All Episodes

June 24, 2021 27 mins

The time’s come for Ruben and Marco to fight it out or bury the hatchet, and with all his inner conflict Ruben’s not sure how it’s going to go. Plus he’s got that therapy session coming up, the one he agreed to for his parents’ sake. Time to face the consequences.

Featuring Def Jam artist Nasty C & his new song “Jack” [Stream|Download]

Executive Producer: Asante Blackk

Producer: Daniella Perkins

Starring: Asante Blackk and Daniella Perkins

Co-Starring: Bobby Cius, Rayme Cornell, Christopher V. Edwards and Taylor Bettinson

Written by: Taylor Bettinson and Nakia Hill

Directed By: Christopher V. Edwards

 

https://www.instagram.com/nasty_csa/?hl=en

https://www.instagram.com/herecomesthebreak/

https://www.instagram.com/doubleelvis/

https://twitter.com/doubleelvisfm

https://www.facebook.com/DoubleElvisProductions/

https://www.doubleelvis.com/

 

Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

See omnystudio.com/listener for privacy information.

Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Yeah to nice tonight, or at least it's supposed to
be the night Marco comes over to make peace. I'm
still waiting on a confirmation from him. To keep my
mind off it. I'm getting back to my meditation. It's

(00:21):
been a week now since I came back from viral
Villa and got punished with a never ending grounding for
my parents. I have not been on my meditation game.
To put it mildly, my parents said I can only
have Marco over like this if I agree to see
a therapist and talk about my so called erratic behavior.
I took them up on it, more for the sake

(00:41):
of my relationship with Marco and the production of the
rest of the podcast, and because I really want to
sit with a shrink. The trouble is that I haven't
been able to get in touch with Marco. He's still
not answering my text and d ms. At least he
hasn't blocked me or post to anything else publicly calling
me out. But it means I've had to ask Janelle
to get him to agree to meet with me face
to face. I tried meditating on the Beano, interviewed Janelle,

(01:05):
and I dropped last week and Beanos encouragement of just
power through problems like anxiety and go for your dreams.
That's what I did and going out West at least
that's how I feel. I'm proud of it, electrified by it.
It feels like what Janelle has been talking about with
all her references to Burnee Brown and stuff on in
my power. Feeling myself this way gives me the strength

(01:29):
to take punishment from my parents like a man. But
it's different with Marco. My trip Western the exposure brought us,
even Marco setting his trolls on me. It's boosted our
listeners and we've been able to score more unique artists interviews.
Janelle and I have recorded an interview with an artist
from South Africa today, Nasty c at the book of

(01:51):
t Audio Lab Studio. The podcast is thriving, and by
holding this grudge, Marco was only cutting himself out. I've
got to get him back on board for his own sake.
I suddenly don't feel like meditated the Texas from Marco. Finally,
his ears must have been burning from all my thoughts. Okay,

(02:12):
I talked to Jaelle. I'm gonna stop buying your place
after school, so you can explain yourself. I'll see you later.
One of these days, I'm going to meditate all the
way to the closing bell. But not today. I have
too much on my mind, too much to accomplish. It's
gonna be a long one. I leave school in a

(03:01):
good enough moved, even though another confrontation is waiting for me.
When I get home, I figure i'll have a little
time before Marco arrives. But as soon as I walk
up the block to my house, I see that he's
waiting on the stoop outside. Hey, hey, come on in
and take out my key and unlock the door. No
surprise afternoon appearance by my parents this time. We have

(03:24):
the house to ourselves. Once we're inside, Marco takes a
few steps into the living room and turns to me.
He opens his palms and shrugs. So what do you
have to say? All right, we're you getting right to it.
I'm sorry I should have handled the invitation of viral
Villa differently. You agree that if I couldn't go, you
wouldn't go, And then I went anyway. It was selfish

(03:47):
in me. Selfish that don't even remotely cover it. You
two times me, man, We're best friends, and you just
lied to get one over. Where the hell did that
come from. It's not like I was playing in the
scheme in it, man. I wanted to get you in
Janelle on board with me to be in the one
to go. It was only after our call where we
decided nobody would go that I couldn't help myself and
take them up on and after all, I knew it

(04:09):
was crossing the line. But you don't know what it's
like with my parents and seeing you get all these
baller influencer invice all the time, I've really wanted this
one for me, you know. Marcol takes a long pause
to figure out how to respond. He paces his back
and forth around the room. It's just not like you, man,
and stung the most because it was so unexpected. I
don't know what it's like. Do you think I haven't

(04:31):
been dreaming of getting an invite like this for years,
and I've been putting in the work TikTok's every day,
growing my follower account. I pushed you into doing this
podcast with me in the first place. I may not
know what it's like to have your controlling parents, but
I sure as hell know what it's like to want
to reap the benefits of your own hard work, and
you screwed me out of it. Well, how mature was
it to air dirty laundry online and send your followers

(04:52):
after me like a troll army. I was getting the
endless notifications about how much I sucked, lived by the sword,
died by the sword. Besides, you probably loved it. Got
you a bunch of fresh new follows. I bet that's
how you operate now, isn't that how you operate? No,
I've built my following from the ground up. I'm not
thirsty for follows and ship. You're acting like a taste

(05:12):
of internet fame has gone completely to your head. Bro,
You've been this way for weeks. You're acting crazy. It's
not cool. The same criticism from Janelle, from my parents,
now from Marco piercing through the disbehavior was unlike me
that the success of here comes to break is going
to my head. I'm stopped short. When you called me crazy,

(05:37):
that really hurt. Maybe it's good I had this therapist
appointment tomorrow. After all, Marco, there will be more opportunities
to do stuff like viral Villa. You should know that
more than anyone, and you can take them. I know
that my issues with my parents and being jealous of
your internet fame, well those are my issues. They're not excuses.

(05:58):
But I did what I did and I'm done apologizing
for it. Janelle and I need you back with us
work in the podcast. It's your creation too. Yeah, you're
damn right it is. But I don't want to work
with somebody I can't trust you, but trade my trust, Marco.
Come on, you can trust me. Don't be ridiculous. How
long have we known each other. We can put in
the work together. Don't let this little feud spen out

(06:20):
of control like some old school be Yeah. I saw
that you and Janelle have been dropping episodes without me.
I feel like I'm being cut out of my own podcast,
even though I'm completely in the right and you're the asshole, Marco.
The point is that the podcast is bigger than any
one of us individually now, but we should all be
a part of it. You've got to come to book
a tea and see the audio lab studio. Now that
we're using the pod for our class project, we can

(06:42):
record any views with a crazy text. It up great.
You two really seem to have figured this thing out
at your booze school together. It sounds like you don't
really need me back at all, at least until you
have another panic attack and run away from the bouncer.
I'm stunned at the low blow. Maybe I deserve it,
but panicky ship like when I ran off from the
l A the ghat, or exactly why I needed to
take bold moves with the villa. I'm ignoring that last part,

(07:04):
and it's not like that. We need you back and
we want you back. Don't take your ball and go home.
Marco sulked around the room for another long minute. I'm
starting to worry one of my parents are gonna get
home and ruin the moment. I think he's heard me out,
and I know he must want to get back in
on the podcast. Deep down, there's no way he's giving
that up. He just has to say it. I'm still

(07:26):
mad at you. I'm gonna be on my best behavior.
I swear he's still holding out. I'm really must have
Damnage is trusting me. But I've got an ace at
my sleeve. All he has to do is here this
new episode Janelle and I recorded today. Without him, he
won't be able to leave the podcast behind. When he
hears it. Listen. First things first, you can give me

(07:47):
notes on this new interview Janelle and I did today.
It was a great interview. You gotta hear it. He hesitates,
but now I know this is my winning car. We'll
see how well the studio of yours boost production. Pew
it up. Let's go up to my room in case
my parents get home. It's because I'm back on the
podcast doesn't mean we're cool, I know. So who's this

(08:11):
artist again? Nasty C from South Africa. Janelle has been
trying to schedule it for a week. It was so
worth it. Listen up in your own words? Who is Nasty?
That's to see is just a creatively free artists from
South Africa started rapping and I was like nine years old,

(08:33):
and I've pretty much just been experimenting with music up
until today. I've don't consider myself as artists who's found
this sound or whatever. I'm still growing and still experimenting
and very open to like new sounds and stuff like that. Wow.
I started making music period when I was like nine
years old. That was my first time. But the first
time I ever paid attention to music at all was

(08:55):
because of t I he had dropped this other remix
for top Back, and I saw it in this bust
that used to take to school, and I was just
like a nine year old in a country that doesn't
really play hip hop like that, So it was my
first music memory, but also just like my first time
hearing hip hop like that. Like at first, I started
off mimicking T. I just like wrapping his words, wrapping

(09:15):
his lyrics and like changing a couple of words so
it sounds like it came for me. And then I
would remake Little Wayne Beats, t I Beats, T Pain Beats,
Chris Brown Beats, like I started remaking beats, and I
started making my own beats and writing my own lyrics.
And I guess the older grew, the more my story
started to developed, and I feel like something I needed

(09:36):
to put on tracks as opposed to just like MI
making somebody else and fast forward you have for me today? Wow? Wow?
And how do social media play into that story? Social
media has had a huge impact on many artists careers,
more especially in my career because I'm coming from or
not only just the city, but a country that doesn't

(09:57):
really embrace hip hop like that. If you were a
wrap and you sounded like anybody international. People would mark you,
people will make you feel stupid. And then social media
came around and people started to get a little more
familiar with commercial hip hop and stuff like that. It
became a lot more accessible and people understood it a
bit more so by default, they started understanding us a

(10:19):
bit more like hip hop hits word word and one
of your songs you wrapped. I signed deals, but I
own my soul. Can you elaborate on that? That won't
be changing my bigger pictures, my message, what I stand for,
how dress, how I love, how I present myself, what
I like and what I don't like to do. None
of that stuff will be changing. I know a lot

(10:40):
of artists. I feel like they're compelled to adjusting and
becoming what the label wants them to become, because then
they'll appeal more to this market, or then they'll be
radio friendly or this and that and that. I know
like labels change a lot of artists, and sometimes it's
not even like intestingly. Sometimes they think they're helping, but
they're really just leading the artists astray. You have to

(11:02):
know every single step or your journey, otherwise you're not
gonna be able to retrace them and go back to
point A or the drawing board whenever you need to.
We we all have these times when we're tested as
artists and there's people I need to be able to
know who I am or where I am at that
time when that time happens, I need to be prepared
for it. If I just let anybody change me and
and present me and give rapped me and whatever they

(11:24):
feel like I should be gift wrapped in and that
moment comes, I'm gonna be lost. You know, I don't
want that. That's very interesting. That's very interesting. You know.
I love how your culture is so visible in your
videos and fashion. Is that intentional? Yeah? It is. And
this is really something that I really started embracing about
two years ago. Up until then, I've always just been
like a modern kid, just like the rest of my generation. Yeah,

(11:46):
a lot of them, they don't really take pride in
their culture like that. I'm trying to make it cool
to take pride in your culture again. I'm not gonna
start wearing animal skin only tests because that's how they
used to do it back in the day. No, I'm
doing it like I want to do it. I'm ana
hip hop head. I'm a pop at a heart, So
I'm gonna mix the two and just make it cool
for my generation to do that. You know what I mean?
A lot of kids my age and like under right now,

(12:08):
they don't even know their clan names. We have a
thing where you have a surname and then you have
clan names that they call praise names. Some people call
them praise names. A lot of us don't even know that.
We don't even know our clan names. So when the
moments like when we have to go propose, instead of
just doing it the white way where it's like you
just get on one knee and then you guys are
engaged and then you're gonna have a white wooden, we
have to do with the traditional way where you take

(12:30):
your uncle's and you go to the girl's family and
before you even walk through the gate, you have to
shout that girl's clan names as a sign of respect.
We're lost right now that my generation we don't know
nothing about that. I'm just trying to make it cool again.
I guess it's like passing down traditions. You know, what's
your clan name? So my surname is mobile and some

(12:53):
of my clan names is like fools there, my sham
news sort haveing stuff like that. They feel like ad lib.
I'm trying to make it make sense to you. So
you recently recorded a single title they don't with t
I and all the protests are going to the Until
Freedom and Solidarity Fund. How did that collaboration happen? I
made the song like a year ago, and that was

(13:14):
just around the time I've seen the Netflix series when
they See Us, you remember that? So before I saw
that series, I didn't really know much about like the
racial injustice situation going on in the States, not that
much of it, Like I've seen a couple of clips
every now and then, but it wasn't like in my
face like that. And then after I saw that series,
I started to do my own research and just like

(13:36):
all the clips that I kept seeing literally broke my heart.
So I was like ship, So I made the song.
I made the song by myself at first, actually, and
it was just like coming from a sympathetic perspective. There's
no aggression to it or nothing, because I haven't experienced
it. It It was just like it was very sad for
me to see that. And then a couple of months
down the line, you have to seeing the series. But

(13:58):
before I made the song, I was in ne York
shooting a video with they said for King, and I
have a mild taste of that whole situation we were
shooting in. I think we were in Harlem, some rooftop
and I don't know what happened, but we got raided
and it was like thirteen corps upstairs, like putting us
in a line, making us put out. I d s

(14:19):
on the flooring ship, our hands up. I was like,
what the funk is going on right now? And this
was the fresh out of seeing like all these videos
in this series, so I was like, I'm for still
dying right now. I'm dying to the to the hands
of policemen. This is crazy. But luckily nothing happened, and
I just decided to make a song and just get
it off my chest. I was more making it to
just help the mothers and the loved ones of the

(14:41):
victims here. And a year later, unfortunately the circumstance and
the situation was relevant again, which is crazy. And then
a year later me and t I formed like somewhat
of a friendship and we have one song already in
the bag, and this is not the song that's out.
This is a song that's on my album. And then

(15:02):
when this ship really got out of control and it
just became like the number one topic in the world,
we were just like, yo, who better to get on
this song and have them put it out then t
I somebody who publicly stands for this ship. This is
what's happening in the world right now. This is what
matters more than streams and usin and this and that
and being cool and whatnot. So I was just like, yo, man,

(15:24):
this is my idol, this is thing, is the reason
I picked up a pin in the first place. So
it would be an honor to have him on one
of my songs, and a song that actually means something,
the song that's not about everything else like that we
always rap about as rappers. So we just put him
on there and he was mot and happy to do it.
I was just speak to do it, and I was

(15:45):
just bad. I was just on the respect for putting
up that messicy, that's what's up, that's what suck and
what do you want people to know who haven't been
in Africa? I mean, even for black Americans like I
guess a message for those who that haven't visited the
motherland the continent. Damn, it's it's so much. There's so much.
They just need to come in. They just need to
come home and really experience it themselves. Yeah, the pictures

(16:09):
and the videos and the stories they don't sell it enough.
It's it's not enough. People have to actually come here
and see how our values aren't way different from like
everybody else in the world. You put culture first, family first,
before business, before wealth and stuff like that. Did they
really just have to have to come home, man, even

(16:30):
if it's for the week and then go back to
your life. It's cool, but just come home for a second.
I bet you would have changed their minds to to
change the way they think, the way they act, the manners,
and it a chains all of it. Yeah, I might
have to take a trip soon. We'll be right back

(16:50):
and now back to the show. While Marco and I
spent the rest of the afternoon working on the interview edit,
Nasty Seas words they're bouncing around my head. It feels
like I've lost that knowledge. I made my own way
out into the world, and I like it, but I

(17:12):
can't seem to retrace the steps home, get right with
the people closest to me who are hurt. At least
once Mark was busy working on the pie with me.
He's in the right headspace, and it feels like old times.
When my parents get home, he excuses himself. It doesn't
even stay for dinner. I understand it's gonna take some
time and it's gonna be an awkward dinner anyway. Tomorrow

(17:32):
is Saturday, and more to the point, my therapy appointment.
I feel aunty and anxious thinking about it. I don't
even exactly know why, but I don't try to meditate
again at night, and even with my meds, I have
some trouble sleeping. I haven't seen the therapist in a
few years. I used to go to one as a
kid when I was first diagnosed with an anxiety disorder.

(17:55):
It was fine, I guess, and I get where my
parents are coming from now wanting me to go again.
But it just feels like a replay of everything that
happened after I blew up on vine when I was little,
and I'm dreading that. I'm afraid of being poked and
prided and diagnosed, label crazy or dysfunctional in some new way.
The morning comes and Da gives me a ride to

(18:17):
the therapist office. So are you ready for this appointment?
I guess. I hope this guy doesn't change up my
meds too much that messes with my moods. I'm sure
he'll be responsible about it. You haven't been acting erratic
aside from this one episode? How's your anxiety doing? The
surge of frustration posters through my veins when he describes

(18:39):
my jail break to the viral Villa as an erratic episode.
It wasn't erratic. It wasn't a manic attack. It was purposeful,
a natural outcome of the pressures I was under. But
I keep a little my sudden bursts of anger to
save it for the therapist. My anxiety has been okay,
mostly homes up around me, Marco and Janelle trying to

(19:02):
finish this podcast season while I'm under well, you know
this grounding. My dad, Grimaces doesn't like that I'm still
priding him about the grounding. Luckily, the ride isn't too long,
and after just a couple more blocks will be ride
in silence. He's pulled up out front of a small
office building where the therapist works. I popped the car
door and have one ft on the pavement when he

(19:22):
taps me on the shoulder. You know, Ben, it wasn't right.
And I agree with your mother that it's good for
you to have someone to talk to about all of
this spots. Just so you know what you did. It
took guts. Thanks there. The psychiatrist office is your classic

(19:48):
therapy office, tastefully decorated, the neutral colors, some plants. So
you say you're here because of your parents. Yeah, they're
basically making me come as a condition of getting out
of grounding. How to does that make you feel frustrated? Uh?
I mean, how am I supposed to get something out
of therapy if it just feels like some kind of punishment.

(20:08):
Just before I came in and here, my dad said
what I did took guts. And Mom sat me down
last week and showed me all these photos from when
she was young, showing me she was a dancer and stuff.
Just as we're really starting to communicate, they want to
hand all my problems off to you. It sounds like
they're doing a lot to reach out to you. Actually,
you ran away from home. I didn't run away from home.

(20:29):
I took a trip for a weekend, I left a
note and it was kind of for work for work. Well,
I had this successful hip hop interview podcast and I
got an invite out to the viral Villa, which is
one of these like hot influencer arts collectives out west
going could completely blow up the podcast horizons. The timing

(20:50):
was just bad. My parents had just found out about
the podcast. I've been sneaking into the city behind their
back to work on it. But I mean, I had
to take the invite because I've never done anything for
myself ever since I was little. I was the good,
obedient kid. I went to therapy, took my anxiety man's,
transferred to the right school. I've checked all the boxes.

(21:11):
I was so afraid of breaking my parents expectations that
with my friends and I launched this podcast. I went
under a stage name and we masked my voice. I've
been a nervous wreck because of their expectations, and the
podcast has been like a way into a whole new
life for me. Taking a trip on my almost the
first thing I've done for myself in years. I don't

(21:32):
want to reject it as some manic episode or something.
I want to own it. I wanted to be me
reclaiming my life. But my parents just don't see it
that way. My friends don't see it that way. My
stage name was mask On, and now I just feel
like I took the mask off, and now everybody's mad
at seeing the real meat. I paused for breath and

(21:52):
the therapist takes a second. I came in here feeling defensive,
but it feels good to let it all spell out.
How have your medications working? Your intake paperwork said you've
been having anxiety attacks. They've been better since that's at
the weekend a way, but I've been feeling a lot
of anxiety the last couple of months. That that's how
to balance all this. This guy seems reasonable enough, but
is he about to change up my meds and screw

(22:14):
with my moods? I need stability now to get through
the last stretch of this podcast production. You've obviously had
a lot on your mind. Do you know what pressured speeches?
I shake my head, no, it's a symptom of bipolar disorder,
an urgent need to share your thoughts and ideas. When
you speak about your podcast and your trip out West,
I hear it bipolar disorder. Like Kanye here, we go.

(22:37):
The hammer is coming down. I'm going to be slapped
with the new label. It would be premature to label
what you did a manic episode. You certainly scared your
family and friends, but a lot of young folks don't
exhibit bipolar episodes until they're early to mid twenties. And
you didn't lose your faculties. You weren't a danger to
yourself for others. So let's not worry about your parents

(22:57):
diagnosis concerns just yet. I think we can maybe ease
up on some of your heavier medication if you haven't
been feeling as anxious lately. Are you willing to come
see me once a week for a while. I feel
the familiar swell of anxiety at the suggestion of being
roped into regular appointments like I'm under watch. But I
know I need to work with this guy if I'm
going to get my parents off my back. He knows

(23:19):
it too, and taking fewer meds would be a relief. Yeah, yeah,
we can try that. Good. Let's get you on the
books for next week. Now tell me more about this
podcast and now an exclusive track from Nasty c Are

(23:54):
used to have tech in the Fridging Live Bank I'm
not going back. I had bed bugs I have which
is rats. I'm not going back. Making this cheese cannot
be this easy. It must be a catch spending them
making them back. So maybe it's balancing that I used
to have jack in the fridging the bank. I'm not
going back. I had big bugs, I have runches and rats.

(24:16):
I'm not going back. Making this cheese cannot be this easy.
It must be a catch. I'm spending them making it back.
So maybe it's balancing that I ushuld you know I
switched his tous and bring this shit home and tipping
the hats. I don't want to return from none of
my bro switspetching a backs. Some people want to be
concy each is. I don't go get you some racks.

(24:36):
You're going on win too fast. Only guy knows how.
Then't crash as soom as I find me your window,
I gott it where I fitted. If I make somebody
your lead, she's gonna have us some millies no money.
Cons will fuck it. We'll take it where you should be.
Broken with city can't be or nobody in my own city.
I by like to marry My windows is teeny. These
people ain't playing my songs out of pity. They actually

(24:58):
genuinely fucking win me. They pay me in hands twenties
on this fifties. I'm taking it all, cats, I ain't
pick on gimming all. Let me figure it out. I'm
not a liability nigga hussling like I go. I don't
needed me, nigga. It's tall ratch till in finning. You
should have check in the fridge in the bank. I'm
not going back. I had bad bugs, I had rotches
and rats. I'm not going back. Making the cheese cannot

(25:20):
be this easy. There must be a catch spending them
making them back. So maybe it's balancing that I used
to have jack in the fridge in the bank. I'm
not going back. I had bad bugs, I had watches
and rats. I'm not going back. Making the cheese cannot
be this easy. It must be a catch. I'm spending
them making it back. So maybe it's balancing that usaid

(25:46):
Here Comes to Break is produced by Double Elvis and
partnership with I Heart Radio. Executive produced by Deaf Gym Recordings,
Executive produced by and starring Asanti Black is Reuben produced
by Danielle Perkins, who plays Janelle Bobby cus It's Marco,
Christopher V. Edwards as Dad, Raymie Cornell is Mom, and
Taylor Bettenson. Written by Taylor Bettenson and the Kia Hill

(26:07):
Artist Interviews conducted by Nikia Hill, directed by Christopher V. Edwards,
mixed and edited by Matt to Hanley, Sound recording by
Colin Fleming, Music Elements, and production by Ryan Spreaker. Additional
production support by Jamie Dimons. Executive produced by Jake Brennan
and Grady Sadler for Double Elvis Special thanks to Rain Rosenbaum,

(26:27):
Shelby Shankman, Sarah Coani and Jordan Garrellic United Talent Agency,
Becka Media and Marketing, Barack Moffatt and Universal Music Group,
Rich Isaacson, Lindnzalez, Charlene Thomas, Merissa Pizarro, Gabriel to Serrierio,
Jessica Manarino and Nya Fleming at deaf Gam Recordings and
Conald Burne, Carrie Lieberman, Will Pearson, Noel Brown and the

(26:50):
entire I Heeart media team to hear bonus content, meet
the cast and go behind the scenes of Here Comes
to Break. Follow with Double Elvis on Instagram or visit
Double Elvis dot com. St
Advertise With Us

Popular Podcasts

Stuff You Should Know
Dateline NBC

Dateline NBC

Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com

The Clay Travis and Buck Sexton Show

The Clay Travis and Buck Sexton Show

The Clay Travis and Buck Sexton Show. Clay Travis and Buck Sexton tackle the biggest stories in news, politics and current events with intelligence and humor. From the border crisis, to the madness of cancel culture and far-left missteps, Clay and Buck guide listeners through the latest headlines and hot topics with fun and entertaining conversations and opinions.

Music, radio and podcasts, all free. Listen online or download the iHeart App.

Connect

© 2025 iHeartMedia, Inc.