:27):
Hears Like Tequila and and but he was the first
one that he told me that he was on a restaurant.
Speaker 4 (20:33):
And he heard my music.
Speaker 6 (20:34):
And who is this guy that is making kind of
our music?
Speaker 3 (20:38):
And that's drink a lot of tequila. We have tequil
for sure.
Speaker 5 (20:44):
I think it's too early, but you know, I'm a
I'm a I'm always ready for never never. That's that's
my favorite themes of my favorite.
Speaker 4 (21:01):
Yeah, that.
Speaker 9 (21:04):
Carlos gifted it to us is my my biggest supplier.
Shout out to my to my came but you want
me to open it?
Speaker 3 (21:17):
Okay, oh man, this would be allful to take a
shot with.
Speaker 6 (21:21):
Maybe they're keeping it here because of I got keeping
it here for cutting. No, and it is my favorite
actually it's my favorite in stereo.
Speaker 5 (21:31):
Yeah, Carlos, Well my favorite is it's one that is
coming that it's you know, better than Carlos music. Thank you, No, no,
that wasspect.
Speaker 10 (21:57):
Really we're gonna take We're gonna take tequila shot in
in Cuban coffee in Cuban coffee cups, literal coffee cups. Here,
I'll take the styrophone. Come, I'm ghetto Exitos and Carrera
(22:38):
and supers and the stadium.
Speaker 3 (22:40):
In the sphere.
Speaker 6 (22:44):
Exito cheers, super.
Speaker 3 (22:49):
Thank you.
Speaker 7 (22:52):
Yes, oh my gosh.
Speaker 4 (22:55):
When this is smooth, this ismooth there joined.
Speaker 6 (23:02):
It's it's it's an ability, It's a gift.
Speaker 7 (23:06):
Margarita's your business does difference?
Speaker 4 (23:09):
You know, I think you don't know.
Speaker 1 (23:15):
Creaky santace Hot ct podcast, Creaky santace Hot podcast.
Speaker 7 (23:27):
I mean I hate you.
Speaker 3 (23:32):
No, you commune.
Speaker 4 (23:32):
So you're going to a business.
Speaker 3 (23:44):
Exactly. I just want to clarify that for the records,
for the record, Yeah.
Speaker 7 (23:52):
Mechanical, mechanic level going.
Speaker 5 (24:03):
Artist person like k carry out to me and the
Carr Music and my company and pro and the person
port the artist, the case sorry connect that I compromise
(24:27):
me lutistic and ptist employers and the commos causes definite
and trunal molro pas the port yes artistics through artists
(24:53):
ind and yes can.
Speaker 4 (24:57):
And and and career pers.
Speaker 3 (25:02):
Pretend you're not Mexican level and.
Speaker 6 (25:12):
I don't know.
Speaker 4 (25:12):
I love I love football for for the debate. But
but I don't think so. I think like for keeping up.
Speaker 6 (25:23):
This history, it will be cool to see Portugal.
Speaker 4 (25:27):
Just for the just for the debate.
Speaker 6 (25:29):
But I don't know, you have to change.
Speaker 5 (25:35):
I'm but but I got in the and and and
and I met metal moneytistic because I have went.
Speaker 3 (26:03):
No look you sc happened to your second to see you.
I had the training and no o.
Speaker 4 (26:22):
France Francis and just started that.
Speaker 3 (26:30):
Let me include another and t Loo Mando not cop.
Speaker 4 (26:52):
So you see.
Speaker 3 (26:56):
Colombia Colombia, no you, no Ma went theated the first round.
Speaker 5 (27:10):
Timber process, so simpren was principle and the respects because
party was okay, okay, So you were till fo worcause
(27:32):
press unpredictable.
Speaker 3 (27:34):
So some thirteen teams are keep lu you know the
car your.
Speaker 4 (27:52):
You go alone.
Speaker 3 (27:56):
Carrying socialists.
Speaker 5 (28:00):
And Makandi releases persito com. I don't your Instagram, I
don't you know the cot the cans, Cory metal, Simpress,
pent feedback so music Caro crocs Co and you Ma.
Speaker 6 (28:27):
Sono Crook Temple being information.
Speaker 2 (28:34):
Because which is your pen mantil lament Marando for Molestia,
what was heroky mpress.
Speaker 4 (28:56):
And distinct. The critica.
Speaker 5 (29:04):
Simply has come for common real the must producing temple
care the malascon isn't okay y tant information, moch information cokay,
(29:24):
alex periment prop royal. You know there's secondary so is
over to the caf or com multiple and in common
man in the employ them okay parts and poke alp
PM fun super post proctivo, so Almas claras.
Speaker 4 (29:51):
Like yes, yes, yes my post.
Speaker 3 (29:57):
Oh yeah, I gonna take this your.
Speaker 4 (29:58):
Bulling seel of courses.
Speaker 5 (30:07):
So that's another being porto critical career to master plas critics,
the contrat and tell Us pon tell Us and mesast
(30:38):
b which come.
Speaker 3 (30:44):
Like my grand look carrying. No, we need a.
Speaker 2 (31:06):
Podcast to you're a great communica podcast Heart Radio would
be the ship. I know people, we can talk, we
can talk, I know podcast Michael to the podcast network.
Speaker 5 (31:18):
Actually there's coming something like better be really related to
video games or something.
Speaker 6 (31:23):
Okay, I love video games and you're gonna be.
Speaker 4 (31:26):
I love the geek stuff, you know.
Speaker 3 (31:28):
All if Guarding Leon was a superhero would be in Superpower.
Speaker 11 (31:32):
Wow.
Speaker 6 (31:33):
I don't know.
Speaker 4 (31:34):
Sleeping sleeping.
Speaker 6 (31:38):
You could have Dancer or by the time if you
sleep like you know, write something dancer.
Speaker 5 (31:44):
No, No, you can buy the time if you if
you sleep like you can you can like move the
time you're sleeping.
Speaker 6 (31:51):
I don't know.
Speaker 4 (31:52):
I'm a good I'm a good sleeper.
Speaker 5 (31:54):
That's why I'm better sleeper dancing by far so Yeah,
for sure, I'm a big sleeper when I sleep, but
I don't I don't like to go to sleep, but.
Speaker 3 (32:04):
When I I like, you're a good sleeper. You like sleeping,
but you don't like to know.
Speaker 5 (32:09):
I don't like to I don't like to sleep, but
when I sleep, I don't like to wake up like
I like, I'm.
Speaker 11 (32:17):
Weird.
Speaker 3 (32:18):
You're very weird.
Speaker 5 (32:19):
Yeah, it's like no, it's like when I'm blowing seper
I was like my mother, like very calm, like very quiet,
and I don't want to go to sleep because you know,
when I wake up it's going to be.
Speaker 6 (32:31):
And when I'm live, like, I don't want to wake
up because there's.
Speaker 4 (32:33):
A lot of work to do.
Speaker 2 (32:34):
You know, you know you sound like the those guys
that the most interesting man in the world. I normally
don't like to sleep, but when I like to sleep,
don't with me up. Celeando so cool, Karim Lopez premer
Mexicano Mile and in first draft the n b A
(32:57):
this is big, Grande Grandi, grand La.
Speaker 5 (33:04):
Nomic Party, Loco m O and the.
Speaker 4 (33:13):
Tanto Artist to Talent and Stroyer can Standing.
Speaker 5 (33:20):
Mission Personal, the the miss ports At and the Panela,
the Miss Mundo Carrimo, your recorded, the Morio Mas, the.
Speaker 4 (33:34):
Metro of course super Super.
Speaker 5 (33:42):
Superheroball Persons, Metopost, the port and yeah the Cananda Local Talent,
(34:03):
very talented guy and NBA portract Premier Amican you know
like those Metro sec Le okay, the port.
Speaker 3 (34:20):
Oh golf, No, you said sport.
Speaker 4 (34:25):
You know that's the business. That business.
Speaker 3 (34:28):
Thank you.
Speaker 2 (34:29):
You're going extreme and golf is it's a tremendous.
Speaker 3 (34:34):
So if you don't sweat, it's not a sport.
Speaker 5 (34:36):
Yeah, but it's like more like a business. But but
you know it has the technique. It's hard to play off.
I just want one time and it looks like it's
that's sucking easy.
Speaker 6 (34:46):
But I don't have When I hear you, you have
to what it is like it traight and I can't.
I cannot do that.
Speaker 3 (34:54):
You have to practice that movement compass.
Speaker 11 (34:57):
Yeah, Amanda, make president the trunk and you.
Speaker 6 (35:14):
Ye band people, merophones, microphones.
Speaker 7 (35:20):
Now too, dog instrumental, yeah, sex.
Speaker 6 (35:29):
It's common.
Speaker 4 (35:33):
It's that piece of pie.
Speaker 3 (35:42):
Can you piece my dog? Please? Haven't please, I'll take it.
Speaker 4 (35:46):
I haven't.
Speaker 6 (35:47):
I haven't had breakfast like you know comp okayrom what thing.
Speaker 11 (36:02):
Right?
Speaker 6 (36:04):
Let me remember? Let me remembering.
Speaker 5 (36:10):
And Costia's instrumental look up and less last minas and
minas and and man los and it was.
Speaker 3 (36:22):
Put the musica.
Speaker 5 (36:24):
They are not podcast, okayse parcioh plan plan young guitar, minas, guitar, cordas, guitar, song.
Speaker 4 (36:46):
And guitar and Mexico is instrument and.
Speaker 6 (36:58):
Minawther su.
Speaker 4 (37:04):
Bro man com to.
Speaker 3 (37:17):
That guitar. Talking to you protect anything with your hands,
you said my actually like.
Speaker 4 (37:33):
Carry from pet trom Rosella so well technical and then
royal on this from Ca.
Speaker 3 (37:56):
Thank you brother, the best. Then I'm wearing mine.
Speaker 4 (38:04):
Thank you have there already, your brother.
Speaker 3 (38:06):
It's awesome.
Speaker 6 (38:08):
That's that's the only thing you need for are all access.
Speaker 4 (38:13):
That's the all.
Speaker 2 (38:14):
Yeah.
Speaker 4 (38:16):
Yeah, let's come on. It's no year as the quest. Everybody.
Speaker 6 (38:28):
Everybody wears a hat in our.
Speaker 2 (38:30):
Country, sombredos allowed cat. Thank you brother, like you get
the get the.
Speaker 4 (38:38):
Most and and concerto.
Speaker 5 (38:44):
Yes Miami, con.
Speaker 4 (38:52):
Okay to preak to you, he.
Speaker 5 (38:56):
Venullas important, Tolo massaster Undario Crosmane, Ven Azolla, Sallos in
a tormental tandife.
Speaker 1 (39:06):
Ricky Santas, Hey, Creaky Santos Podcast
Creaky Santos.
Speaker 2 (00:06):
Podcast, Trent rad Principio, Musica No d Naoma.
Speaker 3 (00:16):
Lot Motrando and Tempo Real carrying.
Speaker 2 (00:20):
Less Domingo, Victoria Primer Latino, Prime Primere Latino and Concerto
and New Stadium Casa into Miami where I got it.
Speaker 3 (00:44):
We can compas. I have to know the compass.
Speaker 4 (00:54):
It's home deep, no.
Speaker 5 (00:57):
Pride, it's it's, it's It was like the mime and
it all royals for commosation member not more.
Speaker 4 (01:08):
And they turned on come compound, the.
Speaker 5 (01:18):
Macy compound, wellmro, the Parakin, the man lam, the universal
and man.
Speaker 3 (01:35):
Yes falta especially mean they get to momentos.
Speaker 2 (01:40):
The comments are pero venezuela, the costant different, I mean, come.
Speaker 3 (01:53):
Moto co man know the.
Speaker 5 (01:56):
Millium when he cans in POSI knows the possibly by
experience and a mod IFICI. The army pongoos the toll,
Mundo crooke, parat manos par Pulico and sol and malta
(02:26):
prog manus croque as a coel Mundo.
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Momento for Venezuela, reports Barde that I meant perpet the
La music on the Central and also Crossover Latino Martin people.
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Man and you can call our.
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Blo the English parent mercado. But you know now it's
the other way around. Controso Grandees. Kelly Mus creates the
CA jelly row englass and panel mecanta.
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See comm propera a curios per connector connector uturas per
connector handed hennion.
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Mas paramo exciting.
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And we.
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Interest respect industry by Experimento.
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Comk paramos and parames experiments.
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Ters horizontes or Chris Okay mayor music.
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Raves the much rao como La television como o in
the LAS platforms India the most constab platform, the most
tantas propostas the adio can access on telephono. Crockest and
rich Man the Verla music and India not doom Field
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through the pacially the coas propos in the LA much
propostist company rom perlmld Croqueta Mino Royal and Latinos is
mas the Latinos can the moost Okay Lamon for Latin America,
(04:48):
croc Cultus, Astra Musica D and tam forms.
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Latinos know the.
Speaker 5 (04:58):
Pst o okay a contrast in the crom Okay Latinos
and B and Australias.
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Can Grammy Festival, al Lo incret.
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And Yeah.
Speaker 5 (05:29):
Crooke and co Crookett no West in contact them, he
called me a man no sort talk man to music cow.
Speaker 4 (05:44):
Sim with the crocando Camino and come. The under state.
Speaker 6 (05:52):
Was your momento ca wow lo k the momento Crock
costumes and the grand pre.
Speaker 7 (06:07):
The persona was the cons.
Speaker 5 (06:15):
From Paramillo number La and the the heat you know
Paramillo lores important as impact of the grand and school
mentor the came beer courses Okay, the arresta mec Country
(06:39):
on the practical men American primerlative understanding Ovation Pepular Gran Grand.
Speaker 2 (07:04):
Musica Country, Coachella, Grandie Montos on your stage, Coach Italius
and Norman Cleando the sphere in the moul Mundo so
la music Americana so re la Musica Latina.
Speaker 5 (07:19):
They had to Mundo Crocks and Yea and the most
totals Thomas Explorando and los Filters and Tempe and the
concertmost music sonar O n d s Stra Musica Manerasi
(07:39):
limited Manerla and the valid Cornelio Musica Romantica. If cantes
duramos crentos sentaneous practical and the musica the on the
esperan prectos, kay to castro musica tomorrow so la par
(08:04):
looms India pers permitt who are constematics, construs letters, contest,
croquet and hens and permit and who are you your
c and met.
Speaker 3 (08:26):
Being organico Okay.
Speaker 2 (08:29):
Artist report the n b C LA Musica Latina no
portal second ect time per pacifica Latino a thousand lomicanos
immigrante call cau part.
Speaker 3 (08:43):
Ms pork l.
Speaker 2 (08:46):
The hustle is the same pro music can mimosa.
Speaker 5 (08:54):
Musical technicals and minimal lineal melodicas mind press r monicas
on the.
Speaker 4 (09:01):
Pretentious.
Speaker 6 (09:02):
You know candos call.
Speaker 4 (09:05):
Ma canal.
Speaker 6 (09:09):
The country.
Speaker 4 (09:14):
More super more why not.
Speaker 5 (09:23):
Kro him because a prohibians persona can su composition.
Speaker 4 (09:29):
Era fasil and the yep and complete.
Speaker 5 (09:39):
A public and in the there's a persona ma grand
the personaky camel and car Okay, look at la musica country,
the musica amicana in okay finel, the quintas tends in
(10:00):
the quantos momento terminary and the lamas triminal American Marcantonio,
the American parents, my universal musical.
Speaker 8 (10:16):
Mexicano and person alias press universal and universally pass.
Speaker 7 (10:26):
Quando takes you to Alex the car in the Kings.
Speaker 5 (10:36):
And this is a question, cambersdo hotel in Morrow, Carl Musica, No, yeah,
Masta is in press loss yeah, trolla entry, labor Paratoria
(11:01):
in press down Wing Contact music, Thechico and.
Speaker 4 (11:07):
Musica.
Speaker 3 (11:09):
Also going to familiar.
Speaker 5 (11:11):
Se empir coments almost to metus universe, thosemesters the music
and the group of Westertters, the you know pers.
Speaker 4 (11:30):
Music talent.
Speaker 7 (11:35):
Pey Creaky Santace.
Speaker 1 (11:50):
Podcast Centery Creaky Santace Podcast.
Speaker 8 (12:02):
You know, I eat a letter letters Linda.
Speaker 7 (12:12):
By breakfast. It's amazical that means.
Speaker 3 (12:19):
Asso by breakfast. Yet so there is a sentiment.
Speaker 4 (12:26):
Savage Yeah, okay, come on.
Speaker 5 (12:39):
Group Proctor the caring bet intention Okay, it's just a rest.
And to Momento, yeah, it's thematic. Can courses intend there
for less call and Young Momento and the art Royal
(13:03):
Music Music Public on the music post care nip calart care.
Speaker 4 (13:13):
You know Mempha was ok.
Speaker 3 (13:18):
Yeah to.
Speaker 5 (13:22):
The music and connect Royal Musica. Really I got got
music said well, okay, character cause a disc okay o contractistic.
Speaker 4 (13:48):
Comte ye para artists the most important.
Speaker 5 (13:55):
Interest and really really artist and really ever look and
really a caras Okay.
Speaker 4 (14:04):
Most when the most just hit Brasil and.
Speaker 3 (14:11):
To look, when did you find that moment? You know
what I mean? Look at ship. I hate something that
people are connecting to and people.
Speaker 5 (14:25):
Like see I was connecting on the first time, like
with my first album, I was connecting with with my people,
but more in the genre.
Speaker 6 (14:35):
And that was the time that I wanted to do
like something different.
Speaker 5 (14:39):
I wanted to reach new horizons and and and approach
more to the country music and.
Speaker 6 (14:44):
The soul music that I was listening on that time.
And I've been listening to soul music like all my life.
Speaker 3 (14:50):
I love that genre.
Speaker 5 (14:53):
Okay, I need to do this kind of motown song
and this and and and that. That's Whenasita came on
into life. Actually this song was like, Okay, we're gonna
do this song for for making time for the big
hit that we were.
Speaker 3 (15:14):
Keeping it and was like your resume like your first
walked in with it.
Speaker 5 (15:19):
No, it was it was like it was like this
this bass for for on the new album for for you,
like that Ship. There's more coming, Yeah, there's more coming.
And we didn't expect that was gonna be the big
hit because it was. It was a bed for us.
It was like very different. I think that at the first,
(15:41):
like this is not going to be a hit because
of the type of.
Speaker 4 (15:44):
The song, because.
Speaker 3 (15:52):
Yeah, it was like it was like.
Speaker 4 (15:58):
It was it was can you big hit?
Speaker 6 (16:01):
Okay?
Speaker 3 (16:02):
And it is a big big hit yeah?
Speaker 4 (16:04):
And different.
Speaker 3 (16:08):
And the B side song yeah yeah, the side.
Speaker 5 (16:16):
If they're okay, if you fulfill your desires as a musician,
there's something you need that is gonna come out and
the people is gonna feel that it's authentic, that it's new,
that is refreshing.
Speaker 3 (16:27):
Well, everything you're doing is refreshing. People are connecting with you.
No partis.
Speaker 2 (16:31):
Or in Miami in a Urando News Stadium, like I said,
inter Miami, Domingo and Latino and Present and a sphere
the Las Vegas. I took my radio wife Diana. We
went to go see the Wizard of Oz we have
and we were like, oh my, but we felt so
proud of you walking the halls and the spheres by you.
Speaker 3 (16:54):
Having a couple of beers. Yes, yea. Is it make
you nervous? Are you more nervous about new stadium or
you more overs.
Speaker 6 (17:05):
I think the sphere like, let's better Miami, Miami, DNA.
Speaker 4 (17:15):
Prudential. We've been on the poudential.
Speaker 5 (17:18):
The last center must super lead most comment the Miami
even the show comes print Miami common mass appre Okay, Okay,
I feel better. It's the it's always the nerve, like
you know, it's needful, bet. But I think like the
(17:43):
sphere is it's like a very big compromise for me,
like like you know, a lot of responsibility because it's
a big form.
Speaker 6 (17:50):
Okay, okay for with ditto with this tinto and question,
the big opportunity can be a you know, everything can happen,
(18:10):
but we are very prepared.
Speaker 5 (18:12):
I'm very excited for this. But you know, it's it's
it's just here. You know, it's like it's always got
your nervous. But but that's the kind of nervous that
push you to to break the limits.
Speaker 2 (18:24):
You know, you're breaking a lot of limits, breaking a
lot to break a lot of things. I mean the
first one, the first one, the first Mexican singing in
Spanish and and right in Nola and handed the Musica country.
Speaker 3 (18:53):
You know, yeah, that's big. It was.
Speaker 5 (18:56):
It was a big work, like hard work like three
years like we were, we were approaching to the country music,
to the artists, to the songwriters. Definitely, there's a community
of country music in Nashville and in all over the US.
But it's like, I love the way that they have
(19:18):
to accept you. They don't give a fuck about numbers,
They don't give a.
Speaker 3 (19:22):
Fuck about what do they care about.
Speaker 6 (19:24):
They do care about feeling your heart, that that you're
you know that you're you are there for the music,
not for the fame or for them.
Speaker 2 (19:33):
So who would you say is the first person in
the country music genre that that said thumbs up, that
said yes green light?
Speaker 3 (19:40):
They said, oh man, this guy cutting.
Speaker 6 (19:41):
Is the first artist that I believed in you that
I recorded with?
Speaker 4 (19:46):
It was Kane Brown.
Speaker 7 (19:47):
Uh.
Speaker 5 (19:48):
There was a song of my album called the One.
I don't remember what I think it wasn't but I
don't remember. I do almost like like every day.
Speaker 3 (19:58):
I got a lot of songs, bro.
Speaker 6 (20:01):
But the first, the first guy that approached to me,
the first guy that opened me for the door.
Speaker 5 (20:06):
We we didn't do this song first because of the times,
but the guy that leave me the first it was
Coddie Johnson, for for sure, he was the first guy
to approach me and I love what you're doing and
we have to do a track together. And then we
made the track with Cody Johnson that is called she
(20:27):
Hears Like Tequila and and but he was the first
one that he told me that he was on a restaurant.
Speaker 4 (20:33):
And he heard my music.
Speaker 6 (20:34):
And who is this guy that is making kind of
our music?
Speaker 3 (20:38):
And that's drink a lot of tequila. We have tequil
for sure.
Speaker 5 (20:44):
I think it's too early, but you know, I'm a
I'm a I'm always ready for never never. That's that's
my favorite themes of my favorite.
Speaker 4 (21:01):
Yeah, that.
Speaker 9 (21:04):
Carlos gifted it to us is my my biggest supplier.
Shout out to my to my came but you want
me to open it?
Speaker 3 (21:17):
Okay, oh man, this would be allful to take a
shot with.
Speaker 6 (21:21):
Maybe they're keeping it here because of I got keeping
it here for cutting. No, and it is my favorite
actually it's my favorite in stereo.
Speaker 5 (21:31):
Yeah, Carlos, Well my favorite is it's one that is
coming that it's you know, better than Carlos music. Thank you, No, no,
that wasspect.
Speaker 10 (21:57):
Really we're gonna take We're gonna take tequila shot in
in Cuban coffee in Cuban coffee cups, literal coffee cups. Here,
I'll take the styrophone. Come, I'm ghetto Exitos and Carrera
(22:38):
and supers and the stadium.
Speaker 3 (22:40):
In the sphere.
Speaker 6 (22:44):
Exito cheers, super.
Speaker 3 (22:49):
Thank you.
Speaker 7 (22:52):
Yes, oh my gosh.
Speaker 4 (22:55):
When this is smooth, this ismooth there joined.
Speaker 6 (23:02):
It's it's it's an ability, It's a gift.
Speaker 7 (23:06):
Margarita's your business does difference?
Speaker 4 (23:09):
You know, I think you don't know.
Speaker 1 (23:15):
Creaky santace Hot ct podcast, Creaky santace Hot podcast.
Speaker 7 (23:27):
I mean I hate you.
Speaker 3 (23:32):
No, you commune.
Speaker 4 (23:32):
So you're going to a business.
Speaker 3 (23:44):
Exactly. I just want to clarify that for the records,
for the record, Yeah.
Speaker 7 (23:52):
Mechanical, mechanic level going.
Speaker 5 (24:03):
Artist person like k carry out to me and the
Carr Music and my company and pro and the person
port the artist, the case sorry connect that I compromise
(24:27):
me lutistic and ptist employers and the commos causes definite
and trunal molro pas the port yes artistics through artists
(24:53):
ind and yes can.
Speaker 4 (24:57):
And and and career pers.
Speaker 3 (25:02):
Pretend you're not Mexican level and.
Speaker 6 (25:12):
I don't know.
Speaker 4 (25:12):
I love I love football for for the debate. But
but I don't think so. I think like for keeping up.
Speaker 6 (25:23):
This history, it will be cool to see Portugal.
Speaker 4 (25:27):
Just for the just for the debate.
Speaker 6 (25:29):
But I don't know, you have to change.
Speaker 5 (25:35):
I'm but but I got in the and and and
and I met metal moneytistic because I have went.
Speaker 3 (26:03):
No look you sc happened to your second to see you.
I had the training and no o.
Speaker 4 (26:22):
France Francis and just started that.
Speaker 3 (26:30):
Let me include another and t Loo Mando not cop.
Speaker 4 (26:52):
So you see.
Speaker 3 (26:56):
Colombia Colombia, no you, no Ma went theated the first round.
Speaker 5 (27:10):
Timber process, so simpren was principle and the respects because
party was okay, okay, So you were till fo worcause
(27:32):
press unpredictable.
Speaker 3 (27:34):
So some thirteen teams are keep lu you know the
car your.
Speaker 4 (27:52):
You go alone.
Speaker 3 (27:56):
Carrying socialists.
Speaker 5 (28:00):
And Makandi releases persito com. I don't your Instagram, I
don't you know the cot the cans, Cory metal, Simpress,
pent feedback so music Caro crocs Co and you Ma.
Speaker 6 (28:27):
Sono Crook Temple being information.
Speaker 2 (28:34):
Because which is your pen mantil lament Marando for Molestia,
what was heroky mpress.
Speaker 4 (28:56):
And distinct. The critica.
Speaker 5 (29:04):
Simply has come for common real the must producing temple
care the malascon isn't okay y tant information, moch information cokay,
(29:24):
alex periment prop royal. You know there's secondary so is
over to the caf or com multiple and in common
man in the employ them okay parts and poke alp
PM fun super post proctivo, so Almas claras.
Speaker 4 (29:51):
Like yes, yes, yes my post.
Speaker 3 (29:57):
Oh yeah, I gonna take this your.
Speaker 4 (29:58):
Bulling seel of courses.
Speaker 5 (30:07):
So that's another being porto critical career to master plas critics,
the contrat and tell Us pon tell Us and mesast
(30:38):
b which come.
Speaker 3 (30:44):
Like my grand look carrying. No, we need a.
Speaker 2 (31:06):
Podcast to you're a great communica podcast Heart Radio would
be the ship. I know people, we can talk, we
can talk, I know podcast Michael to the podcast network.
Speaker 5 (31:18):
Actually there's coming something like better be really related to
video games or something.
Speaker 6 (31:23):
Okay, I love video games and you're gonna be.
Speaker 4 (31:26):
I love the geek stuff, you know.
Speaker 3 (31:28):
All if Guarding Leon was a superhero would be in Superpower.
Speaker 11 (31:32):
Wow.
Speaker 6 (31:33):
I don't know.
Speaker 4 (31:34):
Sleeping sleeping.
Speaker 6 (31:38):
You could have Dancer or by the time if you
sleep like you know, write something dancer.
Speaker 5 (31:44):
No, No, you can buy the time if you if
you sleep like you can you can like move the
time you're sleeping.
Speaker 6 (31:51):
I don't know.
Speaker 4 (31:52):
I'm a good I'm a good sleeper.
Speaker 5 (31:54):
That's why I'm better sleeper dancing by far so Yeah,
for sure, I'm a big sleeper when I sleep, but
I don't I don't like to go to sleep, but.
Speaker 3 (32:04):
When I I like, you're a good sleeper. You like sleeping,
but you don't like to know.
Speaker 5 (32:09):
I don't like to I don't like to sleep, but
when I sleep, I don't like to wake up like
I like, I'm.
Speaker 11 (32:17):
Weird.
Speaker 3 (32:18):
You're very weird.
Speaker 5 (32:19):
Yeah, it's like no, it's like when I'm blowing seper
I was like my mother, like very calm, like very quiet,
and I don't want to go to sleep because you know,
when I wake up it's going to be.
Speaker 6 (32:31):
And when I'm live, like, I don't want to wake
up because there's.
Speaker 4 (32:33):
A lot of work to do.
Speaker 2 (32:34):
You know, you know you sound like the those guys
that the most interesting man in the world. I normally
don't like to sleep, but when I like to sleep,
don't with me up. Celeando so cool, Karim Lopez premer
Mexicano Mile and in first draft the n b A
(32:57):
this is big, Grande Grandi, grand La.
Speaker 5 (33:04):
Nomic Party, Loco m O and the.
Speaker 4 (33:13):
Tanto Artist to Talent and Stroyer can Standing.
Speaker 5 (33:20):
Mission Personal, the the miss ports At and the Panela,
the Miss Mundo Carrimo, your recorded, the Morio Mas, the.
Speaker 4 (33:34):
Metro of course super Super.
Speaker 5 (33:42):
Superheroball Persons, Metopost, the port and yeah the Cananda Local Talent,
(34:03):
very talented guy and NBA portract Premier Amican you know
like those Metro sec Le okay, the port.
Speaker 3 (34:20):
Oh golf, No, you said sport.
Speaker 4 (34:25):
You know that's the business. That business.
Speaker 3 (34:28):
Thank you.
Speaker 2 (34:29):
You're going extreme and golf is it's a tremendous.
Speaker 3 (34:34):
So if you don't sweat, it's not a sport.
Speaker 5 (34:36):
Yeah, but it's like more like a business. But but
you know it has the technique. It's hard to play off.
I just want one time and it looks like it's
that's sucking easy.
Speaker 6 (34:46):
But I don't have When I hear you, you have
to what it is like it traight and I can't.
I cannot do that.
Speaker 3 (34:54):
You have to practice that movement compass.
Speaker 11 (34:57):
Yeah, Amanda, make president the trunk and you.
Speaker 6 (35:14):
Ye band people, merophones, microphones.
Speaker 7 (35:20):
Now too, dog instrumental, yeah, sex.
Speaker 6 (35:29):
It's common.
Speaker 4 (35:33):
It's that piece of pie.
Speaker 3 (35:42):
Can you piece my dog? Please? Haven't please, I'll take it.
Speaker 4 (35:46):
I haven't.
Speaker 6 (35:47):
I haven't had breakfast like you know comp okayrom what thing.
Speaker 11 (36:02):
Right?
Speaker 6 (36:04):
Let me remember? Let me remembering.
Speaker 5 (36:10):
And Costia's instrumental look up and less last minas and
minas and and man los and it was.
Speaker 3 (36:22):
Put the musica.
Speaker 5 (36:24):
They are not podcast, okayse parcioh plan plan young guitar, minas, guitar, cordas, guitar, song.
Speaker 4 (36:46):
And guitar and Mexico is instrument and.
Speaker 6 (36:58):
Minawther su.
Speaker 4 (37:04):
Bro man com to.
Speaker 3 (37:17):
That guitar. Talking to you protect anything with your hands,
you said my actually like.
Speaker 4 (37:33):
Carry from pet trom Rosella so well technical and then
royal on this from Ca.
Speaker 3 (37:56):
Thank you brother, the best. Then I'm wearing mine.
Speaker 4 (38:04):
Thank you have there already, your brother.
Speaker 3 (38:06):
It's awesome.
Speaker 6 (38:08):
That's that's the only thing you need for are all access.
Speaker 4 (38:13):
That's the all.
Speaker 2 (38:14):
Yeah.
Speaker 4 (38:16):
Yeah, let's come on. It's no year as the quest. Everybody.
Speaker 6 (38:28):
Everybody wears a hat in our.
Speaker 2 (38:30):
Country, sombredos allowed cat. Thank you brother, like you get
the get the.
Speaker 4 (38:38):
Most and and concerto.
Speaker 5 (38:44):
Yes Miami, con.
Speaker 4 (38:52):
Okay to preak to you, he.
Speaker 5 (38:56):
Venullas important, Tolo massaster Undario Crosmane, Ven Azolla, Sallos in
a tormental tandife.
Speaker 1 (39:06):
Ricky Santas, Hey, Creaky Santos Podcast
Host
Enrique Santos
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