"ChuckleHut 3000 On The Corner Of Butt And Ass" (w/ Sarah Sherman)

There's a tonnage of laughter on this one as Sarah Sherman is back! Her special, Live + In The Flesh is streaming on HBO Max, so the child has popped by a get blackout drunk on about four sips of Martini and get through almost a whole a hand of topics. You will have several Big Osaka Laughs and be Sent Boots as a result of your listening experience. 

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
Look, may oh, I see you. Look over there is
that culture. Yes, goodness, lost culture ding dong, lost.

Speaker 2 (00:12):
Culturistas calling Familia pizzas back.

Speaker 3 (00:16):
Yeah, yeah, remember the.

Speaker 2 (00:17):
Familiar pizza on Eighth Street is painful to remember it.
I guess that's what nostalgia is, right, looking back in
sort of pain, remembrance and more. There's so many examples
of that in that area of New York. I don't
go down there that much, so you don't miss the
vapiano like I do. Well, there's vapiano in all over Europe,

(00:39):
that's true, and I think parts of Japan.

Speaker 3 (00:42):
You were just in Japan, you were Our guest was not. Yeah.

Speaker 2 (00:47):
Well, immediately when I saw the guest, I was like,
have you ever been to Japan? And it's the most
She collapsed into a puddle on the ground. I was like,
I have fomo and I was like, I'm just letting
you know. That's for good reason, because you would have
thrived and more there.

Speaker 4 (01:02):
Am I allowed to speak?

Speaker 2 (01:03):
If you speak, you can speak? If you speak, turn on?
If I speak, can I say? One of the great
expressions is if I speak.

Speaker 4 (01:14):
Would use I would like to say something?

Speaker 3 (01:17):
Okay, why don't we just bring her in.

Speaker 2 (01:19):
You can watch her HBO special her truly artful. I
would call it a masterpiece. This pee week Cronenberg, which
I want to talk about with you.

Speaker 4 (01:32):
Berg.

Speaker 2 (01:32):
It's friend dresser, it's horse spelt, It's everything that is
good about the world and comedy and art, and that
is what I put into this person.

Speaker 3 (01:44):
I guess you can watch her on Saturday Night Live as.

Speaker 2 (01:50):
The wait wait wait, wait wait, this is this is
my impression of our guest in this most recent episode
tausand that was good.

Speaker 3 (01:58):
I would love to through the sent there.

Speaker 4 (02:01):
I was coached.

Speaker 3 (02:02):
You were coach.

Speaker 2 (02:03):
Everyone, She's my coach in life. Everyone welcome, Sarah Sherman coach.

Speaker 4 (02:10):
Get off the bench, girl and get on the field.

Speaker 5 (02:12):
On the girl.

Speaker 4 (02:14):
I want to say something. I as as jew as
someone who's speaking of the experience of having been a
Jewish person, having.

Speaker 3 (02:22):
Having been an experience of being a Jewish first.

Speaker 4 (02:25):
Has the experience of speaking from the experience of Jewish.
I have never really been anywhere that wasn't like for work.
What do you mean, like, where have I ever gone
that wasn't like I have a show?

Speaker 3 (02:38):
You've been on vacation, You've not done like a big trip.

Speaker 4 (02:43):
When was my trip? When would my trip have been?

Speaker 3 (02:46):
I guess your trip would have been.

Speaker 4 (02:48):
This is what my trip would have been. Literally, unless
I'm doing a show at like the chuckle hut three
thousand on like the corner of like button ass, I'm.

Speaker 2 (02:55):
Not going chuckle thousand on the corner of but as
that's the title.

Speaker 3 (03:00):
You know what we were talking about.

Speaker 2 (03:02):
Actually when we were there, we were talking about how
Osaka is actually the comedy city and the difference between
We were talking about the difference between or our tour
guide was saying, the difference between a laugh in Kyoto
and a laugh in Osaka is this. In Kyoto they're like,
that's funny as we are, and Osaka they do what's

(03:23):
called a big Osaka laugh like this, And I said
that your city your.

Speaker 4 (03:34):
I've started to get like really self conscious at table
read with my thrown back in laughter cackle, because now
that I don't have my sister across the table.

Speaker 3 (03:46):
He's a big one, has a big volume. I know. Well,
you and I were matching volume, which you're welcome table.

Speaker 4 (03:53):
Yeah.

Speaker 3 (03:53):
We were always supporting and it's not performed, it's not performative.

Speaker 4 (03:59):
I worry people think it's performative. Now that I'm alone
in the castle.

Speaker 3 (04:06):
So they've already forgotten Bowen.

Speaker 2 (04:09):
Joe calling text to me week one at post hiatus,
he was like, whoa table was really weird without you,
It's really weird. You do have like a big energy, boys,
And one of the things I love most about you
is you're not shy.

Speaker 3 (04:24):
Now, you're not shy at all about sharing your.

Speaker 2 (04:25):
Laugh big bow and yang osaka bello big occa osaka
laugh and answer.

Speaker 4 (04:32):
And when you did it, you want Yeah, I was
sort of giving, like like like victorious you say, I say,
victorious villain. It's really made me. Why do I throw
my head back and cackle?

Speaker 3 (04:50):
It's easier to open your mouth that way. Try doing
it like this.

Speaker 6 (04:55):
Way.

Speaker 2 (04:55):
Harder to open your mouth with your chin on your neck.
It's actually culture number at nine, your mouth on your neck.

Speaker 4 (05:02):
Well, I'm trying to think about second. Somebody off like
this savor.

Speaker 3 (05:06):
Laugh among your You're saying who's your favorite versus damn.

Speaker 4 (05:11):
You are my favorite laugh? And I'm gonna say why.
And this is about me and making it about myself.
I was the greatest Catharsis of my life was provided
to me by one mister Bowen Osaka Yang. When I'm
like five seconds before my HBO comedy special premiere, I'm.

Speaker 5 (05:30):
Going, why would I do this?

Speaker 4 (05:33):
I'm like, why would.

Speaker 3 (05:34):
I get watch.

Speaker 4 (05:37):
To watch our stand up comedy special? Just just see
like two people not laugh and it's just me, you
know whatever. So and you know famously, I have maybe
one Martina and I'm blackouts to the stars. I was
actually wondering if we should get blackout for this.

Speaker 2 (05:55):
Yeah, but yeah, no, sure, and we could probably get
something in here, Gode give me some martinis.

Speaker 3 (06:02):
I had, there is champagne. Let's do it.

Speaker 4 (06:07):
No, here's my problem. No we have we can't because
last night I was taken down by a grain of salt.

Speaker 3 (06:14):
Let's let lets let's get them. Let's let's get them in.
Let's get them.

Speaker 2 (06:18):
No worries about fly them in. Whenever open the door,
I don't care. Thank you guys, love you.

Speaker 3 (06:23):
Actually this is.

Speaker 2 (06:24):
True dedication, and honestly I believe that they're going to
come through. Can I say you peek behind the curtain?
Ina comes through so hard. You may know her at
home as the woman who she's she's a power player.
Here she ran in during the Ariana Grande episode because
I believe I shoulder was an Ariana shot, and she said,
she said, I don't care what's happening. I'm running in

(06:46):
there because we have something to fix fixed it and
we're grateful.

Speaker 3 (06:50):
For So she's getting martinis in here. Thank god, someone's
a professional.

Speaker 4 (06:54):
I was going to tell you when you were like,
what do you want to talk about today? I was like,
I have something really big to tell you.

Speaker 3 (06:58):
What is it?

Speaker 4 (06:58):
I was realized saying that my constitution is so sensitive
that I literally was psychically taken down last night by
a grain.

Speaker 3 (07:10):
What did you talk about this?

Speaker 2 (07:11):
And when I say talk about this point, I mean
explain it in a way that anyone can understand.

Speaker 3 (07:17):
What is it?

Speaker 4 (07:19):
No one knows this. If I have like in my lips,
like resting inst a martini glass, I'm eighty nine. Sheees,
it's like it's like twister, it's twisting the cow getting
picked up.

Speaker 2 (07:36):
Has it always been like that? Or is this something
in you'll say it? Are approaching middle age?

Speaker 4 (07:42):
We couldn't possibly be. We're old as we're old as
father talking.

Speaker 3 (07:47):
How old are you? Do you share that information?

Speaker 4 (07:49):
Yes?

Speaker 2 (07:50):
I do. You're three years younger than us You're still young.

Speaker 4 (07:55):
But doesn't it? Can someone tell me? Can someone tell me?
I don't look at day Over.

Speaker 3 (08:00):
You look you are ageless. I don't want to tell her.
She wants to hear that she looks young. There you go.

Speaker 4 (08:09):
I won't open my eyes until one says, you.

Speaker 2 (08:12):
Just played Jane and a Tarzan sketch one of the
youngest girls. You looked amazing in that little in that
little dress that.

Speaker 4 (08:21):
Was my waist. Couldn't find it.

Speaker 3 (08:23):
You looked amazing.

Speaker 4 (08:25):
I you know, that was like a fight, like Sarah
had to go to Sarah acting school for that.

Speaker 3 (08:36):
What do you mean?

Speaker 4 (08:39):
Literally? They wrote a joke in the sketch that was like.

Speaker 3 (08:42):
What part of your accents bad? Your accent?

Speaker 4 (08:49):
What part of England are you from? Long Island? And
I go, well, I got everyone's face. I'm going to
an accent coach and they went and she went. You
struggling with yours.

Speaker 3 (09:03):
Struggling with my.

Speaker 4 (09:06):
Because that table I was like Tos and Dinners Ready
when it doesn't come out of the mountain.

Speaker 2 (09:13):
You were down at the rodeo first, Damn, I what
were you going to say? A grain of can we get.

Speaker 3 (09:20):
You want to go back to you want to go
to Green of Stall.

Speaker 4 (09:23):
They go to Grain of Salt because I feel wait.

Speaker 2 (09:25):
Let me go close this just just everyone knows the
last time series here, which is read a year ago,
the day of Trump's.

Speaker 4 (09:31):
Second It was the day of my daughter's wedding day.

Speaker 3 (09:34):
My daughter's wedding.

Speaker 2 (09:36):
It was one of the happiest days of my life
somehow because you were there, and because our listeners have
described that episode as only a series of thoughts starters
we never finished, just a single loop that was opened,
you know what.

Speaker 4 (09:48):
And I'm going to out him right now. Jack Ben Singer,
daughter of the Plod, I can just fay stuff.

Speaker 2 (09:58):
Jack Ben Singer on the show. I don't know we've
ever met the best? Would we have a good time?

Speaker 1 (10:06):
You know what?

Speaker 2 (10:06):
I was thinking because the song Illegal by Pink Panther's
and I thought of.

Speaker 3 (10:11):
You too, because because your jam, because.

Speaker 2 (10:13):
Me, Sarah and Jack were writing a sketch ones and
then we kept pitching jokes that we were like, is
this okay to say? And then Jack led the charge
by always going it feels illegal.

Speaker 4 (10:22):
Hey, since you've gone, my laugh percentage has has dropped.

Speaker 3 (10:30):
What do you mean your last percentage?

Speaker 2 (10:31):
Like that?

Speaker 3 (10:32):
You receive like laughs per minute?

Speaker 4 (10:33):
What's it? What's baseball terms? My laughs permitted.

Speaker 3 (10:39):
Average of laughing?

Speaker 4 (10:40):
I'm laughing less.

Speaker 5 (10:42):
Can I ask you?

Speaker 3 (10:42):
What do you follow baseball?

Speaker 4 (10:45):
Why are you accusing me of I want to I
want to wear hats sometimes.

Speaker 2 (10:49):
Sarah, don't make this confrontational. I'm just I'm just I'm
putting a thought started out there. And if you, if
you like, just ask do you watch baseball? Do follow it?
Do you know what a good batting average is?

Speaker 3 (11:00):
We know?

Speaker 4 (11:01):
So this is what I didn't understand, yes, because it's like,
if I'm batting a hundred, that's bad, even though it sounds.

Speaker 2 (11:06):
If you're if well, what you want to do is
bad a thousand. If you're batting a thousand, it would
mean you never didn't get a hit. And you want
to know what a good average is? Like anything over
three hundred, it's like a good average. So baseball players,
if they get one hit out of every three at bats,
they're considered an incredible hitter.

Speaker 4 (11:24):
Oh so amazing Exactly I wanted to say that title
of that exactly. That's why I wanted to say that.

Speaker 3 (11:31):
Exactly, That's what I wanted to say.

Speaker 2 (11:32):
Amazing at SNL title of everything You're You're jack, hold on,
you're laughing less.

Speaker 3 (11:40):
A grain of salt took you down?

Speaker 4 (11:42):
Oh yeah, we have to talk about the special, which
is then I can special watching you catharsis grain of
salt constitution and then which brings us all the way
back to Tarzan.

Speaker 2 (11:52):
And I have to add you also wanted to talk
about how you watch Justin Bieber's Grammy's performance three times?

Speaker 3 (11:57):
Right? Okay, but not the rest of the Grammys.

Speaker 4 (12:00):
Right, because there's something there. Oh, and this is connected
to grain of Salt.

Speaker 3 (12:05):
So basically have a whole hand of topic.

Speaker 4 (12:08):
So, as I was saying, Bowen knows that if alcohol
touches my lips for one point four or five seconds,
I'm like medically incapacitating, can't.

Speaker 3 (12:15):
Move You know this I do?

Speaker 4 (12:17):
And so something now I So last night I ate
a burrito, and I've realized that I can be completely
overpowered psychically by too much salt.

Speaker 2 (12:28):
Yeah, people don't realize this. This is no, this is
a real thing. Salt will get you. What have you
heard of Greta's party chips giving?

Speaker 4 (12:38):
Yeah, so I ate this really salty burrito, fabulous burrito.

Speaker 3 (12:42):
Where from doesn't matter. Keep going. I'm sorry.

Speaker 4 (12:45):
I just don't know how much I want to take
them down because.

Speaker 2 (12:47):
We don't want to let them know where Sarah gets
her burritos, because then she'll get mobbed. Then then the
place will become too prosper.

Speaker 4 (12:55):
That they do a fabulous job. And I don't want
them to think just because I was taken down by
a burrito, it's not I'm doing.

Speaker 3 (13:02):
I'm not doing a negative I forget.

Speaker 4 (13:04):
I asked, I had a salty burrito with some chips.
I'm not kidding. The salt took over my mind completely.

Speaker 3 (13:16):
It was, yes, yes, it was.

Speaker 4 (13:21):
I was experiencing like salt.

Speaker 2 (13:28):
You you started a hive mind with the salt. It
was like ploribus.

Speaker 3 (13:31):
It was ploribus, but wait describe.

Speaker 4 (13:35):
I was like, I was so like salted out and
I was.

Speaker 3 (13:40):
Like out, what are you? What do you? What does
this mean? What are you experiencing?

Speaker 4 (13:45):
What are the song? Like?

Speaker 3 (13:47):
Did you have go into like a diabetic shock? Like
what was it?

Speaker 4 (13:50):
My whole body gets swollen, you know when you're like
really blowding and swollen, and so then I was like
I ate this, like cue exhausted. So I was like,
go to lie down to pass out. Had a big
date it, I might as well get my sleep. Yeah,
And I was so depydrated to the marrow that I

(14:12):
couldn't like fall asleep. And though I was so tired
from this giant burrito and I was, I was like,
I was like the I was like, I was literally
like like the keeper. Yeah. Yeah, it's so tired, couldn't
keep my eyes open and like and there was just
like a it was a does that make sense? The

(14:34):
kind of psychost And I can feel the salt like
in my blood and skin.

Speaker 3 (14:38):
Have you ever seen the movie Seven? No, you haven't
seen that movie.

Speaker 4 (14:43):
You know what's interesting many movies I haven't seen.

Speaker 2 (14:45):
There's a part in it where like they they find
like a dead body in a room, and like it's
like it's like a decomposed body and all of a sudden,
it just goes and it comes to life. And I
was because it's it's been kept alive. The crew knows
because all these all these dudes, these are dudes that
have seen the film Seven, all of them, Like I
gotta tell you, like our crew, you can't see him.
They've all seen seven. And that's how I described them.

(15:08):
They've seen they love David Fincher's films.

Speaker 4 (15:10):
Well, I didn't want to say, wait, is it Nida
Living Dead? I'm gonna mess this up. It's one of
those there's like a there's a completely dehdrated corpse that
goes just killing.

Speaker 2 (15:19):
So basically that was what it was doing. It's like,
it's like coming to life, but like begging for death.
And I think it does die. But that is how
I pictured you after your breed and I.

Speaker 4 (15:27):
Was literally rocking back and forth, going like.

Speaker 2 (15:32):
Begging for death and sleep and I have to do
lost coach, and I.

Speaker 4 (15:37):
Don't want to drink too much water because then how
can you sleep when you have.

Speaker 5 (15:40):
To be.

Speaker 4 (15:42):
So then I was like, take out my phone. Of course,
I'm only human, take out my phone. What is the
first thing that's shown to me on phone? Justin bieber
In is underwear? Yeah, and I don't know it brought
you to hiss stare sobbing, uncontroled. It was a great

(16:04):
performance and I just felt really moved by it. Yeah,
And I don't know, I feel like we've seen him
since child and a lot has gone on with him,
and I go at the end of the day, you
can't take away talent. No, you cannot, that's talent.

Speaker 2 (16:20):
That's he was literally stripped everything away and he just
gave us you khn' And then what's funny, Like we
were we were like, oh, Melissa and I were like
futzing around the apartment and being like, oh, yeah, he's
probably gonna come out and you can't.

Speaker 3 (16:35):
And then he did.

Speaker 4 (16:36):
It's amazing when you do it, and.

Speaker 2 (16:40):
It's a great song. Jimmy new Yeah, the words Jimmy
Neutron like making an appearance.

Speaker 3 (16:47):
I didn't, okay, And then oh.

Speaker 4 (16:50):
So I'm just realizing, like I can have I can
blackout from a martini. I can also salt out from
a small chip in burrito.

Speaker 3 (16:58):
Well, we're gonna see what ship was burrito.

Speaker 4 (17:00):
Well then it was just it's just salt. Tonnage can
send you into like and and and I find that
a very suggestible.

Speaker 2 (17:09):
This is the word tonnage, by the way, is very.

Speaker 3 (17:13):
We've got a tonnage of dark humor in the show,
all right.

Speaker 2 (17:15):
It's like it's like the producers, so there's there's there's
a lot of like boob tonnage, Like a lot of
people wrote, Honey, I know I've got boob for day.
I've been carrying these things are out for a day.
It's like she got new tits and came to do
work that a breastplate.

Speaker 4 (17:33):
And I have liked what I've seen.

Speaker 2 (17:38):
I'll take you in any size. You're one of the
most beautiful women to ever live. To understand this is
up for debate, is no, it's.

Speaker 3 (17:47):
Even up for debate. Is huge.

Speaker 2 (17:48):
By the way, so many people's beauty is not being debated.

Speaker 3 (17:52):
Yeah we see it, or it's like, no, it's not
being it's not being debated. Conversation, girl, take the whim.

Speaker 4 (17:58):
I'm such a room full of men, do I look?
And everyone literally looked at their phone like I'm just kidding.

Speaker 2 (18:03):
Because at that point we hadn't brought up David Fincher's
filmography yet they weren't activated. Now they know, they're saying
everything twenty seven twenty seven.

Speaker 4 (18:13):
Twenty I'm going to close my eyes. That's my new thing.

Speaker 3 (18:20):
You're close my eyes?

Speaker 2 (18:21):
Is that how you're difficult to ESNL when comes you
don't like I'm just going to close my eyes.

Speaker 3 (18:26):
Eyes the least difficult.

Speaker 4 (18:28):
No, I did a diva move?

Speaker 3 (18:29):
Was your diva move today? We're not? Or you're not
at work.

Speaker 4 (18:34):
I went, what I I interpret is like acting jewishly.
I think can often be interpreted as like being difficult
saying what I'm thinking just to be jewish.

Speaker 2 (18:47):
You externalized and then people think, oh, they're yelling at me.
And meanwhile you're just like, I'm the same way. Are
you working it out?

Speaker 3 (18:54):
Yeah? And you were working it out.

Speaker 4 (18:55):
I was working out in the remix. They were like,
I was listen, am I on time? Every single in
my life?

Speaker 3 (19:01):
Who is you? Were punctual? Support?

Speaker 4 (19:08):
It so bad?

Speaker 2 (19:10):
No matter what you say, I'm gonna be like, yes, literally,
you know, think about every day.

Speaker 4 (19:17):
Weapons down. I was really letting peak behind the actors.

Speaker 3 (19:28):
I'll share moment with you. With the group, I was.

Speaker 4 (19:32):
Having a bad day and I go, you know what,
I deserve the most expensive smoothie I can find. I
want someone to google this smoothie. It has ingredients no
one's ever seen before. Okay, I just wanted to go.
It's I can't even say it out again.

Speaker 3 (19:47):
It can't I see, I see it. It's just it's
business named after a starlet.

Speaker 4 (19:52):
It's named after a large amount of money. The name
of the smoothie is like, huh, it's expensive.

Speaker 2 (19:59):
Okay, the because I thought, similar to Justin Bieber, I though,
you're talking about the helly Beeber SMOOTHI which I get
frequently in l A, which is just.

Speaker 4 (20:06):
A jizzy milkshake.

Speaker 3 (20:07):
That's the way yum me. They are a sample going
through my splurges. Is that smoothie?

Speaker 4 (20:20):
Is it good food for you?

Speaker 3 (20:22):
Or is it a milkshake' there's collagen in it.

Speaker 4 (20:25):
I don't like when they do the gis on the side.
They do the commy.

Speaker 2 (20:29):
College shiver, Commy commy is in I was. I was saying,
cool Ranch chips taste commy. They've cummy, has always been.

Speaker 4 (20:39):
They get feet from cool Ranch. I get stinky feet.

Speaker 3 (20:41):
Oh interesting. Interesting. It's kind of like a cilantro soap.

Speaker 4 (20:44):
You either get like commer.

Speaker 2 (20:46):
Fe commer feet. Now, uh, you got the smoothie right?

Speaker 4 (20:50):
I go. I deserve this, seriously, I deserve this. It's
the craziest it's got. It has rice and coconut meat
and empty tea.

Speaker 3 (20:57):
Oil in it. So who did you treat and get this?

Speaker 4 (21:01):
I go and I buy it myself, like I deserve it.
So thick you can't even sip it with a straw.
You have to eat it with a spoon. I deserve.
They go, Sarah, actually the schedule has changed. You need
to leave the building now and go do this, go
do a pre tape. And I said, hey, y'all, I'm
going my smoothies eight minutes away. That's wait.

Speaker 3 (21:25):
Let's give me and did it? Come on?

Speaker 4 (21:27):
They go, you gotta go right?

Speaker 3 (21:29):
No?

Speaker 2 (21:29):
I go, hey, hey, hey.

Speaker 4 (21:32):
I literally kind of went guy like, guy, guys, give
me eight minutes, it's gonna be here. And I'm showing
you reasonable. This is my this is my one meal break.
The schedule has been changed, unknownst to me.

Speaker 3 (21:45):
And no, that's that's totally fair.

Speaker 4 (21:47):
And I went, hey, like I raised my voice and
I went god, God, please, and I kind of went
like please let me wait for the smoothie. Please, and
I went, We'll have someone take the smoothie there, and
I go, I don't be kind of warm.

Speaker 3 (22:06):
Okay, So what happened? How did this wrap up?

Speaker 4 (22:09):
And then they I relented, relented, and they brought me
my warm smoothie.

Speaker 3 (22:16):
Was it basically like?

Speaker 4 (22:18):
So then it came at that that eight minute mark,
but I was already uptown and then they then had
a in turn had to bring me the and I went, guys,
it's warming coming out and then get me another smoothie.
And I was like, can I just get I go?

Speaker 5 (22:37):
I paid for my own.

Speaker 3 (22:38):
Money, and can I ask when you got there? Was
it like? Oh, thank god, we rushed because we're starting
right away.

Speaker 4 (22:45):
Do you think that's what happened?

Speaker 3 (22:49):
It? It was rhetorical. I got the warm.

Speaker 4 (22:53):
Smoothie and they're like, we'll get you another smoothie. They
ordered me another smoothie. I have to go back to
this before this really is there.

Speaker 3 (23:04):
So at this point, how much money has been spent?

Speaker 2 (23:06):
Fifteen thousand dollars community.

Speaker 3 (23:10):
College tuition, whole paycheck? Do you want to skip the
whole food joke? Is it verify?

Speaker 2 (23:17):
I shared my even moment, which I pulled my last week.

Speaker 3 (23:22):
I told you this, did I witness Comes to the Press?
I told you Comes the Press? I told you about.

Speaker 4 (23:31):
Off the Press?

Speaker 3 (23:32):
Your bees? What was it? Your your bugs?

Speaker 4 (23:34):
And dinner is ready? I made your favorite box with
mut sauce.

Speaker 3 (23:39):
See you're really good. That was incredible.

Speaker 4 (23:42):
Thank you.

Speaker 2 (23:53):
So I was on the set of the Home Alone Sketch.

Speaker 4 (23:57):
Oh I didn't witness this.

Speaker 3 (23:59):
Oh, I'm locked.

Speaker 5 (23:59):
I was.

Speaker 2 (24:01):
I was in my costume for I want to say,
like just in like uh in my wig and like
the glasses and stuff, and it's like not comfortable.

Speaker 4 (24:11):
And so I mean that cats that went right up
the ground.

Speaker 3 (24:15):
Yes, oh I had suspenders.

Speaker 2 (24:16):
And so I get there like eight am and then
it's like six pm. That's and like they they still
haven't like called me, and I like I've been needed
and like I need and like my my studio call
time is getting pushed and whatever. And I was just
antsy and I was just like obviously like emotional because
it was my last week. It was Friday, the day
before the last show. I just logistically had ship to do.

(24:38):
I had like thank you gifts. I had cards like
I like, I was like writing. I was just like
getting over everything.

Speaker 3 (24:44):
And then.

Speaker 2 (24:46):
It was just so egregious that like our wonderful, wonderful
cretape producer Dina of course comes in like checking on
me and apologize, and I go, do you know I
love you guys?

Speaker 4 (24:59):
SI?

Speaker 3 (25:00):
No, no, no, this is why I did.

Speaker 2 (25:01):
I was like I've never ever done this before and
I don't think I ever will again. They have three
takes and that was me as like they have three
takes and I'm out. I mean, and also it's like
if if you have to, if you have to do
it more than three takes exactly know.

Speaker 4 (25:17):
That three three. That's a magic lucky number three tapes. Honey,
you know what, That's not bad.

Speaker 3 (25:24):
It's not bad.

Speaker 2 (25:25):
But it was like I was like, I'm being a bitch,
but like, this is this.

Speaker 3 (25:28):
Is what has to happen.

Speaker 2 (25:30):
This is what happen because because things are needing to
be done.

Speaker 4 (25:33):
And what Diva moment have you had?

Speaker 2 (25:36):
I'm kind of sweetheart, be kind of America's sweetheart, as
everyone knows.

Speaker 4 (25:41):
I'm gonna get you this smoothie right now. I'm gonna
put in the microwave so it's the boiling hot temperature
that I drink it at. I'm gonna let it sit
for forty eight to sixty three minutes. I'm gonna let
you have two SIPs of it, and then I'm gonna
take it away. I'm gonna say, how would you behavee.

Speaker 2 (25:54):
Okay, fine, I will share. I will share when I
have Diva moments. It's when something is happening that is
that is patently ridiculous. And I'm on a zoom because
like like on a zoom. It's like it can get
away from you because you're talking and then all of
a sudden, like people are like receiving it on the
zoom and like you kind of keep going like, well,

(26:16):
I'm in a simulation.

Speaker 4 (26:17):
The only thing I say is just gonna like exactly.

Speaker 2 (26:19):
It doesn't feel real but like no, and then I'm like,
oh god. And then there's I've got enough maybe like
two or three zooms in my career and been like,
well I don't like the way I acted, and I'll
text our manager and I'll be like was that crazy?
And our manager will just go it was strong.

Speaker 3 (26:38):
It was it was strong.

Speaker 4 (26:39):
It was strong. But here's the thing, if.

Speaker 3 (26:41):
But I would never be that way if it wasn't like.

Speaker 4 (26:44):
Sometimes you're pushed into a position where you have you
must be strong.

Speaker 3 (26:48):
It's like.

Speaker 2 (26:50):
I experienced some of it, like when I was working
on one project where it was just like, oh, okay,
it's become clear to me that because everyone hates their job,
they're not excited about doing it. And I was like, Okay, listen,
I understand that that's the reality. But like I mean,
probably anyone can can understand this. Like when you go

(27:10):
to work and people don't feel valued at their job,
or they don't feel paid enough, or they don't feel good,
the entire atmosphere suffers. That was like something about Tokyo
that I really loved. It was like everyone was just like.

Speaker 4 (27:24):
Had health insurance and was happy.

Speaker 2 (27:25):
I think, yeah, I mean they were in service of
what they were doing, and they were all like passionate
enough about what they were doing because they're passionate about
They're all just like passionate about what they do whatever.
So because that's not the case in America, I feel
like a lot of workplaces are miserable and it you know,
it's contagious, and then you come in there being like, hey,

(27:45):
I'm excited about this, and you're met with like dead energy.
And that's frustrating because we'd at least like to try
and enjoy our.

Speaker 4 (27:55):
Look at the base of like much of the misery
we're talking about is like at the core of the
American enterprise, there's a rot. So anytime we had no
bad behavior at work, it's because there's the there's the
Poulter Geyst energy that we've We've built this country on.

Speaker 3 (28:16):
The Poulter Guyst energy.

Speaker 2 (28:18):
Being like material things are not being met on like
on like a on like a baseline line.

Speaker 4 (28:24):
People are struggling universally, And I didn't get a meal
break and I as my smoothie was eight minutes away.
And then sometimes you're gonna be expressing yourself.

Speaker 2 (28:35):
You're gonna be expressed, You're gonna be strong, you're gonna
be having to be strong having been the problem.

Speaker 4 (28:41):
Like having been. If I was like a little more famous,
I think it would be like fabulous. But it's kind
of just like this.

Speaker 3 (28:50):
Woman, this crazy person.

Speaker 4 (28:53):
There's a woman acting strangely strongly.

Speaker 2 (28:56):
You had the number two special on HBO. No, I
was let's be frank the number two movies. Let's god, yes,
and you put it in first, this is crazy?

Speaker 3 (29:12):
What what alcohol is this? You guys just have a
stash Tita perfect. Oh my god, this.

Speaker 2 (29:19):
Is crazy, and then have cute little Napkinsina. Thank you
so much, thank you. Oh my god, is incredible. This
is amazing, Thank you so much.

Speaker 3 (29:32):
Yours is full. Cheers to being cheers to being strong,
to being strong. And they're cold you it's it's it's
here we go not shaken. We're getting blackout. Oh yeah,
these are strong. What do you have to do tonight.

Speaker 4 (29:50):
Literally nothing that's good? Well no, and I told you
my weak constitution, like I'm gonna.

Speaker 2 (29:56):
Get Okay, So what did we get?

Speaker 3 (30:00):
So that's one.

Speaker 2 (30:00):
We know about your smoothie and we know about your
diva moment at work.

Speaker 3 (30:04):
So what was else? What was else? On the five?
This is great, you guys, this is really good. Thank you.

Speaker 4 (30:09):
I'm not taking the olives lightly.

Speaker 3 (30:11):
Oh I had Westville today.

Speaker 5 (30:16):
It was good.

Speaker 3 (30:18):
They had a loaded big potato sandwich, no sandwich soup.
Oh I got confused sandwich. I confuse super for a sandwich.

Speaker 2 (30:27):
One.

Speaker 4 (30:28):
He's going zoo.

Speaker 2 (30:28):
In the words of the Great brook Brooke Ashley, you
are crazier than a soup sandwich.

Speaker 3 (30:35):
What was that?

Speaker 2 (30:35):
She's a house She's the house chantastic. She's the best
in the bed, She's the best in the biz. I've
been championing her for probably going on four years, and
I get I literally sometimes we'll watch her YouTube subscriber
account grow and grow and grow, and I feel like
I'm a part of.

Speaker 3 (30:50):
Something you are. You can sometimes see me pop into
her lives. I'm Matt, thanks for the super chap Man.
I'm always there.

Speaker 4 (30:58):
Do you know about the the Shannabadoor phrase that I'm
actually trying to get.

Speaker 3 (31:02):
Going the truth. You're saying it many times this month.
You will see the truth. Now tell everybody.

Speaker 2 (31:13):
You guys are ends, you cons tell it. Tell the
initiated about this moment of Shannon Badoor screaming at a restaurant,
you appointing at a home, in a home.

Speaker 3 (31:24):
I'm sorry, it's in a home.

Speaker 4 (31:26):
The truth she's it's like about Heather Dubro. She's crazy
and you all, you will all see the truth.

Speaker 2 (31:34):
We need your housewives takes, Like, what do you well,
first of all, what do you think of Candetillard Bassett
as a trader?

Speaker 4 (31:41):
I have something really crazy to say.

Speaker 3 (31:44):
I bet you do.

Speaker 4 (31:45):
I I the center of traders is not holding for me.

Speaker 3 (31:52):
Okay, just talk about it.

Speaker 4 (31:55):
I'm struggling what reality television competition show?

Speaker 3 (32:02):
Okay, okay, where this before?

Speaker 4 (32:05):
Yes, the whole show is this person's acting.

Speaker 2 (32:10):
Evil, They're losing the plot.

Speaker 4 (32:15):
It's like it is like it's like an emotional intelligence game.

Speaker 3 (32:20):
Yeah, right with.

Speaker 2 (32:23):
Where where where the where? The reality is so juvenile and.

Speaker 4 (32:29):
It's just about whether or not someone's acting a little strange.

Speaker 3 (32:35):
That's really what it is. But meanwhile, the most.

Speaker 2 (32:37):
Some would argue the most evil people to come from
that show are the Faithfuls, right because right because this
season it's Coulton being a little being a little he's
just come on a little strong. So so when you
watch the show and are you watching the show?

Speaker 4 (32:52):
I had to put my weapon down because I was like,
just just just just just let me so for real,
right now, this person they must have an alliance because
there are housewives or there's no alliances. We're in a competition.
You're all deciding whether or not someone's acting odd or weird.

(33:12):
And I don't want to see people out in the mud.

Speaker 3 (33:14):
Can I just want to Can I just say something?
Can I just want to say something?

Speaker 4 (33:17):
I just want to.

Speaker 2 (33:18):
Say, we need to drop the word alliances from reality TV,
from but also just from general unless it's like diplomatic
or it's an airline group.

Speaker 3 (33:30):
Right, I don't want to hear that word uttered.

Speaker 2 (33:32):
Well, actually, we're actually a post alliance on we're post
alliance culture on reality shows anyway, because now if you
stick in an alliance for too long, you're literally cooked
like one. But the game of Survivor is all about like, oh,
are you in an alliance? How are you secretly not right?
That's literally the way you win Survivor now is don't worry.
I'm in an alliance with you. Turn to camera. I'm

(33:54):
also in every other alliance right wink. And it's like, well,
how then what is then?

Speaker 3 (33:59):
Then? Lines is don't anything? You are you? You're a
Survivor girl, have you?

Speaker 4 (34:03):
I've never been a girl besides real House.

Speaker 3 (34:07):
Watch Survivorpathy with us, Okay, that will be fun. Watch
Australia versus the world.

Speaker 4 (34:13):
Is Richard still in the news.

Speaker 2 (34:14):
Richard Hatch's rich I think now he is.

Speaker 3 (34:19):
Entertainment Weekly.

Speaker 2 (34:22):
Is gonna pull this Yeah, being like for me because
Google alert is going crazy. At the time of the
Google alert, Sarah Sherman questions whether or not Richard Hat
is in the news.

Speaker 4 (34:33):
Really major at the same and I got my it's
like him. And then I got my period during on
American Idol.

Speaker 3 (34:43):
Mm hmmm, so I can't be drinking a Martinez.

Speaker 2 (34:49):
Sarah Sherman got period during bo Bice's performance on American
Idol season.

Speaker 4 (34:55):
So it's like him chieved. It's like Richard Hatch, like
sexual awakening.

Speaker 3 (35:00):
Sean.

Speaker 4 (35:01):
I'm like, he's major to me, that's what seeing him
on TV and being.

Speaker 2 (35:07):
Like Sarah's type, the crazy naked gay guy in a tree.

Speaker 3 (35:13):
But Sarah's type is just middle aged dirt bag.

Speaker 4 (35:17):
Yes, yes, and oh does he have a wart?

Speaker 3 (35:21):
Hello, honey?

Speaker 2 (35:23):
If he has a wart, it is crazy, acting like
like a nutball up in a tree.

Speaker 3 (35:28):
And is he gay?

Speaker 2 (35:30):
Chuching the sound of my pussy cash register opening for business?

Speaker 4 (35:38):
I'd like to leave earlier for this restaurant.

Speaker 3 (35:42):
The cash register was a pussy.

Speaker 2 (35:46):
Oh god, you should have seen what When you ladies
were outside the room, we had a long talk and
we got We really broke through with the guys on
the crew because we found out they all love David
Fincher's films.

Speaker 3 (36:00):
Aren't they all giving that in a complimentary way?

Speaker 4 (36:02):
I would not.

Speaker 2 (36:03):
I love these guys. You guys are in a uniform
today too. Look at you were in the blacktops and
blue jeans.

Speaker 4 (36:09):
Guys often are no offense blendstone, No offense guys be
wearing blendstones.

Speaker 3 (36:15):
What is blendstone?

Speaker 4 (36:17):
You're so gay you don't even know about blund stone.

Speaker 3 (36:20):
I know, look at look at that. I got this
in an Osaka. Actually that's it's a good Pendleton it's
really lovely.

Speaker 4 (36:26):
It's stunning. You're stunning the two of you. I'm blackout?

Speaker 3 (36:30):
Are you blackout? O?

Speaker 4 (36:33):
Black?

Speaker 2 (36:34):
I will finish it for Tank, Okay, I am, But
Sarah drunk is something I rarely ever got to see.

Speaker 3 (36:44):
Boys, let's do it because.

Speaker 4 (36:46):
Well, how about when I got blackout in an afterparty
quite recently and I woke up being like time for
my apology tour? Woke up message from Brady Lee's you
should have two martinis all the time I go apology tour.

Speaker 2 (36:59):
Over you find out the anxiety was just hang awesome?
So what she was getting awesome?

Speaker 4 (37:06):
Swash?

Speaker 3 (37:07):
She was last nise.

Speaker 4 (37:11):
I feel like I had a really coherent kagent amazingly biting.
Critique of that is actually like dissolved between.

Speaker 3 (37:22):
Okay, so it's a game about emotional intelligence.

Speaker 4 (37:24):
But interesting to say about that that couldn't mean anything to.

Speaker 2 (37:28):
Well, it's a game about emotional intelligence, and yet it
is intellectually like a farce. It's like it's like, well,
how are we Well.

Speaker 4 (37:34):
It's like someone's acting evil because they were a trader.
It's like we're all acting evil and deceitful.

Speaker 3 (37:40):
We're human being.

Speaker 4 (37:43):
Maybe the masks have come off and actually Traders is
one of the most important pieces of me. I'll get
back into it.

Speaker 3 (37:47):
I think it might be more that Michael.

Speaker 4 (37:50):
Rabbitport is sending me boots. See this is when.

Speaker 3 (37:55):
Talk about my this this won't make the news.

Speaker 2 (37:58):
And technically Sarah Sherman claim to be sent boots by
Michael Rappaport's performance on The Traders praises Michael Rappaport as boots,
as sending her boots. Now what about this terrible human being?

Speaker 4 (38:11):
It's happened in the culture where we go like, we
can't platform these people anymore.

Speaker 2 (38:16):
Oh yeah, yeah, no we must. I would agree with you, to.

Speaker 3 (38:22):
Be honest with you, I'm like, if you look back
at like.

Speaker 2 (38:24):
The last twenty thirty, who do we remember the most
vile people?

Speaker 4 (38:29):
Right, it's important.

Speaker 2 (38:31):
Also, like Spencer Pratt is like president of the United
States at this point, I'm sorry you turn on the
news Spencer Pratt.

Speaker 3 (38:39):
Spencer Pratt did great on celebrity weakest link.

Speaker 2 (38:42):
See what I'm saying, Like what and of course it's
both what Like I.

Speaker 4 (38:48):
Promote a singer every day of my life.

Speaker 2 (38:52):
Was president. She was President of the United States.

Speaker 3 (38:56):
She was like two.

Speaker 4 (38:57):
Years still is to this day?

Speaker 2 (39:00):
Will you talk about unless you don't want to please?
Why is Michael Rappaport sending.

Speaker 4 (39:06):
Bid So I was like, I can't possibly be watching traders, like, hey,
it's stuff to do. I'm a busy woman. Might not
be famous, but I'm a woman and I'm busy. So
why is this woman complaining about her smoothie whack out
losing the thread? Who is it? And then I open

(39:31):
Twitter dot com and I'm seeing and by the way,
but Bowen knows I was saying this earlier my Twitter.

Speaker 3 (39:40):
Yeah, what I've done perfect?

Speaker 4 (39:43):
There was to me the viral news of the day.
I screenshot in Texas to bonus last, I go, did
you guys see this? Paul Giamani wants to be in
the new Texas Chainsaw.

Speaker 2 (39:55):
And they were like, cool, above the fold news, we've
been we've been seeing something else in our algorithms.

Speaker 4 (40:03):
And I'm like, you cut, have you've seen this?

Speaker 3 (40:06):
I'm like no, but that was like that was what was?

Speaker 4 (40:11):
I follow this guy and shouts out to him, shout
shouts out, shouts out to him. He's always posting covers
of old paperback books with naked women on them.

Speaker 2 (40:22):
I'm going that's what I'm seeing you always blessed. See,
I am so interested in changing what my algorithm is
or like not having one at all. But it does
take a long time, like I It is interesting though,
how quickly they get very good at.

Speaker 3 (40:38):
You being like, oh, I have to click on that.

Speaker 4 (40:41):
Well, Justin Bieber penetrated my veil.

Speaker 2 (40:47):
Justin Beer penetrated your veils.

Speaker 4 (40:51):
She did, and like I'm opening trained to show me,
like you'll never believe what when this person replaced their
eyes with ping pong ball or this old this eighty
nine year old woman, they found eighteen contacts in each
of her eyes, Like that's like my viral news. But
Justin Bieber penetrated it, and I went, now, what's this?

Speaker 3 (41:13):
He could be your doctor. He can fear your disease.
Give me you love that song?

Speaker 4 (41:19):
I do that.

Speaker 3 (41:20):
I love that she did amazing.

Speaker 4 (41:24):
One of her eyes was bloody. Huh, eyes are coming up.
We'll talk about that therapy later.

Speaker 3 (41:30):
Are you still with that young and dream with that psychologist?

Speaker 4 (41:32):
No, I have a different sort of young and Lacinian
kind of Wow.

Speaker 3 (41:37):
That's the psychology that you're taking.

Speaker 4 (41:39):
I'm in. I'm in this.

Speaker 3 (41:41):
Are you really?

Speaker 2 (41:42):
Yeah?

Speaker 4 (41:42):
And I'm going and over the window overlooks like a
billboard across the street. So I'll be like this and
then all of a sudden, I'm like, I'm staring at
despicable me too right now talking about.

Speaker 3 (41:56):
Speaking with me too.

Speaker 2 (41:59):
I can't believe sometimes what posters are still up in
the subway.

Speaker 3 (42:02):
It's crazy. It's amazing, it's amazing, really.

Speaker 4 (42:05):
Good, it's amazing.

Speaker 3 (42:06):
It's amazing, it's amazing.

Speaker 2 (42:08):
Now it'll be this La Canyon from the name Lacan.

Speaker 3 (42:13):
Many people are saying, many people are what is this?
It's just like, isn't it so interesting?

Speaker 2 (42:18):
Literally?

Speaker 7 (42:18):
Yeah, it's literally like he would do interest or podiatric.

Speaker 3 (42:22):
It's like, why do we why do we shift this?

Speaker 4 (42:25):
The emphasis depends on how many sheets they are deep.
I'll shift the infetsis anywhere.

Speaker 2 (42:30):
I gotta tell you, look how far I am already.
I got to catch up.

Speaker 3 (42:33):
Would you say your your TI I'm a full tank.

Speaker 4 (42:36):
Oh but I open Twitter and I'm going I'm seeing
Michael Rappaport eat out of the bowl. Isn't that the
way he was? Did you see that he was eating
out of a bowl. I'm seeing the bowl to his
lip and like shoveling the food in like.

Speaker 3 (42:55):
Let's say it like a cave woman, and I.

Speaker 4 (43:00):
Go, I guess I'm gonna be having to watch Traders again.

Speaker 2 (43:04):
Based on Michael rabbit Port, Sarah Sherman is the one
person in the world that saw Macrabport on Trader and
someone's like, I'm in, can I tell you something?

Speaker 3 (43:13):
I'm hooked on this sh But thanks God, because that.

Speaker 2 (43:18):
Answers the question why is he cast? Because there's people
like you watching that are like, I want to see
the nastiest human behavior.

Speaker 4 (43:27):
I got it possible human being was eating out of
a bowl. You can't got upright, dog. He was going
like this with the ball, and I go, on, me wandering,
I'll throw my hat in the ring. But then I'm
watching people who were going reacting quite suspiciously. I'm like,
I'm not, God, what do you mean? And this is

(43:47):
my other problem. They're like, he's so good at the gameplay.
You mean he's a good liar in deceitful. Yeah, you're
talking about Rob. Well, I'm just saying like in general,
like that's always the conversation with these shows is like, well,
we got to get this guy out because he's an
amazing game. He's a good liar.

Speaker 2 (44:05):
I think that there are assumptions being made on behalf
of a lot of the cast members that, because of
their experience on shows where you lied to seat at more.

Speaker 3 (44:13):
That you are going to be doing that on.

Speaker 2 (44:15):
This program, And they get a little stopped up with
that when clearly the traders are Lisa Rena, Candi still
had Bassett and the guy from Love Island and overall
looking unbelievable.

Speaker 3 (44:31):
Toast. This is a toast to Lisa Rena.

Speaker 2 (44:35):
You deserve this, Mama, You deserve that, really are And
I love the way that they all when she got
voted out, they were like, she's a legend, she's an icon.

Speaker 3 (44:45):
It was so great.

Speaker 2 (44:46):
Annoyingly, Colton was like she's a legend, she's an icon.
But then two breadths before was like, I've never seen housewives.
Well it's like, then you don't understand the legendary. We
may know her from her from Veronica Mars.

Speaker 4 (45:00):
I think if they know her from showing up to
the rooms wearing a cheetah fedora and going, well.

Speaker 3 (45:06):
She's I'm.

Speaker 2 (45:08):
She's an eye, the legend she and I it does
nothing for you that Candic stilled basket is back on telegon,
come on, I.

Speaker 4 (45:17):
Guess it does. No, I'll get back into it. I
I just you know, my my problem was, I go,
where's the line here?

Speaker 3 (45:24):
What's what line?

Speaker 5 (45:25):
What do you? What are you?

Speaker 3 (45:26):
What are you talking about it?

Speaker 4 (45:29):
You're acting You're acting evil and deceitful. It's like we all, God.

Speaker 2 (45:35):
Guys, guys, this is guy guys. This this is a show.

Speaker 4 (45:40):
I don't take like evil lightly.

Speaker 2 (45:43):
You need so the fact that this is frivolous evil
to you is unacceptable. It's like you wake up every
morning and you look at the news and you're like, well,
this is just I can't believe it. So then when
evil is entertainment, you're like, this is just glad, y'all
have and fun because I live in the real world
where there's real steaks, so I certainly don't need to

(46:04):
hear about murder, treachery, all.

Speaker 3 (46:08):
Under the guise of glamour.

Speaker 2 (46:10):
Fuck you your sweating? You're laugh sweating? How dare you
big osaka laugh?

Speaker 3 (46:15):
Sweat? Wait? I think I know the cure. I know
the cure for you.

Speaker 7 (46:21):
Yeah, celebrity traders uk, okay, where that she's okay? The
conceit there is Claudia Winkleman, like who she's the host.

Speaker 3 (46:35):
You're gonna be obsessed. You're gonna be my name Sarah Winkleman.

Speaker 4 (46:41):
She g Winkleman in time.

Speaker 3 (46:45):
Oprah.

Speaker 2 (46:47):
She commits to this so hard to like evil as
a foot in a way that you will enjoy because
it's like so cranked up. Like Alan does does it
in his like amazing way with alarm, Claudia does it
in a way where she's like, the traits have murdered again.

Speaker 3 (47:05):
It's very grounded.

Speaker 4 (47:06):
Wow, what are.

Speaker 3 (47:07):
You not seeing in your eyes? The traits are laughing
at you.

Speaker 4 (47:12):
I can using the thread of like whether or not
people are actually being killed.

Speaker 2 (47:18):
They killed Tom Daly, who was an Olympic diver. And
then she goes, he won gold for this country. Is
annoying enough, and it's she you know, she knows it's
fucking stupid, but she's so.

Speaker 4 (47:33):
My favorite, I guess see him back in because my
favorite is when they like go to sleep in the
castle that night and then it's a montage.

Speaker 3 (47:43):
Yeah, no, the montages are great, Okay.

Speaker 4 (47:52):
Alan coming.

Speaker 3 (47:55):
No, no, as everyone always thinks there's an ass.

Speaker 4 (47:58):
Because you would hold he's comings plural time, you would hope.

Speaker 3 (48:03):
I'm sure he is.

Speaker 2 (48:04):
I'm sure he has absolutely no problem relieving himself as
much as he wants to black house.

Speaker 3 (48:12):
No symbol of your Partine, I weighed.

Speaker 4 (48:16):
Sixty one pounds. Do you know what that's like on
a woman.

Speaker 5 (48:19):
Of my comport?

Speaker 4 (48:30):
Do you think there's twenty seven year.

Speaker 3 (48:31):
Old weighs men in the room. How much do you
think he weighs? He asks, this is a dangerous question. No, no,
everyone do it.

Speaker 2 (48:40):
As she shows off her Carolines on Broadway outfit.

Speaker 3 (48:45):
It really is that? Oh my god, girl, you girl
Carolina rip is it?

Speaker 4 (48:53):
R P?

Speaker 2 (48:53):
It's been dead kidding me. It's gone the way of
Vapiano and the Familia. Jesus Christ put the image here.

Speaker 3 (49:05):
Changing in New York.

Speaker 2 (49:08):
Now that's the Martini conversation. Everything's changing in New York.

Speaker 4 (49:13):
By the way, I have a lot to say about.

Speaker 3 (49:15):
That as well about New York. Wait, but this is
a no new finger on the hand.

Speaker 4 (49:21):
But we.

Speaker 3 (49:23):
Closing the loops.

Speaker 4 (49:24):
Though, HBO salt. Justin Bieber got that, got that, justin justin.

Speaker 3 (49:34):
The job. Thank you, Luck.

Speaker 4 (49:39):
I was going to talk about the the Catharsis that
you allowed me to have. We're not we are doing this,
it's time going. I'm going I'm a fool to do
a premiere for a stand up special. We're all just
looking at me. Oh no, oh no whatever. So and
then my uh tunnel vision starts smalling and I'm going,

(50:00):
oh no no, it's all my fucking coworkers are there.
That's like humiliating whatever.

Speaker 3 (50:06):
You who loves you, adore you.

Speaker 4 (50:09):
I go to the bar, I go, I'll take that
what you got, and you know me.

Speaker 3 (50:13):
Can't handle them. Do they do a theme drink for you? Yeah?

Speaker 4 (50:17):
Yeah, it was like some sort of peasant and be
high with eyeballs, right, eyeballies.

Speaker 5 (50:22):
And the drinks.

Speaker 4 (50:24):
Thanks the metrograph, Thanks.

Speaker 3 (50:25):
HBO's great cute, Yes, so cute.

Speaker 4 (50:28):
Take three. I take a whole drink to the face
and then they go, you have to like go introduce it.
I'm blackout. I'm at a little podium immediately. So my
hysterical cry sounds like the uh an hysterical woman and
in an institution with her rubber grip socks on, going

(50:49):
laughing like the Joker, and I was I come out there,
I really go like.

Speaker 3 (50:54):
It was adorable.

Speaker 4 (50:56):
I lock eyes with Bowen. I sit right behind him.
It starts. I go, this is the worst mistake of
my life. My mouth on the screen opens to speak Bowen.

Speaker 3 (51:07):
Yeah, of course, Wait, which is the laughter, big o laugh.

Speaker 4 (51:11):
I'm right behind him. I see his head thrown back,
See his head thrown back.

Speaker 3 (51:15):
He loves you, do you know? Do you know how
much he loves you?

Speaker 2 (51:19):
He loves you so much like I don't ever hear
him talk about anyone like he talks about you.

Speaker 3 (51:26):
He loves you so much. He thinks you are number one.

Speaker 2 (51:30):
He's been saying it forever. It only intensifies with time.

Speaker 4 (51:35):
It is like and I I was like, you know what, Bowen, not,
I'm not seeing boone every day at work will be
okay because we're friends outside of work, Like that's and
the job is so stressful, like you shouldn't like have
all your friends at your work, Like I come into
work like I have been sorely mistaken.

Speaker 3 (51:59):
It's hard.

Speaker 4 (52:01):
I look up at Taylor Reid trying to meet his gaze.
I go, there's no bone. It is. It is a hole.

Speaker 2 (52:08):
It was a comfort for me to see you across
the way and everything.

Speaker 4 (52:13):
I was a fool to think not seeing you every day.
I'm like oh, I'm not going to see him. Everything
this fine, I'll see him every The comfort of seeing
someone you love every day. I know, that's family, that's
amiglia pizza, that's Classicoalano. Like for that to be ripped
away so suddenly, and that's for me to be wiped
off the face of the planet because you were in Japan. Yeah,

(52:34):
god knows what it was. That's that is my love.
But the catharsis of being right behind him his big
O'saka left throwing his head back that because it's so
scary to put anything.

Speaker 3 (52:48):
Out of course, and you, Sarah, it was that.

Speaker 4 (52:52):
Was healing because I was like scared, like, oh, this
special is gonna come out and spoiler alert my puffy though,
my puffy ow y'all putting my app hole everything.

Speaker 3 (53:03):
About it's the culmination.

Speaker 4 (53:06):
Just see the head to the end to hear the
big o'saka laugh. You provided me the medicine I needed badly.

Speaker 2 (53:14):
But I was just emotional, and I and when I am,
when I'm emotional, I tend to laugh.

Speaker 3 (53:20):
I guess iasy laugh.

Speaker 2 (53:23):
Yes, Oh yeah, when you were when you were sobbing,
you're a laughter horror, my laughter horror. But I was
watching like the full culmination of like Chicago Sarah SNeW Sarah,
like touring Sarah. Oh my god, another finger raised tracking
your ass on find my Oh.

Speaker 3 (53:42):
My god, I open, I have to follow you.

Speaker 4 (53:45):
It's so fun.

Speaker 2 (53:46):
She's at a strip mall and Lincoln, Nebraska. It's like
she's girl. I was like, what's that girl?

Speaker 3 (53:51):
Oh wait?

Speaker 2 (53:51):
I love it. I love to track my friends. And
when you find one that that that's like off the grid.

Speaker 4 (53:57):
Do you remember when Bowen was in China?

Speaker 3 (53:59):
That was I don't see. I didn't get into the
find money. We didn't start following. We didn't starting each
other until later because honestly, my whole bit was like
I don't want people to know. Not my bit.

Speaker 2 (54:09):
My reality was you're acting evil, sus but we already
want volunteer already knows are like no, no, no, the
people we have literally true. And the fact is also
by the way, like I think it's important to be
able to find your friends now, like.

Speaker 3 (54:29):
Because thank you surveillance State.

Speaker 4 (54:32):
And I don't know if he knows this, do you
remember when? Because I have Marcelo's location on of course,
but you got a new phone.

Speaker 3 (54:39):
Time to update Marcelo you didn't download your iCloud backup.

Speaker 4 (54:43):
Thanks Marcella. I think you're always where you're not. Remember
when I opened my fine mind, I go, guys, I
guess this is Pea behind the actors studio. I go,
marce is that a hospital? Guys? And you remember I
was I texted you and I was like, what ended
up happening that day? I was doing uh for the children.

Speaker 3 (55:02):
Of course I was gonna say, it's something like truly like.

Speaker 4 (55:05):
It was like he was meeting the children and giving
them a smile. Oh's but sometimes fine Mike can go
so wrong? Where you got a hospital?

Speaker 3 (55:15):
Well, can I say something?

Speaker 4 (55:17):
I got drunk and ended up at the hospital.

Speaker 3 (55:19):
No, right now, No now.

Speaker 2 (55:23):
In the moment I realized I didn't eat enough to
have this today, because you're all of the truth is,
I got about halfway through my Westville lunch and realized
Brussels browns.

Speaker 3 (55:37):
Why was that the order? That's the whole thing of Westville.

Speaker 4 (55:41):
It's like it's like awesome hipster cafeteria. And I know
hipster is a slur.

Speaker 3 (55:46):
Now are you both drunk? I'm black?

Speaker 2 (55:52):
I'm not. I don't think I am yet. You can
I say something?

Speaker 4 (55:58):
Please?

Speaker 3 (55:58):
Can I say if I podcast.

Speaker 2 (56:02):
The special Sarah Square Lived in the Flesh if now
streaming on HBO period if you you need to watch
it is easily my favorite stand up special ever. It
is the culmination of Chicago Sarah SNL Sarah Touring Sarah.
But it is like you see the hell Trap Nightmare,
you see all of it come to this beautiful crystal,

(56:27):
like fucking so beautiful.

Speaker 3 (56:30):
It is art.

Speaker 2 (56:31):
I'm like, let's fucking watch it, just fucking watch. No,
I'll end it with Celesti and I just still like,
well this is mostly Celestian. But they're like, if I
I think about me at sixteen years old, if I
was sixteen years old now, I'd be fucking obsessed with you.

Speaker 3 (56:43):
Yeah, in a way that like I would put poster
zoo some one. Probably that is true.

Speaker 4 (56:47):
Strange children, come on, come.

Speaker 2 (56:50):
On, yeah, but like thank god that the strange weird
kids like have a fucking girl.

Speaker 4 (56:56):
You you know what's so funny? I was like complaining
that bad about this. I'll like post a like a
I'm like, oh yeah, like stand up clips on Instagram,
Let's go viral, and so I'll post like a clip
of stand up from my special and it'll get like
four hundred likes.

Speaker 3 (57:11):
No, it's never what you want that goes viral. Let's
be clear, it's never.

Speaker 2 (57:16):
It's never like the shining moment that gets grabbed and
I'm like.

Speaker 4 (57:21):
The flip record scratch, what's going on here? And then
like record scratch and then someone will be like, yeah,
like what did you think when you were making this special?
You thought like everyone was gonna like it?

Speaker 2 (57:37):
I was like, yeah, you know what the things should be?

Speaker 3 (57:44):
Things should be? Oh hey girl, when did you get here?

Speaker 4 (57:47):
Here you have?

Speaker 2 (57:49):
Oh why I don't understand?

Speaker 3 (57:58):
Oh well, cool?

Speaker 4 (58:00):
Is the super Bowl tomorrow?

Speaker 3 (58:02):
Y'all are going to the Super Bowl Sunday. We should
talk about Bad Bunny. Let's talk about bad Bunny.

Speaker 4 (58:07):
Hello, Hello, bad Bunny.

Speaker 3 (58:09):
Is that your guys' friend?

Speaker 4 (58:10):
Like?

Speaker 3 (58:10):
Could you consider him a friend?

Speaker 4 (58:12):
Problem go every time celebrity is nice to me at
my job, I go, like, we're friends now. So it's
like I'll say on camera, bad Bunny, pretty sure, we're
close personal friends.

Speaker 2 (58:26):
I'll see it because because he is always so kind,
he's like.

Speaker 3 (58:30):
The kindest person, the kindest person. I understand.

Speaker 2 (58:33):
I'm with you because it's like with these hosts. It's like,
and especially with Benito, it's like we we were with you,
you were with us when all of us have been
very vulnerable being like what the hell are we doing
on Saturday, It's like everyone's.

Speaker 3 (58:49):
Like, well, we're in free fall, and then we're.

Speaker 2 (58:50):
Not sure if the net is even going to show
up until the show happens. Yeah, you guys have like
a trauma bond together, which is a week at that job,
which is like all y'all putting together all your effort
and everything and putting forth all your ideas and then.

Speaker 3 (59:05):
Do you see how drunk? I got drunk? All y'alla?
I said, all y'all, All y'all, really y'all.

Speaker 4 (59:13):
If you make eye contact with me, I go this
justin we're bonded for lies.

Speaker 2 (59:20):
We all mate it for light Avatar Avatar. I still
haven't seen the third one fire and as I would
love to, should we go tonight, I would love to
go in three D. I don't think there's any other
way to go to you. I don't picture you in
a three D movie without you. You don't ripping off
the glasses going I.

Speaker 4 (59:38):
Can't see this is my problem. Oh, I got my
prescription update. I can see now.

Speaker 2 (59:43):
Get this, I can't see her here. So we went
for an eye test in Tokyo. Free eye exams, free
eye exams in Tokyo, and then people were happy to
do it.

Speaker 3 (59:57):
I am near sighted?

Speaker 2 (01:00:00):
What now?

Speaker 3 (01:00:01):
What can that mean?

Speaker 4 (01:00:02):
Because is it?

Speaker 3 (01:00:03):
This is like there's a definition.

Speaker 4 (01:00:05):
Here's my thing. When my mom would go to the
supermar game, when all would go to the supermarket, she
would go, I couldn't remember if you either you love
jes its? Are you hated? She was like, she was like,
I can't remember. Does she love cheese its or she jesus.
It's like with near sighted, it's like can you see

(01:00:27):
near or can you not see neor.

Speaker 2 (01:00:30):
The answer is you can see closer because you are near.
It's in the names.

Speaker 4 (01:00:36):
It it's in the name. It's either it's it or
are they not?

Speaker 3 (01:00:40):
It?

Speaker 2 (01:00:41):
To Sarah and this and so should I buy it?
I'm going to guess that you love them?

Speaker 4 (01:00:46):
Absolutely?

Speaker 3 (01:00:47):
Okay? Really it's a dairy product.

Speaker 4 (01:00:51):
And do you know.

Speaker 3 (01:00:53):
She'll ship for them.

Speaker 4 (01:00:54):
Thank you for highlighting this because I just want to
say people, she's got planning. I'm as smoothie. I go,
I have a.

Speaker 2 (01:01:00):
Struggle, I go, I go I have a struggle. I
love when anyone goes, I go, I go, I have
a struggle. This is this is a moment where Matt
Rogers would use the word your diaspora, which is not totally.

Speaker 3 (01:01:16):
All the time.

Speaker 2 (01:01:17):
The word diaspora meant struggle, like my my diaspora is connected, Becca,
stop it.

Speaker 4 (01:01:24):
Oh, stop someone from laughing.

Speaker 2 (01:01:27):
Oh no, stop someone from judging. You had your moment
last week as picking up.

Speaker 4 (01:01:35):
My stomach, going like, because I'm drinking poison, my stomach's react.

Speaker 2 (01:01:41):
If you can't finish that, I will have the rest
of it. Because I'm telling you right now, I am
so I am so powerless against one drink because if
it's one, it's gotta be three. Like that's why I
can't really drink at all, is because if it's one,
it's gotta be three. Zodi Green says, whenever I sit down,
I take a sip in my first cocktail and I, oh,
I'm gonna have three of those. That's is that a long?

(01:02:02):
I don't think if you like something, you go, oh,
I like that, I'm gonna have three of them.

Speaker 4 (01:02:05):
Well for me, it's well, I've had an eighth of
it might as well be done.

Speaker 3 (01:02:10):
I don't If you don't want that, I will have it.

Speaker 4 (01:02:13):
Well, I've had an eighth of it, and.

Speaker 3 (01:02:15):
I don't think you're going to finish.

Speaker 4 (01:02:17):
It because I'm the amount of sheets I am to
the wind. It's like I just wasted a whole rim.

Speaker 3 (01:02:22):
Of pa sheets in the wind.

Speaker 4 (01:02:25):
Are we talking about sheets of paper.

Speaker 3 (01:02:26):
Like I think sheets of linen?

Speaker 2 (01:02:31):
I have no idea the etymology of that three sheets
to the wind?

Speaker 4 (01:02:35):
Well, the clothesline is about the one.

Speaker 2 (01:02:38):
Thing you're gonna do is you're alive though, Yeah, there
you go. Bottoms up, babe. So the reason why you're
dun you had soup for lunch. No, I actually had
a soup and I had salmon, and I had about
half the Brussels sprouts that they gave and then, thank
you so much.

Speaker 3 (01:02:53):
I am going to finish her. Oh god.

Speaker 4 (01:02:56):
I want to know the origin of the expression, Yeah, okay,
it is for sailing.

Speaker 2 (01:03:02):
It originates from sailing, where sheets are the ropes that
control a sales position.

Speaker 4 (01:03:06):
Yes, three sheets are loose in the wind that siales
flo causing the vessel to lurch.

Speaker 3 (01:03:12):
And become uncontrolled. Okay, so it's a sailing thing.

Speaker 4 (01:03:17):
My damn head.

Speaker 2 (01:03:18):
Can you think of anything more stressful and somehow more
boring than sailing?

Speaker 4 (01:03:26):
I think that's what we need.

Speaker 3 (01:03:27):
I dress of us.

Speaker 4 (01:03:29):
You're right, need to be a drift at sea for
thirty calendar days.

Speaker 3 (01:03:34):
Should we go on below deck?

Speaker 4 (01:03:35):
We can?

Speaker 3 (01:03:38):
We can and whenever you guys want, they're shooting it
right now. Should we leave go?

Speaker 4 (01:03:41):
Well, first of all, I'd be full Anjik, I'd be
having full. I'd have no equilibrium, and I'd have who
had the diarrhea?

Speaker 2 (01:03:52):
It was? It was anigk was throwing up and all
that Angik was throwing up and her nail came up
off basically and she ran into that house sort of
like Butler girl.

Speaker 4 (01:04:06):
I could be taken down by a grain of top Saul.
I can be taken down by a sip of martini.
You think I can handle a.

Speaker 3 (01:04:11):
Boat, Well, how do you do on a roller coaster?

Speaker 5 (01:04:16):
Who that is that?

Speaker 3 (01:04:19):
That sounds like a lot of fun?

Speaker 4 (01:04:21):
Oh I was a roll? I would be like, because
I like that.

Speaker 3 (01:04:25):
Yeah, for sure, I think WU is a positive a child.
Oh my god, we just did them? Wait can I say?

Speaker 4 (01:04:34):
Can I say?

Speaker 3 (01:04:35):
Oh?

Speaker 2 (01:04:35):
This actually was something that healed me in a way
that I desperately needed. So we were in Osaka as
went to Universal Studios, and two things happened.

Speaker 3 (01:04:46):
So we were with a group of people that.

Speaker 4 (01:04:47):
TIC did to these places roller coaster zones, roll zone.

Speaker 2 (01:04:54):
We like to a theme park sometimes. And also we're
probably not going to like frequent theme parks if we
go to Japan.

Speaker 3 (01:05:01):
So we were there. So we went to Tokyo Disney
c and we went to.

Speaker 2 (01:05:05):
Universal Studios Osaka, which I'm gonna say on record right
now my favorite Universal park that I've ever been to.
Here's why. It had a great mix of things. Thank you,
thank you, thank you so much. The first thing we
did well, blah blah blah. We do like all the
Nintendo stuff whatever. Bo and I were the only ones
that wanted to do a roller coaster that was this intense.

(01:05:27):
It was called the Flying Dinosaur. It was a Jurassic
Park roller coaster and you fly like literally, how would
you describe it. You get in there, you get in
vertically on your two feet as it were. The rest
comes down. Then there's a moment where the hinge above
you starts to go and then you are on your
belly and you fly on your belly. You go up, up, up,

(01:05:49):
as if you're a territory belly like a pterodactyl. And
that's the whole bit. Is a pterodactyl is pulling you.

Speaker 4 (01:05:53):
Just stay home, smoke crack. It doesn't have to be
this complicated, honey.

Speaker 3 (01:06:02):
Why not.

Speaker 4 (01:06:03):
You're on your two feet, then your sum and there's
just stay home, smoke crack. Far less complicated.

Speaker 6 (01:06:13):
The carbon footprint is smaller, honey. Just stay on and
smoke carbon and crack. Don't get it twisted it again,
don't get it twisted anyway.

Speaker 3 (01:06:26):
Anyway, it was. It was unbelievable.

Speaker 2 (01:06:28):
We were screaming. It was so fucking cold, So we
were like screaming in the wind, like so much bigger
than you could ever imagine. Then we went on the
Jaws ride.

Speaker 4 (01:06:39):
Oh wow, okay, the Jaws ride.

Speaker 2 (01:06:43):
This is the last Jaws ride, full blown Jaws ride
in any universal park in the world. Practical effects and
animatronics performances by and what you need to understand is
that this was in many ways, I know I've said
it a few times about a few different things on
this podcast, in so many ways it was the culture

(01:07:04):
that made me say culture was for me. When I
was a kid going to Universal when I was like
seven or eight years old, the Jaws movie. Yes, but
also like going on the ride and seeing like going
like a mechanical shark attack in the boat, like seeing
the blood in the water. At one point, a fucking
huge gas tank explodes, like there's an actor on the
boat screaming, committed firing, Like that's the ride. That's the ride,

(01:07:29):
and literally the last one you can ever do at
this scale is in Osaka. And we did it and
it was me, tom Ny, Matt Whitaker, Greta Titleman, and
Bowen and they knew how much it meant to me
because I used to do a show which is called
You Will Get Wet at UCB, which was about me

(01:07:51):
being a boat captain on this ride, and I used
to stage the whole ride and it was one of
my bits that I used to do.

Speaker 3 (01:07:58):
Like Backward for Sarah, he would risk cite this entire
ride what the skippers said. I would play played the.

Speaker 4 (01:08:08):
Shark who was saying, you know, I think every single
day in my life there's just a little voice in
my head that goes, we're gonna need a bigger boat.

Speaker 3 (01:08:14):
Well, so who said it? And it wasn't said because
that line isn't in the ride, but like, how is
that line on in the Hey it was, I don't
think it was. Maybe it wasn't the right but I
don't remember saying. This diva was giving the performance of
a lifetime in total Japanese.

Speaker 2 (01:08:34):
And this girl was a friend knew what he was saying.
She we got on and I was like, oh my god,
we have a we have a girl skipper. I was
like obsessed, and I was like, she's about to pull
out a gun.

Speaker 3 (01:08:46):
And then what she did.

Speaker 2 (01:08:48):
She raised a shotgun. She goes full alone and we
were screaming and clapping and just dying. And then we
did the ride, and after I was just like, I
am so happy. I've not been that happy in a
long time.

Speaker 3 (01:09:06):
Go in order lunch. They served a soft shell crab.
At lunch. We ordered a burrito.

Speaker 2 (01:09:13):
That's when you say we're brito, and they gave a
side of a soft shell crab, a full on soft shell.

Speaker 3 (01:09:19):
Crabs Japan and it's it's the I said, I'm moving here.

Speaker 4 (01:09:24):
Well, the Jaws ride in Japan is gonna be your
Rosetta stone. That's how you become fluent in Japanese.

Speaker 3 (01:09:29):
Because you know it.

Speaker 2 (01:09:31):
No, that's actually really a good point. But because I
was telling them what she was saying as it was happening.

Speaker 4 (01:09:35):
Guys, she's not saying we're gonna need a bigger boat.

Speaker 3 (01:09:38):
No, but it was it was just it was it
healed me doing that. It was really beautiful to say
I loved it. And because you hadn't been on that
ride since you were well, since I was like, well,
they they.

Speaker 2 (01:09:48):
Took that ride out of Universal Studios Florida's travesty when
I was like, I don't know, fourteen fifteen sixteen to
put more Harry Potter shit in which, you know, whatever,
But like I I just felt like that was such
a cool, practical ride, like the shark coming out of
the water, like et cetera.

Speaker 4 (01:10:06):
Amazing. Yeah, as a spectacle horror. I have such a
bad relationship with roller coaster zone.

Speaker 3 (01:10:14):
This is why you would love roller coaster zones actually
not a roller coasters.

Speaker 4 (01:10:18):
Well, but I like because I forced my boyfriend, boyfriend.

Speaker 3 (01:10:23):
Yeah, put your weapons down down.

Speaker 4 (01:10:28):
I forced my boyfriend when I moved to LA and
I was broke, to take me to disney land Land
and we didn't, you know, we were fucking broke as
jokes and we were like, do anything, and I'm like,
waiting on these long lines. I'm like hot. I'm Jewish,
so I'm hot, and I'm complaining. I'm like, oh, like,
these lines are so long.

Speaker 3 (01:10:44):
I'm so hard you wanted to come here.

Speaker 4 (01:10:49):
Because I was like, we literally I guess we should go.

Speaker 3 (01:10:52):
No, no, no, this is my impression of your boyfriends. Mean,
why can't here?

Speaker 2 (01:10:56):
Yeah, that's how we thought. You guys are going way
and octave low. I guess we haven't spent enough time
to get and I'm going like.

Speaker 4 (01:11:04):
I'm like waiting this line. I'm so hot, I'm so dehydrated.
We don't have like any money, we can't do anything.
And I see everybody walking around with these giant turkey legs.
I'm like, what are we talking about?

Speaker 3 (01:11:15):
They're so good though, I'm a trip to fan of them.

Speaker 4 (01:11:17):
Oh well, if that touched my lip, the boiling hot
diarrhea that'll be spewing out of my mouth and ass
would have sent us home from Anaheim.

Speaker 3 (01:11:27):
So it's it's it's like that.

Speaker 4 (01:11:29):
But listen, maybe I gotta be rolling with y'all.

Speaker 2 (01:11:32):
No, you need to with y'all because I love a spectacle,
so I feel like I and also because let me
tell you something, the way I take care of things,
the way I'm on that app like a ninja.

Speaker 3 (01:11:43):
I'm like, what app? He knows the app? I know
what I'm doing.

Speaker 4 (01:11:47):
You're an American Ninja warrior.

Speaker 3 (01:11:48):
And let's just say, like, I'm better than the guys.
He's wow, that's the headline. No, that's not really true.
That's not true.

Speaker 2 (01:12:00):
You're coming with us to the parks, coming with us
to Beebrichella so we can watch you saw.

Speaker 3 (01:12:06):
If you're crazy interested in Coachella.

Speaker 4 (01:12:09):
Well again, it's the same problem as outside and.

Speaker 3 (01:12:12):
Said, no, Sarah, don't take care of them.

Speaker 4 (01:12:15):
No, but Sarah Day with the Jews already did forty
days and forty nights in the desert when it's forty one.

Speaker 2 (01:12:21):
Celestian I went last year for the first time, and
we were like, we don't know what this is like,
this might not be for us. We were liked it,
wor we can't believe we get to have new experiences.

Speaker 4 (01:12:30):
I can stand up for sixteen minutes at a time
and I have to sit down.

Speaker 3 (01:12:33):
Sarah. It was me.

Speaker 2 (01:12:35):
It was like Sam Minor Rebecca it was me, No,
Rebecca Schwarts there, Rebecca Schwartz carry powers, Taylor Knight's Sam Minor.
We were all having the time of our lives on trooms,
crying at tea pain like like sha, and then all
of a sudden you're sobbing and throwing as at the
same time, I do.

Speaker 4 (01:12:55):
You guys have this thing? Which is I'm sure you do.
Actually you do. That's the whole reasoning of this.

Speaker 2 (01:13:01):
You do, you do?

Speaker 5 (01:13:02):
You are?

Speaker 6 (01:13:03):
You are?

Speaker 4 (01:13:04):
You are? You are?

Speaker 2 (01:13:07):
You have?

Speaker 3 (01:13:10):
What's our thing?

Speaker 4 (01:13:11):
You probably share this? Sometimes I actually can't listen to
music or actually take an art of any kind because
I'm feeling so sensitive. I'll be so overpowered and.

Speaker 2 (01:13:20):
Overwhelmed that it's actually you don't even know you should have.
It's pathetically how hard I cry at everything.

Speaker 4 (01:13:28):
Norm McDonald writes in his book Cant To Read He's
that sometimes he couldn't even look at a painting. I
actually can't, like I will become.

Speaker 3 (01:13:38):
So overwhis crying little fish?

Speaker 4 (01:13:43):
Can I may I be a Can the woman be
a diva for a moment?

Speaker 3 (01:13:46):
And what was it?

Speaker 4 (01:13:47):
Act hard?

Speaker 3 (01:13:48):
Act act hard?

Speaker 4 (01:13:50):
You know?

Speaker 3 (01:13:50):
What was it?

Speaker 4 (01:13:51):
Where did your manager say you're acting strong?

Speaker 3 (01:13:53):
Strong, acting strong when you look up Nor McDonald's.

Speaker 4 (01:13:58):
I want to be strong and hard for I did.

Speaker 3 (01:14:00):
But I and and that's what I guess cancer.

Speaker 4 (01:14:04):
I saw Bone Temple, and.

Speaker 3 (01:14:08):
Yes, I'm gonna say cancer.

Speaker 4 (01:14:12):
I guess ices.

Speaker 2 (01:14:19):
Aquarious men march to the beat of their own drummer,
A K A, do whatever the fun they want.

Speaker 4 (01:14:26):
That girl did for sure.

Speaker 3 (01:14:29):
I just won't date him.

Speaker 4 (01:14:34):
I watched Bone Temple and there's a moment in Bone
Temple where a song happens. But just because a big
song was happening, I lost sobbing uncontrollably because Ray Fines
was dancing too smiler alert. Don't listen to this if.

Speaker 5 (01:14:52):
You don't want to know.

Speaker 3 (01:14:54):
Do you remember Iron Maiden The Greatest Showman? I went
to see The Greatest Showman Sudie Green. The whole time
she's like, this is bad, and then I was like,
I kind of agreed. And then this happened when the
shops want to cut me down, and I'm like, god,

(01:15:14):
I go.

Speaker 4 (01:15:16):
You went.

Speaker 3 (01:15:18):
Did you ever watched the Oscars performance of that song?

Speaker 4 (01:15:20):
I couldn't say.

Speaker 3 (01:15:22):
Miss Chaoli Sett forming the song and it's.

Speaker 2 (01:15:26):
Like the bridge where she's like when the shops come
with down and it's like circling her and she breaks down.

Speaker 3 (01:15:32):
No, oh, she's amazing. I don't say this chance. I
have a question for you.

Speaker 2 (01:15:35):
You said Matts worse at a stone was the jaws
riding Japanese. I need you to be on a foreign
language journey.

Speaker 3 (01:15:42):
I which one agree more? What is your foreign language?

Speaker 4 (01:15:45):
Listen? Guy came up to me on the train the
other day and he was like needing me to help
him get to his stop in Spanish, and I'm going,
fucking I can do this shit. I know fucking Spanish.
He goes like, hey, are you to may whatever.

Speaker 3 (01:15:57):
I'm going like, A, it's different.

Speaker 4 (01:16:03):
I got that. I need to be getting my Spanish
one down boot.

Speaker 3 (01:16:07):
We're going to Barcelona. We're going to Barcelona.

Speaker 4 (01:16:08):
We're going tomorrow.

Speaker 3 (01:16:09):
You're going to Barcelona. We're going to Barcelona. We're going
to the Barcelona Travel. It can't ever be enough. I
love travel again.

Speaker 4 (01:16:19):
You know I've said this before.

Speaker 3 (01:16:20):
I say it again.

Speaker 4 (01:16:21):
Unless I'm doing the chucol Hut at the corner of
Butzza and Gates, I'm not. I've literally like one time
my boyfriend Dan pol and then you can He's like,
let's go to New Orleans. I go okay, and he goes,
no shows, and I go totally. We're walking around New Orleans.

(01:16:41):
I walked by an open mic. I go pop in.

Speaker 3 (01:16:46):
He goes, come on, you're such a workhorse. You love
to do open mic. Well, this was like do you
miss it?

Speaker 4 (01:16:54):
I'm I'm gonna stand up hiatus right now kind of scene.
If people notice I say my favorite joke of all time.

Speaker 3 (01:17:01):
It's not my joke. You're giving it credit Thomas.

Speaker 4 (01:17:05):
Credit to whipper Thomas. He goes, you ever notice old
people get a frog in their.

Speaker 2 (01:17:08):
Out I turn on the TV today just to get
to my switch to say it's a it's a full video.

Speaker 3 (01:17:16):
Of r f K Junior, don't I was like to
get this off my screen.

Speaker 2 (01:17:20):
Now.

Speaker 3 (01:17:21):
I know it's an addition, but I know, here's here's
my thing.

Speaker 2 (01:17:25):
I don't know how people can look at the cast
of characters that is the GOP and not see Batman villains.

Speaker 3 (01:17:33):
That's why they like them. Gabbard's hair, that one white streak.
Give me a break.

Speaker 4 (01:17:40):
I'm not to wear Stacy London's streak.

Speaker 3 (01:17:43):
Stacy London has where stupid? How are you the funniest person.

Speaker 4 (01:17:50):
On the blackout who in the sewer right now?

Speaker 3 (01:17:54):
I just don't get it.

Speaker 4 (01:17:55):
I'm like a pepper and a tree top, y'all.

Speaker 2 (01:17:57):
I'm going, by the way, Can I have one yours?
Because I feel like everyone's been taking the olives.

Speaker 4 (01:18:03):
And put credit where credits due.

Speaker 3 (01:18:07):
You took it.

Speaker 2 (01:18:08):
Unfortunately, I do think it's time for I don't think so, honey,
which is gonna be interesting?

Speaker 4 (01:18:12):
We didn't even talk about anything, talk.

Speaker 2 (01:18:16):
About wait, talking about Saltlake City before but before yeah,
I didn't see the reunion yet.

Speaker 4 (01:18:20):
What what?

Speaker 3 (01:18:21):
I don't know. We were in Tokyo. It was hard.
There's no peacock in Tokyo. It's real culture. Number ten.
There's no peacock in Tokyo.

Speaker 4 (01:18:29):
Short for penis cock.

Speaker 3 (01:18:30):
No, it's not.

Speaker 2 (01:18:31):
And don't go there because we've had a really good
time and now you're gonna bring it with humor.

Speaker 4 (01:18:36):
That's a rule.

Speaker 3 (01:18:37):
That's a real culture, real culture number thirteen.

Speaker 2 (01:18:39):
Peacock, that's short pe peacock, that's short for penis cock.

Speaker 4 (01:18:44):
But and that's on boots period.

Speaker 2 (01:18:46):
And that's on boots period. What are your takes on
Salt Lake And don't be afraid, y'all.

Speaker 4 (01:18:55):
Let Whitney cook.

Speaker 3 (01:18:57):
Yes, I was just gonna say fucking.

Speaker 4 (01:19:01):
And I find that people are like, I don't know
about Whitney.

Speaker 3 (01:19:05):
I go, they've been saying them for years. Can I
say something?

Speaker 2 (01:19:08):
Salt Lake would not be what it would lose something
without Whitney, My my beautiful development, full Brownwin Newport, Stan,
Come on, Sarah.

Speaker 3 (01:19:20):
I've always liked.

Speaker 4 (01:19:23):
I like that, I like that through it.

Speaker 2 (01:19:27):
I always like Bromin's makes interesting is that we were debating.

Speaker 4 (01:19:31):
She's highly intelligent, and I can feel the producing. If
I was going through a fucking divorce with my big
fat husband, i'd come into that. Or you needna be like, hey,
I'm getting a divorce. You didn't tell your friends. You're
getting a fucking divorce from this, from this giant monster

(01:19:53):
the top. But I know what the fuck are we
talking about. If I walked in here and I was like, hey,
me and Dan broke up, you'd be like, what you
didn't tell me? It's insane?

Speaker 2 (01:20:04):
But how would you describe da'sn being sick?

Speaker 4 (01:20:11):
All of them were sitting.

Speaker 2 (01:20:12):
There like kidding, got divorced, We're drunk, you know what
I mean. It's like, it's this history, this is last
Colt history.

Speaker 4 (01:20:21):
Like, okay, can there be like a lower third like
when we got drunk?

Speaker 3 (01:20:26):
Black guy black in.

Speaker 4 (01:20:27):
The rear view mirror, These these objects in the.

Speaker 3 (01:20:30):
Rear view video mark the moment when each of us
got wasted. Have you gotten it? I'm wasted?

Speaker 4 (01:20:38):
Can there be like a little Sims diamond over our
head when we got wasted?

Speaker 3 (01:20:42):
To market to taken seriously, we're now a crazy breath?

Speaker 4 (01:20:48):
Can I be the Carolines Harlequin diamond above my head?
So I got I got wasted approximately we all know
this three and a half hours ago, so that should
be over my head from the mo I just got scared.
I thought there was another light of drinks.

Speaker 8 (01:21:02):
My heart.

Speaker 3 (01:21:03):
You imagine can you imagine? A second round? Just came
and be like.

Speaker 5 (01:21:11):
Hungry?

Speaker 3 (01:21:13):
Okay, so what is that? We're all abby? I'm good.

Speaker 2 (01:21:20):
I love.

Speaker 3 (01:21:23):
Starving, starving. I'm so hungry. You don't even know. Thank you.
I love all would and everyone be like, he fucking sucks.
We always hated him.

Speaker 4 (01:21:34):
I saw this.

Speaker 2 (01:21:36):
You're not wrong, You're not wrong at all. All right,
it's time for Adam thinks. So honey, she's highly intelligent.
And if you if if if you had gotten divorced
from you or her has been, you would be proclaiming it.
Oh and Brittany is what do you think of Brittany
saying I won't film with her? About Meredith, who's like

(01:21:59):
on the show she said that Britney Fulton has never
touched a snowflake in her life.

Speaker 3 (01:22:07):
I'm not filming with her.

Speaker 4 (01:22:09):
She's guess what. The production team of Real House of
Salt Lake.

Speaker 3 (01:22:13):
City, y'all have an interesting quandary.

Speaker 4 (01:22:17):
Y'all have an interesting You know how they say the
restrictions of the sonnet make the poem.

Speaker 2 (01:22:23):
You know how they say the restrictions are on one
the restrictions of what you call that pentameter.

Speaker 4 (01:22:31):
It makes you you're forced to be creative because you
have restrictions.

Speaker 2 (01:22:37):
Yes, thank you for making it eurocentric and not Asian centric.
Haikus do the same thing.

Speaker 4 (01:22:43):
Haiku does the same thing. I'm not speaking on behalf
of the Haiku culture.

Speaker 3 (01:22:47):
And you wouldn't I would never or else.

Speaker 4 (01:22:50):
So it's like, guess what, editors.

Speaker 3 (01:22:53):
And Sarah Sherman refuses to speak someone who is of
not that experience. Wait, so you're saying the limited limitation
now is that experience?

Speaker 4 (01:23:06):
I am big pentameter.

Speaker 3 (01:23:07):
I said that, Okay, we're losing the crew. He's watching
Fincher on his phone, so we got a hurry watching
quick Boys.

Speaker 4 (01:23:16):
It's like, now, well, now that creativity must come from this.
Now there's a restriction, so now let's get creative. Meredith
called her an anti semitic, y'all speaking of Semitic experience. Meredith,
come on.

Speaker 3 (01:23:30):
Girl, anti semitic was tough.

Speaker 4 (01:23:33):
How was the deflection of the century. I'm gonna start
doing that next time. HR calls me into and says, Sarah,
let's let's talk about what you did today.

Speaker 3 (01:23:45):
Well, you're anti semitic.

Speaker 4 (01:23:46):
Yeah, you know why I am in this room, y'all
anti semitic. And if you're not watching my special, you're
anti Semitics.

Speaker 3 (01:23:55):
I think it is time for I don't think so.
I want to stay really quickly before we before we
move on.

Speaker 2 (01:24:01):
Osaka was giving Chicago, which is also another reason why
you would like to going comedy Town.

Speaker 3 (01:24:05):
Stop, Sarah, comedy town canw system? Oh oh, it's amazing,
it's so good.

Speaker 4 (01:24:11):
So why did you say that?

Speaker 3 (01:24:13):
Would you say this system?

Speaker 4 (01:24:17):
What did you say that?

Speaker 3 (01:24:19):
Also?

Speaker 2 (01:24:20):
Catch my little sult like take. Yeah, it was tough
to hear. There's a moment where I don't know if
you saw this, there's a moment where like the women
call out Meredith for always always blaming an unproduction. That's
Mary m Cosby is out here being like.

Speaker 3 (01:24:38):
These this is our family. Why would you go after
these people? Production is our family. How does Meredith respond
to that? She she doesn't take it.

Speaker 4 (01:24:47):
Well, well, again, I'm gonna say something crazy. What housewives
show would be good if we didn't have a woman
acting monstrously to the crew?

Speaker 2 (01:24:58):
Understandable and she gets to say three takes only, and
I'm like, it's.

Speaker 3 (01:25:06):
Do we listen?

Speaker 4 (01:25:08):
I do not want any union labor workers to be
abused on set.

Speaker 2 (01:25:15):
They work on a house five show and one of
them is going to be crazy, wouldn't it? Not that
she's crazy?

Speaker 4 (01:25:21):
But we were like if there was a reality housewife
show and everyone is like, well, everyone acted like a
peach and I'm watching they all donated to.

Speaker 2 (01:25:32):
The A C l U and yeah, and they're all
in mutual lead groups. And I think that what you're
going to see is a lot of women getting along
and a lot of growth. I think that what's going
to happen is you're going to see amazing vacations and

(01:25:54):
certainly emotional bloom even more than you thought they could.
A lot of emotional intelligence, a lot of patience.

Speaker 4 (01:26:01):
You'd be like, great, I ain't realize I'd be watching
a screensaver.

Speaker 3 (01:26:08):
Period. How are you the funniest bitch on the planet.

Speaker 4 (01:26:11):
You're saying, it's straight space, straight.

Speaker 3 (01:26:15):
Straight face.

Speaker 2 (01:26:23):
I've got one you want to go past, I can
go first. Okay, y'all must agree with me. I'm talking to.

Speaker 3 (01:26:31):
Okay, this is.

Speaker 4 (01:26:34):
Get after this what I want to get?

Speaker 3 (01:26:37):
A bug? After this bug? You're beat. This is bowen.
I don't think the money as time starts now, I
don't think so, honey.

Speaker 2 (01:26:44):
The word restaurant, why do we call it that? It's
a crazy fucking word with the crazy fucking spelling. You
want to know what a restaurant is called in Mandarin Chinese?
The translation is meal store.

Speaker 3 (01:27:01):
Thank you for the.

Speaker 2 (01:27:02):
Literalism of that, because calling anything a restaurant automatically, like
borrowing from the French word for a restore, gives it
a false sense of thirty seconds. I'm not restored at
a restaurant. Most of the time, I'm stressed the fuck
out because It took me three weeks in advance to
book this on Rezi and I get there and I'm like, well,

(01:27:24):
I guess I have to have the most mind blowing
experience of my life fifteen seconds. Even though it's a
place where it sells mid food at best, a restaurant,
it's a crazy word. It's too fancy. Sometimes the place
isn't fancy enough to merit or warrant the word and
title of restaurant, and that's okay. Sometimes it's a hole

(01:27:46):
in the wall and I just want a little a
little thing that comes out in a metal tray, and
that's fine, But that qualifies as a restaurant and shouldn't
be called that.

Speaker 3 (01:27:53):
And that's when the word linguistically it does not bear
the weight of what that service center.

Speaker 2 (01:27:59):
I'm an spell the word restaurant right now, and I
need you spelling bee spot spelling be style to say,
if I got it right, restaurant r E s T
a U r a n T restaurant.

Speaker 3 (01:28:15):
That is correct, okay, because you never know what.

Speaker 4 (01:28:20):
Is it?

Speaker 2 (01:28:20):
Restaurant's resto hunt instead of restaurant.

Speaker 3 (01:28:26):
I think it's ten letters for three syllables. That racially right.

Speaker 4 (01:28:31):
It should be restaurant.

Speaker 3 (01:28:33):
Restaurant. We should just call it dinner. Going to dinner,
sup up supper? When would you call something supper when
there's pheasant? When you're Canadian, when there's how are you
the funniest on the planet. I don't even know how
your brain got there?

Speaker 4 (01:28:53):
The American?

Speaker 3 (01:28:54):
When would you call it supper when there's pheasant?

Speaker 2 (01:28:58):
Like?

Speaker 4 (01:28:58):
What that is?

Speaker 2 (01:29:00):
When you call it supper? When you're eating something from
a fucking spoon? That's how I picture supper supper time.
There better be a spoon on the table. Oh my god,
you know what I'm saying.

Speaker 4 (01:29:12):
There better be a stew and I better have my
like my like it's it's like peasant fair, like Grandma's had.

Speaker 3 (01:29:21):
Peasants for peasants. I want to go.

Speaker 1 (01:29:28):
To.

Speaker 3 (01:29:29):
Okay, this is Matt Rogers. I don't think so many
as time starts now, I don't think so honey, that
AI is in Google Gmail.

Speaker 2 (01:29:39):
I don't like that because and I learned this from
Lauri from shark Tank, because she put up a very
helpful reel about how to disable the AI settings on
your Gmail. And I think everyone should do this because
I don't need AI to be reading my emails and
seeing everything in my Gmail, and then like I get

(01:30:00):
an email from a friend and AI was like, oh,
this is basically what it says.

Speaker 3 (01:30:04):
I didn't fucking ask for that.

Speaker 2 (01:30:06):
I feel like you should have to turn on an
AI setting in a Gmail and it not just be
an assumed thing that I want AI to deduce for me.

Speaker 3 (01:30:16):
Oh, this is basically what this text says. This is
basically what this email says.

Speaker 2 (01:30:20):
No, because then you're gonna miss a joke, a turn
of phrase, a little informative thing that's an addition.

Speaker 3 (01:30:26):
Yes, don't using your brain they want you to do that.
I don't think so, honey, And that's one minute. Thank you.

Speaker 2 (01:30:35):
I feel like it's just it's we're starting to accept
this idea that everything is supposed to be just summarized
or abridged.

Speaker 3 (01:30:44):
For us by a thing that is proven to not
be correct. What happened to Jena se Qua?

Speaker 4 (01:30:54):
What happened to that? Oh, I'm looking at my texts.
It's saying bon Yang is expressing affection and is inquiring
about Oh.

Speaker 2 (01:31:06):
You don't have to do all that. It's really like,
I really feel like it's gonna end up with like
us being completely ineft at understanding reading.

Speaker 3 (01:31:20):
We're not gonna be able to read anymore at this
rate reading.

Speaker 2 (01:31:24):
And thank you Laurie from Shark Tank because she actually
walked through how to disable this setting on the on
the Gmail and please go to her Instagram where she
does a reel about this and she says at the end,
I care about you go.

Speaker 4 (01:31:35):
To Instagram look back at your leaves.

Speaker 3 (01:31:37):
Well, yeah, don't go to Instagram.

Speaker 2 (01:31:40):
But I'm just saying, it's like I have really been
shook lately by just how much.

Speaker 3 (01:31:48):
They they want you to just accept.

Speaker 2 (01:31:51):
Yeah, don't, don't, don't use your brain, be dumbed down,
accept this little thing. No, you're you're You're in Sarah
sult psychosis. Yeah, constantly if you're relying on AI. And
by the way, it's so boring to talk about, but
also you have to talk about it because it's everwhare
So my YouTube algorithm is purely videos of these are
the best RPGs to play. Fine, I'm watching every single video,

(01:32:15):
But now what I'm noticing is, oh, this is This
was written by chat JPT because you know what the
tell is. This is for everyone in the room and
everyone at home. This is the tell when something is
written by A. Because I was like, I'm going insane.
This is the syntax for everything written by AI, including
Gemini and what ell whatever?

Speaker 3 (01:32:34):
What's the other one? What have you? It isn't A,
it's B. Do you know what I mean?

Speaker 2 (01:32:41):
It's like, that's not a martini, that's a drink. That's
a gorgeous, savory cold soup.

Speaker 3 (01:32:49):
It's like.

Speaker 2 (01:32:50):
That is the way AI thinks it's being profound by
being like, it's not this, it's that.

Speaker 4 (01:32:56):
Look, I have consciousness. I can determine there's a different
in between two things.

Speaker 3 (01:33:01):
But the way it the way it denotes that difference
is it's not this. Can I ask a.

Speaker 2 (01:33:09):
Question, when has there ever been a piece of like,
when has there ever been like a movie, a television show,
whatever that was like here comes to AI and it
ended positive?

Speaker 3 (01:33:20):
Literally, When have we seen one example of like this being.

Speaker 2 (01:33:25):
Introduced into society and it ends in a way that
isn't total destruction?

Speaker 3 (01:33:30):
Never where do we think this is going? I'm shook.
What people just want to march towards day?

Speaker 5 (01:33:39):
People are so stupid.

Speaker 4 (01:33:41):
Boyfriend, your boyfriend, he has a Google that I don't
really know what it's called. It's called like duck dug
boots or something that is like a Google without AI.

Speaker 3 (01:33:51):
Duck dug boots, goose, don't ask AI. I'm so sorry.
I'm so sorry to make well.

Speaker 4 (01:34:03):
I said duck duck boots, didn't.

Speaker 2 (01:34:04):
I, and now duck duck Michael Rappaport sending me boots now,
I want to I want to point out that your boyfriend, yes,
is doing the most anti AI thing ever, which is
he's going to school.

Speaker 4 (01:34:17):
For maps and geography. Bitch, that's the mountains, that's the land.

Speaker 2 (01:34:21):
I don't see do I see AI around because we
think werver You're thinking, oh, yeah, we've.

Speaker 3 (01:34:27):
Mapped the whole sphere.

Speaker 4 (01:34:29):
And geography is about things are real and they're happening
in your world right now.

Speaker 3 (01:34:34):
Yes, it's dynamic and we don't know anything about the ocean.

Speaker 5 (01:34:38):
I don't.

Speaker 4 (01:34:38):
It's chilling me to my bones. Also, how many people
I'm grandma on the computer because I'm going I'm so
not going on with it knowing what's going on with AI.
I'm so not going No.

Speaker 3 (01:34:52):
Bars by the way, bars by the way.

Speaker 4 (01:34:55):
I wouldn't even know if something is chat GBT coded
because I'm so like, I'm still Grandma on the computer. Baby,
you're telling me so many vending machine that takes a
live shrimp out of the vending machine, fries it.

Speaker 3 (01:35:18):
And wait, what are you talking about? What I'm telling
you that.

Speaker 4 (01:35:25):
No vending machine, live shrimp. The claw picks up a
live shrimp, fries it and then it comes out the way,
and I'm going, oh my god, this is amazing.

Speaker 3 (01:35:37):
It's time for Sarah Sherman. I don't think so, honey.

Speaker 4 (01:35:40):
I don't think so honey.

Speaker 3 (01:35:43):
Fuck, this is.

Speaker 2 (01:35:45):
Sarah Glory the Sharks. A thing about how you get
those settings off your email. That's all I want to say.
Not praising billionaires. This is Sarah Sherman's I don't think
so honey. Her time starts now.

Speaker 4 (01:35:59):
I do not think so honey. People who complain about
oh my uber driver talked to me today, Oh shut up.

Speaker 3 (01:36:07):
Oh shut up.

Speaker 4 (01:36:09):
You're in here.

Speaker 3 (01:36:09):
That's a human beer.

Speaker 4 (01:36:11):
Have a conversation. Oh, I don't want to talk to anyone.
My life is open. I'mself, I'm running around. My life
is so busy. I have to move so fat fucking
have a goddamn fucking conversation. What's your fucking problem? Hey,
how was your day? Oh it's good.

Speaker 2 (01:36:25):
What do you do?

Speaker 4 (01:36:25):
You know what I say? When someone asked me what
I do? I go, I'm on Saturday night, Rive Biggo.
What is that?

Speaker 3 (01:36:30):
I go?

Speaker 4 (01:36:31):
Well, it's a weekly variety comedy show. Whatever. You don't
want anyone to talk to you, then take the fucking train.
People are gonna talk to you on the train. Do
with it. Talk to the meg If you don't want
that to talk to you on the train. Fu your
clothes off, shot in your hands, smeared all over your body.
Be the person on the train that nobody wants to
talk to.

Speaker 5 (01:36:48):
You can do it.

Speaker 4 (01:36:50):
You don't want people to talk to you, start acting
like it.

Speaker 3 (01:36:52):
Move to a fucking farm and to talk fucking farm,
have a.

Speaker 4 (01:36:56):
Cow, that's my time, and have a fucking just talked about.

Speaker 3 (01:37:05):
To take a ship, spirital over yourself. Absolutely, you're fucked.

Speaker 4 (01:37:14):
And listen. Sometimes I someone gives me an inch and
I take a mile. So lest and I were in
the bathroom a Panera when we were coming back from
our trip. You and eighties.

Speaker 3 (01:37:24):
So you do take trips. We take trips. Yeah, that
was a trip that bond. Did you enjoy it?

Speaker 4 (01:37:30):
Time in my life? I think about it. Every day.

Speaker 3 (01:37:32):
Have to do it.

Speaker 4 (01:37:33):
I had fun three years ago in the bathroom.

Speaker 3 (01:37:38):
I remember that Panera. Literally, I get wasted in black
What today today?

Speaker 4 (01:37:46):
Yeah? You sit there for the rest of the day.
We leave you. No, I'm just gonna think about some
things I get.

Speaker 3 (01:37:52):
I'm really angry and passed.

Speaker 4 (01:37:54):
I literally saw a woman in the bathroom at Panera goes,
love your pants.

Speaker 3 (01:38:00):
So I said, what did you do?

Speaker 4 (01:38:05):
This woman's like, wants to go to the bath. Passage goes,
I like your pants. I basically stop her dead in
her tracks, and I'm like, wow, I got them on
email on this. You know, I searched, and I searched
clown pants on anybody. I'm actually there is like let
the woman.

Speaker 3 (01:38:24):
Let the woman go.

Speaker 2 (01:38:25):
She was you put me in you rolling your eyes back.
We did this when Aga was on the podcast. We
read one of our sketches that never got packed. You
know you don't want sketch. I want to I want
to read.

Speaker 4 (01:38:38):
What successing that?

Speaker 3 (01:38:41):
No pain zep girl? Do you want to read? Do
I get to play? Yes? Well guess what.

Speaker 4 (01:38:50):
I don't have my phone on me because I am.

Speaker 3 (01:38:52):
Going to send you hold on, hold on, hold on me.
Nothing okay, I can get my phone. No, I'm gonna
I'm gonna send Becca this.

Speaker 4 (01:38:59):
But see how big and encumberating my focus?

Speaker 3 (01:39:03):
No no, no, no, no no no, we'll come around this. Wait.
Can you read this? And if it flops, then we'll
just cut this out.

Speaker 4 (01:39:07):
If it flops, I want people to know why.

Speaker 3 (01:39:10):
All right, I sent it air drop failed. Hold on,
hold on? You did here, Tyler? Okay, what's my role? Okay?

Speaker 2 (01:39:19):
You I'm gonna read stage direction and then you Sarah
read Sarah, you read Shane.

Speaker 3 (01:39:27):
I wrote that we were just when goes. This is great,
This is great, and then you read all the other parts.

Speaker 2 (01:39:33):
Okay, okay, okay, So I'm just Shane. You're Shane and
everyone else Shane and everyone else.

Speaker 3 (01:39:39):
Huh.

Speaker 4 (01:39:40):
This is Keenan's favorite.

Speaker 3 (01:39:40):
This is Keenan sarahs guy.

Speaker 2 (01:39:41):
Wait, so so then I'm also Heidi and andrewid. I'm
gonna read all you have to do the voice. But
then i'm yes, and that's okay.

Speaker 4 (01:39:49):
I'm reading.

Speaker 3 (01:39:50):
I'm reading stage.

Speaker 2 (01:39:50):
Direction, but you have to do everyone's voice. Took Okay,
open on exterior pain stip Studio. We go Live Shane
with Willie Nelson Braid's leads. It's a painting session. Andrew Ago,
Heidi Bone and Sarah are sitting at canvases. All right, folks,
thanks for coming to the plastered palette. My name, as
you know, is Rachel Dolozov. No relation as you know, cell.

Speaker 3 (01:40:16):
You said as you know twice and we definitely don't know.
We're just meeting you.

Speaker 2 (01:40:22):
And also also you know, I was dropped on my
penis as a child, So if it becomes just spontaneously
aroused during our session, you can't take legal action against
me because it's a disability. Long beat knocks on the
table twice, eh, Heny who We're thrilled to host this

(01:40:44):
corporate offside for Uniceal adhesives.

Speaker 3 (01:40:47):
You guys ready to paint and sit?

Speaker 2 (01:40:49):
Yeah?

Speaker 4 (01:40:50):
Where the brush is at?

Speaker 3 (01:40:51):
Come on now, amazing balls.

Speaker 2 (01:40:54):
Now, in addition to your drinks, you should have a
water cup to clean your brushes. Oh so I shouldn't
paint with my wine and sit my paint.

Speaker 3 (01:41:03):
Definitely not. I'm just joshing, y'elle.

Speaker 2 (01:41:07):
Wouldn't waste the drop of this veno me either, not
after the drought ravage those vineyards. I know climate change
is good.

Speaker 3 (01:41:17):
Say no more?

Speaker 4 (01:41:18):
What those icebergs melt, Those fat ass polar bears could
stand to swim, some appen.

Speaker 2 (01:41:23):
And Greta Thunberg could stand at tripped as the four
with those iebags. They're not Gucci, honey, they're puffy.

Speaker 3 (01:41:29):
Know what I'm saying? Musing theme? They interrupted, confused and
they dumped to the Rockey clears.

Speaker 2 (01:41:35):
They're the wrong takeaway guys, say no more, the wrong
takeaway guys, and they.

Speaker 3 (01:41:42):
Have their own theme song. Awesome. Now, who wants to
see what we're painting tonight? It's a dog on the beach.
Shane turned his easel. Oh now that's cute. All right,
now that's cute. Oh my gosh. It looks just like
your chihuahua, Pauline.

Speaker 5 (01:42:02):
It does you know?

Speaker 2 (01:42:04):
Ever since we rescued Pauline, it's like did we rescue
her or did she say no more?

Speaker 3 (01:42:09):
O shop, don't adopt, don't want any damage.

Speaker 2 (01:42:12):
A little free dragging their traumas and open moods into motaw.

Speaker 3 (01:42:17):
Purebreads are bust.

Speaker 4 (01:42:18):
I want a dog, I can show off at the grove.

Speaker 2 (01:42:22):
No, I'm saying, Uh, he's talking on the phone. Uh, Mom,
I'm gonna be home late tonight. Something amazing is happening?
Greg and Cheg What are you guys drinking?

Speaker 4 (01:42:34):
We've been shot gunning our dooles since seven am.

Speaker 3 (01:42:37):
The shotgun two beers.

Speaker 2 (01:42:39):
You guys are shot gunning non alcoholic beer. Oh wait,
I have on here that the session was for six people.

Speaker 3 (01:42:46):
Are we missing someone?

Speaker 2 (01:42:47):
Yeah? Our officer, our office manager. Kyle's flight got delayed. God,
air traveler is so screwed up lately. We really need
to start driving planes on the ground like cars to
stop them from blowing up in the sky in her.

Speaker 3 (01:43:01):
Hurting birds. Say no more and get rid of.

Speaker 4 (01:43:04):
The black boxes. Let it be a mystery.

Speaker 2 (01:43:08):
No, no, we don't know what you're saying. Planes as cars?
How would that work? We live in Manhattan, Sata Moore.
They should pull your Central park and build.

Speaker 3 (01:43:19):
A new per all hell the sun?

Speaker 2 (01:43:23):
God raw, Can I ask what Greg and Shag do
with the company. They're the founder CEOs. We're a blue
company and they own a big horse farm.

Speaker 4 (01:43:33):
My boy, we finished our painting.

Speaker 2 (01:43:35):
They flip their canvases to reveal paintings of a priest
behind bars?

Speaker 3 (01:43:40):
Is that a priest in jail?

Speaker 2 (01:43:42):
Oh?

Speaker 3 (01:43:42):
My god? That belongs in Sata Moore In the louver.
I was gonna say in the Garpege read my lips.

Speaker 4 (01:43:49):
Read and read Church and state post haste, but privatize prison.

Speaker 3 (01:43:53):
That's enough.

Speaker 2 (01:43:55):
We thought this would bring us together as a team,
but your wrong takeaways are tearing us apart.

Speaker 3 (01:44:00):
So we quit.

Speaker 2 (01:44:03):
Wait, guys, Greg and Chag just want to express themselves
and this place is more than pain and sip.

Speaker 3 (01:44:09):
It's a pain. Sip and listen and forgive.

Speaker 2 (01:44:14):
Wow.

Speaker 3 (01:44:15):
We're sorry, Well this is wow. We're sorry we yelled
at you. Greg and Cheg. You guys really are good bosses.
Even if we disagree sometimes say no more. A multitude
of opinions makes us stronger as a team. Wow, that's
actually true. On opposite day, guys, wrong takeaway, guys, Look, guys,

(01:44:38):
I painted two girls kissing. Shane grabs his crotch. Ah,
my disability.

Speaker 4 (01:44:45):
Not one laugh. There's twelve people in the room.

Speaker 5 (01:44:52):
No one laughing.

Speaker 3 (01:44:54):
No, I saw some smiles because I don't think.

Speaker 2 (01:44:58):
I don't know, because I I think because I read
all the other parts, people can't tell.

Speaker 4 (01:45:03):
But I do think we should keep the entire thing
what Gregan Cheg is confused.

Speaker 3 (01:45:10):
Greg and Chagg, they're the founder CEOs of a glue company. Honestly,
I think it works. I think we keep it in.
I wish in retrospect I had done more different kinds
of cold read. You were amazing, And I kept.

Speaker 4 (01:45:24):
Seeing the name Shane and thinking it said Sarah because
I'm blackout start. I would start to do the line
and go, now that's the celebrity host mama, So why
did that go straight to air?

Speaker 2 (01:45:40):
I tabled it, like, by the way, please watch the
incident on YouTube. A Cuver time sketch that I think
is it stands as one of your best, it's one
of my best.

Speaker 3 (01:45:53):
And I was Tan Taylor.

Speaker 4 (01:45:58):
She's literally someone I love your shirt. She'd be like,
you can have it, literally shirt off your back vibes
she I've always Also, I would just be like looking
at her because she's beautiful all day.

Speaker 2 (01:46:15):
The most gorgeous is is she like she really feels
like she carries the light, Like she's like comes in
a room and is like gorgeous and it's a beautiful experience.

Speaker 4 (01:46:22):
Yes, and she wears like big baggy pants and baggy coats,
but you're like, I can see right through this baggy coats.
You're the most beautiful body in America.

Speaker 3 (01:46:31):
Yeah, she really does that.

Speaker 2 (01:46:32):
I was like, oh my god, every time you see her,
you're like, I fucking forgot you are crazy hot.

Speaker 4 (01:46:39):
I'm gonna pull a stunt and wear that exact dress
on my fat ass and really, heads will turn.

Speaker 3 (01:46:44):
What fat ass are you talking about?

Speaker 5 (01:46:46):
Girl?

Speaker 4 (01:46:47):
I'm fat like a Christmas house. We have to go.

Speaker 2 (01:46:52):
This is historic, a wonderful mic. No, I don't think
we have no how many episodes? Literally five hundred over
five hundred.

Speaker 3 (01:47:03):
We missed it.

Speaker 2 (01:47:03):
We definitely missed from hundredth We're well over it. Sarah
Sherman watched it four forty was actually four hundred. We
are forty episodes over our four hundred.

Speaker 3 (01:47:14):
No, we're so over away.

Speaker 2 (01:47:15):
We might as well just wait until six hundred because
we're about to celebrate our ten year anniversary, which kind
of is the five hundred.

Speaker 3 (01:47:22):
But it's like Nicole Kidman. No, we end every episode
with the song.

Speaker 8 (01:47:29):
Actually yeah, but you feeling feeling the same boy want
to you know, gotta let it go because my.

Speaker 4 (01:47:46):
Body let him Ben deep.

Speaker 3 (01:47:56):
Don't you know it's best weep but with you. I
hate the thought of a beer with someone else, but
you know that it's over.

Speaker 5 (01:48:15):
What a You co.

Speaker 2 (01:48:17):
Bye Last Culture Reactis is the production by Will Ferrell's
Big Money Players in iHeartRadio podcasts. Created and hosted by
Matt Rogers and Bowen Yang, executive produced by Anna hasby
A and produced by Becca Ramos, Edited and mixed by
Doug Bain and our music is by mcmirsky