Episode 416 | Sweet Tooth

Tyler The Creator made his bed with the fan base he cultivated, but Mal thinks he may have been misunderstood. Rory and Mal investigate the real reason Brandy left the stage in Chicago. Baby D thinks the guys are cappin’ when they give props to Clarissa Shields for her freestyle. Rory and Mal are impressed with the robbers who pulled off the most recent heist in the Louvre. Plus, Mal can’t stop listening to the new Tame Impala project, and a caller wants to know if we got a problem with album variance.

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Episode Transcript

Speaker 1 (00:01):
The volume.

Speaker 2 (00:07):
I got a sweet tooth, I got a taste for
you what you want?

Speaker 3 (00:14):
That was the start of my right I thought, I was.
It's way better than me saying and we're back?

Speaker 4 (00:20):
Are you saying?

Speaker 3 (00:21):
I got a sweet too, I got a sweet tooth.

Speaker 4 (00:25):
I'd pay.

Speaker 3 (00:28):
I'm not gonna say the name, but I pay. That
might be the first time i'd pay.

Speaker 4 (00:32):
I can't.

Speaker 5 (00:32):
I tried to before, man, I just couldn't. It's like
my nervous system. My body is just like to aligned
with like my chakras. My chakras are not aligned to.

Speaker 3 (00:41):
Like, no, my my pa, my venus and mercury would
definitely align for my chakras.

Speaker 4 (00:46):
Was just like this, ain't you my?

Speaker 5 (00:47):
I felt like my ancest ain't you. I felt like
my ancestors was like, Yo.

Speaker 4 (00:51):
This ain't even your steeves right here.

Speaker 3 (00:53):
Imagine attempting it by pushing and looking in the mirror,
going mall, this isn't you.

Speaker 4 (00:57):
It just wasn't me. I tried.

Speaker 5 (00:59):
It was an experiment I wanted to have, Like I said,
let me just see if I'm actually capable of doing this,
and physically, like my nervous system, everything was just like yo,
you bugging like this ain't even this, ain't you.

Speaker 4 (01:12):
I don't know, man, I'm dead serious. I'm not even
trying to be funny like I'm I tried. I paid
for sex.

Speaker 2 (01:17):
Before I break my room.

Speaker 4 (01:18):
I think I pay five k for this week too. Nah,
you tripping, bro, don't know? Don't know?

Speaker 5 (01:23):
Vagina costs five thousand dollars for the weekend. Yo, they
got to listen, they got the they got.

Speaker 4 (01:28):
To shot it. Backboard.

Speaker 5 (01:29):
Mike's sitting for retail right now. Those are classics. They
sit and you can get them right now, Josh for
one twenty to shout it. Backboards, they just sit in beach.
You're telling me sex vagina cost five thousand Mike soon
don't even cost Mike shoe is a sitting retail.

Speaker 4 (01:46):
I can't fuck Mike shoes. But those are.

Speaker 5 (01:48):
Classics, Like it's a classic.

Speaker 3 (01:50):
Shit, a dude, look at it.

Speaker 4 (01:51):
She's not a classic. Get out of here. She might.
She might feel like one though, five K for sex,
it's crazy.

Speaker 3 (01:57):
I'm not paying for another man's shoes like that.

Speaker 4 (01:59):
It's crazy.

Speaker 5 (02:00):
Nah, five K for sex as well. Just think about
that for one second.

Speaker 6 (02:04):
I'd immediately regret it, no matter who it was, and
then the regret comes from you knowing that your ancestors
looking at you like really like, this is what you're
doing with your life, This is where your life is
taking you.

Speaker 3 (02:16):
And like maybe a little TMI, but her I probably
wouldn't last very long, so like that'd be kind of
a waste. But five K I need to know, like
I got you know, I got a knight, So five
K for the night. Yeah, when you gotta give me
another round.

Speaker 5 (02:32):
So it's like from the time y'all meet up twenty
four hours after.

Speaker 2 (02:34):
That, Yeah, I regret that five K pretty quick.

Speaker 4 (02:37):
Of course you would, you know you would. That's crazy.

Speaker 3 (02:39):
And I feel like you can't even say, yo, I
beat if you paid for it. I don't think you
could be like yo, you know I can't.

Speaker 5 (02:44):
Yeah, that's it's so many, it's so many pais, there's
so many stipulations with that. It's just like, uh, it's
just disgusting, Like I don't know, Yeah, I'm just not
with that marriage good.

Speaker 4 (02:54):
It's laying. It's laying.

Speaker 5 (02:58):
You got that, you got that motherfucker? What you put
in it at sofa eight?

Speaker 2 (03:01):
Yo?

Speaker 4 (03:05):
What you put in there? What's that? That wedding wavy.

Speaker 2 (03:07):
No, it's just a fresh, little fresh haircut, side side,
a little bang over the eye.

Speaker 5 (03:13):
Oh you're looking like little Kim and nad seven right there.

Speaker 4 (03:16):
Let me see.

Speaker 3 (03:17):
Oh yeah, you know remember the bang over the eye.
Look that had that had a run, that had a run.

Speaker 5 (03:25):
Oh man, can't be watching the girl that was coming
to see you. When you was young, you like looked
out the windows walking up the block. Yeah, oh man,
that was the best. Butterflies. You immediately become plussan.

Speaker 4 (03:35):
You smell like what was the body spread they used
to wear?

Speaker 2 (03:37):
Cucumber melon?

Speaker 4 (03:39):
Remember that? Remember the cucumber melon. I mashed it with
my col water. You can smell her four days after
she left your crib. Your whole house smelled like.

Speaker 2 (03:45):
All around Rory's time. It was more love Spell. Yeah,
it was definitely love Spell. Absolutely love Spell was running
rampant in the streets. The streets smelled like it.

Speaker 4 (03:57):
We all back.

Speaker 5 (03:57):
Sponsored by boostmore unlimited talk, text and data.

Speaker 2 (04:01):
Of course, merchants on sale that list.

Speaker 3 (04:04):
Five dollars add free on Patreon every episode episode.

Speaker 2 (04:08):
And it's not just the I want you to remember
that if you don't have our Patreon, we have been
doing Patreon for like three years. Now you have three
years of a back catalog to go back. Why are
you tripping like it's it's worth.

Speaker 3 (04:21):
That's what we gets about to say, and it's you know,
sometimes it's better content over there. I say my real thoughts.

Speaker 5 (04:27):
Oh well yeah, no, I really feel behind the paywall.

Speaker 2 (04:31):
And would be live streaming. Now we're trying all this
live streaming thing, so sometimes we do pre production post production.

Speaker 5 (04:38):
I she's doodle, she's showing feet. Listen, man, go to
the Patreon is.

Speaker 3 (04:42):
Lit well over the weekend, I dropped my phone and
dropped your album quickly, just dropped it real quick. Didn't
say anything. So now I have to say, hey, Siri,
go to my home screen anytime I want to go
to an Apple like my home Buddyes, just the on
the grounds. But I be literally feel like I've been
living like a second class citizen. I've been losing my

(05:03):
mind not being able to go to the home button.

Speaker 4 (05:04):
You got to call boostmob, but they'll come and bring
you a new iPhone.

Speaker 3 (05:07):
Just won just walking around my house. Siri, go to Twitter, Yeah,
sirih go to is there, Siriri, go to my email
like it's been hell but I have to go to
the Apple store. Maybe I could use Boostmobile twenty five
dollars and they can come and bring the my phone seventeen.

Speaker 5 (05:23):
While we're recording. They will hook up your phone right
here while we are recording.

Speaker 3 (05:28):
Over the weekend, I saw that Tyler the Creator got
a little bit of backlash. A little bit he said
reci in peace Dangelo, and it all went downhill from there.

Speaker 5 (05:38):
Now I saw some of his old tweets that they
pulled up. I was like, okay, you know, they got Tyler.
They went back and started digging into his you know,
his old work. I didn't see the D'Angelo tweet though.

Speaker 3 (05:49):
I mean, there was nothing really wrong with his with
his d Angelo tribute, But just from there, people discovered
that maybe Tyler Creator is a little anti black.

Speaker 4 (06:01):
That's what they got from his tweets.

Speaker 5 (06:03):
Now, I did see him, and they found a picture
of him in a KKK costume.

Speaker 4 (06:08):
Yep.

Speaker 5 (06:09):
I didn't know if it was Halloween. But I don't
know if that would have made much of a difference.

Speaker 3 (06:13):
I mean, I was mainly offended by the white face.
I was hoping there'd be more outrage for that specific one.
When he was in white face.

Speaker 4 (06:21):
So let's read some of his tweets. Scroll up jobs
to the first one.

Speaker 5 (06:24):
Tyler says, on this date in twenty fourteen, February seventh,
this is what he had on his mind. He set,
I hate Black History Month? Why the fuck do you
have to fucking separate niggas?

Speaker 4 (06:32):
Still? Ohway's paying homage to our heroes? Fuck that? Okay,
I don't I feel him.

Speaker 5 (06:38):
Why we have just one month where we have to
you know, and it's the shortest month.

Speaker 4 (06:41):
We've heard that before.

Speaker 3 (06:42):
You could find a loophole in that one. Yeah, yeah, yeah,
that one.

Speaker 5 (06:47):
Hey, he's just mad at us having black hist They
trying to separate us, like America is black history.

Speaker 4 (06:52):
The entire country is black history.

Speaker 2 (06:53):
Oh that's what you got from that.

Speaker 5 (06:55):
Well, I'm just saying I think that's what he was
trying to say. I mean, you know, it is what
it is. And then he goes on to say, I
want to say, well, this was January twenty fourteen. He says,
don't trust those random black dudes with the fade and
nappy natural bummy almost dreads it at the top. They
like everything. Okay, I don't, I didn't. I don't connect
that one. I don't know what the head start he's
talking about. Some black chicks were here affirmative nigga.

Speaker 4 (07:18):
I don't know what that is either.

Speaker 5 (07:21):
Black people are currently mad right now, but in two
weeks will be over it because they really don't care.
Cool hashtag though, right, I always say all the time,
people don't care.

Speaker 4 (07:29):
Yeah, okay, these sound like a lot of mallst tweets.

Speaker 5 (07:34):
Yeah, he and my bad Tyler was he was taking
from my book.

Speaker 2 (07:38):
That's why you got said so much in common?

Speaker 4 (07:41):
Yeah, Tyler was, that was my book. Tyler.

Speaker 3 (07:43):
It's all good, But now there was there was some
some wild ones there. So now mar Kelly one was
fucking insane. He said, r Kelly pissed on the kid
uh and got away with it.

Speaker 4 (07:52):
That's the swaggiest shit I've ever seen.

Speaker 5 (07:54):
Oh yeah, that's Cract's crazy that you can't tweet Tyler com.

Speaker 2 (07:58):
Oh so none of them were crazy?

Speaker 3 (07:59):
Just no, no, I think all of them were crazy.

Speaker 5 (08:03):
Mauls speaking what was crazy about it? Tell about somebody
with haircuts that like everything. That's crazy to say, Yeah,
certain haircuts they like everything. Not my place is to say,
but I mean it's not crazy. I mean not saying
you agree with it, but I don't think that that's crazy.
I wouldn't look at.

Speaker 4 (08:17):
That in twenty fourteen, like YOI Wiler.

Speaker 3 (08:20):
I mean, here's like even with early odd future shit
like that would be like going through old Eminem albums
and like pulling out lines like I'm not agreeing with
anything that Tyler has said here, but when he was
doing the shock value thing, he like that was a

(08:40):
brand at that.

Speaker 4 (08:41):
Time for him. Eminem did the same thing. Mm hmm. Shit.

Speaker 3 (08:45):
Eminem said some of these things on record, and we
all just were like cool, m m hm.

Speaker 4 (08:51):
Solem's has some crazy shit on his albums.

Speaker 3 (08:54):
Yeah, And I mean even had the leaked song where
he was going black women, the N word and.

Speaker 4 (08:57):
All that, like and I'm not here to make it
a thing.

Speaker 3 (09:00):
I'm just like there's a lot of artists that have
said insane fucking things and we're we just move on
like that's part of their brand. I mean, Tyler matured
in his brand, but when he was young Kid, Yeah,
it was a shock value shit is what he was doing.
I'm not I don't know about young Kid.

Speaker 2 (09:18):
They was pulling up tweets from when he was like
twenty five I don't know.

Speaker 5 (09:20):
It wasn't never mind like I don't So as a
result of all it is, what are we doing?

Speaker 4 (09:24):
It was Tyler like, was he canceled? Oh? I mean
I doubt it.

Speaker 2 (09:29):
Yeah, he's not canceled. But and because mainly because of
his his main fan base don't give a fuck his
long dark diet and which is really what he's saying.
But his diehard fan base, they don't give a fuck
about that shit. They became a fan of him because
he was doing all that wild shit. So no, there's
no cancelation of him. But I'm not mad at people saying, oh,
hold on, now, this is why you have a major

(09:51):
fan base doesn't respect d Angelo's death. This is your
fan base, and this is how you got them people
pointing that out. I don't think that that's crazy.

Speaker 3 (09:58):
So Tyler liked this of somebody else, Tyler's fan base
hates black music, despite Tyler himself having a very deep,
in loved appreciation for it. Well, Nigga has Charlie Wilson,
erk Abaudu, DJ Drama, etcetera. As collaborators, and they still
refuse to engage with black art on any meaningful level.
Very cannibalistic.

Speaker 4 (10:19):
I don't.

Speaker 3 (10:20):
I don't know if that's the case with it. Maybe
I'm just wrong and out of touch. I don't think
Tyler's whole fan base is like that, now.

Speaker 4 (10:27):
I don't.

Speaker 5 (10:27):
I don't think so either, Like I don't. I don't
understand where people are drawing that from. Its his his
fan base is like that, Like I mean, I'm not
saying certain people in his fan base aren't that, But
to say that Tyler's entire fan base is that is
a stretch. Just No, it's not like I've seen Tyler shows.
It's a lot of like people that are into black culture,
black art at his shows. There's a lot of young

(10:48):
white kids, a lot of young Asian kids, a lot
of different demographics that it shows as well. But to
say that his entire fan base is not, you know,
doesn't support or is not into black culture, black music.

Speaker 4 (11:00):
That's a stretch. Yeah.

Speaker 3 (11:01):
I just don't think the person that went to the
Igor show like isn't also listening to other black music.

Speaker 4 (11:08):
I just can't see that. But I don't know. Maybe
I could be completely out of touch in that regard.

Speaker 3 (11:12):
And of course I'm not co signing any of his
tweets that those were fucking nuts.

Speaker 4 (11:16):
But the fan base, shit, I don't get that. Maybe
did they call him deleting tweets?

Speaker 2 (11:21):
Oh yeah, he was up deleting tweets for sure. But
what I don't understand is why delete him now? You
ain't even though you had some crazy tweets, And like
he's addressed before though, like he'sn't trying to cancel him before.

Speaker 3 (11:31):
He's encouraged people, like even at shows he said, like, yo,
go bring up my old tweets.

Speaker 4 (11:36):
I don't give a fuck.

Speaker 3 (11:36):
You can't cancel, But like he's encouraged that before and
acknowledge that he said insane things. That's why I was
even shocked that he deleted the shit, or maybe he
deleted shit because he reflected completely as a different perspective
now and thinks that damn, I shouldn't have fucking said that.

Speaker 4 (11:50):
I don't believe that a.

Speaker 5 (11:51):
Lot of this shit with social media, or that I
think people tend to forget, is that ten years ago,
twelve years ago, fifteen years ago, certain things you said.

Speaker 4 (12:00):
Online were not deemed what they are today.

Speaker 5 (12:04):
Like you could say things ten years ago or tweet
things ten to fifteen years ago. That in that time,
in that moment, it wasn't offensive. It was like, you know,
kind of everybody was kind of felt like that or
you know whatever. But then, you know, things changed, politically,
things changed, the world changes, people's feeling changes, outlook changes.

Speaker 4 (12:23):
So to go.

Speaker 5 (12:24):
Back and dig those up is a little unfair because
you got to understand where we were as people and
as a world ten fifteen years ago. Certain things that
people said was not deemed to be crazy. It was like, Okay,
a lot of people felt like that. Now you go
back and look at it, cause if that's the case,
things I said fifteen years ago just in around friends
and family in a moment wasn't undefensive. If people was

(12:47):
to hear things I said fifteen years ago today, like
you just played back some audio, Its liken, that was
wild to say. But yeah, the world back then was
a lot different than it is today. So it's going
to sound a little crazier today, like oh shit, but yes,
the world has changed. So a lot of things now
can be taken as offensive. They can be taken as damn,

(13:07):
that's fucked up. But it's not fair because ten years
ago or fifteen years ago, that wasn't.

Speaker 2 (13:12):
The case ten years ago. Every single one of them
tweets you read sounded crazy ten years ago.

Speaker 5 (13:17):
Nothing about that hairstyle tweet sounded crazy. Team okay, nothing
about that.

Speaker 2 (13:22):
Saying there's a black girl that works here. Affirmative Nigga
was crazy back then, like all of these things were.
They were anti black even back then. Like that's like
that's why it was. It was shock value even back then,
like he was known for shock value because there was
shock because this shit was crazy in twenty fourteen.

Speaker 5 (13:40):
Yeah, Like, well, I don't hear. I don't think all
of those tweets was crazy though, more like crazy. I mean,
he maybe you don't agree with it, but I don't
think it was something like ten years ago, nobody was like, yo,
he tripping because I didn't even know. We didn't know
about these tweets. That's my first time ever seeing these
tweets or he heard about these.

Speaker 2 (13:58):
Because you weren't his target audience ten years ago.

Speaker 5 (14:02):
I'm not his target audience now, and I'm hearing about
the tweet.

Speaker 2 (14:05):
Okay. But Tyler is way larger now than he was before,
Like it's different. He used to be large to a
niche audience. Now he's just large period, Yo.

Speaker 5 (14:14):
But what I'm saying is the tweet, what he's saying today,
they're fit, they're digging it up today, and they're offended
by it today. Ten years ago, I don't think anybody
was offended by any of that shit, he said. I
just don't. We didn't hear nothing about this shit like
it's like, that's why digging it up is like, oh shit,
he said that ten years ago, because in that time,
in twenty fourteen, nobody thought that that was anything crazy.

(14:38):
Don't trust random black dudes with the fade, and that's
whom almost dreads shit at the top.

Speaker 4 (14:44):
They like everything. What is crazy about that?

Speaker 2 (14:47):
There's a pattern when you read out all of these tweets,
there's a pattern of this hat.

Speaker 5 (14:53):
Why the fuck do you have to fucking separate niggas? Still, Oh,
it's paying homastar hears fuck that, that's that's a crazy
tweet to you, him.

Speaker 4 (15:00):
Saying like, fuck, like, why are we own?

Speaker 5 (15:02):
Why y'all keepet like y'all basically pacifying us, giving us
this one month we all we all feel like that
y'all giving us to show us month of the year
to try to sell.

Speaker 2 (15:09):
But it's your own spin on his words. He didn't
say that. You can't say what somebody said. He said
what he said. He didn't say nothing about, oh, we
deserve more months, or oh it was Black History Month
every month. He didn't say that. If that's what he meant,
that's what he would have said.

Speaker 5 (15:22):
He says, But I mean, he didn't say that in
exactly verbatim what I'm saying.

Speaker 4 (15:26):
But that's what that is. It's like, oh, you're paying homage.

Speaker 5 (15:29):
It's kind of like, oh, let me guess this is
supposed to be paying homage to black history. Like, okay,
so if I don't think anything was crazy about that tweet,
as all I'm.

Speaker 2 (15:37):
Saying, okay, so, and I'm assuming you don't think anything
is crazy about this one either.

Speaker 5 (15:41):
Some black chicks work here affirmative I don't even I
think I need more content?

Speaker 4 (15:44):
What does he It sounded like that was a rent.
I don't even know what that sounds like.

Speaker 2 (15:47):
He went into somewhere and it was a black chick there,
and he's saying that the black chick got the job
because of affirmative action.

Speaker 4 (15:53):
Nah, baby, I think you're digging too deep.

Speaker 2 (15:55):
Oh my god, I'm digging too deep into that very
obvious tweet.

Speaker 3 (15:59):
But I'm pretty sure that work here?

Speaker 4 (16:02):
What is it?

Speaker 5 (16:02):
I don't need we need more Context's all I'm saying.
You can't just read that.

Speaker 2 (16:06):
And you don't need more context for the Black History.

Speaker 5 (16:08):
Month one, but a Black History Month is him talking
about black Some black chicks work here?

Speaker 4 (16:12):
Where is here? What is he talking about?

Speaker 2 (16:14):
Well back in the day when we used to be
on Twitter, Because you used to be on Twitter. When
you walked into a place here meant wherever the fuck
you were, wherever the fuck you were.

Speaker 5 (16:22):
Yeah, but I mean again, that's just don't I need
more context to that? That's not enough talking about Black
History Month and being like, oh, this is supposed to
be paying homage. We know what that means. Like that's
like that's a slap in the face. That's like, you're
just trying to give us this month to celebrate black history.
Like we've all said that at one point or another.
Why why do we have the shortest month of the

(16:42):
year to celebrate all of our black history? Every black
person has felt like that. I don't think that that
tweet was crazy, That's all I'm saying. Now, does he
have some things he shouldn't be saying, yeah, I think
we all have, though that's not fair to just point
it out when he does it. We've all tweeted shit
and said things that could be taken as crazy as disrespectful.

Speaker 4 (17:02):
None of us are above that.

Speaker 2 (17:03):
We can and we have. But when, but when people
can pull up multiple tweets when you are talking shit
about your own race and then pandering and making music
for white skaters, there can be a connection like this
isn't Niggas are not pulling shit out of thin air,
Like there can be a connection that you were pandering
to your fucking white audience because of the type of
music yeah we're doing, people could make that yes, yeah,

(17:25):
that's not crazy. So when people point out you was
tweeting all this crazy shit about black people that was
anti black to your white fucking audience, you can get
a slap on the risk of that shit. It's not
like I don't think that that's crazy for people to
say to hell him, call him accountable for it. He's
not gonna suffer, he's not gonna lose any fucking plays.
He's still gonna be tiled the creator. But niggas could
point on not I was some whack shit she was
doing that was corny and you was twenty four to

(17:46):
twenty five years old.

Speaker 4 (17:47):
Is this something negative about this tweet?

Speaker 2 (17:50):
And black people are currently mad right now, but in
two weeks it'll be over because they really don't care.
Cool hashtag though, right. My only thing is this, if
you black and you got a white audience, why you
always commenting and critiquing black people? We're in your twee
it's about the white age people. Why is everything black
people that's black people? That affirming the nigga.

Speaker 5 (18:04):
I'm sure we could find crazy tweets about white people
in this in his catalog, his tweetography, we could definitely
find some.

Speaker 4 (18:12):
I'm one hundred. They just highlighting this this right now.

Speaker 5 (18:15):
But if we dig, oh, yes, and absolutely one child
has always been a person he don't give a fuck
what he say like, he's always been that. Again, he's
always been shock value. He says what he's thinking, he
says what he feels, he doesn't give a fuck like.
He's always been as far as I'm gonna been that
type of type of person.

Speaker 4 (18:30):
So I'm not surprised at.

Speaker 3 (18:31):
That they were saying there was one, uh what about
him hating Leon Thomas ten years ago.

Speaker 2 (18:37):
That's funny, that's so random.

Speaker 4 (18:40):
Ten years ago. Damn. Leon Thomas was how old ten
years ago?

Speaker 3 (18:43):
I mean, you know he was on TV, but he's
been around for a while.

Speaker 5 (18:46):
Oh so he hated him like his acting or I
guess he didn't hear any his music ten years ago?

Speaker 4 (18:50):
Did Oh?

Speaker 3 (18:51):
He said I hate the black dude from Victorious, So yes,
that's Leon. Okay, but why he has Wow Wiley tweet?
I did not know his disdain for Wala either. There
was like ten wallet tweets.

Speaker 4 (19:04):
What was he saying? That's just how much he hates him?

Speaker 3 (19:06):
Like there was really nothing to it except like I
really fucking can't stand Waler, like I hate him.

Speaker 4 (19:13):
I mean, listen, man, I get it.

Speaker 2 (19:15):
Man.

Speaker 5 (19:16):
But if we dig back into a lot of these
people's tweets, we gonna find crazy shit.

Speaker 4 (19:19):
That's all.

Speaker 3 (19:19):
And I hear you that times were different at ten
years ago, twenty years ago, whatever, but some shit is
just like an excusable that's a no.

Speaker 4 (19:28):
The KKK awesome to me? That was crazy.

Speaker 5 (19:31):
I'm like, god, it's fucking insane. Like all right, first
of all, like where did you get that? Like where
we were selling that at? Like That's what my first thought.

Speaker 4 (19:38):
Was, Yeah, where does one purchase that?

Speaker 5 (19:41):
I think that's a custom piece. I think you got
to know a tailor or something. Imagine going to the tailor,
tailor to creative, tailor to creative.

Speaker 3 (19:56):
But then like, because Amazon wasn't around back then, can
you get a kk Can't costume from from Amazon?

Speaker 4 (20:01):
Right?

Speaker 2 (20:02):
Next day?

Speaker 4 (20:04):
Party City? Party City?

Speaker 3 (20:06):
Might they're going They're going to fucking space and making
KKK costumes over at Amazon. Absolutely, that's nuts. Maybe we
should make Josh google that on Amazon.

Speaker 4 (20:17):
I don't want that. My Josh don't want that either,
Josh Puerto Rican.

Speaker 2 (20:23):
Though, if I do it, it's insane.

Speaker 5 (20:25):
Josh, what they used to call you speedy? What super speedy?

Speaker 2 (20:30):
About that?

Speaker 4 (20:31):
About Josh? Who called you.

Speaker 3 (20:32):
Tyler super speedy? There was there was another crazy uh
Tyler ship where he was telling people, I think go
vote for like an MTV award and just it was
like every racial slur you could think of. I think
he said Wetbax, go vote or something like that. Tyler
was wild. He was definitely wild. But then again, there's
like school Shooter songs on the Odd Future album, so
maybe I just wasn't like as shocked as everyone else was.

Speaker 4 (20:55):
When I saw these tweets.

Speaker 3 (20:57):
I think they're awful, and yes he should be condemned
for them, but they didn't shock me. He's been tweeted
like this forever.

Speaker 2 (21:05):
I don't think anyone was shocked, though I didn't see
they might be shocked.

Speaker 3 (21:07):
But I do understand some of the backlash on Twitter
being less about what the tweets are, because we know
Tyler's done the shock value thing, but more so how
he has been complaining about his own fan base at shows,
and they're like, Doug, you cultivated this. Look at all
the tweets that you add, even though I don't think
those tweets got him fans, Like, I don't think people

(21:27):
saw that and was like, oh, yeah, I see the
group that Tyler wants to start.

Speaker 2 (21:31):
But he did.

Speaker 3 (21:32):
He does have a bunch of fucking white fans, Like
he built a white fan base, especially in the beginning,
and I mean, you gotta deal with it, like, yeah,
some of them are just not going to understand all
the nerdy shit music side that you're into.

Speaker 5 (21:46):
When you say, when y'all say a lot of white fans,
is it possible in hip hop to be a star?
In hip hop and not have a bunch of white fans.

Speaker 3 (21:58):
No cool, But there also is like you know what
they mean by that type of like white fan.

Speaker 4 (22:10):
The kids they hang out at seven eleve them.

Speaker 3 (22:13):
Yeah, sure, but yes, of course, just based off sheer
population in America, Yes, you need white fans if you
want to be a superstar, but there is also a
specific type of white fan base like shit, we even
go down to the Steve Lacy shit. TikTok brought him
a specific type of white fan base that he unfortunately
had to deal with in that way. It's not like

(22:35):
necessarily the music lover fan like that, whereas Tyler has
a lot of cultivated that shock value white kid fan base,
and you got to deal with that.

Speaker 2 (22:43):
Now.

Speaker 3 (22:43):
Even though you pivoted your music completely away from that
shock value shit, you still got to deal with the
fans that you started over here. Just because Igor is
light gears above anything you were doing with Odd Future
when you were twenty years old doesn't mean that all
the fans that love that shit are now going to
understand who you're sampling when you're on like his last

(23:05):
last tour, like he had a bunch of records and
he was literally playing vinyl records of the samples of
the songs. A lot of them kids that just wanted
to hear you scream fuck are not into that and
you just have to do with it right. So again,
I don't think anti black, but they're just anti music.

Speaker 4 (23:21):
Like there's shock value.

Speaker 3 (23:22):
Fans, so I get the outrage of black.

Speaker 2 (23:26):
Yeah, Tyler, I don't even know if it's anti music.
It's just not. It's just they're just not They weren't
raised on soul. They don't recognize soul. They weren't raised
on soul.

Speaker 4 (23:36):
Like.

Speaker 2 (23:37):
There's a difference between a white Drake fan, a white
Tyler fan, a white Cole fan, of white jay Z fan.
There's differences between all of those type of fans. So
is it Yes, it's kind of impossible for you to
become a megastar without white fans. But then there's also
a difference between having white fans and having a majority
white fan base, and those white fan base be a

(23:59):
specific type of white, like, it's just different. It's a
lot of white yeah, which is fine. I have a
white fan base, but just don't complain when they don't
recognize the erka BA do fucking they don't appreciate the
Erica by Do collaboration, like they like that's the fan
base you bill.

Speaker 3 (24:14):
Yeah, because I think too with like all right, like
the white fan that was a fan of the Roots,
Erica DiAngelo, just the whole soul quarium, that whole tribe
common like those white fans because they had so many
artists like them, Like they had that community of all
those artists, you would get the same white fan that
would love the Roots and be like, oh, who's Erica

(24:36):
bay Do and then go research it and then go
to it Erica bay Do show. I think the Tyler
fan doesn't have that type of community or options, so
they're just a Tyler fan, Like they don't need to
do any research. There's no one to research, they don't
have to do a deep dive. There's no one else
around Tyler. He's by himself.

Speaker 2 (24:53):
Mh.

Speaker 3 (24:54):
So yeah, you're just gonna get a white fan that
likes your fucking your music and your music.

Speaker 4 (24:58):
They're not like you.

Speaker 3 (25:00):
And also, whereas a white hip hop fan is that
like the Roots is probably has similar interests that Questlove
and Black thought have, whereas Tyler's fan base, I don't
think they're like him.

Speaker 4 (25:10):
At all.

Speaker 2 (25:12):
Well, they're like who he was when he first came out.
He's he's evolved that, but you're expecting just because you evolved,
your fans to evolve. No, they're still on skateboards and
hanging out in front of seven on eleven and living
off orange slushies.

Speaker 3 (25:25):
I mean yeah, in the I don't know, Like like
when I found out about slum Village, then I got
to figure out about Little Brother, like I just went
down the rabbit hole of everything that was happening at
that time, Whereas I don't think Tyler has that, Like
who are they going to discoverage a hole?

Speaker 2 (25:41):
Like there's no one like him.

Speaker 4 (25:43):
So I think.

Speaker 3 (25:44):
That's why he's upset that his fan base is not
like him, because those people don't care. Yeah, well, you see,
my phone is broken. I need a new One's time,
maybe the all new iPhone seventeen Pro. I don't know
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Speaker 2 (26:03):
Obviously it's seventeenth.

Speaker 3 (26:05):
But are you also thinking about the traffic on your
way to get the phone, moll, maybe to go to
the store, transfering all your data that.

Speaker 4 (26:10):
Can get sometimes that can stop me from going.

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Speaker 3 (27:50):
I know I want to ramp, but I guess the
clothes to say you always going to rant.

Speaker 2 (27:53):
Yeah, that's that's true.

Speaker 3 (27:53):
I mean it's podcasting, but yeah, I feel like Rory
the Odd Future fan was a fan of Frank Ocean,
not of r and B A fan of Frank because.

Speaker 4 (28:01):
It was part of my future.

Speaker 3 (28:02):
That's where I think the disconnect is with Tyler's perspective
of his stand base. But either way, we need to
get Brandy some water. That's the main concern I think
for this week.

Speaker 4 (28:12):
So so I did see a video.

Speaker 5 (28:14):
Well, Brandy and Monica are on tour with Kelly Rowlands.

Speaker 4 (28:17):
Coco Jones a part of that as well.

Speaker 5 (28:19):
Right, we talked about it last week so that they
were in Chicago for the tour and Brandy walked off
stage mid set and she walked to the to the soundboard.
So I was thinking that it was something to do
with her sound. Maybe she couldn't hear herself in the monitors

(28:40):
or whatever.

Speaker 4 (28:40):
Whatever.

Speaker 5 (28:41):
You know, when you're a vocalist like Brandy, you need
to be able to hear the music. You need to
be able to hear yourself. So I took it as that.
But apparently this is a release from Brandy in statement. Yeah,
she released the statement saying to my dear fans of Chicago,
thank you all for the old well and love, support
and most partly your prayers. Sincerely apologize for the abrupt,
abrupt into last night's performance in Chicago. After weeks of

(29:02):
nonstar rehearsals, last night, I experienced dehydration and feelings of
wanting to faint.

Speaker 4 (29:06):
Everyone involved.

Speaker 5 (29:07):
The greed that prioritized my well being was of the
utmost importance.

Speaker 3 (29:12):
Well, I mean, I'm glad she's okay, and yeah, that
would have been worse if she just tried to power
through and then ended up thinking yeah but but yeah,
I mean, I know the tour is just starting, but
people tend to forget how much they rehearsed before and
I exhausted out the gate.

Speaker 5 (29:26):
Hopefully she is okay, and she she's you know, she's hydrating,
and she's taking care of herself, because you know, you
can't be on stage if you're not.

Speaker 4 (29:33):
Taking care yourself.

Speaker 5 (29:34):
But the video that we saw of for leaving the stage,
she walked to the sound booth. Yeah, and she even
said I believe she said, you know, she was trying
to get her sound right. How do we go from
that to this letter of I was like hydrated, Like,
which one is it?

Speaker 4 (29:52):
Was it the sound? Is she going stage after that song?

Speaker 2 (29:55):
She did not.

Speaker 5 (29:56):
When she tried to get the sound right, she did
not come back. So it literally was that was the
last time she was on stage for the night. Okay,
So I'm confused now, Love Brandy, Hope she's okay, But
we can't get a video of you leaving stage and
going to the sound both saying hold on, y'all working
on my sound or whatever. She alluded to something like
that to then getting a letter to her fans saying

(30:16):
she was dehydrated.

Speaker 3 (30:17):
Well, you know, maybe she went over to the sound
booth to catch herself and thought, maybe I could get
some water and go back out and just use that like.

Speaker 2 (30:25):
Hey, technical difficulties will be right back.

Speaker 3 (30:27):
Maybe that was her strategy, and then realizing I'm really
going to fucking pass.

Speaker 5 (30:30):
Out, and so she used the sound as a yeah,
maybe as a way her fans and yeah.

Speaker 3 (30:35):
Technical difficulties to give me a second, just so she
could get a fucking breather.

Speaker 5 (30:39):
But I've seen this movie before. Rory happened in the
same city in Chicago. It was the best of both
worlds tour all, Kelly said. Tyler said, I'm just saying.
I'm just saying Kelly said something, you know, And then
that was the end of it. It was the tour

(31:00):
was no more. It turned into jay Z and Friends.

Speaker 4 (31:02):
So I'm just.

Speaker 5 (31:03):
Saying, now, if we see Mowing the Girls, like, just
go from Brandy and Monica to Boy's Mind Tour to
Mowing the Girls. Listen got the boy listen, Man we're
gonna have to have another discussion.

Speaker 4 (31:16):
But no, all Jo deside.

Speaker 5 (31:17):
I do hope Brandy is okay and she takes care
of herself because obviously we all love and support Brandy
and we want to see them have a great tour.

Speaker 3 (31:23):
So do you do you think that there may be
some internal back and forth because like with the r
Kelly shit, at least we like kind of knew what
really happened in like the tension, but this side, yeah,
is there.

Speaker 2 (31:39):
I'm sure they're fine. It was probably something with If
it wasn't dehydration, I would say that it was something
with Brandy's in ears or MIC's. I don't think it
was a Monica thing. But they didn't perform Boy's Mine
on the Boys Boy's Mind tour. I would want my
money back.

Speaker 4 (31:57):
Yeah, it's kind of crazy. This was this the first
show show.

Speaker 5 (32:01):
I've seen this movie before. Man, y'all think I'm crazy.
I've seen this fucking movie before.

Speaker 4 (32:05):
I'm not saying you're wrong. I've seen this movie before,
is all I'm saying. Man, it might just be the
Coco Jones tour.

Speaker 5 (32:11):
At some point it's gonna be Kelly and Coca the
Brown Beauties tour man like, Kelly looked incredible.

Speaker 4 (32:17):
Kelly always looks incredible.

Speaker 3 (32:20):
Well, I mean shit, I know Demaris wanted to go,
but is it worth it was?

Speaker 2 (32:23):
It was not the first tour. It was not the
first day. I'm sorry, it was the third. The first
date was. And this is another thing. Their schedule, Josh,
if you want to pull up their schedule, their schedule
is insane. Like performing the sixteenth, seventeenth, eighteenth, nineteenth of
like just straight, it's crazy for singers. Then the twenty fourth,
twenty fifth, twenty sixth, like it's like there's like fifty
fucking dates on this tour and they're back to back

(32:45):
to back. So this was the third show Chicago.

Speaker 4 (32:48):
Oh, you're gonna need a lot of water.

Speaker 2 (32:50):
Then yeah, Yeah, that's fucking crazy. That's insane. It's insane.
And it goes until December fourteenth.

Speaker 4 (32:59):
Well, y'all is the same in group, won't y'all? Sag?

Speaker 3 (33:08):
I was going to say, let's buy tickets, but I
don't know. Well, I'm a little nervous.

Speaker 2 (33:11):
New York is sold the funk out, so.

Speaker 4 (33:13):
Is no it is that's Brandy and Monica.

Speaker 2 (33:16):
Yeah, I'm probably gonna buy a ticket to the Atlanta
show in December, the second Atlanta show, because then we
go down to a c No, we.

Speaker 4 (33:24):
Go to Detroit Little Caesars Arena. You know that shit
ain't sold out yet.

Speaker 2 (33:28):
First of all, Detroit shows up for music. Yeah, there's
some of the fucked up period. Now Greensboro, North Carolina.
I don't know that's up.

Speaker 4 (33:37):
There's a lot of college is over there.

Speaker 2 (33:38):
Oh okay.

Speaker 4 (33:39):
College kids ain't got no money man, not from no concerts.
College kids are into Brandy and Monica. No, no, they
might get they might go off for Coco Jones.

Speaker 2 (33:48):
Well, Coco is only on I want to say four
of the Yeah, I think she's only on three or
four of the shows, only three shows, three or three
or four. Yeah, she's doing the ones that Kelly is
not Okay, Yeah, the ones that Kelly does not appear.
Coco Jones is doing. But it's main So it's mainly
Kelly Rowling and Money Long and Jamal Roberts.

Speaker 4 (34:09):
Did we get a Kelly set list?

Speaker 3 (34:11):
Like how many they did it?

Speaker 2 (34:13):
They did it. They did a Kelly set list, like
a real Kelly set list, like maybe like four, I
think Destiny four or five, Destney's Child quick little medleys. Yeah, yep,
there we are, quick little medley's. And then I think
some like, you know, songs of hers, probably like a
ten songs.

Speaker 3 (34:29):
I was gonna say, I would want, I would want
the Kelly's like, there's.

Speaker 4 (34:34):
Got it. Who got the biggest dress room on tour?
Let's be Patty. Let's not let's be Patty, uh, Patty Monday's.

Speaker 3 (34:43):
Brandy just because she's been like a child star and
she was like fucking Cinderella. I think she's more of
a demanding I don't want to use the word diva,
but she's just been in this business a long time,
so I think she gets.

Speaker 2 (34:56):
The bigger been in it just as long as Brandy.

Speaker 3 (35:00):
A sense a child child. Now, of course their time,
they've been in the industry that long. But she her
whole life, all she knows is good green rooms.

Speaker 2 (35:08):
Monica, Well, how old was Monica singing with them big
ass white Sando's on fourteen? I want to say, really, yeah,
Minau was fourteen?

Speaker 4 (35:16):
Then oh wow? Then damn I stand corrected.

Speaker 3 (35:18):
But either way, I just think because Brandy Cinderella.

Speaker 4 (35:21):
She gets a bigger one. So was those sandals Sandals?

Speaker 3 (35:24):
Was she was fourteen?

Speaker 4 (35:26):
And don't take a personal care.

Speaker 3 (35:27):
Yes, holy shit, she sounds like a grown woman on
that right.

Speaker 4 (35:30):
Question them sandals was besides fourteen.

Speaker 3 (35:33):
Don't do that listen.

Speaker 4 (35:35):
Don't I voted for it on the countdown. I used
to call them.

Speaker 5 (35:38):
I used to call them so they could play that video.
I love Monica growing up. Hell, I had a crazy
question Monica.

Speaker 2 (35:45):
But yeah, I'm going Brandy confidently.

Speaker 3 (35:47):
I'm going with Brandy with a bigger green room.

Speaker 4 (35:50):
Or sometimes it's about who gets there first.

Speaker 5 (35:52):
I mean, you're Whitney Houston's god daughter. I think you
get the bigger, bigger dressing room.

Speaker 2 (35:59):
I think Monica gives it to her just to avoid
any type of give it to her or Brandy takee
or Brandy gives it to Monica to prove that she's
not a dfense like no, I'm cool, guys swear ticket.

Speaker 3 (36:10):
I will say, though, at any arena I've been to backstage,
they have multiple green rooms that are all the same.

Speaker 4 (36:16):
Times.

Speaker 5 (36:16):
I want to say, yeah, that's not the fucking locker
rooms for the teams.

Speaker 2 (36:22):
You know, those people have people who have been pitting
them against each other for years.

Speaker 5 (36:26):
No, I do like the fact that because of that
people been you know, kind of had them like you know,
created this whole energy, like they don't really like each
other over the years because the similar age, similar style
of music. You know, two of the young girls coming
up that had great voices, so they kind of will
always like pit it against each other. But I do
love the fact that they did put this tour on

(36:47):
and to show people kind of like yo, that's my girl.
I funk with her, like it ain't none of that
negative energy any love each other, no more of that.

Speaker 2 (36:54):
But ever since, their versus like you know, it's like okay,
y'all are over, like the slap, yeah, the back stage
slapped that they had when they were younger.

Speaker 5 (37:02):
But I do hope that the tour last and they
are both able to finish it off because I do
want to catch them at some point.

Speaker 2 (37:06):
Yeah, I want to see that. I'm flying out to
wherever I gotta go to see that.

Speaker 3 (37:09):
Yeah, for sure, who is going to critique Claria Shield's freestyle.

Speaker 4 (37:15):
Because I'm not going to.

Speaker 3 (37:16):
Let's see, I'm not just saying it's because she could
beat my ass. I actually thought she kind of ate
on that freestyle. I was a little shock.

Speaker 2 (37:24):
What was the long sta she can put two legs
in someone's ass.

Speaker 4 (37:29):
I believe I've seen her do it. I would have
been in the back, ayelet but I've seen her do it.

Speaker 2 (37:35):
She living in her rhymes for sure.

Speaker 4 (37:37):
He definitely kicking ass. So, I mean it is what
it is.

Speaker 2 (37:39):
I don't.

Speaker 5 (37:41):
She don't sound much baby did. Let's just keep it real,
keep it real Monday. She don't sound too far from
the rest of these girls. Yeah, she don't. All right,
who saund she said? That could have been No, we depend.

Speaker 2 (37:53):
On her podcast today. I ain't know ya. I should
have told me no. I should have told me. I
ain't know what I was. We'll get your ship off.
I should anything like listen, everybody has released a little freestyle,
y'all see Minus online. We've all wanted to rap.

Speaker 4 (38:06):
That's the point. Okay, she can say her work, yo.

Speaker 3 (38:09):
She even just jealousy.

Speaker 4 (38:11):
She even got the style. Yeah, it's throw back Monday.

Speaker 3 (38:18):
You're going back your whole style. It's like the Da
na whatever that was.

Speaker 4 (38:23):
Well, now we're getting into like the trauma of it.

Speaker 3 (38:25):
Okay, babe, so you can it's definitely called trauma trying.

Speaker 4 (38:31):
To rap and you know she ain't really a rapper.
This is what you do, baby? Do you wrap?

Speaker 5 (38:35):
You're seeing a boxer trying to jump into your world
and your demographic and you're like, yo, she ain't really
like stop trying to pay it to the rap crowd
to stay in the box and ring. Don't try to
pick up the mic. I see what it is, baby.

Speaker 4 (38:46):
Do I respect that. I understand Cloresa just.

Speaker 2 (38:48):
Made a cute little freestyle and would not like it
to be critiqued like she's a real rapper. So I'm
not going to that mat freestyle. What I will say is, Clarissa,
you fight c little and like what if she thinks
she's a real rapper, she doesn't think that she just rapped.
That's real. That's real, not an AI video. That's where

(39:09):
she made a q A freestyle and it was cute,
and that's people should be able to do that without
being just because their famous, being critique like their real rappers.
Next time, Clarissa just deliver.

Speaker 4 (39:17):
I was critiquing her like she was a real rapper.

Speaker 3 (39:19):
No, I'm just talking about I'm not a real boxer.
But if I walk out signing in my asship, you're
going critique it.

Speaker 4 (39:24):
Yeah, if I come up here with a black guy.
You should have zig instead of that.

Speaker 3 (39:27):
You're gonna be a money morning court like Yo, yeah,
I know you're not a real Clarissa.

Speaker 4 (39:32):
It's all good. We support Clarissa. She know that.

Speaker 2 (39:35):
But yeah, she don't sound far off from okay, did she?

Speaker 4 (39:40):
No?

Speaker 3 (39:40):
I don't think so at all. I think a female
rapper that we knew of said those exact same bars,
we would be like, yeah, hell, that was cool.

Speaker 2 (39:48):
I think delivery is everything, So just put a little
bit more unfatigue, like be more confident in your delivery,
like like they walking out to like your hype man
was louder than you, like you gotta you, I believe
you gotta wrap that ship like you believe.

Speaker 4 (40:00):
Hmm. The delivery was a little timid.

Speaker 2 (40:03):
Yeah little and now you too, you too?

Speaker 4 (40:04):
Really that she ain't really you know what I'm saying.
She had to live with it a little longer, live
with her balls a little. She had the text that
when the papist you know.

Speaker 2 (40:11):
Yea proof think Pat broughte it, or you think no
that those ain't pat balls.

Speaker 5 (40:15):
Yeah, we know pat balls when we hit pat balls.
It would have been way more complex than that. It
would have been so laid so many ontongres. If that
was Pat you tripping, y'all don't know Pat balls on
your hand. You don't realize what Pap said in the
first ball until you get to the end of the verse, like, oh, that's.

Speaker 3 (40:29):
What you think she would have done? The bees boxing batties,
baddies boxing boxing baddies and box braids, yo yoing the
bees is hilarricous. Yoh shpout out and Pat pooks. I mean,

(40:53):
I think the maris a little She was a little
scared once she showed us the red bottom because in
Jamaric's freestyle she showed to Harry Potter did.

Speaker 2 (41:00):
Show the rab bottom. She kurts, that was the craziest
should I say that? Look, yeah, she's.

Speaker 5 (41:04):
Letting y'all know what it is. She really living them balls.
I really got red bottoms on right now. Who's tying
it together better than Clarissam You ain't. These chicks ain't
fucking Clarisa. And I did one of y'all rap chicks
to say something to her. That's what I'm on today,
and I want to see that enough of the niggas
fight you real like you know, I'm just saying enough
and enough of that. Let me see some of you,

(41:25):
your ladies. Let me see y'all square, Let me see
y'all bump into each other at the awards. I mean,
y'all want to rap, right, that's part of rapping. When
I see you at the wars, just lit, I'm popping
on you. I did want of y'all run up.

Speaker 2 (41:38):
The bitches be popping. When the last time when these
rap niggas popped out of the wards.

Speaker 4 (41:42):
We just had four funerals last year.

Speaker 3 (41:44):
Fresh the timeline.

Speaker 4 (41:45):
Yeah, that pop with niggas is different.

Speaker 3 (41:46):
It's usually like killers that happened to rap. That happens
all the time, but like just a rapper. No, that's
really only the women that pop up close. I gotta
fight coming up, don't she? I would have to te
she got a fight coming up.

Speaker 4 (41:59):
You know what I've never seen. Oh no, it's Alicia,
Alicia Bongun.

Speaker 5 (42:01):
She got a fight coming up with a hunt tank
fight the same the same night.

Speaker 3 (42:05):
We've seen rappers walk out with boxers performing. Maybe she
could freestyle, like from the dressing room to the to
the ring for her entrance. That's hard in red bottoms,
that's hard.

Speaker 5 (42:18):
And then fighting them, Yeah, fighting I'm not going to
anything you say about Claris.

Speaker 4 (42:22):
I don't know if I'm all the way don't do that.

Speaker 3 (42:27):
Because Cardi and Nikki popped off at Anna Winter's uh
fucking block party.

Speaker 2 (42:32):
Anna Winter's block party is the wards I've never heard
strung together before. What's that called the Vulgue after party? Probably?

Speaker 3 (42:41):
But what's the event or probably the Yeah, the met Ella.

Speaker 2 (42:44):
It wasn't the met it was it was like a
Vogue after party.

Speaker 4 (42:47):
It was a party actual.

Speaker 3 (42:49):
I thought they popped off at the met No, no, no,
oh damn.

Speaker 2 (42:52):
I gave them way more respect.

Speaker 4 (42:54):
You know.

Speaker 3 (42:54):
Catching a heel at the met is fucking nuts. I'm
so jealous of the people that robbed the Louver. Did
you see the Louver heist?

Speaker 5 (43:03):
No?

Speaker 2 (43:03):
Yeah, them that was fired ain't.

Speaker 3 (43:05):
Like I love heist movies, like it's one of my
favorite genres. Like it's so cool to know that, like
it it's real, Like there's real heisters out like the
way you said that, Like there's actual ninjas outside, like
they exist, people that like do heists exists.

Speaker 4 (43:20):
It's not just in the movies.

Speaker 3 (43:21):
Pull up the jewels they stole it was I was
with Napoleon or some shit. Somebody from a very very
long time ago, always Jewels was taking all the sapphires.
How do you even like sell that shit?

Speaker 4 (43:32):
Though? You think somebody is selling that you got.

Speaker 3 (43:35):
So what's the point around it? Collectors like like the
Jordan's sneakers.

Speaker 5 (43:40):
Just look at them, collectors, collectors by it, they're not
selling it too like a random person. There's a person
that once that can collect that, that can own, that
has enough money.

Speaker 2 (43:48):
For that, or did I sell them to another museum
like someone who they said stole is It was just
three guys in construction outfits.

Speaker 3 (43:56):
It was like some real oceans leavels.

Speaker 4 (43:58):
Oh this is looping? Yeah, no, Looping on Netflix? He
behind this shit. Y'll never watched Looping?

Speaker 2 (44:04):
No, I never watched it.

Speaker 4 (44:05):
Nah, that's the ship you.

Speaker 5 (44:06):
Got, and he all he wears Jordan once he's stealing
everything and all he wears.

Speaker 4 (44:11):
Jordan is the coldest nigga ever.

Speaker 2 (44:14):
Get you to watch something, you so easy.

Speaker 4 (44:16):
The jordan Ones stealing from the Loover and hell yeah
I'm watching that.

Speaker 2 (44:20):
Nah.

Speaker 4 (44:21):
Danny Ocean did everything that text you though, Nah, Looping
is better than Danny Ocean, bro what Looping? I have
to watch it?

Speaker 3 (44:27):
But there's no way out of the three oceans that
anybody's fucking with Danny.

Speaker 5 (44:31):
Nah, I'm going looping, looping in the j Ones looping
and the Jordan Ones.

Speaker 4 (44:37):
He taking all of that shit.

Speaker 2 (44:39):
Who's jewelry?

Speaker 4 (44:39):
Who's crown? Is that?

Speaker 5 (44:40):
I have it tonight? That's how Loop and get out.
He go to the museums check it out.

Speaker 4 (44:45):
He come back.

Speaker 5 (44:46):
But the looping is ill because his disguises don't even
be drastic. You know, that's looping. He just got a
fucking hat on his disguise, be a different hat. It's
like nigga, that's the same nigga that was in two
hours ago.

Speaker 3 (44:56):
And it's always like crisp Ones like he you don't
recycle some some pairs because you're not only stopping your
ones when you're when you're heisting Loop.

Speaker 4 (45:02):
And don't do that. He don't repeat his pigs. Every
every heist deserves deserves its own bit. Wait.

Speaker 3 (45:08):
So so to catch Loop and they would just have
to go to foot locker and look at sales history exactly.

Speaker 5 (45:13):
They got to who owns who in the city owns?
Everybody got those Jordan wants.

Speaker 4 (45:18):
That's funny. Yeah, I'm going with looping over Danny Ocean,
but I mean with this.

Speaker 3 (45:22):
So they took like one of those electric ladder things
that construction workers do broken and they had those little
saws and sawed into like the display cases. It took
like seven minutes broad daylight while the loover was open,
like all the tourists in there.

Speaker 4 (45:37):
And ship people were screaming running yeah.

Speaker 3 (45:40):
Like, and they got out of there that I think.
I think they dropped a crown somewhere in the city.
But dude, this is crazy, Like I like it.

Speaker 2 (45:49):
I like it too. I ain't gonna lie.

Speaker 4 (45:50):
I like this type of ship, I know.

Speaker 3 (45:53):
I like, how do you get in that business?

Speaker 4 (45:56):
Like I don't.

Speaker 3 (45:56):
I don't want them to get caught, but if they do,
like I need a lad interview.

Speaker 2 (46:00):
I need to know how how do you become a heister?

Speaker 3 (46:03):
Yeah, like to get to this level of robbing the loof,
Like I really think that's only in like movies and
sh well.

Speaker 2 (46:08):
I think you work your way up, like you know,
you start off as like a petty thief, and then
you move up, you start robbing celebrities and then like
you just move up and up and you get you know,
you practiced like.

Speaker 5 (46:18):
Practicing the heightst is crazy and give a nigga back
like y'all was just practicing, Fam, I wasn't gonna really
take your ship like Rob anybody didn't give it back,
but I was just making sure I still had it.

Speaker 3 (46:28):
Yeah, I mean, could just be a little insurance scale
the loof could be.

Speaker 4 (46:32):
But if they don't catch it, if they don't do
it broad daylight, it's crazy.

Speaker 5 (46:34):
If they don't catch these people, then it's like, all right, maam,
like what's really going on?

Speaker 4 (46:38):
Because just no way you not ca this was in Paris, right, Yeah,
there's a camera on it.

Speaker 5 (46:42):
How many cameras that are in Paris like on the streets,
Like they definitely gonna catch whoever this is.

Speaker 3 (46:47):
They tried to light the ladder on fire after but
they failed, Like they're trying to like burn the evidence
and shit and it didn't work. But can you pull
up a picture of the lot like this isn't like
a ladder from home depot, Like I don't know how
they thought they were going to fucking burn this thing
without it blowing up.

Speaker 2 (47:04):
I think that might have been their point, like as
a distraction, cause a distraction, commose.

Speaker 3 (47:07):
They would have taken out the whole side of the
loves loof Like this is some some real uh.

Speaker 5 (47:12):
Yeah, this is definitely inside job. Yeah, like just doing
that is yes, inside job, broad daylight, this inside job.
Like there's no way speaking like inside man. Like it's
so cool to know those people exist. Yeah, like they're
really out there. Like I maybe sat next to a
heister and I had no idea.

Speaker 3 (47:29):
Yeah that's cool New York City for sure. I mean
do people still rob banks? Can you do that?

Speaker 5 (47:34):
Yeah?

Speaker 2 (47:34):
When the last time a bank was robbed in New
York City?

Speaker 5 (47:37):
In New York City, Well, these niggas just busting checks
every day. You call it, if you like the positive
a fake check. Do you can consider that? No, So
you're talking about get the fuck down, give me the
money in the safe, you talk about that type of robbery?

Speaker 2 (47:47):
Yeah, just period shit that don't happen in New York.
The most recent fasterday bank robbery was August fifth, twenty
twenty five.

Speaker 3 (47:55):
He escaped with three hundred and fifty.

Speaker 2 (47:57):
Dollars all I shit, I need a height.

Speaker 5 (48:01):
Man entered the bank around eleven fifteen and passed a
note to the teller, who gave him a proxially three
hundred and fifty dollars.

Speaker 4 (48:05):
That ain't no fucking robbery.

Speaker 1 (48:07):
Man.

Speaker 5 (48:08):
That the Taeler pulled that out his pocket. That was
his own problems in know I'm talking nah man, I'm
talking about really bank heist.

Speaker 2 (48:16):
Oh they stole They robbed a brinkstruck in Queen's June second,
twenty twenty five. Stole more than five thousand dollars.

Speaker 3 (48:24):
All right, but if you get into a brain struggle,
there's gotta be win five brander.

Speaker 4 (48:27):
Yeah, these niggas ain't that. That's not I'm talking about
this right here.

Speaker 5 (48:30):
This the biggest robbery NYC history is likely the nineteen
seventy two per Hotel heightst with thieves stole about three
million in jewels and cash from safety pot.

Speaker 4 (48:39):
That's a robbery.

Speaker 5 (48:41):
Three million in jewels and cash from Safetypot's box valued
at approximately twenty seven million today. She saw you gotta
do is rob these places, rory and hold of shit. Yeah,
hold her for a couple of years, hold her for
fifty years, and then cash out.

Speaker 3 (48:55):
They still didn't get anyone for the Latanza heist. That
was Was that the biggest New York Well? Yeah, okay,
well that had to been the second biggest one then
because that that ship was crazy. No one was working
at the airport when that happened. Yeah, all heights now
is like digital.

Speaker 5 (49:13):
Yeah, niggas ain't runningup in crypto scams.

Speaker 4 (49:16):
Yeah, just like selling pussy on the block, they ain't
doing that no more.

Speaker 2 (49:20):
They still doing it. If a woman is still walking
the streets, that's hilarious. Especially down South. Yeah they still
they down South, someone down so they still do it,
especially over by, like in them back areas where they
have like motels and ship, like if it's a red
roof in across from a Super eight them in little areas. Yeah,
you can still see a street walker for show.

Speaker 4 (49:41):
I just don't that got to be for the love
of the sport then for sure.

Speaker 5 (49:44):
No, because you don't have to, Like it's so many
ways to get money, like just like sitting in the crib,
like not having to walk the.

Speaker 2 (49:51):
Street the same way that you like your mom and
your grandma might haven't have issues like using the phone.
Sometimes they call it you saying it won't turn on,
like and you just like grandma, I do not disturb
like ship like that. There are people who are older
still selling pussy, and there are older men who don't
know how to buypussy.

Speaker 4 (50:06):
Hold on line, what older lady is selling pussy?

Speaker 2 (50:09):
If you forty forty year old women still selling pussy,
you're crazy.

Speaker 4 (50:13):
Yeah, for forty, ain't that old to be? Like forty
to a.

Speaker 2 (50:18):
Fifty five year old man, he's not doing ship on
his phone. He wants hand the cash, hand the cash exchange,
especially down south, down it. I'm all right.

Speaker 3 (50:27):
The trap it's still bricking.

Speaker 5 (50:29):
I know they still because they on an in Figaroa
in Cali. They still walking the blade. Yeah, they're still
walking the blade.

Speaker 4 (50:37):
I love like.

Speaker 5 (50:38):
My favorite thing to watch is the YouTube channel with it.
They got the manic with the drone following them working
with them.

Speaker 4 (50:43):
Hey, that's time. There's a YouTube page that follows the
street walkers.

Speaker 3 (50:46):
Yeah, the drone has a drone.

Speaker 4 (50:47):
He just fly like, he just follows them. They be
throwing like juice at the ship.

Speaker 5 (50:52):
I never seen this, yeah, man, I mean in the deep,
the deep dark corners of you.

Speaker 3 (50:56):
No, I need to get I need any algorithms.

Speaker 2 (50:58):
Give me your algorithms. This.

Speaker 5 (51:01):
They were trying to hide their face and ship man,
you butt naked.

Speaker 4 (51:04):
Now you're trying to.

Speaker 2 (51:04):
Hide your face facing you.

Speaker 5 (51:06):
As titty is out, like you're going to block with
your titties out.

Speaker 3 (51:10):
Where he's standing with like the controller.

Speaker 5 (51:13):
He probably like in a in a in a car somewhere.
But yeah, he just had the drone following them ship
crackads drawn what that's all part of it?

Speaker 4 (51:23):
You selling got drone? Now, no crackhead drone.

Speaker 5 (51:26):
They following the crackheads And if you're selling pussy on
the street, you considered a crackhead at this point.

Speaker 2 (51:32):
Don't give the police any idea.

Speaker 3 (51:33):
Remember, like remember when the cops started getting like mountain
bikes and ship they'll get there'll be drones in the
project soon. Yeah, for sure, absolutely before we get off
the heist thing. You don't think it's weird that we
never found out who kidnapped Kim Kardashian in Paris.

Speaker 2 (51:47):
Like that was kind of nuts technically kidnapp her, But yeah,
I know what you mean. What was the exact backstory?
They they followed her in and they tied her up
and stole their jewels. But they were like professionals that
there was they were. They were professionals. Yeah, they robbed
her at some.

Speaker 3 (52:03):
Point getting away with that is four million dollar diamond ring. Yeah,
that's and then we kind of just never heard about.

Speaker 2 (52:11):
Well, I mean, they were looking for them, but I
don't think they ever found him.

Speaker 4 (52:14):
You imagine it han't No, they did.

Speaker 5 (52:16):
It was a high profile trial with eight people were
found guilty and made twenty twenty five.

Speaker 2 (52:20):
Oh oh, so they just found them guilty, made twenty
twenty five.

Speaker 3 (52:23):
She's but that happened a while ago, long time ago.
I didn't know that they found the guys who were
all right, I need to know. These guys are the tomorrow.

Speaker 4 (52:30):
The thieves were dubbed the Grandpa robbers in the media
due to their advanced age.

Speaker 3 (52:35):
No, he's old as fuck. He has to be helped
down the court st steps. And he robbed Kim Kardashian.
That's that's fucking Whitey Bolger right there. That shit is crazy, yo,
that's for the love of the game. Like, if you
that old, you're doing like thrill bucketless shit.

Speaker 4 (52:51):
Yeah, those are old school robbers.

Speaker 3 (52:52):
Right there, because I damn I got to know like
his back history though, who else Like, if you that
old robin Kim Kardashian, you have to be behind some
of the biggest robbery you think you.

Speaker 5 (53:02):
Think he knew what Kim was because it was Paris
Fashion Week. Everybody's there.

Speaker 3 (53:08):
From what I remember, this was a very well planned robbery,
so I think they had been following Kim for probably
quite some time or had somebody on the inside that
k new Kim was going to be.

Speaker 5 (53:18):
And then the hotel room, Yeah, this ain't happened like
on the street. This was like how did they get
past the front desk?

Speaker 4 (53:23):
How did they?

Speaker 2 (53:24):
You know what I'm saying, Like there had to be
somebody on It was an inside job for sure. Somebody. Yeah,
somebody at the hotel knew exactly what.

Speaker 4 (53:30):
Was going with room.

Speaker 5 (53:30):
She was in waiting the whole way, waiting the staircase.
She's on her way up, jump out the staircase, Like
it had to be a lot of moving parts to
pull out on in a whole Paris hotel, in any
any Paris hotel that Kim would be staying in, is
the best hotel in the city. Security cameras like this

(53:51):
ain't no RinkyDink just like yo, what they ain't have
no rooms available Paris last week.

Speaker 4 (53:54):
I had to just find something.

Speaker 2 (53:55):
Though. I remember they were saying, it's so funny people
think like celebrities are like fucking political figures. They're like, oh,
this this was a ploy, Like she set this up,
she set her Like, this isn't real, this isn't this
is an insurance scam. I'm like, y'all, celebrities people, celebrities
are not untouchable. There are people people can rob them,

(54:19):
like she got robbed. Bad things happen to rich people.
I know y'all don't like to believe that, but bad
things happen to rich people.

Speaker 4 (54:25):
I mean, what you should I'm going to read more
into this.

Speaker 3 (54:28):
I gotta know what they did with the ring, Like
who do we think is going to buy the Louver
jewelry that Israel blue?

Speaker 4 (54:35):
That y'all? Who gotta have that? So far? That is?
That is? Do you think a salty prince mic?

Speaker 5 (54:39):
That is definitely like some wealthy collector that is going
to be purchasing that for sure, But.

Speaker 4 (54:45):
You can't, like are you going to keep it in
like a you can't let anyone know you have, let
nobody know you you own it.

Speaker 3 (54:54):
But you know, I was reading that they were they
could maybe melt everything down and sell it, but that
was like.

Speaker 4 (54:59):
What if that was stolen and then they just stole
it back.

Speaker 1 (55:01):
Mmm.

Speaker 3 (55:02):
Probably that's from the Napoleon's of state went in there.

Speaker 4 (55:06):
Yeah, like somebody, listen, man, we need that bag man.

Speaker 3 (55:08):
I mean listen man, oj what size of them? So
why he went to jail? He went he went to
go steal his own jerseys back, like, nah, give me
my ship, need that. But that is kind of crazy though,
like Napoleon, that's like some of the old jewelry. Ever,
and how they don't they didn't, they don't catch them.
The fact they don't got air tags on this ship

(55:28):
these days is hilarious to me. It's like, how the
fuck they don't got to put it bluetooths on that crowd?

Speaker 5 (55:33):
Oh no, they never thought nobody was stealing. That takes
a lot of balls going to love and just broad
daylight and steal some ship.

Speaker 3 (55:39):
Though.

Speaker 5 (55:41):
Yeah, that's that's like all right, we don't give a fuck,
like we're going to get this and we out of here.

Speaker 2 (55:48):
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Speaker 4 (59:19):
Rory, you've been listening to music this week.

Speaker 3 (59:21):
This weekend, I didn't get a chance to listen to
the Toid Dollar album, which I want to this week,
So when we're back on the next episode, I'll definitely
give a proper review.

Speaker 5 (59:31):
I've been kind of like just glancing over albums. I'm sorry,
but that Tam and Pola album came out. I'm stuck.
I can't I can't start, I can't turn it off.

Speaker 3 (59:39):
I fuck with Tame and Poula. I didn't even know
they forgot a new album.

Speaker 2 (59:43):
Touch right now.

Speaker 5 (59:44):
If y'all not listening to this Tame and Pola album,
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Without a doubt?

Speaker 3 (59:53):
Okay, is it better than the Slow Rush?

Speaker 4 (59:57):
Oh? I don't know where seventeenth.

Speaker 5 (01:00:00):
This is the music on this on this album, incredible, incredible,
dead beat. The new Tam and Poler album, I don't
know again, I try to. I've listened to the Summer Davies,
Calma Ford dropped like a couple of joints on there.
Listen to some of the Tie but I just can't
really get into those. I'm stuck on this Tam and
Poler album. Like I'm really stuck, like I can't turn

(01:00:22):
this ship off. I text like five people yesterday. They
was just laughing, like, Yo, it's like that, I said, bro,
I can't turn this ship off.

Speaker 2 (01:00:29):
I was hearing the same thing about Olivia Dean's album.
I think that's what her name is. That that was
really good.

Speaker 3 (01:00:35):
What do you think like Mal does when he listens
to Tam and Power. That's what I'm anything. It's music
for anything on there.

Speaker 5 (01:00:39):
You could work out to this ship, you can clean
to this ship, you can go for a walk with
this plan, you can go for a driver.

Speaker 4 (01:00:46):
It's just that type of music. It's a little bit
of idiom.

Speaker 5 (01:00:49):
On there, like towards the end of the album, you
know that get to get that energy, but but it's
not it's not it's not like non palatable.

Speaker 3 (01:00:57):
You can I don't know if I want, but I'm
going to listen to it because I listen.

Speaker 4 (01:01:03):
They're incredible.

Speaker 5 (01:01:03):
You are gonna love this album like you no no
shoes and socks as the Tyler Creator fans that we've
been talking, Yes, of course I would love this.

Speaker 4 (01:01:11):
Yes, this album, This Tam and Polo album. Incredible.

Speaker 2 (01:01:14):
They're performing at Barclays two nights in a row next
next Monday and Tuesday.

Speaker 4 (01:01:19):
I'm in there. Are you going I'm in there?

Speaker 2 (01:01:21):
Well, I think Monday is sold out. But Tuesday October,
I mean Tuesday, October twenty eighth.

Speaker 4 (01:01:26):
I can only do Monday.

Speaker 1 (01:01:27):
Now.

Speaker 4 (01:01:27):
We gotta know somebody from Team I.

Speaker 2 (01:01:30):
Actually, y'allknew someone from Brady and Monica. Y'all laughed me
out the room, but Tame, y'all gotta connect.

Speaker 3 (01:01:34):
Nobody laughed. We were just quiet because it kind of
sucks that we don't know anyone that knows friendy who
and we just been we've been asking to be connected
with ray J for the past fucking I don't know.

Speaker 5 (01:01:43):
Listen, I gotta I gotta see this Tam and Paula
show live. I have to this album is incredible.

Speaker 3 (01:01:49):
I'm sure we can find somebody at Barclay's. So we
just go with some agent that we can figure out.

Speaker 4 (01:01:54):
What We'll just show up, man, We'll just show up.

Speaker 3 (01:01:57):
I don't think that's how it works at the Bark
Lady Center.

Speaker 4 (01:02:00):
Just show up.

Speaker 5 (01:02:01):
We just show up.

Speaker 4 (01:02:02):
Peach, get the limbits going, you know how we do.
Get us right in there.

Speaker 3 (01:02:06):
Let's start googling with the tamer AA passes.

Speaker 5 (01:02:09):
Look like, yeah, bro, this is this this album. Not
y'all gonna fuck with it. They're definitely gonna fuck with
it like I could. I'm trying to like turn it
off and get into other albums that came out. It's
the music on this Taming Pole album is just so incredible.
It's like you don't want to listen to nothing else.

Speaker 4 (01:02:24):
That's what it is.

Speaker 5 (01:02:25):
When music is as good as this, it's hard to
listen to other projects because just the level of the
music is totally different.

Speaker 4 (01:02:33):
But you know, shout out to everybody else that drop.

Speaker 5 (01:02:35):
I did hear a couple of joints, like I said
on Karma four and that I liked though, Yeahdave, So
shout out to Davy's dropping Calma for.

Speaker 4 (01:02:40):
DJ premiere on Ransom.

Speaker 3 (01:02:41):
Amazing Graces put out their their first single because they're
putting a full tape.

Speaker 2 (01:02:44):
Together, which I can't wait for it. But yeah, the
first record is fire.

Speaker 4 (01:02:47):
Still waiting on our guys Alchemists and uh.

Speaker 3 (01:02:50):
Hi boy, I mean they put out the trailer for
the movie, so yeah, I can't wait for that to
actually shout out to al Also, I don't like how
y'all skipped over a last episode when I said, if
y'all heard Ice Spice batty beatty, Like y'all just skipped
over and we just kind of like ended the conversation
like I didn't hear it yet.

Speaker 4 (01:03:09):
It's everywhere you can't miss it.

Speaker 5 (01:03:11):
Is this the one where they said she has six
million views in like ten minutes.

Speaker 3 (01:03:14):
Yeah, it's also the one where she says batty batty
and she's showing her panty.

Speaker 4 (01:03:21):
She didn't mean to go pop Ice Spice.

Speaker 2 (01:03:23):
This is good man, very pretty baby.

Speaker 3 (01:03:27):
Do you do I need some flowers here or we're
just gonna continue to.

Speaker 5 (01:03:31):
Not just.

Speaker 2 (01:03:33):
You said she was on the clock, and I actually
think she's having a resurgence. I don't think she's on
the clock at all.

Speaker 3 (01:03:37):
I did say when she posted that photo of her
ass in front of the Eiffel Tower. I said, maybe
I had this wrong with now that I know the
music's coming out'm putting the clock. Yeah, I'm hitting the
clock on the chessboard.

Speaker 2 (01:03:50):
I think that Ice is going to go the young
Miami route. She's gonna have to show a little bit
more personality. But I think she's going to become more
of an influencer.

Speaker 3 (01:04:00):
And I thought you're about to say an artist stay
puffed wh when he got up.

Speaker 2 (01:04:04):
No, just more of a more of an influencer than
I think. The music will be background, kind of like
Ruby Rose, but Ruby Rose is more like O F Girl.
But I think it's gonna lean heavier into like fashion
brand deals. Like I don't the music female rap is
not selling like that anymore. However, shout out to Cardi
because she is holding steady at number four under the
Old Word.

Speaker 5 (01:04:23):
Charts, holding steady to me, Hey, we got voicemails. Though
I'm not doing it with the marriage today. I'm not
holding steady. Don't tell me the hold steady.

Speaker 2 (01:04:30):
She's holding steady, holding steady.

Speaker 4 (01:04:33):
What is this the Titanic? No?

Speaker 2 (01:04:36):
If you guys, if you guys pay attention to music,
especially black music and black hip hop.

Speaker 4 (01:04:47):
Black hip hop.

Speaker 2 (01:04:51):
And the jokes on my old steady thing.

Speaker 3 (01:04:53):
I'm happy that Carti is still doing a second.

Speaker 2 (01:04:57):
It's not a Cardi thing. I know this is not
just me being a Cardi thing. Hip Hop has not
been performing that well when it comes to albums on
the Billboard charts. So a hip hop album staying within
the is that's a big thing.

Speaker 3 (01:05:09):
I No, I agree with you. We're just making some
jokes to No, it's fine. In Ice Spice's influencer career,
comparing her to Young Miami and how what I brought
up with Sexy Red. Both of those people have personality. Yeah,
that's like.

Speaker 4 (01:05:26):
I could see Ice Spices.

Speaker 3 (01:05:27):
Being in like campaigns and being like a model.

Speaker 2 (01:05:29):
So sweet the sweety route instead of the Young Miami road.
Don't make the joke. I know it's there. Just keep
it in your throat, but.

Speaker 5 (01:05:37):
Personality, keep it in your throat. You just told us
grown man to do what keeping in his throat.

Speaker 2 (01:05:44):
Keep the joke in his throat because I know he's
about to come out. Keep it in your throat, yo.

Speaker 3 (01:05:50):
I was just going to inquire, what do you mean
by that.

Speaker 2 (01:05:53):
You know exactly what I mean? Why what would a
Sweety route be for saying was heavy brand deals? Every
creative cool wanted to clear brand dell.

Speaker 4 (01:06:02):
Well, did she have a dunkin Donut brandal already?

Speaker 2 (01:06:04):
Yeah, But there was a point, there was a point
where Sweety had a big deal like McDonald's once a month,
like it was like it was insane.

Speaker 3 (01:06:13):
But also Sweetie's music was really relevant at that time,
and Ice Spice music.

Speaker 4 (01:06:18):
Was really relevant when she got the dunkin donut shit.

Speaker 3 (01:06:20):
So it's gonna take a few more Kansas City Chief games.

Speaker 4 (01:06:25):
But you know, but why do y'all play? Ice Space
doesn't have personality.

Speaker 3 (01:06:29):
To the degree that Young Miami and Sexy Redde I
don't think so. Ice Spice is a cool wrong stick
sometimes that's not like she's more reserved and like quiet.

Speaker 2 (01:06:41):
She like we don't know how she is with her friends.
Right when it comes to her outward personality of what
she shows us. Young Miami from the very beginning has
been like a personality. She was so big of a
personality that she put her best friend on Santana, who
is also now a big personality. It's just a natural
thing sexy Red is a big personality. It's a natural thing.

(01:07:01):
Not everybody shows that to the public. Ice Spice might
have it, but that's not her her public persona. Yeah,
I mean, like nobody can run into an Ice Spike.
I al won'st say nobody, but not as many people
will run to an Ice Spice podcast. Like with Kresha,
it was obvious that Karisha needs a podcast because of
her personality. Do you see what I'm saying?

Speaker 4 (01:07:21):
Yeah, because I mean only only like only young young
Miami can win.

Speaker 3 (01:07:25):
Back to back beat he Let It Go podcast sponsored
by Revolt.

Speaker 5 (01:07:30):
Can we listen to the Can we watch a new
video so I get a song and then we can
come back in on this.

Speaker 4 (01:07:33):
Yeah.

Speaker 5 (01:07:33):
Sure she looks great, man, Ice Spie looks great. Yeah,
she looks great like the record. So it's a nice
little bob. She ain't even mean to go pop.

Speaker 4 (01:07:43):
That's what I thought.

Speaker 5 (01:07:44):
She was just popping her ship. Yeah what I'm saying, like, yeah,
seen the door Dash deal brand at the end. You've
seen that baby d with the tea in the bag.

Speaker 4 (01:07:51):
What's tea? Yeah, so it went over my head, y'all.
Don't even get the tnges with Ice that's the problem.

Speaker 3 (01:07:57):
What if ice spice was your door dash delivery girl,
while you just open the door and it's spice just
chilling right there.

Speaker 4 (01:08:04):
It's ice is right there.

Speaker 5 (01:08:07):
I would actually like, Yo, how long you've been doing this?
You should be doing this beautiful. You don't do this
like yourself. You don't need to be doing like a stripper.
You shouldn't be doing this ice.

Speaker 3 (01:08:17):
That would be a good marketing thing, that have ice spices.
Get on, get on those little scooters.

Speaker 4 (01:08:21):
A couple of door dash'd be cool. Our little bike,
that's a cool little rollout O. Yeah, your door playing
the record.

Speaker 3 (01:08:30):
And just getting everyone's reaction, Like when when you open
the door.

Speaker 4 (01:08:34):
Do we have voicemails? You've got mail sponsor by boost Mobile?

Speaker 1 (01:08:39):
Right?

Speaker 3 (01:08:40):
Got you ask him? Right?

Speaker 4 (01:08:42):
What's pod?

Speaker 7 (01:08:44):
I hope you all are doing well. I'm actually calling
with more of a music industry question for y'all.

Speaker 4 (01:08:49):
Okay, So, as all of.

Speaker 7 (01:08:51):
Us have probably known by now, Taylor Swift has released
her new album recently, Yes, and whenever Taylor releases a
new album, all of a sudden, the discourse of album
variants comes into play. Even though most major artists release
multiple different variants of their albums and it's crickets on
the timeline. But then once Taylor does it, now there's

(01:09:12):
this whole discourse about how she's greedy and she hates
her fans, blah blah blah. And I did see on
Twitter that Russ was kind of defending her, and he
made a really good point to me where he said,
you know, if he decides to release merch or say
new Rory Mall releases merch and they have a hoodie,
but they have that hoodie and seven different colors, is

(01:09:33):
that now all of a sudden greedy or is it
just giving fans, you know, variety and giving fans what
they want. No one's forcing them to buy seven hoodies.
No one's forcing anybody to buy ten different variants from
Taylor Swift. So what are your guys' opinions on album variants?
Are they a big deal? Is Twitter just blowing this
up because Taylor's reached a level of fame where everybody's

(01:09:56):
just trying to find a reason to tear her down.
But yeah, what's your guy his opinions on this?

Speaker 4 (01:10:01):
Thanks?

Speaker 3 (01:10:03):
I mean, he brought off the Russ tweet and that's
what I was going to bring up as well.

Speaker 4 (01:10:08):
I agreed with what Russ said.

Speaker 3 (01:10:10):
If you have the ability to create a fan base
that will buy multiple products from you, I don't think
there's anything to condemn there, Like if you have that
ability where they will be that diehard to spend their
money to feed your fan base that way, like it's
not feeding.

Speaker 2 (01:10:25):
Your fan base.

Speaker 3 (01:10:25):
But I'm never going to get mad at Taylor Swift
being so good at creating a cult that they will
buy multiple versions of the same album if that's what
they want to do. I mean, this is still America, right,
they can do what they want with their money.

Speaker 4 (01:10:40):
I don't think there's anything like that.

Speaker 2 (01:10:42):
I agree. Now, if you want consumer if you want
to fight it on the basis of you feel like
it's skewing numbers when you release a deluxe, a deluxe Deluxe,
and a Deluxe deluxe. If you feel like it's skewing numbers,
you want to argue that that's an argument that people
have been having. I get that.

Speaker 3 (01:11:00):
Numbers that that's only become well, let me not say
only become something recently, but it's heightened in social media
stand culture as of late, of course, like once fifty
and Kanye battled it out. That started the whole numbers
talk for everything, but now it's to a whole different level.
Numbers don't matter to the world, Like it doesn't matter

(01:11:20):
who cares if she manipulates the numbers there like that
doesn't affect anyone's life except for this label in her
that's not but that's not true.

Speaker 2 (01:11:27):
I don't I don't think that that's what she's doing,
or I don't care if that's what she's doing. But
that's not true. You yourself, and this wasn't numbers manipulation.
Your life changed because Tina Turner died before your album
came out, and you were not able to get the
number one R and B album, which you would have
had had Tina Turner not died, and people streamed her
music and she beat you. So granted, Taylor's going number

(01:11:50):
one anyway, But as far as this period on the
overall scale of large artists manipulating things and releasing Deluxe's,
Deluxe's Deluxe is where their album now keeps going back
up to number one, which may keep somebody else from
getting a number one on a country chart or R
and B chart or a billboard. So that does affect
other people like.

Speaker 3 (01:12:10):
I'm saying from the fan side, like that's just become
a stand Like, yeah, if it doesn't affect anyone's life,
if Taylor Swift is manipulating now, yeah, if I'm an
artist and in my contract with a major, I get
a bump on an advance because if I hit a
number one or stipulations like that, yeah, I'm gonna be
fucking pissed. I mean, I wasn't mad at Tina Turner,

(01:12:32):
but but it would have been nice to say, hey,
I had number one. But again, it also didn't affect
anything about that album, Like the album got the same
amount of strings that it would have had it been Yeah,
of course I think I ended up number three. It
was too teena turnout. Yeah, how I get a number
three when I should have number one? But I mean, yeah,

(01:12:54):
I wasn't really mad at that, but I also am independent,
like there's certain my stones that if I hit doesn't
affect what my deal will be.

Speaker 2 (01:13:03):
Yeah, But to the.

Speaker 3 (01:13:05):
Fans that talk about all this shit, like these numbers
don't affect any of you, like Todd, I know it's cool,
Like if you're a barb to be like, I'm happy
I can say Nicky has a number one, but if
Nicki has a number two pause, the album is still
going to be the exact same to the consumer, like
nothing is going to change because of the numbers. But
Russ's point is, why the fuck would you be mad
at an artist that is utilizing their fan base. If

(01:13:27):
y'all want to buy a bunch of shit, do it to.

Speaker 2 (01:13:29):
Play Devil's Advocate because I agree with Russ, but to
play Devil's Advocate just to have a conversation. If the
fan base is young kids, which Taylor does have a
lot of her fan base, then you could say that
you're manipulating a younger fan base to continue to spend
money on your stuff.

Speaker 3 (01:13:48):
Then I'm gonna get on my camera on Bill O'Reilly thing.
That's the parent's fault. If Amara Thompson says I want
three versions of the same Taylor Swift album, omor you're
getting one.

Speaker 2 (01:13:58):
Yeah, yeah, you're getting one of them.

Speaker 3 (01:14:01):
Now, I think there's a lot of Swifties that are
adults that have great jobs, and however they want to
fucking spend their money as long as not harming anyone.
Who are we to judge anyone for that? We all
buy weird shit I was just talking about buying pussy.

Speaker 2 (01:14:12):
I'm like, yeah, I mean, but me and you have
had We had an ME and you had a disagreement
that we ended up cutting out of an episode. As
far as when I said you should start a Patreon,
a personal Patreon, and then we talked about our own
Patreon that we have, as far as like you were like, well,
I feel bad having fans pay for things, and I said,

(01:14:33):
and I said the exact same thing to you, where
I said, that's their fucking choice to spend their money.
You're not holding a gun to their head. You're like,
I feel like I'm asking them for money, and it's
like no, you're providing something and either they find it
valuable or not valuable, and it's up to them to
spend their money on it.

Speaker 3 (01:14:46):
Yeah, I mean, I guess I just view the consumer
thing as what they're like monthly overhead is, and like
what we're asking, Like all right, this month, we're asking
someone to pay for twenty dollars. Here we're releasing merch
at this price. Oh, also have live tickets on sale.
Like I think about those types of things because I
do care about our listeners. Like to just add more

(01:15:08):
shit Yeah, but that's you weren't wrong in anything you
were saying. It was like just more of a morality
thing of like damn, I like I don't do I
want to ask them to spend another ten dollars like
I know I should be.

Speaker 2 (01:15:19):
And that's what you have morals. That's what the people
are saying about Taylor Swift.

Speaker 4 (01:15:25):
Okay, but here she has no morals.

Speaker 2 (01:15:27):
No, they're saying that she's not considering the.

Speaker 5 (01:15:30):
Concert or you're just doing what most celebrities or stars do,
like people who are trying to find a way to Yeah,
you're trying to find a way to You can't please everybody,
but you want to try to please as many as
you can. So maybe you can't get this album, maybe
you can't get this merch, maybe you can't go to
this live show, but somebody can.

Speaker 4 (01:15:51):
Somebody can go to this live show. Yeah, somebody keep.

Speaker 3 (01:15:54):
Different options of shit that they different options.

Speaker 5 (01:15:56):
Of things that you can buy and support your artists
or you know, whoever it is. I think you're both
right that you're supporting, but I don't think it's something
that should be frowned upon.

Speaker 1 (01:16:03):
Now.

Speaker 5 (01:16:03):
I do get where that can kind of trip the
numbers and things like that. But somebody like Taylor Swift
that doesn't. She's Taylor Swift, bro, the numbers are going
to be the numbers, no matter if she has one
version of her album or seventeen versions of albums, the
numbers are going to be incredible.

Speaker 4 (01:16:18):
Like that's just what it is.

Speaker 3 (01:16:19):
Yeah, and back to another conversation we had when we
were talking about like the billboard change, like the bundling
rules after what like Travis was.

Speaker 4 (01:16:27):
Doing and that entire thing.

Speaker 3 (01:16:28):
I never saw anything wrong with that either. I understand
why Nikki was complaining about it because she felt like
she should have had the number one. I get that,
But I know artists up to Taylor Swift are getting fucked.
They're getting manipulated by a label. You have to find
other strategies to manipulate a system that's manipulating you. So yeah,

(01:16:49):
of course I'm going to try to bundle something. Of
course I'm going to try to sell different versions of this.
I'm getting fucked over here anyways. The system is not
even designed to be an artist friendly system. I have
to find new ways to do the shit right to
make Not to say telllors Tip needs more money, but
you know, just in general for any artists, it's not
it's tricking a system that's tricking the artists. That's why

(01:17:11):
I was never mad when people did bundles. Travis, Helly,
you're a fucking great designer with your merch you're a
great artist. Like, yeah, work the system that's trying to work,
y'all already, right, I've never mad.

Speaker 4 (01:17:22):
At that type of shit. No, you can't be mad at.

Speaker 3 (01:17:24):
So that's why I even love that, Like people care
about vinyls again, just because I know that's going to
help so many artists because people will stream their music
but also want to buy collectible of the same shit.

Speaker 4 (01:17:34):
Like, to me, that's that's cool for an artist.

Speaker 5 (01:17:36):
It's part of being a consumer, part of being a
fan of they created the artists. Again, I get how
some people like to have that argument about what it
does for the numbers and things like that, and they
feel like the artist is trying to play the numbers game.
And again, even if that is what the artist is
trying to do, what is the problem.

Speaker 4 (01:17:52):
You're in the music business. You're in the business of
selling music, selling products. So I mean, it is what
it is.

Speaker 3 (01:17:57):
And let's not act like fans and consumers aren't like
I mean, at least the nerdier ones like myself aren't
like collectors. Like if I'm a hard core tailor Swift fan,
you mean you're not.

Speaker 2 (01:18:08):
Of course, of course I'm swiftly.

Speaker 4 (01:18:10):
I'm just checking. I'm part of this.

Speaker 3 (01:18:12):
I'm part of the six million tales.

Speaker 4 (01:18:14):
Yeah, you about to get your Swifty car revoke real quick.

Speaker 3 (01:18:17):
If I'm a hard core tailor Swift fan and I
collect shit, I'm like, yeah, I'll buy three different color
versions because like I like to collect things.

Speaker 4 (01:18:25):
I don't think there's anything wrong with it.

Speaker 2 (01:18:26):
No.

Speaker 3 (01:18:27):
Now, if you're manipulating ship with whether it be botser
behind the scenes like with other that that's a whole
separate conversation. But direct to consumer with a product, I'm
wrong with that ship not at all. Sell it all.
If they'll buy it, they buy it, I'm selling it.

Speaker 4 (01:18:44):
Everything must go. Maybe even you was that from next Friday?
I remember that the thing must go? Maybe even you.

Speaker 3 (01:18:56):
I know you won't buy a pussy, would would you?
Would you sell your body? Because you said if if
someone's buying.

Speaker 4 (01:19:01):
Would I sell my body? Yeah? Nah?

Speaker 5 (01:19:05):
Is it'll be a humbling thing like when you see
how much you go for in the market space, like
how much you thought you would go for and how
much people are willing to pay.

Speaker 4 (01:19:11):
That's like a very humbling thing. So yeah, no, yeah,
I would do it, but I know that the price
would like it. They try to get you a clearance
Rory bed.

Speaker 3 (01:19:21):
Clearance, right, you know your dig being on sale. They
found my dig in a thrift store.

Speaker 4 (01:19:29):
I guess put that in the cart man.

Speaker 3 (01:19:33):
Damn wait, I'm the Welfare of Cereal. Yeah, that's crazy.
I don't I don't even want to guess.

Speaker 5 (01:19:39):
Would you would you get like a mold made of
yourself instead that to like what's the what's like the
big sex toy uh distributors?

Speaker 2 (01:19:48):
I don't know. Shut off the back of my head,
but I can look at it. It's the Hasbro of
that Like, oh definitely, Adam Adam, if Adam and Eve
came to us and say, yo, we want to make
the Rory Mal bundle.

Speaker 3 (01:19:59):
It's like, wait, but no, means were in the same
page against It's.

Speaker 5 (01:20:02):
Like the Jordan's you know, the George that come to
in the case like the kid give me in the
package's separate packaging. It's separate it was a separate packages. Yeah,
I mean even process and was like, yo, we want
to do the roory Mall bundle and we got.

Speaker 4 (01:20:16):
To take a mold.

Speaker 2 (01:20:17):
I wouldn't be supposed to have to take a mold
of our penis and sell it.

Speaker 4 (01:20:20):
I don't think people would buy mine.

Speaker 3 (01:20:22):
I would do it. It would be funny to me.

Speaker 2 (01:20:23):
People would buy moss.

Speaker 4 (01:20:26):
I don't know, why are you trying to make things seen.

Speaker 2 (01:20:29):
I don't think people would buy mine, And I'm like,
you think they would buy, like, like, have some respect
for yourself.

Speaker 3 (01:20:35):
I've never seen mals dick and I've seen mine, and
I don't want to. I've seen mine. I know, Like
I've been in the sex store, like there's better options
out there, ye, Like I've walked past that aisle like,
oh yeah, this isn't me.

Speaker 4 (01:20:51):
Y'all walk past that, Like who is that going in?

Speaker 2 (01:20:54):
Like, well, there's a sigh for everyone.

Speaker 5 (01:20:58):
Who is that going?

Speaker 4 (01:20:59):
I thought that was for the door.

Speaker 3 (01:21:03):
A doorstopper you were saying, America, I'm sorry baby what
you said.

Speaker 4 (01:21:11):
There was there was other options.

Speaker 2 (01:21:13):
There's not just the big dick in the corner. Yeah,
they have like that. You could advertise like you could
be fainal, baby D love.

Speaker 3 (01:21:21):
The second time.

Speaker 4 (01:21:24):
You could be final?

Speaker 2 (01:21:26):
All right. I tried to gas him up. He didn't
want to be gassed up. So now sit there idle.

Speaker 5 (01:21:31):
I don't know, Yeah, Adam and even protested, I don't know.
All money ain't good money.

Speaker 2 (01:21:36):
That might be good money, though, Yeah, that's great money.

Speaker 4 (01:21:39):
Take a mold of my ship and like put it
on the shelf, like that's peach. Would I ever fucking fleshlight?

Speaker 2 (01:21:46):
He said, have you ever? He's not said. He didn't
say what he said.

Speaker 4 (01:21:48):
Have you have? I have never fun?

Speaker 2 (01:21:51):
That would feel so weak?

Speaker 4 (01:21:52):
I think good.

Speaker 5 (01:21:53):
I think dudes that's into that would like fucking corpse.
Now you're about to him. I don't think you're wrong, Yeah,
I think like if I see if you have like
a flesh light, you just like climbing the.

Speaker 4 (01:22:07):
Ladder of like corpse.

Speaker 3 (01:22:09):
You're on your way.

Speaker 4 (01:22:10):
Yeah, Like that's a flesh light? What is that?

Speaker 1 (01:22:13):
Like?

Speaker 4 (01:22:13):
Why would you even.

Speaker 3 (01:22:15):
The but like the actual like with the ass and
you definitely fuck if you fuck.

Speaker 4 (01:22:20):
Bro, That is weird to me. I'm sorry.

Speaker 5 (01:22:21):
And I know you say, don't kink Shane, baby D,
but that's you walk in the dude's house and your
first time going to your boy even house and he
go to the store and leave you alone.

Speaker 4 (01:22:29):
You know you're going through his ship. All y'all do it?

Speaker 5 (01:22:31):
Everyone, every woman can't wait to have that thirty minutes
alone in a nigga house for.

Speaker 4 (01:22:34):
The first time. You go through his ship.

Speaker 5 (01:22:37):
You open his closet, cause y'all go to the back
of the closet. You go to the back of the
closet and you see an Adam and Eve box and
it's just like a fucking torsom.

Speaker 4 (01:22:49):
It's just ass and pussy.

Speaker 2 (01:22:50):
But what if it was gifted to us based on
our deal.

Speaker 5 (01:22:53):
And then you look at it and then you could
tell it's been used because it's still a little oily,
like the cheeks still got a little oil on. He
ain't watching He didn't watch it thoroughly, so it's.

Speaker 4 (01:23:00):
Like like he's been going to work. You ain't there, like he.

Speaker 5 (01:23:03):
Going to he going crazy on corpse right? Do you
mention it to him? Do you bring it up to
him or do you act like you never saw it?

Speaker 2 (01:23:11):
I leave and again, well, hold on, I have a
convers the person that I kink shaming I just because
not every kink is for me. But I would have
a conversation with him and say, hey, how did you
get this? Because it's some weird shick.

Speaker 4 (01:23:24):
How did you get this?

Speaker 2 (01:23:26):
It's some weird ship in my house.

Speaker 5 (01:23:29):
We bought a fake pussy with real money.

Speaker 4 (01:23:32):
These thinkings are idiots.

Speaker 3 (01:23:35):
You bought a fake pussy with real money.

Speaker 2 (01:23:39):
There are some weird things in my house that I
have been gifted because of this job. Y'all know, we
get sent some weird ship and some ship. I've just
we ain't never been gifted a flesh well not that,
but some ship we have. Yeah, we have a fake
pussy somewhere off, Yeah, exactly were gifted that. No, I
bought it from Amazon for one of our sketches. Okay,
but sometimes people have weird ship on accident like whatever.

(01:24:00):
So I don't know. He could have say my homeboy
left this shit here in my house as a joke,
like there could have been anything. So I would have
a conversation with No.

Speaker 4 (01:24:07):
But it's like it's it got oil on it.

Speaker 2 (01:24:09):
But I don't there could be an explanation.

Speaker 5 (01:24:13):
Spank marks on it, like he's been spank even tearing
that ass up.

Speaker 3 (01:24:18):
There's a whole chunk of the ass is like he
bit the cheek, and.

Speaker 5 (01:24:21):
The corpse toy is like he got red spots on it,
even spanking it.

Speaker 4 (01:24:27):
You're not gonna be like, yo, he's a widow.

Speaker 2 (01:24:29):
I'm going the person that the person that I am with,
I would have a conversation with random. It's my first
time at a main house and though there's no really
no conversation, I'm leaving before I'm next.

Speaker 4 (01:24:38):
I just never been that horny man.

Speaker 2 (01:24:39):
I'm sorry some of your listeners might, so you don't
want to offend them.

Speaker 5 (01:24:43):
Nobody should be that horny, and if you are, they
should put you in the back of the prison.

Speaker 3 (01:24:48):
Okay, Ma, what if she has that contraption that has
the dildo but like that she looks like it run
on gas, like it has a stick and it moves.
Oh like the but she doesn't do only fans. She
does like it's not for work, but she just she
just has that that ship.

Speaker 4 (01:25:02):
In her career. Yeah that's too much.

Speaker 3 (01:25:05):
Yeah, get a little vibe this morning.

Speaker 5 (01:25:09):
Yeah, why you the whole machinery? The machinery is.

Speaker 3 (01:25:13):
You felt you filling something up with oil to get
fucked kind.

Speaker 2 (01:25:16):
Of is it? Plugs in.

Speaker 3 (01:25:20):
What type of batteries it there?

Speaker 4 (01:25:21):
Right? Baby?

Speaker 5 (01:25:22):
How you got so much info on these contraptions and.

Speaker 2 (01:25:25):
These because well that's obvious, it's not. It doesn't around
oil like, y'all.

Speaker 5 (01:25:30):
Still have sex toy parties like where you'll have like
parties where y'all just like somebody like one of your
homegirls like has a bunch of sex toys for sale
and stuff like that.

Speaker 2 (01:25:37):
You just, oh my god, I forgot about those. I'm
sure that was to go to a rose party that didn't.

Speaker 5 (01:25:43):
It was the Rose Bowl you want to baby d
went to the rolls.

Speaker 1 (01:25:48):
The listeners who are new and she won the title.

Speaker 5 (01:25:59):
She held trophy up at the end.

Speaker 2 (01:26:02):
But listeners who are new, there was a thing going
around on TikTok that they wanted to whole have a
rose party where it was basically women. It was a
circle jerk. Women sat in a circle and held the
rose to the vaginantcy who could last the longest without
coming from the rose. Right, So we had a clip
that that did pretty well where I said I was
going to the Rose party. It was a joke. But anyway, yes,

(01:26:24):
people still have sex to parties where they sell sex toys.
I have not been to one since I was like eighteen,
but they still have them. It's like Mary kay, but
for dildos. Yeah, I mean like but for dildos.

Speaker 3 (01:26:36):
Thing dong Avon Wait, so it's like their brands like
they're selling.

Speaker 2 (01:26:40):
No, they're like it's kind of like, uh what like Avon.

Speaker 5 (01:26:44):
Like it's like, you know, somebody just has a bunch
of products and they sell them.

Speaker 2 (01:26:48):
He's like the Swap and White Friends over there.

Speaker 4 (01:26:49):
It's like, oh, what's this? What does this do?

Speaker 5 (01:26:51):
And you kind of just like learn what all the
toys do and then if you want to, you know,
try it on your trail and trying.

Speaker 4 (01:26:56):
So there's like a dressing room.

Speaker 2 (01:26:58):
No, no, no, no, they don't. They do not do that.
Well I'm sure there's something that didn't anyone I've ever
been to. They did not do that. It was just
like okay and you take it home and that's that.

Speaker 4 (01:27:08):
Nothing like a good circle jerk pause, no clip that yeah,
no with that. Oh man.

Speaker 5 (01:27:18):
But yes, Taylor Swift, I'm not mad at her doing
this with an album. You know, she has the ability
to you know, feed her fan base, and her fan
base wants to consume anything that she puts out.

Speaker 4 (01:27:29):
Nothing wrong with that. Yeah, well, do you any more voicemails?
Or is that it? It's been fun.

Speaker 2 (01:27:34):
We will see you.

Speaker 3 (01:27:35):
Guys, very very You're getting better at googling.

Speaker 4 (01:27:37):
I wouldn't give you that. I wouldn't just practice.

Speaker 5 (01:27:39):
Just going to just go home tonight, Johns and just
google anything and try to get it right there.

Speaker 2 (01:27:46):
Gosh, doing practice, practice, practice your googles.

Speaker 3 (01:27:50):
You know what, Josh sna I'm gonna start texting you
random topics I just wanted.

Speaker 4 (01:27:53):
I just gotta see how fast it back? How fast?

Speaker 3 (01:27:56):
Take care of the watch.

Speaker 4 (01:27:59):
All right to y'all soon, be safe, be blessed. I'm
that nigga. He's just ginger peace no en