November 27, 2025 • 49 mins
Charleston White returns after walking out for a HEATED interview with Loon—clashing over Tekashi 6ix9ine being “gangsta,” calling out DJ Akademiks on NBA YoungBoy’s money, and answering for Lil Woody. Full description (SEO-optimized, no timestamps) Charleston White comes back after the walkout and the room catches fire. Loon forces specifics: Was Tekashi 6ix9ine really “gangsta” or was it performance? Charleston doubles down that 6ix9ine was active, and Loon demands receipts—where, when, who. They pivot to DJ Akademiks and whether his coverage helped or hurt NBA YoungBoy’s money—brand deals, touring energy, and how one post can tax a bag. Charleston speaks directly on Lil Woody and the “fear” talk, draws a line between being strategic and being scared, and says it on camera. The episode also hits the culture’s pressure points: Young Thug and rap lyrics in court (art vs evidence), Adin Ross access/security, police vs street codes, and whether labels/algorithms profit from pain (drill trauma from Chicago/Jacksonville to the timeline). This is not a clip farm—this is the full confrontation people said would never happen after the walkout. What you’ll hear (no spoilers): • 6ix9ine debate that nearly goes left (definition vs myth) • Ak’s role in YoungBoy coverage and money narratives • Lil Woody addressed directly: stance, fear, and consequences • Thug’s lyrics, prosecutors, and the line between art and confession • Police vs street integrity when cameras are off • Labels, clicks, and who actually profits when violence trends Join the community / support the show • Discord: https://discord.gg/3AwsHfDcJB • Patreon (early drops, longer audio, lives): https://patreon.com/ItsUpTherePodcast Listen everywhere (Black Effect / iHeart) – search It’s Up There Podcast. Calls to action If you rock with real conversations: Subscribe, Like, Comment your take (be specific), and share this episode with someone who only saw the clips. Charleston White CAME BACK SWINGING— 6ix9ine “Gangsta” Debate, Akademiks + Woody & Youngboy (DRAMA) Charleston White RETURNS: Defends 6ix9ine + Akademiks COSTING YoungBoy MILLIONS + Woody Response Charleston White RETURNS: Akademiks Cost NBA YoungBoy A Bag + 6ix9ine + Woody, Youngboy & Adin Ross 0:00 Return after walkout — why Charleston came back 2:01 Temperature check — it gets heated earl 4:45 6ix9ine “gangsta” debate starts (voices rise) 8:12 Loon calls for receipts — did 6ix9ine really move like that? 12:05 “Ak fell off?” — Is Akademiks hurting YoungBoy’s money? 16:18 YoungBoy energy & crowd psychology — security stories 20:40 Lil Woody comes up — is Charleston scared? direct answer 24:33 Street codes vs police protection — who’s really safe? 28:55 Young Thug: when lyrics meet the courtroom 33:14 Drill culture & trauma — kids, labels, algorithms 37:02 Media, incentives, and who benefits from pain 40:11 Final exchange — where they still disagree 42:10 Closing — what gets finished today #ItsUpTherePodcast #CharlestonW
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Do you think young boy nim is like that? But
you said all of that. It showed up to the
tour and nobody does nothing to you.
Speaker 2 (00:07):
They live in it, see, because we go shame you
if you ain't living, how you wrapping? So we ain't
gonna let your mascot.
Speaker 3 (00:13):
How she wouldn't be a thing if these can cover you?
Speaker 2 (00:17):
So shaky lived around the conor from them, didn't y'all
see this?
Speaker 1 (00:20):
That don't mean that he wasn't doing nothing, though, Are
you saying they can cover you?
Speaker 3 (00:25):
I don't think at got the pull. He acted like
he got.
Speaker 1 (00:29):
Aiden came and because he had enough had to make
it right. No, no, no, let me ask you this
before you code, because I heard you mentioned kyen Aiden.
Is there some sort of I don't know much my children?
Is there some sort of issue of beef for casanana
Aiden Ross?
Speaker 2 (00:46):
And then looking at bird man sixty years old, still
looking like a Waiian yell blood, still talking dangster talk
with all these young men faulty, So come on home,
that's one of the more come on.
Speaker 3 (00:59):
Well, I think that they're just contagious.
Speaker 1 (01:01):
Like some people argue, you got some Whitian energy on
you right now you got the shy stone. But I
know it's probably because you're coming through the airport. You're
rocking the jewelry right, so certain things that the industry,
but that.
Speaker 3 (01:13):
You and Wood are now back together.
Speaker 2 (01:15):
Get money. Yeah, in one week me and we have
made a hundred thound dollar together together. But I feel safe.
I feel safe enough to sleep around all the people
that could have gotten and they.
Speaker 4 (01:24):
Had something to say.
Speaker 2 (01:25):
I know, I don't bring him over up. His brother
was mad, but his whole family about everything. Yeah, if
baby Mama broke the people mad, I steal with you.
Speaker 5 (01:40):
She if you ain't talking, no door the name interest. Look,
they say the guys didn't live, and I'm going farther
than that. She keep building on my phone, So I
called her mom, come and get your daughter mad. They said,
want a little better than get them boys wag or
what man Lew and.
Speaker 2 (01:53):
I boys should brain. But get all that, they.
Speaker 5 (01:56):
Said, it's guys the limb I'm going fall.
Speaker 3 (01:59):
You can try to Kim.
Speaker 5 (02:02):
I just bought it life as I did it side
come with that Artim you lazy. The reason you broke
You don't know how to hustle on time. It ain't
no stressed red run red dye he he blapp one
twelve come down. You know, I'm thinking to the Phillis
as for Bully because he never felt want to stick
onto the wildest and nail comes round, doubts try to
nail something.
Speaker 2 (02:21):
And got your just seeing an artist and this is
a big tour or every rapper is no longer a
studio gangster. They lyrics are real and they live after
real lyrics. That's why they keep getting in trouble by
the lyrics.
Speaker 3 (02:34):
I argue that they're mascots.
Speaker 2 (02:37):
Or if the mascots and how we know the crime
they committed, how.
Speaker 1 (02:39):
We know they don't commit the crime? Like the mascot
don't play for the team. He's on the team, but
he don't get on the court. I believe that rappers
are more so mascots than they are actual players.
Speaker 2 (02:51):
WiFi and Lucy shot shot at Woody at apart with
wooded baby in his hand. Wife and Luci was a shooter. Uh, so,
I hear what you're saying, But I can call those
detectives right now with those.
Speaker 4 (03:02):
So I heard you their mascot, but you got some playoffs.
Speaker 1 (03:05):
King Vaughan was a playoff some of them players like
I want to dispute Lama as someone is dealt with
kids and mentored kids your entire career. Looking at the
young people that's in that concert and the young fans
of the NBA, young boy, why don't you view them
as wound this soldiers?
Speaker 3 (03:21):
Why do you view them as retarded?
Speaker 2 (03:22):
Because they're not wounded this soldiers for one or number two,
they are retarded. If you want me to switch the
word illiterate, illiterate, he'sy literate. He'sy literate, institutionalized and what
fifteen years old juvenile jail prison fit eezy literate. That's why,
(03:44):
the only reason why, and it's true. All you have
to do is look at the cities where he set
out at. Now you can't individual say that, but we
can blanket everything, just like y'all blanket all white people.
Speaker 4 (03:56):
Let's blanket all these dumb motherfuckers.
Speaker 3 (03:58):
And they are in they are.
Speaker 1 (04:02):
And so you gave it, you giving up your working
with the children thing. I quit, put that to the side.
Speaker 3 (04:08):
I quit. How do you feel about it?
Speaker 2 (04:09):
Quit before the pandemic? So I didn't give it up.
I did it for ten year olds and found out
how to make money online. So of course I got
a job to feed my family. So most people who
get a job. Obama quit. He started out in the community,
he became president, and when he became president, he couldn't
go do community work no more. So yeah, I quit.
It didn't pay. And I think anybody who does community
(04:31):
work that's struggling with a family is stupid and not
put their family further. Because a wise man stores up
eight inheritance for his children's children's children, not his race
or community, and charity starts in the home.
Speaker 3 (04:45):
Do you believe they would attacked you at that show?
Speaker 2 (04:47):
No, I was there. I was in and around hew it,
taking pictures with him and everything. Oh that's what I
would tell to act nigga. We should have went act
kind of scary because nobody said, no, I wasn't coming
back in. I said, Nigga. I met the hotel Nigga,
so he came to my hotel. Oh and we've done
a live stream. But yeah, nigga, I would have wished
nigga man, that would have been a hundred men. That's
the highest, one of the highest paid tours of rap.
Speaker 3 (05:09):
You're gonna see him off the drill line.
Speaker 4 (05:11):
Yeah, Between punitive and tort damages.
Speaker 2 (05:14):
Yeah. See that's a different kind of talk.
Speaker 3 (05:18):
But you don't think they would attack you.
Speaker 2 (05:20):
Nah, Houston police were too deep. They uh getting out
a police were too deep. Yeah, the president of the
police make them niggas ask, No, you don't believe.
Speaker 1 (05:30):
I think sometimes that's an interesting thing, man, that these
niggas are that afraid of the police.
Speaker 3 (05:36):
You know, I'm gonna be honest. When you first start
kicking that, I even then believe that.
Speaker 1 (05:40):
I even didn't believe that, like niggas ain't Niggas are
still go h But over the years, I'm having less faith.
Speaker 2 (05:47):
I watched it because you've never seen the prison guard
get hurt them prison guard? Do them niggas ass so bad?
Them jelous? Do the niggas ass so bad? You've never
heard no nigga getting out and doing nothing to a
jell or guard.
Speaker 4 (05:57):
So that's what made me first or noticing.
Speaker 2 (06:00):
Nobody mistreats and dehumanize and torture nigga more than a
prison guard or a jailer. Niggas cry and whimper nigga,
they don't come try to find them people. I know,
I know, I know, I'm an expert at us. I'm us,
how you gonna tell a gorilla he don't know a
(06:20):
boy gorillas were black. I know about us, Nigga.
Speaker 4 (06:23):
I know we're subservior.
Speaker 2 (06:24):
And when it comes to that white boy in uniform,
I wouldn't give it. Damn there what the male man,
nigga tuck his goddamn tell.
Speaker 3 (06:30):
White security guard.
Speaker 2 (06:32):
So the nigga I bank on that, And Nigga, I
know this group of black people are not educated. Not
only are they not educated, they're miseducated from their home
before they even get to the school. That's why this
pain music.
Speaker 4 (06:45):
These kids are in pain.
Speaker 2 (06:46):
What do pain come from?
Speaker 4 (06:48):
Childhood trauma? What was before then?
Speaker 2 (06:51):
Drell of music? So they were killing. So we were
saying all many of the niggas tripping. Now we say, okay,
this is why they were drilling, and they was in pain.
It's just the mother little nigga was angry coming out
of Chicago, killing deed little more for her in pain.
They'll kill anybody. They old block and sixty third killing.
These little grimins will kill anybody old black man. Just
(07:12):
looking at each other. Now, these little pain motherfucker hurt
their grandmama. We see the videos all the time. Kick
their grandmama, kick they little sister. So U nigga better?
Uh yeah, yeah, So we got a break on drilling.
They're in pain right.
Speaker 4 (07:25):
Now, crying and whining like a motherfucker.
Speaker 2 (07:27):
That Rob wild Way and these niggas group of music
is going and the killing music is dying.
Speaker 4 (07:32):
So your kids in pain.
Speaker 2 (07:34):
If your kids went to go listen to that shit,
it's some trauma. Need to be here.
Speaker 3 (07:38):
You saying this reaction there, man.
Speaker 2 (07:40):
Come on home, children, minds are too young and impressible
for us to be taking it dislight. And then looking
at bird Man sixty years old, still looking like a
waii in yeah on blood, still talking gangster talk, with
all these young men falling, So come on home. That's
one of the most come on money.
Speaker 3 (07:58):
But I think their energy is contagious.
Speaker 1 (07:59):
Like some people argue, you got some Wayian energy on
you right now, you got the shy stone, But I
know it's probably because you're coming through the airport. You're
rocking the jury, right, So certain things that the industry.
Speaker 2 (08:11):
Young niggas don't rock. Jewelry. The preacher rocked jewelry. They
didn't make these for young niggas. They made these during
the winter time.
Speaker 3 (08:18):
Thee mass was before. But you know that's the Wayne Man.
Speaker 2 (08:20):
You know that's the wayem mentality. We weren't even more
hair job nigga drove farkle.
Speaker 3 (08:25):
You said something, Yeah, yeah, you said, I.
Speaker 2 (08:27):
Ain't thinking young nigga. Oh nigga. It's always been a
goal from watching Granddaddy and Unclewaiane and them nigga have
a watch or pinking rain or brasilet in a chain.
Speaker 4 (08:36):
That's always been a players Montreal.
Speaker 2 (08:38):
See the young nigga. Mine think the rapper led the way.
No nigga rapper have I always mimicked the streets and
the street niggas have always mimicked the players in the max.
The gagst nigga ain't never let the pack nigga. The
player nigga that's smooth, it can talk. Yeah, the gangs
nigga always been in the middle towards the end. But
the rap nigga got y'all thinking that g nigga is
the is the leader. No nigga here the dumby.
Speaker 3 (08:59):
That's why says theyre more like mascots to me, this.
Speaker 4 (09:03):
Group, ain't they live in it?
Speaker 2 (09:05):
See because we go shame you if you ain't living
how you rapping, So we ain't gonna let your mascot
rap culture in the last twenty years. I ain't gonna
let your mascot.
Speaker 3 (09:15):
I think it's crue. If it's crew pushing.
Speaker 2 (09:18):
I think same Rake for having ghost writers. That's why
they shame you for having a ghost writer. That's why
it's not everybody else.
Speaker 3 (09:24):
Had No, that's more about skill.
Speaker 1 (09:26):
That's more about him being laidbel one of the top three.
Speaker 2 (09:30):
Say, man, your niggas ain't living that ship the niggas
if your rappers faking the studio games, so why do
you think other rappers come from?
Speaker 1 (09:35):
Listen, Takashi wouldn't be a thing if these niggas couldn't
cover you to.
Speaker 2 (09:40):
Shock you live around the comor from the nigga, didn't
y'all see it.
Speaker 1 (09:42):
That don't mean that he wasn't doing nothing. Though I'm
saying this, they can cover you.
Speaker 2 (09:46):
Got why you gotta do something? You ain't got to
do nothing to be from it?
Speaker 3 (09:49):
Well, you said the mascot, I'm saying the mascot home.
Speaker 2 (09:52):
Listen, oh children, if you're a mascot, you're a part
of it.
Speaker 3 (09:57):
Macott, I don't disagree.
Speaker 2 (09:58):
So even if you're a mascot, you're gonna do some
things to be the mascot. You're not just gonna become
a mascot.
Speaker 1 (10:03):
They don't just put the masks where you're valuable like
Takashi was to the game.
Speaker 3 (10:07):
You're making money, you're a rapper.
Speaker 2 (10:08):
He grew up.
Speaker 4 (10:09):
They was already under the fed's investigation. Why go get him?
He didn't tell on them. They were already under that.
Speaker 3 (10:14):
It's the money. It's just the money. Money.
Speaker 2 (10:16):
Really grew up with them.
Speaker 3 (10:18):
Yeah, but everybody in the hood looking for a rapper,
but they.
Speaker 2 (10:22):
Weren't looking for a rapper. This is a damn little
meskan that's from our neighborhood. Nigga, He from a hood.
Why wouldn't we support him? And he fucked with him?
Any nigga mesket they fucked with him. Folk in it's
just that we as black people, we go fuck over
you if you ain't black, and we go fuck over
I few black.
Speaker 3 (10:36):
What you mean by that?
Speaker 2 (10:37):
We fuck over one another? So why wouldn't they fuck
over him? Nip got killed, so why wouldn't they fuck
over him? If we got us a white boy, that
white boy got to get fucked over before. We love him,
so they had to fuck over him for they can
love him. But he grew up with him.
Speaker 3 (10:50):
No, I ain't disputing it.
Speaker 2 (10:51):
So that's what I'm saying. Say what you want about it.
He ain't no mascot. I don't hung with him, walk
with him, been around with him. I didn't see noh
of these other rapper nigga. Don't move how he moved
BYLF no security.
Speaker 1 (11:02):
It's not what you would do is when you've done
it right. It's like it's like if you wait till
you get on to now you do certain things. I
think it invalidates the credit you.
Speaker 2 (11:11):
He was already doing it. We just didn't know about it.
Any nigga that to fight any to do any hood things.
Speaker 1 (11:15):
I disagree with that. I think he was just someone
boring around the corner. He was just shooting videos. I'm
kind of familiar with the store. I can call meet you.
I can call a nigga that know.
Speaker 3 (11:25):
The person shoting them.
Speaker 2 (11:27):
I shout out to shot out to meet you from
New York. Home free me, co Free me Cyo. Who
Bobby's murder? The big dog, the one who was on
the fed chasing throwing out all the money out the
bank nigga when I need to know something home.
Speaker 3 (11:39):
So you you validating that he was one of them.
Speaker 2 (11:42):
I validated he was a thorough bred street nigga's crazy
from that neighborhood that could off the streets.
Speaker 3 (11:49):
Yeah for sure, I ain't taking that from him.
Speaker 2 (11:51):
So what do y'all can sit the street?
Speaker 1 (11:52):
I'm saying that some of the gangster ship that was
happening up. So when I'm saying you're a mass.
Speaker 2 (11:55):
Scott, I stin't not always by shooting the kid, but.
Speaker 1 (11:57):
Cannot let me clarify and then you if you if
I'm wrong, you can clarify it and make me wrong.
I'm saying that if you are someone when I say
the mascot theme, we're going with someone that someone like
Takashi six nine is.
Speaker 3 (12:08):
You could be on the team.
Speaker 1 (12:09):
You from here, You really got a jersey, you get
a ring, even you on the court, you cheering that
you even instigating and involved like a motherfucker. You just
ain't the nigga going to do the drilling. And I'm
saying it's less often that I see rappers like a
king Van like they say, out of the whole hood
is maybe five niggas doing exactly. That's what I'm telling you,
(12:32):
But everybody still put everybody talking drill, so Thud never
done a drill, but he's still street.
Speaker 2 (12:37):
What it was? The driller? What it was the nigga?
If I wan't nobody mentioned his name?
Speaker 3 (12:43):
You think that I.
Speaker 2 (12:44):
Know soul Nigga. I'm the only one that was said
his name. Why they try to bring now what it
was the nigga? FBI documented most violent motherfucker. That's why
nobody won't even say his name. Nigga.
Speaker 3 (12:54):
I want to tell you your name, but I ain't.
Speaker 2 (12:56):
Everybody Nigga. They won't even say it. And he's the
most hope, the most dodfare lord passionate one out of
your lord.
Speaker 4 (13:03):
But Nigga, that's how you know he ain't still pushing
the narrative.
Speaker 1 (13:07):
I'm saying that when we talk about rappers of this
day and age.
Speaker 3 (13:10):
You your argument is most of them are living what
they rap, right. My argument is they're not.
Speaker 1 (13:15):
The people around them is living those things and they
get to live off the credentials of it. Case in point,
I remember when Katrina happened. I'll never forget this. We
would need deep in moving around New Orleans. Dudes would
go in other states and they would get a certain
rep inherited just from being from New Orleans.
Speaker 3 (13:33):
Niggas would look at them a certain way.
Speaker 1 (13:36):
Now down here they really didn't, but certain spots they
would run niggas off just because they were from New
Orleans and at the time they would have murdered capital
and it inherited a certain vibration that they didn't earn.
Speaker 2 (13:47):
I mean, you're trying to comprove real street, hardcore street
life to rap comit. This is what I'm saying the
rap industry. Once you get into this life I'm here,
nobody's reputation can stand for you because the blogs and
everybody is gonna pull you back and they're gonna assassinate
your carecaity. He didn't live like that, so you better
not come rapping street. They done pop hunt like that.
(14:09):
Everybody who come afore the like claiming the rap street.
They're gonna kill your career.
Speaker 1 (14:14):
If you're not really as long as you was there though,
this is the trick. Like I said, you just argued.
Speaker 3 (14:19):
It for for Takashi.
Speaker 1 (14:21):
You just argued the fact that just because he was there,
nobody from New.
Speaker 2 (14:26):
York have came and said, what you're saying about him?
Speaker 3 (14:28):
He what am I saying that?
Speaker 2 (14:29):
He wouldn't a part of it. It's documented, got paperwork
that he participated in the shooting and he Nigga was
in the action, homie. That's why I say was dumb.
Speaker 3 (14:37):
But I said, after you do it right, go ahead.
Speaker 2 (14:41):
I'm telling you the industry, the fans are not gonna
let you pretend to be what you're if you're not
rapping at you saying yeah, they can be around it,
No they're not. He would do you just like they
did me. He didn't do the shooting. He was just
there and I ain't even rapping.
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Speaker 3 (16:46):
Let's get back to the show. As you could be
on a team.
Speaker 1 (16:50):
You from here, you really got a jersey, you get
a ring. Even you on the court, you cheering up,
you even instigating and involved like a motherfucker.
Speaker 3 (16:59):
You just ain't the nigga going to do the drilling.
Speaker 1 (17:02):
And I'm saying it's less often that I see rappers
like a king von like they say.
Speaker 2 (17:08):
Out of the whole hood is maybe five niggas doing exactly.
Speaker 1 (17:11):
That's what I'm telling you. But everybody still put everybody
talking drill.
Speaker 2 (17:15):
So Thud never done a drill, but he's still street.
What it was the driller? What it was the nigga?
If I won't nobody mentioned his name?
Speaker 3 (17:23):
You think that I know so nigga.
Speaker 2 (17:25):
I'm the only one that was said his name. Why
they try to bring now what it was the nigga?
FBI documented most violent motherfucker. That's why nobody won't even
say his name. Nigga. I want to tell you your name,
but everybody Nigga, they won't even say it. And he's
the most humble, the most godfare lord passionate one out
of his lord.
Speaker 4 (17:44):
But Nigga, that's how you know he ain't still pushing
the narrative.
Speaker 1 (17:47):
I'm saying that when we talk about rappers of this
day and age.
Speaker 3 (17:51):
You your argument.
Speaker 2 (17:52):
Is most of them are living what they rap, right.
Speaker 3 (17:54):
My argument is they're not.
Speaker 1 (17:56):
The people around him is living those things and they
get to live off the credential of it. Case in point,
I remember when Katrina happened. I'll never forget this. We
would knee deep in moving around New Orleans. Dudes would
go in other states and they would get a certain
rep inherited just from being from New Orleans. Niggas would
look at them a certain way. Now down here they
(18:17):
really didn't, but certain spots they would run niggas off
just because they were from New Orleans. And at the
time they would have murdered capital and it inherited a
certain vibration that they didn't earn.
Speaker 2 (18:27):
I mean, you're trying to comprove real street, hardcore street
life to rap ummit.
Speaker 4 (18:32):
This is what I'm saying the rap industry. Once you
get into.
Speaker 2 (18:36):
This life I'm here, nobody's reputation can stand for you
because the blogs and everybody is gonna pull you back
and they're gonna assassinate your care Say he didn't live
like that, so you better not come rapping street. They
don't pop hunter like that. Everybody who come before their
life claiming to rap street, They're gonna kill your career.
Speaker 3 (18:55):
If you're not really as long as you was there though,
this is the trick.
Speaker 1 (18:58):
Like I said, you just argued it for off, for
for Takashi. You just argued the fact that just because
he was there, nobody from New.
Speaker 2 (19:06):
York have came and said what you're saying about him.
Speaker 3 (19:09):
He what am I saying that he wouldn't a part
of it.
Speaker 2 (19:11):
It's document got paperwork that he participated in the shooting
in the action homie.
Speaker 1 (19:17):
That's why I say was dumb people, But I said,
after you do it right ahead.
Speaker 2 (19:21):
I'm telling you the industry, the fans are not gonna
let you pretend to be what you're If you're not
rapping at you're saying, yeah, they can be around it.
No they're not. You do just like they did me.
He didn't do the shooting. He was just there and
I ain't even rapping.
Speaker 3 (19:36):
Well, those are crimes. I'm just saying, if you grew up, you.
Speaker 2 (19:40):
Go, there, you go. I'm trying to position lyrics or
criminal raps. There's not a rapt that's not talking about.
Speaker 1 (19:46):
Crime in general overall. Yeah, not specific crimes.
Speaker 2 (19:50):
So you're saying all specific crime. That's why they go
use the lyrics as specifics.
Speaker 3 (19:56):
I think they're reaching when they do that.
Speaker 2 (19:58):
Whether they're reaching or not still using Yeah, they're using it.
And they're correlating this to that they did in the
Jacksonville trial right now with Fudio washing all trials.
Speaker 3 (20:09):
I'm not disputing that.
Speaker 2 (20:12):
In the middle. So why did jay Z and all
the rock to New York state legislation to try to
stop rap lyrics of being used?
Speaker 1 (20:18):
If they're reaching and also my and also let me
say this because my platform is way too big, I
don't endorse criminal activity periods like yeah, and if it does,
I'm telling you we're having a conversation. This is an
intellectual debate or sparring match between two people.
Speaker 3 (20:33):
That's been pretty cool for some time.
Speaker 1 (20:35):
So this is not an issue. This is just two
men having a conversation. Yeah yeah, So I want to
be clear about that because this is a professional show
and to see something that's gonna go out.
Speaker 2 (20:46):
To the which nigga he wants the character or the man?
Speaker 3 (20:49):
I want the man?
Speaker 2 (20:50):
Well, we have to be we we can't. We can't
take sides. If we're the man.
Speaker 3 (20:54):
We gotta say, right, how am I taking a side?
Tell me? Tell me that what? How I'm wrong?
Speaker 2 (20:58):
Long? What when I say like, well, man, they use
a rabbit, I think they're reaching. We're not talking about
their reaching. You're taking away from the topic that rappers
have to come talk criminal and normally they normally make
confessions in their own rap. So on, we don't know
about these crimes. Monk three said, after I shot you,
Homie Heat detailed every crime. Thug talked about crimes, so
(21:21):
homy the rappers. Homosong said, this is what they're using.
So I'm saying, how can you come on here and
discredit that as a journalist. I think they're reaching. Okay,
you think that, but you know they're not.
Speaker 3 (21:32):
I actually know they're all reaching. Because again, that's what
I'm saying.
Speaker 1 (21:36):
I think you have me kind of because you may
catch some of the clips while I'm dealing with a
little baby or thug or somebody like that, and you
may think that's why I live.
Speaker 3 (21:44):
I gotta interview the jurors. I only got an interview.
Speaker 2 (21:47):
So so the thug get looted, according to the guy
in Mama House shot up right, But let me not
let me say that that's in the best in the song,
but talk about the Let me say that so I
can pitpoint songs that got crimes in that they have
you against these guys right.
Speaker 3 (22:02):
Now today, me too.
Speaker 1 (22:03):
So you write about that part, but we can all
show pitpoints and lyrics that they had wrong.
Speaker 2 (22:08):
Home. Let's go back to the original topic. Rappers are
coming to make confessions in their lyrics. Nobody's making them
write their lyrics. The police are just hearing ship and
say that sounds like they're crime they committed, Oh and
find and putting the evidence together. So the rappers are
doing this. The rappers are saying, Man, I really live
this ship. I really live this shit. That's how they talk.
(22:31):
That's how they talk. I really li this ship. Yeah really,
I really done it, Homo. That's what made King Vaughan
what he was. So I'm saying, if we notice cultural wise,
the law have to prove it, but we know it.
We know it, homemiss, I ain't fit. That's why, that's why,
that's why I walk with a light on my home.
(22:54):
If I'm wrong, I'm wrong.
Speaker 4 (22:55):
Her mind being wrong.
Speaker 2 (22:56):
Yeah, I want to be wrong. These niggas wont to
be wrong. They wake up to kill, hurt and find
a way to put it on the beat. It used
to didn't be like that.
Speaker 3 (23:05):
So do you think, young boy nim is like that?
Speaker 1 (23:07):
But you said all of that, It showed up to
the tour and nobody does nothing to you.
Speaker 4 (23:13):
Because the police were proved my point again that I didn't.
Speaker 2 (23:16):
I say.
Speaker 4 (23:17):
My protection is I call the police on you, Nia,
I call police.
Speaker 1 (23:21):
So that's the one stipulation that will caused these killers
and thugs from not moving is the police.
Speaker 3 (23:26):
And I kind of agree with it.
Speaker 2 (23:27):
I disrespected.
Speaker 3 (23:28):
I kind of agree with it. I came up.
Speaker 2 (23:30):
I disrespected everything the streets. Love from Nipsey Hustle, his mama,
his baby, King Vaughan or Larry Hoover, Jeff Ford, every
game leader tripped blood. But I disrespected in ways nobody
would ever even think of. And I walk around this
country for the flash five six year olds, no higher security.
(23:52):
I mean your niggas, clubs, restaurants. I ain't been touched.
You know what I heard the nick say, Oh, he
gonna call the police. I said what I heard all
of He ain't gonna do nothing to call the police.
You're sure right, That's what LAWD bidam citizen do. And
the police presence is everything to criminals. It's called the terrence.
While they can pull a cop car onside the highway
and your niggas hit the bricks. So I saw how
(24:13):
shout out the Houston Police Department and Harry County Sheriff
of Police Department. I saw how the presence of the
police make these niggas mind shout after Donald Trump for
putting a federal troops down on the ground. You see,
I stops crime, violent crime stops immediately. We're proven that
with what.
Speaker 4 (24:29):
Trump is doing with the National Guards, and we need
more of it.
Speaker 2 (24:33):
We need more of it.
Speaker 4 (24:35):
So yeah, HEMI yeah, hey y'all, IM gonna show up.
Speaker 2 (24:38):
I know they invited me to come to Dallas. You
know what, I said after that, DJ Academic said, man,
let's go to the one.
Speaker 3 (24:44):
I don't think act got the pull.
Speaker 1 (24:45):
He acted like he got ain't and came and could
he fucked ain't enough.
Speaker 3 (24:50):
He had to make it right.
Speaker 4 (24:51):
No, no, no, no, they tried to charge.
Speaker 3 (24:53):
Hey, listen, let me just say, let me just say
that I think.
Speaker 2 (24:56):
Sometime be quiet for a minute.
Speaker 3 (24:59):
Put they beat it out there, go ahead, go ahead.
Speaker 2 (25:01):
NBA Young Board Team. I ain't an offer NBA Young
Board Team a million dollars to stream ACT for to
let him do.
Speaker 3 (25:09):
It for free?
Speaker 2 (25:10):
God damn it.
Speaker 4 (25:11):
Ask you done got in the bads way, That's why.
Speaker 3 (25:15):
And I ain't mad about that.
Speaker 2 (25:16):
So so so he could have got him in. But
then with business, why you fucked out? You got in
the way of a million dollars just you could come
in and let him stream for free. Man, you let
kid and everybody else stream for free. He offered us
a million, ACT right at least let him give us
hunt out. I ain't gonna I ain't gonna charge him nothing, nigga.
Speaker 4 (25:33):
He got in the concert, He got in, didn't have
to pay nothing.
Speaker 2 (25:37):
Was he trying to meet him? He don't want to
wait in line to meet him like all these other stars,
is waiting out y'all in NBA A young boy, very
anti social, so he may or may not meet you.
So got him in at got me my conditions even
after they saw the video. So homie, if y'all don't
think act.
Speaker 1 (25:54):
Got the power or now he doing and I ain't listen,
and so i want to unpack it a little bit.
Speaker 3 (26:03):
And I'm not saying that is impowerful in his own right.
Let me clarify that what I'm saying.
Speaker 2 (26:10):
They didn't want to say Charleston couldn't come in. That's
how powerful you And they didn't want me to say.
They did not want me to get mad. So they
respect our voices because this platform can change, like how
they can. Yeah that oh so now got some pool?
But how much? Man, nigga?
Speaker 1 (26:28):
It's the money And my thing is listen, if I'm
young boy and i'm them niggas, I'm saying this little nigga,
he'll kind of fuck it. He'd be messing up things
like the money plays. So I wouldn't give him as
much access I would.
Speaker 3 (26:39):
He would be cool.
Speaker 2 (26:39):
But let me tell you all, let me say that
you need DJ academics.
Speaker 3 (26:44):
If d Jack.
Speaker 2 (26:45):
Let me let me destroy your career.
Speaker 1 (26:47):
Yeah, I like, I like, he got a big platform.
But let me say this to you. If I take
you around anybody, it could be you and fifteen people,
eighteen people. I'm taking you to the person I just
said that I believe if he had the pull that
he believes he had, Aiden would have got in, and
maybe you would have got in. That's all I'm saying,
(27:07):
Bro got in. Why I gotta agree with anybody. You
missed the point Aiden got in and he streamed.
Speaker 3 (27:14):
But I'm saying you never met him like you said.
So that's all I was speaking to.
Speaker 2 (27:19):
Making a nigga meet a nigga if he don't want
to meet and come out after the show. He don't
want to come out, you know why he went the filming.
Speaker 3 (27:24):
But they'll do it for you. If you mean I
won't bring it, loon, don't never bring a nigga. So
if I bring one, I will hope you will respect it.
You understand, you.
Speaker 2 (27:32):
Ain't been seen nothing. You're speaking from the way up
there understanding. I'm telling nigga act go call baby and
baby go pull whatever strain. But nigga, every city that
this guy goes to baby Nil ain't even got controlled
because there's safety precautions and restrictions put in the place.
Ain't have brought a bunch of people. God damn it.
Hold y'all don't understand. These people are alert.
Speaker 4 (27:54):
This ain't about what y'all are normal use to.
Speaker 2 (27:56):
Okay, y'all know, it's more safety concern.
Speaker 3 (27:58):
Yeah, they don't have a rout and they got everything.
Speaker 2 (28:01):
They got extra police coming in. They know this is
a violent group of young people. This is a violent
group of young people that can change things in America
if they tap into something. So, yeah, we hear what
y'all saying about your pool, your egos and things. But nigga,
the five marshal running this and then you have showed
up too many people. God damn it. We can't put
all y'all right, His family came, so nigga, guess what
(28:23):
his family couldn't even get in. It's supposed to been
Charleston and DJ Academic had two other tickets, right, So
this is what they give act They can make a
certain act guy. So it is DJ Academic two of
a t He got his security, he got his roll bounds.
God damn it. Charleston has showed up with two niggas,
look like a driver in another young nigga. Miami critic
go shout out to Miami critic go. So now I
(28:45):
got to try to get us some extra tickets. Security
is super tight. They now his family can't even get
in homeie. So I'm saying, nigga, this is exhausted at
this point. I got the credentials. I got the credentials,
I can reach it everything. Maybe they walk into it.
I'm out.
Speaker 4 (28:59):
It's family hadn't even.
Speaker 2 (29:00):
Got in yet. But what y'all think it is you're
talking from the sideline with nigga. I'm on the field
with these niggas.
Speaker 1 (29:06):
Look in this particular situation, you're right and I can't
dispute that.
Speaker 3 (29:10):
So let's move off these niggas.
Speaker 2 (29:12):
Every show is sold out already, right, so you already
got sold our capacity. Now when you gotta sold our capacity,
it's not about who you can bring. It's about five
martial guidelines. Only we can't do this, So nigga. They
strict the nigga men, even the team, the management. So
on his tour, when he come in, they damned to
(29:33):
do like a prison lockdown. Nothing move until he get
off the bus and go into there. So that's another
time limit might take another thirty forty five minutes. How
and so those aspects in place, to a nigga, like
a and row security, you're gonna get agitated because it ain't.
Speaker 3 (29:49):
In a big dog man.
Speaker 2 (29:50):
Why I gotta go through this? But niggas just say safety.
Nobody's bigger than safety.
Speaker 3 (29:55):
And you know what I think.
Speaker 1 (29:56):
And I know this again because sometimes I say say lit,
but I I know that they don't have a routing
profile on him because of his first large tool like this.
So like you said, they don't know what fans he
bringing out. They understand this music is a certain type
of music attracts a certain vibration.
Speaker 2 (30:11):
They got a sixteen hour schedule for him to follow.
He's moving like the president. Everything shut down because law
enforcement knows that these lyrics in this crowd. So there
is like a keg waiting to explode. So the very
the very tedious of how he moved and routs he's moving,
(30:34):
so they got a route from it's playing out. This
is a.
Speaker 4 (30:38):
Yeah, nigga, this is a well well plan.
Speaker 3 (30:41):
Now he isn't he making a lot of money That's
why I don't like when.
Speaker 2 (30:44):
Just bigger than him, he's just a retarded kid being used,
or just bigger than him. He ain't got in what ways, he's.
Speaker 3 (30:53):
Just in what ways you believe it is bigger than them?
Speaker 2 (30:59):
When when you look at the setup, Yeah, when you
look at the tour, uh fifty songs of high energy anger, violence, propagated,
moded express uh, coffins, guns, Uh yeah, yeah, yeah. Uh,
(31:21):
he's just the tool that is being used to do
what uh destruction Uh what rappers always used for destruction
of black mail. Yeah, he's the pod Piper's leading all
the rats, uh to the rat the rat trap.
Speaker 3 (31:37):
In what ways? Though by way of music, by way
of Massy, the devil.
Speaker 2 (31:41):
Left heaven playing music, So I became the devil and
took a bunch of people with him, over half of
over over half more more than half of you know,
by way of lyrical lyrical content have always been the
destruction of black people. Uh, starting with the black exploitation era. Uh,
then with the gangster era, uh, then with the trap era.
So all eras of gangster and hip hop music have
(32:02):
fueled the prison system of the graveyard or the criminal
justice system. Uh. It's been his best friend.
Speaker 1 (32:08):
Do we do we look at all of entertainment that
same way? Or is that just why should we?
Speaker 2 (32:13):
Because no other entertainment lives out his.
Speaker 1 (32:16):
Lyrics for example, not even lyrics for example, someone like
maybe like a Stone Cold Steve Austin.
Speaker 2 (32:21):
Uh, no other entertainment lives out his lyrics.
Speaker 1 (32:25):
Well with the beers and the influence, I'm asking not
necessarily living out your lyrics. I'm just talking about the influence,
the negative influence, right the.
Speaker 2 (32:33):
I don't know how many black kids watch CoA Stone
Coast Steve Auston Togo Burroll and hear cans on their head.
Speaker 3 (32:39):
And think they want to do that.
Speaker 1 (32:40):
I don't know, but I'm sure he's influential because he
was a superstar children. Right, So you focused on what
black children are focused on.
Speaker 2 (32:49):
I focus on the negative elements of black culture, and
that just so happened to be hip hop, not black entertainment. Uh,
because if that was the case, Uh, we'll be on
top dollar period for the images he project the black
man in weak subservient.
Speaker 3 (33:04):
I'm glad you said that, but.
Speaker 2 (33:05):
We love those But nobody dies, nobody Mama's cry, the
niggas make nigga.
Speaker 3 (33:11):
Mamas cry, How is Charleston White doing right now?
Speaker 2 (33:17):
See rich having fun? What I want to do? Uh?
Living life on my own turn unapologetically, y'all fuck a
lot of whole try to get close to God in
my mind, I talked the King talk Nigga, sou Yr Nigga.
I'm in a different city. I'm following instructions of the
old niggas. Nigga, leave your city, Nigga international player exactly
(33:38):
So Yeah, nigga, I'm living a players dream. Uh.
Speaker 3 (33:41):
You know.
Speaker 1 (33:41):
The beautiful thing about what I've saw you build over
these years is your ability to pivot with it and
go different ways with it.
Speaker 2 (33:50):
K wrote nigga if they got a new job opening
on the job, or Nigga, you try to figure out
a way to learn that job. Or yeah, nigga, or
I understand this. That's why I be tripping nigga when
y'all be taking nigga understanding this shit. I'm a content
creator and the world have become so content driven. If
I die, motherfucker put a phone in my face.
Speaker 3 (34:12):
That's a fact.
Speaker 2 (34:13):
We watched it. Which one got killed in Houston. I'll
see it take off.
Speaker 3 (34:16):
We washed and put the phone take off. Yep, we
washed them.
Speaker 2 (34:20):
Put a phone in Nipsey face. You got, we watched
King Von So nigga, that's content for somebody. Somebody made
some millions of dollars on that. So nigga, I tell
the niggas better keep the phone.
Speaker 4 (34:29):
I'm always playing for the camera.
Speaker 2 (34:32):
This is an insurance policy in the legacy that I'm
putting in the vault. So if you coming on her
being serious or the Internet don't reward serious conversation. They
reward that character they got earlier. So you don't get that, Noga.
No much So I understand content creation.
Speaker 3 (34:49):
And you do a great job. You do a great job.
Speaker 1 (34:52):
That's why I gotta get you a umar together, because
both of y'all do a great job better. But here's
also something I want to ask you. Are you is
your legacy they already see minted right now today?
Speaker 2 (35:02):
No, I ain't done yet. Yeah, yeah, I might make
a few more babies somewhere. Now, I ain't done yet.
You can't see your legacy till you die, because the
measure of a man can't be added up till he's gone.
Speaker 3 (35:14):
No, I'm saying, is your as your standard whatever standard
you have or bro.
Speaker 1 (35:19):
When I leave here, these are the check the boxes
I want to check off.
Speaker 2 (35:23):
I don't care about When I'm gone, I won't know
what's going on or it matters to me what they
think while I'm here. My baby's nigga. That's the only
thing in matt I don't care my woman think I'm
a lie or cheat. Is what them kids think about me,
and it's my mama pray out. So now, nigga, everything
I wanted to be in life, I came up. I
grew up and became it. So my legacy is my
(35:45):
children and what they'll say about their father. Y'all can't
write my legacy. One of the people who personally know
me that was impacted by my life can write it
or not my word.
Speaker 1 (35:56):
You don't believe people who listen to you impacted by
your uhuh life.
Speaker 2 (36:01):
Uh you listen to a bunch of shit, because if
you're impacting, it changes you. I don't think I changed
nobody life, or if they would, they would start watching me.
Speaker 4 (36:09):
I don't watch no nigga came in man a.
Speaker 2 (36:12):
Nigga everything I need inside, I'm gonna go look in
the mirror and nigga, everything I need was spoken to
me in my worst conditions. I was equipped with what
I need before I got in the condition. All through
I was like, come on, boy, why you hanging with them?
Speaker 3 (36:27):
What you got potential to dec woo?
Speaker 2 (36:29):
So Nigga, all throughout life, I've been listening to what
people been saying good. I ain't paid attention to the bad.
So Nigga, I got what I need for I got
in the conditions to get out of it. So fuck
I need a word of the day, some inspiration. All
I got to do is look in the mirror, nigga.
Now that might hurt for a little bit to see
what you see, but niggas look deep and Nigga.
Speaker 4 (36:49):
Watch you climb out.
Speaker 2 (36:50):
Got me doing that blind, So Nigga, I never needed
the world, Niggaver time, Nigga, I couldn't see nigga and
little boy Nigga. And then when I got in that
boy's home, Nigga, ninety eight pound nigga, grown man, look
at niggas in there, Nigga, and I rise to nig
I never needed the world, or when I couldn't go
outside and play, I did.
Speaker 3 (37:09):
It's that lonely.
Speaker 2 (37:11):
Kids don't know to be lonely.
Speaker 3 (37:13):
I'm saying you now, h looking back at it.
Speaker 2 (37:16):
No, you lonely when you're a kid and you want
to play but you're not. You know why you create
an imagine every friend where your creative thinking come in
at it. You get your toys and stuff and you
start playing with your toy. That's where you learn to
be creative at and I need to play with other kids.
That's how so creative nigga, that's what that's what made this. So.
(37:36):
Now when you get to play with other kids, you're
a leader. You can say, nah, I'm wanna do that
because you ain't used to follow nobody. Now you a
leader because you ain't used to follow nobody. They are
they been playing with other kids falling. Yeah, when I
finally got to go outside and play down the twelve, nigga,
I was a leader, just small. So now if you
think I ain't fit to go to college, law school,
(38:01):
train law enforcements, spend seven years getting therapy, counseling, psychiatry, psychists, nigga.
If you think I ain't a nigga, when nigga, now, nigga,
niggad have changed. Aw I don have spoke before governments nigga,
you think I ain't a bad motherfucker. Oh, I got
(38:21):
what I need home, and that's what I'll be trying
to tell people home.
Speaker 4 (38:25):
If you got you, you ain't never lonely.
Speaker 2 (38:27):
It's when you're looking for people to fulfill what you
need is when you come lonely. Nigga. That's why it's me,
myself and our father son. Holy Spirit. It says they
said they spoke. It's a dazing here, Nigga. I talked
to me the old nigga, say, talk to yourself, Nigga,
answer yourself and say it. I laugh, Nigga, you tripping
(38:50):
me and fuck it, Nigga, I talked to me. So, nigga,
y'all can't beat me. Oh, I was prepared when I
lost the eye and having to go to school and
maneuver through all the years I joined the game.
Speaker 4 (39:01):
Got insecurities.
Speaker 2 (39:02):
Once I joined the game, you big, old tough niggas
and things, and I became the leader of the game
as the smallest nigga. Uh, you taught you something I
taught myself. Yeah, nigga. So uh once Yeah, nigga, So
I've never had a problem getting the girl. Nigga want
to lead and be accepted.
Speaker 3 (39:20):
Right So, no nigga.
Speaker 2 (39:21):
So once you conquer that as a man, h yo,
enemy becomes you the nigga you learn to conquer, you
call self denying yourself?
Speaker 1 (39:30):
Do you feel like your do you feel like your
content presence is still without looking at the numbers without
I'm saying how Charles their white feels? Do you feel
like you're getting bigger or it's cooling down? Or how
do you feel about your brain?
Speaker 2 (39:45):
Right? Well, I come less on it, So I don't
come to the internet to do nothing but play music.
Oh I still do numbers on podcasts, but nigga ain't
just no podcast nigga. I'm in the movies now, so
I donna produce movie. We was gonna start in the movie.
Uh the Hollywood game shows and coming out this year
me Brandon T. Jackson Uh uh meet uh me and
(40:10):
Drew Ski filming. Uh So now a nigga, I'm getting
more and doing the celebrity boxing. I'm managing niggas. Uh
your nigga, I'm creating a team of content creators. So
so what so what I saw coming in as a
YouTuber before I started understanding content creation, they pitted all
(40:30):
the YouTubers against each other. So none of the black
YouTubers came together, uh to help create a trifecta like Aden's. Uh,
I show speed conson all them people come through that. Uh,
nigga's been blocking one another.
Speaker 1 (40:44):
Yes, that's another reason why I didn't dibbling dabbling. Yeah,
so you think I ain't seen you squabble coming up
through that motherfucker.
Speaker 2 (40:52):
So so now they got the celebrity boxing thing going on,
another adamant of revenue coming for the hip hop culture.
Speaker 4 (40:58):
Homi, why ain't.
Speaker 2 (40:59):
No rapper over and tapped into the celebrity boxing thing
like Jake Paul while we were waiting Logan Paul, you're.
Speaker 3 (41:04):
Talking about on the major level too.
Speaker 2 (41:08):
That that Island Boy fight did numbers like Mike Tyson
and Jake Paul. They wasn't gonna show me the numbers.
They wasn't gonna show me. Of course they hit the
number for me, nigga. I just know after that fight,
they ain't have fights no more for six self months.
Everybody went over a k. I ain't see nobody. They
weren't even on line streaming no more. Nothing. Mother disappeared,
(41:29):
and they don't box me out and and yeah, nigga,
they don't box me out because yeah, nigga uh uh.
And I'm saying, man, I can do this. Nigga gotta
talk to Don King. So nigga had me me and
there and the plumber was in negotiation with Don King
and set up a fight with Aaron Brother. So nigga
(41:50):
can reach out to al Hayman. Oh, I'm saying, man,
I can do this if niggas to come together and
do it. So now I got the celebrity boxing niggas
are out of tamp of Florida and taps in with them.
Cole Kyle, Mike Tyson old manager. Oh so I'm saying, man,
ship man, we can do this. We can create a
negro blocking to come over easily because I'm saying, man,
(42:14):
they have made a bag off of nigga.
Speaker 4 (42:16):
Many won't even let me talk to my nigga.
Speaker 1 (42:17):
Yes, crazy, Oh, let me ask you this before you code,
because I heard you mentioned is there some sort of
I don't know much my children. Is there some sort
of issue of beef for Casana aiden Ros.
Speaker 2 (42:32):
It's just a big misunderstanding, homie, but it's um hm
oh yeah, no, yes, it's a beef yes, a be Uh,
but it ain't. It ain't got nothing to do with
aid in car. It's the people around.
Speaker 3 (42:49):
Them, like us like usual.
Speaker 2 (42:53):
Yeah, I'm just I'm just I'm just genuine with him
Homie and he's a very genuine kid. Or Coyle is
a great kid. Uh, it's the people around them.
Speaker 3 (43:04):
Yeah.
Speaker 1 (43:04):
I love to seeing them back together because they created
some dope moments and Aiden is the pioneer the whole
what the content creation for them has turned into him
foolsy too, Don't think I don't know. I know y'all
think I hate my children. Got me tapped in with
that ship. So shut out though.
Speaker 2 (43:19):
So something can't be You have to take time to heal. Yeah,
don't force it, don't try to get them together something. Yeah,
or you gotta let time eventually to hell, cause what's
meant to be eventually becomes it can get delayed. But yeah,
because those were three great kids. Uh that if they
could have stayed together. But we ain't never seen the
(43:39):
group stay together Michael Jackson's brothers and stay together. Yeah.
So I'm trying to do that without making the same
mistakes they made. Yes, I'm trying to create a neat
content so I hit that, nigga. So this what made
me think about that motherfucker mad At Woody. Could we
back together?
Speaker 3 (43:58):
Yeah, let's talk about that. You and I would have went.
Speaker 2 (44:01):
Back together getting money, nigga. In one week, me and
we have made one hundred thousd dollars together together. So
the niggas who want to separated can't bring him that
kind of money, can't help him get that kind of mind.
Speaker 3 (44:11):
If you were would it, would you forgave you?
Speaker 2 (44:14):
No? I'm not a forgiving person. Yeah, I'm a grudge
holding motherfucker. But I don't believe. I don't I believe
in what my mother believed in. But we have taken
Christ into his heart. I ain't done that since the
little boy. I ain't accepted Christ as a grown man
to be as forgiven as that I watched him do it. Yeah,
I accepted Christ as a kid that a grown man fucked
(44:36):
that ship, nigga.
Speaker 3 (44:36):
You do me?
Speaker 2 (44:37):
So he showed me, nigga, so so had he? So
just what he showed me before? Then I ain't forgiving
the motherfucker for nothing, even my woman, I keep it
in my mind. So, yeah, that nigga really forgave me home,
so I thought about it. After me and his daughter
(45:00):
had an exchange. I thought about all.
Speaker 4 (45:04):
The people I wouldn't forgive fucked him.
Speaker 2 (45:07):
Me and that nigga. Uh yeah, his forgiveness showed me
how to forgive other people. I got on the phone
nigga and she'd say, Nigga.
Speaker 4 (45:17):
Uh uh yeah, Nigga, I don't like you, Nigga. I
used to fuck with you.
Speaker 2 (45:21):
Uh and Si, Nigga, you know had you got with me, Nigga,
we would have been in movies by now. Niggas, you
shouldn't have went against the grain. He was going against
the grain to fuck with me, and that's what somebody
had told me. Now he was trying to fo with
uh shout out to six or sel a month. Uh Nigga.
Speaker 4 (45:33):
Yeah No, that niggare was not I mean he retrying
for men.
Speaker 2 (45:36):
Nigga. I ain't focking no nigga talking like that. But
nigga ain't do nothing to me but offended me. Yeah
uh so yeah, I forget that nigga. So me and
that nigga f fore be doing something. So I just
went calling people. I ain't like, no, but I still
don't like I just don't forgive him.
Speaker 3 (45:48):
Yeah.
Speaker 1 (45:49):
So let me ask you, so when you when you're
dealing with water, do you genuinely feel safe around them?
Speaker 3 (45:54):
Duors? That's a real question I have.
Speaker 2 (45:57):
I don't feel nothing. H I'm for the what I
don't feel? Uh, I gotta be a fool or I
genuinely feel safe around him. I had to then come
piek me up at a bolt dranger by myself. Know nothing.
I got in the call with him. I know its
reputation and I know how the disrespected him. I don't
know too many niggas just brave. I got in a
(46:18):
call with him and went to his hood. I went
to the lines then by myself.
Speaker 3 (46:23):
That's when I'm asking in those environments.
Speaker 2 (46:25):
And I went to sleep.
Speaker 3 (46:26):
That nigga crazy, hey, but I went to sleep.
Speaker 2 (46:30):
So do I feel safe? I feel safe enough to
sleep around all them people that could have gotten me,
and they had something to say all know, I mean,
don't bring him over up. His brother was mad, but
his whole family got the hit daughter with her and everything,
his baby, mama, bru and people mad.
Speaker 4 (46:43):
I still went and stayed.
Speaker 2 (46:47):
You niggas, Calvis nigga, You nigga won't go face No
nigga like that, Nigga, I stand on what I keep
telling you that I want to die killed and go
to jail. Nigga. I know it's in my mind.
Speaker 4 (46:57):
What could possibly happen?
Speaker 2 (47:01):
Though I walked through the valley, Nigga, I showed up
by myself and me and that nigga brother had to say, No, Nigga,
you said it all, Nigga. Nothing Nigga ain't said it
to you though, Nigga. And when I turned around, his
daughter just hugb me like she missed me. Yeah, yeah, niggah.
Speaker 1 (47:18):
Do you think seeing him in church in that setting
lends itself to you kind of understanding that he has
that other.
Speaker 2 (47:26):
Side most church bullshit?
Speaker 3 (47:28):
You do?
Speaker 4 (47:29):
I thought he was bullshit when he went to church.
Speaker 2 (47:31):
Yeah.
Speaker 4 (47:31):
I thought he were playing Yeah, I'm yeah, nigga.
Speaker 2 (47:34):
I mean I think everybody in church playing the preacher too. Oh.
Speaker 4 (47:38):
It wasn't until I.
Speaker 2 (47:38):
Disrespected him at the highest level that you can disrespect
a nigga from the street with his reputation, and he said,
you forgive me and still love me. So now, nigga,
church didn't have nothing to do with that. Oh, me
trying to make him crash out so.
Speaker 1 (47:57):
You just saying it's a brave thing. I'm just a
brave looking nig praid nothing.
Speaker 2 (48:00):
Nigga, I felt offended by something. If you offend me,
I'll offend you no matter who you are.
Speaker 3 (48:04):
No, I'm talking about jumping in the car.
Speaker 2 (48:07):
It wasn't about being brave or I just did it.
When I left the hotel that day, I ain't had
no intention on calling. I did go to the same
boat jangle. Oh, nigga, I just do shit. So it
wasn't about being braive, say the nigga was yet man,
come pick me up. Save many little niggas in here
taking too many pictures. Oh so a nigga he pull up.
Oh he know I'm concerned about nigga, these little niggas.
(48:30):
So he responded to my concern. But I'm fucking with
these little niggas cause they stay the college, me and
the nigga when they come to take pictures. But yeah,
so nigga, I'm in danger. But I know I'm in
danger to go jump in some more danger because I
don't know how they feeling. When he takes me.
Speaker 3 (48:44):
Yeh, what I'm saying, poor nig take.
Speaker 2 (48:46):
Me directly straight to his Hood or all them young
niggas out there. Oh, I mean, I don't know to
be scared. Y'A don't know because if my mind words
don't hurt people. Yeah cause nigga, maybe maybe I'm a fool,
But now I don't know to be skied.
Do you think young boy nim is like that? But
you said all of that. It showed up to the
tour and nobody does nothing to you.
Speaker 2 (00:07):
They live in it, see, because we go shame you
if you ain't living, how you wrapping? So we ain't
gonna let your mascot.
Speaker 3 (00:13):
How she wouldn't be a thing if these can cover you?
Speaker 2 (00:17):
So shaky lived around the conor from them, didn't y'all
see this?
Speaker 1 (00:20):
That don't mean that he wasn't doing nothing, though, Are
you saying they can cover you?
Speaker 3 (00:25):
I don't think at got the pull. He acted like
he got.
Speaker 1 (00:29):
Aiden came and because he had enough had to make
it right. No, no, no, let me ask you this
before you code, because I heard you mentioned kyen Aiden.
Is there some sort of I don't know much my children?
Is there some sort of issue of beef for casanana
Aiden Ross?
Speaker 2 (00:46):
And then looking at bird man sixty years old, still
looking like a Waiian yell blood, still talking dangster talk
with all these young men faulty, So come on home,
that's one of the more come on.
Speaker 3 (00:59):
Well, I think that they're just contagious.
Speaker 1 (01:01):
Like some people argue, you got some Whitian energy on
you right now you got the shy stone. But I
know it's probably because you're coming through the airport. You're
rocking the jewelry right, so certain things that the industry,
but that.
Speaker 3 (01:13):
You and Wood are now back together.
Speaker 2 (01:15):
Get money. Yeah, in one week me and we have
made a hundred thound dollar together together. But I feel safe.
I feel safe enough to sleep around all the people
that could have gotten and they.
Speaker 4 (01:24):
Had something to say.
Speaker 2 (01:25):
I know, I don't bring him over up. His brother
was mad, but his whole family about everything. Yeah, if
baby Mama broke the people mad, I steal with you.
Speaker 5 (01:40):
She if you ain't talking, no door the name interest. Look,
they say the guys didn't live, and I'm going farther
than that. She keep building on my phone, So I
called her mom, come and get your daughter mad. They said,
want a little better than get them boys wag or
what man Lew and.
Speaker 2 (01:53):
I boys should brain. But get all that, they.
Speaker 5 (01:56):
Said, it's guys the limb I'm going fall.
Speaker 3 (01:59):
You can try to Kim.
Speaker 5 (02:02):
I just bought it life as I did it side
come with that Artim you lazy. The reason you broke
You don't know how to hustle on time. It ain't
no stressed red run red dye he he blapp one
twelve come down. You know, I'm thinking to the Phillis
as for Bully because he never felt want to stick
onto the wildest and nail comes round, doubts try to
nail something.
Speaker 2 (02:21):
And got your just seeing an artist and this is
a big tour or every rapper is no longer a
studio gangster. They lyrics are real and they live after
real lyrics. That's why they keep getting in trouble by
the lyrics.
Speaker 3 (02:34):
I argue that they're mascots.
Speaker 2 (02:37):
Or if the mascots and how we know the crime
they committed, how.
Speaker 1 (02:39):
We know they don't commit the crime? Like the mascot
don't play for the team. He's on the team, but
he don't get on the court. I believe that rappers
are more so mascots than they are actual players.
Speaker 2 (02:51):
WiFi and Lucy shot shot at Woody at apart with
wooded baby in his hand. Wife and Luci was a shooter. Uh, so,
I hear what you're saying, But I can call those
detectives right now with those.
Speaker 4 (03:02):
So I heard you their mascot, but you got some playoffs.
Speaker 1 (03:05):
King Vaughan was a playoff some of them players like
I want to dispute Lama as someone is dealt with
kids and mentored kids your entire career. Looking at the
young people that's in that concert and the young fans
of the NBA, young boy, why don't you view them
as wound this soldiers?
Speaker 3 (03:21):
Why do you view them as retarded?
Speaker 2 (03:22):
Because they're not wounded this soldiers for one or number two,
they are retarded. If you want me to switch the
word illiterate, illiterate, he'sy literate. He'sy literate, institutionalized and what
fifteen years old juvenile jail prison fit eezy literate. That's why,
(03:44):
the only reason why, and it's true. All you have
to do is look at the cities where he set
out at. Now you can't individual say that, but we
can blanket everything, just like y'all blanket all white people.
Speaker 4 (03:56):
Let's blanket all these dumb motherfuckers.
Speaker 3 (03:58):
And they are in they are.
Speaker 1 (04:02):
And so you gave it, you giving up your working
with the children thing. I quit, put that to the side.
Speaker 3 (04:08):
I quit. How do you feel about it?
Speaker 2 (04:09):
Quit before the pandemic? So I didn't give it up.
I did it for ten year olds and found out
how to make money online. So of course I got
a job to feed my family. So most people who
get a job. Obama quit. He started out in the community,
he became president, and when he became president, he couldn't
go do community work no more. So yeah, I quit.
It didn't pay. And I think anybody who does community
(04:31):
work that's struggling with a family is stupid and not
put their family further. Because a wise man stores up
eight inheritance for his children's children's children, not his race
or community, and charity starts in the home.
Speaker 3 (04:45):
Do you believe they would attacked you at that show?
Speaker 2 (04:47):
No, I was there. I was in and around hew it,
taking pictures with him and everything. Oh that's what I
would tell to act nigga. We should have went act
kind of scary because nobody said, no, I wasn't coming
back in. I said, Nigga. I met the hotel Nigga,
so he came to my hotel. Oh and we've done
a live stream. But yeah, nigga, I would have wished
nigga man, that would have been a hundred men. That's
the highest, one of the highest paid tours of rap.
Speaker 3 (05:09):
You're gonna see him off the drill line.
Speaker 4 (05:11):
Yeah, Between punitive and tort damages.
Speaker 2 (05:14):
Yeah. See that's a different kind of talk.
Speaker 3 (05:18):
But you don't think they would attack you.
Speaker 2 (05:20):
Nah, Houston police were too deep. They uh getting out
a police were too deep. Yeah, the president of the
police make them niggas ask, No, you don't believe.
Speaker 1 (05:30):
I think sometimes that's an interesting thing, man, that these
niggas are that afraid of the police.
Speaker 3 (05:36):
You know, I'm gonna be honest. When you first start
kicking that, I even then believe that.
Speaker 1 (05:40):
I even didn't believe that, like niggas ain't Niggas are
still go h But over the years, I'm having less faith.
Speaker 2 (05:47):
I watched it because you've never seen the prison guard
get hurt them prison guard? Do them niggas ass so bad?
Them jelous? Do the niggas ass so bad? You've never
heard no nigga getting out and doing nothing to a
jell or guard.
Speaker 4 (05:57):
So that's what made me first or noticing.
Speaker 2 (06:00):
Nobody mistreats and dehumanize and torture nigga more than a
prison guard or a jailer. Niggas cry and whimper nigga,
they don't come try to find them people. I know,
I know, I know, I'm an expert at us. I'm us,
how you gonna tell a gorilla he don't know a
(06:20):
boy gorillas were black. I know about us, Nigga.
Speaker 4 (06:23):
I know we're subservior.
Speaker 2 (06:24):
And when it comes to that white boy in uniform,
I wouldn't give it. Damn there what the male man,
nigga tuck his goddamn tell.
Speaker 3 (06:30):
White security guard.
Speaker 2 (06:32):
So the nigga I bank on that, And Nigga, I
know this group of black people are not educated. Not
only are they not educated, they're miseducated from their home
before they even get to the school. That's why this
pain music.
Speaker 4 (06:45):
These kids are in pain.
Speaker 2 (06:46):
What do pain come from?
Speaker 4 (06:48):
Childhood trauma? What was before then?
Speaker 2 (06:51):
Drell of music? So they were killing. So we were
saying all many of the niggas tripping. Now we say, okay,
this is why they were drilling, and they was in pain.
It's just the mother little nigga was angry coming out
of Chicago, killing deed little more for her in pain.
They'll kill anybody. They old block and sixty third killing.
These little grimins will kill anybody old black man. Just
(07:12):
looking at each other. Now, these little pain motherfucker hurt
their grandmama. We see the videos all the time. Kick
their grandmama, kick they little sister. So U nigga better?
Uh yeah, yeah, So we got a break on drilling.
They're in pain right.
Speaker 4 (07:25):
Now, crying and whining like a motherfucker.
Speaker 2 (07:27):
That Rob wild Way and these niggas group of music
is going and the killing music is dying.
Speaker 4 (07:32):
So your kids in pain.
Speaker 2 (07:34):
If your kids went to go listen to that shit,
it's some trauma. Need to be here.
Speaker 3 (07:38):
You saying this reaction there, man.
Speaker 2 (07:40):
Come on home, children, minds are too young and impressible
for us to be taking it dislight. And then looking
at bird Man sixty years old, still looking like a
waii in yeah on blood, still talking gangster talk, with
all these young men falling, So come on home. That's
one of the most come on money.
Speaker 3 (07:58):
But I think their energy is contagious.
Speaker 1 (07:59):
Like some people argue, you got some Wayian energy on
you right now, you got the shy stone, But I
know it's probably because you're coming through the airport. You're
rocking the jury, right, So certain things that the industry.
Speaker 2 (08:11):
Young niggas don't rock. Jewelry. The preacher rocked jewelry. They
didn't make these for young niggas. They made these during
the winter time.
Speaker 3 (08:18):
Thee mass was before. But you know that's the Wayne Man.
Speaker 2 (08:20):
You know that's the wayem mentality. We weren't even more
hair job nigga drove farkle.
Speaker 3 (08:25):
You said something, Yeah, yeah, you said, I.
Speaker 2 (08:27):
Ain't thinking young nigga. Oh nigga. It's always been a
goal from watching Granddaddy and Unclewaiane and them nigga have
a watch or pinking rain or brasilet in a chain.
Speaker 4 (08:36):
That's always been a players Montreal.
Speaker 2 (08:38):
See the young nigga. Mine think the rapper led the way.
No nigga rapper have I always mimicked the streets and
the street niggas have always mimicked the players in the max.
The gagst nigga ain't never let the pack nigga. The
player nigga that's smooth, it can talk. Yeah, the gangs
nigga always been in the middle towards the end. But
the rap nigga got y'all thinking that g nigga is
the is the leader. No nigga here the dumby.
Speaker 3 (08:59):
That's why says theyre more like mascots to me, this.
Speaker 4 (09:03):
Group, ain't they live in it?
Speaker 2 (09:05):
See because we go shame you if you ain't living
how you rapping, So we ain't gonna let your mascot
rap culture in the last twenty years. I ain't gonna
let your mascot.
Speaker 3 (09:15):
I think it's crue. If it's crew pushing.
Speaker 2 (09:18):
I think same Rake for having ghost writers. That's why
they shame you for having a ghost writer. That's why
it's not everybody else.
Speaker 3 (09:24):
Had No, that's more about skill.
Speaker 1 (09:26):
That's more about him being laidbel one of the top three.
Speaker 2 (09:30):
Say, man, your niggas ain't living that ship the niggas
if your rappers faking the studio games, so why do
you think other rappers come from?
Speaker 1 (09:35):
Listen, Takashi wouldn't be a thing if these niggas couldn't
cover you to.
Speaker 2 (09:40):
Shock you live around the comor from the nigga, didn't
y'all see it.
Speaker 1 (09:42):
That don't mean that he wasn't doing nothing. Though I'm
saying this, they can cover you.
Speaker 2 (09:46):
Got why you gotta do something? You ain't got to
do nothing to be from it?
Speaker 3 (09:49):
Well, you said the mascot, I'm saying the mascot home.
Speaker 2 (09:52):
Listen, oh children, if you're a mascot, you're a part
of it.
Speaker 3 (09:57):
Macott, I don't disagree.
Speaker 2 (09:58):
So even if you're a mascot, you're gonna do some
things to be the mascot. You're not just gonna become
a mascot.
Speaker 1 (10:03):
They don't just put the masks where you're valuable like
Takashi was to the game.
Speaker 3 (10:07):
You're making money, you're a rapper.
Speaker 2 (10:08):
He grew up.
Speaker 4 (10:09):
They was already under the fed's investigation. Why go get him?
He didn't tell on them. They were already under that.
Speaker 3 (10:14):
It's the money. It's just the money. Money.
Speaker 2 (10:16):
Really grew up with them.
Speaker 3 (10:18):
Yeah, but everybody in the hood looking for a rapper,
but they.
Speaker 2 (10:22):
Weren't looking for a rapper. This is a damn little
meskan that's from our neighborhood. Nigga, He from a hood.
Why wouldn't we support him? And he fucked with him?
Any nigga mesket they fucked with him. Folk in it's
just that we as black people, we go fuck over
you if you ain't black, and we go fuck over
I few black.
Speaker 3 (10:36):
What you mean by that?
Speaker 2 (10:37):
We fuck over one another? So why wouldn't they fuck
over him? Nip got killed, so why wouldn't they fuck
over him? If we got us a white boy, that
white boy got to get fucked over before. We love him,
so they had to fuck over him for they can
love him. But he grew up with him.
Speaker 3 (10:50):
No, I ain't disputing it.
Speaker 2 (10:51):
So that's what I'm saying. Say what you want about it.
He ain't no mascot. I don't hung with him, walk
with him, been around with him. I didn't see noh
of these other rapper nigga. Don't move how he moved
BYLF no security.
Speaker 1 (11:02):
It's not what you would do is when you've done
it right. It's like it's like if you wait till
you get on to now you do certain things. I
think it invalidates the credit you.
Speaker 2 (11:11):
He was already doing it. We just didn't know about it.
Any nigga that to fight any to do any hood things.
Speaker 1 (11:15):
I disagree with that. I think he was just someone
boring around the corner. He was just shooting videos. I'm
kind of familiar with the store. I can call meet you.
I can call a nigga that know.
Speaker 3 (11:25):
The person shoting them.
Speaker 2 (11:27):
I shout out to shot out to meet you from
New York. Home free me, co Free me Cyo. Who
Bobby's murder? The big dog, the one who was on
the fed chasing throwing out all the money out the
bank nigga when I need to know something home.
Speaker 3 (11:39):
So you you validating that he was one of them.
Speaker 2 (11:42):
I validated he was a thorough bred street nigga's crazy
from that neighborhood that could off the streets.
Speaker 3 (11:49):
Yeah for sure, I ain't taking that from him.
Speaker 2 (11:51):
So what do y'all can sit the street?
Speaker 1 (11:52):
I'm saying that some of the gangster ship that was
happening up. So when I'm saying you're a mass.
Speaker 2 (11:55):
Scott, I stin't not always by shooting the kid, but.
Speaker 1 (11:57):
Cannot let me clarify and then you if you if
I'm wrong, you can clarify it and make me wrong.
I'm saying that if you are someone when I say
the mascot theme, we're going with someone that someone like
Takashi six nine is.
Speaker 3 (12:08):
You could be on the team.
Speaker 1 (12:09):
You from here, You really got a jersey, you get
a ring, even you on the court, you cheering that
you even instigating and involved like a motherfucker. You just
ain't the nigga going to do the drilling. And I'm
saying it's less often that I see rappers like a
king Van like they say, out of the whole hood
is maybe five niggas doing exactly. That's what I'm telling you,
(12:32):
But everybody still put everybody talking drill, so Thud never
done a drill, but he's still street.
Speaker 2 (12:37):
What it was? The driller? What it was the nigga?
If I wan't nobody mentioned his name?
Speaker 3 (12:43):
You think that I.
Speaker 2 (12:44):
Know soul Nigga. I'm the only one that was said
his name. Why they try to bring now what it
was the nigga? FBI documented most violent motherfucker. That's why
nobody won't even say his name. Nigga.
Speaker 3 (12:54):
I want to tell you your name, but I ain't.
Speaker 2 (12:56):
Everybody Nigga. They won't even say it. And he's the
most hope, the most dodfare lord passionate one out of
your lord.
Speaker 4 (13:03):
But Nigga, that's how you know he ain't still pushing
the narrative.
Speaker 1 (13:07):
I'm saying that when we talk about rappers of this
day and age.
Speaker 3 (13:10):
You your argument is most of them are living what
they rap, right. My argument is they're not.
Speaker 1 (13:15):
The people around them is living those things and they
get to live off the credentials of it. Case in point,
I remember when Katrina happened. I'll never forget this. We
would need deep in moving around New Orleans. Dudes would
go in other states and they would get a certain
rep inherited just from being from New Orleans.
Speaker 3 (13:33):
Niggas would look at them a certain way.
Speaker 1 (13:36):
Now down here they really didn't, but certain spots they
would run niggas off just because they were from New
Orleans and at the time they would have murdered capital
and it inherited a certain vibration that they didn't earn.
Speaker 2 (13:47):
I mean, you're trying to comprove real street, hardcore street
life to rap comit. This is what I'm saying the
rap industry. Once you get into this life I'm here,
nobody's reputation can stand for you because the blogs and
everybody is gonna pull you back and they're gonna assassinate
your carecaity. He didn't live like that, so you better
not come rapping street. They done pop hunt like that.
(14:09):
Everybody who come afore the like claiming the rap street.
They're gonna kill your career.
Speaker 1 (14:14):
If you're not really as long as you was there though,
this is the trick. Like I said, you just argued.
Speaker 3 (14:19):
It for for Takashi.
Speaker 1 (14:21):
You just argued the fact that just because he was there,
nobody from New.
Speaker 2 (14:26):
York have came and said, what you're saying about him?
Speaker 3 (14:28):
He what am I saying that?
Speaker 2 (14:29):
He wouldn't a part of it. It's documented, got paperwork
that he participated in the shooting and he Nigga was
in the action, homie. That's why I say was dumb.
Speaker 3 (14:37):
But I said, after you do it right, go ahead.
Speaker 2 (14:41):
I'm telling you the industry, the fans are not gonna
let you pretend to be what you're if you're not
rapping at you saying yeah, they can be around it,
No they're not. He would do you just like they
did me. He didn't do the shooting. He was just
there and I ain't even rapping.
Speaker 1 (14:55):
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Speaker 3 (16:46):
Let's get back to the show. As you could be
on a team.
Speaker 1 (16:50):
You from here, you really got a jersey, you get
a ring. Even you on the court, you cheering up,
you even instigating and involved like a motherfucker.
Speaker 3 (16:59):
You just ain't the nigga going to do the drilling.
Speaker 1 (17:02):
And I'm saying it's less often that I see rappers
like a king von like they say.
Speaker 2 (17:08):
Out of the whole hood is maybe five niggas doing exactly.
Speaker 1 (17:11):
That's what I'm telling you. But everybody still put everybody
talking drill.
Speaker 2 (17:15):
So Thud never done a drill, but he's still street.
What it was the driller? What it was the nigga?
If I won't nobody mentioned his name?
Speaker 3 (17:23):
You think that I know so nigga.
Speaker 2 (17:25):
I'm the only one that was said his name. Why
they try to bring now what it was the nigga?
FBI documented most violent motherfucker. That's why nobody won't even
say his name. Nigga. I want to tell you your name,
but everybody Nigga, they won't even say it. And he's
the most humble, the most godfare lord passionate one out
of his lord.
Speaker 4 (17:44):
But Nigga, that's how you know he ain't still pushing
the narrative.
Speaker 1 (17:47):
I'm saying that when we talk about rappers of this
day and age.
Speaker 3 (17:51):
You your argument.
Speaker 2 (17:52):
Is most of them are living what they rap, right.
Speaker 3 (17:54):
My argument is they're not.
Speaker 1 (17:56):
The people around him is living those things and they
get to live off the credential of it. Case in point,
I remember when Katrina happened. I'll never forget this. We
would knee deep in moving around New Orleans. Dudes would
go in other states and they would get a certain
rep inherited just from being from New Orleans. Niggas would
look at them a certain way. Now down here they
(18:17):
really didn't, but certain spots they would run niggas off
just because they were from New Orleans. And at the
time they would have murdered capital and it inherited a
certain vibration that they didn't earn.
Speaker 2 (18:27):
I mean, you're trying to comprove real street, hardcore street
life to rap ummit.
Speaker 4 (18:32):
This is what I'm saying the rap industry. Once you
get into.
Speaker 2 (18:36):
This life I'm here, nobody's reputation can stand for you
because the blogs and everybody is gonna pull you back
and they're gonna assassinate your care Say he didn't live
like that, so you better not come rapping street. They
don't pop hunter like that. Everybody who come before their
life claiming to rap street, They're gonna kill your career.
Speaker 3 (18:55):
If you're not really as long as you was there though,
this is the trick.
Speaker 1 (18:58):
Like I said, you just argued it for off, for
for Takashi. You just argued the fact that just because
he was there, nobody from New.
Speaker 2 (19:06):
York have came and said what you're saying about him.
Speaker 3 (19:09):
He what am I saying that he wouldn't a part
of it.
Speaker 2 (19:11):
It's document got paperwork that he participated in the shooting
in the action homie.
Speaker 1 (19:17):
That's why I say was dumb people, But I said,
after you do it right ahead.
Speaker 2 (19:21):
I'm telling you the industry, the fans are not gonna
let you pretend to be what you're If you're not
rapping at you're saying, yeah, they can be around it.
No they're not. You do just like they did me.
He didn't do the shooting. He was just there and
I ain't even rapping.
Speaker 3 (19:36):
Well, those are crimes. I'm just saying, if you grew up, you.
Speaker 2 (19:40):
Go, there, you go. I'm trying to position lyrics or
criminal raps. There's not a rapt that's not talking about.
Speaker 1 (19:46):
Crime in general overall. Yeah, not specific crimes.
Speaker 2 (19:50):
So you're saying all specific crime. That's why they go
use the lyrics as specifics.
Speaker 3 (19:56):
I think they're reaching when they do that.
Speaker 2 (19:58):
Whether they're reaching or not still using Yeah, they're using it.
And they're correlating this to that they did in the
Jacksonville trial right now with Fudio washing all trials.
Speaker 3 (20:09):
I'm not disputing that.
Speaker 2 (20:12):
In the middle. So why did jay Z and all
the rock to New York state legislation to try to
stop rap lyrics of being used?
Speaker 1 (20:18):
If they're reaching and also my and also let me
say this because my platform is way too big, I
don't endorse criminal activity periods like yeah, and if it does,
I'm telling you we're having a conversation. This is an
intellectual debate or sparring match between two people.
Speaker 3 (20:33):
That's been pretty cool for some time.
Speaker 1 (20:35):
So this is not an issue. This is just two
men having a conversation. Yeah yeah, So I want to
be clear about that because this is a professional show
and to see something that's gonna go out.
Speaker 2 (20:46):
To the which nigga he wants the character or the man?
Speaker 3 (20:49):
I want the man?
Speaker 2 (20:50):
Well, we have to be we we can't. We can't
take sides. If we're the man.
Speaker 3 (20:54):
We gotta say, right, how am I taking a side?
Tell me? Tell me that what? How I'm wrong?
Speaker 2 (20:58):
Long? What when I say like, well, man, they use
a rabbit, I think they're reaching. We're not talking about
their reaching. You're taking away from the topic that rappers
have to come talk criminal and normally they normally make
confessions in their own rap. So on, we don't know
about these crimes. Monk three said, after I shot you,
Homie Heat detailed every crime. Thug talked about crimes, so
(21:21):
homy the rappers. Homosong said, this is what they're using.
So I'm saying, how can you come on here and
discredit that as a journalist. I think they're reaching. Okay,
you think that, but you know they're not.
Speaker 3 (21:32):
I actually know they're all reaching. Because again, that's what
I'm saying.
Speaker 1 (21:36):
I think you have me kind of because you may
catch some of the clips while I'm dealing with a
little baby or thug or somebody like that, and you
may think that's why I live.
Speaker 3 (21:44):
I gotta interview the jurors. I only got an interview.
Speaker 2 (21:47):
So so the thug get looted, according to the guy
in Mama House shot up right, But let me not
let me say that that's in the best in the song,
but talk about the Let me say that so I
can pitpoint songs that got crimes in that they have
you against these guys right.
Speaker 3 (22:02):
Now today, me too.
Speaker 1 (22:03):
So you write about that part, but we can all
show pitpoints and lyrics that they had wrong.
Speaker 2 (22:08):
Home. Let's go back to the original topic. Rappers are
coming to make confessions in their lyrics. Nobody's making them
write their lyrics. The police are just hearing ship and
say that sounds like they're crime they committed, Oh and
find and putting the evidence together. So the rappers are
doing this. The rappers are saying, Man, I really live
this ship. I really live this shit. That's how they talk.
(22:31):
That's how they talk. I really li this ship. Yeah really,
I really done it, Homo. That's what made King Vaughan
what he was. So I'm saying, if we notice cultural wise,
the law have to prove it, but we know it.
We know it, homemiss, I ain't fit. That's why, that's why,
that's why I walk with a light on my home.
(22:54):
If I'm wrong, I'm wrong.
Speaker 4 (22:55):
Her mind being wrong.
Speaker 2 (22:56):
Yeah, I want to be wrong. These niggas wont to
be wrong. They wake up to kill, hurt and find
a way to put it on the beat. It used
to didn't be like that.
Speaker 3 (23:05):
So do you think, young boy nim is like that?
Speaker 1 (23:07):
But you said all of that, It showed up to
the tour and nobody does nothing to you.
Speaker 4 (23:13):
Because the police were proved my point again that I didn't.
Speaker 2 (23:16):
I say.
Speaker 4 (23:17):
My protection is I call the police on you, Nia,
I call police.
Speaker 1 (23:21):
So that's the one stipulation that will caused these killers
and thugs from not moving is the police.
Speaker 3 (23:26):
And I kind of agree with it.
Speaker 2 (23:27):
I disrespected.
Speaker 3 (23:28):
I kind of agree with it. I came up.
Speaker 2 (23:30):
I disrespected everything the streets. Love from Nipsey Hustle, his mama,
his baby, King Vaughan or Larry Hoover, Jeff Ford, every
game leader tripped blood. But I disrespected in ways nobody
would ever even think of. And I walk around this
country for the flash five six year olds, no higher security.
(23:52):
I mean your niggas, clubs, restaurants. I ain't been touched.
You know what I heard the nick say, Oh, he
gonna call the police. I said what I heard all
of He ain't gonna do nothing to call the police.
You're sure right, That's what LAWD bidam citizen do. And
the police presence is everything to criminals. It's called the terrence.
While they can pull a cop car onside the highway
and your niggas hit the bricks. So I saw how
(24:13):
shout out the Houston Police Department and Harry County Sheriff
of Police Department. I saw how the presence of the
police make these niggas mind shout after Donald Trump for
putting a federal troops down on the ground. You see,
I stops crime, violent crime stops immediately. We're proven that
with what.
Speaker 4 (24:29):
Trump is doing with the National Guards, and we need
more of it.
Speaker 2 (24:33):
We need more of it.
Speaker 4 (24:35):
So yeah, HEMI yeah, hey y'all, IM gonna show up.
Speaker 2 (24:38):
I know they invited me to come to Dallas. You
know what, I said after that, DJ Academic said, man,
let's go to the one.
Speaker 3 (24:44):
I don't think act got the pull.
Speaker 1 (24:45):
He acted like he got ain't and came and could
he fucked ain't enough.
Speaker 3 (24:50):
He had to make it right.
Speaker 4 (24:51):
No, no, no, no, they tried to charge.
Speaker 3 (24:53):
Hey, listen, let me just say, let me just say
that I think.
Speaker 2 (24:56):
Sometime be quiet for a minute.
Speaker 3 (24:59):
Put they beat it out there, go ahead, go ahead.
Speaker 2 (25:01):
NBA Young Board Team. I ain't an offer NBA Young
Board Team a million dollars to stream ACT for to
let him do.
Speaker 3 (25:09):
It for free?
Speaker 2 (25:10):
God damn it.
Speaker 4 (25:11):
Ask you done got in the bads way, That's why.
Speaker 3 (25:15):
And I ain't mad about that.
Speaker 2 (25:16):
So so so he could have got him in. But
then with business, why you fucked out? You got in
the way of a million dollars just you could come
in and let him stream for free. Man, you let
kid and everybody else stream for free. He offered us
a million, ACT right at least let him give us
hunt out. I ain't gonna I ain't gonna charge him nothing, nigga.
Speaker 4 (25:33):
He got in the concert, He got in, didn't have
to pay nothing.
Speaker 2 (25:37):
Was he trying to meet him? He don't want to
wait in line to meet him like all these other stars,
is waiting out y'all in NBA A young boy, very
anti social, so he may or may not meet you.
So got him in at got me my conditions even
after they saw the video. So homie, if y'all don't
think act.
Speaker 1 (25:54):
Got the power or now he doing and I ain't listen,
and so i want to unpack it a little bit.
Speaker 3 (26:03):
And I'm not saying that is impowerful in his own right.
Let me clarify that what I'm saying.
Speaker 2 (26:10):
They didn't want to say Charleston couldn't come in. That's
how powerful you And they didn't want me to say.
They did not want me to get mad. So they
respect our voices because this platform can change, like how
they can. Yeah that oh so now got some pool?
But how much? Man, nigga?
Speaker 1 (26:28):
It's the money And my thing is listen, if I'm
young boy and i'm them niggas, I'm saying this little nigga,
he'll kind of fuck it. He'd be messing up things
like the money plays. So I wouldn't give him as
much access I would.
Speaker 3 (26:39):
He would be cool.
Speaker 2 (26:39):
But let me tell you all, let me say that
you need DJ academics.
Speaker 3 (26:44):
If d Jack.
Speaker 2 (26:45):
Let me let me destroy your career.
Speaker 1 (26:47):
Yeah, I like, I like, he got a big platform.
But let me say this to you. If I take
you around anybody, it could be you and fifteen people,
eighteen people. I'm taking you to the person I just
said that I believe if he had the pull that
he believes he had, Aiden would have got in, and
maybe you would have got in. That's all I'm saying,
(27:07):
Bro got in. Why I gotta agree with anybody. You
missed the point Aiden got in and he streamed.
Speaker 3 (27:14):
But I'm saying you never met him like you said.
So that's all I was speaking to.
Speaker 2 (27:19):
Making a nigga meet a nigga if he don't want
to meet and come out after the show. He don't
want to come out, you know why he went the filming.
Speaker 3 (27:24):
But they'll do it for you. If you mean I
won't bring it, loon, don't never bring a nigga. So
if I bring one, I will hope you will respect it.
You understand, you.
Speaker 2 (27:32):
Ain't been seen nothing. You're speaking from the way up
there understanding. I'm telling nigga act go call baby and
baby go pull whatever strain. But nigga, every city that
this guy goes to baby Nil ain't even got controlled
because there's safety precautions and restrictions put in the place.
Ain't have brought a bunch of people. God damn it.
Hold y'all don't understand. These people are alert.
Speaker 4 (27:54):
This ain't about what y'all are normal use to.
Speaker 2 (27:56):
Okay, y'all know, it's more safety concern.
Speaker 3 (27:58):
Yeah, they don't have a rout and they got everything.
Speaker 2 (28:01):
They got extra police coming in. They know this is
a violent group of young people. This is a violent
group of young people that can change things in America
if they tap into something. So, yeah, we hear what
y'all saying about your pool, your egos and things. But nigga,
the five marshal running this and then you have showed
up too many people. God damn it. We can't put
all y'all right, His family came, so nigga, guess what
(28:23):
his family couldn't even get in. It's supposed to been
Charleston and DJ Academic had two other tickets, right, So
this is what they give act They can make a
certain act guy. So it is DJ Academic two of
a t He got his security, he got his roll bounds.
God damn it. Charleston has showed up with two niggas,
look like a driver in another young nigga. Miami critic
go shout out to Miami critic go. So now I
(28:45):
got to try to get us some extra tickets. Security
is super tight. They now his family can't even get
in homeie. So I'm saying, nigga, this is exhausted at
this point. I got the credentials. I got the credentials,
I can reach it everything. Maybe they walk into it.
I'm out.
Speaker 4 (28:59):
It's family hadn't even.
Speaker 2 (29:00):
Got in yet. But what y'all think it is you're
talking from the sideline with nigga. I'm on the field
with these niggas.
Speaker 1 (29:06):
Look in this particular situation, you're right and I can't
dispute that.
Speaker 3 (29:10):
So let's move off these niggas.
Speaker 2 (29:12):
Every show is sold out already, right, so you already
got sold our capacity. Now when you gotta sold our capacity,
it's not about who you can bring. It's about five
martial guidelines. Only we can't do this, So nigga. They
strict the nigga men, even the team, the management. So
on his tour, when he come in, they damned to
(29:33):
do like a prison lockdown. Nothing move until he get
off the bus and go into there. So that's another
time limit might take another thirty forty five minutes. How
and so those aspects in place, to a nigga, like
a and row security, you're gonna get agitated because it ain't.
Speaker 3 (29:49):
In a big dog man.
Speaker 2 (29:50):
Why I gotta go through this? But niggas just say safety.
Nobody's bigger than safety.
Speaker 3 (29:55):
And you know what I think.
Speaker 1 (29:56):
And I know this again because sometimes I say say lit,
but I I know that they don't have a routing
profile on him because of his first large tool like this.
So like you said, they don't know what fans he
bringing out. They understand this music is a certain type
of music attracts a certain vibration.
Speaker 2 (30:11):
They got a sixteen hour schedule for him to follow.
He's moving like the president. Everything shut down because law
enforcement knows that these lyrics in this crowd. So there
is like a keg waiting to explode. So the very
the very tedious of how he moved and routs he's moving,
(30:34):
so they got a route from it's playing out. This
is a.
Speaker 4 (30:38):
Yeah, nigga, this is a well well plan.
Speaker 3 (30:41):
Now he isn't he making a lot of money That's
why I don't like when.
Speaker 2 (30:44):
Just bigger than him, he's just a retarded kid being used,
or just bigger than him. He ain't got in what ways, he's.
Speaker 3 (30:53):
Just in what ways you believe it is bigger than them?
Speaker 2 (30:59):
When when you look at the setup, Yeah, when you
look at the tour, uh fifty songs of high energy anger, violence, propagated,
moded express uh, coffins, guns, Uh yeah, yeah, yeah. Uh,
(31:21):
he's just the tool that is being used to do
what uh destruction Uh what rappers always used for destruction
of black mail. Yeah, he's the pod Piper's leading all
the rats, uh to the rat the rat trap.
Speaker 3 (31:37):
In what ways? Though by way of music, by way
of Massy, the devil.
Speaker 2 (31:41):
Left heaven playing music, So I became the devil and
took a bunch of people with him, over half of
over over half more more than half of you know,
by way of lyrical lyrical content have always been the
destruction of black people. Uh, starting with the black exploitation era. Uh,
then with the gangster era, uh, then with the trap era.
So all eras of gangster and hip hop music have
(32:02):
fueled the prison system of the graveyard or the criminal
justice system. Uh. It's been his best friend.
Speaker 1 (32:08):
Do we do we look at all of entertainment that
same way? Or is that just why should we?
Speaker 2 (32:13):
Because no other entertainment lives out his.
Speaker 1 (32:16):
Lyrics for example, not even lyrics for example, someone like
maybe like a Stone Cold Steve Austin.
Speaker 2 (32:21):
Uh, no other entertainment lives out his lyrics.
Speaker 1 (32:25):
Well with the beers and the influence, I'm asking not
necessarily living out your lyrics. I'm just talking about the influence,
the negative influence, right the.
Speaker 2 (32:33):
I don't know how many black kids watch CoA Stone
Coast Steve Auston Togo Burroll and hear cans on their head.
Speaker 3 (32:39):
And think they want to do that.
Speaker 1 (32:40):
I don't know, but I'm sure he's influential because he
was a superstar children. Right, So you focused on what
black children are focused on.
Speaker 2 (32:49):
I focus on the negative elements of black culture, and
that just so happened to be hip hop, not black entertainment. Uh,
because if that was the case, Uh, we'll be on
top dollar period for the images he project the black
man in weak subservient.
Speaker 3 (33:04):
I'm glad you said that, but.
Speaker 2 (33:05):
We love those But nobody dies, nobody Mama's cry, the
niggas make nigga.
Speaker 3 (33:11):
Mamas cry, How is Charleston White doing right now?
Speaker 2 (33:17):
See rich having fun? What I want to do? Uh?
Living life on my own turn unapologetically, y'all fuck a
lot of whole try to get close to God in
my mind, I talked the King talk Nigga, sou Yr Nigga.
I'm in a different city. I'm following instructions of the
old niggas. Nigga, leave your city, Nigga international player exactly
(33:38):
So Yeah, nigga, I'm living a players dream. Uh.
Speaker 3 (33:41):
You know.
Speaker 1 (33:41):
The beautiful thing about what I've saw you build over
these years is your ability to pivot with it and
go different ways with it.
Speaker 2 (33:50):
K wrote nigga if they got a new job opening
on the job, or Nigga, you try to figure out
a way to learn that job. Or yeah, nigga, or
I understand this. That's why I be tripping nigga when
y'all be taking nigga understanding this shit. I'm a content
creator and the world have become so content driven. If
I die, motherfucker put a phone in my face.
Speaker 3 (34:12):
That's a fact.
Speaker 2 (34:13):
We watched it. Which one got killed in Houston. I'll
see it take off.
Speaker 3 (34:16):
We washed and put the phone take off. Yep, we
washed them.
Speaker 2 (34:20):
Put a phone in Nipsey face. You got, we watched
King Von So nigga, that's content for somebody. Somebody made
some millions of dollars on that. So nigga, I tell
the niggas better keep the phone.
Speaker 4 (34:29):
I'm always playing for the camera.
Speaker 2 (34:32):
This is an insurance policy in the legacy that I'm
putting in the vault. So if you coming on her
being serious or the Internet don't reward serious conversation. They
reward that character they got earlier. So you don't get that, Noga.
No much So I understand content creation.
Speaker 3 (34:49):
And you do a great job. You do a great job.
Speaker 1 (34:52):
That's why I gotta get you a umar together, because
both of y'all do a great job better. But here's
also something I want to ask you. Are you is
your legacy they already see minted right now today?
Speaker 2 (35:02):
No, I ain't done yet. Yeah, yeah, I might make
a few more babies somewhere. Now, I ain't done yet.
You can't see your legacy till you die, because the
measure of a man can't be added up till he's gone.
Speaker 3 (35:14):
No, I'm saying, is your as your standard whatever standard
you have or bro.
Speaker 1 (35:19):
When I leave here, these are the check the boxes
I want to check off.
Speaker 2 (35:23):
I don't care about When I'm gone, I won't know
what's going on or it matters to me what they
think while I'm here. My baby's nigga. That's the only
thing in matt I don't care my woman think I'm
a lie or cheat. Is what them kids think about me,
and it's my mama pray out. So now, nigga, everything
I wanted to be in life, I came up. I
grew up and became it. So my legacy is my
(35:45):
children and what they'll say about their father. Y'all can't
write my legacy. One of the people who personally know
me that was impacted by my life can write it
or not my word.
Speaker 1 (35:56):
You don't believe people who listen to you impacted by
your uhuh life.
Speaker 2 (36:01):
Uh you listen to a bunch of shit, because if
you're impacting, it changes you. I don't think I changed
nobody life, or if they would, they would start watching me.
Speaker 4 (36:09):
I don't watch no nigga came in man a.
Speaker 2 (36:12):
Nigga everything I need inside, I'm gonna go look in
the mirror and nigga, everything I need was spoken to
me in my worst conditions. I was equipped with what
I need before I got in the condition. All through
I was like, come on, boy, why you hanging with them?
Speaker 3 (36:27):
What you got potential to dec woo?
Speaker 2 (36:29):
So Nigga, all throughout life, I've been listening to what
people been saying good. I ain't paid attention to the bad.
So Nigga, I got what I need for I got
in the conditions to get out of it. So fuck
I need a word of the day, some inspiration. All
I got to do is look in the mirror, nigga.
Now that might hurt for a little bit to see
what you see, but niggas look deep and Nigga.
Speaker 4 (36:49):
Watch you climb out.
Speaker 2 (36:50):
Got me doing that blind, So Nigga, I never needed
the world, Niggaver time, Nigga, I couldn't see nigga and
little boy Nigga. And then when I got in that
boy's home, Nigga, ninety eight pound nigga, grown man, look
at niggas in there, Nigga, and I rise to nig
I never needed the world, or when I couldn't go
outside and play, I did.
Speaker 3 (37:09):
It's that lonely.
Speaker 2 (37:11):
Kids don't know to be lonely.
Speaker 3 (37:13):
I'm saying you now, h looking back at it.
Speaker 2 (37:16):
No, you lonely when you're a kid and you want
to play but you're not. You know why you create
an imagine every friend where your creative thinking come in
at it. You get your toys and stuff and you
start playing with your toy. That's where you learn to
be creative at and I need to play with other kids.
That's how so creative nigga, that's what that's what made this. So.
(37:36):
Now when you get to play with other kids, you're
a leader. You can say, nah, I'm wanna do that
because you ain't used to follow nobody. Now you a
leader because you ain't used to follow nobody. They are
they been playing with other kids falling. Yeah, when I
finally got to go outside and play down the twelve, nigga,
I was a leader, just small. So now if you
think I ain't fit to go to college, law school,
(38:01):
train law enforcements, spend seven years getting therapy, counseling, psychiatry, psychists, nigga.
If you think I ain't a nigga, when nigga, now, nigga,
niggad have changed. Aw I don have spoke before governments nigga,
you think I ain't a bad motherfucker. Oh, I got
(38:21):
what I need home, and that's what I'll be trying
to tell people home.
Speaker 4 (38:25):
If you got you, you ain't never lonely.
Speaker 2 (38:27):
It's when you're looking for people to fulfill what you
need is when you come lonely. Nigga. That's why it's me,
myself and our father son. Holy Spirit. It says they
said they spoke. It's a dazing here, Nigga. I talked
to me the old nigga, say, talk to yourself, Nigga,
answer yourself and say it. I laugh, Nigga, you tripping
(38:50):
me and fuck it, Nigga, I talked to me. So, nigga,
y'all can't beat me. Oh, I was prepared when I
lost the eye and having to go to school and
maneuver through all the years I joined the game.
Speaker 4 (39:01):
Got insecurities.
Speaker 2 (39:02):
Once I joined the game, you big, old tough niggas
and things, and I became the leader of the game
as the smallest nigga. Uh, you taught you something I
taught myself. Yeah, nigga. So uh once Yeah, nigga, So
I've never had a problem getting the girl. Nigga want
to lead and be accepted.
Speaker 3 (39:20):
Right So, no nigga.
Speaker 2 (39:21):
So once you conquer that as a man, h yo,
enemy becomes you the nigga you learn to conquer, you
call self denying yourself?
Speaker 1 (39:30):
Do you feel like your do you feel like your
content presence is still without looking at the numbers without
I'm saying how Charles their white feels? Do you feel
like you're getting bigger or it's cooling down? Or how
do you feel about your brain?
Speaker 2 (39:45):
Right? Well, I come less on it, So I don't
come to the internet to do nothing but play music.
Oh I still do numbers on podcasts, but nigga ain't
just no podcast nigga. I'm in the movies now, so
I donna produce movie. We was gonna start in the movie.
Uh the Hollywood game shows and coming out this year
me Brandon T. Jackson Uh uh meet uh me and
(40:10):
Drew Ski filming. Uh So now a nigga, I'm getting
more and doing the celebrity boxing. I'm managing niggas. Uh
your nigga, I'm creating a team of content creators. So
so what so what I saw coming in as a
YouTuber before I started understanding content creation, they pitted all
(40:30):
the YouTubers against each other. So none of the black
YouTubers came together, uh to help create a trifecta like Aden's. Uh,
I show speed conson all them people come through that. Uh,
nigga's been blocking one another.
Speaker 1 (40:44):
Yes, that's another reason why I didn't dibbling dabbling. Yeah,
so you think I ain't seen you squabble coming up
through that motherfucker.
Speaker 2 (40:52):
So so now they got the celebrity boxing thing going on,
another adamant of revenue coming for the hip hop culture.
Speaker 4 (40:58):
Homi, why ain't.
Speaker 2 (40:59):
No rapper over and tapped into the celebrity boxing thing
like Jake Paul while we were waiting Logan Paul, you're.
Speaker 3 (41:04):
Talking about on the major level too.
Speaker 2 (41:08):
That that Island Boy fight did numbers like Mike Tyson
and Jake Paul. They wasn't gonna show me the numbers.
They wasn't gonna show me. Of course they hit the
number for me, nigga. I just know after that fight,
they ain't have fights no more for six self months.
Everybody went over a k. I ain't see nobody. They
weren't even on line streaming no more. Nothing. Mother disappeared,
(41:29):
and they don't box me out and and yeah, nigga,
they don't box me out because yeah, nigga uh uh.
And I'm saying, man, I can do this. Nigga gotta
talk to Don King. So nigga had me me and
there and the plumber was in negotiation with Don King
and set up a fight with Aaron Brother. So nigga
(41:50):
can reach out to al Hayman. Oh, I'm saying, man,
I can do this if niggas to come together and
do it. So now I got the celebrity boxing niggas
are out of tamp of Florida and taps in with them.
Cole Kyle, Mike Tyson old manager. Oh so I'm saying, man,
ship man, we can do this. We can create a
negro blocking to come over easily because I'm saying, man,
(42:14):
they have made a bag off of nigga.
Speaker 4 (42:16):
Many won't even let me talk to my nigga.
Speaker 1 (42:17):
Yes, crazy, Oh, let me ask you this before you code,
because I heard you mentioned is there some sort of
I don't know much my children. Is there some sort
of issue of beef for Casana aiden Ros.
Speaker 2 (42:32):
It's just a big misunderstanding, homie, but it's um hm
oh yeah, no, yes, it's a beef yes, a be Uh,
but it ain't. It ain't got nothing to do with
aid in car. It's the people around.
Speaker 3 (42:49):
Them, like us like usual.
Speaker 2 (42:53):
Yeah, I'm just I'm just I'm just genuine with him
Homie and he's a very genuine kid. Or Coyle is
a great kid. Uh, it's the people around them.
Speaker 3 (43:04):
Yeah.
Speaker 1 (43:04):
I love to seeing them back together because they created
some dope moments and Aiden is the pioneer the whole
what the content creation for them has turned into him
foolsy too, Don't think I don't know. I know y'all
think I hate my children. Got me tapped in with
that ship. So shut out though.
Speaker 2 (43:19):
So something can't be You have to take time to heal. Yeah,
don't force it, don't try to get them together something. Yeah,
or you gotta let time eventually to hell, cause what's
meant to be eventually becomes it can get delayed. But yeah,
because those were three great kids. Uh that if they
could have stayed together. But we ain't never seen the
(43:39):
group stay together Michael Jackson's brothers and stay together. Yeah.
So I'm trying to do that without making the same
mistakes they made. Yes, I'm trying to create a neat
content so I hit that, nigga. So this what made
me think about that motherfucker mad At Woody. Could we
back together?
Speaker 3 (43:58):
Yeah, let's talk about that. You and I would have went.
Speaker 2 (44:01):
Back together getting money, nigga. In one week, me and
we have made one hundred thousd dollars together together. So
the niggas who want to separated can't bring him that
kind of money, can't help him get that kind of mind.
Speaker 3 (44:11):
If you were would it, would you forgave you?
Speaker 2 (44:14):
No? I'm not a forgiving person. Yeah, I'm a grudge
holding motherfucker. But I don't believe. I don't I believe
in what my mother believed in. But we have taken
Christ into his heart. I ain't done that since the
little boy. I ain't accepted Christ as a grown man
to be as forgiven as that I watched him do it. Yeah,
I accepted Christ as a kid that a grown man fucked
(44:36):
that ship, nigga.
Speaker 3 (44:36):
You do me?
Speaker 2 (44:37):
So he showed me, nigga, so so had he? So
just what he showed me before? Then I ain't forgiving
the motherfucker for nothing, even my woman, I keep it
in my mind. So, yeah, that nigga really forgave me home,
so I thought about it. After me and his daughter
(45:00):
had an exchange. I thought about all.
Speaker 4 (45:04):
The people I wouldn't forgive fucked him.
Speaker 2 (45:07):
Me and that nigga. Uh yeah, his forgiveness showed me
how to forgive other people. I got on the phone
nigga and she'd say, Nigga.
Speaker 4 (45:17):
Uh uh yeah, Nigga, I don't like you, Nigga. I
used to fuck with you.
Speaker 2 (45:21):
Uh and Si, Nigga, you know had you got with me, Nigga,
we would have been in movies by now. Niggas, you
shouldn't have went against the grain. He was going against
the grain to fuck with me, and that's what somebody
had told me. Now he was trying to fo with
uh shout out to six or sel a month. Uh Nigga.
Speaker 4 (45:33):
Yeah No, that niggare was not I mean he retrying
for men.
Speaker 2 (45:36):
Nigga. I ain't focking no nigga talking like that. But
nigga ain't do nothing to me but offended me. Yeah
uh so yeah, I forget that nigga. So me and
that nigga f fore be doing something. So I just
went calling people. I ain't like, no, but I still
don't like I just don't forgive him.
Speaker 3 (45:48):
Yeah.
Speaker 1 (45:49):
So let me ask you, so when you when you're
dealing with water, do you genuinely feel safe around them?
Speaker 3 (45:54):
Duors? That's a real question I have.
Speaker 2 (45:57):
I don't feel nothing. H I'm for the what I
don't feel? Uh, I gotta be a fool or I
genuinely feel safe around him. I had to then come
piek me up at a bolt dranger by myself. Know nothing.
I got in the call with him. I know its
reputation and I know how the disrespected him. I don't
know too many niggas just brave. I got in a
(46:18):
call with him and went to his hood. I went
to the lines then by myself.
Speaker 3 (46:23):
That's when I'm asking in those environments.
Speaker 2 (46:25):
And I went to sleep.
Speaker 3 (46:26):
That nigga crazy, hey, but I went to sleep.
Speaker 2 (46:30):
So do I feel safe? I feel safe enough to
sleep around all them people that could have gotten me,
and they had something to say all know, I mean,
don't bring him over up. His brother was mad, but
his whole family got the hit daughter with her and everything,
his baby, mama, bru and people mad.
Speaker 4 (46:43):
I still went and stayed.
Speaker 2 (46:47):
You niggas, Calvis nigga, You nigga won't go face No
nigga like that, Nigga, I stand on what I keep
telling you that I want to die killed and go
to jail. Nigga. I know it's in my mind.
Speaker 4 (46:57):
What could possibly happen?
Speaker 2 (47:01):
Though I walked through the valley, Nigga, I showed up
by myself and me and that nigga brother had to say, No, Nigga,
you said it all, Nigga. Nothing Nigga ain't said it
to you though, Nigga. And when I turned around, his
daughter just hugb me like she missed me. Yeah, yeah, niggah.
Speaker 1 (47:18):
Do you think seeing him in church in that setting
lends itself to you kind of understanding that he has
that other.
Speaker 2 (47:26):
Side most church bullshit?
Speaker 3 (47:28):
You do?
Speaker 4 (47:29):
I thought he was bullshit when he went to church.
Speaker 2 (47:31):
Yeah.
Speaker 4 (47:31):
I thought he were playing Yeah, I'm yeah, nigga.
Speaker 2 (47:34):
I mean I think everybody in church playing the preacher too. Oh.
Speaker 4 (47:38):
It wasn't until I.
Speaker 2 (47:38):
Disrespected him at the highest level that you can disrespect
a nigga from the street with his reputation, and he said,
you forgive me and still love me. So now, nigga,
church didn't have nothing to do with that. Oh, me
trying to make him crash out so.
Speaker 1 (47:57):
You just saying it's a brave thing. I'm just a
brave looking nig praid nothing.
Speaker 2 (48:00):
Nigga, I felt offended by something. If you offend me,
I'll offend you no matter who you are.
Speaker 3 (48:04):
No, I'm talking about jumping in the car.
Speaker 2 (48:07):
It wasn't about being brave or I just did it.
When I left the hotel that day, I ain't had
no intention on calling. I did go to the same
boat jangle. Oh, nigga, I just do shit. So it
wasn't about being braive, say the nigga was yet man,
come pick me up. Save many little niggas in here
taking too many pictures. Oh so a nigga he pull up.
Oh he know I'm concerned about nigga, these little niggas.
(48:30):
So he responded to my concern. But I'm fucking with
these little niggas cause they stay the college, me and
the nigga when they come to take pictures. But yeah,
so nigga, I'm in danger. But I know I'm in
danger to go jump in some more danger because I
don't know how they feeling. When he takes me.
Speaker 3 (48:44):
Yeh, what I'm saying, poor nig take.
Speaker 2 (48:46):
Me directly straight to his Hood or all them young
niggas out there. Oh, I mean, I don't know to
be scared. Y'A don't know because if my mind words
don't hurt people. Yeah cause nigga, maybe maybe I'm a fool,
But now I don't know to be skied.
Host
Looney
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