Tony Yayo and Uncle Murda sit down with Brooklyn’s own Tracy Morgan for an unfiltered conversation about faith, forgiveness, and survival after his life-changing accident. Tracy reflects on losing his memory, forgiving the driver, growing up in Brooklyn during the 80s, and how comedy took him from Def Jam to SNL and major TV success. The guys also get into Knicks courtside moments and wild childhood stories, while remembering DMX, discussing Eddie Murphy’s legacy, Nas being Tracy’s cousin, and the pressures of fame, money, and Hollywood.
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Episode Transcript
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Speaker 1 (00:00):
Because you have to learn how to talk more than that. Again,
So I got.
Speaker 2 (00:03):
Close to the guard than everybody in this room. You
know what he told me, none of your business. That
was a girl with that gets time.
Speaker 1 (00:14):
Proven out. Yo.
Speaker 3 (00:30):
We don't even fucking need these que cars today, you know,
because we got fucking Tracy Morgan in.
Speaker 1 (00:36):
It makes a noise for Tracy cars that we got.
Speaker 2 (00:41):
Yo.
Speaker 3 (00:41):
Yo, listen, I was late because when you're early, you're
on time. When you're on time, you're late. Fuck uncle murder.
I was this nigga, definitely was fucking late.
Speaker 1 (00:49):
Told him.
Speaker 4 (00:49):
He because me at Tracy time this mon This is
what I said, you wasting our time?
Speaker 3 (00:54):
I said, Yo, you're from Brooklyn, right, Tracy Mrgan from Brooklyn.
Speaker 5 (00:57):
I didn't want to hear that.
Speaker 1 (00:58):
Sh you're late? What else you calling me? And travel late?
Speaker 3 (01:01):
Me and Hollywood trying to fucking get here. You're a
hall of famer. I can't have you wait me. Yes,
you're a hall of famer. Thank you, Thank you make
some noise, man, bro can't have a hall of Famer.
Speaker 4 (01:14):
But I told this, but you was late, but you
ain't talking with.
Speaker 3 (01:20):
You start the interview, I told him, Tracy, Yo, yo,
start the interview, because this nigga, you know, this Walmart
money my nigga, this niggas, this nigga fucking leave.
Speaker 1 (01:29):
I'm trying to see what call were you.
Speaker 2 (01:32):
With a drug? To you? My man, I ain't going
You got here right on time. I'm fine, I'm not late,
You're not laid. We haven't.
Speaker 3 (01:40):
But it's all good now because honestly, yo, every time
I see a Walmart truck, I think about every car
you got it, every time you pull up to the garden.
Speaker 1 (01:51):
What's your favorite call?
Speaker 2 (01:52):
But my baby is my life Ferrari. My baby's my
love Forrari. That's one of five million dollars. Is all black,
yet black, and I only drive it like once a
summer just to keep it charged up and all that
because you don't want to lose a Ferrari engine.
Speaker 1 (02:08):
So that's that's your favorite call? Is that blue? Is
that the blue one?
Speaker 2 (02:11):
It was all black? It was all black, and I
don't take it up. Got oh no, no, I just
got that one two weeks ago. That is an SF ninety.
I have it in yellow and I have it in blue.
SF ninety. That's the second fastest Ferrari ever made and
I just money.
Speaker 5 (02:27):
Well, no, I had money before Walmart all of that.
Speaker 3 (02:31):
But we just know that Walmart check was yeah yeah, yeah, yeah,
But I w wasn't with shirt on, no one.
Speaker 2 (02:37):
I didn't get hit by the warm No, no, it
was an accident. And you know last year People magazine
caught me for a quote and then that quote I
forgave the driver because it was an accident, definitely it was.
Speaker 5 (02:49):
It was just a judgment nobody.
Speaker 2 (02:51):
Because he didn't pull over and go to sleep like
most truckers do. He kept going. Say he was up
for twenty eight hours four years.
Speaker 1 (02:58):
Every ten I believe it's every ten hour.
Speaker 2 (03:00):
You gotta go to sleep. But he didn't do that. Yeah,
you gotta go to sleep, Yeah, for ten hours. So
those are big machines, man, big machine. And the truck
was doing seventy five miles hour when it hit us.
Speaker 5 (03:11):
Wow, so that's pretty fast.
Speaker 2 (03:13):
A big machine that big could only be stopped with gravity.
But it was no gravity.
Speaker 1 (03:19):
So let me ask you a question.
Speaker 3 (03:20):
When you was in the hospital and you woke up
and you was alive, because like you said, you had
money before this.
Speaker 2 (03:25):
Well, when I woke up before, well, when I woke up,
I had traumatic brain injury, so my brain had to
be boot. I didn't really start remembering until about six
months later.
Speaker 1 (03:34):
Wow.
Speaker 2 (03:36):
Yeah, I had to learn how to eat again, walk again,
and all those things. Wow, my female, how maul you change?
It makes you appreciate life more. It makes you appreciate
life more. And I had so much good will for
me that it was overwhelming at first. And I was
really scared. And so me and my lady was just
(03:57):
driving on a highway the other day the night and
she's seen really for the first time, you freak out
a little bit, definitely, because I got hit that night, right,
So it hit us from the back.
Speaker 5 (04:09):
We didn't see it coming.
Speaker 2 (04:10):
And when you get hit like that, to bring automatically
goes into protection mode. So that's where the carment came from.
Damn for ten days. Yeah, well, I love you, you know,
I love you, Murder.
Speaker 5 (04:24):
You know what I'm saying. Yeah, you know what it is.
So I'm just glad to be here talking to you.
Speaker 2 (04:30):
Of case, We're glad to have you here. And I
enjoy your music.
Speaker 3 (04:34):
Man, Like I said, you were Hall of fameus. Fuck
uncle Murder. I was like people.
Speaker 1 (04:40):
Pulling me in traffic about being late.
Speaker 4 (04:44):
Look, I'm just.
Speaker 2 (04:46):
Glad that yea, yo, guy, hed you didn't get my position.
Speaker 5 (04:52):
When you stretch, you drive recklessly.
Speaker 2 (04:55):
That's a difference between reckless and bravery.
Speaker 5 (04:59):
Is a big difference. Be reckless and bravery.
Speaker 2 (05:01):
She reckless don't recognize the danger, right because bravery recognized
the danger. But they do it anyway. You hear safe
and sound. That's all I care about. I'm happy. That's
all I care about, because, like I said, you got
family too, bro, Definitely, and there's something happened to you. Man,
How you think they're gonna take that? I know what
it did to my family. My daughter was only eleven
months old when I got hit, So I thought to
(05:22):
come out that coma because I want to see her.
Speaker 5 (05:24):
Gross, she's eleven years old. Now. I love you, man.
Speaker 2 (05:28):
My lady Melissa laws me down, sheds me down. Good girl.
Speaker 1 (05:35):
Definitely, definitely good girl.
Speaker 2 (05:37):
I I what I love about her most is that
she read books. She reads right, you know, because a
lot of women out here now be plotting on gods
like me and you.
Speaker 1 (05:47):
Oh definitely. The lawyers, no, no, the lawyers.
Speaker 2 (05:53):
They know that if you got something to lose, you're
gonna settle out because you don't want to get canceled.
Speaker 6 (05:57):
And it ain't really about being a player. It's really
more business.
Speaker 2 (06:00):
Yeah, you know, like I got minds. I ain't laying
the glove on nobody. I got my pretty thing.
Speaker 5 (06:07):
I want to love you.
Speaker 2 (06:10):
You know.
Speaker 1 (06:10):
I want to ask you. Is Hollywood still fun for you?
Speaker 2 (06:13):
Man?
Speaker 1 (06:14):
Is this not? I'm a different dude.
Speaker 2 (06:17):
I'm a Brooklyn dude. I lived out there on Third Street,
Curse Street from the Plazio for like seven years, and
I hated it to Hollywood.
Speaker 1 (06:26):
Used to chill with Killer Ben and all them.
Speaker 2 (06:28):
Yeah, but but I went in a different lane. I
went a different lane. I went a different lane. So
you know, when you go back to the hood, man,
you gotta be careful. When I go back to the
hood my old projects. I don't go empty handed. I
give out food seven times a year, so I'm coming
there with police protection.
Speaker 5 (06:49):
And uh, I'm giving off food.
Speaker 1 (06:51):
I think I did see you in the Ferrari online
in Brooklyn.
Speaker 2 (06:53):
Got to give out food, man, I'm giving off food
if people need us, man, COVID did it number all
of us? Man? So I ain't coming empty hand. Broms
all of that man. Next time, you're gonna help me
give it food. Let's give out some food. Man, make
you feel good? Because I asked my team whenever we
do it, I said, y'all feel good?
Speaker 5 (07:12):
They say yeah. I said, Jesus Christ is there every day.
He did that. Every day.
Speaker 2 (07:17):
You give a man a fish, you eat for a day.
If you teach me how to fish, he's gonna eat forever.
So that's what it's about. My father taught me how
to fish, definitely when I was young. So what part
of Brooklyn you really off start doing? Take the girl?
Speaker 5 (07:31):
Killer God?
Speaker 2 (07:32):
Hey, you know what I'm saying. Case in my building, Brooklyn,
in the buildings, magesteeing all of them mag I've seen
killer Ben, I've seen Touch. I seen when I was little. Yo,
what I do trade Gym, I've seen all of that
big shots touch lady.
Speaker 5 (07:51):
No, no, no, noah. I be working man. I got
two TV shows.
Speaker 2 (07:54):
I gotta work.
Speaker 1 (07:54):
Oh yeah yeah, definitely.
Speaker 2 (07:55):
Yeah.
Speaker 5 (07:56):
I'm in a different lane right now. You got TV
to do.
Speaker 1 (07:59):
Getting No, I'm just you already.
Speaker 5 (08:01):
Who you think gonna coach?
Speaker 2 (08:02):
You get on them shows? And you gotta know because
I have you played against character. I'm definitely come on
if you could cry on screen. You know my mental
man Mary on scream, just crowd on the way here,
being late, I thought I let the team. You got
your heart broke before, of course, all right, then dig
down and get that. That's how you cry on screen.
(08:25):
Get dig down and your heartbreaks and your hurts go there.
You got it in your back pocket. Break down because
acting is easy. No, I just can't cry on you.
Speaker 1 (08:36):
I know murder. Can't cry on you.
Speaker 2 (08:37):
Gotta take your time.
Speaker 1 (08:39):
You can't cry on how you know what I'm crying
right now? You know what I could do?
Speaker 2 (08:43):
Cry right.
Speaker 1 (08:45):
Right now. I'm gonna sell you.
Speaker 4 (08:47):
Nigga, watch this, give me too many.
Speaker 3 (08:50):
We can't wait on set two minutes. You fight it
right then and there. People think acting is easy. You
know what you're doing.
Speaker 2 (09:00):
You take time, like he said, two minutes. Take time
and just go back into the go back into your
mind and think about it, think about something, and then
break down. You're gonna break down.
Speaker 3 (09:13):
It's easy for people to say, but everybody go to
acting school, is not an actor?
Speaker 2 (09:17):
Yeah, well you go to acting school. You ever seen
that teacher on any film? No? So how you know teacher?
You know what I want to know to sign.
Speaker 5 (09:24):
I don't believe that. It doesn't sound that good.
Speaker 1 (09:28):
We still hold up.
Speaker 4 (09:29):
We're still claiming Chris Rock because he from we still
claim him.
Speaker 1 (09:33):
After Chris Rock is my O G all right, just
making sure.
Speaker 2 (09:38):
O G. I'm he got smack. I asked no, no, no,
no no, that that was something that him and Will
worked out. I don't know they worked it out. I
don't know if they worked it out, but that's between them.
Speaker 1 (09:50):
Well, his brother.
Speaker 5 (09:50):
I love both of them.
Speaker 1 (09:51):
His brother.
Speaker 6 (09:52):
Listen, his brother ain't with him.
Speaker 2 (09:55):
Well, you know what I like to say about that
situation is behind us, definitely, it's behind us.
Speaker 5 (10:02):
That wasn't good.
Speaker 3 (10:03):
You know, Murder got beef for everybody from the wrap
up to when we around, Jermaine de pre ran down
on them.
Speaker 1 (10:08):
I gotta hold him down. This nigga, I got to
hold him down people. He got with him now. But
when we on tour, I.
Speaker 5 (10:22):
Can only imagine being on tour with y'all too. It's great.
Speaker 1 (10:26):
We always have a good time.
Speaker 2 (10:28):
You know what the thinking about, yo, Yo, you got this,
you got you gotta send to him, thank you, and
that's what makes your music.
Speaker 5 (10:36):
People love you.
Speaker 2 (10:36):
I was just playing a joint of car the other day,
definitely man the drop top down Ferrari and I was
rocking it.
Speaker 3 (10:43):
I always felt, I always felt like we you know
where we're from, where we're all from.
Speaker 1 (10:47):
We live in our dreams.
Speaker 3 (10:48):
Like ever since murder got down, he's seeing like we're
in the best hotels.
Speaker 2 (10:52):
From the hood, from the hood. We come from the jungle. Yes,
you heard the Jungle Jones. You are the Jungle Jones.
You're from the jungle. And to make it where we
are now being and look, I'm being interviewed by y'all.
Everybody don't get to do that. Everybody can't do this
and they don't interview everybody got ship. You gotta be.
Speaker 1 (11:14):
Exclusive, that's right, man, this is Tracy Moore.
Speaker 5 (11:16):
Got to be exclusive.
Speaker 1 (11:19):
To me.
Speaker 3 (11:19):
It's like when you start a comedy. That's like when
deaf jam comedy ever, like it was just when comedy
was raw.
Speaker 2 (11:26):
Well, my man got murdered. My man got murdered. Crack partner.
We sold a lot of drugs and Alan he got murdered.
Four months later, I was on death Cham. Four months later,
I was on death Cham and that's where I met Martin,
and Martin took me and put me on the show and.
Speaker 5 (11:46):
My career from there. Yeah, man, Martin Lawrence.
Speaker 2 (11:49):
Shout out to o G.
Speaker 5 (11:51):
I love you Martin, I love you, love you. I
took my kids down to the bus.
Speaker 2 (11:56):
But when I came up, my wife that passed away,
said Martin Lawrence just called. I said, you're right, man,
ain't fucking called me. She said, he say, gonna call
back in ten minutes. Ten minutes later, Martin called me
back and said, I'm flying you out the night. And
that's what started.
Speaker 1 (12:09):
Look at that Lawrence and Deaf Jim comedy. That was like,
come on man, that.
Speaker 2 (12:15):
Was was dope. That was dope. And I look back
on my life, man, I look back on my life.
I look back on our life. Man.
Speaker 4 (12:22):
God, if you want comedy saved your life.
Speaker 5 (12:25):
Comedy was well.
Speaker 2 (12:27):
You got to understand when I first met my first wife,
she's the one that encouraged me because I suffer from
imposter syndrome. That's why I think everybody better than me, Dave,
I think everybody better than me. And I was talking
to John Stewart the other day and he said, that's bullshit,
because you're a funny motherfucker. That's in your head and
I think it's not that it's bad, it is that
(12:48):
That's what motivates me. That's what makes me get better.
That's what me you get better. And you the imposter
syndrome because I feel like I'm better to nice than
black thought.
Speaker 1 (12:58):
I feel like I feel like I'm.
Speaker 4 (12:59):
Better of the murder is only a feeling, is not
the It's only a feeling the truth.
Speaker 3 (13:05):
He himself, trying to try to make it, said, murder
start the show. You from Brooklyn, right, you tough right,
you tough right.
Speaker 1 (13:17):
No excuse you keep kind of your late brother.
Speaker 2 (13:21):
When you hear the word Brooklyn, people get scared. The
you gotta be tough to be from there.
Speaker 3 (13:26):
Man, Thank you. I don't get scared. Brooklyn was crazy. Now,
Queens was no joke. Queens get the money joke.
Speaker 4 (13:33):
Start smelling s always look at Queen, Nigga, start smiling, Queen.
Speaker 1 (13:38):
This is how we looked at Queens.
Speaker 4 (13:41):
Queens get the money. Back in the days, we have
Brooklyn get the money to it. We was just balance.
Speaker 5 (13:45):
Well, Brooklyn is more of a reputation. We just ballenge Queens.
Speaker 1 (13:51):
Queens was Robin Niggas back in the day.
Speaker 5 (13:53):
Well, Queens was quiet queens, queens.
Speaker 1 (13:59):
Niggas get the money. That's what it was all the
more about.
Speaker 3 (14:02):
It was queen get the money too, definitely, but I
was more robbing niggas.
Speaker 2 (14:06):
But I can see that queens is more ruthless.
Speaker 5 (14:11):
Let me tell you, it wasn't the cop. It wasn't
the Kings and queens.
Speaker 1 (14:15):
You know, Okay, let's look, let's let's say.
Speaker 3 (14:20):
This though, and I don't want to glorify it, but
the reason why undercover police is in New York City
is because the queens. Of course we know about that.
Edward Burns did not stop the game. That wasn't what
you don't stop the game? What limbias?
Speaker 2 (14:44):
First time doing crack got drafted by the boards and
celthings died. That's what stopped the game. I didn't know that,
what limbias. Yeah, that's what stopped the game.
Speaker 5 (14:55):
Wasn't Burns. Burns, but.
Speaker 2 (14:58):
When limbias because he was high profile, he was a cock,
he was a pro basketball player. Tried cracked one time
and we survived the most ruthless decade ever, the eighties.
I was a teenager in the eighties. Eighties, I was
the eighties. We had to see people think coved was bad.
Speaker 1 (15:21):
Nah.
Speaker 2 (15:21):
In the eighties, we had to do it crack and age.
My father died of aids Okay. My dad went to
Vietnam and came back and had ads. He was drafted.
That's how I got my name, Tracy Morgan. He was
drafted at seventeen years old. When he got drafted, he
met a young Irish boy named Tracy. And two days
after they got the Vietnam, that young Irish boy stepped
on the mine and was born in pieces and my
(15:43):
father gave me his name and an honorate. I carried it. Well, wow, yeah,
that's my dad. My dad was no joke. I played
football with Loarry david Sen him in the Bronx. I
knew likery. I lived on one six five. I lived
right on Cardi B's block. She wasn't even born yet
when I was there Nelson Avenue in the Bronx Ltry
(16:03):
lived right around the corner of Ogden. It's crazy. So
I grew up around there selling tickets at the old
Yankee Stadium. I sold I sold silvern Airs. I scouted
tickets and I sold.
Speaker 1 (16:18):
Them.
Speaker 5 (16:18):
Boston fans love them, sugar them.
Speaker 2 (16:21):
Boston fans love that sugar and That's how I grew
up hustling. I'm a hustler by nature Yankees eighty five
at the met at Shay Stadium in Queens. I scopped
that game. Me and my man Fast Syvessor was catching buses.
I grew up and that was my thing. You wanted,
I gotta fink got them and get it, to get
it by the getting good, get it. I took that.
(16:43):
But I learned that Yankee Stadium and put that in
my show business. If you listen to hustle man, I
say that, you wonder if I got it, you got
them to get it. That's where I got it from
growing up packing bags. So I had a paper route,
all of that same thing, which for the did paper
routes packing bags get money. My mom George giving me nothing.
(17:03):
I know about food Samson welfare. I know my mom.
My life was Claudine. My lady is younger than me,
so all she's gonna do is learn with me. I
got her a ship mun circles around to advanced, too
far advanced. Well with me, you're gonna learn. You're gonna grow.
That's why she with me, You're gonna grow. That's what
(17:23):
it is. That's a problem with people, human beings. We
act like we got time. We don't got time, got
time for that? And this motherfucker got the nerve to
be late. I don't like we got time. You're right
on time.
Speaker 5 (17:36):
Listen, I think about on time.
Speaker 4 (17:39):
That made like he can't wait to say that, he
can't wait to say that, he.
Speaker 1 (17:48):
Couldn't wait to see.
Speaker 4 (17:51):
On the side out You were my daughter, But but
he wasn't courtside.
Speaker 2 (17:57):
But look.
Speaker 1 (17:59):
You want of course he was.
Speaker 4 (18:05):
Next course you want to cross.
Speaker 5 (18:12):
My daughter went to the New York names.
Speaker 4 (18:16):
You wasn't head chat in the pool.
Speaker 2 (18:19):
Oh yeah, I was wild back in the days I
was younger. I had the fresh white on blue brew
and white. They broke in my locker, stole my sneakers,
my pumas. I went home. I was heated. I went home,
had a nice meal, came back the next day like
I was revenging my brother's death. Spead right to the
deep part and shipped it right there. It was corner
(18:42):
collars all in the water. Just shut the pool down
because it back to me.
Speaker 1 (18:48):
I was wow.
Speaker 5 (18:50):
I was wow.
Speaker 2 (18:51):
My neighbors pumas though you was. That's when pumas were
forty five dollars. That was from Tom Dick and Harvey's
on Broadway on ground. Now joke, man, I grew up.
Case Son knew me. He lived in my building. Kse Son,
Tracy missing, I love him. I was like, oh, that's
why I love him, Like when he's in v I P.
(19:12):
Like say, you know, I don't know if you know
about the v I P the Knicks because a lot
and I got to disrespect, but a lot of people
don't do v I P.
Speaker 3 (19:20):
Like the last game we went to, Tracy was back there.
The ain't no white CARDI by.
Speaker 5 (19:31):
All right, whatever.
Speaker 1 (19:33):
People that flew the space, you can never get back there.
Speaker 5 (19:36):
Okay, I was back there.
Speaker 1 (19:38):
You know we eat the nice meals. This is what
yay yo do.
Speaker 3 (19:41):
So what I'm saying is, how did you turn into
court side Tracy for the New York Well.
Speaker 2 (19:47):
When I got on side in the live, when I
got on side and me and Horatio saying the first
game we went there, I spilled being all over the park.
Then to stop the game, then to stop gaming, wipe
it up, and then and you know, I started making
the guys laugh there and they made me royalty there.
Now I've been going there for years, and you know,
me and Dolan is like this.
Speaker 5 (20:09):
When I see Dolan, we do on shake hands, be hugged.
Speaker 1 (20:11):
You think Dolan never gonna let Oakley back in?
Speaker 5 (20:13):
No, I don't know if that relationship is not toxic
because he's the man with I don't know. I don't know,
but it was brow the rufe for if Oakley walked
in the fan? What about us?
Speaker 1 (20:25):
We don't love to see Oakley back in the I
don't think the boss man gonna do it.
Speaker 5 (20:29):
I don't know.
Speaker 2 (20:29):
I won't get involved in that. I won't get involved
in that. I feel bad that their relationship take away Tracy,
you the man, Well, I the man. Spike is the man.
Speaker 1 (20:38):
Well, you're talking bad up man. What Spike was there
when they won? The people just make up stuff.
Speaker 2 (20:47):
Spike is always is always there.
Speaker 5 (20:52):
For the fourth get.
Speaker 1 (20:53):
I get the Spike. He's been there when they was
eight ship and he's still It was.
Speaker 2 (20:57):
The time that he backed off. But Dolan told man,
don'tn't told ma'am that if we when we win a chip,
me and Spike is gonna be on the float and
they want us. They want to fly me out to
away games. But I'm up too busy. I'm too busy.
I gotta work.
Speaker 5 (21:14):
I'm on tour.
Speaker 1 (21:15):
I gotta work. Talk about the new TV showers.
Speaker 2 (21:17):
Coming, Well, I got one on MBS A just announced
it like three days two days ago. Okay, talking about
your TV showing no money. So Entertainer has one on CBS.
So I have never been done before. Two major networks,
two TV shows at the same time, and I feel
(21:37):
good and then they stand up. But let me tell
you something in your merk always know where the stakes lie?
Speaker 1 (21:43):
What do you mean by that?
Speaker 2 (21:44):
The Steaks? Where's the money? Where's the money? Know where
the stakes at Steaks? Ain't in stand up for me.
I'm doing TV. The Steaks lie nowhere? The paper ad
know what? Know what means something of you? The Steaks?
No way it lie.
Speaker 5 (21:59):
Don't lie. Stand up for me. It don't lie.
Speaker 2 (22:01):
No, it lied on two TV shows right now because
that's who paying me.
Speaker 5 (22:05):
So nowhere your stakes slo.
Speaker 2 (22:08):
Definitely listen to what I'm saying, because a lot of
people don't hear you. They just listen to respond. They
want to make you wrong and them right. They want
to make I'm gonna make you wrong. I'm gonna be right.
So I don't hear you. I'm just listening to respond.
So everything you say, I'm gonna say back, something back,
(22:29):
something slicker back. I have writers like that. I had
to let them go because you don't hear me. How
you're gonna hear my voice? I pay you, you don't
pay me. I pay you, you don't pay me. You
better hear me? Do you hear me? How could you
know where I'm at if you ain't been where I'm from?
You know where I'm coming from? How could you know
I'm at if you ain't been where I've been, know
(22:51):
where I'm coming from? You know who made that? Who
said that? Where I got that Cyprus Hill? You told
somebody today that really struck me. You said you're overthinking it,
and it's true, you overthinking it. We keep this as
simple as possible. When you saw that people in your life,
you're gonna complicate it. Keep it simple, stop overthinking it
(23:14):
out of your own hand.
Speaker 5 (23:15):
It's not that as bad, not that as bad.
Speaker 2 (23:18):
As you know. I was.
Speaker 6 (23:21):
I was in the room, but I think we were
just overthinking it.
Speaker 5 (23:24):
Like yo, yayo.
Speaker 2 (23:25):
The mind is a dangerous place to be without a
flashlight and a gun. Buddy, see how of there, man,
some things you gotta leave in God's hands. That's what
my lady told me, that even in God's hands's gonna
be what it's gonna be. If this is my day,
is my day. Just because you lay down and go
to sleep, though, men, you got to wake up. Lay
(23:46):
me down if I should wake.
Speaker 1 (23:50):
Because you have to learn how to talk more than that.
Speaker 2 (23:53):
So I got close to guard than everybody in this room.
Speaker 5 (23:56):
You know what he told me. He told none of
your business.
Speaker 1 (24:00):
God, that was the good tell you something, but go
I tell you something, but you.
Speaker 2 (24:13):
Go back and tell nobody because he heard the conversation.
Speaker 5 (24:15):
You ain't here. That's what.
Speaker 2 (24:19):
You and your guard ain't nobody business, not even your
mom and your father between you. He heard the conversation.
You ain't here, So don't be telling nobody what God
told you. A lot of people, like my man said,
can't hold water. They can't hold water. A lot of
people a lot of snitch. And that's the thing now,
is to coach your snitching.
Speaker 1 (24:40):
Snitching. Yeah, that's like the.
Speaker 2 (24:42):
I'm not doing that.
Speaker 6 (24:43):
Kill a nigga, go rap about it.
Speaker 1 (24:45):
I killed.
Speaker 2 (24:46):
I'm not going to jail over no money. I ain't
going to jail over no woman. I'm going to jail
over my kids.
Speaker 1 (24:51):
See that's the gym right there. See that's a gym.
Speaker 5 (24:54):
And when I come in, I'm coming in of course
that line.
Speaker 2 (25:00):
If you want to those my babies, man, I'm laying
my life down for them. I told you I came
out that coma I had to fight. I want to
see my thirst shoes only eleven months old. And you
know what last year, last June People magazine called me
for a quote, and in that quote, I forgave the
driver live your life.
Speaker 5 (25:19):
Man.
Speaker 2 (25:19):
It was an accident. So I asked my doctor. I said, doctor,
I know the industry trucking, and it's based on greed.
If they don't get the goods there in time, they
don't get paid. Was that greed? He said, no, Tracy,
it's just poor judgment we are guilty of it.
Speaker 5 (25:37):
Ain't nobody here perfect.
Speaker 2 (25:39):
There's only one perfect person in the world that's a
perfect asshole, perfect ass You the perfect asshole, they said, punt,
They said Diddy, it was the perfect asshole. Did they said?
Puffy might be Washington Georgians and clipping toenails.
Speaker 3 (26:02):
You see you see Kelly singing for the inmates. Wives
like Yo, they just had that online. Tell my girl,
I believe if I could fly, you go up top.
You're dealing with the real case. I'm telling youngins all
the time. You gonna have the guns with the switches modify.
Shoot a million niggas when you go up top. Ain't
no switch modified? Yes, that ship. So a lot of
(26:26):
niggas don't know a body, A usual body could course
you like fifty thousand to start, you know.
Speaker 6 (26:32):
So a lot of niggas get in trouble and don't
have the money.
Speaker 2 (26:35):
That's why I'm off the streets because I'm gonna. I
grew I'm a grown man.
Speaker 1 (26:39):
Tracy Murk.
Speaker 3 (26:40):
This would have come down to, when you get to
a certain amount of money, you can't be having mad
girls at the crib. No, you can't be having wild
parties because the lawsuits are gonna come. No one, lawsuits
I trust, Yeah, lawsuits are Gunner, That's who I trust.
Speaker 1 (26:56):
Wife. You see.
Speaker 2 (26:59):
There you go.
Speaker 5 (26:59):
I don't playing no games.
Speaker 1 (27:01):
Mimi, ain't how your thing.
Speaker 2 (27:02):
And I know, come on, man, that's what I'm saying.
Speaker 3 (27:08):
You can't have the wild parties when your money's up
like that because not saying a woman.
Speaker 2 (27:13):
But woman, because some people don't grow anybody. Some people
don't grow up. You know, people like that. You know
people like that, they being a sixty still acting like
you seventeen. You know how many years you just wasted.
If you thirty still acting like you fifteen, you just
wasted fifteen years. I'm not doing that. I'm trying to
go forward. Ain't nothing back there. You know what's in
(27:35):
the past, A forest for horrors. I look in the past,
mass wheat, I got hit my trunks. You know, I
don't play the streets no more because that's where all
my trauma happened. My friends went to jail for life,
my friends got murdered. That's where all my trauma happened.
Speaker 3 (27:49):
Street anxiety, Yeah, I'm not with that, still have it.
I'm learning street anxiety.
Speaker 2 (27:55):
But everybody want to keep their age. They think it's
about that. You know, that's just your personality from birth
to ten. It's all personality development. That's who you're gonna
be the rest of your life.
Speaker 5 (28:08):
Yeah, your life.
Speaker 3 (28:11):
And these why niggas out here, they can't even really
shoot shout a lady in Harlem by accident shot in as.
It's like these niggas can't even shoot. They got switches,
and it's like, you look at the government, like what
the fuck is going on?
Speaker 1 (28:24):
Because now you can shoot more.
Speaker 3 (28:26):
Niggas with that switch on the back of that ship.
So now nigga catching two threebody.
Speaker 5 (28:31):
But when they get to switch, who created this swatch?
Speaker 3 (28:34):
Niggas getting on internet niggas, It's just it's gotta be
the government of somebody.
Speaker 1 (28:38):
You know.
Speaker 2 (28:40):
Let me tell you why music is not the way
it used to be in the seventies and eighties because
they replace soul with technology. People don't go to clubs
and dance no more back in the days. And you
gona bred Parrot Bentley's you is that you're gonna sweat,
help her them out, y'all gonna rock all night. It
wasn't know, it wasn't none of that. It was just
(29:02):
let the music take you where I want to take you.
You let the music take you where, and we want
to tell you why you don't why we don't got
no more block parties, what happening all of that? Ain't
no more clubs in New York since not loving they
shut all of that down.
Speaker 1 (29:15):
Tracy.
Speaker 3 (29:15):
The scammers are not renting busses. The drug dealers was
doing that. The scammers ain't doing that.
Speaker 1 (29:21):
Yeah, there's a little different. Scammers are like the new
drug dealers. We can say that right them niggas ain't.
Speaker 3 (29:26):
You ain't seen nothing one skimmer saydo let's get ten
busses and go to.
Speaker 2 (29:30):
You know where Vidy made his money, Familiar Reality because
a lot of his songs was based on old songs.
So he had the older crowd and a young crowd.
If you're a comedian, you ain't got no white people
in your audience. You ain't getting no money since when
we have money, since when sat in a lot of
the thirty rocks. No, my crowd is not even sent white.
(29:53):
And I'm still being meet still talk about niggas shit.
Speaker 5 (29:56):
And they love it.
Speaker 1 (29:57):
Look at that.
Speaker 2 (29:58):
They want to know how we survived the jungle. How
was it? I'm telling you. Everybody's interested. Oh that was incredible.
I had something we have to We have the record
for Emmy nominations. Tina Fey is my sister. I would just.
Speaker 5 (30:18):
She's my sister. Now we got another TV.
Speaker 2 (30:21):
Show, the same right as Robert Carlock, the same writers
to right in my show. So I'm probably gonna get
emmy behind this.
Speaker 1 (30:29):
Look at that that dope, but we have to shoot it.
Speaker 2 (30:32):
My co star is Randaw Daniel Radcliffe, Harry Potter.
Speaker 5 (30:37):
It's my co star. You know what it is to
be number one on the call sheet?
Speaker 2 (30:42):
Big. I got two TV shows on two major networks,
never been done before. So I'm in bad air and
I will not take that for granted. I will work
very hard. I will set the tone on my set.
This is not a team because teams lose. We got
to be a family, Hm, The Knicks got to be family. Family,
(31:03):
family eat together, we sleep together, we fight, we all you,
we laughed. That's family. You can't pick and choose your family.
You can pick and choose your team. But family is
family and that's how we got to do it with
the next like that, like y'all family, This guy's family,
man and the last life, the way your energy is
(31:25):
guaranteed in the last life, y'all.
Speaker 5 (31:27):
Probably brothers.
Speaker 2 (31:28):
He probably smalled his shell of somebody in the basket
cart because they said something.
Speaker 1 (31:34):
On the road like I don't believe.
Speaker 2 (31:38):
To me you my brother, to me, you are my brother,
because I don't believing friends. Friends turn the enemies over bullshit.
You turn you my enemy over a girl. You're my
anem over money after all that we've been through, the
Fuck you, nigga. You wasn't my friend anyway. So if
you're around me, you're my family. I'm believing friends. I
(31:59):
don't believe that they turn the enemies over nothing. You
all through history, you see somebody sapping somebody in the back.
Look what you just did.
Speaker 1 (32:08):
Hmmm.
Speaker 5 (32:11):
I don't believe in friends.
Speaker 2 (32:13):
If you were not murders, my nigga, you're crazy. Yeah, yo,
he know what time it is? Period that nigga asked
me one time to do this show? I said, where
when we're here? Now we're here. Now I'm not murder.
What did I say on the phone? I said me,
(32:33):
murder definitely facts, facts, And he was all that. I
thought he was gonna be told, who mother go with
the Brooklyn world stories murder.
Speaker 1 (32:52):
Over there, the.
Speaker 2 (32:56):
M brown It was worse of Brownsville, East New York.
I was scared that he's no, I'm not going across
Mother Gaston.
Speaker 1 (33:08):
East New York was worse.
Speaker 5 (33:09):
New York was worse in Brownsville.
Speaker 2 (33:13):
You know, the right, of course, I lived in that
building in fair Fast they had all the holes over
the Yeah.
Speaker 5 (33:22):
My aum was getting high.
Speaker 2 (33:24):
I gave him for jums to playhouse with my little
girlfriend back in the day. It's seventeen years old. Playhouse
my little girlfriend for look out of the credit fair Fast.
My life is crazy, man, My life is crazy. I
lived in Cony, No, I asked my moms. I said, Ma,
(33:44):
but I was born. Did we go straight the best start?
Because how my father met in Tomkins and she she said, no,
I took you straight to Coney Island. So me and
Marlbury because I lived in Marlborough with y cleft was
from Marlborough courtet from my yet. Yeah, and then we
moved over here when I was nine. We moved the time.
We moved back to Tompkins when I was nine because
(34:06):
when my father said, she want to be next to
my moms and both of my grandpa my grandparents. Both
sets lived one floor apart, and my man I lived
on the church one grandparents said. The grandparents lived on
the twelve. My best friend Al got murdered, lived on thirteen.
Then my mother and them lived on fourteen. So I
was raised around a lot of love family. You know
(34:27):
what I'm saying. So and my father was Richard Bryant, funny.
He did comedy in Vietnam. So I'm just mimicking my dad.
I'm just mimicking. My dad was a musician. Never seen
him have a job. He was always the leader of
the band, and he was funny. So my friends knew
what I knew about girls. But when I was around
(34:48):
under my father and his friends, hearing them joking all that,
that's where I get it from. My dad died in
eighty seven and ads I dropped out of high school
to take care of him.
Speaker 5 (34:57):
It's all of my documentary on Vice TV.
Speaker 1 (35:00):
We got to Vice TV. Yeah, gotta check out that documentary.
Speaker 2 (35:04):
I remember when I first saw it, I started crying
because it was so accurate. It was my life, Like
when I got on S and L and I thought
I was being coach, really isolated because it's like the
whitest thing on TV. And then one morning, about three
o'clock in the morning, I had to talk with Lauren Michaels,
and Laurenn Michael said, Tracy, I didn't pick you because
you're black, pick you because you're funny. And when he
said that to me, I let go and let God
(35:26):
look at that and that's when I'm in the ten
Tina Fay and Tina Faye is the one judged Judy
and all that. She blew me up and I just
started going and then I thirty I. First I had
to Tracy Morgan Show in LA. That's when I lived
in LA with Marcy Cercy, same ones that did the
College show. I had that show on Tracy Morgans Show
on the NBC. Then I got canceled out the year
(35:47):
Tina fake kp asked me you want to do thirty
rock with me?
Speaker 5 (35:50):
And I said hell yeah, and that yo.
Speaker 2 (35:53):
Ever since then, the last oh ge I produced, I write,
but I when I before I got hit by the
true up, I was writing a show and then after
I came out to coming on that when y'all was
home watching the Emmy's, I was at the fourth seasons
on DALHEMI with with Jordan Peele, picturing him my idea
and then that's when he came up with the last O.
(36:15):
G did fifteens and Tiffany had shoot my baby mother
had when it was Dope you was going to be
on eventually he was going to be on an Adventually.
My last season, I had d MX on my show
and the next day, the day before he was supposed
to appear, he died and I had to replace him
with Wood See Life DNX is my guy. I met
(36:44):
see him for Harlem my guy Dog. Yeah, he was.
Speaker 5 (36:48):
He was massive.
Speaker 2 (36:49):
I think he might have been maybe the closest thing
in Tupac because he was radiped.
Speaker 1 (36:56):
That for the radical radical at me dog.
Speaker 5 (37:02):
He was radical. It was radical shows.
Speaker 2 (37:07):
And when my comedy I try to be radical, I'm
in front of all these white people.
Speaker 5 (37:11):
I'm doing me. I got to do me.
Speaker 2 (37:13):
I don't know how to do nobody else I could
do me A mart Lawrence didn't put me on mont
Demont's show.
Speaker 5 (37:19):
He didn't put me.
Speaker 2 (37:20):
I did because if I wasn't funny, Martin wouldn't have
fucked with me, right, he only fuck would look the best.
So when I had to Tracey Morgan show that two
little kids, the little kid was up saving me on
the show. I didn't mind because it's benefiting us. So
they had the NBC called me in one day and
he was thought he was being smart.
Speaker 5 (37:40):
You know how smart I was?
Speaker 2 (37:41):
He said, So I had a little kid is upstaging
you on your show. I said, well, if he ain't,
I don't want them on my show. I only fuck
with that if he If a little kid can't upstage me,
I don't want them on my fucking show. I only
fuck with the best little kids and animals supposed upstage
you because they're so cute.
Speaker 1 (38:00):
It's crazy.
Speaker 2 (38:01):
They's so cute, that's a fact.
Speaker 1 (38:03):
Because it's like the comedy world change.
Speaker 3 (38:05):
It's like a lot of motherfuckers ain't funn no Instagram.
Speaker 2 (38:09):
I'm not doing no comedy to my phone. I need
a live audience. Comedy is the only thing you cannot.
If Eddie Murphy was to come back, he would have
to start at the clubs just to get his act together,
and for him to get from the door to the
stage would be hell. He's too old for that. He's
a grandfather. He don't deal with us. So I messed
with a legacy that's so really tight. He's Addie. It's
(38:32):
harder how hard it is to get people to the
movie theater doing stand up? He did that.
Speaker 5 (38:37):
He got the record, Kevin Udo got he got the record.
Speaker 1 (38:40):
What's your favorite Eddie Murphy movie? All of them?
Speaker 2 (38:42):
I'm not leaving nothing now. Eddie's a genius. I'm just saying,
they gotta be a favorite, because you gotta. I'm gonna
go and trading place. You know what. You know me,
you know you weren't on the favorite one. I love
the when I was in coming to I was just
about saying that whether you know, left that record that
movie Coming to America because it showed female empowerment. I
(39:04):
empowered my woman. Man, I support her. Michelle and the
Bill go for go for it. I got your guy,
go for it. But we need to empower that. You
got a woman, empower her, Sam Babe.
Speaker 3 (39:22):
Now we can't even say there is one because Beverly
Hills cod coming to America.
Speaker 5 (39:27):
What I was in was Coming to America too.
Speaker 2 (39:29):
And I mean the best part I like, and I
told Eddie this recently. The best part of that movie
is when J. G. Fall was his name, j J's father.
He was in he was MC doubt. He was talking
to Eddie. He was talking to Eddie and he said,
what do you think your mother would saying she was here?
And that made me cry. What do you think because
(39:52):
she died years ago? What do you think your mother?
I always thought she was the smartest. Uh, Eddie what
his last name was, And what do you think your
mother will say, like, go, wow, that's heavy. There's always
your wisdom, man, got to bely knowledge, wisdom bring forth
understanding and understanding is the highest level of love and
(40:15):
the Lord's kingdom. And the great thing about understanding, you
don't understand the means the absence of confusion. You know
what the absence of confusion is. You know the absence
of confusion, peace of mind. We all know why we're
hearing it. Confusing about wise is on the stage. We
ain't confused about that. We know what we gotta do.
(40:37):
We gotta kick it and sometimes we gotta listen. It's
the reason why God gave us two eyes, two ears,
and two nose of one mouth.
Speaker 7 (40:44):
He gave you your mouth. To shut the fuck up
and listen. You're always trying to overtalk. You're always trying
to overtalk. Yah, shut up and listen.
Speaker 2 (40:55):
For all the time.
Speaker 1 (40:58):
You know what I'm saying.
Speaker 4 (41:00):
I heard you mentioned Martin was your o g right,
how you felt about Cat Williams coming down mom and
all that ship like that Williams talking about Okay, all right.
Speaker 2 (41:12):
Martin's already said. Is that legacy even with Martin loves cat.
Oh right, got you, Martin loves Carot. I love you.
That's what you gotta do. Love your enemies too, show
some mercy. Earlier definitely said that I'm just like you.
I'm just like you, y yo. And the minute you
know that and make you a better human being, it'll
(41:34):
put mercy in your heart. Just because you got your
enemy down, don't mean you got to kill him.
Speaker 5 (41:39):
Help him up.
Speaker 2 (41:40):
You're already defeated him. My father is always telling me,
you don't look down on nobody else. You're gonna help
him up.
Speaker 5 (41:46):
That's right.
Speaker 2 (41:46):
Say that in the Bible the minute because better human beings. Man,
I try to live by side. Listen, man, I face death.
I got closer to the guard than all your I
mean ten days in the coma, you think of counting
days I was out. I was out. So I'm just
fortunate to be here. I don't believe in luck. If
(42:07):
you want luck, go to Atlantic city, go to a Vegas, nigga.
I'm fortunately. I'm blessed every morning when city go to Vegas.
Speaker 1 (42:17):
You want Luckigga?
Speaker 2 (42:18):
Every morning I open my shades, even on the cloudy
day like to day, I say this son might not
be out. But it's up The rest is up to me.
Your decisions, man, your choices. Y'all made some great choices.
Think about it. Yeah, Yo, where you at in life? Man?
You made some great fucking choices. Youtubects great choices. Think
about it me. Look they where you at? We in here,
(42:40):
everybody in this room being productive. Time is the most
powerful thing in the universe.
Speaker 5 (42:46):
Time.
Speaker 2 (42:47):
When they want to punish you, what they give you. Time,
when they want to reward you what they give you.
Speaker 5 (42:52):
Time.
Speaker 2 (42:53):
You can live thirty years with cancer. Time you got time.
I don't got time for that time. So I think
when we expire and we go to his kingdom, he
gonna ask us, what the fuck did you do with
the time I gave you on Earth? Did you help
or did you hurt? Did you think about anybody else?
(43:14):
Or did you think about yourself? Nah, you got to
do something with your time.
Speaker 5 (43:21):
Stay productive.
Speaker 3 (43:24):
Yes, you know you are courtside Tracy at Madison Square
Garden and you in the v I P with James Dolan.
You know this guy owns the Knicks, he owns the Rangers,
he has guard in the dreams.
Speaker 2 (43:37):
So why you don't talk to him? Why you know
what I'm saying, thank you for letting me be here.
Speaker 6 (43:42):
When the big money is there.
Speaker 2 (43:43):
Sometimeship with him, you can't buy your friendship the money.
You just said.
Speaker 1 (43:53):
Hi, Next time I see him, I'm.
Speaker 2 (43:54):
Gonna say how you doings?
Speaker 6 (43:56):
So what I wanted to ask you is when you
got sick.
Speaker 5 (44:00):
Unfortunately he allowed me to come back.
Speaker 2 (44:02):
Now, if I was sitting there drinking bear, it would
have been a different story. I got food poisoning that
could have happened to anybody in that arena, and he understood,
and he put out a post when I was in
the hospital. I was in the hospital three days after that.
I started threw up one hundred and three times.
Speaker 1 (44:16):
That night.
Speaker 2 (44:17):
It got worse when I got to the hospital. Now
with the hacking sack, I threw up one hundred and
three times and only blood was coming out. God, and
then it.
Speaker 4 (44:25):
Was hot dogs, some bad No.
Speaker 2 (44:29):
No, I don't want to say no, no, no, no,
no way, no way. It had nothing to do with
the garden. I was sick three four days before that
copy I didn't feel well, and he put out a
post saying that they couldn't wait for me to come back.
And that night, that next night, when I got there.
Josh Hart called me in the hospital because I did
the podcast. I did that podcast him and Jail after
(44:51):
Josh Josh, yeah, man, great people, man, And I'm just
like y'all great people. They don't know that the world
don't know that they're seeing us. They're feeling the energy
for the time.
Speaker 5 (45:00):
Man, feel energy.
Speaker 2 (45:02):
So you get rid of your fear of what the
people want to hear, what they do want to here
because you don't know. You put talent in front of them.
What y'all doing now, You're putting talent.
Speaker 5 (45:11):
In front of them.
Speaker 2 (45:13):
That's all they want. Definitely, talent. Put it in front
of them. That's how you make this show successful the
way you want it. You got to get the talent
and put it in front of them because they're going
to see a part of them they don't see. They
seeing a part of Tracy Morgan. They don't see they
see the funny dude. They don't see this. Definitely. I
(45:35):
just thank the Lord that y'all allowed me to come
on this show.
Speaker 1 (45:38):
We appreciate it. You appreciate having.
Speaker 2 (45:42):
That's fun.
Speaker 1 (45:43):
Appreciate it.
Speaker 2 (45:44):
And I got to get to talk a little bit
and my perspective on things in life and all those dings.
I'm here with my lady.
Speaker 5 (45:53):
That's awesome to me. Definitely, it's alright with me. She's
a good.
Speaker 6 (45:58):
Person, definitely. Man, that's a mat man.
Speaker 2 (46:00):
Yeah, and that's what you want because we ain't getting younger.
You get older. I don't have time for games like that.
I found my funny out there, y'all. Get y'alls out there, y'all.
Stuff is out there. People hear it.
Speaker 1 (46:17):
Definitely.
Speaker 2 (46:19):
I've seen the video dominant.
Speaker 1 (46:24):
With that risk. But what the fuck is going on
over damn.
Speaker 2 (46:26):
Man forty seventh Street, right down the block forty seven.
Speaker 1 (46:32):
After it's hot?
Speaker 4 (46:34):
He just said, see your video free free Rod Digs.
Speaker 6 (46:41):
You know what's the craziest Rod Dick story. We was
out the country.
Speaker 4 (46:45):
I think we was ink happened a white boy came through.
Speaker 1 (46:51):
Front of the hotel blasting the music.
Speaker 3 (46:53):
And I'm like, murder, that's you. He's like yeah. Then
I'm like, who's that. He's like, Yo, that's Rod Digs.
Speaker 1 (46:58):
Definitely, you know what I'm saying. Big, So he was right.
Speaker 2 (47:02):
Man, My Digs was nice. He used to be talking
that ship man free Rye Diggs.
Speaker 3 (47:07):
He was, you know the Brooklyn niggas they go to Brooklyn,
and the Bronx niggas they kind of all the young
niggas they go to jail before they blow.
Speaker 6 (47:14):
When you really look at the format.
Speaker 2 (47:15):
A Brooklyn, Brooklyn, Brooklyn, Brooklyn, most of market. I mean,
I've been to the island twice. Man Brooklyn. That was
like a right of passage to go to you know
what I'm saying, big age, all of our school to
write a package. You was doing what you saw the
dudes in your age doing. He was doing just what
(47:35):
you saw. We was kids about these kids in the eighties.
Then I ran away from home at thirteen years old
and slept on an a train for two nights by myself.
Speaker 5 (47:48):
I was old.
Speaker 2 (47:49):
I was smart enough to know when I was that
little to sit next to the older black.
Speaker 5 (47:53):
Woman and act like she my mommy. I know when
to ride the front of the car.
Speaker 2 (47:58):
To stay safe because back in, because when you like that,
you don't recognize danger.
Speaker 1 (48:02):
You got to think smart to pantation.
Speaker 2 (48:05):
Don't recognize danger that like my mom's on the grandmother
know about the front. Then the last thing I got
out in the East New York and slept in the
alley next toroal Green. Then I went to my dad
and when I remember, like it was yesterday when he
opened the door, I ain't see anger.
Speaker 5 (48:21):
That so hurt. This is my kids. I was getting
two three beatings a day.
Speaker 2 (48:27):
Man. I couldn't take no more because if you're the
first person in my life punk at me, what you
think the world's gonna do to me? And I got
tired of being scared.
Speaker 5 (48:37):
It takes balls to go for your dreams.
Speaker 2 (48:41):
We got balls, man, It takes balls to go for
your dreams, because you know what stopped us one new thing,
the word if what if it don't work? But motherfucker,
do something else? If every day you know what my
plan B was, there was none. I got to get on.
I'm from best start doing dies.
Speaker 1 (49:03):
God, my baby, he like his Brooklyn to trust me. Brooklyn,
Brooklyn is to die. It's a Brooklyn episode for that
is right. I'm glad you know. And for the record,
this motherfucker was born in Brooklyn, Tracy, he was born.
Speaker 5 (49:19):
He was born than you.
Speaker 4 (49:21):
That's right, that's right, you know, slap him down for
that murder while you going around. Don't do that no more.
Shut after dies. That's my niggah.
Speaker 1 (49:36):
You was late. You didn't know, but you was late.
And you know we found out speaking.
Speaker 4 (49:41):
About Knaves saw to my nigga nas speaking about Naves,
we found out why you was late.
Speaker 2 (49:46):
Let me even people will get Nis and Tracy Morgan
his cousin.
Speaker 1 (49:50):
That ship.
Speaker 2 (49:52):
That's what it was, my cousin. You know what I'm saying.
Speaker 1 (49:53):
Look at that.
Speaker 5 (49:54):
I don't call him now. I call him Esco.
Speaker 1 (49:56):
Look at that.
Speaker 2 (49:56):
And we love each other. Man, I love no No.
So we spoke them about two hours ago. I was
on the phone with him. You buy a general boat,
you have two good, two happy days, the day you
buy it and the day you sell it.
Speaker 5 (50:09):
Or they drink money and drink money.
Speaker 1 (50:12):
That's the same ship. Fifty be saying, drink money about
jet ship.
Speaker 5 (50:16):
Drink money.
Speaker 2 (50:17):
Fifty producers. Fifty is the production he produces TV shows.
He makes TV shows.
Speaker 6 (50:24):
Well, if he don't put me in a movie, I'm fucking.
Speaker 2 (50:29):
Yo. But if you ev you can't be here in
the movie because I'm gonna play you against character bett
your comfort zone.
Speaker 5 (50:38):
Yeah, you have to. You have to.
Speaker 2 (50:41):
That's a natural, that's a that's your process. Look at fifty.
Speaker 4 (50:46):
Put me in the movie with boost Willings playing like
a uh he was a teller trying to make fun
about that fifty put me in the movie with Boot
Willers and he had me playing the army truck.
Speaker 2 (50:59):
Gud.
Speaker 4 (50:59):
You know the money. I'm protecting the money. So he
was based out of my comfort zone. He was some
bump ass movie fucking swat to right and this motherfucker
just being himself. No regular street ship.
Speaker 1 (51:11):
How you do it? You gotta step out your comfort zone.
Tay shot like.
Speaker 5 (51:18):
This.
Speaker 1 (51:19):
This is what I'm trying to tell me. If you
get shot in the movie.
Speaker 4 (51:22):
Or TV, you're not really because it's about five minutes.
About the five minutes you have five minutes stands up.
I should do stand up. I'm ready, man.
Speaker 5 (51:33):
You should try it.
Speaker 1 (51:34):
I'm gonna try it.
Speaker 5 (51:35):
Try everything once.
Speaker 2 (51:37):
Just murder the question you.
Speaker 1 (51:43):
You don't want murder, imagine murders in the crowd, and I'm.
Speaker 5 (51:46):
Just gonna you don't know how to do it. You
can't do.
Speaker 2 (51:49):
That you wantigg Let me tell you how you never
you ever got boom, never know they will turn against you.
So what you're gonna do is get them on your side.
I will teach you. I will go out with you.
Speaker 4 (52:02):
Did you ever get book that I don't remember.
Speaker 2 (52:05):
I got a million standing ovations in front of ten
thousand and five thousand people. I don't even remember the booze.
Speaker 1 (52:11):
Look at that.
Speaker 5 (52:12):
I don't even.
Speaker 2 (52:13):
Remember the bombs man, Because that's when I learned. I
gotta go back to listen. The winning team don't celebrate.
The winning team is in the locker room cursing guard out.
The winners are celebrating the winner. The losers got to
go back to the drawing board and see what we
ain't play defense.
Speaker 5 (52:31):
We gotta we gotta do it over now. It's when
I learn when I bombed.
Speaker 2 (52:36):
In the beginning, that ain't never happened now, But in
the beginning, yeah, bombed. It happened often, but I bombed
because that's what I learned. I'm gonna right there. I'm
right up right now. But it's here, all right now.
But it's here. Comedy ain't like hip hop, where you
could be jaz I ain't never right. They get the
(52:57):
fuck you you rote Biggie Rope y'all, y'all ain't that
much of a genius.
Speaker 5 (53:08):
You're right, you right, all right right about jokes.
Speaker 2 (53:11):
There's no way in the world I could do two hours,
and I remember right on the teleprometer. I know my listen,
comedy is basic, primise, set up, punchline. That's all you
gotta remember. And that's what I would teach him. You're
not gonna get up here and just snap on it,
and that ain't comedy.
Speaker 5 (53:30):
Primise.
Speaker 2 (53:31):
Come over with the primise just like you, right, hipop.
He can come on with your premise. What you go,
mam about. Then you got your premise set up. How
you're gonna set them up. You're gonna set them up.
How you're gonna set them up. You're gonna load them
in and then you lower the boom. That's the punchline.
I would definitely go to your commedy. I will go
to your comedy. You wanna talk about you wanna talk
(53:51):
about sex. That's what I want to talk about. Relationships.
That's what I do because you know why, because we
all do the same ship and you just talked about that.
I'm just like you. When I take a ship, I
lean on my left to wipe my ass.
Speaker 1 (54:06):
Just like you.
Speaker 2 (54:08):
Well, I look at him before a flush, I look
at the toilet paper just like you, because you like
that's your measurement.
Speaker 5 (54:16):
You gotta fall again sometimes you Michigan little do the right.
Speaker 1 (54:20):
You smell.
Speaker 5 (54:26):
That, you look at it before you flush, you look
at it. And the minute you know that and make
you a better.
Speaker 1 (54:33):
Human being, you drop many man.
Speaker 2 (54:38):
Definitely, no, No, whenever we kick it, when whenever we
around each other, let's we kick we always. People gonna
be seeing Tracy and murder Tracy and ya yo talking
and then their mind's gonna be means and people around it.
Speaker 5 (54:50):
In they mind, they're gonna I wonder what they talking about.
I wonder what the yeah, and then you go, yeah,
we talking about getting money? Yes, talk.
Speaker 2 (54:58):
You can make anything up after that because they don't know.
Then don't why none of their business were kicking it
when you eat dropping on us money while you standing there.
I tell you, man, I was wound when I was young. Man,
I was just like them, carrying burners and all that.
Come on, man, I was wild. I'm glad I grew
out of that because I probably would have lost my life.
Speaker 1 (55:20):
Yeah, be in jail for the rest of it.
Speaker 2 (55:22):
Yeah, we know that, we know that. I told you
I don't mess with the streets. That's all all my
trauma happened.
Speaker 1 (55:29):
Too much technology.
Speaker 2 (55:30):
Tupac got shot going in the quad, going in to
make music.
Speaker 1 (55:37):
Weird.
Speaker 2 (55:40):
Think about it. Tupac got shot in quad. You got
to be careful, man. I don't go to clubs no more.
I ain't been in the comedy club in four or
five years. I got writers, Like my man said, I
don't write bro, I write check. I got writers, And
(56:02):
you know, I surround myself with people who do this
as a necessity. They need to do this. You ain't
gotta write rhymes no more. Surround yourself with some casts
that do this as a for necessity. He gotta do
this to pay his rent, so I'm gonna get the
best out of him. I surround myself being I'm Tracy
(56:23):
Morgan with people who need to do this as a necessity.
Speaker 5 (56:28):
I ain't got time for it. I don't. I don't.
Speaker 2 (56:33):
I got to take care of my family and all life.
I got real life outside show business. Is this much
of my life.
Speaker 5 (56:39):
The rest is my wife, my fucking kids, all that
real life.
Speaker 2 (56:45):
I helled on that because when you don't deal with
reality no more, when you locked in a character, he's
not murdered all day, He's not yayr all day. He
don't got the energy for that.
Speaker 5 (56:55):
Imagine if Busterer was Buster all day.
Speaker 1 (57:00):
All day, because he might be busted.
Speaker 2 (57:04):
You know, sometime where does Superman live? Where does Superman live?
In the fortress of what solitude? Sometimes we all need
a place to just go think it needs a place
to go. Think, Man, I can't. I don't got the
energy for that.
Speaker 6 (57:20):
What Superman Richard prior was in.
Speaker 5 (57:22):
You know, I forgot four Superman.
Speaker 1 (57:25):
I think it was three.
Speaker 5 (57:26):
I think it was three, I remember.
Speaker 2 (57:28):
But that was when Richard. That was when Richard was
going down and all that. Eddie was just talking about this.
Speaker 1 (57:35):
So Eddie, don't watch the Classics. I watched the Classics.
Speaker 2 (57:40):
We was watching Richard when he was filming uh stir crazy.
He was going in on Jean Wilder, cornerwall colored all
this crazy ship. He was hard as the kite. And
then Eddie said, see that Richard, he's a motherfucker. Then
he set itself on fire and we never saw that Richard.
Speaker 5 (57:59):
And again I never saw that. Richard again started doing
things like the.
Speaker 2 (58:06):
Toy ship like that, the toy I like that toy.
Speaker 5 (58:09):
I like the toy Yeah, but that wasn't Richard.
Speaker 1 (58:15):
That's a Christmas.
Speaker 5 (58:16):
You gotta see Blue Colly. You gotta see the Richard
and the Richard.
Speaker 6 (58:20):
You didn't like Richard and Superman three love Richard.
Speaker 2 (58:22):
Richard is marking the toy is Those are the movies
at the end with the minds at the end. You
gotta see the Richard before that.
Speaker 5 (58:31):
I watched the Richard before that.
Speaker 2 (58:37):
You know, Carl Washing was.
Speaker 5 (58:38):
The first o G. You remember the dudes put the
put the gun down the Abdul.
Speaker 2 (58:43):
Remember that guy that was like, that's the definition of
a o G when you stir the youth in the
right direction. Because today he said put the gun down Abdul.
Speaker 3 (58:56):
Because you know why Superman three. You know I was
a big fan. Everybody was a fan, every Superman.
Speaker 5 (59:01):
Yeah a kid.
Speaker 6 (59:02):
So when he dropped Superman three when he was in
it and ready to do.
Speaker 5 (59:06):
That for the money because he was broke. For the money.
Speaker 2 (59:12):
Whenever you do anything for the money, you.
Speaker 1 (59:16):
Don't do this for the man.
Speaker 5 (59:17):
You love the hip hop, you love this ship, you
can it'll.
Speaker 2 (59:21):
Kill you if you do it for the money. Man,
I ain't doing I don't do comedy for the money. Man.
It's work at the post office. Man. I do this
because I love to do it. I ain't got to
do this no more. I got about Walmart truck. I
ain't gotta do this no more money. I I love it.
Speaker 5 (59:40):
Because I do it because I love it. And if
I have comedy, I'll probably die.
Speaker 6 (59:44):
Wow.
Speaker 5 (59:46):
If you ain't have help her, if you ain't have
hip hop, you ain't have, you probably die.
Speaker 2 (59:51):
Say about it. Think about your life. Take stop, think
about your life. I love doing this. I get off
of watching him laugh and him laugh, when you laugh
and you laugh, and all y'all we had this. I
just whole bomb life.
Speaker 1 (01:00:04):
I guess it was turned up when you was late,
when you wasn't here, was started. I should have started.
Speaker 2 (01:00:14):
Is gonna laugh. They're gonna get a kick out of this.
Speaker 1 (01:00:16):
I would have started.
Speaker 5 (01:00:18):
I know you would have started with out me.
Speaker 1 (01:00:20):
I know I know how you would. I would have started.
He would have started about me.
Speaker 5 (01:00:24):
You know, you know for me. You know I'm gonna.
Speaker 2 (01:00:28):
I'm gonna say it when we when this is over,
I'll tell you. I got to talk to y'all. I
gotta tell y'all something. When this is over, I gotta
get ready to go home and watch the game.
Speaker 1 (01:00:41):
Make some noise, mother in your time.
Speaker 2 (01:01:00):
Luck surviving the offseason football fans.
Speaker 1 (01:01:03):
At first, I was afraid. I was petrified Football's over.
It's like a part of me just died inside two.
Speaker 3 (01:01:11):
Hundred these two foot bowls back.
Speaker 4 (01:01:13):
But tonight I won't just cry because I've.
Speaker 1 (01:01:16):
Got always to play. And that's the placement hard rock
bed I.
Speaker 2 (01:01:20):
Survived, offered by the Seminal try Beflorida. Must be twenty
one plus in physically president in Florida. I'll wage your
terms of conditional plot.
Speaker 1 (01:01:26):
If you are someone you know as a family problem,
please call one eight three three play wise
Because you have to learn how to talk more than that. Again,
So I got.
Speaker 2 (00:03):
Close to the guard than everybody in this room. You
know what he told me, none of your business. That
was a girl with that gets time.
Speaker 1 (00:14):
Proven out. Yo.
Speaker 3 (00:30):
We don't even fucking need these que cars today, you know,
because we got fucking Tracy Morgan in.
Speaker 1 (00:36):
It makes a noise for Tracy cars that we got.
Speaker 2 (00:41):
Yo.
Speaker 3 (00:41):
Yo, listen, I was late because when you're early, you're
on time. When you're on time, you're late. Fuck uncle murder.
I was this nigga, definitely was fucking late.
Speaker 1 (00:49):
Told him.
Speaker 4 (00:49):
He because me at Tracy time this mon This is
what I said, you wasting our time?
Speaker 3 (00:54):
I said, Yo, you're from Brooklyn, right, Tracy Mrgan from Brooklyn.
Speaker 5 (00:57):
I didn't want to hear that.
Speaker 1 (00:58):
Sh you're late? What else you calling me? And travel late?
Speaker 3 (01:01):
Me and Hollywood trying to fucking get here. You're a
hall of famer. I can't have you wait me. Yes,
you're a hall of famer. Thank you, Thank you make
some noise, man, bro can't have a hall of Famer.
Speaker 4 (01:14):
But I told this, but you was late, but you
ain't talking with.
Speaker 3 (01:20):
You start the interview, I told him, Tracy, Yo, yo,
start the interview, because this nigga, you know, this Walmart
money my nigga, this niggas, this nigga fucking leave.
Speaker 1 (01:29):
I'm trying to see what call were you.
Speaker 2 (01:32):
With a drug? To you? My man, I ain't going
You got here right on time. I'm fine, I'm not late,
You're not laid. We haven't.
Speaker 3 (01:40):
But it's all good now because honestly, yo, every time
I see a Walmart truck, I think about every car
you got it, every time you pull up to the garden.
Speaker 1 (01:51):
What's your favorite call?
Speaker 2 (01:52):
But my baby is my life Ferrari. My baby's my
love Forrari. That's one of five million dollars. Is all black,
yet black, and I only drive it like once a
summer just to keep it charged up and all that
because you don't want to lose a Ferrari engine.
Speaker 1 (02:08):
So that's that's your favorite call? Is that blue? Is
that the blue one?
Speaker 2 (02:11):
It was all black? It was all black, and I
don't take it up. Got oh no, no, I just
got that one two weeks ago. That is an SF ninety.
I have it in yellow and I have it in blue.
SF ninety. That's the second fastest Ferrari ever made and
I just money.
Speaker 5 (02:27):
Well, no, I had money before Walmart all of that.
Speaker 3 (02:31):
But we just know that Walmart check was yeah yeah, yeah, yeah,
But I w wasn't with shirt on, no one.
Speaker 2 (02:37):
I didn't get hit by the warm No, no, it
was an accident. And you know last year People magazine
caught me for a quote and then that quote I
forgave the driver because it was an accident, definitely it was.
Speaker 5 (02:49):
It was just a judgment nobody.
Speaker 2 (02:51):
Because he didn't pull over and go to sleep like
most truckers do. He kept going. Say he was up
for twenty eight hours four years.
Speaker 1 (02:58):
Every ten I believe it's every ten hour.
Speaker 2 (03:00):
You gotta go to sleep. But he didn't do that. Yeah,
you gotta go to sleep, Yeah, for ten hours. So
those are big machines, man, big machine. And the truck
was doing seventy five miles hour when it hit us.
Speaker 5 (03:11):
Wow, so that's pretty fast.
Speaker 2 (03:13):
A big machine that big could only be stopped with gravity.
But it was no gravity.
Speaker 1 (03:19):
So let me ask you a question.
Speaker 3 (03:20):
When you was in the hospital and you woke up
and you was alive, because like you said, you had
money before this.
Speaker 2 (03:25):
Well, when I woke up before, well, when I woke up,
I had traumatic brain injury, so my brain had to
be boot. I didn't really start remembering until about six
months later.
Speaker 1 (03:34):
Wow.
Speaker 2 (03:36):
Yeah, I had to learn how to eat again, walk again,
and all those things. Wow, my female, how maul you change?
It makes you appreciate life more. It makes you appreciate
life more. And I had so much good will for
me that it was overwhelming at first. And I was
really scared. And so me and my lady was just
(03:57):
driving on a highway the other day the night and
she's seen really for the first time, you freak out
a little bit, definitely, because I got hit that night, right,
So it hit us from the back.
Speaker 5 (04:09):
We didn't see it coming.
Speaker 2 (04:10):
And when you get hit like that, to bring automatically
goes into protection mode. So that's where the carment came from.
Damn for ten days. Yeah, well, I love you, you know,
I love you, Murder.
Speaker 5 (04:24):
You know what I'm saying. Yeah, you know what it is.
So I'm just glad to be here talking to you.
Speaker 2 (04:30):
Of case, We're glad to have you here. And I
enjoy your music.
Speaker 3 (04:34):
Man, Like I said, you were Hall of fameus. Fuck
uncle Murder. I was like people.
Speaker 1 (04:40):
Pulling me in traffic about being late.
Speaker 4 (04:44):
Look, I'm just.
Speaker 2 (04:46):
Glad that yea, yo, guy, hed you didn't get my position.
Speaker 5 (04:52):
When you stretch, you drive recklessly.
Speaker 2 (04:55):
That's a difference between reckless and bravery.
Speaker 5 (04:59):
Is a big difference. Be reckless and bravery.
Speaker 2 (05:01):
She reckless don't recognize the danger, right because bravery recognized
the danger. But they do it anyway. You hear safe
and sound. That's all I care about. I'm happy. That's
all I care about, because, like I said, you got
family too, bro, Definitely, and there's something happened to you. Man,
How you think they're gonna take that? I know what
it did to my family. My daughter was only eleven
months old when I got hit, So I thought to
(05:22):
come out that coma because I want to see her.
Speaker 5 (05:24):
Gross, she's eleven years old. Now. I love you, man.
Speaker 2 (05:28):
My lady Melissa laws me down, sheds me down. Good girl.
Speaker 1 (05:35):
Definitely, definitely good girl.
Speaker 2 (05:37):
I I what I love about her most is that
she read books. She reads right, you know, because a
lot of women out here now be plotting on gods
like me and you.
Speaker 1 (05:47):
Oh definitely. The lawyers, no, no, the lawyers.
Speaker 2 (05:53):
They know that if you got something to lose, you're
gonna settle out because you don't want to get canceled.
Speaker 6 (05:57):
And it ain't really about being a player. It's really
more business.
Speaker 2 (06:00):
Yeah, you know, like I got minds. I ain't laying
the glove on nobody. I got my pretty thing.
Speaker 5 (06:07):
I want to love you.
Speaker 2 (06:10):
You know.
Speaker 1 (06:10):
I want to ask you. Is Hollywood still fun for you?
Speaker 2 (06:13):
Man?
Speaker 1 (06:14):
Is this not? I'm a different dude.
Speaker 2 (06:17):
I'm a Brooklyn dude. I lived out there on Third Street,
Curse Street from the Plazio for like seven years, and
I hated it to Hollywood.
Speaker 1 (06:26):
Used to chill with Killer Ben and all them.
Speaker 2 (06:28):
Yeah, but but I went in a different lane. I
went a different lane. I went a different lane. So
you know, when you go back to the hood, man,
you gotta be careful. When I go back to the
hood my old projects. I don't go empty handed. I
give out food seven times a year, so I'm coming
there with police protection.
Speaker 5 (06:49):
And uh, I'm giving off food.
Speaker 1 (06:51):
I think I did see you in the Ferrari online
in Brooklyn.
Speaker 2 (06:53):
Got to give out food, man, I'm giving off food
if people need us, man, COVID did it number all
of us? Man? So I ain't coming empty hand. Broms
all of that man. Next time, you're gonna help me
give it food. Let's give out some food. Man, make
you feel good? Because I asked my team whenever we
do it, I said, y'all feel good?
Speaker 5 (07:12):
They say yeah. I said, Jesus Christ is there every day.
He did that. Every day.
Speaker 2 (07:17):
You give a man a fish, you eat for a day.
If you teach me how to fish, he's gonna eat forever.
So that's what it's about. My father taught me how
to fish, definitely when I was young. So what part
of Brooklyn you really off start doing? Take the girl?
Speaker 5 (07:31):
Killer God?
Speaker 2 (07:32):
Hey, you know what I'm saying. Case in my building, Brooklyn,
in the buildings, magesteeing all of them mag I've seen
killer Ben, I've seen Touch. I seen when I was little. Yo,
what I do trade Gym, I've seen all of that
big shots touch lady.
Speaker 5 (07:51):
No, no, no, noah. I be working man. I got
two TV shows.
Speaker 2 (07:54):
I gotta work.
Speaker 1 (07:54):
Oh yeah yeah, definitely.
Speaker 2 (07:55):
Yeah.
Speaker 5 (07:56):
I'm in a different lane right now. You got TV
to do.
Speaker 1 (07:59):
Getting No, I'm just you already.
Speaker 5 (08:01):
Who you think gonna coach?
Speaker 2 (08:02):
You get on them shows? And you gotta know because
I have you played against character. I'm definitely come on
if you could cry on screen. You know my mental
man Mary on scream, just crowd on the way here,
being late, I thought I let the team. You got
your heart broke before, of course, all right, then dig
down and get that. That's how you cry on screen.
(08:25):
Get dig down and your heartbreaks and your hurts go there.
You got it in your back pocket. Break down because
acting is easy. No, I just can't cry on you.
Speaker 1 (08:36):
I know murder. Can't cry on you.
Speaker 2 (08:37):
Gotta take your time.
Speaker 1 (08:39):
You can't cry on how you know what I'm crying
right now? You know what I could do?
Speaker 2 (08:43):
Cry right.
Speaker 1 (08:45):
Right now. I'm gonna sell you.
Speaker 4 (08:47):
Nigga, watch this, give me too many.
Speaker 3 (08:50):
We can't wait on set two minutes. You fight it
right then and there. People think acting is easy. You
know what you're doing.
Speaker 2 (09:00):
You take time, like he said, two minutes. Take time
and just go back into the go back into your
mind and think about it, think about something, and then
break down. You're gonna break down.
Speaker 3 (09:13):
It's easy for people to say, but everybody go to
acting school, is not an actor?
Speaker 2 (09:17):
Yeah, well you go to acting school. You ever seen
that teacher on any film? No? So how you know teacher?
You know what I want to know to sign.
Speaker 5 (09:24):
I don't believe that. It doesn't sound that good.
Speaker 1 (09:28):
We still hold up.
Speaker 4 (09:29):
We're still claiming Chris Rock because he from we still
claim him.
Speaker 1 (09:33):
After Chris Rock is my O G all right, just
making sure.
Speaker 2 (09:38):
O G. I'm he got smack. I asked no, no, no,
no no, that that was something that him and Will
worked out. I don't know they worked it out. I
don't know if they worked it out, but that's between them.
Speaker 1 (09:50):
Well, his brother.
Speaker 5 (09:50):
I love both of them.
Speaker 1 (09:51):
His brother.
Speaker 6 (09:52):
Listen, his brother ain't with him.
Speaker 2 (09:55):
Well, you know what I like to say about that
situation is behind us, definitely, it's behind us.
Speaker 5 (10:02):
That wasn't good.
Speaker 3 (10:03):
You know, Murder got beef for everybody from the wrap
up to when we around, Jermaine de pre ran down
on them.
Speaker 1 (10:08):
I gotta hold him down. This nigga, I got to
hold him down people. He got with him now. But
when we on tour, I.
Speaker 5 (10:22):
Can only imagine being on tour with y'all too. It's great.
Speaker 1 (10:26):
We always have a good time.
Speaker 2 (10:28):
You know what the thinking about, yo, Yo, you got this,
you got you gotta send to him, thank you, and
that's what makes your music.
Speaker 5 (10:36):
People love you.
Speaker 2 (10:36):
I was just playing a joint of car the other day,
definitely man the drop top down Ferrari and I was
rocking it.
Speaker 3 (10:43):
I always felt, I always felt like we you know
where we're from, where we're all from.
Speaker 1 (10:47):
We live in our dreams.
Speaker 3 (10:48):
Like ever since murder got down, he's seeing like we're
in the best hotels.
Speaker 2 (10:52):
From the hood, from the hood. We come from the jungle. Yes,
you heard the Jungle Jones. You are the Jungle Jones.
You're from the jungle. And to make it where we
are now being and look, I'm being interviewed by y'all.
Everybody don't get to do that. Everybody can't do this
and they don't interview everybody got ship. You gotta be.
Speaker 1 (11:14):
Exclusive, that's right, man, this is Tracy Moore.
Speaker 5 (11:16):
Got to be exclusive.
Speaker 1 (11:19):
To me.
Speaker 3 (11:19):
It's like when you start a comedy. That's like when
deaf jam comedy ever, like it was just when comedy
was raw.
Speaker 2 (11:26):
Well, my man got murdered. My man got murdered. Crack partner.
We sold a lot of drugs and Alan he got murdered.
Four months later, I was on death Cham. Four months later,
I was on death Cham and that's where I met Martin,
and Martin took me and put me on the show and.
Speaker 5 (11:46):
My career from there. Yeah, man, Martin Lawrence.
Speaker 2 (11:49):
Shout out to o G.
Speaker 5 (11:51):
I love you Martin, I love you, love you. I
took my kids down to the bus.
Speaker 2 (11:56):
But when I came up, my wife that passed away,
said Martin Lawrence just called. I said, you're right, man,
ain't fucking called me. She said, he say, gonna call
back in ten minutes. Ten minutes later, Martin called me
back and said, I'm flying you out the night. And
that's what started.
Speaker 1 (12:09):
Look at that Lawrence and Deaf Jim comedy. That was like,
come on man, that.
Speaker 2 (12:15):
Was was dope. That was dope. And I look back
on my life, man, I look back on my life.
I look back on our life. Man.
Speaker 4 (12:22):
God, if you want comedy saved your life.
Speaker 5 (12:25):
Comedy was well.
Speaker 2 (12:27):
You got to understand when I first met my first wife,
she's the one that encouraged me because I suffer from
imposter syndrome. That's why I think everybody better than me, Dave,
I think everybody better than me. And I was talking
to John Stewart the other day and he said, that's bullshit,
because you're a funny motherfucker. That's in your head and
I think it's not that it's bad, it is that
(12:48):
That's what motivates me. That's what makes me get better.
That's what me you get better. And you the imposter
syndrome because I feel like I'm better to nice than
black thought.
Speaker 1 (12:58):
I feel like I feel like I'm.
Speaker 4 (12:59):
Better of the murder is only a feeling, is not
the It's only a feeling the truth.
Speaker 3 (13:05):
He himself, trying to try to make it, said, murder
start the show. You from Brooklyn, right, you tough right,
you tough right.
Speaker 1 (13:17):
No excuse you keep kind of your late brother.
Speaker 2 (13:21):
When you hear the word Brooklyn, people get scared. The
you gotta be tough to be from there.
Speaker 3 (13:26):
Man, Thank you. I don't get scared. Brooklyn was crazy. Now,
Queens was no joke. Queens get the money joke.
Speaker 4 (13:33):
Start smelling s always look at Queen, Nigga, start smiling, Queen.
Speaker 1 (13:38):
This is how we looked at Queens.
Speaker 4 (13:41):
Queens get the money. Back in the days, we have
Brooklyn get the money to it. We was just balance.
Speaker 5 (13:45):
Well, Brooklyn is more of a reputation. We just ballenge Queens.
Speaker 1 (13:51):
Queens was Robin Niggas back in the day.
Speaker 5 (13:53):
Well, Queens was quiet queens, queens.
Speaker 1 (13:59):
Niggas get the money. That's what it was all the
more about.
Speaker 3 (14:02):
It was queen get the money too, definitely, but I
was more robbing niggas.
Speaker 2 (14:06):
But I can see that queens is more ruthless.
Speaker 5 (14:11):
Let me tell you, it wasn't the cop. It wasn't
the Kings and queens.
Speaker 1 (14:15):
You know, Okay, let's look, let's let's say.
Speaker 3 (14:20):
This though, and I don't want to glorify it, but
the reason why undercover police is in New York City
is because the queens. Of course we know about that.
Edward Burns did not stop the game. That wasn't what
you don't stop the game? What limbias?
Speaker 2 (14:44):
First time doing crack got drafted by the boards and
celthings died. That's what stopped the game. I didn't know that,
what limbias. Yeah, that's what stopped the game.
Speaker 5 (14:55):
Wasn't Burns. Burns, but.
Speaker 2 (14:58):
When limbias because he was high profile, he was a cock,
he was a pro basketball player. Tried cracked one time
and we survived the most ruthless decade ever, the eighties.
I was a teenager in the eighties. Eighties, I was
the eighties. We had to see people think coved was bad.
Speaker 1 (15:21):
Nah.
Speaker 2 (15:21):
In the eighties, we had to do it crack and age.
My father died of aids Okay. My dad went to
Vietnam and came back and had ads. He was drafted.
That's how I got my name, Tracy Morgan. He was
drafted at seventeen years old. When he got drafted, he
met a young Irish boy named Tracy. And two days
after they got the Vietnam, that young Irish boy stepped
on the mine and was born in pieces and my
(15:43):
father gave me his name and an honorate. I carried it. Well, wow, yeah,
that's my dad. My dad was no joke. I played
football with Loarry david Sen him in the Bronx. I
knew likery. I lived on one six five. I lived
right on Cardi B's block. She wasn't even born yet
when I was there Nelson Avenue in the Bronx Ltry
(16:03):
lived right around the corner of Ogden. It's crazy. So
I grew up around there selling tickets at the old
Yankee Stadium. I sold I sold silvern Airs. I scouted
tickets and I sold.
Speaker 1 (16:18):
Them.
Speaker 5 (16:18):
Boston fans love them, sugar them.
Speaker 2 (16:21):
Boston fans love that sugar and That's how I grew
up hustling. I'm a hustler by nature Yankees eighty five
at the met at Shay Stadium in Queens. I scopped
that game. Me and my man Fast Syvessor was catching buses.
I grew up and that was my thing. You wanted,
I gotta fink got them and get it, to get
it by the getting good, get it. I took that.
(16:43):
But I learned that Yankee Stadium and put that in
my show business. If you listen to hustle man, I
say that, you wonder if I got it, you got
them to get it. That's where I got it from
growing up packing bags. So I had a paper route,
all of that same thing, which for the did paper
routes packing bags get money. My mom George giving me nothing.
(17:03):
I know about food Samson welfare. I know my mom.
My life was Claudine. My lady is younger than me,
so all she's gonna do is learn with me. I
got her a ship mun circles around to advanced, too
far advanced. Well with me, you're gonna learn. You're gonna grow.
That's why she with me, You're gonna grow. That's what
(17:23):
it is. That's a problem with people, human beings. We
act like we got time. We don't got time, got
time for that? And this motherfucker got the nerve to
be late. I don't like we got time. You're right
on time.
Speaker 5 (17:36):
Listen, I think about on time.
Speaker 4 (17:39):
That made like he can't wait to say that, he
can't wait to say that, he.
Speaker 1 (17:48):
Couldn't wait to see.
Speaker 4 (17:51):
On the side out You were my daughter, But but
he wasn't courtside.
Speaker 2 (17:57):
But look.
Speaker 1 (17:59):
You want of course he was.
Speaker 4 (18:05):
Next course you want to cross.
Speaker 5 (18:12):
My daughter went to the New York names.
Speaker 4 (18:16):
You wasn't head chat in the pool.
Speaker 2 (18:19):
Oh yeah, I was wild back in the days I
was younger. I had the fresh white on blue brew
and white. They broke in my locker, stole my sneakers,
my pumas. I went home. I was heated. I went home,
had a nice meal, came back the next day like
I was revenging my brother's death. Spead right to the
deep part and shipped it right there. It was corner
(18:42):
collars all in the water. Just shut the pool down
because it back to me.
Speaker 1 (18:48):
I was wow.
Speaker 5 (18:50):
I was wow.
Speaker 2 (18:51):
My neighbors pumas though you was. That's when pumas were
forty five dollars. That was from Tom Dick and Harvey's
on Broadway on ground. Now joke, man, I grew up.
Case Son knew me. He lived in my building. Kse Son,
Tracy missing, I love him. I was like, oh, that's
why I love him, Like when he's in v I P.
(19:12):
Like say, you know, I don't know if you know
about the v I P the Knicks because a lot
and I got to disrespect, but a lot of people
don't do v I P.
Speaker 3 (19:20):
Like the last game we went to, Tracy was back there.
The ain't no white CARDI by.
Speaker 5 (19:31):
All right, whatever.
Speaker 1 (19:33):
People that flew the space, you can never get back there.
Speaker 5 (19:36):
Okay, I was back there.
Speaker 1 (19:38):
You know we eat the nice meals. This is what
yay yo do.
Speaker 3 (19:41):
So what I'm saying is, how did you turn into
court side Tracy for the New York Well.
Speaker 2 (19:47):
When I got on side in the live, when I
got on side and me and Horatio saying the first
game we went there, I spilled being all over the park.
Then to stop the game, then to stop gaming, wipe
it up, and then and you know, I started making
the guys laugh there and they made me royalty there.
Now I've been going there for years, and you know,
me and Dolan is like this.
Speaker 5 (20:09):
When I see Dolan, we do on shake hands, be hugged.
Speaker 1 (20:11):
You think Dolan never gonna let Oakley back in?
Speaker 5 (20:13):
No, I don't know if that relationship is not toxic
because he's the man with I don't know. I don't know,
but it was brow the rufe for if Oakley walked
in the fan? What about us?
Speaker 1 (20:25):
We don't love to see Oakley back in the I
don't think the boss man gonna do it.
Speaker 5 (20:29):
I don't know.
Speaker 2 (20:29):
I won't get involved in that. I won't get involved
in that. I feel bad that their relationship take away Tracy,
you the man, Well, I the man. Spike is the man.
Speaker 1 (20:38):
Well, you're talking bad up man. What Spike was there
when they won? The people just make up stuff.
Speaker 2 (20:47):
Spike is always is always there.
Speaker 5 (20:52):
For the fourth get.
Speaker 1 (20:53):
I get the Spike. He's been there when they was
eight ship and he's still It was.
Speaker 2 (20:57):
The time that he backed off. But Dolan told man,
don'tn't told ma'am that if we when we win a chip,
me and Spike is gonna be on the float and
they want us. They want to fly me out to
away games. But I'm up too busy. I'm too busy.
I gotta work.
Speaker 5 (21:14):
I'm on tour.
Speaker 1 (21:15):
I gotta work. Talk about the new TV showers.
Speaker 2 (21:17):
Coming, Well, I got one on MBS A just announced
it like three days two days ago. Okay, talking about
your TV showing no money. So Entertainer has one on CBS.
So I have never been done before. Two major networks,
two TV shows at the same time, and I feel
(21:37):
good and then they stand up. But let me tell
you something in your merk always know where the stakes lie?
Speaker 1 (21:43):
What do you mean by that?
Speaker 2 (21:44):
The Steaks? Where's the money? Where's the money? Know where
the stakes at Steaks? Ain't in stand up for me.
I'm doing TV. The Steaks lie nowhere? The paper ad
know what? Know what means something of you? The Steaks?
No way it lie.
Speaker 5 (21:59):
Don't lie. Stand up for me. It don't lie.
Speaker 2 (22:01):
No, it lied on two TV shows right now because
that's who paying me.
Speaker 5 (22:05):
So nowhere your stakes slo.
Speaker 2 (22:08):
Definitely listen to what I'm saying, because a lot of
people don't hear you. They just listen to respond. They
want to make you wrong and them right. They want
to make I'm gonna make you wrong. I'm gonna be right.
So I don't hear you. I'm just listening to respond.
So everything you say, I'm gonna say back, something back,
(22:29):
something slicker back. I have writers like that. I had
to let them go because you don't hear me. How
you're gonna hear my voice? I pay you, you don't
pay me. I pay you, you don't pay me. You
better hear me? Do you hear me? How could you
know where I'm at if you ain't been where I'm from?
You know where I'm coming from? How could you know
I'm at if you ain't been where I've been, know
(22:51):
where I'm coming from? You know who made that? Who
said that? Where I got that Cyprus Hill? You told
somebody today that really struck me. You said you're overthinking it,
and it's true, you overthinking it. We keep this as
simple as possible. When you saw that people in your life,
you're gonna complicate it. Keep it simple, stop overthinking it
(23:14):
out of your own hand.
Speaker 5 (23:15):
It's not that as bad, not that as bad.
Speaker 2 (23:18):
As you know. I was.
Speaker 6 (23:21):
I was in the room, but I think we were
just overthinking it.
Speaker 5 (23:24):
Like yo, yayo.
Speaker 2 (23:25):
The mind is a dangerous place to be without a
flashlight and a gun. Buddy, see how of there, man,
some things you gotta leave in God's hands. That's what
my lady told me, that even in God's hands's gonna
be what it's gonna be. If this is my day,
is my day. Just because you lay down and go
to sleep, though, men, you got to wake up. Lay
(23:46):
me down if I should wake.
Speaker 1 (23:50):
Because you have to learn how to talk more than that.
Speaker 2 (23:53):
So I got close to guard than everybody in this room.
Speaker 5 (23:56):
You know what he told me. He told none of
your business.
Speaker 1 (24:00):
God, that was the good tell you something, but go
I tell you something, but you.
Speaker 2 (24:13):
Go back and tell nobody because he heard the conversation.
Speaker 5 (24:15):
You ain't here. That's what.
Speaker 2 (24:19):
You and your guard ain't nobody business, not even your
mom and your father between you. He heard the conversation.
You ain't here, So don't be telling nobody what God
told you. A lot of people, like my man said,
can't hold water. They can't hold water. A lot of
people a lot of snitch. And that's the thing now,
is to coach your snitching.
Speaker 1 (24:40):
Snitching. Yeah, that's like the.
Speaker 2 (24:42):
I'm not doing that.
Speaker 6 (24:43):
Kill a nigga, go rap about it.
Speaker 1 (24:45):
I killed.
Speaker 2 (24:46):
I'm not going to jail over no money. I ain't
going to jail over no woman. I'm going to jail
over my kids.
Speaker 1 (24:51):
See that's the gym right there. See that's a gym.
Speaker 5 (24:54):
And when I come in, I'm coming in of course
that line.
Speaker 2 (25:00):
If you want to those my babies, man, I'm laying
my life down for them. I told you I came
out that coma I had to fight. I want to
see my thirst shoes only eleven months old. And you
know what last year, last June People magazine called me
for a quote, and in that quote, I forgave the
driver live your life.
Speaker 5 (25:19):
Man.
Speaker 2 (25:19):
It was an accident. So I asked my doctor. I said, doctor,
I know the industry trucking, and it's based on greed.
If they don't get the goods there in time, they
don't get paid. Was that greed? He said, no, Tracy,
it's just poor judgment we are guilty of it.
Speaker 5 (25:37):
Ain't nobody here perfect.
Speaker 2 (25:39):
There's only one perfect person in the world that's a
perfect asshole, perfect ass You the perfect asshole, they said, punt,
They said Diddy, it was the perfect asshole. Did they said?
Puffy might be Washington Georgians and clipping toenails.
Speaker 3 (26:02):
You see you see Kelly singing for the inmates. Wives
like Yo, they just had that online. Tell my girl,
I believe if I could fly, you go up top.
You're dealing with the real case. I'm telling youngins all
the time. You gonna have the guns with the switches modify.
Shoot a million niggas when you go up top. Ain't
no switch modified? Yes, that ship. So a lot of
(26:26):
niggas don't know a body, A usual body could course
you like fifty thousand to start, you know.
Speaker 6 (26:32):
So a lot of niggas get in trouble and don't
have the money.
Speaker 2 (26:35):
That's why I'm off the streets because I'm gonna. I
grew I'm a grown man.
Speaker 1 (26:39):
Tracy Murk.
Speaker 3 (26:40):
This would have come down to, when you get to
a certain amount of money, you can't be having mad
girls at the crib. No, you can't be having wild
parties because the lawsuits are gonna come. No one, lawsuits
I trust, Yeah, lawsuits are Gunner, That's who I trust.
Speaker 1 (26:56):
Wife. You see.
Speaker 2 (26:59):
There you go.
Speaker 5 (26:59):
I don't playing no games.
Speaker 1 (27:01):
Mimi, ain't how your thing.
Speaker 2 (27:02):
And I know, come on, man, that's what I'm saying.
Speaker 3 (27:08):
You can't have the wild parties when your money's up
like that because not saying a woman.
Speaker 2 (27:13):
But woman, because some people don't grow anybody. Some people
don't grow up. You know, people like that. You know
people like that, they being a sixty still acting like
you seventeen. You know how many years you just wasted.
If you thirty still acting like you fifteen, you just
wasted fifteen years. I'm not doing that. I'm trying to
go forward. Ain't nothing back there. You know what's in
(27:35):
the past, A forest for horrors. I look in the past,
mass wheat, I got hit my trunks. You know, I
don't play the streets no more because that's where all
my trauma happened. My friends went to jail for life,
my friends got murdered. That's where all my trauma happened.
Speaker 3 (27:49):
Street anxiety, Yeah, I'm not with that, still have it.
I'm learning street anxiety.
Speaker 2 (27:55):
But everybody want to keep their age. They think it's
about that. You know, that's just your personality from birth
to ten. It's all personality development. That's who you're gonna
be the rest of your life.
Speaker 5 (28:08):
Yeah, your life.
Speaker 3 (28:11):
And these why niggas out here, they can't even really
shoot shout a lady in Harlem by accident shot in as.
It's like these niggas can't even shoot. They got switches,
and it's like, you look at the government, like what
the fuck is going on?
Speaker 1 (28:24):
Because now you can shoot more.
Speaker 3 (28:26):
Niggas with that switch on the back of that ship.
So now nigga catching two threebody.
Speaker 5 (28:31):
But when they get to switch, who created this swatch?
Speaker 3 (28:34):
Niggas getting on internet niggas, It's just it's gotta be
the government of somebody.
Speaker 1 (28:38):
You know.
Speaker 2 (28:40):
Let me tell you why music is not the way
it used to be in the seventies and eighties because
they replace soul with technology. People don't go to clubs
and dance no more back in the days. And you
gona bred Parrot Bentley's you is that you're gonna sweat,
help her them out, y'all gonna rock all night. It
wasn't know, it wasn't none of that. It was just
(29:02):
let the music take you where I want to take you.
You let the music take you where, and we want
to tell you why you don't why we don't got
no more block parties, what happening all of that? Ain't
no more clubs in New York since not loving they
shut all of that down.
Speaker 1 (29:15):
Tracy.
Speaker 3 (29:15):
The scammers are not renting busses. The drug dealers was
doing that. The scammers ain't doing that.
Speaker 1 (29:21):
Yeah, there's a little different. Scammers are like the new
drug dealers. We can say that right them niggas ain't.
Speaker 3 (29:26):
You ain't seen nothing one skimmer saydo let's get ten
busses and go to.
Speaker 2 (29:30):
You know where Vidy made his money, Familiar Reality because
a lot of his songs was based on old songs.
So he had the older crowd and a young crowd.
If you're a comedian, you ain't got no white people
in your audience. You ain't getting no money since when
we have money, since when sat in a lot of
the thirty rocks. No, my crowd is not even sent white.
(29:53):
And I'm still being meet still talk about niggas shit.
Speaker 5 (29:56):
And they love it.
Speaker 1 (29:57):
Look at that.
Speaker 2 (29:58):
They want to know how we survived the jungle. How
was it? I'm telling you. Everybody's interested. Oh that was incredible.
I had something we have to We have the record
for Emmy nominations. Tina Fey is my sister. I would just.
Speaker 5 (30:18):
She's my sister. Now we got another TV.
Speaker 2 (30:21):
Show, the same right as Robert Carlock, the same writers
to right in my show. So I'm probably gonna get
emmy behind this.
Speaker 1 (30:29):
Look at that that dope, but we have to shoot it.
Speaker 2 (30:32):
My co star is Randaw Daniel Radcliffe, Harry Potter.
Speaker 5 (30:37):
It's my co star. You know what it is to
be number one on the call sheet?
Speaker 2 (30:42):
Big. I got two TV shows on two major networks,
never been done before. So I'm in bad air and
I will not take that for granted. I will work
very hard. I will set the tone on my set.
This is not a team because teams lose. We got
to be a family, Hm, The Knicks got to be family. Family,
(31:03):
family eat together, we sleep together, we fight, we all you,
we laughed. That's family. You can't pick and choose your family.
You can pick and choose your team. But family is
family and that's how we got to do it with
the next like that, like y'all family, This guy's family,
man and the last life, the way your energy is
(31:25):
guaranteed in the last life, y'all.
Speaker 5 (31:27):
Probably brothers.
Speaker 2 (31:28):
He probably smalled his shell of somebody in the basket
cart because they said something.
Speaker 1 (31:34):
On the road like I don't believe.
Speaker 2 (31:38):
To me you my brother, to me, you are my brother,
because I don't believing friends. Friends turn the enemies over bullshit.
You turn you my enemy over a girl. You're my
anem over money after all that we've been through, the
Fuck you, nigga. You wasn't my friend anyway. So if
you're around me, you're my family. I'm believing friends. I
(31:59):
don't believe that they turn the enemies over nothing. You
all through history, you see somebody sapping somebody in the back.
Look what you just did.
Speaker 1 (32:08):
Hmmm.
Speaker 5 (32:11):
I don't believe in friends.
Speaker 2 (32:13):
If you were not murders, my nigga, you're crazy. Yeah, yo,
he know what time it is? Period that nigga asked
me one time to do this show? I said, where
when we're here? Now we're here. Now I'm not murder.
What did I say on the phone? I said me,
(32:33):
murder definitely facts, facts, And he was all that. I
thought he was gonna be told, who mother go with
the Brooklyn world stories murder.
Speaker 1 (32:52):
Over there, the.
Speaker 2 (32:56):
M brown It was worse of Brownsville, East New York.
I was scared that he's no, I'm not going across
Mother Gaston.
Speaker 1 (33:08):
East New York was worse.
Speaker 5 (33:09):
New York was worse in Brownsville.
Speaker 2 (33:13):
You know, the right, of course, I lived in that
building in fair Fast they had all the holes over
the Yeah.
Speaker 5 (33:22):
My aum was getting high.
Speaker 2 (33:24):
I gave him for jums to playhouse with my little
girlfriend back in the day. It's seventeen years old. Playhouse
my little girlfriend for look out of the credit fair Fast.
My life is crazy, man, My life is crazy. I
lived in Cony, No, I asked my moms. I said, Ma,
(33:44):
but I was born. Did we go straight the best start?
Because how my father met in Tomkins and she she said, no,
I took you straight to Coney Island. So me and
Marlbury because I lived in Marlborough with y cleft was
from Marlborough courtet from my yet. Yeah, and then we
moved over here when I was nine. We moved the time.
We moved back to Tompkins when I was nine because
(34:06):
when my father said, she want to be next to
my moms and both of my grandpa my grandparents. Both
sets lived one floor apart, and my man I lived
on the church one grandparents said. The grandparents lived on
the twelve. My best friend Al got murdered, lived on thirteen.
Then my mother and them lived on fourteen. So I
was raised around a lot of love family. You know
(34:27):
what I'm saying. So and my father was Richard Bryant, funny.
He did comedy in Vietnam. So I'm just mimicking my dad.
I'm just mimicking. My dad was a musician. Never seen
him have a job. He was always the leader of
the band, and he was funny. So my friends knew
what I knew about girls. But when I was around
(34:48):
under my father and his friends, hearing them joking all that,
that's where I get it from. My dad died in
eighty seven and ads I dropped out of high school
to take care of him.
Speaker 5 (34:57):
It's all of my documentary on Vice TV.
Speaker 1 (35:00):
We got to Vice TV. Yeah, gotta check out that documentary.
Speaker 2 (35:04):
I remember when I first saw it, I started crying
because it was so accurate. It was my life, Like
when I got on S and L and I thought
I was being coach, really isolated because it's like the
whitest thing on TV. And then one morning, about three
o'clock in the morning, I had to talk with Lauren Michaels,
and Laurenn Michael said, Tracy, I didn't pick you because
you're black, pick you because you're funny. And when he
said that to me, I let go and let God
(35:26):
look at that and that's when I'm in the ten
Tina Fay and Tina Faye is the one judged Judy
and all that. She blew me up and I just
started going and then I thirty I. First I had
to Tracy Morgan Show in LA. That's when I lived
in LA with Marcy Cercy, same ones that did the
College show. I had that show on Tracy Morgans Show
on the NBC. Then I got canceled out the year
(35:47):
Tina fake kp asked me you want to do thirty
rock with me?
Speaker 5 (35:50):
And I said hell yeah, and that yo.
Speaker 2 (35:53):
Ever since then, the last oh ge I produced, I write,
but I when I before I got hit by the
true up, I was writing a show and then after
I came out to coming on that when y'all was
home watching the Emmy's, I was at the fourth seasons
on DALHEMI with with Jordan Peele, picturing him my idea
and then that's when he came up with the last O.
(36:15):
G did fifteens and Tiffany had shoot my baby mother
had when it was Dope you was going to be
on eventually he was going to be on an Adventually.
My last season, I had d MX on my show
and the next day, the day before he was supposed
to appear, he died and I had to replace him
with Wood See Life DNX is my guy. I met
(36:44):
see him for Harlem my guy Dog. Yeah, he was.
Speaker 5 (36:48):
He was massive.
Speaker 2 (36:49):
I think he might have been maybe the closest thing
in Tupac because he was radiped.
Speaker 1 (36:56):
That for the radical radical at me dog.
Speaker 5 (37:02):
He was radical. It was radical shows.
Speaker 2 (37:07):
And when my comedy I try to be radical, I'm
in front of all these white people.
Speaker 5 (37:11):
I'm doing me. I got to do me.
Speaker 2 (37:13):
I don't know how to do nobody else I could
do me A mart Lawrence didn't put me on mont
Demont's show.
Speaker 5 (37:19):
He didn't put me.
Speaker 2 (37:20):
I did because if I wasn't funny, Martin wouldn't have
fucked with me, right, he only fuck would look the best.
So when I had to Tracey Morgan show that two
little kids, the little kid was up saving me on
the show. I didn't mind because it's benefiting us. So
they had the NBC called me in one day and
he was thought he was being smart.
Speaker 5 (37:40):
You know how smart I was?
Speaker 2 (37:41):
He said, So I had a little kid is upstaging
you on your show. I said, well, if he ain't,
I don't want them on my show. I only fuck
with that if he If a little kid can't upstage me,
I don't want them on my fucking show. I only
fuck with the best little kids and animals supposed upstage
you because they're so cute.
Speaker 1 (38:00):
It's crazy.
Speaker 2 (38:01):
They's so cute, that's a fact.
Speaker 1 (38:03):
Because it's like the comedy world change.
Speaker 3 (38:05):
It's like a lot of motherfuckers ain't funn no Instagram.
Speaker 2 (38:09):
I'm not doing no comedy to my phone. I need
a live audience. Comedy is the only thing you cannot.
If Eddie Murphy was to come back, he would have
to start at the clubs just to get his act together,
and for him to get from the door to the
stage would be hell. He's too old for that. He's
a grandfather. He don't deal with us. So I messed
with a legacy that's so really tight. He's Addie. It's
(38:32):
harder how hard it is to get people to the
movie theater doing stand up? He did that.
Speaker 5 (38:37):
He got the record, Kevin Udo got he got the record.
Speaker 1 (38:40):
What's your favorite Eddie Murphy movie? All of them?
Speaker 2 (38:42):
I'm not leaving nothing now. Eddie's a genius. I'm just saying,
they gotta be a favorite, because you gotta. I'm gonna
go and trading place. You know what. You know me,
you know you weren't on the favorite one. I love
the when I was in coming to I was just
about saying that whether you know, left that record that
movie Coming to America because it showed female empowerment. I
(39:04):
empowered my woman. Man, I support her. Michelle and the
Bill go for go for it. I got your guy,
go for it. But we need to empower that. You
got a woman, empower her, Sam Babe.
Speaker 3 (39:22):
Now we can't even say there is one because Beverly
Hills cod coming to America.
Speaker 5 (39:27):
What I was in was Coming to America too.
Speaker 2 (39:29):
And I mean the best part I like, and I
told Eddie this recently. The best part of that movie
is when J. G. Fall was his name, j J's father.
He was in he was MC doubt. He was talking
to Eddie. He was talking to Eddie and he said,
what do you think your mother would saying she was here?
And that made me cry. What do you think because
(39:52):
she died years ago? What do you think your mother?
I always thought she was the smartest. Uh, Eddie what
his last name was, And what do you think your
mother will say, like, go, wow, that's heavy. There's always
your wisdom, man, got to bely knowledge, wisdom bring forth
understanding and understanding is the highest level of love and
(40:15):
the Lord's kingdom. And the great thing about understanding, you
don't understand the means the absence of confusion. You know
what the absence of confusion is. You know the absence
of confusion, peace of mind. We all know why we're
hearing it. Confusing about wise is on the stage. We
ain't confused about that. We know what we gotta do.
(40:37):
We gotta kick it and sometimes we gotta listen. It's
the reason why God gave us two eyes, two ears,
and two nose of one mouth.
Speaker 7 (40:44):
He gave you your mouth. To shut the fuck up
and listen. You're always trying to overtalk. You're always trying
to overtalk. Yah, shut up and listen.
Speaker 2 (40:55):
For all the time.
Speaker 1 (40:58):
You know what I'm saying.
Speaker 4 (41:00):
I heard you mentioned Martin was your o g right,
how you felt about Cat Williams coming down mom and
all that ship like that Williams talking about Okay, all right.
Speaker 2 (41:12):
Martin's already said. Is that legacy even with Martin loves cat.
Oh right, got you, Martin loves Carot. I love you.
That's what you gotta do. Love your enemies too, show
some mercy. Earlier definitely said that I'm just like you.
I'm just like you, y yo. And the minute you
know that and make you a better human being, it'll
(41:34):
put mercy in your heart. Just because you got your
enemy down, don't mean you got to kill him.
Speaker 5 (41:39):
Help him up.
Speaker 2 (41:40):
You're already defeated him. My father is always telling me,
you don't look down on nobody else. You're gonna help
him up.
Speaker 5 (41:46):
That's right.
Speaker 2 (41:46):
Say that in the Bible the minute because better human beings. Man,
I try to live by side. Listen, man, I face death.
I got closer to the guard than all your I
mean ten days in the coma, you think of counting
days I was out. I was out. So I'm just
fortunate to be here. I don't believe in luck. If
(42:07):
you want luck, go to Atlantic city, go to a Vegas, nigga.
I'm fortunately. I'm blessed every morning when city go to Vegas.
Speaker 1 (42:17):
You want Luckigga?
Speaker 2 (42:18):
Every morning I open my shades, even on the cloudy
day like to day, I say this son might not
be out. But it's up The rest is up to me.
Your decisions, man, your choices. Y'all made some great choices.
Think about it. Yeah, Yo, where you at in life? Man?
You made some great fucking choices. Youtubects great choices. Think
about it me. Look they where you at? We in here,
(42:40):
everybody in this room being productive. Time is the most
powerful thing in the universe.
Speaker 5 (42:46):
Time.
Speaker 2 (42:47):
When they want to punish you, what they give you. Time,
when they want to reward you what they give you.
Speaker 5 (42:52):
Time.
Speaker 2 (42:53):
You can live thirty years with cancer. Time you got time.
I don't got time for that time. So I think
when we expire and we go to his kingdom, he
gonna ask us, what the fuck did you do with
the time I gave you on Earth? Did you help
or did you hurt? Did you think about anybody else?
(43:14):
Or did you think about yourself? Nah, you got to
do something with your time.
Speaker 5 (43:21):
Stay productive.
Speaker 3 (43:24):
Yes, you know you are courtside Tracy at Madison Square
Garden and you in the v I P with James Dolan.
You know this guy owns the Knicks, he owns the Rangers,
he has guard in the dreams.
Speaker 2 (43:37):
So why you don't talk to him? Why you know
what I'm saying, thank you for letting me be here.
Speaker 6 (43:42):
When the big money is there.
Speaker 2 (43:43):
Sometimeship with him, you can't buy your friendship the money.
You just said.
Speaker 1 (43:53):
Hi, Next time I see him, I'm.
Speaker 2 (43:54):
Gonna say how you doings?
Speaker 6 (43:56):
So what I wanted to ask you is when you
got sick.
Speaker 5 (44:00):
Unfortunately he allowed me to come back.
Speaker 2 (44:02):
Now, if I was sitting there drinking bear, it would
have been a different story. I got food poisoning that
could have happened to anybody in that arena, and he understood,
and he put out a post when I was in
the hospital. I was in the hospital three days after that.
I started threw up one hundred and three times.
Speaker 1 (44:16):
That night.
Speaker 2 (44:17):
It got worse when I got to the hospital. Now
with the hacking sack, I threw up one hundred and
three times and only blood was coming out. God, and
then it.
Speaker 4 (44:25):
Was hot dogs, some bad No.
Speaker 2 (44:29):
No, I don't want to say no, no, no, no,
no way, no way. It had nothing to do with
the garden. I was sick three four days before that
copy I didn't feel well, and he put out a
post saying that they couldn't wait for me to come back.
And that night, that next night, when I got there.
Josh Hart called me in the hospital because I did
the podcast. I did that podcast him and Jail after
(44:51):
Josh Josh, yeah, man, great people, man, And I'm just
like y'all great people. They don't know that the world
don't know that they're seeing us. They're feeling the energy
for the time.
Speaker 5 (45:00):
Man, feel energy.
Speaker 2 (45:02):
So you get rid of your fear of what the
people want to hear, what they do want to here
because you don't know. You put talent in front of them.
What y'all doing now, You're putting talent.
Speaker 5 (45:11):
In front of them.
Speaker 2 (45:13):
That's all they want. Definitely, talent. Put it in front
of them. That's how you make this show successful the
way you want it. You got to get the talent
and put it in front of them because they're going
to see a part of them they don't see. They
seeing a part of Tracy Morgan. They don't see they
see the funny dude. They don't see this. Definitely. I
(45:35):
just thank the Lord that y'all allowed me to come
on this show.
Speaker 1 (45:38):
We appreciate it. You appreciate having.
Speaker 2 (45:42):
That's fun.
Speaker 1 (45:43):
Appreciate it.
Speaker 2 (45:44):
And I got to get to talk a little bit
and my perspective on things in life and all those dings.
I'm here with my lady.
Speaker 5 (45:53):
That's awesome to me. Definitely, it's alright with me. She's
a good.
Speaker 6 (45:58):
Person, definitely. Man, that's a mat man.
Speaker 2 (46:00):
Yeah, and that's what you want because we ain't getting younger.
You get older. I don't have time for games like that.
I found my funny out there, y'all. Get y'alls out there, y'all.
Stuff is out there. People hear it.
Speaker 1 (46:17):
Definitely.
Speaker 2 (46:19):
I've seen the video dominant.
Speaker 1 (46:24):
With that risk. But what the fuck is going on
over damn.
Speaker 2 (46:26):
Man forty seventh Street, right down the block forty seven.
Speaker 1 (46:32):
After it's hot?
Speaker 4 (46:34):
He just said, see your video free free Rod Digs.
Speaker 6 (46:41):
You know what's the craziest Rod Dick story. We was
out the country.
Speaker 4 (46:45):
I think we was ink happened a white boy came through.
Speaker 1 (46:51):
Front of the hotel blasting the music.
Speaker 3 (46:53):
And I'm like, murder, that's you. He's like yeah. Then
I'm like, who's that. He's like, Yo, that's Rod Digs.
Speaker 1 (46:58):
Definitely, you know what I'm saying. Big, So he was right.
Speaker 2 (47:02):
Man, My Digs was nice. He used to be talking
that ship man free Rye Diggs.
Speaker 3 (47:07):
He was, you know the Brooklyn niggas they go to Brooklyn,
and the Bronx niggas they kind of all the young
niggas they go to jail before they blow.
Speaker 6 (47:14):
When you really look at the format.
Speaker 2 (47:15):
A Brooklyn, Brooklyn, Brooklyn, Brooklyn, most of market. I mean,
I've been to the island twice. Man Brooklyn. That was
like a right of passage to go to you know
what I'm saying, big age, all of our school to
write a package. You was doing what you saw the
dudes in your age doing. He was doing just what
(47:35):
you saw. We was kids about these kids in the eighties.
Then I ran away from home at thirteen years old
and slept on an a train for two nights by myself.
Speaker 5 (47:48):
I was old.
Speaker 2 (47:49):
I was smart enough to know when I was that
little to sit next to the older black.
Speaker 5 (47:53):
Woman and act like she my mommy. I know when
to ride the front of the car.
Speaker 2 (47:58):
To stay safe because back in, because when you like that,
you don't recognize danger.
Speaker 1 (48:02):
You got to think smart to pantation.
Speaker 2 (48:05):
Don't recognize danger that like my mom's on the grandmother
know about the front. Then the last thing I got
out in the East New York and slept in the
alley next toroal Green. Then I went to my dad
and when I remember, like it was yesterday when he
opened the door, I ain't see anger.
Speaker 5 (48:21):
That so hurt. This is my kids. I was getting
two three beatings a day.
Speaker 2 (48:27):
Man. I couldn't take no more because if you're the
first person in my life punk at me, what you
think the world's gonna do to me? And I got
tired of being scared.
Speaker 5 (48:37):
It takes balls to go for your dreams.
Speaker 2 (48:41):
We got balls, man, It takes balls to go for
your dreams, because you know what stopped us one new thing,
the word if what if it don't work? But motherfucker,
do something else? If every day you know what my
plan B was, there was none. I got to get on.
I'm from best start doing dies.
Speaker 1 (49:03):
God, my baby, he like his Brooklyn to trust me. Brooklyn,
Brooklyn is to die. It's a Brooklyn episode for that
is right. I'm glad you know. And for the record,
this motherfucker was born in Brooklyn, Tracy, he was born.
Speaker 5 (49:19):
He was born than you.
Speaker 4 (49:21):
That's right, that's right, you know, slap him down for
that murder while you going around. Don't do that no more.
Shut after dies. That's my niggah.
Speaker 1 (49:36):
You was late. You didn't know, but you was late.
And you know we found out speaking.
Speaker 4 (49:41):
About Knaves saw to my nigga nas speaking about Naves,
we found out why you was late.
Speaker 2 (49:46):
Let me even people will get Nis and Tracy Morgan
his cousin.
Speaker 1 (49:50):
That ship.
Speaker 2 (49:52):
That's what it was, my cousin. You know what I'm saying.
Speaker 1 (49:53):
Look at that.
Speaker 5 (49:54):
I don't call him now. I call him Esco.
Speaker 1 (49:56):
Look at that.
Speaker 2 (49:56):
And we love each other. Man, I love no No.
So we spoke them about two hours ago. I was
on the phone with him. You buy a general boat,
you have two good, two happy days, the day you
buy it and the day you sell it.
Speaker 5 (50:09):
Or they drink money and drink money.
Speaker 1 (50:12):
That's the same ship. Fifty be saying, drink money about
jet ship.
Speaker 5 (50:16):
Drink money.
Speaker 2 (50:17):
Fifty producers. Fifty is the production he produces TV shows.
He makes TV shows.
Speaker 6 (50:24):
Well, if he don't put me in a movie, I'm fucking.
Speaker 2 (50:29):
Yo. But if you ev you can't be here in
the movie because I'm gonna play you against character bett
your comfort zone.
Speaker 5 (50:38):
Yeah, you have to. You have to.
Speaker 2 (50:41):
That's a natural, that's a that's your process. Look at fifty.
Speaker 4 (50:46):
Put me in the movie with boost Willings playing like
a uh he was a teller trying to make fun
about that fifty put me in the movie with Boot
Willers and he had me playing the army truck.
Speaker 2 (50:59):
Gud.
Speaker 4 (50:59):
You know the money. I'm protecting the money. So he
was based out of my comfort zone. He was some
bump ass movie fucking swat to right and this motherfucker
just being himself. No regular street ship.
Speaker 1 (51:11):
How you do it? You gotta step out your comfort zone.
Tay shot like.
Speaker 5 (51:18):
This.
Speaker 1 (51:19):
This is what I'm trying to tell me. If you
get shot in the movie.
Speaker 4 (51:22):
Or TV, you're not really because it's about five minutes.
About the five minutes you have five minutes stands up.
I should do stand up. I'm ready, man.
Speaker 5 (51:33):
You should try it.
Speaker 1 (51:34):
I'm gonna try it.
Speaker 5 (51:35):
Try everything once.
Speaker 2 (51:37):
Just murder the question you.
Speaker 1 (51:43):
You don't want murder, imagine murders in the crowd, and I'm.
Speaker 5 (51:46):
Just gonna you don't know how to do it. You
can't do.
Speaker 2 (51:49):
That you wantigg Let me tell you how you never
you ever got boom, never know they will turn against you.
So what you're gonna do is get them on your side.
I will teach you. I will go out with you.
Speaker 4 (52:02):
Did you ever get book that I don't remember.
Speaker 2 (52:05):
I got a million standing ovations in front of ten
thousand and five thousand people. I don't even remember the booze.
Speaker 1 (52:11):
Look at that.
Speaker 5 (52:12):
I don't even.
Speaker 2 (52:13):
Remember the bombs man, Because that's when I learned. I
gotta go back to listen. The winning team don't celebrate.
The winning team is in the locker room cursing guard out.
The winners are celebrating the winner. The losers got to
go back to the drawing board and see what we
ain't play defense.
Speaker 5 (52:31):
We gotta we gotta do it over now. It's when
I learn when I bombed.
Speaker 2 (52:36):
In the beginning, that ain't never happened now, But in
the beginning, yeah, bombed. It happened often, but I bombed
because that's what I learned. I'm gonna right there. I'm
right up right now. But it's here, all right now.
But it's here. Comedy ain't like hip hop, where you
could be jaz I ain't never right. They get the
(52:57):
fuck you you rote Biggie Rope y'all, y'all ain't that
much of a genius.
Speaker 5 (53:08):
You're right, you right, all right right about jokes.
Speaker 2 (53:11):
There's no way in the world I could do two hours,
and I remember right on the teleprometer. I know my listen,
comedy is basic, primise, set up, punchline. That's all you
gotta remember. And that's what I would teach him. You're
not gonna get up here and just snap on it,
and that ain't comedy.
Speaker 5 (53:30):
Primise.
Speaker 2 (53:31):
Come over with the primise just like you, right, hipop.
He can come on with your premise. What you go,
mam about. Then you got your premise set up. How
you're gonna set them up. You're gonna set them up.
How you're gonna set them up. You're gonna load them
in and then you lower the boom. That's the punchline.
I would definitely go to your commedy. I will go
to your comedy. You wanna talk about you wanna talk
(53:51):
about sex. That's what I want to talk about. Relationships.
That's what I do because you know why, because we
all do the same ship and you just talked about that.
I'm just like you. When I take a ship, I
lean on my left to wipe my ass.
Speaker 1 (54:06):
Just like you.
Speaker 2 (54:08):
Well, I look at him before a flush, I look
at the toilet paper just like you, because you like
that's your measurement.
Speaker 5 (54:16):
You gotta fall again sometimes you Michigan little do the right.
Speaker 1 (54:20):
You smell.
Speaker 5 (54:26):
That, you look at it before you flush, you look
at it. And the minute you know that and make
you a better.
Speaker 1 (54:33):
Human being, you drop many man.
Speaker 2 (54:38):
Definitely, no, No, whenever we kick it, when whenever we
around each other, let's we kick we always. People gonna
be seeing Tracy and murder Tracy and ya yo talking
and then their mind's gonna be means and people around it.
Speaker 5 (54:50):
In they mind, they're gonna I wonder what they talking about.
I wonder what the yeah, and then you go, yeah,
we talking about getting money? Yes, talk.
Speaker 2 (54:58):
You can make anything up after that because they don't know.
Then don't why none of their business were kicking it
when you eat dropping on us money while you standing there.
I tell you, man, I was wound when I was young. Man,
I was just like them, carrying burners and all that.
Come on, man, I was wild. I'm glad I grew
out of that because I probably would have lost my life.
Speaker 1 (55:20):
Yeah, be in jail for the rest of it.
Speaker 2 (55:22):
Yeah, we know that, we know that. I told you
I don't mess with the streets. That's all all my
trauma happened.
Speaker 1 (55:29):
Too much technology.
Speaker 2 (55:30):
Tupac got shot going in the quad, going in to
make music.
Speaker 1 (55:37):
Weird.
Speaker 2 (55:40):
Think about it. Tupac got shot in quad. You got
to be careful, man. I don't go to clubs no more.
I ain't been in the comedy club in four or
five years. I got writers, Like my man said, I
don't write bro, I write check. I got writers, And
(56:02):
you know, I surround myself with people who do this
as a necessity. They need to do this. You ain't
gotta write rhymes no more. Surround yourself with some casts
that do this as a for necessity. He gotta do
this to pay his rent, so I'm gonna get the
best out of him. I surround myself being I'm Tracy
(56:23):
Morgan with people who need to do this as a necessity.
Speaker 5 (56:28):
I ain't got time for it. I don't. I don't.
Speaker 2 (56:33):
I got to take care of my family and all life.
I got real life outside show business. Is this much
of my life.
Speaker 5 (56:39):
The rest is my wife, my fucking kids, all that
real life.
Speaker 2 (56:45):
I helled on that because when you don't deal with
reality no more, when you locked in a character, he's
not murdered all day, He's not yayr all day. He
don't got the energy for that.
Speaker 5 (56:55):
Imagine if Busterer was Buster all day.
Speaker 1 (57:00):
All day, because he might be busted.
Speaker 2 (57:04):
You know, sometime where does Superman live? Where does Superman live?
In the fortress of what solitude? Sometimes we all need
a place to just go think it needs a place
to go. Think, Man, I can't. I don't got the
energy for that.
Speaker 6 (57:20):
What Superman Richard prior was in.
Speaker 5 (57:22):
You know, I forgot four Superman.
Speaker 1 (57:25):
I think it was three.
Speaker 5 (57:26):
I think it was three, I remember.
Speaker 2 (57:28):
But that was when Richard. That was when Richard was
going down and all that. Eddie was just talking about this.
Speaker 1 (57:35):
So Eddie, don't watch the Classics. I watched the Classics.
Speaker 2 (57:40):
We was watching Richard when he was filming uh stir crazy.
He was going in on Jean Wilder, cornerwall colored all
this crazy ship. He was hard as the kite. And
then Eddie said, see that Richard, he's a motherfucker. Then
he set itself on fire and we never saw that Richard.
Speaker 5 (57:59):
And again I never saw that. Richard again started doing
things like the.
Speaker 2 (58:06):
Toy ship like that, the toy I like that toy.
Speaker 5 (58:09):
I like the toy Yeah, but that wasn't Richard.
Speaker 1 (58:15):
That's a Christmas.
Speaker 5 (58:16):
You gotta see Blue Colly. You gotta see the Richard
and the Richard.
Speaker 6 (58:20):
You didn't like Richard and Superman three love Richard.
Speaker 2 (58:22):
Richard is marking the toy is Those are the movies
at the end with the minds at the end. You
gotta see the Richard before that.
Speaker 5 (58:31):
I watched the Richard before that.
Speaker 2 (58:37):
You know, Carl Washing was.
Speaker 5 (58:38):
The first o G. You remember the dudes put the
put the gun down the Abdul.
Speaker 2 (58:43):
Remember that guy that was like, that's the definition of
a o G when you stir the youth in the
right direction. Because today he said put the gun down Abdul.
Speaker 3 (58:56):
Because you know why Superman three. You know I was
a big fan. Everybody was a fan, every Superman.
Speaker 5 (59:01):
Yeah a kid.
Speaker 6 (59:02):
So when he dropped Superman three when he was in
it and ready to do.
Speaker 5 (59:06):
That for the money because he was broke. For the money.
Speaker 2 (59:12):
Whenever you do anything for the money, you.
Speaker 1 (59:16):
Don't do this for the man.
Speaker 5 (59:17):
You love the hip hop, you love this ship, you
can it'll.
Speaker 2 (59:21):
Kill you if you do it for the money. Man,
I ain't doing I don't do comedy for the money. Man.
It's work at the post office. Man. I do this
because I love to do it. I ain't got to
do this no more. I got about Walmart truck. I
ain't gotta do this no more money. I I love it.
Speaker 5 (59:40):
Because I do it because I love it. And if
I have comedy, I'll probably die.
Speaker 6 (59:44):
Wow.
Speaker 5 (59:46):
If you ain't have help her, if you ain't have
hip hop, you ain't have, you probably die.
Speaker 2 (59:51):
Say about it. Think about your life. Take stop, think
about your life. I love doing this. I get off
of watching him laugh and him laugh, when you laugh
and you laugh, and all y'all we had this. I
just whole bomb life.
Speaker 1 (01:00:04):
I guess it was turned up when you was late,
when you wasn't here, was started. I should have started.
Speaker 2 (01:00:14):
Is gonna laugh. They're gonna get a kick out of this.
Speaker 1 (01:00:16):
I would have started.
Speaker 5 (01:00:18):
I know you would have started with out me.
Speaker 1 (01:00:20):
I know I know how you would. I would have started.
He would have started about me.
Speaker 5 (01:00:24):
You know, you know for me. You know I'm gonna.
Speaker 2 (01:00:28):
I'm gonna say it when we when this is over,
I'll tell you. I got to talk to y'all. I
gotta tell y'all something. When this is over, I gotta
get ready to go home and watch the game.
Speaker 1 (01:00:41):
Make some noise, mother in your time.
Speaker 2 (01:01:00):
Luck surviving the offseason football fans.
Speaker 1 (01:01:03):
At first, I was afraid. I was petrified Football's over.
It's like a part of me just died inside two.
Speaker 3 (01:01:11):
Hundred these two foot bowls back.
Speaker 4 (01:01:13):
But tonight I won't just cry because I've.
Speaker 1 (01:01:16):
Got always to play. And that's the placement hard rock
bed I.
Speaker 2 (01:01:20):
Survived, offered by the Seminal try Beflorida. Must be twenty
one plus in physically president in Florida. I'll wage your
terms of conditional plot.
Speaker 1 (01:01:26):
If you are someone you know as a family problem,
please call one eight three three play wise
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