February 11, 2026 • 36 mins
Tony Yayo and Uncle Murda are joined by the first guest to grace The Real Report: North Carolina's own DaBaby. The "Rockstar" rapper tells Yayo and Murda about his latest project 'BE MORE GRATEFUL,' how his hit single "POP DAT THANG" came together, the stories behind the scenes of his collaboration project with NBA YoungBoy, and why he respects 50 Cent for not being buddy-buddy with the rest of the hip hop game.
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Speaker 1 (00:00):
My rider die right there. You get you know what
I'm saying, your whole g at eight years old, a
princess in a gangster at the same time. You know
what I'm saying, Like the lyrics on that song, I
just want her to say something right. When I did
the second time, she kind of looked at me like
I know what I'm doing, Like wait, he didn't get
stopped bruising rocket.
Speaker 2 (00:34):
Years to talk of New York Tonyo, And.
Speaker 1 (00:36):
It's the boy Uncle Murder a k a leg Jet Lenny.
Speaker 3 (00:39):
And Ladies and Gentlemen live from New York City. It's
the real report. Shout to the value. Make some noise
up ahead, whoa, whoa, And we got one of the
biggest artists in the world worldwide, not local. I don't
seen them overseas rocking stages arenas number one hits right
now the album is out.
Speaker 2 (01:00):
Be more grateful.
Speaker 3 (01:01):
A lot of y'all need to start to be more
especially you mur You're more grateful.
Speaker 2 (01:06):
Be more grateful. You know what I'm saying.
Speaker 1 (01:08):
Be more grateful now, my nigga. Now the baby man,
I appreciate it.
Speaker 2 (01:16):
Miami.
Speaker 3 (01:18):
It ain't even been a week. You know what I'm saying, so, so,
be more grateful. Pop that that the charge again.
Speaker 1 (01:24):
You know, congratulations my fifty fourth Billboard Hot one hundred
entry talk that ship. That's right me, God, fifty fourth
got me.
Speaker 3 (01:34):
Congratulations, Man, I appreciate you, my nigga. So so, be
more grateful. Yeah, you know we've been fucking with you know,
we like family. Come on, man, you know you give
me three things that you're grateful for me.
Speaker 1 (01:44):
Man, Look, you know the journey in itself, the character,
the character, you know what I'm saying, developed long away,
still being you know, seven years in the game. I
know y'all niggas. Let y'all have been in this ship.
That ship sounded like to y'all, but you know it's
still being the motherfucking make it. Come on, man, still
being in the position to be able to feed the
nigga family, know what I'm saying, and still being able
(02:05):
to you know, put this ship on display, man and
step on these niggas and you know.
Speaker 4 (02:13):
These niggastro these niggas got contact and you know, just
being able to deliver a project like, be more grateful, man,
I'm grateful for all this ship.
Speaker 1 (02:26):
You know what I'm saying. Yeah, I have rich ass,
real nigga friends like y'all come, you know what I mean?
Speaker 3 (02:33):
One thing about you, we know man, you we know
you're gonna kill the club for sure. And one thing
I love about all this is like you know fifty
had in the club? We have that was the format,
Like yeah, I had seductive. So it was like, Yo,
when it's rocking in the club, you getting them extra
bookings and everything like that.
Speaker 1 (02:49):
You need all that that?
Speaker 2 (02:51):
Like what what is the creative process with a record
like that?
Speaker 1 (02:54):
Soon? As how do you pick the beat?
Speaker 2 (02:56):
Who's your favorite producer?
Speaker 1 (02:57):
That wasn't even when I picked First and Chaos they
produces from around my way and Ship shut out to
my niggas they sent me that bitch. I really had
majority of the album. The album was really damned and done.
I was working on like picking the track list and Ship.
You know there'd be a whole headache and Ship and
they sent me to Beat. So as they sent it
to me, I caught Enginet where you're at hell No,
meet me meet me at the spot right now, Meet
me at the spot. I knew that was one. So
(03:19):
they really gave me a oop, you know what I mean?
I had to text the niggas the other day, like, boy,
I don't know what the fuck y'all had going on
with y'all. Y'all made this bitch and sent it to me, nigga,
But yeah, y'all, y'all did that, and they was like, well, yeah,
you had you you did that. You know what I'm saying.
So they threw me to oop I wind miilled that bitch,
you know what I'm saying. And I knew I already
knew what was up with that one. Like I already
I knew off top. I knew that one was goddamn.
(03:39):
They was gone. It was instant. You know. I'm loving
Marionnate and that ship. I love it.
Speaker 2 (03:46):
I'm loving the joint you got with Come on, man,
showing with your.
Speaker 1 (03:50):
Daughter, come picking up one. That's my baby, man, I
just got off the phone with her. That's my twin man.
She you know she that's my that's my my rider.
Die right there. Get You know what I'm saying. She
old she at eight years old, the princess and in
the gangster at the same time, you know what I'm saying.
So like the lyrics on that song, like what she
what she said on this I didn't even tell her
(04:10):
to say that. I just told her to say something
at the beginning that ship, right, I was trying. I'm
trying to nudge and like, start right here, baby started talking.
I nudged. I told her the engine that started over.
She got to have on little in front of the mic.
The beat start playing again, cause you see how she
let it build up. She ain't start to the beat drop.
I'm nothing. I'm like, go ahead, baby, she kind of
when I did the second time, she kind of looked
at me, likenigg I know what I'm doing, nigga, like
wait for sure, you know what I'm saying, something like
(04:32):
all right. I sat back to the beat drop, y'all
gonna watch how y'all talk to my daddy, y'all gonna
watch you. And I looked at that and I said,
hold on. I'm like, I said, you got it, baby, Yeah,
go ahead, do you? And yeah, we really did that
ship like two years ago to so that was a
six year old. You know what I'm saying, little girl,
that that that delivered that ship on time on the
record like that. You know, I just not put it out.
(04:54):
I was going that, yeah, you that's gonna be something.
Speaker 3 (05:01):
Bring your daughter out on tour, the tours coming on now,
talk about the tour.
Speaker 1 (05:04):
You got to be more grateful to you know what
I mean? We just downstairs, bitch today just want to
sell today. That's gonna be crazy, you know what I'm saying? Crazy?
Big you heard you got U twenty three songs? You
feel like it's twenty three double? I had to come.
I had to come with it. Man, do you feel
like it was a double album? Got me fucked up.
At one point I thought, I'm like, damn, we may
have to make this Ship a double I'm like, man,
(05:25):
I don't. Don't nobody want to hear that ship that
double album. I'm putting all this ship on once. I'm
putting out. We had a lot people like it's a
double our set. He's not promoting it as a double album.
I mean, you know out there, Yeah, niggas ain't ready
to receive Ship as a double album no more. I
don't think so like you know, niggas attention span ain't
ain't you know it ain't there twenty three So to
(05:46):
even be able to because I would never put out
twenty three songs. I don't like, you know, I used
to be against putting out over fourteen because I don't
want nothing to go over a niggas head. Molde. I'm
in you know what I'm saying. In the time, I
ain't dropped album four years, so I know, you know,
me and audience, we got catching up to do. I
got plenty of this ship for him, so I'm like,
fuck that. I gotta be able to put out, you know,
(06:06):
to turn up records to ship that people come to
me for to get the party started. I gotta be
to be able to showcase the lyricism and ship I
go do. When I go on them platforms and just
get in front of a mic and freestyle, I gotta
go burn that down, you know what I'm saying. I
gotta go do all that ship. I gotta reconnect with
my female audience and talk that ship to the ladies,
you know what I'm saying, Get to make them feel
some type of way baronating. You know, I had to.
(06:30):
I had to check every single motherfucking box with this one,
like it was necessary.
Speaker 3 (06:34):
I mean, truck rocking to it was like he was
talking about your album. Definitely come on, definitely pretty view album.
Make sure what's up with the video process, so I
feel like you can make movies like yeah, I can't
feel I can't wait.
Speaker 5 (06:47):
And if your videos be like Luther Chris did, like
the it be next level. You just don't do regular
videos going there with it, man, I.
Speaker 1 (06:59):
Come on, man, you was actually shooting videos for other
artists though too, since I still like to this day,
I mean a lot of people I don't. I don't
really care to do it. You can't even I can't
even charge your motherfucker enough for that. You got take
more than you know. I charged it. I charged to
come upon for an hour shooting the video. Take way
longer than that. You know what I'm saying. You know,
But but with that Ship, it's like, you know, definitely
(07:20):
like artists, like labels reach out to me, the direct
videos for artists and Ship and half you know what
I mean. They have done it. You know I did
it for several artists, you know what I mean.
Speaker 3 (07:27):
It's crazy because I was telling Murder, I'm like, yo,
you kind of remind me of like a fifty cent
in like an NBA young boy like y'all don't work
with too many artists.
Speaker 1 (07:36):
I'm not.
Speaker 3 (07:37):
You did a dope project with NBA. Yeah, yeah, you
know what I'm saying. So you can talk about that
because that was I was.
Speaker 1 (07:42):
Talking about it now. I mean it was why he
was on house arrested ship right out in Utah. And yeah,
we definitely I don't even know because.
Speaker 2 (07:50):
It seemed like a lot of rappers was mad at
you at that time.
Speaker 1 (07:53):
Yeah, that's when everybody try for everybody.
Speaker 3 (07:57):
Was like everybody was black palling him, and if they
it was like fuck.
Speaker 1 (07:59):
That for sure. And I mean the niggas. I'm pretty
sure niggas was still bumping them, but it was like,
you know, yeah, that's when. That's when it was. That's
when it wasn't the popular thing that got damn fuck with, brother,
that was like the only nigga in my area that
I was even listening to, you get what I'm saying.
So we connected how we cannet. I can't even remember
how it came about with that's even doing the project.
But the nigga teld me pull up on them. I
(08:20):
got damn had my I took my kids out there.
It's like a U you know, it's all it's like
a little fucking ski resort, some ship out there. Brother.
Was it so I took my kids and ship out there.
We out there skiing and ship. Then I go pull
up on brother. It was while he was on house
arrest and ship, so you know I could talk about
it now. I God damn. But yeah, right after the
little curfew times and ship, after the mother, after the
(08:40):
people come check on youall pull up. You know what
I'm saying, It's like they hit the door. They hit
the door. I gotta I gotta jump out the window.
And I pulled up on my nigga. You know what
I'm saying, Like fuck that. You know I'm rocking with you.
I'm that type of nigga. Like if I'm rocking with you,
I'm rocking with you, I don't give a fuck. You know,
the whole world against you. That guy, remember that was
(09:02):
Michael Jackson, that suld Go. They had that project that
was twenty two and this is.
Speaker 3 (09:08):
When like everybody was kind of mad at NBA and
wait for no reason in the project with like you
know fifty, the way they.
Speaker 1 (09:14):
Was picking side, people had to pick a side. People
were standing next to the other side because what was going.
Speaker 3 (09:19):
But this is this is what to me, this artists
that don't mess with a lot of other artists.
Speaker 1 (09:23):
This would make him special to me, like a fifty
to baby NB A young way. They don't lean on
features to make a hit.
Speaker 3 (09:29):
They made hits and continue to make hits without features.
Speaker 1 (09:33):
By this sure he's one of them guys, a friend
that everybody is a friend of none. You know what
I'm saying the day and that's how I be with
these niggas. So I wasn't never really on friendly time
we rappers just hanging together type time anyway, you know
what I'm saying. That's why I fuck with, you know,
with niggas like fifty like already, No, bro, don't fuck
with nobody'd be it'd be fucking people up when they
see the way brother fuck with me in the way
(09:55):
he you know what I'm saying, like the way he
rocked with me. Niggas, niggas get around me and get
the man. How easy man? They be so fucking mind blowing.
Can you call them for me and tell them you
know what I mean? They call me and ship. One
time somebody asked me to do that. I bro, y'all
noticed wanted the people that I let you. Except for
(10:17):
what he said, nigga, I ain't got there, you know,
but if you need something different other than that. Yeah, man,
man five, that's my nigga. Man, that's my nigga. You
come on, you feel up. What time it was me?
I remember the time it was me, you, Gilly and Wilder.
Speaker 5 (10:33):
I forgot where we was at and we was talking
about where they tried to cancel you and how fifth
really stood up like I had.
Speaker 1 (10:40):
I had just met brother a week before that ship.
That's crazy, you know what I'm saying. So you know
when you got all the reasons in the world to say, nah,
you don't. You don't owe me no loyalty. You know
what I'm saying to no relationship. We don't built the
developed none of that. You just met me, so it's we.
You know, when we met, we chopped it up for
like two hours. Right on the spot, I pulled up
on them. Should out Vanessa from Double leg cell I
(11:01):
wass that's my baby. Yeah, her birthday, Happy birthday? Anyway, Yeah,
hell yeah. I was doing like like some press. I
was doing press for the h I think it was
for the for the album with NBA Young Boy. It
might have been that No, no, no, no, no, this is
before this, because this was before the So this was
twenty twenty one. But I was doing like a little
(11:22):
media day and Ship. I was up here in New York,
right and I'm just, you know, I'm doing what I'm doing.
I'm showing them a video. I'm showing them that that
Lonely video. It's one of the videos. He fucked with
this one. I had like the Joker shit going on,
and shit, that ship right there, and she saw the
video and she seen me breaking down the video and shit,
she's sitting in there room full of motherfuckers from different platforms,
all that ship, and I'm chopping it up with everybody
(11:43):
after I played the video or whatever and do my
little one too, and she's just looking at me. I've
been fucking with her since I did the double X
self Freshman covering all that ship because I fucked with her.
I like she's stiff. She's stiff, you get what I'm saying.
Like she's the whole time had none of them niggas,
everybody else there doing what they do, and I was
on the same ship like I came. They had a
stylist and that the niggas had like twenty thirty outfits
(12:04):
for me and Ship when I pulled up to do
the double exelf cover. I had on a Nike, a
Nike hoodie, some Nike joggers, and some fucking flip flops,
and I came in the bitch and then get baby,
we got the styles in here. They got all this
ship yeah for me to pick from. I looked at
us when I'm not wearing none of that ship. I'm
doing a freestyle and this right here. You know what
I'm saying. It had the and had the best one
out of everybody in the freshman class or whatever. But
(12:26):
I think she really, like you know, disrespected the way
I came, you know what I mean. It was vice versa.
But after I was done, like you was still on business.
Come on, come on, like you met fifty and introduced
me to him, caught him on the spot.
Speaker 3 (12:40):
You gotta think, man, you went viral before viral was viral.
I mean, it was in Atlanta.
Speaker 2 (12:45):
This is what made me like this nigga. I'm gonna
keep it rip.
Speaker 3 (12:48):
Remember he was in Atlanta and niggas trying to press him.
He was like, what what y'all told?
Speaker 1 (12:53):
All right? Are yo?
Speaker 3 (12:53):
No hood pass, no hood pass, no hood pass.
Speaker 1 (12:59):
He was told, definitely.
Speaker 3 (13:01):
So the whole New York was looking like, Yo, you
had the records, but he also had the street credibility.
Speaker 1 (13:07):
Then in a business to this day then you know
what I'm saying.
Speaker 2 (13:09):
But to me, that Atlanta ship what that What year
was that?
Speaker 1 (13:12):
That was was like twenty eighteen, yeah, twenty eight two.
Then he was crazy. I remember that he came up front.
Speaker 2 (13:18):
He was like, ya, I don't know what y'all talking about.
Speaker 3 (13:21):
You could tell it was like, yo, no, this this
dude is really a real nigga.
Speaker 1 (13:25):
Right yeah. They tightened right on up, Joe. They tighten
and it was a whole you know, you know, theggas.
Speaker 3 (13:31):
And I just seen him. He was like, I don't
know what y'all talk pay pawtax now, I don't.
Speaker 1 (13:35):
Know that was firee. We ain't doing that one doing that.
We ain't doing that. That was a very viral moment. Bro.
That was crazy. Bro. I'm glad it went how it
went because because he could have went left.
Speaker 5 (13:46):
You know, you know, it was ailed at me about
about you with that, because when you do like the
music right in the videos, you give off a character
like like I just told you knew that Chris vibes.
You give you give it that like you feel like
all right, but when you hear about you and you
read about you and you do your history, it's like, oh,
he'd be shooting motherfuckers for real, man, But you have
(14:08):
so much.
Speaker 1 (14:09):
Fun and entertable when they come to creating this like.
Speaker 3 (14:11):
A mis that was like a mister of Tupac. That's
like it's like a mixture.
Speaker 2 (14:20):
You know what it is. It's a mixture of Tupac.
And did you do underground?
Speaker 3 (14:23):
Remember you know they had ship they was and then
Tupac was the nigga that the real life, not the.
Speaker 1 (14:30):
Police and all crazy ship.
Speaker 3 (14:32):
Like he's man humble. You meet him, you be like,
damn this nigga should be cool. Nigga back cool, be cool,
you know, nigga shoot people and be like yo, man.
But that's in the South. That's every day ship.
Speaker 5 (14:42):
Like I'm not having And I'm just saying back in
my days when I had my my little prior incidents,
you know, when I shot people allegedly they didn't.
Speaker 1 (14:49):
Tell and I was don't want to talk about that.
I'm just saying it was cool, like.
Speaker 3 (14:55):
Baby the baby was checking his propertyred percent and I
was still in my life, nigga, what the fuck you mad?
Speaker 1 (15:02):
He's gonna get us demonotize. Let's go to the.
Speaker 2 (15:06):
I ain't know he was doing that.
Speaker 1 (15:11):
I'm Hollywood. I'm not with all this stuff said. I'm Hollywood.
He's smoked up, yigg you got you know, look at
look look at the baby.
Speaker 2 (15:18):
You see him in this big man ship. They said
he fell off. This is what I said.
Speaker 3 (15:22):
Somebody fell somebody with character, charisma and all that.
Speaker 1 (15:26):
It's never gonna fall out. What you do? Look, what
do you doing? What are you doing? You're doing right now?
What you're doing right now? Right? Look that the lampball.
Speaker 3 (15:37):
Was right there too, right back at it with the
records because he's like a fifty brother.
Speaker 1 (15:43):
And I can't stop. I can't.
Speaker 2 (15:45):
What's the process of the album?
Speaker 1 (15:46):
No. Twenty three songs? Twenty three songs, and I really
you know, I took my time. I made a classic.
That's something, bruh. I made shot to my time. I
made a classic when I checked all the boxes I
wanted to be able to really you know, blitzed. They
ass the way I like to do it, like my
style relationship, It's how I did it. In twenty nineteen,
twenty twenty. It ain't you know, I ain't had I
ain't had the opportunity, and it's really you know, niggat
(16:08):
to take accountability. I really could have been did this
shit like this, but I wouldn't. I was out of
love with the game, with the business, so I had
to take a step back. Okay, let me see how
they show this shit go like this because I ain't no,
I was unawhell, okay, they should go like this. Let
me take a step back, let me soak up what
I need to soak up. Okay, cool, and then let
me got them reapproach this ship. But when I reapproached
it like it had to be in a way to work.
(16:29):
I can got them like to see me. I'm I'm
about putting it in motherfucker's face, like NonStop boom boom boom.
I don't like the calm shit. I got a single.
Let's talk about this one song. It's a nice song,
and talk about this ship for six months. Fuck all that.
Like I get bored, I'm gonna give you a bunch
of me giving them. So I'm gonna give you a
bunch so I can got damn smack dad, it's a lot.
(16:49):
I'm smack the ass around the whole year, the whole year,
sticking bone, set the tax, It's set the time.
Speaker 3 (17:00):
That felt like he's talking about his life. It felt
like the records was changing. No records sounded the same.
Stick and stones found like you on this, Tupac, you
got the band dinner. That's what I said, Tupac, did
you underground?
Speaker 1 (17:13):
You know me?
Speaker 3 (17:13):
I like that club ship. When I'm in the car,
so I'm listening up Job, I'm listening to Shake.
Speaker 1 (17:22):
I'm saying spot I already know.
Speaker 2 (17:25):
So I feel like, you know, it's like Miami worldwide.
Speaker 3 (17:28):
I'm thinking of clubs I know for the summertime, Like
I know how to pick singles, just a lot on that.
Speaker 1 (17:35):
And that's how I marketed this ship. Like I went
down there, I got damn shot the content all in Miami.
It got cold up there where I'm at cold Turkey.
I told the whole team, whole house team, going to
Miami tomorrow, everybody. I flew these two, these two people
I got on the on the film side, on the
film production time, flew them in. I flew one nigga
in from here, from three niggas from here, one again,
(17:56):
from here down here with four niggas they could working
camera and we shot content right the dances in we
shot content. It's really a masterclass on how to roll
out of motherfucking song. We went down there for a week.
By the time I left Miami, that song was the
talk of the motherfucking of the world. You know what
I'm saying. They're like, now, you gotta put this it
out right now. And outside niggas back of the crib.
(18:19):
Niggas is in the ice store and they can't even
go to the store, school out and ship. But we
down there on the motherfucking beach dancing around and ship
vibe and that you get what I'm saying. But that
set the tone. It It lets you know, okay boom
like this song. The first time they heard that song,
they saw sunshine, clear water, you get what I'm saying.
Nigga on the yacht, they saw good energy, you know
what I mean, beautiful women dancing and ship and that's
(18:41):
how you you know, it's like on.
Speaker 2 (18:42):
The top of your all your videos though with these ships.
Speaker 1 (18:44):
Come on, you know what.
Speaker 3 (18:46):
I listened to your album and it's so crazy. You
the only allist that I like. Motherfucker's like he gonna
shoot the video for.
Speaker 1 (18:52):
That, right for sure. That's the first thing.
Speaker 3 (18:54):
That's why the reason why you say Luda and Busted
so much. Yeah, it's not really the same style. It's
just they had to was.
Speaker 1 (19:01):
No I got. I definitely grew out. That's the era,
you know. I definitely was inspired by them niggas, especially visually,
like from them niggas, Looter, Bust, the rhymes, see the crazy,
all them niggas. I'm a one of six apart, baby,
You get what I'm saying. So like all them ships,
even like Marinate and like i'ma I'm gonna tap into
the twenty one questions concept with that one. You get
(19:24):
what I'm saying. It's like, you know, all this shot guy,
the fuck is.
Speaker 2 (19:27):
The budget though? You got fucking Marching.
Speaker 1 (19:28):
Band and I go there gets like that. I don't
put any I didn't put plenty of my own money, plenty.
Speaker 2 (19:35):
Of I don't know, Marching band.
Speaker 1 (19:37):
I ain't just spend the money like I made sure
I was. I was right there, hands on with the
business side. That was so that's why I didn't learn
how to produce and direct. You get what I'm saying.
So all my videos like I produce them. My team
produce them. So I do the cast and I find
the crew. You get what I'm saying, Like I hand
picked the fucking actors and ship all that, ship the dancers,
(19:59):
all that. I even run around to get wardrobe, Like
I don't even leave it in the hands of a
fucking no no wardrobe person sometimes because they we couldn't
get this, we couldn't get that. Like I'm real particular,
Like I go myself, I go pull up the fashion
district in LA and hop out on the street. They
got all that shit, I go do all that. You
get what I'm saying, Like I really, I really take
this ship. You know what I'm saying from my mind.
(20:20):
I put this, I make this ship. You know what
I'm saying. Pop up right here, you know what I'm
saying in front of a nigga, So you know when
they come to that shit, I really didn't soak the game.
If I got the cameras, I got all the cameras.
I got every fucking camera, you know what I'm saying,
All the way to the one I got the camera
they shoot power on that. I got it. At the crib,
I got a fucking a lens that costs one hundred
and twenty five thousand dollars or something like six of
(20:41):
them in America. Yeah, these look the white boys on
the on the sets and ship when I come on
these productions that you need that shit. I already got moved,
I already got scripts. Did I'm start writing this ship
and I LinkedIn. I didn't ask Broth for advice on
that ship plenty of times fifty and shit. But one
thing that nigga told me like two years ago, probably
been like three years ago, like nah, fuck that you
ain't done with the music funk that you can do
(21:02):
that ship whenever. You know what I'm saying. You know,
he could have been you know what I'm saying, Preston,
but and had me on any one of these shows,
of course, you know what I'm saying. Like they got
other niggas playing roles and in some of these shows
and ship whatever. But them niggas can't fuck with me.
Them niggas can't when you know what it's ship like that,
like like I respect ship like that, like to the
to the highest, like I expect you like that to
(21:24):
the first extent because he like, nah, nigga, like you
ain't done with music like niggas can't. You ain't done
with music exactly thinking. You know, man, fuck that ship man,
you know that thing that that I can't you know
what I'm saying, still deliver, you know what I mean,
a better body of work than anybody out here in
my Always.
Speaker 3 (21:46):
Take your kids, your family, and that's that's what you
know what I'm saying, you mad humble.
Speaker 2 (21:51):
Sometimes you got a lot of laws.
Speaker 1 (21:53):
Beat the law, beat beat. I just got another one
that got someone that man.
Speaker 3 (21:59):
Man, this is this is what I learned about be
on video set. You know everything is smooth. Somebody gets
punched in the face. We don't advocate violence. Rappers don't
advocate the violence. You know why because that costs fifty thousands.
Speaker 2 (22:14):
On my shoe. But you know who they sue, They
sue fifty suit Yeah, yo, for fuck.
Speaker 3 (22:21):
We want we want the boss, right, so the baby
like I know, like you know a lot of shit
happened in your career.
Speaker 1 (22:27):
Yeah, I could just imagine them.
Speaker 3 (22:28):
Laws was because a broken jay could court you anywhere
to fifty to seventy thousand.
Speaker 1 (22:33):
Dollars and got highed. Bro, what they was coming from
seventy the first just to get to retain the lawyer.
That's just the risk. Tell tell artists coming out how
it works. Man with the laws. Man keep their hands
to yourself. Don't do it, you know what I'm saying.
Or load them niggas into the back of alley way
(22:53):
around the corner. They saying, no cameras, no cameras. It
was live on TV for some mom it was live
on TV.
Speaker 2 (23:05):
That makes that makes a lot of people stay in
the house just because of.
Speaker 1 (23:08):
The Lord fact. That's what That's what made me fall
back and ship too. I'm telling you because it's like
it kept me from going outside, moving around and ship
as much as I would because it's like, you know,
in person, I ain't gonna let no I'm still to
this day like I ain't gonna let a nigga play
with me. You know what I'm saying.
Speaker 2 (23:23):
You got the baby hit me in that mayback truck
to ciper truck.
Speaker 1 (23:27):
I can't get on the grass. I sneezed the wrong way,
damn disappearing, you know what I'm saying. So once I
saw it became like trendy to like come after the nigga,
you know what I'm saying, Like on some I asked.
I'm telling you I had to sit back and like, okay, whoa,
let me let me God damn, let me let me
reevaluate what the fuck going on out here? Like I don't.
I ain't want to play no game without knowing what's
(23:49):
going on. If I don't play spades. You get what
I'm saying. I ain't gonna sit down at the motherfucking table.
I'm gonna sit back behind it and god damn peep
what's going on? And you know what I'm saying, I'm
gonna see okay out this. Okay, when you run out
of these cars, you cut books when you got them.
Boom boom. Oh. I bet that's how to not slip
up and do that. Don't play your motherfucking your high
your high card too soon. You may need it at
(24:11):
the end this and that, you know. And and once
I do get equipped with what I need to approach
the game the best way possible, that's what I'm gonna
sit my ass down and got damn and spank that ship.
Speaker 2 (24:22):
Always have your blessings. Man, coming back to the community time.
Speaker 3 (24:26):
Doing turkey drives Brown, Let me ask you something about
country niggas, man.
Speaker 1 (24:31):
I almost want to ask you, man, Conbo say that.
Speaker 5 (24:38):
You even thinking, you don't even realize.
Speaker 1 (24:45):
Country AGAs listen, not like respect for different, talking about different.
I'm gonna let me ask you something. Man. The baby
looks check me out.
Speaker 3 (25:03):
You know what I'm gonna saying because South niggas, niggas
from the South right, not saying this.
Speaker 1 (25:09):
The country niggas say.
Speaker 2 (25:16):
I'm gonna take country niggas talking about niggas. I'm talking
about niggas that could.
Speaker 3 (25:21):
Kill a hog, cut the cog and put the pig.
Speaker 2 (25:24):
And now I can't do that, right. Yeah, that's a
that's the now. That's what I was about.
Speaker 3 (25:29):
Now is that I don't see that pee family in
the South flod everywhere you kill.
Speaker 2 (25:36):
I don't see that kill a.
Speaker 1 (25:37):
Pig cut that's country New York.
Speaker 3 (25:40):
My explanation is a New York nigga is never gonna
do that, right, And I'm gonna make and I'm gonna
tell you something about Look, we're gonna get to that, right,
New Yorks nigga ain't never kill a pig. We got
projects and like that, man, ain't no pig around for
the kok you got cooking with Kirk.
Speaker 1 (25:59):
Come on, none, no, knife.
Speaker 3 (26:02):
Niggas from the South could cook. You know, y'all can
take everybody chicks because y'all know how to cook barbecue
and all that. Yeah, murder, can't even make a grilled chep.
Speaker 5 (26:12):
Call you hurt my kids. I'm on the phone, he
called me. I mean my kids is born in time.
They're like, Dad, make a grilled cheese. I can't make
no grilled cheese. You know, start talking popping ship and I.
Speaker 1 (26:24):
Learned you put a little butter in there. That I learned, nigga.
My kids put the press on me. I learned my
niggas South could cook. I'm gonna keep it all. The
niggas from the South can't cook. Nigga, no knife through
that nigga different, you know, I don't know nobody can
(26:45):
cook like me. I'm gonna keep it high. I don't
even I ain't in the hiring chefs. And none of
that ship. Them niggas can't. I don't be one that ship.
We keep it hot. I see what they do, and
see what they got going on. They put the little
green ship on top of my food. They put the
little flour on the purple fly went. I smacked it smacked.
This make it. Look, don't that nigga don't do New
(27:08):
York nigga can't make a grill cheese. I can't explain
that I got that. I get it in man like people.
Like when I'm eating good, I mean eat good regardless.
That's the thing. So if you're around me, you know
what I'm saying, Like, because I'm I'm gonna eat. That's
one thing I mean. Like I'm on a Wednesday, I'm
I'm eating smoked up nigga and show don't. Yeah you know,
(27:35):
you know it's a family b I ain't tripping, but
you know, and that's that Southern hospitality ship to like
if I'm cooking, you know anybody around, man, your niggas
got niggas come eat some of these niggas be here. Yeah,
brop hell, Yeah you know what I mean. But yeah,
that's you know, I been knew how to get it
in in the kitchen. I had to cheep. My favorite
call man, favorite car, got a lot Man made back truck,
my favor. Every time I see a new toy, what's
(27:57):
your favorite? Right now? The one I'm jumping in more
than anything like it is the cyber truck. That's is
just so convenient. That's my favorite right now, that's like, yeah,
what about what about may truck? For sure? Like we yeah,
like that's my that's probably the.
Speaker 2 (28:13):
Rich you had the mad back truck out there, that.
Speaker 1 (28:16):
That's my that's my favorite one. The mayback truck probably
my favorite one. You know what I'm saying. But what
I'm driving most frequently the motherfuckery truck. Yeah. The Phantom too,
is always the Fantom. Oh yeah, you got You got
a couple of fantoms. I ain't got but one murder.
Speaker 3 (28:31):
Don't know nothing about calls either, don't worry about that.
You don't know what a fan. You don't know what we're.
Speaker 1 (28:37):
Gonna do this. You know, it wasn't back in the day.
Speaker 5 (28:42):
We were so young, we used to identify, you know,
certain people by their cars.
Speaker 1 (28:47):
Yes, just made me and my niggas like they still
do it now of course. You know, I don't know
what I'm saying.
Speaker 5 (28:51):
I grew up like that niggas getting identified by now
you see I.
Speaker 1 (28:54):
Say that when I drive the most last cyber truck,
the one where's plenty of them, you or you don't
know who I ain't. I feel them too, But I'm
more about moving smooth than anything. You know what I'm saying,
I have sell them bitches. I don't trip on no cars, man,
I'm kind of I'm not even kind of. I'm very
much past that ship. You know what I'm saying. I
(29:15):
may go get rid of one of two of them
bitches after this interview. I've been feeling because I don't
drop like my family paid for that bitch got like
seven thousand miles. You know what I'm saying. I know
what I'm saying, like that ship, ain't you know? I
ain't really doing nothing with this ship. I ain't doing
nothing with that motherfucker six fifty murder exactly. No, I
don't know nothing about that with tax Yes, yes, about
(29:35):
eight with Texas.
Speaker 3 (29:36):
Yeah, there you go. We don't even know what the
going to the car game. You don't know what about
Believe you don't know what y'all don't give a fuck
about no car de love calls. Man, I love the nigga.
Every time you get a new car, you' sposed to
pay chickens to.
Speaker 1 (29:51):
What you get. Man. Yeah, I ain't even in the
posting cars more like I say, like they ain't doing nothing,
but you know, giving a nigga giving a nigga up.
So I'm telling you I know how it go. Like
that's the thing, Like, I know how it goes. So
you know, I'll be a fool. That's what I ain't
with wrapping them and all that they want to see. Yeah,
we'll fuck them, Goddamn them. Niggas don't know I do it.
(30:12):
I do it with him like my leg broke all
they said, I fell out like I do it the
fun with him. But other than that, like I ain't
you know, I ain't in the position where I gotta
god damn show niggas got damn you know, Yeah, show
niggas what I got going on. I still got everything
to show for you. Give what I'm saying that you
have come to see this ship in real life, you
know what I mean. Anybody got damn it. You know
they want to they want to feel like they know
(30:33):
something from a distance. I'm gonna let them think they
know something. Let them think they own the summer. We
passed that. You know, cron ass man, you didn't get
me a murder on the court. You know you got that. Yeah,
come on, man, you should see this nigga.
Speaker 5 (30:46):
Like I don't even know why you bring that up
like this nigga shoot like Bill cart Right, this nigga
got the.
Speaker 1 (30:52):
L Bill Park, right. I know we got some fool too, right,
did the food coming to small?
Speaker 3 (31:00):
This is what we're doing, right. We got this thing
we call the chopping block, right, got you? So this
is my first time shouter cutching slices. That's what got slices.
Shout to McClaren. Niggas can cook cut they could cook.
It's the winter popular spots. We got the jerk chicken slices. Yeah,
and we got the I think the oxtail slice. Now
is the piece of thing big damn south like that?
(31:22):
It's not really big like that.
Speaker 1 (31:25):
You know what I'm saying. Okay, what's jerk chicken piece?
Shouter cutting slices? That s it ain't cold? Right, don't
being barrassed someone? You know it's not make it. So
you niggas be eating that cold piece of that. Throw
it in the oven real quick and get it.
Speaker 2 (31:44):
To cutching slices.
Speaker 3 (31:46):
And what's the other one you got over there, Tea,
that's the oxtail one. To bring the oxel one over
here to man were over here with mister caviar pancakes.
Come on, duck rock us so got us trying all
this ship shout mc laren, this is fire. This is
my first time having this. You know, the store been
like the door be off the line. Cutting slices, okay,
(32:08):
but I never had a jerk chicken slice. It's in Brooklyn.
They got one in the city. They're all over. It's
like blowing up. I'm slices.
Speaker 1 (32:17):
You're with the baby. Just to clarion, which one of
these my close.
Speaker 5 (32:21):
Up cameras good as I ain't gonna fron cut some slices.
Speaker 3 (32:27):
You're popping right now hungry too. I'm gonna keep it real.
The jerk chicken on the pizzas hitting the popping right
the ock style. Man, and I've been feeding for cutching
slices for like everybody know about cutting slices in New York.
Speaker 1 (32:40):
Never had it. So yo, what you like to cook? Man?
Like the barbecue? Yeah? You get crazy? Yeah, I ain't
you know what I'm saying. I heard it. Don't know
nothing about dogs. I ain't gonna you go ahead talk
your ship. I don't.
Speaker 3 (32:54):
He'd be acting like, yeah, ain't knowing this barbecue. He
ain't know nothing that I like the South out there.
You know nothing that I went to Austin. I want
to terry blacks and all them places and barbecues.
Speaker 1 (33:04):
Come on.
Speaker 3 (33:06):
The South known for barbecue like murder. You couldn't kill
a pig and then cook it and eat it. You
can't hunt like you ain't with none of that.
Speaker 1 (33:13):
That's what I'm saying.
Speaker 2 (33:14):
Country niggas do that.
Speaker 1 (33:17):
Nigga ain't killing. No nigga talking nigga, you're just talking, nigga.
Shot the up. Nice niggas say. Niggas kill pigs. That's country,
the country.
Speaker 2 (33:32):
But they doing that in the country, right, Yeah, what's
my man? What's my man that be cooking?
Speaker 3 (33:36):
He'd be got his name, he been like on YouTube
and all like he got like the big ass real
in his back.
Speaker 1 (33:43):
He'd be frying. He be making those raccoon and everything. Yeah, yeah,
I love this black. You would eat raccoon, No, nigga.
Speaker 2 (33:51):
He'd be making raccoon.
Speaker 1 (33:52):
He's looking at raccoon shark type of ship and I
ain't working with none of that. Yeah, you be on
that fancy ship for really. I wouldn't smoked upigga. When
they try to put the Cavio all my pan cakes
nos overseas. I said, take that ship out. I fuck
(34:15):
with it. You gotta live, Mike Tyson, man, come on
and learn, learn me something, put me down.
Speaker 2 (34:25):
That's one thing about you, you worldwide. You stay in
the best hotels.
Speaker 1 (34:28):
Man. You gotta get them on fancy sometimes. Man, one
hundred percent. You gotta leave your life. Nigga, Come on now,
I appreciate it. I appreciate you. You painting the picture
for niggas. Come because I'm with all that. You know
what I'm saying. Keeping nigga and spied man shut after
cuts the slight slices. They got it. Man, my shup gone.
(34:49):
Look at that.
Speaker 3 (34:51):
I heard it from the baby cuts of slices right
from send us that check.
Speaker 1 (34:54):
You heard what you said. I be surprised. From one
to ten, I'm gonna get this bitch of twelve point
five clothes. Look at that? What's all the clothes to
the common voice. I'm about to have the order number
one of the jerk chicken mob. Tell him make one
for tell him make two breshs jerk chicken. That ass
we gonna go pick them up. Look at that.
Speaker 3 (35:12):
Y'all heard that on the chopping block. We gave it
a twelve point five, not a ten. Look at that
giving it twelve point five. Shout to cut the slices. Definitely,
it's the real report. Make sure y'all like Shire and subscribe.
We're gonna eat these jerk Chicken and Oxtel slices. We
got the biggest in the game and be grateful. Out Now,
(35:32):
the baby.
Speaker 2 (35:34):
Pop that's on the charts as usual, nothing new to him.
Speaker 1 (35:37):
Y'all know what it is, man, The baby makes some noise.
My nigg my nigga, the creative shooter. Come on, come on,
thank you, brother, appreciate you. My niggare breass my nigga,
My rider die right there. You get you know what
I'm saying, your whole g at eight years old, a
princess in a gangster at the same time. You know
what I'm saying, Like the lyrics on that song, I
just want her to say something right. When I did
the second time, she kind of looked at me like
I know what I'm doing, Like wait, he didn't get
stopped bruising rocket.
Speaker 2 (00:34):
Years to talk of New York Tonyo, And.
Speaker 1 (00:36):
It's the boy Uncle Murder a k a leg Jet Lenny.
Speaker 3 (00:39):
And Ladies and Gentlemen live from New York City. It's
the real report. Shout to the value. Make some noise
up ahead, whoa, whoa, And we got one of the
biggest artists in the world worldwide, not local. I don't
seen them overseas rocking stages arenas number one hits right
now the album is out.
Speaker 2 (01:00):
Be more grateful.
Speaker 3 (01:01):
A lot of y'all need to start to be more
especially you mur You're more grateful.
Speaker 2 (01:06):
Be more grateful. You know what I'm saying.
Speaker 1 (01:08):
Be more grateful now, my nigga. Now the baby man,
I appreciate it.
Speaker 2 (01:16):
Miami.
Speaker 3 (01:18):
It ain't even been a week. You know what I'm saying, so, so,
be more grateful. Pop that that the charge again.
Speaker 1 (01:24):
You know, congratulations my fifty fourth Billboard Hot one hundred
entry talk that ship. That's right me, God, fifty fourth
got me.
Speaker 3 (01:34):
Congratulations, Man, I appreciate you, my nigga. So so, be
more grateful. Yeah, you know we've been fucking with you know,
we like family. Come on, man, you know you give
me three things that you're grateful for me.
Speaker 1 (01:44):
Man, Look, you know the journey in itself, the character,
the character, you know what I'm saying, developed long away,
still being you know, seven years in the game. I
know y'all niggas. Let y'all have been in this ship.
That ship sounded like to y'all, but you know it's
still being the motherfucking make it. Come on, man, still
being in the position to be able to feed the
nigga family, know what I'm saying, and still being able
(02:05):
to you know, put this ship on display, man and
step on these niggas and you know.
Speaker 4 (02:13):
These niggastro these niggas got contact and you know, just
being able to deliver a project like, be more grateful, man,
I'm grateful for all this ship.
Speaker 1 (02:26):
You know what I'm saying. Yeah, I have rich ass,
real nigga friends like y'all come, you know what I mean?
Speaker 3 (02:33):
One thing about you, we know man, you we know
you're gonna kill the club for sure. And one thing
I love about all this is like you know fifty
had in the club? We have that was the format,
Like yeah, I had seductive. So it was like, Yo,
when it's rocking in the club, you getting them extra
bookings and everything like that.
Speaker 1 (02:49):
You need all that that?
Speaker 2 (02:51):
Like what what is the creative process with a record
like that?
Speaker 1 (02:54):
Soon? As how do you pick the beat?
Speaker 2 (02:56):
Who's your favorite producer?
Speaker 1 (02:57):
That wasn't even when I picked First and Chaos they
produces from around my way and Ship shut out to
my niggas they sent me that bitch. I really had
majority of the album. The album was really damned and done.
I was working on like picking the track list and Ship.
You know there'd be a whole headache and Ship and
they sent me to Beat. So as they sent it
to me, I caught Enginet where you're at hell No,
meet me meet me at the spot right now, Meet
me at the spot. I knew that was one. So
(03:19):
they really gave me a oop, you know what I mean?
I had to text the niggas the other day, like, boy,
I don't know what the fuck y'all had going on
with y'all. Y'all made this bitch and sent it to me, nigga,
But yeah, y'all, y'all did that, and they was like, well, yeah,
you had you you did that. You know what I'm saying.
So they threw me to oop I wind miilled that bitch,
you know what I'm saying. And I knew I already
knew what was up with that one. Like I already
I knew off top. I knew that one was goddamn.
(03:39):
They was gone. It was instant. You know. I'm loving
Marionnate and that ship. I love it.
Speaker 2 (03:46):
I'm loving the joint you got with Come on, man,
showing with your.
Speaker 1 (03:50):
Daughter, come picking up one. That's my baby, man, I
just got off the phone with her. That's my twin man.
She you know she that's my that's my my rider.
Die right there. Get You know what I'm saying. She
old she at eight years old, the princess and in
the gangster at the same time, you know what I'm saying.
So like the lyrics on that song, like what she
what she said on this I didn't even tell her
(04:10):
to say that. I just told her to say something
at the beginning that ship, right, I was trying. I'm
trying to nudge and like, start right here, baby started talking.
I nudged. I told her the engine that started over.
She got to have on little in front of the mic.
The beat start playing again, cause you see how she
let it build up. She ain't start to the beat drop.
I'm nothing. I'm like, go ahead, baby, she kind of
when I did the second time, she kind of looked
at me, likenigg I know what I'm doing, nigga, like
wait for sure, you know what I'm saying, something like
(04:32):
all right. I sat back to the beat drop, y'all
gonna watch how y'all talk to my daddy, y'all gonna
watch you. And I looked at that and I said,
hold on. I'm like, I said, you got it, baby, Yeah,
go ahead, do you? And yeah, we really did that
ship like two years ago to so that was a
six year old. You know what I'm saying, little girl,
that that that delivered that ship on time on the
record like that. You know, I just not put it out.
(04:54):
I was going that, yeah, you that's gonna be something.
Speaker 3 (05:01):
Bring your daughter out on tour, the tours coming on now,
talk about the tour.
Speaker 1 (05:04):
You got to be more grateful to you know what
I mean? We just downstairs, bitch today just want to
sell today. That's gonna be crazy, you know what I'm saying? Crazy?
Big you heard you got U twenty three songs? You
feel like it's twenty three double? I had to come.
I had to come with it. Man, do you feel
like it was a double album? Got me fucked up.
At one point I thought, I'm like, damn, we may
have to make this Ship a double I'm like, man,
(05:25):
I don't. Don't nobody want to hear that ship that
double album. I'm putting all this ship on once. I'm
putting out. We had a lot people like it's a
double our set. He's not promoting it as a double album.
I mean, you know out there, Yeah, niggas ain't ready
to receive Ship as a double album no more. I
don't think so like you know, niggas attention span ain't
ain't you know it ain't there twenty three So to
(05:46):
even be able to because I would never put out
twenty three songs. I don't like, you know, I used
to be against putting out over fourteen because I don't
want nothing to go over a niggas head. Molde. I'm
in you know what I'm saying. In the time, I
ain't dropped album four years, so I know, you know,
me and audience, we got catching up to do. I
got plenty of this ship for him, so I'm like,
fuck that. I gotta be able to put out, you know,
(06:06):
to turn up records to ship that people come to
me for to get the party started. I gotta be
to be able to showcase the lyricism and ship I
go do. When I go on them platforms and just
get in front of a mic and freestyle, I gotta
go burn that down, you know what I'm saying. I
gotta go do all that ship. I gotta reconnect with
my female audience and talk that ship to the ladies,
you know what I'm saying, Get to make them feel
some type of way baronating. You know, I had to.
(06:30):
I had to check every single motherfucking box with this one,
like it was necessary.
Speaker 3 (06:34):
I mean, truck rocking to it was like he was
talking about your album. Definitely come on, definitely pretty view album.
Make sure what's up with the video process, so I
feel like you can make movies like yeah, I can't
feel I can't wait.
Speaker 5 (06:47):
And if your videos be like Luther Chris did, like
the it be next level. You just don't do regular
videos going there with it, man, I.
Speaker 1 (06:59):
Come on, man, you was actually shooting videos for other
artists though too, since I still like to this day,
I mean a lot of people I don't. I don't
really care to do it. You can't even I can't
even charge your motherfucker enough for that. You got take
more than you know. I charged it. I charged to
come upon for an hour shooting the video. Take way
longer than that. You know what I'm saying. You know,
But but with that Ship, it's like, you know, definitely
(07:20):
like artists, like labels reach out to me, the direct
videos for artists and Ship and half you know what
I mean. They have done it. You know I did
it for several artists, you know what I mean.
Speaker 3 (07:27):
It's crazy because I was telling Murder, I'm like, yo,
you kind of remind me of like a fifty cent
in like an NBA young boy like y'all don't work
with too many artists.
Speaker 1 (07:36):
I'm not.
Speaker 3 (07:37):
You did a dope project with NBA. Yeah, yeah, you
know what I'm saying. So you can talk about that
because that was I was.
Speaker 1 (07:42):
Talking about it now. I mean it was why he
was on house arrested ship right out in Utah. And yeah,
we definitely I don't even know because.
Speaker 2 (07:50):
It seemed like a lot of rappers was mad at
you at that time.
Speaker 1 (07:53):
Yeah, that's when everybody try for everybody.
Speaker 3 (07:57):
Was like everybody was black palling him, and if they
it was like fuck.
Speaker 1 (07:59):
That for sure. And I mean the niggas. I'm pretty
sure niggas was still bumping them, but it was like,
you know, yeah, that's when. That's when it was. That's
when it wasn't the popular thing that got damn fuck with, brother,
that was like the only nigga in my area that
I was even listening to, you get what I'm saying.
So we connected how we cannet. I can't even remember
how it came about with that's even doing the project.
But the nigga teld me pull up on them. I
(08:20):
got damn had my I took my kids out there.
It's like a U you know, it's all it's like
a little fucking ski resort, some ship out there. Brother.
Was it so I took my kids and ship out there.
We out there skiing and ship. Then I go pull
up on brother. It was while he was on house
arrest and ship, so you know I could talk about
it now. I God damn. But yeah, right after the
little curfew times and ship, after the mother, after the
(08:40):
people come check on youall pull up. You know what
I'm saying, It's like they hit the door. They hit
the door. I gotta I gotta jump out the window.
And I pulled up on my nigga. You know what
I'm saying, Like fuck that. You know I'm rocking with you.
I'm that type of nigga. Like if I'm rocking with you,
I'm rocking with you, I don't give a fuck. You know,
the whole world against you. That guy, remember that was
(09:02):
Michael Jackson, that suld Go. They had that project that
was twenty two and this is.
Speaker 3 (09:08):
When like everybody was kind of mad at NBA and
wait for no reason in the project with like you
know fifty, the way they.
Speaker 1 (09:14):
Was picking side, people had to pick a side. People
were standing next to the other side because what was going.
Speaker 3 (09:19):
But this is this is what to me, this artists
that don't mess with a lot of other artists.
Speaker 1 (09:23):
This would make him special to me, like a fifty
to baby NB A young way. They don't lean on
features to make a hit.
Speaker 3 (09:29):
They made hits and continue to make hits without features.
Speaker 1 (09:33):
By this sure he's one of them guys, a friend
that everybody is a friend of none. You know what
I'm saying the day and that's how I be with
these niggas. So I wasn't never really on friendly time
we rappers just hanging together type time anyway, you know
what I'm saying. That's why I fuck with, you know,
with niggas like fifty like already, No, bro, don't fuck
with nobody'd be it'd be fucking people up when they
see the way brother fuck with me in the way
(09:55):
he you know what I'm saying, like the way he
rocked with me. Niggas, niggas get around me and get
the man. How easy man? They be so fucking mind blowing.
Can you call them for me and tell them you
know what I mean? They call me and ship. One
time somebody asked me to do that. I bro, y'all
noticed wanted the people that I let you. Except for
(10:17):
what he said, nigga, I ain't got there, you know,
but if you need something different other than that. Yeah, man,
man five, that's my nigga. Man, that's my nigga. You
come on, you feel up. What time it was me?
I remember the time it was me, you, Gilly and Wilder.
Speaker 5 (10:33):
I forgot where we was at and we was talking
about where they tried to cancel you and how fifth
really stood up like I had.
Speaker 1 (10:40):
I had just met brother a week before that ship.
That's crazy, you know what I'm saying. So you know
when you got all the reasons in the world to say, nah,
you don't. You don't owe me no loyalty. You know
what I'm saying to no relationship. We don't built the
developed none of that. You just met me, so it's we.
You know, when we met, we chopped it up for
like two hours. Right on the spot, I pulled up
on them. Should out Vanessa from Double leg cell I
(11:01):
wass that's my baby. Yeah, her birthday, Happy birthday? Anyway, Yeah,
hell yeah. I was doing like like some press. I
was doing press for the h I think it was
for the for the album with NBA Young Boy. It
might have been that No, no, no, no, no, this is
before this, because this was before the So this was
twenty twenty one. But I was doing like a little
(11:22):
media day and Ship. I was up here in New York,
right and I'm just, you know, I'm doing what I'm doing.
I'm showing them a video. I'm showing them that that
Lonely video. It's one of the videos. He fucked with
this one. I had like the Joker shit going on,
and shit, that ship right there, and she saw the
video and she seen me breaking down the video and shit,
she's sitting in there room full of motherfuckers from different platforms,
all that ship, and I'm chopping it up with everybody
(11:43):
after I played the video or whatever and do my
little one too, and she's just looking at me. I've
been fucking with her since I did the double X
self Freshman covering all that ship because I fucked with her.
I like she's stiff. She's stiff, you get what I'm saying.
Like she's the whole time had none of them niggas,
everybody else there doing what they do, and I was
on the same ship like I came. They had a
stylist and that the niggas had like twenty thirty outfits
(12:04):
for me and Ship when I pulled up to do
the double exelf cover. I had on a Nike, a
Nike hoodie, some Nike joggers, and some fucking flip flops,
and I came in the bitch and then get baby,
we got the styles in here. They got all this
ship yeah for me to pick from. I looked at
us when I'm not wearing none of that ship. I'm
doing a freestyle and this right here. You know what
I'm saying. It had the and had the best one
out of everybody in the freshman class or whatever. But
(12:26):
I think she really, like you know, disrespected the way
I came, you know what I mean. It was vice versa.
But after I was done, like you was still on business.
Come on, come on, like you met fifty and introduced
me to him, caught him on the spot.
Speaker 3 (12:40):
You gotta think, man, you went viral before viral was viral.
I mean, it was in Atlanta.
Speaker 2 (12:45):
This is what made me like this nigga. I'm gonna
keep it rip.
Speaker 3 (12:48):
Remember he was in Atlanta and niggas trying to press him.
He was like, what what y'all told?
Speaker 1 (12:53):
All right? Are yo?
Speaker 3 (12:53):
No hood pass, no hood pass, no hood pass.
Speaker 1 (12:59):
He was told, definitely.
Speaker 3 (13:01):
So the whole New York was looking like, Yo, you
had the records, but he also had the street credibility.
Speaker 1 (13:07):
Then in a business to this day then you know
what I'm saying.
Speaker 2 (13:09):
But to me, that Atlanta ship what that What year
was that?
Speaker 1 (13:12):
That was was like twenty eighteen, yeah, twenty eight two.
Then he was crazy. I remember that he came up front.
Speaker 2 (13:18):
He was like, ya, I don't know what y'all talking about.
Speaker 3 (13:21):
You could tell it was like, yo, no, this this
dude is really a real nigga.
Speaker 1 (13:25):
Right yeah. They tightened right on up, Joe. They tighten
and it was a whole you know, you know, theggas.
Speaker 3 (13:31):
And I just seen him. He was like, I don't
know what y'all talk pay pawtax now, I don't.
Speaker 1 (13:35):
Know that was firee. We ain't doing that one doing that.
We ain't doing that. That was a very viral moment. Bro.
That was crazy. Bro. I'm glad it went how it
went because because he could have went left.
Speaker 5 (13:46):
You know, you know, it was ailed at me about
about you with that, because when you do like the
music right in the videos, you give off a character
like like I just told you knew that Chris vibes.
You give you give it that like you feel like
all right, but when you hear about you and you
read about you and you do your history, it's like, oh,
he'd be shooting motherfuckers for real, man, But you have
(14:08):
so much.
Speaker 1 (14:09):
Fun and entertable when they come to creating this like.
Speaker 3 (14:11):
A mis that was like a mister of Tupac. That's
like it's like a mixture.
Speaker 2 (14:20):
You know what it is. It's a mixture of Tupac.
And did you do underground?
Speaker 3 (14:23):
Remember you know they had ship they was and then
Tupac was the nigga that the real life, not the.
Speaker 1 (14:30):
Police and all crazy ship.
Speaker 3 (14:32):
Like he's man humble. You meet him, you be like,
damn this nigga should be cool. Nigga back cool, be cool,
you know, nigga shoot people and be like yo, man.
But that's in the South. That's every day ship.
Speaker 5 (14:42):
Like I'm not having And I'm just saying back in
my days when I had my my little prior incidents,
you know, when I shot people allegedly they didn't.
Speaker 1 (14:49):
Tell and I was don't want to talk about that.
I'm just saying it was cool, like.
Speaker 3 (14:55):
Baby the baby was checking his propertyred percent and I
was still in my life, nigga, what the fuck you mad?
Speaker 1 (15:02):
He's gonna get us demonotize. Let's go to the.
Speaker 2 (15:06):
I ain't know he was doing that.
Speaker 1 (15:11):
I'm Hollywood. I'm not with all this stuff said. I'm Hollywood.
He's smoked up, yigg you got you know, look at
look look at the baby.
Speaker 2 (15:18):
You see him in this big man ship. They said
he fell off. This is what I said.
Speaker 3 (15:22):
Somebody fell somebody with character, charisma and all that.
Speaker 1 (15:26):
It's never gonna fall out. What you do? Look, what
do you doing? What are you doing? You're doing right now?
What you're doing right now? Right? Look that the lampball.
Speaker 3 (15:37):
Was right there too, right back at it with the
records because he's like a fifty brother.
Speaker 1 (15:43):
And I can't stop. I can't.
Speaker 2 (15:45):
What's the process of the album?
Speaker 1 (15:46):
No. Twenty three songs? Twenty three songs, and I really
you know, I took my time. I made a classic.
That's something, bruh. I made shot to my time. I
made a classic when I checked all the boxes I
wanted to be able to really you know, blitzed. They
ass the way I like to do it, like my
style relationship, It's how I did it. In twenty nineteen,
twenty twenty. It ain't you know, I ain't had I
ain't had the opportunity, and it's really you know, niggat
(16:08):
to take accountability. I really could have been did this
shit like this, but I wouldn't. I was out of
love with the game, with the business, so I had
to take a step back. Okay, let me see how
they show this shit go like this because I ain't no,
I was unawhell, okay, they should go like this. Let
me take a step back, let me soak up what
I need to soak up. Okay, cool, and then let
me got them reapproach this ship. But when I reapproached
it like it had to be in a way to work.
(16:29):
I can got them like to see me. I'm I'm
about putting it in motherfucker's face, like NonStop boom boom boom.
I don't like the calm shit. I got a single.
Let's talk about this one song. It's a nice song,
and talk about this ship for six months. Fuck all that.
Like I get bored, I'm gonna give you a bunch
of me giving them. So I'm gonna give you a
bunch so I can got damn smack dad, it's a lot.
(16:49):
I'm smack the ass around the whole year, the whole year,
sticking bone, set the tax, It's set the time.
Speaker 3 (17:00):
That felt like he's talking about his life. It felt
like the records was changing. No records sounded the same.
Stick and stones found like you on this, Tupac, you
got the band dinner. That's what I said, Tupac, did
you underground?
Speaker 1 (17:13):
You know me?
Speaker 3 (17:13):
I like that club ship. When I'm in the car,
so I'm listening up Job, I'm listening to Shake.
Speaker 1 (17:22):
I'm saying spot I already know.
Speaker 2 (17:25):
So I feel like, you know, it's like Miami worldwide.
Speaker 3 (17:28):
I'm thinking of clubs I know for the summertime, Like
I know how to pick singles, just a lot on that.
Speaker 1 (17:35):
And that's how I marketed this ship. Like I went
down there, I got damn shot the content all in Miami.
It got cold up there where I'm at cold Turkey.
I told the whole team, whole house team, going to
Miami tomorrow, everybody. I flew these two, these two people
I got on the on the film side, on the
film production time, flew them in. I flew one nigga
in from here, from three niggas from here, one again,
(17:56):
from here down here with four niggas they could working
camera and we shot content right the dances in we
shot content. It's really a masterclass on how to roll
out of motherfucking song. We went down there for a week.
By the time I left Miami, that song was the
talk of the motherfucking of the world. You know what
I'm saying. They're like, now, you gotta put this it
out right now. And outside niggas back of the crib.
(18:19):
Niggas is in the ice store and they can't even
go to the store, school out and ship. But we
down there on the motherfucking beach dancing around and ship
vibe and that you get what I'm saying. But that
set the tone. It It lets you know, okay boom
like this song. The first time they heard that song,
they saw sunshine, clear water, you get what I'm saying.
Nigga on the yacht, they saw good energy, you know
what I mean, beautiful women dancing and ship and that's
(18:41):
how you you know, it's like on.
Speaker 2 (18:42):
The top of your all your videos though with these ships.
Speaker 1 (18:44):
Come on, you know what.
Speaker 3 (18:46):
I listened to your album and it's so crazy. You
the only allist that I like. Motherfucker's like he gonna
shoot the video for.
Speaker 1 (18:52):
That, right for sure. That's the first thing.
Speaker 3 (18:54):
That's why the reason why you say Luda and Busted
so much. Yeah, it's not really the same style. It's
just they had to was.
Speaker 1 (19:01):
No I got. I definitely grew out. That's the era,
you know. I definitely was inspired by them niggas, especially visually,
like from them niggas, Looter, Bust, the rhymes, see the crazy,
all them niggas. I'm a one of six apart, baby,
You get what I'm saying. So like all them ships,
even like Marinate and like i'ma I'm gonna tap into
the twenty one questions concept with that one. You get
(19:24):
what I'm saying. It's like, you know, all this shot guy,
the fuck is.
Speaker 2 (19:27):
The budget though? You got fucking Marching.
Speaker 1 (19:28):
Band and I go there gets like that. I don't
put any I didn't put plenty of my own money, plenty.
Speaker 2 (19:35):
Of I don't know, Marching band.
Speaker 1 (19:37):
I ain't just spend the money like I made sure
I was. I was right there, hands on with the
business side. That was so that's why I didn't learn
how to produce and direct. You get what I'm saying.
So all my videos like I produce them. My team
produce them. So I do the cast and I find
the crew. You get what I'm saying, Like I hand
picked the fucking actors and ship all that, ship the dancers,
(19:59):
all that. I even run around to get wardrobe, Like
I don't even leave it in the hands of a
fucking no no wardrobe person sometimes because they we couldn't
get this, we couldn't get that. Like I'm real particular,
Like I go myself, I go pull up the fashion
district in LA and hop out on the street. They
got all that shit, I go do all that. You
get what I'm saying, Like I really, I really take
this ship. You know what I'm saying from my mind.
(20:20):
I put this, I make this ship. You know what
I'm saying. Pop up right here, you know what I'm
saying in front of a nigga, So you know when
they come to that shit, I really didn't soak the game.
If I got the cameras, I got all the cameras.
I got every fucking camera, you know what I'm saying,
All the way to the one I got the camera
they shoot power on that. I got it. At the crib,
I got a fucking a lens that costs one hundred
and twenty five thousand dollars or something like six of
(20:41):
them in America. Yeah, these look the white boys on
the on the sets and ship when I come on
these productions that you need that shit. I already got moved,
I already got scripts. Did I'm start writing this ship
and I LinkedIn. I didn't ask Broth for advice on
that ship plenty of times fifty and shit. But one
thing that nigga told me like two years ago, probably
been like three years ago, like nah, fuck that you
ain't done with the music funk that you can do
(21:02):
that ship whenever. You know what I'm saying. You know,
he could have been you know what I'm saying, Preston,
but and had me on any one of these shows,
of course, you know what I'm saying. Like they got
other niggas playing roles and in some of these shows
and ship whatever. But them niggas can't fuck with me.
Them niggas can't when you know what it's ship like that,
like like I respect ship like that, like to the
to the highest, like I expect you like that to
(21:24):
the first extent because he like, nah, nigga, like you
ain't done with music like niggas can't. You ain't done
with music exactly thinking. You know, man, fuck that ship man,
you know that thing that that I can't you know
what I'm saying, still deliver, you know what I mean,
a better body of work than anybody out here in
my Always.
Speaker 3 (21:46):
Take your kids, your family, and that's that's what you
know what I'm saying, you mad humble.
Speaker 2 (21:51):
Sometimes you got a lot of laws.
Speaker 1 (21:53):
Beat the law, beat beat. I just got another one
that got someone that man.
Speaker 3 (21:59):
Man, this is this is what I learned about be
on video set. You know everything is smooth. Somebody gets
punched in the face. We don't advocate violence. Rappers don't
advocate the violence. You know why because that costs fifty thousands.
Speaker 2 (22:14):
On my shoe. But you know who they sue, They
sue fifty suit Yeah, yo, for fuck.
Speaker 3 (22:21):
We want we want the boss, right, so the baby
like I know, like you know a lot of shit
happened in your career.
Speaker 1 (22:27):
Yeah, I could just imagine them.
Speaker 3 (22:28):
Laws was because a broken jay could court you anywhere
to fifty to seventy thousand.
Speaker 1 (22:33):
Dollars and got highed. Bro, what they was coming from
seventy the first just to get to retain the lawyer.
That's just the risk. Tell tell artists coming out how
it works. Man with the laws. Man keep their hands
to yourself. Don't do it, you know what I'm saying.
Or load them niggas into the back of alley way
(22:53):
around the corner. They saying, no cameras, no cameras. It
was live on TV for some mom it was live
on TV.
Speaker 2 (23:05):
That makes that makes a lot of people stay in
the house just because of.
Speaker 1 (23:08):
The Lord fact. That's what That's what made me fall
back and ship too. I'm telling you because it's like
it kept me from going outside, moving around and ship
as much as I would because it's like, you know,
in person, I ain't gonna let no I'm still to
this day like I ain't gonna let a nigga play
with me. You know what I'm saying.
Speaker 2 (23:23):
You got the baby hit me in that mayback truck
to ciper truck.
Speaker 1 (23:27):
I can't get on the grass. I sneezed the wrong way,
damn disappearing, you know what I'm saying. So once I
saw it became like trendy to like come after the nigga,
you know what I'm saying, Like on some I asked.
I'm telling you I had to sit back and like, okay, whoa,
let me let me God damn, let me let me
reevaluate what the fuck going on out here? Like I don't.
I ain't want to play no game without knowing what's
(23:49):
going on. If I don't play spades. You get what
I'm saying. I ain't gonna sit down at the motherfucking table.
I'm gonna sit back behind it and god damn peep
what's going on? And you know what I'm saying, I'm
gonna see okay out this. Okay, when you run out
of these cars, you cut books when you got them.
Boom boom. Oh. I bet that's how to not slip
up and do that. Don't play your motherfucking your high
your high card too soon. You may need it at
(24:11):
the end this and that, you know. And and once
I do get equipped with what I need to approach
the game the best way possible, that's what I'm gonna
sit my ass down and got damn and spank that ship.
Speaker 2 (24:22):
Always have your blessings. Man, coming back to the community time.
Speaker 3 (24:26):
Doing turkey drives Brown, Let me ask you something about
country niggas, man.
Speaker 1 (24:31):
I almost want to ask you, man, Conbo say that.
Speaker 5 (24:38):
You even thinking, you don't even realize.
Speaker 1 (24:45):
Country AGAs listen, not like respect for different, talking about different.
I'm gonna let me ask you something. Man. The baby
looks check me out.
Speaker 3 (25:03):
You know what I'm gonna saying because South niggas, niggas
from the South right, not saying this.
Speaker 1 (25:09):
The country niggas say.
Speaker 2 (25:16):
I'm gonna take country niggas talking about niggas. I'm talking
about niggas that could.
Speaker 3 (25:21):
Kill a hog, cut the cog and put the pig.
Speaker 2 (25:24):
And now I can't do that, right. Yeah, that's a
that's the now. That's what I was about.
Speaker 3 (25:29):
Now is that I don't see that pee family in
the South flod everywhere you kill.
Speaker 2 (25:36):
I don't see that kill a.
Speaker 1 (25:37):
Pig cut that's country New York.
Speaker 3 (25:40):
My explanation is a New York nigga is never gonna
do that, right, And I'm gonna make and I'm gonna
tell you something about Look, we're gonna get to that, right,
New Yorks nigga ain't never kill a pig. We got
projects and like that, man, ain't no pig around for
the kok you got cooking with Kirk.
Speaker 1 (25:59):
Come on, none, no, knife.
Speaker 3 (26:02):
Niggas from the South could cook. You know, y'all can
take everybody chicks because y'all know how to cook barbecue
and all that. Yeah, murder, can't even make a grilled chep.
Speaker 5 (26:12):
Call you hurt my kids. I'm on the phone, he
called me. I mean my kids is born in time.
They're like, Dad, make a grilled cheese. I can't make
no grilled cheese. You know, start talking popping ship and I.
Speaker 1 (26:24):
Learned you put a little butter in there. That I learned, nigga.
My kids put the press on me. I learned my
niggas South could cook. I'm gonna keep it all. The
niggas from the South can't cook. Nigga, no knife through
that nigga different, you know, I don't know nobody can
(26:45):
cook like me. I'm gonna keep it high. I don't
even I ain't in the hiring chefs. And none of
that ship. Them niggas can't. I don't be one that ship.
We keep it hot. I see what they do, and
see what they got going on. They put the little
green ship on top of my food. They put the
little flour on the purple fly went. I smacked it smacked.
This make it. Look, don't that nigga don't do New
(27:08):
York nigga can't make a grill cheese. I can't explain
that I got that. I get it in man like people.
Like when I'm eating good, I mean eat good regardless.
That's the thing. So if you're around me, you know
what I'm saying, Like, because I'm I'm gonna eat. That's
one thing I mean. Like I'm on a Wednesday, I'm
I'm eating smoked up nigga and show don't. Yeah you know,
(27:35):
you know it's a family b I ain't tripping, but
you know, and that's that Southern hospitality ship to like
if I'm cooking, you know anybody around, man, your niggas
got niggas come eat some of these niggas be here. Yeah,
brop hell, Yeah you know what I mean. But yeah,
that's you know, I been knew how to get it
in in the kitchen. I had to cheep. My favorite
call man, favorite car, got a lot Man made back truck,
my favor. Every time I see a new toy, what's
(27:57):
your favorite? Right now? The one I'm jumping in more
than anything like it is the cyber truck. That's is
just so convenient. That's my favorite right now, that's like, yeah,
what about what about may truck? For sure? Like we yeah,
like that's my that's probably the.
Speaker 2 (28:13):
Rich you had the mad back truck out there, that.
Speaker 1 (28:16):
That's my that's my favorite one. The mayback truck probably
my favorite one. You know what I'm saying. But what
I'm driving most frequently the motherfuckery truck. Yeah. The Phantom too,
is always the Fantom. Oh yeah, you got You got
a couple of fantoms. I ain't got but one murder.
Speaker 3 (28:31):
Don't know nothing about calls either, don't worry about that.
You don't know what a fan. You don't know what we're.
Speaker 1 (28:37):
Gonna do this. You know, it wasn't back in the day.
Speaker 5 (28:42):
We were so young, we used to identify, you know,
certain people by their cars.
Speaker 1 (28:47):
Yes, just made me and my niggas like they still
do it now of course. You know, I don't know
what I'm saying.
Speaker 5 (28:51):
I grew up like that niggas getting identified by now
you see I.
Speaker 1 (28:54):
Say that when I drive the most last cyber truck,
the one where's plenty of them, you or you don't
know who I ain't. I feel them too, But I'm
more about moving smooth than anything. You know what I'm saying,
I have sell them bitches. I don't trip on no cars, man,
I'm kind of I'm not even kind of. I'm very
much past that ship. You know what I'm saying. I
(29:15):
may go get rid of one of two of them
bitches after this interview. I've been feeling because I don't
drop like my family paid for that bitch got like
seven thousand miles. You know what I'm saying. I know
what I'm saying, like that ship, ain't you know? I
ain't really doing nothing with this ship. I ain't doing
nothing with that motherfucker six fifty murder exactly. No, I
don't know nothing about that with tax Yes, yes, about
(29:35):
eight with Texas.
Speaker 3 (29:36):
Yeah, there you go. We don't even know what the
going to the car game. You don't know what about
Believe you don't know what y'all don't give a fuck
about no car de love calls. Man, I love the nigga.
Every time you get a new car, you' sposed to
pay chickens to.
Speaker 1 (29:51):
What you get. Man. Yeah, I ain't even in the
posting cars more like I say, like they ain't doing nothing,
but you know, giving a nigga giving a nigga up.
So I'm telling you I know how it go. Like
that's the thing, Like, I know how it goes. So
you know, I'll be a fool. That's what I ain't
with wrapping them and all that they want to see. Yeah,
we'll fuck them, Goddamn them. Niggas don't know I do it.
(30:12):
I do it with him like my leg broke all
they said, I fell out like I do it the
fun with him. But other than that, like I ain't
you know, I ain't in the position where I gotta
god damn show niggas got damn you know, Yeah, show
niggas what I got going on. I still got everything
to show for you. Give what I'm saying that you
have come to see this ship in real life, you
know what I mean. Anybody got damn it. You know
they want to they want to feel like they know
(30:33):
something from a distance. I'm gonna let them think they
know something. Let them think they own the summer. We
passed that. You know, cron ass man, you didn't get
me a murder on the court. You know you got that. Yeah,
come on, man, you should see this nigga.
Speaker 5 (30:46):
Like I don't even know why you bring that up
like this nigga shoot like Bill cart Right, this nigga
got the.
Speaker 1 (30:52):
L Bill Park, right. I know we got some fool too, right,
did the food coming to small?
Speaker 3 (31:00):
This is what we're doing, right. We got this thing
we call the chopping block, right, got you? So this
is my first time shouter cutching slices. That's what got slices.
Shout to McClaren. Niggas can cook cut they could cook.
It's the winter popular spots. We got the jerk chicken slices. Yeah,
and we got the I think the oxtail slice. Now
is the piece of thing big damn south like that?
(31:22):
It's not really big like that.
Speaker 1 (31:25):
You know what I'm saying. Okay, what's jerk chicken piece?
Shouter cutting slices? That s it ain't cold? Right, don't
being barrassed someone? You know it's not make it. So
you niggas be eating that cold piece of that. Throw
it in the oven real quick and get it.
Speaker 2 (31:44):
To cutching slices.
Speaker 3 (31:46):
And what's the other one you got over there, Tea,
that's the oxtail one. To bring the oxel one over
here to man were over here with mister caviar pancakes.
Come on, duck rock us so got us trying all
this ship shout mc laren, this is fire. This is
my first time having this. You know, the store been
like the door be off the line. Cutting slices, okay,
(32:08):
but I never had a jerk chicken slice. It's in Brooklyn.
They got one in the city. They're all over. It's
like blowing up. I'm slices.
Speaker 1 (32:17):
You're with the baby. Just to clarion, which one of
these my close.
Speaker 5 (32:21):
Up cameras good as I ain't gonna fron cut some slices.
Speaker 3 (32:27):
You're popping right now hungry too. I'm gonna keep it real.
The jerk chicken on the pizzas hitting the popping right
the ock style. Man, and I've been feeding for cutching
slices for like everybody know about cutting slices in New York.
Speaker 1 (32:40):
Never had it. So yo, what you like to cook? Man?
Like the barbecue? Yeah? You get crazy? Yeah, I ain't
you know what I'm saying. I heard it. Don't know
nothing about dogs. I ain't gonna you go ahead talk
your ship. I don't.
Speaker 3 (32:54):
He'd be acting like, yeah, ain't knowing this barbecue. He
ain't know nothing that I like the South out there.
You know nothing that I went to Austin. I want
to terry blacks and all them places and barbecues.
Speaker 1 (33:04):
Come on.
Speaker 3 (33:06):
The South known for barbecue like murder. You couldn't kill
a pig and then cook it and eat it. You
can't hunt like you ain't with none of that.
Speaker 1 (33:13):
That's what I'm saying.
Speaker 2 (33:14):
Country niggas do that.
Speaker 1 (33:17):
Nigga ain't killing. No nigga talking nigga, you're just talking, nigga.
Shot the up. Nice niggas say. Niggas kill pigs. That's country,
the country.
Speaker 2 (33:32):
But they doing that in the country, right, Yeah, what's
my man? What's my man that be cooking?
Speaker 3 (33:36):
He'd be got his name, he been like on YouTube
and all like he got like the big ass real
in his back.
Speaker 1 (33:43):
He'd be frying. He be making those raccoon and everything. Yeah, yeah,
I love this black. You would eat raccoon, No, nigga.
Speaker 2 (33:51):
He'd be making raccoon.
Speaker 1 (33:52):
He's looking at raccoon shark type of ship and I
ain't working with none of that. Yeah, you be on
that fancy ship for really. I wouldn't smoked upigga. When
they try to put the Cavio all my pan cakes
nos overseas. I said, take that ship out. I fuck
(34:15):
with it. You gotta live, Mike Tyson, man, come on
and learn, learn me something, put me down.
Speaker 2 (34:25):
That's one thing about you, you worldwide. You stay in
the best hotels.
Speaker 1 (34:28):
Man. You gotta get them on fancy sometimes. Man, one
hundred percent. You gotta leave your life. Nigga, Come on now,
I appreciate it. I appreciate you. You painting the picture
for niggas. Come because I'm with all that. You know
what I'm saying. Keeping nigga and spied man shut after
cuts the slight slices. They got it. Man, my shup gone.
(34:49):
Look at that.
Speaker 3 (34:51):
I heard it from the baby cuts of slices right
from send us that check.
Speaker 1 (34:54):
You heard what you said. I be surprised. From one
to ten, I'm gonna get this bitch of twelve point
five clothes. Look at that? What's all the clothes to
the common voice. I'm about to have the order number
one of the jerk chicken mob. Tell him make one
for tell him make two breshs jerk chicken. That ass
we gonna go pick them up. Look at that.
Speaker 3 (35:12):
Y'all heard that on the chopping block. We gave it
a twelve point five, not a ten. Look at that
giving it twelve point five. Shout to cut the slices. Definitely,
it's the real report. Make sure y'all like Shire and subscribe.
We're gonna eat these jerk Chicken and Oxtel slices. We
got the biggest in the game and be grateful. Out Now,
(35:32):
the baby.
Speaker 2 (35:34):
Pop that's on the charts as usual, nothing new to him.
Speaker 1 (35:37):
Y'all know what it is, man, The baby makes some noise.
My nigg my nigga, the creative shooter. Come on, come on,
thank you, brother, appreciate you. My niggare breass my nigga,
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