208: My Fruit Cup With Heather Locklear

On this week's episode, Turk and JD reveal how they beg, borrow, and steal to make ends meet as medical residents. In the real world, Zach and Donald are joined by television legend, Heather Locklear. Locklear recounts her days as a star on two prime-time television series and the #MeToo moment that led her to remove her name from The First Wives Club.

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Episode Transcript

Speaker 1 (00:00):
Donald. They are making a Lando series for Disney Plus,
and uh, Donald, Lover's coming back and I just don't
see how anyone could avoid you being on the show.

Speaker 2 (00:13):
Wait Donald, when did how did I miss this morning?

Speaker 1 (00:18):
Oh see, Joell, I had it right.

Speaker 3 (00:20):
Yeah, this is brand new news. They think they just
dropped a trailer. I haven't watched the trail yet.

Speaker 2 (00:25):
Trailer, yeah, I think. Yeah.

Speaker 3 (00:29):
Somebody was saying that there's some images on Disney Plus,
so I'm not sure if they cut a trailer from Nobody.

Speaker 1 (00:36):
Wait too, well, it's there, eve been filmed. No, it
hasn't been filmed.

Speaker 3 (00:39):
No, no, no, I think it's footage from Solo that's
been cut up like that, Like yeah, so he's in
there doing his Lando thing and they're like coming soon Lando.

Speaker 2 (00:48):
Listen.

Speaker 4 (00:48):
I was gonna say, Solo is a good movie. Y'all
can hate if you want to and act like.

Speaker 1 (00:52):
So I didn't make it through.

Speaker 4 (00:54):
Let's just let me just listen. Let me just tell
you something right now. It was nothing wrong with Solo.
It was a fun Star Wars movie. If it had
come out before the Last Jedi when everybody was kind
of over Star Wars for that little bit of time,
I promise you it would have been well received. The

(01:15):
problem was it was Rogue One, the Last Jedi, and
then Solo, all within a year and a half, and
that freaking made it so everyone was like.

Speaker 2 (01:26):
I'm not up for it's too much Star Wars. For me,
it's too much Star Wars. But listen, listen. If that
would have if that were the Force Awakens, let's say,
how about this.

Speaker 1 (01:35):
Now, even Star Wars wormholes.

Speaker 4 (01:37):
I'm not gonna go down a wormhole. What if that
was one of if that was one of the first
television shows. Let's say that was what The Mandalorian was.
If Solo was what the Mandalorian was. When it came on,
everybody and it and and and they were like, look,
we're not gonna make it a movie, We're just gonna
make it a television show. We're gonna do nine episodes
of Solo. And the first episode was the movie that

(01:59):
we saw. Everybody would be losing their mind on how
great Solo was, So don't give me a bullshit. It
was just too much Star Wars for our own podcast.

Speaker 1 (02:08):
Yeah, exactly. And I also think anytime a directors are
replaced with a new director and that director comes in
and has to sort of start from whatever point he's starting.
I mean, it's kind of a recipe for a disaster.

Speaker 5 (02:21):
It was.

Speaker 2 (02:21):
It's two different movies.

Speaker 4 (02:23):
There's the there's the Christ and Film movie, and then
there's the Ron Howard movie.

Speaker 1 (02:27):
I would have really liked to have seen the christ
And Film movie because they're they're funny dudes. But but
I guess my my assumption was always that they they
must have gone off too far in there in their
own direction. And Kathleen kennedyth the woman who you can't
recognize from her identical twin, probably thought like, Hey, that's
not the tone of this. What are you guys doing.

Speaker 2 (02:48):
I don't know, I don't know what I made that up.

Speaker 1 (02:50):
I made that up in my head, Joelle. But it
doesn't that sound like it's realistic.

Speaker 3 (02:54):
I'm very curious to know the real story of what
all went down. I've heard a lot, a lot of rumors,
but there's there's nothing conferred. Everyone's being very tight lipped
as of now. I think it's a story we'll hear
more about in five or ten years.

Speaker 1 (03:06):
Well, I think, yeah, one day it'll Yes.

Speaker 4 (03:09):
Everybody's so excited for the Snyder DC cut and everything
like that. Is it really going to be better than
the Justice League movie?

Speaker 2 (03:15):
Though?

Speaker 1 (03:17):
I don't know, But all I can tell you is this.

Speaker 4 (03:19):
I'm just asking out there. Joelle nodded her head like
I don't know. They're nod his head like I don't know.
But everybody bought whatever the fuck HBO Max? Is that
what it is?

Speaker 2 (03:29):
Yeah?

Speaker 1 (03:30):
Yeah, you have to buy HBO Max?

Speaker 6 (03:32):
Or is it?

Speaker 1 (03:32):
If you have you have Hbo, do you just get
Hbo Max?

Speaker 7 (03:34):
No?

Speaker 3 (03:35):
You can actually answer this question. If you have a subscription,
you do not need to buy it. You can use
your can log in like through your.

Speaker 1 (03:42):
If I have I have it through my cable or whatever.
I have it, Okay, But if you don't have it.

Speaker 3 (03:47):
And you're like, I'd rather just pay like ten dollars
and have the HBO streaming experience, you can do that
as well. It's totally worth it. There's so much content.

Speaker 2 (03:54):
And when does the Snyder cut drop?

Speaker 3 (03:57):
That is a Google question.

Speaker 2 (03:58):
Let me find.

Speaker 4 (03:59):
Out how well I'm you know, doing it the best
I can. California just reached reached number one in the US.

Speaker 1 (04:09):
With congrats everybody, we did it. We did it.

Speaker 2 (04:12):
Thundrous applause, Dan.

Speaker 1 (04:15):
No, how about instead of thunderous applause, Dan, you just
do thunderous booing.

Speaker 2 (04:18):
Yeah, jeers, Dan, jeers. We did good work.

Speaker 1 (04:25):
Did good work, l a good work, California.

Speaker 2 (04:28):
We are the worst, dude.

Speaker 1 (04:31):
We're gonna be making movies and Stad nobody's gonna make
anything here.

Speaker 2 (04:36):
Well, you know it's okay, though, it's okay. We had
it coming. We were so.

Speaker 1 (04:40):
Freaking Hey, this is Canada's chance, you know, how like
if we're in pole position for production and Canada is like,
oh shit, and now you how in the cars and
they take it on the turn and then they make
a move on turns. Yeah, this is Canada's chance to
come in and just steal all the US production. Good luck.

Speaker 2 (04:57):
They can do it right now. You can do it
right now.

Speaker 1 (05:00):
Right now, Canada. You need to make the incentives even
bigger and bam, it's over.

Speaker 2 (05:06):
Just don't taxes, just don't taxas. Everyone will come.

Speaker 1 (05:11):
Do you know that the film industry started in my hometown, well,
my home neighborhood of well Edison's Black Mariah, where he
was making the very first films, was in West Orange,
New Jersey. That's where his laboratory and where he did
all his work was you can actually go there at
the museum. And the Black Mariah was his first sound stage.

(05:34):
I don't know if you guys know this trivia, and
the Black Mariah was a rectangle or square that sat
on a giant circular track and so it could spin.
It had a sun roof and it would spin to
find the light because Edison needed so much light to
make these films that the roof would open and the
whole thing would rotate three hundred and sixty degrees to

(05:55):
find the sun. And so the movie industry begins and
it's like, holy shit, this is a thing. And then
someone goes, why are we doing this in New Jersey?
Why don't we do this where the sun is always
out and it's always seventy five degrees and it's always sunny,
and we don't have to We can do whatever that
we want.

Speaker 4 (06:13):
And that's how the song All the leaders, all the
leaves are brown, and the.

Speaker 2 (06:18):
Sky he's great, and this guy's great California Cantifonia tree
on a win Tuesday.

Speaker 1 (06:29):
Well that was That was a beautiful edition that was
written a few years later in the sixties. But that's
about living in Laurel Canyon, I think right being. There's
a great documentary on the Laurel Canyon music scene. I
highly what it's called Laurel Canyon, I believe. And it's

(06:49):
on Epics and there's a two parter and it's about
the music scene in the sixties and the seventies and
Laurel Canyon, and it's just fucking great. Love music and
music documentaries.

Speaker 2 (07:02):
I do love music, and I do. How are you man?
It's not good.

Speaker 1 (07:04):
Heather Locklear's here today.

Speaker 2 (07:06):
That's a thing that's amazing.

Speaker 1 (07:07):
First, is she here, Dan, Joel?

Speaker 4 (07:09):
Is she in the waiting room? We should probably get
nobody leaves Heather in the corner.

Speaker 1 (07:15):
Heather in the corner. I'm nervous. Can I be honest
with you that I'm nervous too.

Speaker 2 (07:19):
I'm gonna be honest with you.

Speaker 4 (07:22):
I knew that we had a guest, and I knew
that it was somewhat of importance.

Speaker 2 (07:27):
Yes, I did not. I'm afraid I did not know
the magnitude of the guests this week.

Speaker 1 (07:34):
How did you not know that it was Heather Locklear?
She's the only star in the episode that would that
we would ask, I mean, who did you think it
might be besides Heather Locklear.

Speaker 4 (07:42):
I thought it was Shae because this is such an
important episode.

Speaker 1 (07:45):
Also, No, Shae specifically requested his story, which I believe
is the episode Johnny C voiceovers, Okay, so I think
that's one of Shay's favorites. So we said, Shay, you pick.

Speaker 4 (07:57):
Because this is such an important story in the whole
you know, scrubs thing. This episode is so important.

Speaker 1 (08:05):
I never imagine in my whole life that I would
ever be in a position to keep Heather lockle your wings.

Speaker 2 (08:11):
That's not doing anymore.

Speaker 1 (08:12):
Let's end it.

Speaker 2 (08:13):
Let's stop stories.

Speaker 5 (08:17):
I'm not sure we made about a bunch of dogs
and nurses, and Jan said, here's a story nets No,
so Yeather here, Yeather here.

Speaker 1 (08:37):
No, Heather, can you hear here?

Speaker 2 (08:41):
We go there she is.

Speaker 1 (08:48):
I got so excited. My dogs are all barking. Now, Hey,
shut up, I'm talking to Heather Locklear.

Speaker 6 (08:55):
How are you guys?

Speaker 1 (08:56):
Hi, Heather. We are so excited you're doing this. We're
very Geeka.

Speaker 2 (09:01):
Believe it again.

Speaker 6 (09:03):
Donald, you look like you're in a closet with clothes.
What's going on?

Speaker 4 (09:07):
Where are he is in a closet with clothes that
you nailed it.

Speaker 2 (09:12):
This is my closet. I share it with my wife.

Speaker 6 (09:16):
I was hoping because there's a nice pink Yeah, put.

Speaker 4 (09:20):
Something up, something else up, because it was just my
golf shirts and stuff.

Speaker 2 (09:23):
She would like, that's ugly to look at. Let me
put let me put.

Speaker 1 (09:26):
Oh you didn't tell me that those dresses were up
as background designed by Casey. I thought that they were
outfits she might be wearing. So now you're telling me
that Donald might be or Donald might be wearing. But
you're now you're saying that Casey didn't like the look
of the closet on the and decorated a little bit.

Speaker 4 (09:39):
Yeah, she put up. She put up something so that
the backdrop was a little different.

Speaker 2 (09:43):
Camera.

Speaker 6 (09:44):
That is so, Zach, you're all happening there.

Speaker 1 (09:47):
That was, yes, Heather, I I, well, Donald has Donald
has two young children, and so he kind of has
to hide out in his walking closet. To do this point.

Speaker 7 (09:56):
Here, I put my dog out with my boyfriend because
he would can be all over and and my daughter
just left Donald. I have to say, she just wanted
to say that she has a crush on you. I
don't think she Yeah, I don't think she ever saw Scrubs,
but she I don't think she was alive, but I
think she saw Uptown Girls.

Speaker 1 (10:17):
Right, we've been talking about this now we have so
much to ask you. But wait, since you brought it up,
let's start with Uptown Girls. Donald's told us a lot
of fun memories of making that movie. Heather, did you
have a good time making that movie?

Speaker 7 (10:27):
No, he had good friends with the co stars. He
really didn't talk to me. I think we had one
night out.

Speaker 2 (10:32):
Yeah.

Speaker 6 (10:32):
He was really sweet, but he had He was very much.

Speaker 7 (10:35):
In a group, and I was the old lady of everything.
So I was like, I can't.

Speaker 2 (10:38):
That's not it at all.

Speaker 1 (10:39):
Donald, Were you too cool for school?

Speaker 7 (10:42):
So?

Speaker 2 (10:43):
I was so harvous?

Speaker 1 (10:45):
Yes, I was tru he was. He was, he was, trust.

Speaker 2 (10:48):
Me, I was.

Speaker 6 (10:50):
That's so sweet.

Speaker 4 (10:51):
We had I think we had one Yeah, just one
night out, right, that was it.

Speaker 6 (10:55):
It was one long night, long night in a line
or something. Yeah. Yeah, but I makeup and stuff.

Speaker 4 (11:02):
Yeah, that was fun time. I enjoyed making that movie.
I enjoyed being in New York City in the summertime.

Speaker 6 (11:08):
That was so cool. I know, It's like, I all
go to New York. That's great.

Speaker 1 (11:11):
It's so rare when someone actually lets you shoot in
Manhattan these days or even those days. So when someone's
like it's a movie and you're like, okay, I like
the script, they're like, and it's shooting in Manhattan.

Speaker 2 (11:21):
Yeah, exactly, exactly right, that's how it always.

Speaker 4 (11:24):
We were just saying that how Vancouver has an opportunity
right now, right this mode.

Speaker 2 (11:28):
Yeah, but they could snatch up all the work.

Speaker 1 (11:32):
I know. We just said that before you, before you
came on, and Heather, we were saying that Canada is
in a position since the since COVID is just devouring
Los Angeles just to steal production once and for all.

Speaker 6 (11:42):
Oh for sure, yeah, just not.

Speaker 1 (11:45):
With us, but maybe one day to let us in.
Maybe one day to let us in.

Speaker 6 (11:50):
We never really wanted to go to Canada so much,
I know.

Speaker 1 (11:54):
And now and now it's it's exactly like like life
when someone's like, now we don't now you know. Now
we're all like, please let us in, Please let me
let us be in a relationship with.

Speaker 6 (12:02):
You, right exactly.

Speaker 1 (12:05):
The Heather, I was just looking at your IMDb and
an actor could only dream to have had the length
of a career you've had. I mean, you have I can't.
I I donald, and I can only hope that that
we have a fraction of the success you've had over
your life. Oh you already do no, no, no, you started,
you started.

Speaker 6 (12:25):
I'm older than you. Well, i'm older than you. Time
to catch up.

Speaker 1 (12:28):
You have, but you started very young. And now is
it true that I was just looking? What was the
was chips? Your very first job? That's what I mean?

Speaker 7 (12:36):
He says, it was my first job. My first line,
Make them stop? Please, make them stops.

Speaker 1 (12:41):
I remember that was good.

Speaker 7 (12:46):
It was actually a group of motorcycle riders throwing a
girl up in a blanket. I don't know if it
was me or someone else, but I remember for the audition,
I was always nervous. And for the audition, I heard
the girl before me say make them so please make
them stalk.

Speaker 6 (13:02):
When I'm like, oh, that's the way I'm supposed to
do it. So I copied her.

Speaker 1 (13:08):
You stole her line reading I'm gonna try that.

Speaker 6 (13:11):
Yes, I did.

Speaker 2 (13:12):
I was.

Speaker 6 (13:12):
It was very good.

Speaker 1 (13:13):
So wait, why was it so these motorcycle man? I
just want to catch the scene. They have a teenage
girl in a blanket and they're throwing there's.

Speaker 7 (13:19):
Two of us, and and I think, yeah, they might
be throwing the other girl up in a blanket and
there she's so terrified of these guys, and I'm screaming,
make them stop.

Speaker 6 (13:29):
I don't know who I'm screaming to.

Speaker 1 (13:31):
Probably probably, yeah, probably to John. I hope it was
that came to your rescue. Yeah, it's like if you're
on if you're on Chips and like your storyline didn't
involve ponch or John. I wonder that happened with us,
Like people like you know, Heather, you got to do

(13:52):
two episodes and you got to interact with almost everyone. Yeah,
I'd be funny if you came to do a show
that was popular and like, you know, your storyline didn't
include any of the lead carreat can you.

Speaker 7 (14:03):
Imagine You're like, oh, that's well, oh, actually there was
something I did. I did The First Wives Club, and
there was a couple of scenes and there was there
was a couple of scenes that they cut out of me,
and then the only scene that I had had no lines.

Speaker 6 (14:18):
And one of the.

Speaker 7 (14:18):
Actors were at a funeral and he's supposed to take
his hand and touch my breast and they show that
and and he actually touched more than that. It was
kind of gross, and so I said, can you just
take my name off the credit since now I don't
have any lines or and you know, saw everyone from Afar,
so it was creditless.

Speaker 1 (14:38):
So wait, you're in the First Wives Club and the
only thing that happens is a man grabs your breast.

Speaker 7 (14:42):
He doesn't grab it, he actually outlines my areo low
with his finger.

Speaker 6 (14:46):
I didn't say that in the script.

Speaker 7 (14:48):
I was like, I'm so glad they're following his hand
down because my face, my mouth is fallen open and
I can't believe it.

Speaker 6 (14:54):
And don't do it again, just one taken.

Speaker 1 (14:56):
Let's go, Oh my god. Yeah, you know, I always
you know, I've never asked someone this, but it's just
it must be. It's a it's a blessing because you're
such a stunning woman and always have been a sex
I think it's safe to say you were a sex
symbol because you are you are were Okay, no, you
were in R and uh is it ever? Because Donald

(15:17):
and I never faced this problem. We're not sex symbols.
But I mean, did you ever feel like did you
feel like did you did you sometimes feel like guys
like I don't. I want to do the part, but
I don't want to do that that random sex scene
with that guy, Like, does that have to be in there?
Does that come up?

Speaker 6 (15:31):
Well, it wasn't really. We were we were in a funeral.
We were on the benches at the church. Yes, so
it was, and so there was more to the part.

Speaker 7 (15:39):
And I had built the bigger, bigger scenes, and that's
they just thought they I don't know, maybe I was
bad in it, and they went, let's just put that.

Speaker 1 (15:46):
I doubt it. You're one of the viewer. You're one
of the very few people. You're one of the very people.
Then we were talking about you because you're one of
the very few people that was on two hit shows
at the same time.

Speaker 6 (15:57):
Right right, that was very cool.

Speaker 1 (15:59):
I'll tell us about that you were doing. You were
doing Dynasty and and.

Speaker 6 (16:04):
T J Hooker. I how opposite can you be?

Speaker 7 (16:09):
And Dynasty I think they let me go because they
were letting someone else go, and I'm like, okay, So
then I got this other job t J Hooker, and
then they brought me back, so you know, I would
We were week here in a couple of days on Dynasty,
and it was no big deal. I wasn't the main
first character, so it's only on a few lines in
each thing.

Speaker 6 (16:27):
It wasn't tough about it.

Speaker 1 (16:28):
It was a big deal because that doesn't ever happen
to anybody.

Speaker 2 (16:32):
Was two different networks, A two different networks.

Speaker 6 (16:34):
Now it was ABC and it was they were both
spelling O that.

Speaker 1 (16:39):
Yeah, Aaron Aaron Spelling sure did love Heather Locklear.

Speaker 6 (16:43):
He sure did. And then he passed away. And then
I'm like, jobless.

Speaker 1 (16:50):
Listen Bill, Bill Lawrence.

Speaker 7 (16:53):
Lock Well, I did Spin City and I'm not sure
if he was writing on it then or not. I'm
not sure what the thing was. Maybe he left, but
I think he might have created it. Is that true
or not?

Speaker 1 (17:03):
Yes, he created the show, and I'm sure if he
wasn't writing that he obviously thought you.

Speaker 6 (17:08):
Were very funny something.

Speaker 1 (17:10):
Yeah. But he also, you know, Bill is a very
one thing about our friend. He's very loyal and when
he likes people, he likes to work with them over
and over again. So even if he wasn't writing the
show at the time, the fact that you were on
the show means he was like, oh, you know, he's
obviously seen your work and thought, oh, she's so funny.

Speaker 7 (17:28):
She's so beautiful, And well, I befriended his wife, and
so now I get Christmas cards.

Speaker 1 (17:34):
That's the way in that's the way.

Speaker 6 (17:36):
It's always through the wife.

Speaker 2 (17:39):
What was t J.

Speaker 1 (17:39):
Hooker like, because we always hear all these Shatner stories,
mostly from Star Trek, but but you knew like Shatner,
I mean, this is a long time ago.

Speaker 6 (17:48):
Well, he was very intimidating to me.

Speaker 7 (17:51):
And he's like, when you stop speaking, saying, you know,
like you can't think for any line. It's kind of
like on your show on Scrubs, you can't think, you
can't go hum. I mean you do, you guys do,
because then you have that bubble where you're doing something else.
But he would say, if you stop speaking and take break,
I'm gonna start. I'm going to jump in.

Speaker 6 (18:06):
So I'm like la. And it was always like license
plate numbers.

Speaker 7 (18:10):
I'd have to remember, oh, license plate blah blah blah
blah blah, and this and blah blah. And they'd have
different fifty different characters in one show. And so I
was just delivering the boring information and it made me
so nervous. So and he'd look at me and stare
and wait and I'd go.

Speaker 6 (18:25):
And he'd jump in and that was about it.

Speaker 2 (18:28):
He is, he is very intimate. He's Captain Kirk. I
can understand.

Speaker 7 (18:32):
Well, I didn't ever see those shows, so he was
this William shatt.

Speaker 1 (18:36):
Even at the last, even at the time, Heather, were
you curious to not to go back and see, like,
let me see what this was? This guy's thellure of Shatner.

Speaker 6 (18:44):
Yes, I did. I could see the allure.

Speaker 7 (18:46):
He's very charming, but he's very and he's very funny
and very dry. I ended up doing a Boston Legal
with him, and.

Speaker 6 (18:55):
That was fun.

Speaker 7 (18:56):
And I was a little older more it seemed closer
to his age than when I was eighteen and brand new.
But he and then I remember going, I think, I
don't maybe.

Speaker 6 (19:07):
It was Nobu and I.

Speaker 7 (19:10):
It was he and his wife, and we went to
some place where you throw the braws off and you
put him on the ceiling something like something similar, something similar.
I don't think it was that, but it was another
place and I was on the bar and I go,
should I take it off? And I'm thinking, he's probably going,
why are you asking me? And he said sure, and

(19:30):
I took it off and it's left there somewhere.

Speaker 2 (19:33):
So he's like, why, why are you.

Speaker 1 (19:37):
Right?

Speaker 6 (19:42):
What's his name? On a Seinfeld the little guy who.

Speaker 8 (19:48):
Yes.

Speaker 6 (19:48):
So he is a huge.

Speaker 7 (19:50):
Fan of William Shatner's And if you watch, he goes,
tell me what Shatner's like, tell me what he's like.
And I'm like, well, sometimes he's an asshole and sometimes
he's not. But he's like, oh, I got and I
didn't want to, you know, say anything there.

Speaker 6 (20:02):
I mean, there's nothing wrong with Lilliam Bill.

Speaker 7 (20:04):
But so you if you go back and watch, you'll
see his cadence is similar to William Shatner's.

Speaker 6 (20:11):
Really, now you have to look at it differently.

Speaker 7 (20:16):
Yeahs coming over exactly.

Speaker 1 (20:24):
Wow, this is going to blow people's mind. So Jason
Alexander was such a big fan of William Shanner that
if you listen to his cadence, some of it is
in the spirit of that unique Shatner cadence, exactly.

Speaker 2 (20:37):
With I want to meet the person.

Speaker 4 (20:39):
I want to meet the person who's a fan like
like it's such a fan of like Christopher walkin and
tries to steal his cadence. That's the hardest cadence I've
ever heard in my life. That is the toughest I
feel at.

Speaker 7 (20:49):
Home speaking right seeing of Wait, by the way, you
do a great Jimmy crack corn of Neil. Yes, I
had that stuck in my head.

Speaker 6 (21:03):
I don't care.

Speaker 4 (21:05):
Only that is the only impersonation that I can do
that's actually close to it. It's it's it's only because
when I was a kid, I used to watch you know,
Transformers and G I Joe after school on you know,
W P I X, and they would always in between
the shows that they would play a commercial for Neil

(21:26):
Diamond's greatest hits, and I could only get the first
few lines. I don't I've never owned a Neil Diamond record.
I've never been to a Neil Diamond concert. I've never
seen a Neil Diamond movie. All I know is that
he sang a bunch of songs and they went like,
turn on your hard light, very good, let it shine.

Speaker 2 (21:48):
Wherever you go.

Speaker 4 (21:52):
Around the world, come into America.

Speaker 5 (22:02):
Now.

Speaker 1 (22:02):
It's the only all the years I've known Himhather, it's
the only impression he does. Well.

Speaker 4 (22:08):
Yeah, like they tried to get me to Aaron, I
can't do.

Speaker 1 (22:24):
That's great. That's all we got now. I'm guessing Jimmy
Krackcorn is probably a public domain song. I'm guessing because
they didn't. Maybe that's why we chose it because we
didn't have to pay for it. But all the songs
in this episode, Heather, sometimes, now that these shows are
all streaming, some of the songs had to be replaced
because the contracts they signed for the original show didn't

(22:46):
didn't extend to streaming. So, uh, this episode I thought
really suffered because there was some good music in this
episode that is all gone. I don't know if you
guys I didn't notice it.

Speaker 6 (22:56):
Yeah I did watch, but I didn't.

Speaker 1 (22:59):
Well, is supposed to be and Nelly song, right, and
that was not the song.

Speaker 2 (23:02):
If you want to go and take a ride.

Speaker 1 (23:04):
With me, might be the man. And then wow, So
I just wanted to say that the show ends and
it's supposed to be like we're on a rooftop and
in downtown l A. And it's it's like and then
I was really I was really noticing that that song.

(23:25):
Whenever they replaced the song. Well, what happened was someone
that went in. I think it was Randall random.

Speaker 6 (23:34):
He did spin City.

Speaker 1 (23:35):
Yeah, well he he told Donald and I that he
was the one who had to oversee someone going, Hey,
we got to fill in these slots, and so I
don't know, they're not nearly as good, but I guess
if you have the DVDs, you're the only person with
the real all the real original music. But we usually I.

Speaker 6 (23:51):
Think I do.

Speaker 2 (23:52):
Should we get into the recap?

Speaker 1 (23:53):
Let's get into the recap because we've got the hother
lockleyre here. Janeya Bachan wrote this episode very.

Speaker 2 (24:00):
I mean, do you want me to do the thirty
minute recap?

Speaker 8 (24:02):
Oh?

Speaker 1 (24:02):
Sorrycatnutesry. I forgot Heather. We have a new thing there, Donald.

Speaker 4 (24:10):
It's not new anymore, but we keep forgetting it. But
Zach keeps forgetting about it.

Speaker 1 (24:14):
I love it. I know why I forget about it.
I love it.

Speaker 4 (24:16):
I don't know either. Listen, it's anxiety for me. I
freaking sit down and I really think about it. And
sometimes it's good, sometimes it's not. That's how it goes.

Speaker 1 (24:25):
Anyway, Heather. He is going to sum up the whole
episode in thirty seconds and then together we'll go through
and really parse it all out. But now I get
to stop watch out hold on Donald's.

Speaker 4 (24:35):
Okay, Listen, this might be a little bit longer than
thirty seconds, But I really.

Speaker 1 (24:38):
Like it when you at least try to get thirty second.

Speaker 4 (24:40):
But then I might miss out on things and stutter
over my words because I'm so nervous.

Speaker 2 (24:44):
This is This is very nerve wracking. But here we go.

Speaker 1 (24:46):
Get ready, your marks, get set go.

Speaker 4 (24:49):
This episode's about a bunch of things, but mostly it's
about double standards. Turk and jd are fine if they
rob the hospital, but not each other. Conx hates his
hates the fact that his girlfriend had baggage, but winds
up having his own. Elliott loves the perks of having
daddy take care of everything, but longs to make her
own career decisions. This is an important episode because at

(25:10):
the end, all of them are moving forward in their
personal lives. Turk and Caller at the next level of
their relationship, Jordan and Cox are going to start a family,
Elliott is stepping away from her comfort zone, and the
hospital is becoming more of a backdrop, meaning this is
a sneak peak of what's to come.

Speaker 6 (25:27):
Oh shit, that was amazing.

Speaker 1 (25:29):
It was amazing. It was thirty nine seconds. So in
some ways you failed. But let me tell you how
you listen, let me tell you.

Speaker 2 (25:35):
How I feel. I don't care. I don't care if
I feel it anymore. I don't care because it could be.
I'll do a minute one next time.

Speaker 1 (25:43):
I want to give you a genuine comment.

Speaker 2 (25:44):
I wan to do a minute one next time, Donald, I.

Speaker 1 (25:47):
Want to give you a genuine complement. Donald, that was
no bullshit. That was a very good summary, and you
actually highlighted things that I didn't even see. I saw
what you were saying in terms of the episode being
uh being about new chapters in a sense, but I
didn't think of it in the Macrol like, oh, this
is a shift in in in the show, in that

(26:10):
we tease the marriage, We tease Johnny c And and
Christa getting back together.

Speaker 2 (26:16):
We tease Elliott going off on her own.

Speaker 1 (26:18):
Right, Elliott is separating from her parents and and and
and being financially independent.

Speaker 4 (26:22):
And JD realizing he's about to be in limbo at
the end of the episode, right JD.

Speaker 1 (26:27):
JD nervous about losing his best friend because Carla says
the word we about Turk and her and and He's like, whoa, whoa, whoa, whoa, whoa,
what's happening here? Am I gonna lose my best friend.
So my point is that was very good because your
your summary was not just hey, here are the facts.
It had some insight into it. I will gladly give
up those nine seconds of failure appreciate the insight.

Speaker 2 (26:49):
So that thunderus applause, Dan, thunderus applause, Dan, Dan.

Speaker 1 (26:52):
I'm going to approve that. Thunderous applause. Secondly, I wonder
if we should make it so when we add these
thunder supplause sound of X if we both need to
improve it's like it's like you know in the Nuclearic
Code where they both have to turn their key.

Speaker 2 (27:06):
Oh yeah, not my favorite part of Superman U three
with Richard Pryor in it where he's pretending he's drunk
and he has to put the keys in at the
same time and he makes he makes a little uh
not a concoction, but like a little uh levy using
another person. If you ever get the opportunity.

Speaker 1 (27:25):
What about the beginning of war games? What about the
beginning of war games when they go turn your key, sir,
turn your key and he puts his gun. Oh that
was a great scene.

Speaker 2 (27:34):
Love it.

Speaker 1 (27:35):
Sorry, Heather. We sometimes have trouble staying.

Speaker 6 (27:37):
On t that's I love it. This me things to
look for.

Speaker 1 (27:41):
This podcast should be called a digression.

Speaker 6 (27:46):
That's okay, it's good.

Speaker 1 (27:47):
Some people I see, some people on the web were
commenting like, I really enjoy it, but they don't always
talk about the episode. I'm like, well, guys, that's the show.
This is the show.

Speaker 2 (27:54):
That's the show.

Speaker 6 (27:55):
The show is there, right, the show, the show is
this right.

Speaker 2 (27:59):
We also have Joel and Daniel. Okay, so they talk
about things out of nowhere.

Speaker 1 (28:04):
Yeah, all right. So the first thing I laughed at
out loud was when I walk in. Karla is in
the apartment and I pick up our taxidermy dog to
hide my my tidy whities, and Donald walks in he goes,
don't use rowdy to cover up your giblets.

Speaker 6 (28:24):
The dialogue is excellent.

Speaker 4 (28:26):
A weird word for what, a weird word for what,
A great word for grind.

Speaker 6 (28:31):
Giblets is like giblets.

Speaker 2 (28:34):
It sounds like what what is it? Gizzards?

Speaker 1 (28:37):
To me, like, what are giblets? What are giblets? It's
the extra it's the extra stuff you biscuits, a burning
GiB Giblets are the stuff you don't use when you
cook a turkey.

Speaker 6 (28:48):
Right whatever, I don't know, I take it out. I
don't know.

Speaker 3 (28:53):
Go ahead a culinary term for edible offal of a
foul that typically includes the heart, the actual gizzards, liver,
and other organs.

Speaker 6 (29:04):
I know what those other ones are?

Speaker 1 (29:05):
Yeah, yeah, no one. No one cooks chicken penis. It
might be a delicacy.

Speaker 2 (29:14):
Someone You.

Speaker 1 (29:17):
Never know either. Do you like eating weird stuff? Or
are you conservative with your you know?

Speaker 7 (29:24):
No, I eat like what's weird giblets?

Speaker 1 (29:27):
I don't well, I'm not saying eatlets, but like to
eat like, you know, when you're out and about and
someone says, oh, try this weird food. Do you do
you do that? Because I normally don't. I'm like, no,
have you ever?

Speaker 2 (29:37):
Have you ever had snails?

Speaker 1 (29:38):
No, I've never had.

Speaker 9 (29:40):
I have.

Speaker 7 (29:40):
That's good, but no, I usually ask for someone else
to taste it first and look at their face.

Speaker 1 (29:48):
Donald Donald, are you an adventurous I don't think you
get you to you like what you like?

Speaker 4 (29:55):
I don't around with food, man, But you like sushi.
I do like sushi, and I like lit and texture
is a big deal for me. And if I know
what it is and then the texture is what I imagine
it would be like.

Speaker 2 (30:07):
Then I have a problem with it. Like somebody was like,
do you like beef tongue? And I was like, absolutely
not no.

Speaker 4 (30:14):
And it's all because when I was younger, I tried it,
and my grandmother made it and I tried it and
it tasted exactly well, it didn't taste like but it
felt in my mouth exactly what I thought a tongue
would feel like.

Speaker 7 (30:26):
You can always like just check your own tongue and
it's probably.

Speaker 2 (30:30):
Like that exactly what it was like chewing on my
own tongue. And I was like, I'll never ever ever
see it.

Speaker 1 (30:36):
In like the deli counter. They'll be just like a
giant beef tongue. It's I don't like that.

Speaker 6 (30:42):
All those butts.

Speaker 1 (30:43):
People eat brains too, they eat cow brains, right.

Speaker 2 (30:46):
Yeah, no, you know it's a delicacy in some places.

Speaker 4 (30:48):
It's like it's like watching Indiana Jones and the Temple
of Doom Chilled monkey Brain.

Speaker 1 (30:53):
Yeah, as we talked about that movie Gaming Nightmares.

Speaker 4 (30:56):
Yeah, this was a big episode, yeah, from me in particular.
When I look back at it now, it's even bigger.
Ken Winningham, the first Black director Scrubs has ever had yes,
uh directed this episode.

Speaker 2 (31:11):
Yeah, I think this is its first time directing it too.

Speaker 1 (31:14):
And Ken's a very good director, and he became one
of our regulars because we love Ken Winningham.

Speaker 4 (31:19):
He's gone on to direct so many shows. Yeah, he's
directed pretty much everything. He's directed pretty much everything.

Speaker 2 (31:25):
But I remember thinking, I remember thinking about, oh, they
hired a brother.

Speaker 1 (31:29):
Okay, so that that was good. I mean that was
that made you feel like, okay about obviously about time, guys,
it's like middle of season two. How about some people
of different minorities that are directing the show? Right, we did,
we had had a we had a woman, we'd.

Speaker 2 (31:46):
Had a couple of women director already at this point.

Speaker 1 (31:48):
Right maybe Gail man Cuso, I think, mm hmm yeah.
But I mean, now, now this is twenty years later,
this is still a big conversation.

Speaker 6 (31:56):
Isn't that crazy?

Speaker 4 (31:58):
Yeah, it's what it is, you know, you know, we've
still got to make these moves. But it's it's it's
what it is, and it's time for it's time to
change that. We've got to restart coming up soon.

Speaker 2 (32:09):
So that's that's uh, that's.

Speaker 1 (32:12):
Now now And again this I think in a in
a good way. There's a mandate making sure people do it. Say,
you know, the networks in the studios have really said
when I when we made our show alex Inc. They said, no,
we want you know it isn't It isn't like oh,
you guys can do whatever you want. It's like, no,
we would like a certain amount of minorities to be represented.
We'd like a certain amount of women to be represented.

(32:32):
And I think that that's really great and only getting better.

Speaker 2 (32:35):
I agree with you one hundred. Let's go to break, guys.

Speaker 1 (32:38):
We're gonna go to break and be right back with
Heather Luckier and we're I'm weeping at two fifty four
because doctor Cox, I think winked at me. And that's
how happy I am.

Speaker 6 (32:58):
That is a price.

Speaker 2 (33:00):
Were those real tears or did something?

Speaker 1 (33:04):
No? No, I mean when I'm doing a dramatic thing,
I can get myself there, but in a comedic cart
in no way, am I just gonna start bawling?

Speaker 2 (33:12):
All right? I want to ask you. I want to
ask you to do it either.

Speaker 1 (33:14):
Can you do that? Can you cry on cue?

Speaker 6 (33:16):
No?

Speaker 1 (33:17):
Right, it's very hard.

Speaker 4 (33:19):
I mean I want you to tell the garden State story, dude,
tell the story of Natalie Portman and tell the story
of you. The two different versions of crying in that movie.

Speaker 1 (33:27):
Well, Natalie is very good at that. Natalie, like some
actresses I know, can sarry Chalk's another person I know
who can do this, can kind of go off in
the corner for a minute and get herself into a headplace. Yeah,
and then and then do it and cry for me
and then Garden State. She had to do that a
lot because she had some some crying moments for me.

(33:48):
I it actually was a blessing in disguise because when
there was a scene in in the in a bathtub
empty bathtub, were sitting and I was meant to cry,
and I there was a we shot the master shot first,
and and and and like I said, just being in
that moment and with such a good actress, and it
was so real. It genuinely happened, and I cried, and

(34:09):
it was a powerful moment, except that it was the
big wide master right, and and the camera wasn't gonna
see most of that. It was just sort of establishing
the room. The trick for those of you who aren't
in the entertainmentustry and doing what we do is now
you're gonna to do that over and over and over again.
You're gonna have to do it when when the medium shot,
you have to do it, when it's a close up,
you're gonna have to do it when it's over Natalie's shoulder.

(34:31):
And for me that was close to impossible to just
keep being able to emulate what had happened naturally in
the wide shot. But that's that's the task of a
of an actor. But for me it was but as
But I was also directing, so then I had to go, Okay,
this isn't gonna match, and you know what, maybe it's
too much. So I decided just to just on on

(34:53):
the spot, go if it's not happening naturally, I don't
want it to be this false. So then it became
I only shed one single tear, and then we had
a joke about her collecting it in a in a
little plastic cup. But but so that that was kind
of how I helped, because when I was directing, I
felt like, you know, if it's forced and it's false
and it's weird that I'd rather not have it even

(35:13):
be in the in the show, is that what you
meant to me.

Speaker 4 (35:16):
The exact story I was talking about. I found that
such I found that so fascinating. It was like the
scene was supposed to be something else, and you, you know,
you blew your wad in the first you're in the burst,
and now it's and now it's time to do it again,
and it's like, all right, well, we're not going to

(35:37):
get that.

Speaker 2 (35:38):
And you turned it.

Speaker 4 (35:39):
You turned the negative into a positive. And it's actually
one of the more powerful scenes in the movie.

Speaker 1 (35:44):
Yeah, thank you, thank you.

Speaker 6 (35:45):
It's pretty great.

Speaker 1 (35:47):
Thank you. You're go ahead.

Speaker 6 (35:49):
No, no, you guys.

Speaker 1 (35:50):
I was going to say that it's a it's a
good lesson for filmmakers out there. It doesn't have to
be related to tears, but about about adapting. So thing
happens and you go and I've had this happen. You know,
when you're directing something, whether it's a music video or
a giant feature film, every day something is gonna happen
where you're gonna go, Okay, that's not according to plan.
Is this a blessing in disguise? So for me, in

(36:12):
this example Donald's talking about, it was like being able
to cry NonStop for hours was just not gonna happen.
It just wasn't what my head wasn't in that space.
I was also directing the movie and had so much
anxiety going on, So then it was like shifting, Well,
what if it's not that. Maybe maybe balling like that
is way too much for this character. What if it's
what if? What if it's actually a joke that all
I can produce is one tier and we laugh about it.

(36:35):
So sometimes just going with it and coming up with
a new plan on the spot is one of the
most crucial things of being a filmmaker, but also a
lot of blessings in disguise can come out of it.

Speaker 7 (36:47):
Usually when I'm in that place, the director says, don't
blow it on this master. We're it's gonna be for
a second and then we'll come in and do that.
But I do find what you said. I mean, I
don't think tears unless it's like for whatever reason is
called for. I think the real moment is when you're
in the moment, and if it comes, it comes, But

(37:07):
usually your face and your heart starts to happen, and
all kinds of stuff happen. It's becomes more real rather
than showing something and trying to get to show something.

Speaker 6 (37:16):
It's whatever else happens.

Speaker 1 (37:17):
I agree, And it never feels as good as a
pet peeve of mine when you watch so many movies
and TV shows where someone is crying but there aren't
tears coming down their face. Yeah, next time you watch
it a crying scene, notice if the person has actual
tears in their eyes, because a lot of times they're
scrunging up their face and making the noises, which is
just a huge pet peeve of mine. I would if

(37:39):
the moment, if it's a necessity and the project needs it.
There are there's mental things that can blow in their eyes.
There's all sorts of tricks like if it's mandatory, go
do it. Go fake it, but don't don't do the
there's no water in your eyes scrunch up face thing.
I hate that.

Speaker 7 (37:55):
I feel like Jane Fonda did that on Golden Pond
or something she talked about that she had no tears
left or some.

Speaker 6 (38:01):
I don't remember something like that.

Speaker 7 (38:02):
But yeah, I think whatever the real moment is is
if there's not a tear, yeah, just don't fake it.

Speaker 2 (38:08):
Just go.

Speaker 7 (38:09):
Yeah, people have reactions about stuff and it's no tears
come out, of course.

Speaker 1 (38:13):
And also sometimes even as a writer, I find myself
writing something where I'll go, you know, in the script,
all right, she hears the news and instantly breaks down crying,
and then you think, in reality, a lot of times
people that doesn't happen at all. You might cry later,
but in the moment of hearing it, you're just fucking dumbfounded.
You're sitting there like like you know what I mean?

(38:35):
And you have to catch yourself as I have to
catch myself as a writer going be very sparing with
with with with tears direction and yeah, of course, because
that might happen naturally, but also it can get especially
it's tricky when you're writing. I'm one of the things
I'm working on now is this is this drama, and
I have to find you have to find those moments
so it doesn't feel like, oh my god, there's all

(38:55):
these these tears and and how do you do that
when the stuff you're talking it is very heavy? Well,
what happens in real life? You know, we Donald and
I just had a friend. I of course I cried,
but I got to tell you a night sorry, thank you.
But nine times out of ten I was more sitting
there like this dumbfounded with my with my head in
my hands and my jaw dropped. You know, so you
got to you gotta remind yourselves about what's what's real,

(39:17):
what's what's really, what's what's true, what really happens.

Speaker 7 (39:20):
I remember doing a scene for Dynasty. I don't think
I've ever been angry in my life, you know, in
that up to that time, and I was angry, but
I'm so angry I started crying, and uh, I think
they were like, what the beff is she doing? But
that was a real emotion for probably just for me,
you know, because being angry and that brought it about.

Speaker 6 (39:40):
But I ended up there.

Speaker 1 (39:41):
Did they use it? Oh? Good? See I love that stuff.
I love happy accidents, you know.

Speaker 2 (39:47):
You know.

Speaker 1 (39:47):
Yeah, in the in the comedy world, we are always
you know, it goes without saying you're trying to keep
those moments in. You know, we riff something we think
it's But in the drama space too, you want to
be like, oh my god, Heather got so fucking she
started crying. Eureka, that was natural, that was real, Like
keep it like that's the stuff, that's the precious things
we all stumble into, you.

Speaker 6 (40:08):
Know, Yes, yeah, it's amazing what.

Speaker 1 (40:11):
We started something was comedically. I can never do it comedically.

Speaker 4 (40:14):
So right that Meg Ryan scene in Freaking when Harry
met Sally when he comes over and she's crying because uh,
she's gonna be thirty soon and he's like when she's
like some day and she's.

Speaker 6 (40:29):
Crying, but it's there.

Speaker 4 (40:34):
That's one of the best scenes ever in the history
of that scene right there.

Speaker 1 (40:39):
That was your favorite comedic that's your favorite comedic crying moment.

Speaker 2 (40:43):
Yeah, easily one of That is my favorite comedic crying.

Speaker 1 (40:47):
Sara Chalk sarh Chalk was good at doing it for
real on this show because she had times I think
even we've talked about it where she had to be like,
you know, crying pretty much on cue, not even from
a dramatic moment, from like from like.

Speaker 6 (41:02):
It's pretty hard, I think.

Speaker 1 (41:04):
Yeah. Analgesic, now I didn't know what what an anal
jesuck was. It's aspirin. Yeah, but we've always laughed at
this joke because your patient thinks it's anal jesic and
puts the pills in his butt.

Speaker 2 (41:16):
His But.

Speaker 6 (41:20):
That's so good.

Speaker 1 (41:22):
That's a great joke.

Speaker 4 (41:23):
Yeah, it's great it's pronounced analgesic. The pills go in
your mouth?

Speaker 1 (41:27):
Sir, Yeah, no, I didn't. I didn't know what that was,
did you don Donald, you didn't know either, right, I
don't know how many people got that joke at the time.

Speaker 2 (41:34):
Well, no, the joke isn't that.

Speaker 7 (41:37):
The joke is actually when you tell him that it's
not on you.

Speaker 2 (41:41):
Yeah, right, right, Yeah, who gives a ship?

Speaker 1 (41:44):
Okay, you're right, you're right, you're right. Who cares? What
it really is? The joke is, old man, don't put
these bills in your ass anymore? Exactly that guy, I
think Donald, if I'm not mistaken, he was like a
regular go to old man we often use.

Speaker 2 (42:00):
I've seen all of was he in a bunch of episodes.

Speaker 1 (42:02):
I've seen him a few times be like the go
to ancient old man.

Speaker 2 (42:08):
You want to ask Wiki or is this something that.

Speaker 1 (42:11):
With Wiki's not going to know that And we haven't
given him his his funkle pops? Dan? Are those his
funkle pops behind you? I didn't know.

Speaker 2 (42:19):
Dan has his bunkle pops right behind him.

Speaker 1 (42:21):
Dan, I didn't know if you purchased those for yourself
or if they were for Scrubs Wiki guy. I acquired
them so that we could get this signed as as
as possible. Okay, Heather, you might want some of these
there we scrubbs funkle pops.

Speaker 4 (42:34):
We have a Scrubs Wikipedia type page where you can
look up facts on the show. And so we got
the guy who helped curate this whole thing with a
bunch of other people, and he comes on the show
every now and then the answers questions for us. But
he's he's not really into it, Like he's kind of
into it, but he's not really into it.

Speaker 1 (42:55):
So we're bribing him, bribed.

Speaker 6 (42:57):
A technical advisor kind of guy.

Speaker 2 (43:00):
Somewhat of a Yes, that's a that's a great way
to put it. Yeah, that's a good.

Speaker 1 (43:04):
Way of saying it. He's technically advising. He's like the
keeper of the Scrubs Bible, right, Yeah.

Speaker 4 (43:11):
I guess so and so we but we got to
bribe him with funko pops otherwise he doesn't do his job.

Speaker 1 (43:17):
Well, what is oh show for, Heather? They're the they
kind of look like bobbleheads. They're they're a very popular thing.

Speaker 4 (43:24):
Grown up action figures is what they are. Their action
figures from grown ups.

Speaker 1 (43:28):
It's kind of like a it's kind of like a bobblehead,
but they don't bother. These ones don't bobble I don't think,
right Dan, these are Bible ones. Right. There are funko
pops that that that bobble We didn't get those.

Speaker 6 (43:42):
Okay, that's very cool.

Speaker 1 (43:43):
So if your daughter is truly a fan of Donald Beason,
I know it's from Uptown Girls, but you could get
her a Donald Faison Funko pop.

Speaker 6 (43:52):
You know her boyfriend would be destroyed.

Speaker 1 (43:54):
Okay for him break right up.

Speaker 2 (44:02):
That would be the coolest thing ever. I could walk
around and say that I broke them up.

Speaker 7 (44:07):
The craziest thing is be if my daughter wore that
dress behind you, oh my.

Speaker 2 (44:11):
God, she might like it.

Speaker 4 (44:13):
Well, my wife would probably break up with men up.

Speaker 1 (44:19):
I like that. So there's this pressure, as we understand it,
for for women young doctors to go into become ob
g y ms because they make a lot of money,
I guess. So we have this thing where the Guano
girls are are coming after. That was funny, and then
Jad goes in his fantasy and they're having a pillow

(44:40):
fight and they start making out and then he gets interrupted.
So he never gets to see any of the fun sex, right,
And then he tries to go back into the fantasy,
and she says, I'm very glad that we experimented with
each other, but I'll never do it again. That, Yeah,
he's missed the whole dreamy fantasy.

Speaker 4 (44:59):
Yeah, I love the at that Uh that when uh
Heather and Cox are walking through the hallway and she's
saying hi to all the other doctors and everything like that,
he thinks she's just flirting and she's like, no, no, no,
I slept with them, right.

Speaker 1 (45:17):
I hea Heather unabashedly the characters. Like he was like, thinks, oh,
you're bribing them because you're selling pharmaceuticals. She's like, no, no,
I just slept with them. That her though, she was like, no,
you get to fuck around like it. I bug around.

Speaker 6 (45:30):
Yeah, I mean, and that's my motto too.

Speaker 4 (45:33):
I think that's I think that's everybody. I think we're
starting to gear into that being everybody's motto now, Like
that shouldn't be any stead Like that's what I was saying.

Speaker 2 (45:41):
This show is such about.

Speaker 4 (45:42):
It's this episode in particular is about double standards, you.

Speaker 2 (45:45):
Know what I mean?

Speaker 4 (45:46):
And how to and how we and how we tackle
double standards. This dude's so bent out of shape, uh
that you slept with guys at the hospital, but he's
got a pregnant lady, yeah in his back pocket and
what I mean.

Speaker 2 (46:00):
And it's like, yep, come on now, you can't. You can't.

Speaker 6 (46:02):
What's good for the goose is good for the gander.

Speaker 1 (46:05):
Exactly right, exactly, Heather, did you have fun working with
our with our pal, the legendary Johnny c McGinley, Because
it looks like you guys had great chemistry.

Speaker 7 (46:13):
He was so much fun and everybody talks so fast
on that show.

Speaker 6 (46:17):
I was like, oh my god, here I am. Well,
I shot, but no.

Speaker 7 (46:21):
I had a great time with him. And yeah, he
was very, very fun. I really adored him.

Speaker 2 (46:26):
You guys had such good chemistry together. He thanks Yanks.

Speaker 1 (46:30):
You did, you had a good You had a good Bansward.
I'm sure Johnny c was excited when Bill was like, oh,
in your love interest for the week is Heather Locklear.

Speaker 6 (46:39):
I don't think so. Really fun.

Speaker 2 (46:44):
John c McGinley was single at this moment too.

Speaker 4 (46:46):
He was like, yeah, he did the Ralph Hamme.

Speaker 1 (46:53):
Heather we were talking about and then the episode before
this one, because you're in that one too, about these
pharmaceutical reps who were all attractive women and they flirt
with the doctors. Did you know about this lunch? Yeah?
Did you know about it?

Speaker 6 (47:06):
I did know about it.

Speaker 7 (47:08):
They were like, oh, yeah, they take all the doctors
to lunch and they flirt with them and give them
all them you know, And yeah I did. I was
very well aware. But my favorite line was aintal leakage.
And the thing I got to say, I loved saying anal.

Speaker 6 (47:22):
I think I might.

Speaker 1 (47:23):
Be a good ringtone. That could be a good ringtone. Guys,
another one, another one one, Heather lockleyer saying anal leakage
could be your notification.

Speaker 6 (47:39):
But yeah, so that but I did. I was aware
of that.

Speaker 1 (47:42):
Yeah, because we were talking about in the last episode
how it was such a thing where they they hired,
they recruit these beautiful women who who doctors are going
to flirt with and go to dinner and drinks with
and uh and and we kept this going, you know,
you bring all this swag to the hospital and the mug. Actually,
if you see there's an earlier scene in this where
I'm holding coffee out of a plo Max's mug. That's

(48:02):
the that's the Oh my gosh. And then I think
Donald didn't we keep it going for like a lot.

Speaker 2 (48:07):
Many shows up in the hospital.

Speaker 1 (48:09):
There was always plow mak stuff all around because of
all your all the swag you left stayed around for years.

Speaker 7 (48:16):
Now here's something I wonder. You know, they always say
beautiful women doing that, But are there beautiful men doing it?
Because there's female doctors.

Speaker 1 (48:23):
That's a very good question. I think there are. I think.
I'm sure I had a handsome friend. I had a
handsome friend from high school who became one of those guys.
I definitely think they're they lean to being good looking
people because I don't know, I think, I think again.
I just remember knowing about this twenty over twenty years

(48:43):
ago because I knew girls who did it, and they
were all very pretty and they and they would tell
me they were like, you won't believe how fucked up
this is, like, people don't know, people don't I remember
a girl from my from my high school telling me,
you don't. You can't believe the data we have on
these doctors, like the ship we know, we know, we
know when they're prescribing it. What else they're prescribing If
they're not prescribing that, how many How it's compared to

(49:04):
last month when we gave them a big incentive that trip.
Look how much the graft showed, how much they prescribed
it more And I just can't remember. I remember being like,
this is so fucked up, and then I thought it
would be like I thought it'd be like discovered and over.
It's like Paola back in the day of the radio
station days, and no, it's still going on. It's still
going on today, Like aren't.

Speaker 7 (49:24):
The doctors aware that this is happening?

Speaker 1 (49:26):
And there, Yeah, the want they want the golf trip
and the pretty woman.

Speaker 4 (49:31):
I'm sure I would love to go play golf with
the pharmaceutical rep. Get me out of the hospital for
four hours.

Speaker 1 (49:37):
Personally, Yeah, and sometimes it's like a golfer treat. All
you have to do is go like watch the Plomox
video and then you're like on a golfer treat, right, Yeah, yeah, Donald,
we have to let Heather lockleyer go because we only
asked her, Yes, listen, we only we only recruited a
legend for an hour, and we can't we can't keep it.

Speaker 6 (49:59):
You're funny, you guys funny, but how do.

Speaker 1 (50:00):
We really want to take you? Because we we were
both genuinely nervous. So I'm sorry if we spoke fast
and nervously.

Speaker 7 (50:09):
No, no, me too, So I'm right with you. It's
a pleasure.

Speaker 4 (50:14):
But it was such a big deal to have you
on the show when when uh this, I remember when
it happened and they were like, we got head a
Lockliyer and me being like, holy ship, hell did we
get head.

Speaker 6 (50:24):
Of locklier because you had a good show?

Speaker 2 (50:26):
Yeah, well, thank you very much.

Speaker 4 (50:28):
But it was such a it was it was such
an amazing moment, amazing moment to have you on the
show and then still having an end also because we
had spent the summer together doing Uptown Girl.

Speaker 6 (50:39):
Yeah right, that was crazy. It was really nice.

Speaker 7 (50:41):
And you know what, it was such a joy for
me to do because it was so different from what
I was doing. And the writing is excellent, the show
is great, and you guys are great and et cetera,
et cetera.

Speaker 1 (50:52):
Well, thank you, Heather. We really.

Speaker 2 (50:55):
Good to see you. Take care. Do we have a call?

Speaker 1 (51:01):
We do? We do have a caller? Are you gonna
take them right away? We have to go to break.
What do we do?

Speaker 2 (51:07):
I think we should go to break.

Speaker 1 (51:08):
Let's just talk for one second about Heather Lockview. I
have to have been I was very nervous. I spoke fast.
I apologize to the audience. You have to understand. I
had such a crush on her as a as a
young person, and uh, I was tongue tied. Donald, I
was tongue tied.

Speaker 2 (51:24):
You did great. You know what.

Speaker 4 (51:25):
I I sensed that you were a little nervous.

Speaker 6 (51:27):
I was.

Speaker 1 (51:30):
Talking like that, but.

Speaker 4 (51:31):
I sensed it, and so I tried to throw you
into a comfort zone and just have you talk about
you know, uh, Garden State.

Speaker 1 (51:38):
Oh yeah, that was good.

Speaker 2 (51:39):
Good Alley you yeah, yeah, you got me.

Speaker 1 (51:41):
Yeah, I see what you did. You're a good co host,
you said. Zach's rambling nonsense. Why don't I steer him
to some subject he likes to discuss directing films?

Speaker 2 (51:51):
Right exactly?

Speaker 1 (51:52):
I see, God, you're good.

Speaker 2 (51:53):
It's just because I love you, fucking hell.

Speaker 1 (51:55):
I love you. I want to shiny dome.

Speaker 2 (51:58):
And on that note, we'll be right back.

Speaker 5 (52:00):
Mm hmm.

Speaker 1 (52:06):
How about Sarah calling a vagina a bajinga I had?
Is this something that.

Speaker 2 (52:11):
It goes on forever it goes.

Speaker 1 (52:12):
No, But I'm saying, like, did they make this up
the Scrubs writers? Because what that? I never heard of
Vagina called a bajinga before.

Speaker 4 (52:18):
I've heard it called so many things that it has
to somebody somewhere has to call it a bagenga, like
I've heard nanny.

Speaker 1 (52:26):
My key key vertical, smile.

Speaker 4 (52:28):
My right, my my, my new new my she she yeah,
my bajenga, budget, my Vagina, my bird, my birdginer, Yeah, Myagina, Yeah, Vagina.

Speaker 1 (52:48):
Like Joe Joel Joel or any Joel or any of
those nicknames from Vagina. I don't know, we'll have to
google it.

Speaker 2 (52:59):
I've never heard of, I've never heard. It's crazy that
you got to kind of put it like a different like,
I don't know where this accident would come from, but
it's sort of like a groul, my giant giant, too much.

Speaker 1 (53:15):
Vagni too much, too much? Another another one.

Speaker 2 (53:21):
Another one.

Speaker 1 (53:27):
Oh, that's a fun game to play make up nonsense
terms for Vagina. I'm glad we played.

Speaker 2 (53:33):
Well, you know we are well.

Speaker 1 (53:35):
Listen, Bijingo is bajingo. That's that becomes Sarah's term for vagina.

Speaker 2 (53:39):
It's her go to. It's her go to. Let's bring
it our.

Speaker 1 (53:42):
Guest, Okay, but don't mention any of the vagina terms
around the guest.

Speaker 2 (53:46):
Dude, I'm done. I'm done with it.

Speaker 4 (53:49):
Be appropriate, Hey, Hilly and Shelly, who's Shelley.

Speaker 9 (53:59):
Shelley is my mom. So the last time I used this,
we were playing categories with my boyfriend who's in England.
But the day to you, oh.

Speaker 1 (54:11):
You, She took audience members, She took a sip of
a of what looks like an apple teen.

Speaker 2 (54:17):
It looks like an apple teeny. I don't think it's
just wearing water.

Speaker 1 (54:20):
She's wearing a Han Solo tang top. Donald.

Speaker 2 (54:24):
Yeah, she knows the way to my heart.

Speaker 1 (54:25):
Yes she does.

Speaker 4 (54:27):
I'm gonna say something. I'm gonna say something real quick. Yeah,
go ahead, Helly, you might just be the best guest
we've ever had ever.

Speaker 1 (54:33):
She's wearing that shirt. Can you tell Donald where to
get that shirt? Haley? Please?

Speaker 2 (54:37):
Got it?

Speaker 9 (54:37):
Forever twenty one?

Speaker 1 (54:38):
Like Donald, that's.

Speaker 2 (54:40):
Not gonna be Donald.

Speaker 1 (54:42):
Do shop in Forever twenty one, Donald's Forever forty six.

Speaker 4 (54:45):
You know, I thought Forever twenty one was the store
that you went to when you were twenty one.

Speaker 9 (54:49):
I thought that too, but I was not twenty one
when I bought.

Speaker 1 (54:53):
It, so I thought Forever twenty one meant that you
wanted to look like a twenty one year old.

Speaker 4 (54:57):
That's not what it means that everything under everything is
twenty one dollars an under or something.

Speaker 1 (55:02):
Really, Yeah, Joelle, is that true?

Speaker 6 (55:05):
I think there's things for over.

Speaker 2 (55:07):
It's it. Listen, I will see this.

Speaker 6 (55:08):
You can buy three dollars.

Speaker 9 (55:10):
Items were more expensive, but.

Speaker 2 (55:13):
Yeah, like it, but you can divide it and at
the end you get twenty one, right, something like that.

Speaker 1 (55:20):
This is oh my god, this is a mind blowing
moment for me, because I up to this moment thought
the whole concept was, let's say you're a little bit older,
but you miss feeling like a little hip. You can
go to Forever twenty one and you're gonna look forever
twenty one.

Speaker 4 (55:34):
No, no, no, no, no, it's it's it's you got
a couple of You got a couple of twenty ones
in your pocket, five dollars in your pocket, you can
get five outfits from Forever twenty one.

Speaker 2 (55:48):
Okay, I did that math quick. That was quick.

Speaker 1 (55:51):
That's relatively good. Where are you calling from, Hayley.

Speaker 9 (55:54):
I'm in Solo, Dad, California, at my mom's right now.
So this is where I've been all locked down.

Speaker 1 (56:02):
Where is Sola, Dad? Where is Sola Dad? I don't
know where that is.

Speaker 9 (56:05):
So it's near. It's about half an hour south on
the one O one of of Monterey. Okay, okay, So
it's there's nothing here, there's nothing.

Speaker 1 (56:14):
What do you have to do?

Speaker 2 (56:16):
You didn't do?

Speaker 1 (56:17):
What do you do in Solo Dad?

Speaker 9 (56:19):
Haley? Right now? I bide my time until I get
to go back to the UK.

Speaker 4 (56:26):
So that's where your boyfriend is, And that's where your
boyfriend is. You want to you want to get back
to him?

Speaker 6 (56:33):
I do, yes, do you?

Speaker 1 (56:34):
Haley? You can go. You can go to the UK, Haley.
You just have to quarantine for two weeks on your own.

Speaker 2 (56:39):
Yeah.

Speaker 9 (56:40):
Yeah, Well we're doing a visa right now.

Speaker 1 (56:43):
So we're working on that. Oh I see and and
and are you Are you content to be a transplant
and live there full time with your with your boyfriend?

Speaker 9 (56:53):
Yeah, I'd love to be transplanted into that country, so
stick me there.

Speaker 2 (56:57):
I do love the UK, we love it.

Speaker 1 (57:00):
We love it too. I'm gonna be uh Yeah, I'm
gonna be transplanting there myself.

Speaker 2 (57:05):
Wait what, Yeah, you're gonna live in the UK.

Speaker 1 (57:09):
Well, for part I'm I'm I'm dating a British woman
and part time I will be I'm spending I'm sure
a percentage of my life there. Don't get upset. I'm
not moving there, Donald, I'm just saying that if if,
if I'm if one Haley can attest if one is
in a relationship with an English person, you have to
You have to go there sometimes, and it's a delightful

(57:29):
place to go. Hey, listen, they could be from a
country you don't want to visit. Hailey and I are
lucky that it's a country we both.

Speaker 9 (57:36):
Love and the food is not as bad as everyone
says it is.

Speaker 1 (57:39):
Oh, the food's wonderful. You can give me. You can
give me mushy peas any day of the monk.

Speaker 2 (57:44):
Oh, my god, Do I like the bangers in Mash?
You like the bangers in Mash?

Speaker 9 (57:47):
I don't really eat pork, so I eat the mash
but not the bangers.

Speaker 1 (57:52):
I don't understand why we don't have mushy peas in
this country.

Speaker 2 (57:55):
Because it's as good.

Speaker 1 (57:58):
You can you can use my pool when I'm gone.

Speaker 2 (58:02):
Okay, cool, I'm going to miss you.

Speaker 1 (58:05):
Haley doesn't have to hear about this. We can negotiate
that off.

Speaker 2 (58:07):
That's all right, It's fine.

Speaker 1 (58:09):
Just make sure all my rafts stay inflated.

Speaker 2 (58:13):
Right anyway, Haley.

Speaker 1 (58:16):
Do you have a question for us? Please? Please?

Speaker 6 (58:18):
I do.

Speaker 9 (58:18):
I had it on a piece of paper and I
left it in the other room.

Speaker 2 (58:21):
But go get it you Okay.

Speaker 9 (58:25):
So this is my fruit Cups, Yeah, which is probably
my favorite episode and I don't really know why. It's
just my favorite episode. It's the one I probably quote
the most, you know, like the day to users walks away, right,
and I love the music the first scene. Whenever I
used to where I worked, I want occasionally had to

(58:46):
take you know, a toilet paper roll or two from work,
and that occasionally be like or you steal stuff and
take it.

Speaker 6 (58:52):
Back to work, take it back home.

Speaker 9 (58:56):
But I feel like it's a pivotal point for all
the characters, like Doctor Cox gets back together with Jordan
JD and Turk kind of both realized that, you know,
Turk's relationship with Carla is really solidifying in this and
Elliot stands up to her dad. So I was kind
of wondering at what point in the series did you
think that your characters matured the most, or whether it

(59:17):
was how you played them or how it was written.

Speaker 1 (59:20):
All right, Haley, look at Donald's smug face say the
same thing. Yes he No, he totally agrees with you.
He gave his thirty second summary and touched on everything
that you just said. And that's why he's got that
shit eating grin on his face.

Speaker 2 (59:36):
Why did they call it a shit hitting grin?

Speaker 6 (59:39):
You would be grinned when you were eating shit, would you.

Speaker 4 (59:41):
I would not be smiling if I had to stick
doodoo in my mouth. That would be like it would
be like, it would be I get it. So it's
not really a shit eating grin. It's the face you
make where you're like, oh god, it's growth and it
looks like a smile, but really what it is?

Speaker 1 (59:57):
Joel, Joel, are you looking that up for us? You
need to know the origin of shit eating grin?

Speaker 2 (01:00:02):
What the anyway?

Speaker 1 (01:00:04):
Anyway? So Donald, your best to answer that because you
you've already spoken about this person.

Speaker 4 (01:00:09):
I think this is the episode where now when we
were filming it, No, I did not realize this because
none of us knew where the show was going to
go at this point, but you're absolutely right. Every story
that's told in this in this episode goes to the end,
each and every one of these stories. Elliott standing up

(01:00:30):
to her dad, this becomes her on her own and
having to make decisions on her own, and we see
how crazy life is for her when she has to
do that, right, She's a hectic person. Jude, Carla, and
Turk go on to get married and have kids. Cox
and Jordan gone to have more children. Every one of

(01:00:52):
these stores and JD's in limbo for the rest of
the season up until the last.

Speaker 1 (01:00:56):
And for Limbo, that could be the name of the show.

Speaker 2 (01:00:58):
Forever in Limbo, JD season up until season eight.

Speaker 4 (01:01:01):
You are forever in limbo. You are the dude who
has no idea. We don't know where you're gonna go.
But at this point, if you were to look back
after doing the whole show, this would be the episode
my fruit Cups where you're like, this is where they
gave us a taste of what was to come.

Speaker 1 (01:01:20):
Yeah, yeah, I didn't see that, to be honest, I
I was just kind of in more of a micro
viewing of it, laughing at the jokes. There was some.
There's some ones like you keep saying thedet badeta you sir,
the mention of bajingo.

Speaker 2 (01:01:33):
There's some.

Speaker 1 (01:01:33):
There's a few classic sort of moments in here.

Speaker 9 (01:01:37):
Beginning when she's like, you look pretty.

Speaker 4 (01:01:40):
Right, canal jes the pills go in your mind an Jesick.

Speaker 9 (01:01:45):
And you're Neil Diamond impersonation.

Speaker 2 (01:01:47):
Right to Jimmy with Jimmy.

Speaker 1 (01:01:50):
It's the first appearance of the Volvo. I believe Donald,
do you know that? Don't don't ruin it, Haley, because
you probably know Donald. Do you know the name of
the brown Volvo? No Malik.

Speaker 4 (01:02:04):
We named the Volvo Malik. I named my Vovo Malik.
Yeah wow, and then you named.

Speaker 1 (01:02:10):
You It might be my Vovo.

Speaker 2 (01:02:13):
I don't know why did you name your brown Vobo Malik.

Speaker 1 (01:02:16):
I have a feeling. I have a feeling.

Speaker 2 (01:02:20):
I think named the car.

Speaker 1 (01:02:22):
Because I definitely I definitely named my scooter Sasha.

Speaker 2 (01:02:25):
Yeah, sure, you know.

Speaker 1 (01:02:27):
Never I I post a picture of me on on
anything too wheelds, people are like, is that new, Sasha?
I like, post a picture of my motorcycle and like,
Sasha got an upgrade.

Speaker 2 (01:02:42):
There was that time that you brought me that scooter
and it was gray.

Speaker 1 (01:02:45):
He didn't even wear it. He didn't even drive it once.

Speaker 2 (01:02:47):
I did drive it around.

Speaker 1 (01:02:49):
Honest, you're gonna lie it.

Speaker 2 (01:02:52):
What are you talking about?

Speaker 1 (01:02:53):
Oh? You named it Sasha Gray. Yeah, and then you
turn it back. Well, let's tell the audience the true
story of this, because it really it was hurtful to me.

Speaker 2 (01:03:02):
No, I had to. Here's the thing.

Speaker 1 (01:03:04):
No, be honest.

Speaker 4 (01:03:06):
I'm gonna be one hundred percent honest. So for my birthday,
Zach buys me a scooter, a great scooter. I named
her Sasha Gray.

Speaker 9 (01:03:13):
That cousin of.

Speaker 4 (01:03:17):
Sure, sure, sure, let's keep let's keep Hailey innocent of
any absolutaughty knowledge, all right, guess right. And the problem
with it was, though, is that you had to have
a motorcycle license to drive it. It wasn't one of
those things where you could just it wasn't a scooter
that was slow enough that you could ride around on

(01:03:40):
it and not have to have a license. So if
I would have got pulled over, they automatically would have
been like, let me see your license. I'd be like,
I don't have a license, and then they confiscate Sasha Gray.
And then I never see her again.

Speaker 1 (01:03:50):
All right now, from my point of view, Haley, imagine
you're my really good friend and it's a big birthday.
I think it was a meaningful, important birthday, and I
was like, I want to do some than like baller
for you. I'm gonna like, I know what I'm gonna do.
I'm gonna ring your doorbell, Hailey, and when you come outside,
there's gonna be a brand new, beautiful, expensive, shiny scooter
there for you.

Speaker 2 (01:04:11):
It was one of the best birthday presents.

Speaker 1 (01:04:13):
And then and then and then for years and years
and years, I'd be like, do you ever use the
good And he'd be like, oh, my motorcycle license, my
motor And I'd be like, oh, okay, well you're gonna
get that, right, you can get that. Just go take
the test real quick. And he'd be like, oh, yeh yeah,
the battery is dead now. I yeah. There was always

(01:04:33):
a reason. There was always a real.

Speaker 2 (01:04:35):
That scooter around my neighborhood quite a few times.

Speaker 1 (01:04:37):
Bullshit, Hailey, you know what. I finally did you want
to go get Casey? I reclaimed that ship, Hailey. I
was like, I'm taking her.

Speaker 2 (01:04:42):
Back, requote that ship. That ship was straight up out
of a jay Z saw.

Speaker 1 (01:04:46):
Yeah, I rolled up. I rolled up and took it
back out of protest.

Speaker 2 (01:04:50):
They repold your vehicle. Everything was all good just a
week ago. That's what you did. You recode the vehicle.

Speaker 1 (01:04:58):
I took Sasha Gray away from you.

Speaker 2 (01:05:00):
You did, and it hurt my feelings.

Speaker 1 (01:05:02):
Yeah, I understand. Anyway, Sorry, we had to air that
in front of you, Hayley. Do you have another question
for Donald Faison or Donald or I guess.

Speaker 9 (01:05:13):
I have a funny story that relates to Zach what
you were talking about a few episodes ago with the
Temple of Doom. Yeah, I have a funny I can
ask my question or I can relate another silly story.

Speaker 4 (01:05:25):
We've answered story and if it's and if it's not funny,
well you can edit it out.

Speaker 1 (01:05:29):
Yeah, well we edited out everything. No One.

Speaker 6 (01:05:33):
So when I was.

Speaker 9 (01:05:33):
Maybe about eight nine ten, I noticed that or ten
in between there, I don't really remember you were.

Speaker 7 (01:05:42):
It was an.

Speaker 1 (01:05:42):
Adolescent right about it got it ahead.

Speaker 9 (01:05:45):
But I had noticed that there was something kind of
growing on my throat area, and I went up to
my dad, who's a doctor, and I was like, Dad,
look I have an Adam's apple. Because I was a child,
I didn't know that that was not a girl thing
to have, right.

Speaker 6 (01:05:59):
Well, that's not normal.

Speaker 9 (01:06:00):
So we went to go get it checked out and
I had to get something removed that was growing on
my vocal cords, and it was as a child, surgery
is kind of scary. So after we had done the
surgery and I was staying overnight, my dad was like, oh,
we have some movies that are at the hospital here,
we'll watch this one. It was Indiana Jones Temple of Doo.
And right when it gets to the part, you know,

(01:06:21):
and he's ripping.

Speaker 2 (01:06:22):
Out the heart, shocked.

Speaker 9 (01:06:25):
I just immediately started bawling and yeah, that's exactly when
mom came the next day. He's like, yeah, she had
this really bad reaction to the movie. And she's like, well,
of course she did.

Speaker 6 (01:06:36):
They were ripping out somebody's heart.

Speaker 9 (01:06:39):
And I don't think I watched it for at least
another ten years. And then I watched it again and
I was like, this isn't that bad.

Speaker 1 (01:06:45):
I know, but Haley, I know, but Haley, Haley and
I were scarred by this film. Our parents made bad choices.

Speaker 2 (01:06:54):
How can you be upset at that movie?

Speaker 9 (01:06:58):
I had a whole Birthday an Indiana Jones later, not
Temple of Doom, the first one mainly grait is it
a lost Arks?

Speaker 2 (01:07:06):
Just as scary when they opened The Ark of the
Covenant and it makes the dude's face melt.

Speaker 1 (01:07:10):
No, I had no problem with that. The something about
there was something about there's a.

Speaker 2 (01:07:14):
Man that screams like a blood curdling scream.

Speaker 8 (01:07:17):
He's like.

Speaker 4 (01:07:20):
Screams like that. I backed up from the mic. You're welcome,
You're welcome, You welcome, America, America, UK, Germany, Italy, Australia,
you listen, Australia, You're welcome.

Speaker 2 (01:07:33):
Another one, another one, listen. A lot of people are asking.

Speaker 4 (01:07:37):
I don't mean to cut you up, but a lot
of people are asking me, and this is I feel
we need to explain this.

Speaker 2 (01:07:43):
We didn't make up another one.

Speaker 1 (01:07:45):
Oh yeah, I didn't. I just still thought everyone would
know the pop culture thing of another.

Speaker 9 (01:07:48):
No.

Speaker 2 (01:07:49):
DJ Khaled, Yes, DJ Khalid, Khalid Khalid? Isn't it college depends?

Speaker 8 (01:07:58):
You know?

Speaker 2 (01:07:58):
Some people say Khalid, some people say cold.

Speaker 1 (01:08:01):
Damn, you're a DJ. What is it? Well, there's there's Khalid,
the artists who may talk. And then I thought it
was DJ Khalid with it more.

Speaker 2 (01:08:07):
Like Kalid too, Yeah, okay, J Khalid.

Speaker 1 (01:08:10):
DJ Khaled when he drops his latest tracks, he will
in the spirit of Puffy back in the day goingheahead ahead.

Speaker 2 (01:08:19):
Or can't stop, won't stop?

Speaker 1 (01:08:21):
Yeah. His his thing is another one like here's another
hit song for you guys.

Speaker 2 (01:08:27):
He has another one? Is that? And then there's major
key and then there's wa the best.

Speaker 1 (01:08:34):
Major key means what if the song isn't a major key.

Speaker 2 (01:08:37):
I don't know what major key is. That's a question
to ask h scrubs wiki.

Speaker 1 (01:08:41):
Now we're gonna go to Now we're gonna go to
no imagine, imagine, we have, we have, we have, asked
DJ Khaled, and now we're gonna go to ask DJ Khaled.

Speaker 2 (01:08:51):
By major key.

Speaker 1 (01:08:53):
Another one, Joel, did you ever find out what hit
eating grin was about?

Speaker 3 (01:08:58):
Yeah, there's a couple of story you want to hear.

Speaker 1 (01:09:01):
Yeah please sure?

Speaker 2 (01:09:02):
Okay.

Speaker 3 (01:09:03):
So my favorite one comes from rb Smith. He's from
the UCSD Astrophysics program, and this is off with the
San Diego reader dot com. He says the original form
of this phrase was grinning like a possum eating shit,
which was occasionally euphemized to grinning like a possum eating
pumpkin seeds. To those of us fortunate enough to have
observed this, teeth together, lips apart, smile on the face

(01:09:26):
of the aforementioned arestupio munching on the aforementioned pachological delicacy.

Speaker 2 (01:09:31):
He's smart.

Speaker 3 (01:09:32):
The expression conjures up a very explicit and not infrequently
very apropro image. So that's part of it.

Speaker 1 (01:09:37):
Did he say scatological delicacy? Yes, those are not two
words I've ever heard together.

Speaker 2 (01:09:44):
It was not fun to say.

Speaker 1 (01:09:45):
That's the name on my band. I So, so it's
referring to an animal who's eating shit and has a
big smile on his face because the animal likes eating shit.

Speaker 2 (01:09:55):
Why, it's not really shit, it's actually pumpkin No.

Speaker 1 (01:09:57):
No, no, no, that's like a clean version. Yeah. When
if you're saying it in front of a kid, you're like, oh,
he's like you're eating.

Speaker 2 (01:10:04):
Pumpkins. He's looking at pumpkin seed eating grin on his face.

Speaker 1 (01:10:08):
Yeah, I'm gonna start saying pumpkin seed eating grin instead
of shit eating grin. Haley, we like you so much.
We're gonna end with one more question from.

Speaker 9 (01:10:17):
You, all right, if so I don't know if you
guys remember, because I know you guys have been saying
that you don't remember some of the episodes. But if
there was one line that another character had that you
wish you could have had to say, what do you remember?

Speaker 1 (01:10:32):
Which one?

Speaker 2 (01:10:32):
It was?

Speaker 1 (01:10:33):
Good question?

Speaker 2 (01:10:35):
Hmmmmmmmmmmm No. I like in your indo, in your that's.

Speaker 9 (01:10:46):
I say that a lot as well.

Speaker 6 (01:10:48):
I say that a lot.

Speaker 1 (01:10:49):
I think i'd take sometimes when I'm banging this mattress,
I I pretend I'm banging that one.

Speaker 2 (01:10:58):
Todd said that.

Speaker 1 (01:10:58):
Todd says, I also like Nil's line. My the Good
Lord didn't bless my wife with other pointer pointer and
thumb pinky nie French nine French is very popular, you
know for.

Speaker 4 (01:11:17):
Kid you know, uh, I want to be the one
inside of you.

Speaker 2 (01:11:23):
I thought that was very funny too, But I said
that you.

Speaker 1 (01:11:25):
Said that, so you didn't really answer, You're the only
man who's ever been inside of me.

Speaker 2 (01:11:31):
WHOA, I just took out his appendix.

Speaker 1 (01:11:33):
There's no need to clarify, Okay, Sorry, Hayley, thank you
so much for coming on. Good luck getting to be
with your your fella in the in the United Kingdom.
Perhaps perhaps I'll see you over there after we've both
the quarantined.

Speaker 2 (01:11:50):
And most likely you won't.

Speaker 1 (01:11:54):
Give me. This is called pleasantries. Donald, I will wave
to you. I will keep on the train.

Speaker 2 (01:12:01):
It's not a train, it's called the tube.

Speaker 6 (01:12:02):
There are trains.

Speaker 9 (01:12:04):
The Tube is only in London.

Speaker 1 (01:12:05):
Yeah, Donald, don't listen, don't.

Speaker 2 (01:12:07):
Isn't the UK.

Speaker 9 (01:12:09):
I'm in Newcastle. So I'm in like the north north
of London.

Speaker 4 (01:12:12):
Oh oh sweet Ritzy, that's not.

Speaker 2 (01:12:20):
London. Is London? Is the hood? If you ask me.

Speaker 1 (01:12:23):
Love tonight on Donald talks about different neighborhoods of London.
All right, bye, Hailey, thank you so much, Thank you
so much.

Speaker 9 (01:12:30):
Thank you guys.

Speaker 1 (01:12:31):
Take care Hailey.

Speaker 4 (01:12:32):
Hi, I want to saw Lisa Marie Presley in London really, yeah,
like at a show.

Speaker 2 (01:12:39):
She did a show. It was like my buddy was
like Lisa Marie Presley's performing.

Speaker 5 (01:12:45):
You know.

Speaker 1 (01:12:47):
First of all, I'm glad we're all finally alone now,
because I feel like we had to be great for
Heather and then we had to host Hailey, who was delightful.
But sometimes you just want to just curl up on
the couch with your friends and just shoot ship. You know. No,
I totally agree yeah, so let's just let's relax. I'm
gonna on the top button of my pants and just

(01:13:09):
I'm gonna kick my shoes off. Let's pack a bowl.
Unlet's just fucking relax now. No more house guests, no
more visitors. Okay, just let's get feedle on the couch
and watch alone.

Speaker 2 (01:13:25):
Now Donald Show ladies in general.

Speaker 1 (01:13:27):
No, no, no, no, it's not we got more to do.
Don't Krystal Waters back on Krista Miller's back looking gorgeous
and pregnant and pregnant?

Speaker 2 (01:13:36):
Is that William in her belly?

Speaker 1 (01:13:37):
That must be will in her belly?

Speaker 2 (01:13:38):
Yes, that's amazing.

Speaker 4 (01:13:41):
When I told Casey that, she was like, holy cow,
it was this was that long ago? Because William is
a what is he a senior in high school?

Speaker 2 (01:13:50):
Now school?

Speaker 1 (01:13:52):
And he dunked, He can dunk, and.

Speaker 2 (01:13:54):
He plays basketball and he got the game.

Speaker 1 (01:13:56):
Yeah, you guys are seeing him in this episode in
uter row and now he dunks.

Speaker 2 (01:14:02):
If you want to see him do it, you can
go to Bill Lawrence's.

Speaker 1 (01:14:05):
Yeah Bill Lawrence on him. On Bill Lawrence's V Doozer
v Doozer's Instagram, you can see his son dunk. How
about at ten thirteen when I go I told her
you smoked the angel.

Speaker 2 (01:14:16):
Yeah, that was improved. That wasn't something really, that was improvd.

Speaker 4 (01:14:21):
I remember it was something else originally, and uh, that
was funny.

Speaker 2 (01:14:25):
Yeah.

Speaker 4 (01:14:25):
I remember laughing so hard when you said that too,
And I remember thinking, that'll never make this Suffence, that'll
never make the show.

Speaker 1 (01:14:30):
Because we weren't allowed to talk about weed back then.
It was so scandalous. Now, I want to know you
something you're you're I read on scrubs Wiki that your
Brady Bunch trivia here is wrong.

Speaker 4 (01:14:41):
I don't know nothing about I listen. I don't know
nothing about the Brady Bunch in the first place, so
I don't.

Speaker 1 (01:14:46):
Okay, well, tur Turk, Turk is quite wrong here, and
I'll tell you why.

Speaker 2 (01:14:50):
I can't back it up, though, because I don't know
shit about the Brady Bunch.

Speaker 1 (01:14:53):
I'm just telling you so you know if it ever
comes up again in your life. When Turk tries to
prove his knowledge of the Brady Bunch by describing a
exactly which episode JD is referring to, he's incorrect. He
claims the episode quote Marcia gets creamed end quote was
in by the way you could never name a show
that today was in seasons was in season five, episode three,

(01:15:16):
while it was actually episode seven that season. So somebody
fucked up.

Speaker 2 (01:15:20):
We can blame who wrote j Who wrote this?

Speaker 1 (01:15:25):
Janey, you fucked up? Okay, and you're a Northwestern grad.
I expected more from you.

Speaker 4 (01:15:29):
I really got a hand it to Christoph in this episode,
you know, making fun of herself and you know, making
fun of the fact that she's pregnant and being so vulnerable.

Speaker 2 (01:15:39):
She did such a great job. And the scene in
the bathroom where she's crying, you.

Speaker 1 (01:15:43):
Know, and uh, it felt very raw and real.

Speaker 4 (01:15:46):
Yeah, it did, you know. And I remember when my
wife was pregnant and there were days where she didn't
necessarily feel like, you know, she was the sexiest person
on the planet. And I remember just thinking, while she's
so beautiful, she's so beautiful, and I feel like that's
what Cox was going through in this episode, you know,

(01:16:08):
regardless of him dating have the lockleiest character and everything
like that. There's something special about when you see somebody
who you love and they're carrying your baby inside of
them that you just think that the most beautiful human
on the planet. Like I just remember looking at Casey

(01:16:29):
and being like, holy shit, she's so beautiful. And she'd
be like, I got three chins, and I'd be like,
I don't give a shit, you could have twenty chins.

Speaker 2 (01:16:35):
You look so beautiful. I love all three of them, right,
you know what I mean?

Speaker 1 (01:16:39):
Well, I bet you know christ is a really good actress.
But I also bet that you know, she was legit pregnant,
and I'm sure that she could call upon those feelings
when she's sitting on the bathroom floor feeling, you know,
undesired by doctor Cox. I thought that was a really
nice scene between the two of them.

Speaker 2 (01:16:56):
Yeah, and it was a good fake out too.

Speaker 1 (01:16:59):
Yeah, that was clever how they had to do that.
So Johnny c grabs two things of whiskey. Heather's on
the couch. By the time he comes around, it's been
changed to Krista and she's like, you know, I can't
drink that, right. He's like, yeah, they're both for me.

Speaker 2 (01:17:10):
Yeah, I love that.

Speaker 1 (01:17:12):
Yeah. Now, this We've said it a couple of times,
but this is one of the greatest lines in Scrubs history.
In this episode thirteen oh nine, I have one of
those French things that shoots water up my butt the
day the day to use.

Speaker 2 (01:17:25):
Her whoever, I said, but day that was very clever.

Speaker 1 (01:17:34):
Heather has a line that's funny when she disses Krista
and she says, anywhere anybody looks, they'll see thats fucked up.
And how about when I scare you in the angulance
and you scream? That was funny.

Speaker 4 (01:17:48):
Yeah, and yeah, I was gonna say, dude, such a
good scene.

Speaker 2 (01:17:51):
Man. That's one of those moments.

Speaker 4 (01:17:54):
You know, you we've worked together for a really long time,
and you have and I've seen I feel like I've
seen most of your tricks. You've developed some new tricks
that I haven't seen in the last ten years because
you've gone on to work on other things and everything
like that. But this is one of those Well, this
is one of the first times where we had done
a season of Scrubs together already and I hadn't seen

(01:18:19):
you play this this this side before where it was
like you were you were thinking, you're really thinking about
it in the scene and it disturbs you, but it
doesn't disturb you to where you're like kind of fucked
up about it. But it's like, holy shit, life's changing
for us. And I had never seen you play that before.

(01:18:39):
And I remember watching this because I watched.

Speaker 2 (01:18:41):
It like two two hours ago and thinking, if I
remember correctly, I remember Zach not knowing how he wanted
to play this scene, and we worked on this on
his side for a bit and this is what he
came up with and it works so well, dude, it works.
It's like it's it's one.

Speaker 4 (01:19:02):
Of those moments where you know you're in awe of
the moment as an actor, but you're also you want
to keep it grounded, like so she said, she said,
you said we no, she said we you know.

Speaker 2 (01:19:16):
What I mean.

Speaker 4 (01:19:16):
And that could have been played so many other ways.
It could have been underplayed, but you played it very thoughtfully,
and I thought that was so amazing.

Speaker 1 (01:19:24):
Thank you, Thank you for saying that. You know, it's
on this show, it was always you and I so
easily went into the silly stuff, right because that's just
that's who we are and that came naturally to us.
But then there's always these great moments in the scene.
Is one of them where we have this sort of
heart to heart where we would have to shift our
brains a bit and be like no, no, no, go out

(01:19:45):
of broad silliness and like drop in and be just
totally real and straight with one another. And I think
that's one of the things that made this show special
to a lot of people because because it had it
had the ability to do that, It had the ability
to drop in and be real.

Speaker 2 (01:20:00):
Yeah, and and and.

Speaker 4 (01:20:04):
That's I mean, obviously that's the reason why we ran
for so long. But that's such a special thing man
to to for me now, to go back and look
at the things that we did in our past and
the things that you know, it's a lot like what
this episode is about, you know, just to look at,
you know, moments that we had back in the day

(01:20:25):
and really appreciating them. You know, I miss the camaraderie
that we had. I don't think i'll ever in my
life experience what we experienced when we were making this
show again. And you know, you search for it and
you try to create it with other people and sometimes
you even fake it.

Speaker 1 (01:20:45):
But you know, we were also young, but we were
also young. And I mean, first of all, yeah, of course,
nine year runs on a show with great people is
not something that happens multiple times in a lifetime necessarily,
but also we were young and so wide eyed and
so so excited and really savoring it. I think, And

(01:21:06):
now you know, you have a family, you know, we
all have grown up, we've got other things going on.
I don't even know that we would. I don't even
know if it's recreatable in a new environment, you know
what I mean?

Speaker 4 (01:21:16):
Yeah, I I I can't imagine myself spend like I
can't imagine myself spending the amount of time that we've
spent together with someone else, now, you know, other than
my wife.

Speaker 1 (01:21:27):
And the hours too, man. I also don't want to
work that hard.

Speaker 2 (01:21:31):
I don't mind working those hours.

Speaker 1 (01:21:32):
I love I love working. I love working. But when
I look at this show and how much how we were,
we were just non existent.

Speaker 4 (01:21:39):
Well, you worked a lot about there were times where
you just didn't do, but.

Speaker 1 (01:21:42):
I just didn't leave. There were times where I thought
about sleeping in that fucking hospital.

Speaker 2 (01:21:46):
Yeah no, not me, But.

Speaker 1 (01:21:48):
I never did listen. The rooftop that ends this show.
Wasn't it downtown La?

Speaker 2 (01:21:56):
I don't know. I would like to believe that it was.
It could have been Joe's.

Speaker 1 (01:22:00):
No it wasn't. It was a cold, a fancy rooftop,
and I believe it we went down town l A
for it, and then but Scrubbs Wiki is saying that
it was at U c l A. And I think
it might be wrong. And they're saying it's the.

Speaker 2 (01:22:12):
Roof of give and we gonna get this too freaking funkos.

Speaker 1 (01:22:15):
Man, No, listen, he deserves funkos for the services he's
already performed.

Speaker 2 (01:22:19):
They're given us false. False, It's false though, man. That
definitely where at U c l A was that.

Speaker 1 (01:22:26):
He says old Wiki or it's not just him, him
and his thousand minions, say Cole Coble commons, but that
would be Westwood and that's not Westwood. In the end
of the show, right.

Speaker 2 (01:22:35):
Dan, you want to ask Bill? Do you think Bill
would remember Bill?

Speaker 1 (01:22:40):
Now, let's ask DJ Collin DJ Khaled at the end
of this episode, what what building are we on? I
believe it was downtown. Some are saying it's a U
c l A property, which is Westwood? Uh, what are
your thoughts on this?

Speaker 2 (01:22:57):
Zach may your key? I got nothing.

Speaker 1 (01:23:03):
I don't. I really honestly don't even have a DJ
Khalid impersonation in my repertoire.

Speaker 4 (01:23:08):
If you watch Scrubs on Hulu, they play a DJ
Khalid commercial about him brush somebody brushing their teeth and
DJ Khaled's like circular emotions.

Speaker 2 (01:23:19):
Do another one? What if I have another one?

Speaker 1 (01:23:22):
What if I do Dj Khalid? But as a as
a as a impersonation that I'm good at. So you
just have to you the audience will just have to
pretend this is how he talks. Go ahead, he talks
like Aaron Neville.

Speaker 8 (01:23:40):
Another I don't remember where you got shot that scene,
but I don't think it was you don't see it
was downtown Hella.

Speaker 1 (01:23:53):
That's how DJ Khaled talks. Some one liken.

Speaker 2 (01:23:58):
Oh oh man, right now?

Speaker 1 (01:24:03):
Did Aaron Nevill die?

Speaker 2 (01:24:04):
I don't know. But he's rolling over?

Speaker 1 (01:24:06):
Why is he rolling over his grave? He's alive?

Speaker 2 (01:24:08):
Well that's something Charles Barkley says.

Speaker 9 (01:24:11):
Ok.

Speaker 1 (01:24:13):
DJ Khaled is Aaron Neville dead? No, he's very much alive.
We should probably end this show.

Speaker 2 (01:24:26):
Great show listeners, We love you. Why is the janitor
stealing a computer?

Speaker 1 (01:24:31):
I don't know.

Speaker 2 (01:24:32):
He goes the whole the whole episode. He's trying to
figure out who's stealing all.

Speaker 1 (01:24:35):
Of these I think the reveal is that he's the
one stealing everything out of the hospital.

Speaker 4 (01:24:40):
Right well, no, he didn't steal the drugs and he
definitely didn't steal the pudding pops because we did the pudding.

Speaker 2 (01:24:44):
Because we did right. Hey, guys, we had a great
time with you today.

Speaker 1 (01:24:48):
Yes, sorry for anything that went.

Speaker 4 (01:24:52):
We want to thank Kava Locklear for being on the show.
I want to thank Joel and Daniel.

Speaker 1 (01:24:56):
And Daniel, you guys are amazing. Thank you listeners all
around the world for uh, for for tuning in and
for having to giggle with us and uh and we
hope that this this, this, this audio file finds you smiling.
Good day, the day to you.

Speaker 4 (01:25:13):
Five six seven stories that show we made about a
bunch of talks and nurses and Janitor who.

Speaker 2 (01:25:23):
I said, here's the stories next s No.

Speaker 5 (01:25:28):
So getta rab you here, YadA, rab you here.

Speaker 2 (01:25:33):
Scott show Wiz