August 21, 2026 • 52 mins
Selective Ignorance — Bonus Episode Description
In this bonus episode of Selective Ignorance, Mandii B, super producer A-King, and Jason “Jah” Lee bring the conversation back to music, R&B nostalgia, new artist discovery, Verzuz debates, Drake, and the evolving music industry. After a quick cold open [ 00:00 ] and some sports sponsor banter [ 00:39 ], A-King breaks down the origins and purpose of The Weekly Drop, his platform for spotlighting independent and emerging artists listeners should have on their radar [ 01:28 ]. The crew compares how they discover new music today—from streaming algorithms and radio playlists to Shazam and word of mouth [ 03:24 ]—while showing love to rising and established voices including Mahalia and Isaiah Falls and praising the music setting the tone for the summer [ 04:48 ]. From there, they celebrate the 25th anniversary of Usher’s 8701 and reflect on the album’s lasting influence on R&B [ 05:12 ], before having some fun with the internet conspiracy theory that Usher has been replaced by a clone [ 06:48 ].
The nostalgia quickly turns into a hilarious examination of classic R&B lyrics that sounded romantic growing up but hit very differently as adults. The crew starts with Usher’s “U Remind Me,” questioning the logic behind pursuing someone who reminds you of the very person who hurt you [ 08:21 ], before putting Donell Jones’ relationship lyrics under the microscope and debating whether some beloved R&B records were actually warning signs disguised as love songs [ 15:04 ]. They continue unpacking the wild relationship logic found throughout the era, including Jaheim’s “Just in Case” [ 20:51 ], before asking whether certain lifestyles and connections to the streets should automatically become dating dealbreakers [ 23:12 ].
That leads directly into some Verzuz talk as the hosts make predictions about potential R&B matchups [ 26:36 ] and debate how Joe versus Donell Jones might actually play out record for record [ 27:11 ]. They compare each artist’s catalog, hits, songwriting, and longevity [ 27:46 ], while questioning how much features and collaborations could ultimately decide a Verzuz battle [ 29:22 ]. A quick debate over the Power theme song follows [ 30:31 ], before the conversation shifts to J. Cole’s tour and the current excitement surrounding his live shows [31:08].
The crew then enters the Drake discourse, beginning with a simple question: if you received an invitation, would you actually attend a Drake party? [ 31:52 ] That opens a larger discussion about his viral party run, celebrity access, dating expectations, and the blurry line between generous gift-giving and “tricking” [ 33:16 ]. The hosts trace Drake’s public persona all the way back to his “Wheelchair Jimmy” Degrassi era, reflecting on how dramatically his image, influence, and lifestyle have evolved [ 36:13 ].
Closing out the bonus episode, Mandii, A-King, and Jah briefly get into New York City Caribbean parade culture, including the personalities, traditions, and social dynamics that come with one of the city’s biggest cultural celebrations [ 43:44 ], before beginning their wrap-up and discussing plans to make future Friday episodes even more informed and guest-driven [ 47:23 ]. The conversation takes one final industry turn with
Listen
Watch
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is Mandy be.
Speaker 2 (00:01):
Welcome to Selective Ignorance, a production of the Black EPEC
Podcast Network and Iart Radio. Welcome to a bonus episode
of Selective Ignorance A king y'all would to do?
Speaker 3 (00:11):
Yeah, yeah, yeah, yeah, you know.
Speaker 1 (00:14):
I don't think y'all know.
Speaker 2 (00:14):
I don't come into these episodes as eagerly prepared with topics,
which is why y'all get just the cold open, because well,
by the time we get to this part of the day,
I just don't know where y'all's brains is. I know
where mindy I'd be like who that was a lot,
And so for the bonus we kind of throw some
(00:37):
things at the wall and see what's six. But I
didn't know that I wanted to talk to y'all specifically
about music, because we haven't talked music in a while,
even like we've been getting further away from celebrities, say
the darness things in terms of culture and entertainment and
leading more into what the fuck is happening.
Speaker 1 (00:55):
In the world, and this is America. In sports, Yeah,
we really need a sports damn sponsors soon.
Speaker 3 (01:01):
Somebody should.
Speaker 4 (01:03):
Left.
Speaker 3 (01:04):
Football season is right around the man.
Speaker 1 (01:06):
With penises, Isn't that what y'all want is that.
Speaker 5 (01:11):
What he said, I'm sitting next to man with penises,
isn't that? He goes, come on, come on, what are
we doing here?
Speaker 1 (01:25):
No?
Speaker 3 (01:26):
Okay, no no, no, no, no no.
Speaker 6 (01:28):
So that went over her head that.
Speaker 3 (01:33):
Nothing.
Speaker 2 (01:34):
Well, I wanted to start with music, and you kind
of mentioned it last week, but you didn't go into
death a King. You have the Weekly Drop and explain
that a little bit more because it is going to
lean also into more music insight and letting people know
(01:55):
what's happening weekly, right.
Speaker 3 (01:57):
For sure, for sure. It's just so basically it started out.
Speaker 5 (02:00):
It's something that that was birth during the days of
the Combat Jack Show where we were just switching it up,
and what I would do was I would highlight five
artists at the end of the episode, kind of like, hey,
this is who's up next or who we should be
keeping an eye on on And it was mainly highlighted
independent artists, people who aren't signed, but they might have
(02:21):
some traction, it might be a little buzzworthy and so
on and so dope art though we used.
Speaker 1 (02:25):
To do that.
Speaker 2 (02:26):
We had a segment on see the thing is that
we call freshly squeezed so every week we talked about
the songs that dropped that week, and oftentimes our Friday
episodes were interviews with artists YEP, and a lot of
the artists, like I found through either really being tapped
(02:48):
into the new music drops or interviewing like we had Mahelia,
She's dope.
Speaker 1 (02:53):
Mahelia is really dope.
Speaker 3 (02:55):
She got a record with Isaiah Fall that just drove.
Speaker 2 (02:58):
Recent Isaiah Fire Florida, Stay of Fo is really good.
Speaker 1 (03:07):
And then when you look at him, you don't see
R and B.
Speaker 3 (03:10):
You see Ratu.
Speaker 1 (03:12):
He does his videos with the grills and like he's been.
Speaker 6 (03:15):
Put on him Sabrina, okay put on when I was
up in Boston last a couple months ago.
Speaker 3 (03:20):
Yeah, there's there's.
Speaker 2 (03:21):
There's quite a few people that we got to sit
with during that time that I was introduced to that
I really liked that I still listen to.
Speaker 6 (03:29):
So what is your what is your main vehicle for
music discovery?
Speaker 3 (03:36):
Like do you hear a song.
Speaker 6 (03:37):
And just check out the artist or like what is
the thing that you find most new music through?
Speaker 1 (03:42):
You know what's crazy?
Speaker 2 (03:43):
My algorithm, when I say, is me So I get
a lot of the pages, like I follow a lot
of the R and B hip hop pages that promote
uh independent or new artists. Often, so if I see
or like a sound, especially a song or even a
nippet of it, I immediately go to download it to
listen to the whole thing. Yeah, So that's a way
(04:05):
of discovery right now. And also just I play my
Alexa and my Seri and I'll say a certain person.
Speaker 1 (04:15):
And I follow the name with radio.
Speaker 3 (04:18):
Got you, So it'll be a lot of.
Speaker 2 (04:19):
People along that, like I love snow Alegra radio. You know,
I do two Chains radio, or I do whatever radio
I do. They play people around the same genre. So
when I hear a song and I'm like, who the
fuck is this, I'll normally pull up my Kazam or
Shazam whatever and figure out who it is, and then
I just I'll add like their albums and go into
(04:42):
yeah because I'm.
Speaker 1 (04:43):
All be cut girly. I like, I like getting into
songs that like.
Speaker 3 (04:48):
Oh shit, no, I like this, what's the best song
that's not a single that yea that everyone is playing.
Speaker 2 (04:53):
That everyone isn't playing that I could like, which is
why one of my favorite albums was Sir What was
his album that came out of twenty Chasing Something.
Speaker 3 (05:02):
That album is now we played that, we played that
album that I.
Speaker 2 (05:06):
Play that album like monthly at the very least. Shout
out to sir. But Chasing Summer, that project was that one. Now,
speaking of projects that were that one, it is the
twenty fifth year Ship of eighty seven or one damn
(05:27):
old if you don't feel old already.
Speaker 3 (05:31):
And also, with all due respect, another albums as.
Speaker 5 (05:38):
On our record date because it's probably going to come
out next week, right, Yes, it is the birthday of
hip hop.
Speaker 1 (05:43):
Oh okay, yeah, shout out to hip hop.
Speaker 3 (05:47):
What could you get the three or four? Because twenty
we celebrate the year fifty three three years three three
seventy nineteen seventy three. Yeah, I'm not gonna lie.
Speaker 5 (06:01):
We hip hop is still young. It's fifty three years
of this thing where there's some genres that's.
Speaker 1 (06:08):
Like, you know, oh my god, I can't wait. I'm
about to tell my man, oh my god, you are
old at hip hop?
Speaker 3 (06:17):
Yo. Way, I can't. I can't say, don't do that.
Speaker 1 (06:21):
Don't you wait? You just said hip hop young, So
I can't.
Speaker 3 (06:26):
The youngest hip hop different measure? Wait? Why because I
can't say that you are identifying him.
Speaker 1 (06:36):
He's no, it's not. You just say hip hop was young,
so now it's me calling him young.
Speaker 5 (06:42):
Yeah, you have to follow up with that man, and
I know you're not. He's gonna be like all defeated,
no no, no genre music.
Speaker 3 (06:53):
That's crazy.
Speaker 2 (06:54):
What's also crazy is knowing that Usher is not that
old and they are here claiming that he got stunt
doubles and on stage for him during moments were he
not even doing nothing.
Speaker 3 (07:07):
Doing nothing be it looked like it looks like.
Speaker 1 (07:10):
I was what the It's just like I think.
Speaker 5 (07:15):
You think it was a bad lineup, or maybe it
was a different look from what we accustomed to.
Speaker 6 (07:19):
Now, I will say, I don't see him wearing hats
a lot, so like maybe he doesn't.
Speaker 1 (07:24):
He used to.
Speaker 3 (07:26):
Know what I'm saying. It was a part of the man.
But that was thirty five.
Speaker 1 (07:30):
Was when this album was twenty five years ago.
Speaker 3 (07:32):
Yeah, I blamed Jeremiah.
Speaker 1 (07:34):
Yes, you can't just blame Jeremiah. Jeremiah is Jeremiah Jeremiah.
Speaker 3 (07:38):
Sorry, but you knew, you knew.
Speaker 1 (07:40):
Look at you taking it to the.
Speaker 3 (07:40):
Bible that Jeremiah did that ship. Yeah, and we ain't
never recovered from it. No, he did the audacity, but
I have heard.
Speaker 6 (07:47):
That he was like a chronically late, chronically no show
type of person. So when that story broke, I wasn't
even totally surprised because niggas had been telling me like,
if you booked that nigga, better hold show you come
because that nigga might just get off with the front end.
Speaker 2 (08:01):
And I mean getting getting a clone though to perform
for you. It's crazy, but I'm sure they finding a
clone to do it for like the five hundred and
they get the cells.
Speaker 1 (08:13):
Get in the artist.
Speaker 3 (08:15):
He did that ship in Chicago, where where I'm like, Nigga,
they know you.
Speaker 1 (08:23):
What are you talking about?
Speaker 3 (08:26):
Clone in Chicago? Nigga.
Speaker 2 (08:27):
By the way, I want to get back to Usher
and this album and talk about some of the records
from it, because I ended up seeing a.
Speaker 1 (08:40):
A tweet, well actually I guess it was a thread.
It wasn't a tweet, but it.
Speaker 2 (08:45):
Was hilarious because the same way Jay you dissected Drake lyrics,
we don't I think dissect R and B enough. Oh yeah,
and what the fuck is really happening?
Speaker 1 (08:59):
And so I saw this thread and the song is
you remind me, and the thread said, usher chased that
lady down to say, you look like somebody I know,
and that's why I can't fuck with you. I would,
but I can't because you look like her. I just
wanted to tell you that. And if you open the
(09:21):
lyrics of you remind me, I need you to do it.
Speaker 2 (09:24):
If you if you can't, let's go through that you
remind me lyrics because in what context would this be okay?
And have you ever told anybody that they look like
somebody or remind you of somebody?
Speaker 1 (09:43):
That's kind of like, why would you do that?
Speaker 6 (09:47):
Actually I did that, but I did it in a
way that I thought was innocent. And the girl that
I was with at the time was caught an attitude.
Speaker 1 (09:54):
Body, Wait, you compare her to another bit not her.
Speaker 6 (09:59):
We were and we're in New York. We're going to
get something to eat. The girl behind the counter, I
don't even know who she looked like.
Speaker 3 (10:05):
She looked like somebody.
Speaker 6 (10:06):
I was like, oh, you look just like such and
such and such and such, and we kept it moving
and I bring a food back to the table.
Speaker 3 (10:11):
When she was like, you got anything else you want
to say to your little girlfriend? Oh?
Speaker 1 (10:15):
No, no, No, No, that was not at all the same.
Speaker 2 (10:20):
You was with someone insecure. Yeah, I was like, you
can't even talk to anyone of the opposite set.
Speaker 6 (10:26):
I can't tell her she looks like somebody else who's
like another celebrity who I don't even know, Like what
are you?
Speaker 2 (10:31):
But have you ever have you ever told anyone that
you were dating? Or have you ever seen somebody and
been like, you look like a bitch? Ill used to fuck?
Speaker 3 (10:40):
I don't do it?
Speaker 1 (10:42):
You know that, like a bitch? Shouldn't tell you that? Right?
Speaker 6 (10:45):
No, over if even if I've never been in that situation,
but even if I was, I wouldn't say it.
Speaker 3 (10:50):
Would be you say it to yourself.
Speaker 1 (10:51):
Okay, So question, have you ever seen photos of your
partner's exes and real you were part of a tribe?
Like she had a type? Because I ain't gonna hold you.
I have seen other people that my partners have slept with,
(11:12):
or even just guys that I was sleeping with and
realized I was a part of Oh you like short
thick bitches.
Speaker 2 (11:20):
Or you like because like I've had what wait, not
stop looking for intail. First off, we might just be
talking about the last bitches because I'm honest with my partners.
Let me say, yes, see I've never seen or I
know them because the world is small, and boy, do
these guys fuck the same girl?
Speaker 1 (11:42):
Boy if y'all do some of my Eskimo sisters. But
this is what Usher did, which was a huge violation.
Speaker 2 (11:51):
He and if you remember the video, I think he
saw her at the mall. Yes, and he chased her
down the escalator.
Speaker 1 (11:58):
He like followed her.
Speaker 3 (12:00):
I have to tell you this, he said.
Speaker 2 (12:01):
See the thing about you that caught my eye is
the same thing that makes me change my mind.
Speaker 3 (12:05):
Why the fuck are you in my face?
Speaker 1 (12:07):
My nigga? Kind of hard to explain, but I'll try.
You need to sit down. This may take a while.
Can you imagine walking through the mall.
Speaker 2 (12:16):
And a man asked you to sit down to tell
you that you look good, but you look like somebody
fuck who broke his heart and that's why he can't
fuck with you.
Speaker 1 (12:23):
And now I need to be compensated for my time.
Speaker 6 (12:25):
Also, this is why niggas being bad relationships, because you're
ignoring the red flag.
Speaker 1 (12:31):
Her looking like the lives partner. Don't make it a red.
Speaker 3 (12:34):
Flags flag is waving to him.
Speaker 6 (12:36):
It dude, because he's like, I can't fuck with you
so like you as a problem, then why are you
ignoring it?
Speaker 2 (12:43):
See this girl, she sort of looks just like you.
She even smiles just the way you do. So innocent,
she seemed.
Speaker 1 (12:52):
But I was fooled.
Speaker 2 (12:55):
I'm reminded when I look at you, get the entire
out here. Well, y'all, man gotta stop being scorn by women.
Speaker 3 (13:04):
Hold on, well, no, I know good.
Speaker 2 (13:06):
God damn well, I know good and mother fucking well,
what I gets scoring take him back?
Speaker 6 (13:12):
But what you mean, I don't say bad flow Mandy
B and the B is for block spinning.
Speaker 3 (13:21):
That's not not to be confused with my deba.
Speaker 5 (13:30):
So that song was written by Let's get into Edmund,
Eddie Hustle, Clement and Anita McLeod.
Speaker 1 (13:37):
I don't give who wrote it, just sung it.
Speaker 3 (13:40):
He performed it.
Speaker 1 (13:41):
Nobody. I don't understand why this was okay, it sounded the.
Speaker 5 (13:46):
Music probably Michael Cox, Oh no, no, Jimmy, Jimmy, Jamon,
Jimmy ry Lewis, Yes, yeah, okay, Jimmy.
Speaker 3 (13:59):
It was a It was a cool song. It was
a good vibe.
Speaker 5 (14:02):
It inspired a lot of young man men to think
that you know, I mean, the context of it wasn't.
Speaker 2 (14:07):
Wish I knew how to separate y'all too. I'm a
mind it when I look at you. Whoa, I'm not
gonna lie.
Speaker 3 (14:16):
No, no, no, no no.
Speaker 1 (14:17):
That is harassment.
Speaker 2 (14:21):
Walking in a mall, you might be worse than the
nigga trying to sell the the WD forty at the
gas station.
Speaker 1 (14:30):
You might need this w D forty.
Speaker 2 (14:33):
Like you were walking up to me and the mall
telling me I looked like a girl that you thought
was innocent. But that hurts your heart, That broke your heart.
But I look good, my smile nice. But you're not
gonna talk to me because you're still scorned by this
other woman.
Speaker 5 (14:45):
Boy gets you as a girl left an impression on
him to the point where it's still is still holding him.
Speaker 1 (14:52):
So did middle school.
Speaker 5 (14:53):
If you get to the tail end of the song,
he said, you remind me, Yeah, that was that was
the spirit.
Speaker 1 (15:04):
That that was the spirit is crazy. Now, of course
this turned into a thread, of course, so.
Speaker 2 (15:19):
I would like us to pull up some more lyrics
to break down after these lovely uh revelations. So someone
else put Donal Jones really said, I love you but
I've been hitting that since high school and I would
really like to test some new cat.
Speaker 1 (15:39):
But if you wait for me, I'll come back after
I had enough new cat. Oh yeah, a little deep
deep deep. So if you can look up the lyrics
right now to where I want to be, this is
literally what.
Speaker 3 (15:56):
He thought was.
Speaker 1 (15:57):
Okay, let's get into ji. If you could read that
first verse where.
Speaker 3 (16:02):
I want to be? All right, here we go where
I want to be.
Speaker 6 (16:04):
Donelle Jones, I just left my baby girl a message
saying I won't be coming home. I'd rather be alone.
She doesn't fully understand me because I'd rather leave than
the cheat. If she give me some time, I can
be the man she needs.
Speaker 1 (16:26):
Bruh.
Speaker 6 (16:27):
But there's a lot of lust inside of me, and
we've been together since our teen age years. I really
don't mean to hurt her, but I need some time.
Speaker 1 (16:45):
This is this was a radio box.
Speaker 3 (16:48):
It was why we because we don't hear that.
Speaker 6 (16:56):
Or or it is masked by the tweet the little
bead what I was gonna get to that though, that's
why these R and B niggas get to be terrorists
now and over again.
Speaker 3 (17:04):
You know what, It sounds so sweet to the Ears.
Speaker 1 (17:08):
Yeah, fuck terrorists.
Speaker 2 (17:09):
This is the music that came out at the time
that if we go back, we say, I want them
to beg for our love and dance.
Speaker 1 (17:18):
They used to be nigga used to be.
Speaker 2 (17:20):
They said, you know what, I'm gonna break up with
you so I could go sleep with somebody else. And uh,
I want you to wait because I love you so
much that I'm just not gonna cheat on you.
Speaker 1 (17:31):
I'm just gonna break up with you. Go fuck the
stew pussy.
Speaker 3 (17:33):
But I'll be back.
Speaker 1 (17:34):
But that's said, I'll be coming home. But right now
you wouldn't even rather be alone.
Speaker 2 (17:39):
You rather go be with the bitch down the street, yes,
that you've been saying, or the girl who live on
the floor underneath us.
Speaker 1 (17:44):
That you've been running on the elevator. And I know
you've been looking at that thing. I saw you looking.
So you're gonna break up me to go be with
Tanisha down there on floor three. And you say you
coming back home?
Speaker 3 (17:55):
To me what I mean?
Speaker 6 (17:57):
But the R and B niggas are like the peak
loofens Hello, like like these are the League of Optus fuck.
Speaker 3 (18:04):
Niggas, and they get away. They be getting away with it.
Since the forties and.
Speaker 6 (18:07):
Fifties, all the old school songs were fucked up songs
about shit that niggas do the women and y'all just
be in there singing that shit with.
Speaker 3 (18:15):
All your heart.
Speaker 1 (18:16):
But also whatever pr was done to make it seem
like they were good.
Speaker 2 (18:22):
Kind, lovey dovey. I will cross the ocean for you.
We might have to, but this is that's someone created
the narrative in our head.
Speaker 1 (18:30):
Yes, that R and B right now was the men
were straight and arrow in love and did anything to
be with us. In the nineties, babe, they were just sweet,
a little d D D dB. I don't want to
hurt my baby, But you not think that I ain't
gonna be hurt, that you only breaking up with me
so you could go hoping some cat.
Speaker 6 (18:50):
Well, I mean now, a couple of weeks ago, we
talked about dress codes, and this is why y'all be
getting duped.
Speaker 3 (18:56):
Y'all. Nigga put on a suit and a silk, We're.
Speaker 6 (18:59):
Not gonna and all of a sudden, nigga becomes gentlemen
just because he got on some nice clare.
Speaker 1 (19:03):
We thought they were gentlemen, and what are we talking about?
Speaker 3 (19:06):
No, nobody. Casey and Jojo was no gentleman.
Speaker 1 (19:09):
We know Casey and Jojo had that jam on the
soundtrack of Save the Last Dance. That was a good
a good song. I believe it.
Speaker 2 (19:19):
Hold on logs, look it up. What was it Casey
jojo uh soundtrack? It wasn't a fun nigga song. I
don't want to believe it was.
Speaker 3 (19:26):
But watch watch, hold on, hold on, hold on, hold on,
watch watch, hold on.
Speaker 1 (19:31):
I think it was a love w song and they
had sounded like a lovey dove song and they were
leather in the rain during that video.
Speaker 2 (19:37):
Yeah, I know this because sorry y'all, if you've listened
to see the thing is I've acknowledged that. Say the
lists crazy crazy crazy crazy, just thinking about you, Lad
told you lovey.
Speaker 1 (19:50):
Dovey in the rain. Wait wait wait wait wait wait
are you reading the lyrics?
Speaker 3 (19:54):
I don't know why what I'm doing what I'm doing.
Speaker 6 (19:58):
See, baby, I apologize for all the things that I've
done that I've done.
Speaker 3 (20:03):
See I know I've been a fool for far too long.
Oh shit, just come back to Papa, please, baby, won't
you stay? If you love me, then why you leave me?
Because you was fucking sharing.
Speaker 1 (20:15):
Casey, My god, Casey, that's why, Casey. Wait a second.
So they were just begging though.
Speaker 3 (20:22):
After they did the funk, I finally realized you were
my true love. And I had a lot of time
to think.
Speaker 6 (20:27):
I had that post quartal bliss and I was sleep
and that good pussy put me to bed, and I
was thinking, like, damn, I shouldn't be in this good
They were falling in.
Speaker 2 (20:34):
Pussy and coming and apologizing for it, like, sorry, I
fell over into some pussies.
Speaker 3 (20:38):
I was just sucking them girls. I was gonna get
right back.
Speaker 1 (20:41):
Oh my god, who did the PR nineties.
Speaker 3 (20:44):
R and B? Like this?
Speaker 7 (20:45):
I want to know who wrote these records? I mean
and Ringers too, Oh yeah, mind you?
Speaker 1 (20:56):
And we did also have like the Thug R and B.
There was one more that I pulled from this. Can
you pull up just in case by Jahim? Please?
Speaker 3 (21:04):
This one is.
Speaker 1 (21:10):
Dressed with oversize like talent. But what have you seen
Johimen lately?
Speaker 3 (21:15):
I said talent?
Speaker 1 (21:16):
Okay, like he was aged like milk bab.
Speaker 2 (21:22):
Just in case, Just in case, hold on, I want
you to say, I'm going to read the thread first, okay,
don't forget Jahim, with justin case, where he's gangster and
about to go out and get into some ship, so
he wants to say hit one more time in case
he doesn't make it back and gets shot.
Speaker 3 (21:40):
And killed, because not doing the issue is never important.
Speaker 1 (21:44):
This is for the ladies. This song actually specifically was
for those of you who decided to deal with the
gang bangers and drug dealers, or the ones who are
Robbins stash houses. Let's get into the lyrics of justin.
Speaker 6 (21:56):
Case, Just in case, I don't think of how we
made love almost anywhere. Haven't I taken you almost everywhere?
Think of all the things that we shared.
Speaker 5 (22:12):
Then imagine me not there, just get urged, set up
the reasoning right behind the request.
Speaker 1 (22:26):
Just imagine how but imagine but imagine if that dick
was dead?
Speaker 3 (22:30):
Then how would you feel? Bitch?
Speaker 6 (22:32):
Okay, then imagine me not there giving you more caress
than a rabbit. You got you living lavish. Anything I've got,
you can have it, including these STDs. Maybe I'll do magic.
I'll do all I can to keep you satisfied. So
just in case I don't make it home tonight, so
these niggas kill me out here.
Speaker 5 (22:51):
Just also, you might have fucked up your own timeline
by hitting. Maybe you do the crime, you can come back,
come back.
Speaker 1 (23:04):
He's fuck that. If you know there's potential to you
dying wherever and whatever you're about to go, do you
gonna funk like you do that? I know the world
of the I know the world is ending. I'm getting dick.
I'm going out with orgasm. Like, what are we talking?
Speaker 3 (23:20):
I'm saying if your man was involved in street activity.
Speaker 1 (23:23):
First off, I don't deal with za.
Speaker 2 (23:26):
That's I don't deal with them, Nigglas, I ain't even
gonna hold you. I have zero desire to deal with
anyone in the streets because let me tell you how
much I love and have binged and for years consumed
the first forty eight and majority of the deaths. The
blurred bodies that they are showing in the beginning of
(23:48):
the show.
Speaker 1 (23:50):
Often wrong place, wrong time. She was just home. She
was just an innocent bystander. I'm not getting arrested for
driving around with you while you pushing work. I'm not
gonna deal with you. I don't even like again. Back
to the guns.
Speaker 2 (24:04):
If you feel like we going into a place where
you need to have your gun, I don't want to
go into that establishment. I told you before I even
moved here, I'm never gonna forget he let me pick
the restaurant.
Speaker 1 (24:15):
I picked eight. We are eating sushi, Nigga got Nigga
got a whole gun in his waist, and you think
I can't have my oto nagiri without feeling like bullets
is gonna come through the goddamn place.
Speaker 3 (24:32):
I mean, you don't get to pick. You know, you
don't get to choose who come to shoot that bitch out?
You could be money of business.
Speaker 2 (24:38):
I don't want to be a man that I may
be at higher risk for people of people clocking.
Speaker 1 (24:45):
Right, That's what happened to the girl in Saint Mark.
Speaker 3 (24:46):
He finish.
Speaker 1 (24:47):
The man had a hit on his head. Girl in
the wrong place, wrong time, she ended up dead.
Speaker 3 (24:52):
Like, no, man, did you finish the food?
Speaker 2 (24:55):
Of course, because that's my favorite restaurant. But I didn't
see him again, Damn I did see him.
Speaker 1 (24:59):
Aga.
Speaker 2 (25:00):
Do we want to get into the chorus of that
before oh talk about what's happening with Drake?
Speaker 3 (25:06):
Hold on?
Speaker 1 (25:08):
Uh, because I can think it just thing case I
don't make it home tonight. I'm gonna do you for
the last time.
Speaker 6 (25:16):
Baby, or something like that, let me make love to
you for the last time, baby. Want to cherish each
moment like the last, like the last, because you're my hat.
Speaker 3 (25:24):
It's the production justin care. That's the part. We know everything,
but we don't pay.
Speaker 5 (25:30):
Attention to it because the music and the hook and
the inflections are so strong.
Speaker 3 (25:36):
Yes, and that's where we get.
Speaker 5 (25:37):
But the funny part about this, twenty years later, we're like,
wait a minute, come back here, let me listen to that.
Speaker 6 (25:42):
The funny part about this is that I've just seen
an Instagram video from like a week ago that Scotty
Bean put out talking about wedding songs and pretty much.
Speaker 1 (25:54):
Oh and everyone's doing Olivia.
Speaker 3 (25:56):
Dean well, well, well she was yes, yes, but her
point was we don't.
Speaker 1 (26:02):
Be romantic, they don't be romantic.
Speaker 6 (26:04):
But I'm like, that's never been the case. The wedding
songs are never like romantic.
Speaker 3 (26:08):
I love you, so it's the Bob. It's the Bob.
It just feels like love, Like even the Jagged Edge song.
Speaker 1 (26:13):
I love that song. He literally is like, we may
as well just do it because why the song.
Speaker 3 (26:23):
Come on, bitch, come on bitch.
Speaker 1 (26:26):
All right, fine, I'll give you this because you want to,
so you don't want to that.
Speaker 3 (26:30):
You know, every motherfucking thing here, you.
Speaker 1 (26:32):
Know what I feel like?
Speaker 2 (26:32):
Then the men are picking that song and the women
just are like sure, jacket edge, I get it.
Speaker 1 (26:38):
There are four thugs' you know. Once that a twins
you know, yes, beginning love.
Speaker 5 (26:44):
When it's a bonus episode comes out, it'll be uh,
the Donald Jones versus Joe versus.
Speaker 1 (26:50):
Oh it already, it already happened. Oh so this drops
the day. So we don't know yet. Do y'all have
predictions on how that goes?
Speaker 3 (27:00):
Donald Jones versus Joe. It sounds like a battle.
Speaker 1 (27:07):
No, I think both of Britain for other people, right, yes, yes, yeah, yeah.
Speaker 3 (27:11):
Uh that that Donald Joe.
Speaker 5 (27:13):
But I think in those these are these are performances
for us, for the fans of lovers and music.
Speaker 3 (27:18):
Sure, it's not really we don't look at I feel
like say, so here's what I say. I don't know.
Speaker 6 (27:22):
I don't even know if this is controversial or not,
but I feel like Donelle Jones, he might have it
has the better songs, but Joe and Joe wait.
Speaker 1 (27:30):
Oh no, Joe got that one with Mariah carry No Joe.
Speaker 5 (27:34):
Has hiss for sure, and he got the one modern
day smasher that everybody's with because of what it is.
Speaker 3 (27:40):
They say it's a big rich town. Yeah, that's yeah,
that's the one that's gonna set people up. You know
that the power theme song. Okay, so that was on radio.
Yeah yeah, yeah, mmmm.
Speaker 1 (27:57):
Joe's two songs on two other classic R and B hits.
Speaker 3 (28:01):
I think bigger songs faded.
Speaker 1 (28:05):
Pictures of Missing You from case or Joe. We're written
by Joe, Okay.
Speaker 3 (28:09):
But he can't sing that. He's not gonna sing that.
Speaker 1 (28:11):
Well, you could sing, you know, you could sing the
songs he wrote.
Speaker 3 (28:15):
I wouldn't be surprised if you do that, because I
mean didn't.
Speaker 1 (28:17):
I'm not gonna lie to didn't.
Speaker 3 (28:18):
Baby.
Speaker 1 (28:20):
What other songs that does Donnelle Jones have besides what
we just that are bigger than Joe?
Speaker 3 (28:28):
What? That's the thing.
Speaker 1 (28:29):
I don't know Sutter. I don't think he has anything
bigger than Sutter. I want.
Speaker 3 (28:33):
I don't think Donelle jones songs are bigger than Joe's songs.
Speaker 6 (28:37):
Might be the Joe at least most enduring song he
has at least five you know what's when you know
what's up comes on Like that's gonna be a whole party.
Speaker 1 (28:45):
But that's one song.
Speaker 3 (28:46):
But I know, but where I want to be, you
know what's up? They got his eyes on me.
Speaker 5 (28:52):
It's like it's gonna be a thing in there with
those records though, that's ways the success of another of another,
And that's what I'm learn that with the recent YG
and Game Battle.
Speaker 3 (29:03):
You look at when when YG's performing, like, wait a minute,
this motherfucker gott You know we know games his his
uh commercial success.
Speaker 5 (29:15):
It's predictable, yes, you know what, Yeah, you know what
the big records are going to be.
Speaker 3 (29:20):
But these three, those three particularly where I want to be.
Speaker 1 (29:23):
Oh this love, I will say, however, however, okay, okay,
but then let's go to features.
Speaker 3 (29:32):
Okay, all right.
Speaker 2 (29:33):
Joe was featured on thank God I Found Your Carrie.
That is a number one hit, which Donal Jones does
not have anywhere. He was also still not a player
big pun huge. He was actually maybe background, but featured
technically faded Pictures by Case, Coming Back Home, bb Whinings,
(29:54):
Listen to Your Man, Chico Dbars. The only really big feature.
Speaker 1 (29:58):
That Donelle Jones has is a song called understand with
John B. And it's so hard, big pun.
Speaker 3 (30:04):
A big pun, Yeah, which is gonna be a thing
though when I wonder is it gonna be.
Speaker 1 (30:08):
In l a Big Goods. But it's so it's so hard.
It's a classic. But it wasn't like a number one hit.
Speaker 3 (30:17):
Yeah. No, I don't think Donelle again, I don't think
this is This is a.
Speaker 6 (30:20):
Culture versus critical commercial success type of argument here, And
I just think that if you're.
Speaker 3 (30:27):
R and B, you mean the argument. Yeah, the argument
as far as who's gonna win, I feel like Joe.
Speaker 2 (30:30):
Clearly, and I do think both of them have great vocals. Yes,
very Joe also just did a tiny desk reason he did.
Speaker 3 (30:38):
Yeah, I said he got that power theme song that
big rich town.
Speaker 1 (30:44):
Oh no, that but even that the thing, God, I
found you with Mariah Carey study like that was I
can tell you're shy because when you reply he was calling.
Speaker 3 (30:56):
Calling.
Speaker 1 (30:58):
That was he was like, bitch, you are here line. Yeah, yeah,
I could tell you don't know hys direct me when
he didn't know work in two D episodes. That was funny.
Speaker 2 (31:17):
Anyways, Speaking of music, let's get into what we've been
seeing across the.
Speaker 1 (31:24):
Music sphere. Uh, clearly the Internet is a lie.
Speaker 2 (31:29):
And I say that because you know, you have large
platforms and a lot of people still claiming that j
Cole ain't him. We've been seeing all the content from
the fall off tour. Looks incredible.
Speaker 3 (31:40):
If you go down a rabbit hole, they in line
with somebody. But we turn that discussion.
Speaker 1 (31:44):
I mean, yeah, we don't have to do that.
Speaker 3 (31:46):
We don't know. I mean I say that those guys.
Speaker 4 (31:49):
But.
Speaker 2 (31:51):
Yeah, we've been seeing a lot of that, and we've
been seeing a lot of your man's your faith.
Speaker 1 (31:58):
Drake Drake. Uh so Drake is on a stream run
right now. Uh, he's on a party throwing run.
Speaker 3 (32:10):
I know.
Speaker 2 (32:10):
A couple of weeks ago he went viral for inviting
all the Jenesis and the Janis only party and everywhere
the Janets.
Speaker 1 (32:18):
But they know what I'm talking about.
Speaker 3 (32:21):
No, no, no, no, I'm saying I'm talking about the
type of No. I know, but I'm saying the people
that were there wasn't they didn't look like it was.
Speaker 1 (32:29):
There was black and white, it was anyone named Janice.
Speaker 3 (32:32):
You think Janis would go to a Drake party? Yeah,
you mean brightness?
Speaker 1 (32:38):
Hell no, no, A free.
Speaker 3 (32:44):
She don't like Yeah, I think she doesn't like that
that whole ship he got going on. I think she
would go to see.
Speaker 2 (32:52):
I mean she would go, whether she enjoyed it or not,
whether she was going to talk ship. She would go,
is what you're saying. Because I don't see any woman
turning down an invite to a Drake party, especially at
this point he is, Oh, yeah, yeah, I would like
(33:13):
if you were a woman, be honest, I'm not gonna
would you intended Drake party?
Speaker 1 (33:17):
First off, this is in a Diddy party.
Speaker 3 (33:18):
We're talking.
Speaker 2 (33:20):
Drake is going viral right now that Drake is right
now gifting g wagons, bags, fifty thousand dollars in cash.
He is gifting these women things and gifts many of
them would have never seen without Drake.
Speaker 6 (33:43):
Wow, that's a very sanitized way of putting that gifting
and what this is he's also sanitized.
Speaker 2 (33:50):
Hold on, he is also doing something that is lifting
his likability, no like his likability amongst the female gender
population with these gifts, by also wanting to normalize and
take pride in the word trick.
Speaker 3 (34:11):
There's a word I was looking for.
Speaker 1 (34:18):
So actually, that's not.
Speaker 2 (34:20):
Very that's not a very bad thing, though, so are
you saying tricking is nothing but gifting and vice versa.
Speaker 1 (34:27):
If it comes down to it, why do men not
want to be called tricks?
Speaker 2 (34:30):
If technically it's just you're damn near Santa Claus, which
everyone loves Santa Claus.
Speaker 3 (34:36):
Why you don't want to be don't you want to
be like Santa nigga? Don't you want to be gifting?
I don't think Drake could look at it like that.
Speaker 1 (34:43):
No, no, But I'm saying, why do men look at
He's saying it's.
Speaker 6 (34:46):
Not a bad word because men is men want to
Men's ego says, you have to want my dick for me.
I don't want you to want my dick from my
credit card. I don't want you to want my dick
for my cash. I want you to want my dick
because I'm so smooth. And I said some old jahem
Donelle Jones ship to you. And now you got to
take your panties off because I'm that nigga.
Speaker 3 (35:08):
That's what that is about.
Speaker 2 (35:09):
And so we're just supposed to want your penis with
no gifts, I mean, because here we got it.
Speaker 1 (35:16):
No no, and here we go. Ladies, you're damned if
you do.
Speaker 2 (35:19):
Damned if you don't, because guess what, you ain't worth
nothing and you just game. And then if you get
a gift before giving up your pussy year of prostitut
tell it.
Speaker 1 (35:30):
Why can't we lose the.
Speaker 6 (35:32):
Way patriarchy words. That's how to patriarchy, one winner is
the man, the man. That's how that works.
Speaker 5 (35:41):
It's even exchange that should require no value because it's
even exchange.
Speaker 1 (35:45):
Right, Drake didn't all these girls that he just gave
these gifts.
Speaker 3 (35:47):
To, well, we don't do that.
Speaker 5 (35:49):
He did not do you mean anyone close to him
as well is attached to him because that they wouldn't
be getting it, Okay, indirect possibly.
Speaker 2 (35:59):
Go and pussy after his parties. Yes, did he get
it from every bitch that he give the gifts to.
Speaker 3 (36:05):
They probably want to give it up to him allegedly.
I don't know.
Speaker 6 (36:09):
Was the one girl was his the grassy girlfriend? Really
the white girl who knows the video.
Speaker 3 (36:18):
Whatever he gave her. That was the actress girl who
was his girlfriend on the show.
Speaker 1 (36:21):
So and that's the other thing, Like, I know you
have this narrative that Drake just started getting pussy.
Speaker 3 (36:28):
No, I don't.
Speaker 1 (36:30):
That's what you hold on.
Speaker 6 (36:34):
No, no, no.
Speaker 3 (36:37):
First of all, first of all, that's not what I said.
Speaker 1 (36:40):
What did you say?
Speaker 3 (36:41):
And number that's one two? Nigga, he documents all that ship.
Speaker 5 (36:45):
That's how all of the problems he mostly probably have
it because he'd be dicking down other niggas girls. So no,
I would never put that like what did you say?
I said that prior to success, there might have been
a different way high or high because.
Speaker 2 (36:59):
You're to convince us he's what he was getting pussy
as Jimmy Jimmy will Chair, Jimmy Will Chair, Jimmy Drake
Canadian will chair.
Speaker 6 (37:10):
Are you just getting paid like twenty thousand dollars a
year to hold on?
Speaker 1 (37:14):
You ready?
Speaker 2 (37:15):
In the nineties, you know what that nigga that was
half a milliar what you talked about, you know what
I mean different, Like the economy was different. We used
to want just one hundred thousand dollars a year. If
he was making ninety thousand a season or episode.
Speaker 3 (37:33):
Ninety thousand than that.
Speaker 1 (37:35):
So if you don't think that Drake during the age
of my Space wasn't getting pretty in the direct messages
as Willelchair Jimmy bro he was.
Speaker 2 (37:50):
He was a bi racial guy. There wasn't many good
looking guys on TV back then. I thought people thought
Drake was Drake was ugly. Drake was okay when he
was saying I just want to be successful.
Speaker 6 (38:11):
Like the song to fuck him, y'all did not want
to fuck Drake when he was talking about Houston.
Speaker 1 (38:16):
Baby, you my everything?
Speaker 3 (38:18):
You all Drake in the gym? Yes, in that video
all right?
Speaker 2 (38:23):
You know, could we look good chilling with no makeup on?
That's when we the prettiest and we didn't take it
wrong like people wanted. Drake was getting pussy fro first, Talf,
hold on, do you see there's podcasters and comedians and
zeless celebrities, a nigga that just went viral for one clip.
Speaker 1 (38:47):
They're getting thrown pussy at an exorbitant rate. You're not
going to.
Speaker 2 (38:52):
Tell me that Drake as a child star who is
on not only a top motherfucking Canadian show, but Nickelodeon.
I feel like a choir nogging or somehow maybe my
mam may have money and allowed us the nogging channel.
But if you, as an American, even watched that that
(39:13):
show for a millennial, a lot of us watched the Grassy.
Speaker 3 (39:17):
Yeah, I mean I was too old for that point,
like you.
Speaker 6 (39:19):
I saw the grassy As reruns on Nickelodeon, Like what
the So the same way, bitch.
Speaker 2 (39:24):
As your age would have never thrown pussy to little
Romeo Jesus Christ because they were too old.
Speaker 1 (39:31):
You don't know that, bitches as a nineties baby to Drake.
Speaker 2 (39:37):
Drake wasn't ever like I mean, yeah, he was in
a wheelchair, but not even in the beginning.
Speaker 1 (39:42):
In the beginning he was walking.
Speaker 3 (39:43):
I think, yeah, he got shot in the.
Speaker 2 (39:47):
He started with legs, but even that, this bitch is
this like this the sabled niggas too.
Speaker 5 (39:57):
Clearly she don't this bitch is that like I'm saying,
the loss and probability, I'm not part of that number.
Speaker 3 (40:05):
Oh my god, it that is crazy. Yo. He starting
many don't talk to no dude that got enjoyed with nigger?
Speaker 1 (40:12):
Do you know on the pot if you don't get
that bike you funny? He started with legs?
Speaker 3 (40:18):
Is the funniest is about Drake?
Speaker 6 (40:22):
I have all the funniest ship that I've enjoyed over
the last three hours of doing this show has been
about Drake.
Speaker 3 (40:27):
Why do you like dra God bless Drake?
Speaker 2 (40:29):
You like Drake, y'all don't like y'all we do.
Speaker 3 (40:33):
We never said, we never not liked. We just don't
like it.
Speaker 1 (40:36):
Y'all really think you can like someone like.
Speaker 3 (40:41):
We hate the bullshit that he does, but we like
the artists, that's all like some of his art.
Speaker 5 (40:46):
I like his art for a period of time and
then I stopped liking his There's tons of artists that
I work with musically that to do the funny.
Speaker 6 (40:54):
Why can't so I can't? I can't like, Uh, nothing
will be the same. Nothing was the same. And still
think that.
Speaker 3 (41:04):
Nothing what I'm saying, Yeah nothing was nothing?
Speaker 1 (41:08):
Yeah nothing?
Speaker 3 (41:09):
Say well what is that? Listen with Drake?
Speaker 1 (41:18):
Look at you?
Speaker 6 (41:20):
Also, there's not going to ever be an earth that
making fun of Drake isn't funny, but the earth that
exists the way that.
Speaker 1 (41:27):
The way did y'all even act like it took Drake
a beard to get pussy thrown at him.
Speaker 3 (41:32):
That's when acting do. Y'all really not think that the
girls say that girls come.
Speaker 1 (41:38):
From No, there there are girls, and there are birds
the blocks of the birds now and Joe was trying
to call them out. I tell you lying because you
were lying, you know, what you read. All I want
to know is whatever I know.
Speaker 3 (41:59):
Nail got some ship in his catalog. Neo. Nao is crazy.
Nao might be crazier than salmon, like salmon is course correction.
Speaker 1 (42:17):
I thought you were talking about the actual the girl.
Speaker 3 (42:19):
Now that's what I thought you want to I was
like singer Neo. I was like, oh, the Schaffer. I
call him Schaffer because his real last name, his first
name Irish first Schaeffer, Johnson Shaffer Smith.
Speaker 1 (42:34):
Saffer Smith black Irish Shaffer's he is not Irish. There
are no we talked about.
Speaker 5 (42:42):
You want to go down history lane again, jam this
niggas all over this place, Jamal black Russians, niggas who
went there and they became like Adams. No, I'm talking
about who who is from the turf?
Speaker 2 (42:56):
That's the yeah, because the people from the military basis say.
Speaker 3 (43:03):
In there, all right, well, what you know there's black vikings.
Speaker 1 (43:10):
Yeah, I know, there's black kings and queens.
Speaker 8 (43:12):
To queen queen queen, yeah, you know, why did they
master that? Can I also say that.
Speaker 3 (43:26):
A big piece bitch? I don't want to time.
Speaker 1 (43:32):
I just don't like peace queen.
Speaker 3 (43:35):
Clearly, what.
Speaker 4 (43:38):
Is it?
Speaker 3 (43:38):
What is it? Does it sound like what about empress
make you sound colonized?
Speaker 1 (43:45):
Like you wrote it on the leg something like I
gotta walk.
Speaker 3 (43:52):
Jamaicans. I don't mean that's true.
Speaker 1 (43:54):
I don't want because then they try to talk to
you right after. I don't understand.
Speaker 6 (43:59):
For the Jamaican for Rade last week, it looked like
it looked like it was white lady getting arrested defending
black men with videos the people in New York going
for defending black men against the cops.
Speaker 2 (44:10):
Can I tell you how much everyone has warned me
to see clear of Brooklyn. Jamaican Day Parade, Labor Parade,
Labor Day Parade, our parade.
Speaker 1 (44:27):
There is a Jamaican David. Then the Labor Day Parade
is Caribbean.
Speaker 3 (44:31):
The first one was had this past week.
Speaker 1 (44:34):
That's why that was the first one.
Speaker 5 (44:36):
What happened is it's emancipation anniversaries for a lot of
the Caribbean. Yes, Jamaica was one of them, obviously, and
they have their own day, Got you eighth or something
like that, And they had a New York and it's
on flat Bush Avenue versus where the Labor Day is
on Eastern Eastern Parkway. But it looks like went on
(44:58):
without a hitch. There was some minor things happened in
there and here there.
Speaker 1 (45:01):
But all I know is Puerto Rican Day Parade. I
don't hear as much, but Labor Day Parade it's always
a shooting and killing. Yeah, and Brooklyn is just it's
not even a a it's just maybe it's where it is.
Speaker 5 (45:17):
I don't know, but I think that's what everybody most
likely because of the Caribbean.
Speaker 2 (45:21):
As never never went, never went, and then I had
already left, unfortunately after I started carnival chasing and get
But even that, they don't do it the same as
they do on the islands and carnivals because it starts
at like three am, so you're doing drugs and liquor
(45:43):
at three.
Speaker 1 (45:43):
Am and going Yeah, it's just walking. You're walking and
just drinking drink.
Speaker 3 (45:52):
I love it. I got to go to New York
for one of these.
Speaker 1 (45:55):
It is one of the best ever.
Speaker 5 (45:58):
I would say that the cultural experien is for the
Puerto Rican Parade would be the day before at the
one sixteenth Street Parade, which is a more the street
street version of the parade, where they you know, is
more commercialized. Right where the one sixteenth that's where Spanish
Harlem and that's where the cooking, the food on the street.
Speaker 3 (46:18):
All the things. But it's not a paraide is more
of a festival. Yes, okay, gotcha, got yeah. I need
to see something, you know, I've never been to New
York during one of these. I'm not gonna encourage you
to not yeah yeah early and leave. Yeah, be out there.
(46:38):
It should be happening. It's crazy.
Speaker 2 (46:40):
I mean, there's what Dominican Day Parade, Puerto Rican Day Parade,
the Labor Day Parade, which is the Caribbean.
Speaker 1 (46:46):
What's the hot?
Speaker 3 (46:47):
This one gonna be calmed, This one is gonna be
the vibe.
Speaker 5 (46:49):
You know why.
Speaker 3 (46:51):
Gonna be at the parade? Oh, he's he is a
cultural assassin that you know. He used to rap. Yeah yeah,
I know the songs he.
Speaker 1 (46:58):
Knows all the team's gone to participation, you know, ed
and DJ for him and he can for a song
and Eden was like, yo, I was just glad that
I got it because it's a whole like Spanish song
and Madami is like, he doesn't speak Spanish, so he
(47:18):
came and asked him for like a one of them records,
yasolino whatever, But what I don't what you know. I
don't know many of the anyways, let's get out of here.
Speaker 3 (47:33):
Let's do it.
Speaker 1 (47:34):
Let's get out of here.
Speaker 3 (47:35):
This was good.
Speaker 1 (47:36):
See y'all next week, next Tuesday, next Friday. And I'm excited.
We're looking at lock In.
Speaker 2 (47:45):
Some troubles coming up, y'all, so hopefully we'll be able
to be joined by some real problematics, some cultural commentators
and people that y'all might know and be familiar with.
And maybe two we might need to try to get
some politicians, even if it's virtually especially for these episodes,
(48:05):
Like if we could get our Fridays to be more
geared towards mission and getting people to be informed, maybe
we start having more of those conversations here.
Speaker 3 (48:15):
When we go up there.
Speaker 6 (48:17):
Yeah, I would love I would love to speak to
Chee because he's got a lot going on, and I
feel like we can have a robust conversation with absolutely.
Speaker 2 (48:29):
I feel like we can get Andre, yeah, just to
talk about even Atlanta as a cultural staple.
Speaker 1 (48:37):
And I'd be interested to know any information apparently, like
was that with you.
Speaker 2 (48:44):
I was talking with a friend recently about how even
films aren't being shot here as much because they haven't
done the incentivization, if that's even a goddamn word of
Like the text breaks outside of the studios, and even
I know Lionsgate and Steve Harvey were supposed to be
building some studio here that I.
Speaker 3 (49:05):
Don't even know if it's coming, was building in Newark.
Speaker 1 (49:11):
No, I think that here too.
Speaker 3 (49:13):
I mean, Marvel spent hundreds of The Walking Dead.
Speaker 2 (49:18):
It's tell the Perrys studios and other people wanting to
bring studios here. I'm just I'm just surprised that they've
literally forced everyone to stop shooting in Hollywood and in
California because at the same reason this started becoming what
people were considering the black Hollywood.
Speaker 3 (49:34):
But I think maybe the game has changed in the movie.
Speaker 1 (49:36):
Because they bought economic d I ain't here. They act
like they ain't even got to make our films anymore,
which is why any film that is even coming out
with a lead black actor and really a black director,
the conversation is, go support this so that we can
continue to get these made right, you know, but independence,
(49:57):
shout out to the independence.
Speaker 3 (49:59):
I want to I want to start going.
Speaker 2 (50:02):
I don't know if you see do you see when Netflix?
Netflix has a new category. It's uh, Creative Shorts, and
it's like short form content like twelve.
Speaker 1 (50:10):
To eighteen minute shows like but you know how sometimes
we can only have enough money to shoot pilots, and
it's given that for things.
Speaker 2 (50:19):
If you go in it, it's like digital digital creative
or there's literally a category on Netflix now.
Speaker 1 (50:25):
And I came by last night and I said, I'm
going to go through these.
Speaker 3 (50:28):
Yeah yeah, And it's given a whole.
Speaker 2 (50:29):
Bunch of some of its food shows, some of it's
like art or scripted. Some of it's like reality and skits.
Speaker 3 (50:37):
Your creator, chase your creation on net Netflix.
Speaker 1 (50:40):
I'm curious to see the selection of that. But y'all
check that out.
Speaker 5 (50:43):
Well, you know, I was just thinking about the Joey
Badass short. It was twenty nine minutes and won awards too.
Speaker 3 (50:49):
Oh you get into.
Speaker 1 (50:51):
Those into film festivals. Yeah yeah, yeah, yeah, he.
Speaker 3 (50:56):
Got he want to Oscar for that. He did, yes,
Academy War Best Live Action Short Film.
Speaker 1 (51:01):
Yeah yeah, yeah, So I love that that's there, I
really do. And yeah, well we ought to hear y'all.
Thank y'all so much.
Speaker 2 (51:19):
Selective Ignorance a production of the Black Effect podcast Network
For more podcasts from iHeartRadio, visit the iHeartRadio app.
Speaker 1 (51:26):
Apple Podcasts, or wherever you listen to your favorite shows.
Speaker 4 (51:29):
Thanks for tuning in the Selective Ignorance with Mandy B.
Selective Ignorance. It's executive produced by Mandy B. And it's
a Full Court Media studio production with lead producers Jason Mondriguez.
Speaker 1 (51:39):
That's me and Aaron A.
Speaker 3 (51:41):
King Howard.
Speaker 4 (51:42):
Now, do us a favor and rate, subscribe, comment and
share wherever you get your favorite podcasts, and be sure
to follow Selective Ignorance on Instagram at Selective Underscore Ignorance.
And of course, if you're not following our hosts Mandy B,
make sure you're following her at Full Court Pumps.
Speaker 1 (51:57):
Now.
Speaker 4 (51:57):
If you want the full video experience a select of Ignorance,
make sure you subscribe to the Patreon It's patreon dot
com backslash Selective Ignorance
This is Mandy be.
Speaker 2 (00:01):
Welcome to Selective Ignorance, a production of the Black EPEC
Podcast Network and Iart Radio. Welcome to a bonus episode
of Selective Ignorance A king y'all would to do?
Speaker 3 (00:11):
Yeah, yeah, yeah, yeah, you know.
Speaker 1 (00:14):
I don't think y'all know.
Speaker 2 (00:14):
I don't come into these episodes as eagerly prepared with topics,
which is why y'all get just the cold open, because well,
by the time we get to this part of the day,
I just don't know where y'all's brains is. I know
where mindy I'd be like who that was a lot,
And so for the bonus we kind of throw some
(00:37):
things at the wall and see what's six. But I
didn't know that I wanted to talk to y'all specifically
about music, because we haven't talked music in a while,
even like we've been getting further away from celebrities, say
the darness things in terms of culture and entertainment and
leading more into what the fuck is happening.
Speaker 1 (00:55):
In the world, and this is America. In sports, Yeah,
we really need a sports damn sponsors soon.
Speaker 3 (01:01):
Somebody should.
Speaker 4 (01:03):
Left.
Speaker 3 (01:04):
Football season is right around the man.
Speaker 1 (01:06):
With penises, Isn't that what y'all want is that.
Speaker 5 (01:11):
What he said, I'm sitting next to man with penises,
isn't that? He goes, come on, come on, what are
we doing here?
Speaker 1 (01:25):
No?
Speaker 3 (01:26):
Okay, no no, no, no, no no.
Speaker 6 (01:28):
So that went over her head that.
Speaker 3 (01:33):
Nothing.
Speaker 2 (01:34):
Well, I wanted to start with music, and you kind
of mentioned it last week, but you didn't go into
death a King. You have the Weekly Drop and explain
that a little bit more because it is going to
lean also into more music insight and letting people know
(01:55):
what's happening weekly, right.
Speaker 3 (01:57):
For sure, for sure. It's just so basically it started out.
Speaker 5 (02:00):
It's something that that was birth during the days of
the Combat Jack Show where we were just switching it up,
and what I would do was I would highlight five
artists at the end of the episode, kind of like, hey,
this is who's up next or who we should be
keeping an eye on on And it was mainly highlighted
independent artists, people who aren't signed, but they might have
(02:21):
some traction, it might be a little buzzworthy and so
on and so dope art though we used.
Speaker 1 (02:25):
To do that.
Speaker 2 (02:26):
We had a segment on see the thing is that
we call freshly squeezed so every week we talked about
the songs that dropped that week, and oftentimes our Friday
episodes were interviews with artists YEP, and a lot of
the artists, like I found through either really being tapped
(02:48):
into the new music drops or interviewing like we had Mahelia,
She's dope.
Speaker 1 (02:53):
Mahelia is really dope.
Speaker 3 (02:55):
She got a record with Isaiah Fall that just drove.
Speaker 2 (02:58):
Recent Isaiah Fire Florida, Stay of Fo is really good.
Speaker 1 (03:07):
And then when you look at him, you don't see
R and B.
Speaker 3 (03:10):
You see Ratu.
Speaker 1 (03:12):
He does his videos with the grills and like he's been.
Speaker 6 (03:15):
Put on him Sabrina, okay put on when I was
up in Boston last a couple months ago.
Speaker 3 (03:20):
Yeah, there's there's.
Speaker 2 (03:21):
There's quite a few people that we got to sit
with during that time that I was introduced to that
I really liked that I still listen to.
Speaker 6 (03:29):
So what is your what is your main vehicle for
music discovery?
Speaker 3 (03:36):
Like do you hear a song.
Speaker 6 (03:37):
And just check out the artist or like what is
the thing that you find most new music through?
Speaker 1 (03:42):
You know what's crazy?
Speaker 2 (03:43):
My algorithm, when I say, is me So I get
a lot of the pages, like I follow a lot
of the R and B hip hop pages that promote
uh independent or new artists. Often, so if I see
or like a sound, especially a song or even a
nippet of it, I immediately go to download it to
listen to the whole thing. Yeah, So that's a way
(04:05):
of discovery right now. And also just I play my
Alexa and my Seri and I'll say a certain person.
Speaker 1 (04:15):
And I follow the name with radio.
Speaker 3 (04:18):
Got you, So it'll be a lot of.
Speaker 2 (04:19):
People along that, like I love snow Alegra radio. You know,
I do two Chains radio, or I do whatever radio
I do. They play people around the same genre. So
when I hear a song and I'm like, who the
fuck is this, I'll normally pull up my Kazam or
Shazam whatever and figure out who it is, and then
I just I'll add like their albums and go into
(04:42):
yeah because I'm.
Speaker 1 (04:43):
All be cut girly. I like, I like getting into
songs that like.
Speaker 3 (04:48):
Oh shit, no, I like this, what's the best song
that's not a single that yea that everyone is playing.
Speaker 2 (04:53):
That everyone isn't playing that I could like, which is
why one of my favorite albums was Sir What was
his album that came out of twenty Chasing Something.
Speaker 3 (05:02):
That album is now we played that, we played that
album that I.
Speaker 2 (05:06):
Play that album like monthly at the very least. Shout
out to sir. But Chasing Summer, that project was that one. Now,
speaking of projects that were that one, it is the
twenty fifth year Ship of eighty seven or one damn
(05:27):
old if you don't feel old already.
Speaker 3 (05:31):
And also, with all due respect, another albums as.
Speaker 5 (05:38):
On our record date because it's probably going to come
out next week, right, Yes, it is the birthday of
hip hop.
Speaker 1 (05:43):
Oh okay, yeah, shout out to hip hop.
Speaker 3 (05:47):
What could you get the three or four? Because twenty
we celebrate the year fifty three three years three three
seventy nineteen seventy three. Yeah, I'm not gonna lie.
Speaker 5 (06:01):
We hip hop is still young. It's fifty three years
of this thing where there's some genres that's.
Speaker 1 (06:08):
Like, you know, oh my god, I can't wait. I'm
about to tell my man, oh my god, you are
old at hip hop?
Speaker 3 (06:17):
Yo. Way, I can't. I can't say, don't do that.
Speaker 1 (06:21):
Don't you wait? You just said hip hop young, So
I can't.
Speaker 3 (06:26):
The youngest hip hop different measure? Wait? Why because I
can't say that you are identifying him.
Speaker 1 (06:36):
He's no, it's not. You just say hip hop was young,
so now it's me calling him young.
Speaker 5 (06:42):
Yeah, you have to follow up with that man, and
I know you're not. He's gonna be like all defeated,
no no, no genre music.
Speaker 3 (06:53):
That's crazy.
Speaker 2 (06:54):
What's also crazy is knowing that Usher is not that
old and they are here claiming that he got stunt
doubles and on stage for him during moments were he
not even doing nothing.
Speaker 3 (07:07):
Doing nothing be it looked like it looks like.
Speaker 1 (07:10):
I was what the It's just like I think.
Speaker 5 (07:15):
You think it was a bad lineup, or maybe it
was a different look from what we accustomed to.
Speaker 6 (07:19):
Now, I will say, I don't see him wearing hats
a lot, so like maybe he doesn't.
Speaker 1 (07:24):
He used to.
Speaker 3 (07:26):
Know what I'm saying. It was a part of the man.
But that was thirty five.
Speaker 1 (07:30):
Was when this album was twenty five years ago.
Speaker 3 (07:32):
Yeah, I blamed Jeremiah.
Speaker 1 (07:34):
Yes, you can't just blame Jeremiah. Jeremiah is Jeremiah Jeremiah.
Speaker 3 (07:38):
Sorry, but you knew, you knew.
Speaker 1 (07:40):
Look at you taking it to the.
Speaker 3 (07:40):
Bible that Jeremiah did that ship. Yeah, and we ain't
never recovered from it. No, he did the audacity, but
I have heard.
Speaker 6 (07:47):
That he was like a chronically late, chronically no show
type of person. So when that story broke, I wasn't
even totally surprised because niggas had been telling me like,
if you booked that nigga, better hold show you come
because that nigga might just get off with the front end.
Speaker 2 (08:01):
And I mean getting getting a clone though to perform
for you. It's crazy, but I'm sure they finding a
clone to do it for like the five hundred and
they get the cells.
Speaker 1 (08:13):
Get in the artist.
Speaker 3 (08:15):
He did that ship in Chicago, where where I'm like, Nigga,
they know you.
Speaker 1 (08:23):
What are you talking about?
Speaker 3 (08:26):
Clone in Chicago? Nigga.
Speaker 2 (08:27):
By the way, I want to get back to Usher
and this album and talk about some of the records
from it, because I ended up seeing a.
Speaker 1 (08:40):
A tweet, well actually I guess it was a thread.
It wasn't a tweet, but it.
Speaker 2 (08:45):
Was hilarious because the same way Jay you dissected Drake lyrics,
we don't I think dissect R and B enough. Oh yeah,
and what the fuck is really happening?
Speaker 1 (08:59):
And so I saw this thread and the song is
you remind me, and the thread said, usher chased that
lady down to say, you look like somebody I know,
and that's why I can't fuck with you. I would,
but I can't because you look like her. I just
wanted to tell you that. And if you open the
(09:21):
lyrics of you remind me, I need you to do it.
Speaker 2 (09:24):
If you if you can't, let's go through that you
remind me lyrics because in what context would this be okay?
And have you ever told anybody that they look like
somebody or remind you of somebody?
Speaker 1 (09:43):
That's kind of like, why would you do that?
Speaker 6 (09:47):
Actually I did that, but I did it in a
way that I thought was innocent. And the girl that
I was with at the time was caught an attitude.
Speaker 1 (09:54):
Body, Wait, you compare her to another bit not her.
Speaker 6 (09:59):
We were and we're in New York. We're going to
get something to eat. The girl behind the counter, I
don't even know who she looked like.
Speaker 3 (10:05):
She looked like somebody.
Speaker 6 (10:06):
I was like, oh, you look just like such and
such and such and such, and we kept it moving
and I bring a food back to the table.
Speaker 3 (10:11):
When she was like, you got anything else you want
to say to your little girlfriend? Oh?
Speaker 1 (10:15):
No, no, No, No, that was not at all the same.
Speaker 2 (10:20):
You was with someone insecure. Yeah, I was like, you
can't even talk to anyone of the opposite set.
Speaker 6 (10:26):
I can't tell her she looks like somebody else who's
like another celebrity who I don't even know, Like what
are you?
Speaker 2 (10:31):
But have you ever have you ever told anyone that
you were dating? Or have you ever seen somebody and
been like, you look like a bitch? Ill used to fuck?
Speaker 3 (10:40):
I don't do it?
Speaker 1 (10:42):
You know that, like a bitch? Shouldn't tell you that? Right?
Speaker 6 (10:45):
No, over if even if I've never been in that situation,
but even if I was, I wouldn't say it.
Speaker 3 (10:50):
Would be you say it to yourself.
Speaker 1 (10:51):
Okay, So question, have you ever seen photos of your
partner's exes and real you were part of a tribe?
Like she had a type? Because I ain't gonna hold you.
I have seen other people that my partners have slept with,
(11:12):
or even just guys that I was sleeping with and
realized I was a part of Oh you like short
thick bitches.
Speaker 2 (11:20):
Or you like because like I've had what wait, not
stop looking for intail. First off, we might just be
talking about the last bitches because I'm honest with my partners.
Let me say, yes, see I've never seen or I
know them because the world is small, and boy, do
these guys fuck the same girl?
Speaker 1 (11:42):
Boy if y'all do some of my Eskimo sisters. But
this is what Usher did, which was a huge violation.
Speaker 2 (11:51):
He and if you remember the video, I think he
saw her at the mall. Yes, and he chased her
down the escalator.
Speaker 1 (11:58):
He like followed her.
Speaker 3 (12:00):
I have to tell you this, he said.
Speaker 2 (12:01):
See the thing about you that caught my eye is
the same thing that makes me change my mind.
Speaker 3 (12:05):
Why the fuck are you in my face?
Speaker 1 (12:07):
My nigga? Kind of hard to explain, but I'll try.
You need to sit down. This may take a while.
Can you imagine walking through the mall.
Speaker 2 (12:16):
And a man asked you to sit down to tell
you that you look good, but you look like somebody
fuck who broke his heart and that's why he can't
fuck with you.
Speaker 1 (12:23):
And now I need to be compensated for my time.
Speaker 6 (12:25):
Also, this is why niggas being bad relationships, because you're
ignoring the red flag.
Speaker 1 (12:31):
Her looking like the lives partner. Don't make it a red.
Speaker 3 (12:34):
Flags flag is waving to him.
Speaker 6 (12:36):
It dude, because he's like, I can't fuck with you
so like you as a problem, then why are you
ignoring it?
Speaker 2 (12:43):
See this girl, she sort of looks just like you.
She even smiles just the way you do. So innocent,
she seemed.
Speaker 1 (12:52):
But I was fooled.
Speaker 2 (12:55):
I'm reminded when I look at you, get the entire
out here. Well, y'all, man gotta stop being scorn by women.
Speaker 3 (13:04):
Hold on, well, no, I know good.
Speaker 2 (13:06):
God damn well, I know good and mother fucking well,
what I gets scoring take him back?
Speaker 6 (13:12):
But what you mean, I don't say bad flow Mandy
B and the B is for block spinning.
Speaker 3 (13:21):
That's not not to be confused with my deba.
Speaker 5 (13:30):
So that song was written by Let's get into Edmund,
Eddie Hustle, Clement and Anita McLeod.
Speaker 1 (13:37):
I don't give who wrote it, just sung it.
Speaker 3 (13:40):
He performed it.
Speaker 1 (13:41):
Nobody. I don't understand why this was okay, it sounded the.
Speaker 5 (13:46):
Music probably Michael Cox, Oh no, no, Jimmy, Jimmy, Jamon,
Jimmy ry Lewis, Yes, yeah, okay, Jimmy.
Speaker 3 (13:59):
It was a It was a cool song. It was
a good vibe.
Speaker 5 (14:02):
It inspired a lot of young man men to think
that you know, I mean, the context of it wasn't.
Speaker 2 (14:07):
Wish I knew how to separate y'all too. I'm a
mind it when I look at you. Whoa, I'm not
gonna lie.
Speaker 3 (14:16):
No, no, no, no no.
Speaker 1 (14:17):
That is harassment.
Speaker 2 (14:21):
Walking in a mall, you might be worse than the
nigga trying to sell the the WD forty at the
gas station.
Speaker 1 (14:30):
You might need this w D forty.
Speaker 2 (14:33):
Like you were walking up to me and the mall
telling me I looked like a girl that you thought
was innocent. But that hurts your heart, That broke your heart.
But I look good, my smile nice. But you're not
gonna talk to me because you're still scorned by this
other woman.
Speaker 5 (14:45):
Boy gets you as a girl left an impression on
him to the point where it's still is still holding him.
Speaker 1 (14:52):
So did middle school.
Speaker 5 (14:53):
If you get to the tail end of the song,
he said, you remind me, Yeah, that was that was
the spirit.
Speaker 1 (15:04):
That that was the spirit is crazy. Now, of course
this turned into a thread, of course, so.
Speaker 2 (15:19):
I would like us to pull up some more lyrics
to break down after these lovely uh revelations. So someone
else put Donal Jones really said, I love you but
I've been hitting that since high school and I would
really like to test some new cat.
Speaker 1 (15:39):
But if you wait for me, I'll come back after
I had enough new cat. Oh yeah, a little deep
deep deep. So if you can look up the lyrics
right now to where I want to be, this is
literally what.
Speaker 3 (15:56):
He thought was.
Speaker 1 (15:57):
Okay, let's get into ji. If you could read that
first verse where.
Speaker 3 (16:02):
I want to be? All right, here we go where
I want to be.
Speaker 6 (16:04):
Donelle Jones, I just left my baby girl a message
saying I won't be coming home. I'd rather be alone.
She doesn't fully understand me because I'd rather leave than
the cheat. If she give me some time, I can
be the man she needs.
Speaker 1 (16:26):
Bruh.
Speaker 6 (16:27):
But there's a lot of lust inside of me, and
we've been together since our teen age years. I really
don't mean to hurt her, but I need some time.
Speaker 1 (16:45):
This is this was a radio box.
Speaker 3 (16:48):
It was why we because we don't hear that.
Speaker 6 (16:56):
Or or it is masked by the tweet the little
bead what I was gonna get to that though, that's
why these R and B niggas get to be terrorists
now and over again.
Speaker 3 (17:04):
You know what, It sounds so sweet to the Ears.
Speaker 1 (17:08):
Yeah, fuck terrorists.
Speaker 2 (17:09):
This is the music that came out at the time
that if we go back, we say, I want them
to beg for our love and dance.
Speaker 1 (17:18):
They used to be nigga used to be.
Speaker 2 (17:20):
They said, you know what, I'm gonna break up with
you so I could go sleep with somebody else. And uh,
I want you to wait because I love you so
much that I'm just not gonna cheat on you.
Speaker 1 (17:31):
I'm just gonna break up with you. Go fuck the
stew pussy.
Speaker 3 (17:33):
But I'll be back.
Speaker 1 (17:34):
But that's said, I'll be coming home. But right now
you wouldn't even rather be alone.
Speaker 2 (17:39):
You rather go be with the bitch down the street, yes,
that you've been saying, or the girl who live on
the floor underneath us.
Speaker 1 (17:44):
That you've been running on the elevator. And I know
you've been looking at that thing. I saw you looking.
So you're gonna break up me to go be with
Tanisha down there on floor three. And you say you
coming back home?
Speaker 3 (17:55):
To me what I mean?
Speaker 6 (17:57):
But the R and B niggas are like the peak
loofens Hello, like like these are the League of Optus fuck.
Speaker 3 (18:04):
Niggas, and they get away. They be getting away with it.
Since the forties and.
Speaker 6 (18:07):
Fifties, all the old school songs were fucked up songs
about shit that niggas do the women and y'all just
be in there singing that shit with.
Speaker 3 (18:15):
All your heart.
Speaker 1 (18:16):
But also whatever pr was done to make it seem
like they were good.
Speaker 2 (18:22):
Kind, lovey dovey. I will cross the ocean for you.
We might have to, but this is that's someone created
the narrative in our head.
Speaker 1 (18:30):
Yes, that R and B right now was the men
were straight and arrow in love and did anything to
be with us. In the nineties, babe, they were just sweet,
a little d D D dB. I don't want to
hurt my baby, But you not think that I ain't
gonna be hurt, that you only breaking up with me
so you could go hoping some cat.
Speaker 6 (18:50):
Well, I mean now, a couple of weeks ago, we
talked about dress codes, and this is why y'all be
getting duped.
Speaker 3 (18:56):
Y'all. Nigga put on a suit and a silk, We're.
Speaker 6 (18:59):
Not gonna and all of a sudden, nigga becomes gentlemen
just because he got on some nice clare.
Speaker 1 (19:03):
We thought they were gentlemen, and what are we talking about?
Speaker 3 (19:06):
No, nobody. Casey and Jojo was no gentleman.
Speaker 1 (19:09):
We know Casey and Jojo had that jam on the
soundtrack of Save the Last Dance. That was a good
a good song. I believe it.
Speaker 2 (19:19):
Hold on logs, look it up. What was it Casey
jojo uh soundtrack? It wasn't a fun nigga song. I
don't want to believe it was.
Speaker 3 (19:26):
But watch watch, hold on, hold on, hold on, hold on,
watch watch, hold on.
Speaker 1 (19:31):
I think it was a love w song and they
had sounded like a lovey dove song and they were
leather in the rain during that video.
Speaker 2 (19:37):
Yeah, I know this because sorry y'all, if you've listened
to see the thing is I've acknowledged that. Say the
lists crazy crazy crazy crazy, just thinking about you, Lad
told you lovey.
Speaker 1 (19:50):
Dovey in the rain. Wait wait wait wait wait wait
are you reading the lyrics?
Speaker 3 (19:54):
I don't know why what I'm doing what I'm doing.
Speaker 6 (19:58):
See, baby, I apologize for all the things that I've
done that I've done.
Speaker 3 (20:03):
See I know I've been a fool for far too long.
Oh shit, just come back to Papa, please, baby, won't
you stay? If you love me, then why you leave me?
Because you was fucking sharing.
Speaker 1 (20:15):
Casey, My god, Casey, that's why, Casey. Wait a second.
So they were just begging though.
Speaker 3 (20:22):
After they did the funk, I finally realized you were
my true love. And I had a lot of time
to think.
Speaker 6 (20:27):
I had that post quartal bliss and I was sleep
and that good pussy put me to bed, and I
was thinking, like, damn, I shouldn't be in this good
They were falling in.
Speaker 2 (20:34):
Pussy and coming and apologizing for it, like, sorry, I
fell over into some pussies.
Speaker 3 (20:38):
I was just sucking them girls. I was gonna get
right back.
Speaker 1 (20:41):
Oh my god, who did the PR nineties.
Speaker 3 (20:44):
R and B? Like this?
Speaker 7 (20:45):
I want to know who wrote these records? I mean
and Ringers too, Oh yeah, mind you?
Speaker 1 (20:56):
And we did also have like the Thug R and B.
There was one more that I pulled from this. Can
you pull up just in case by Jahim? Please?
Speaker 3 (21:04):
This one is.
Speaker 1 (21:10):
Dressed with oversize like talent. But what have you seen
Johimen lately?
Speaker 3 (21:15):
I said talent?
Speaker 1 (21:16):
Okay, like he was aged like milk bab.
Speaker 2 (21:22):
Just in case, Just in case, hold on, I want
you to say, I'm going to read the thread first, okay,
don't forget Jahim, with justin case, where he's gangster and
about to go out and get into some ship, so
he wants to say hit one more time in case
he doesn't make it back and gets shot.
Speaker 3 (21:40):
And killed, because not doing the issue is never important.
Speaker 1 (21:44):
This is for the ladies. This song actually specifically was
for those of you who decided to deal with the
gang bangers and drug dealers, or the ones who are
Robbins stash houses. Let's get into the lyrics of justin.
Speaker 6 (21:56):
Case, Just in case, I don't think of how we
made love almost anywhere. Haven't I taken you almost everywhere?
Think of all the things that we shared.
Speaker 5 (22:12):
Then imagine me not there, just get urged, set up
the reasoning right behind the request.
Speaker 1 (22:26):
Just imagine how but imagine but imagine if that dick
was dead?
Speaker 3 (22:30):
Then how would you feel? Bitch?
Speaker 6 (22:32):
Okay, then imagine me not there giving you more caress
than a rabbit. You got you living lavish. Anything I've got,
you can have it, including these STDs. Maybe I'll do magic.
I'll do all I can to keep you satisfied. So
just in case I don't make it home tonight, so
these niggas kill me out here.
Speaker 5 (22:51):
Just also, you might have fucked up your own timeline
by hitting. Maybe you do the crime, you can come back,
come back.
Speaker 1 (23:04):
He's fuck that. If you know there's potential to you
dying wherever and whatever you're about to go, do you
gonna funk like you do that? I know the world
of the I know the world is ending. I'm getting dick.
I'm going out with orgasm. Like, what are we talking?
Speaker 3 (23:20):
I'm saying if your man was involved in street activity.
Speaker 1 (23:23):
First off, I don't deal with za.
Speaker 2 (23:26):
That's I don't deal with them, Nigglas, I ain't even
gonna hold you. I have zero desire to deal with
anyone in the streets because let me tell you how
much I love and have binged and for years consumed
the first forty eight and majority of the deaths. The
blurred bodies that they are showing in the beginning of
(23:48):
the show.
Speaker 1 (23:50):
Often wrong place, wrong time. She was just home. She
was just an innocent bystander. I'm not getting arrested for
driving around with you while you pushing work. I'm not
gonna deal with you. I don't even like again. Back
to the guns.
Speaker 2 (24:04):
If you feel like we going into a place where
you need to have your gun, I don't want to
go into that establishment. I told you before I even
moved here, I'm never gonna forget he let me pick
the restaurant.
Speaker 1 (24:15):
I picked eight. We are eating sushi, Nigga got Nigga
got a whole gun in his waist, and you think
I can't have my oto nagiri without feeling like bullets
is gonna come through the goddamn place.
Speaker 3 (24:32):
I mean, you don't get to pick. You know, you
don't get to choose who come to shoot that bitch out?
You could be money of business.
Speaker 2 (24:38):
I don't want to be a man that I may
be at higher risk for people of people clocking.
Speaker 1 (24:45):
Right, That's what happened to the girl in Saint Mark.
Speaker 3 (24:46):
He finish.
Speaker 1 (24:47):
The man had a hit on his head. Girl in
the wrong place, wrong time, she ended up dead.
Speaker 3 (24:52):
Like, no, man, did you finish the food?
Speaker 2 (24:55):
Of course, because that's my favorite restaurant. But I didn't
see him again, Damn I did see him.
Speaker 1 (24:59):
Aga.
Speaker 2 (25:00):
Do we want to get into the chorus of that
before oh talk about what's happening with Drake?
Speaker 3 (25:06):
Hold on?
Speaker 1 (25:08):
Uh, because I can think it just thing case I
don't make it home tonight. I'm gonna do you for
the last time.
Speaker 6 (25:16):
Baby, or something like that, let me make love to
you for the last time, baby. Want to cherish each
moment like the last, like the last, because you're my hat.
Speaker 3 (25:24):
It's the production justin care. That's the part. We know everything,
but we don't pay.
Speaker 5 (25:30):
Attention to it because the music and the hook and
the inflections are so strong.
Speaker 3 (25:36):
Yes, and that's where we get.
Speaker 5 (25:37):
But the funny part about this, twenty years later, we're like,
wait a minute, come back here, let me listen to that.
Speaker 6 (25:42):
The funny part about this is that I've just seen
an Instagram video from like a week ago that Scotty
Bean put out talking about wedding songs and pretty much.
Speaker 1 (25:54):
Oh and everyone's doing Olivia.
Speaker 3 (25:56):
Dean well, well, well she was yes, yes, but her
point was we don't.
Speaker 1 (26:02):
Be romantic, they don't be romantic.
Speaker 6 (26:04):
But I'm like, that's never been the case. The wedding
songs are never like romantic.
Speaker 3 (26:08):
I love you, so it's the Bob. It's the Bob.
It just feels like love, Like even the Jagged Edge song.
Speaker 1 (26:13):
I love that song. He literally is like, we may
as well just do it because why the song.
Speaker 3 (26:23):
Come on, bitch, come on bitch.
Speaker 1 (26:26):
All right, fine, I'll give you this because you want to,
so you don't want to that.
Speaker 3 (26:30):
You know, every motherfucking thing here, you.
Speaker 1 (26:32):
Know what I feel like?
Speaker 2 (26:32):
Then the men are picking that song and the women
just are like sure, jacket edge, I get it.
Speaker 1 (26:38):
There are four thugs' you know. Once that a twins
you know, yes, beginning love.
Speaker 5 (26:44):
When it's a bonus episode comes out, it'll be uh,
the Donald Jones versus Joe versus.
Speaker 1 (26:50):
Oh it already, it already happened. Oh so this drops
the day. So we don't know yet. Do y'all have
predictions on how that goes?
Speaker 3 (27:00):
Donald Jones versus Joe. It sounds like a battle.
Speaker 1 (27:07):
No, I think both of Britain for other people, right, yes, yes, yeah, yeah.
Speaker 3 (27:11):
Uh that that Donald Joe.
Speaker 5 (27:13):
But I think in those these are these are performances
for us, for the fans of lovers and music.
Speaker 3 (27:18):
Sure, it's not really we don't look at I feel
like say, so here's what I say. I don't know.
Speaker 6 (27:22):
I don't even know if this is controversial or not,
but I feel like Donelle Jones, he might have it
has the better songs, but Joe and Joe wait.
Speaker 1 (27:30):
Oh no, Joe got that one with Mariah carry No Joe.
Speaker 5 (27:34):
Has hiss for sure, and he got the one modern
day smasher that everybody's with because of what it is.
Speaker 3 (27:40):
They say it's a big rich town. Yeah, that's yeah,
that's the one that's gonna set people up. You know
that the power theme song. Okay, so that was on radio.
Yeah yeah, yeah, mmmm.
Speaker 1 (27:57):
Joe's two songs on two other classic R and B hits.
Speaker 3 (28:01):
I think bigger songs faded.
Speaker 1 (28:05):
Pictures of Missing You from case or Joe. We're written
by Joe, Okay.
Speaker 3 (28:09):
But he can't sing that. He's not gonna sing that.
Speaker 1 (28:11):
Well, you could sing, you know, you could sing the
songs he wrote.
Speaker 3 (28:15):
I wouldn't be surprised if you do that, because I
mean didn't.
Speaker 1 (28:17):
I'm not gonna lie to didn't.
Speaker 3 (28:18):
Baby.
Speaker 1 (28:20):
What other songs that does Donnelle Jones have besides what
we just that are bigger than Joe?
Speaker 3 (28:28):
What? That's the thing.
Speaker 1 (28:29):
I don't know Sutter. I don't think he has anything
bigger than Sutter. I want.
Speaker 3 (28:33):
I don't think Donelle jones songs are bigger than Joe's songs.
Speaker 6 (28:37):
Might be the Joe at least most enduring song he
has at least five you know what's when you know
what's up comes on Like that's gonna be a whole party.
Speaker 1 (28:45):
But that's one song.
Speaker 3 (28:46):
But I know, but where I want to be, you
know what's up? They got his eyes on me.
Speaker 5 (28:52):
It's like it's gonna be a thing in there with
those records though, that's ways the success of another of another,
And that's what I'm learn that with the recent YG
and Game Battle.
Speaker 3 (29:03):
You look at when when YG's performing, like, wait a minute,
this motherfucker gott You know we know games his his
uh commercial success.
Speaker 5 (29:15):
It's predictable, yes, you know what, Yeah, you know what
the big records are going to be.
Speaker 3 (29:20):
But these three, those three particularly where I want to be.
Speaker 1 (29:23):
Oh this love, I will say, however, however, okay, okay,
but then let's go to features.
Speaker 3 (29:32):
Okay, all right.
Speaker 2 (29:33):
Joe was featured on thank God I Found Your Carrie.
That is a number one hit, which Donal Jones does
not have anywhere. He was also still not a player
big pun huge. He was actually maybe background, but featured
technically faded Pictures by Case, Coming Back Home, bb Whinings,
(29:54):
Listen to Your Man, Chico Dbars. The only really big feature.
Speaker 1 (29:58):
That Donelle Jones has is a song called understand with
John B. And it's so hard, big pun.
Speaker 3 (30:04):
A big pun, Yeah, which is gonna be a thing
though when I wonder is it gonna be.
Speaker 1 (30:08):
In l a Big Goods. But it's so it's so hard.
It's a classic. But it wasn't like a number one hit.
Speaker 3 (30:17):
Yeah. No, I don't think Donelle again, I don't think
this is This is a.
Speaker 6 (30:20):
Culture versus critical commercial success type of argument here, And
I just think that if you're.
Speaker 3 (30:27):
R and B, you mean the argument. Yeah, the argument
as far as who's gonna win, I feel like Joe.
Speaker 2 (30:30):
Clearly, and I do think both of them have great vocals. Yes,
very Joe also just did a tiny desk reason he did.
Speaker 3 (30:38):
Yeah, I said he got that power theme song that
big rich town.
Speaker 1 (30:44):
Oh no, that but even that the thing, God, I
found you with Mariah Carey study like that was I
can tell you're shy because when you reply he was calling.
Speaker 3 (30:56):
Calling.
Speaker 1 (30:58):
That was he was like, bitch, you are here line. Yeah, yeah,
I could tell you don't know hys direct me when
he didn't know work in two D episodes. That was funny.
Speaker 2 (31:17):
Anyways, Speaking of music, let's get into what we've been
seeing across the.
Speaker 1 (31:24):
Music sphere. Uh, clearly the Internet is a lie.
Speaker 2 (31:29):
And I say that because you know, you have large
platforms and a lot of people still claiming that j
Cole ain't him. We've been seeing all the content from
the fall off tour. Looks incredible.
Speaker 3 (31:40):
If you go down a rabbit hole, they in line
with somebody. But we turn that discussion.
Speaker 1 (31:44):
I mean, yeah, we don't have to do that.
Speaker 3 (31:46):
We don't know. I mean I say that those guys.
Speaker 4 (31:49):
But.
Speaker 2 (31:51):
Yeah, we've been seeing a lot of that, and we've
been seeing a lot of your man's your faith.
Speaker 1 (31:58):
Drake Drake. Uh so Drake is on a stream run
right now. Uh, he's on a party throwing run.
Speaker 3 (32:10):
I know.
Speaker 2 (32:10):
A couple of weeks ago he went viral for inviting
all the Jenesis and the Janis only party and everywhere
the Janets.
Speaker 1 (32:18):
But they know what I'm talking about.
Speaker 3 (32:21):
No, no, no, no, I'm saying I'm talking about the
type of No. I know, but I'm saying the people
that were there wasn't they didn't look like it was.
Speaker 1 (32:29):
There was black and white, it was anyone named Janice.
Speaker 3 (32:32):
You think Janis would go to a Drake party? Yeah,
you mean brightness?
Speaker 1 (32:38):
Hell no, no, A free.
Speaker 3 (32:44):
She don't like Yeah, I think she doesn't like that
that whole ship he got going on. I think she
would go to see.
Speaker 2 (32:52):
I mean she would go, whether she enjoyed it or not,
whether she was going to talk ship. She would go,
is what you're saying. Because I don't see any woman
turning down an invite to a Drake party, especially at
this point he is, Oh, yeah, yeah, I would like
(33:13):
if you were a woman, be honest, I'm not gonna
would you intended Drake party?
Speaker 1 (33:17):
First off, this is in a Diddy party.
Speaker 3 (33:18):
We're talking.
Speaker 2 (33:20):
Drake is going viral right now that Drake is right
now gifting g wagons, bags, fifty thousand dollars in cash.
He is gifting these women things and gifts many of
them would have never seen without Drake.
Speaker 6 (33:43):
Wow, that's a very sanitized way of putting that gifting
and what this is he's also sanitized.
Speaker 2 (33:50):
Hold on, he is also doing something that is lifting
his likability, no like his likability amongst the female gender
population with these gifts, by also wanting to normalize and
take pride in the word trick.
Speaker 3 (34:11):
There's a word I was looking for.
Speaker 1 (34:18):
So actually, that's not.
Speaker 2 (34:20):
Very that's not a very bad thing, though, so are
you saying tricking is nothing but gifting and vice versa.
Speaker 1 (34:27):
If it comes down to it, why do men not
want to be called tricks?
Speaker 2 (34:30):
If technically it's just you're damn near Santa Claus, which
everyone loves Santa Claus.
Speaker 3 (34:36):
Why you don't want to be don't you want to
be like Santa nigga? Don't you want to be gifting?
I don't think Drake could look at it like that.
Speaker 1 (34:43):
No, no, But I'm saying, why do men look at
He's saying it's.
Speaker 6 (34:46):
Not a bad word because men is men want to
Men's ego says, you have to want my dick for me.
I don't want you to want my dick from my
credit card. I don't want you to want my dick
for my cash. I want you to want my dick
because I'm so smooth. And I said some old jahem
Donelle Jones ship to you. And now you got to
take your panties off because I'm that nigga.
Speaker 3 (35:08):
That's what that is about.
Speaker 2 (35:09):
And so we're just supposed to want your penis with
no gifts, I mean, because here we got it.
Speaker 1 (35:16):
No no, and here we go. Ladies, you're damned if
you do.
Speaker 2 (35:19):
Damned if you don't, because guess what, you ain't worth
nothing and you just game. And then if you get
a gift before giving up your pussy year of prostitut
tell it.
Speaker 1 (35:30):
Why can't we lose the.
Speaker 6 (35:32):
Way patriarchy words. That's how to patriarchy, one winner is
the man, the man. That's how that works.
Speaker 5 (35:41):
It's even exchange that should require no value because it's
even exchange.
Speaker 1 (35:45):
Right, Drake didn't all these girls that he just gave
these gifts.
Speaker 3 (35:47):
To, well, we don't do that.
Speaker 5 (35:49):
He did not do you mean anyone close to him
as well is attached to him because that they wouldn't
be getting it, Okay, indirect possibly.
Speaker 2 (35:59):
Go and pussy after his parties. Yes, did he get
it from every bitch that he give the gifts to.
Speaker 3 (36:05):
They probably want to give it up to him allegedly.
I don't know.
Speaker 6 (36:09):
Was the one girl was his the grassy girlfriend? Really
the white girl who knows the video.
Speaker 3 (36:18):
Whatever he gave her. That was the actress girl who
was his girlfriend on the show.
Speaker 1 (36:21):
So and that's the other thing, Like, I know you
have this narrative that Drake just started getting pussy.
Speaker 3 (36:28):
No, I don't.
Speaker 1 (36:30):
That's what you hold on.
Speaker 6 (36:34):
No, no, no.
Speaker 3 (36:37):
First of all, first of all, that's not what I said.
Speaker 1 (36:40):
What did you say?
Speaker 3 (36:41):
And number that's one two? Nigga, he documents all that ship.
Speaker 5 (36:45):
That's how all of the problems he mostly probably have
it because he'd be dicking down other niggas girls. So no,
I would never put that like what did you say?
I said that prior to success, there might have been
a different way high or high because.
Speaker 2 (36:59):
You're to convince us he's what he was getting pussy
as Jimmy Jimmy will Chair, Jimmy Will Chair, Jimmy Drake
Canadian will chair.
Speaker 6 (37:10):
Are you just getting paid like twenty thousand dollars a
year to hold on?
Speaker 1 (37:14):
You ready?
Speaker 2 (37:15):
In the nineties, you know what that nigga that was
half a milliar what you talked about, you know what
I mean different, Like the economy was different. We used
to want just one hundred thousand dollars a year. If
he was making ninety thousand a season or episode.
Speaker 3 (37:33):
Ninety thousand than that.
Speaker 1 (37:35):
So if you don't think that Drake during the age
of my Space wasn't getting pretty in the direct messages
as Willelchair Jimmy bro he was.
Speaker 2 (37:50):
He was a bi racial guy. There wasn't many good
looking guys on TV back then. I thought people thought
Drake was Drake was ugly. Drake was okay when he
was saying I just want to be successful.
Speaker 6 (38:11):
Like the song to fuck him, y'all did not want
to fuck Drake when he was talking about Houston.
Speaker 1 (38:16):
Baby, you my everything?
Speaker 3 (38:18):
You all Drake in the gym? Yes, in that video
all right?
Speaker 2 (38:23):
You know, could we look good chilling with no makeup on?
That's when we the prettiest and we didn't take it
wrong like people wanted. Drake was getting pussy fro first, Talf,
hold on, do you see there's podcasters and comedians and
zeless celebrities, a nigga that just went viral for one clip.
Speaker 1 (38:47):
They're getting thrown pussy at an exorbitant rate. You're not
going to.
Speaker 2 (38:52):
Tell me that Drake as a child star who is
on not only a top motherfucking Canadian show, but Nickelodeon.
I feel like a choir nogging or somehow maybe my
mam may have money and allowed us the nogging channel.
But if you, as an American, even watched that that
(39:13):
show for a millennial, a lot of us watched the Grassy.
Speaker 3 (39:17):
Yeah, I mean I was too old for that point,
like you.
Speaker 6 (39:19):
I saw the grassy As reruns on Nickelodeon, Like what
the So the same way, bitch.
Speaker 2 (39:24):
As your age would have never thrown pussy to little
Romeo Jesus Christ because they were too old.
Speaker 1 (39:31):
You don't know that, bitches as a nineties baby to Drake.
Speaker 2 (39:37):
Drake wasn't ever like I mean, yeah, he was in
a wheelchair, but not even in the beginning.
Speaker 1 (39:42):
In the beginning he was walking.
Speaker 3 (39:43):
I think, yeah, he got shot in the.
Speaker 2 (39:47):
He started with legs, but even that, this bitch is
this like this the sabled niggas too.
Speaker 5 (39:57):
Clearly she don't this bitch is that like I'm saying,
the loss and probability, I'm not part of that number.
Speaker 3 (40:05):
Oh my god, it that is crazy. Yo. He starting
many don't talk to no dude that got enjoyed with nigger?
Speaker 1 (40:12):
Do you know on the pot if you don't get
that bike you funny? He started with legs?
Speaker 3 (40:18):
Is the funniest is about Drake?
Speaker 6 (40:22):
I have all the funniest ship that I've enjoyed over
the last three hours of doing this show has been
about Drake.
Speaker 3 (40:27):
Why do you like dra God bless Drake?
Speaker 2 (40:29):
You like Drake, y'all don't like y'all we do.
Speaker 3 (40:33):
We never said, we never not liked. We just don't
like it.
Speaker 1 (40:36):
Y'all really think you can like someone like.
Speaker 3 (40:41):
We hate the bullshit that he does, but we like
the artists, that's all like some of his art.
Speaker 5 (40:46):
I like his art for a period of time and
then I stopped liking his There's tons of artists that
I work with musically that to do the funny.
Speaker 6 (40:54):
Why can't so I can't? I can't like, Uh, nothing
will be the same. Nothing was the same. And still
think that.
Speaker 3 (41:04):
Nothing what I'm saying, Yeah nothing was nothing?
Speaker 1 (41:08):
Yeah nothing?
Speaker 3 (41:09):
Say well what is that? Listen with Drake?
Speaker 1 (41:18):
Look at you?
Speaker 6 (41:20):
Also, there's not going to ever be an earth that
making fun of Drake isn't funny, but the earth that
exists the way that.
Speaker 1 (41:27):
The way did y'all even act like it took Drake
a beard to get pussy thrown at him.
Speaker 3 (41:32):
That's when acting do. Y'all really not think that the
girls say that girls come.
Speaker 1 (41:38):
From No, there there are girls, and there are birds
the blocks of the birds now and Joe was trying
to call them out. I tell you lying because you
were lying, you know, what you read. All I want
to know is whatever I know.
Speaker 3 (41:59):
Nail got some ship in his catalog. Neo. Nao is crazy.
Nao might be crazier than salmon, like salmon is course correction.
Speaker 1 (42:17):
I thought you were talking about the actual the girl.
Speaker 3 (42:19):
Now that's what I thought you want to I was
like singer Neo. I was like, oh, the Schaffer. I
call him Schaffer because his real last name, his first
name Irish first Schaeffer, Johnson Shaffer Smith.
Speaker 1 (42:34):
Saffer Smith black Irish Shaffer's he is not Irish. There
are no we talked about.
Speaker 5 (42:42):
You want to go down history lane again, jam this
niggas all over this place, Jamal black Russians, niggas who
went there and they became like Adams. No, I'm talking
about who who is from the turf?
Speaker 2 (42:56):
That's the yeah, because the people from the military basis say.
Speaker 3 (43:03):
In there, all right, well, what you know there's black vikings.
Speaker 1 (43:10):
Yeah, I know, there's black kings and queens.
Speaker 8 (43:12):
To queen queen queen, yeah, you know, why did they
master that? Can I also say that.
Speaker 3 (43:26):
A big piece bitch? I don't want to time.
Speaker 1 (43:32):
I just don't like peace queen.
Speaker 3 (43:35):
Clearly, what.
Speaker 4 (43:38):
Is it?
Speaker 3 (43:38):
What is it? Does it sound like what about empress
make you sound colonized?
Speaker 1 (43:45):
Like you wrote it on the leg something like I
gotta walk.
Speaker 3 (43:52):
Jamaicans. I don't mean that's true.
Speaker 1 (43:54):
I don't want because then they try to talk to
you right after. I don't understand.
Speaker 6 (43:59):
For the Jamaican for Rade last week, it looked like
it looked like it was white lady getting arrested defending
black men with videos the people in New York going
for defending black men against the cops.
Speaker 2 (44:10):
Can I tell you how much everyone has warned me
to see clear of Brooklyn. Jamaican Day Parade, Labor Parade,
Labor Day Parade, our parade.
Speaker 1 (44:27):
There is a Jamaican David. Then the Labor Day Parade
is Caribbean.
Speaker 3 (44:31):
The first one was had this past week.
Speaker 1 (44:34):
That's why that was the first one.
Speaker 5 (44:36):
What happened is it's emancipation anniversaries for a lot of
the Caribbean. Yes, Jamaica was one of them, obviously, and
they have their own day, Got you eighth or something
like that, And they had a New York and it's
on flat Bush Avenue versus where the Labor Day is
on Eastern Eastern Parkway. But it looks like went on
(44:58):
without a hitch. There was some minor things happened in
there and here there.
Speaker 1 (45:01):
But all I know is Puerto Rican Day Parade. I
don't hear as much, but Labor Day Parade it's always
a shooting and killing. Yeah, and Brooklyn is just it's
not even a a it's just maybe it's where it is.
Speaker 5 (45:17):
I don't know, but I think that's what everybody most
likely because of the Caribbean.
Speaker 2 (45:21):
As never never went, never went, and then I had
already left, unfortunately after I started carnival chasing and get
But even that, they don't do it the same as
they do on the islands and carnivals because it starts
at like three am, so you're doing drugs and liquor
(45:43):
at three.
Speaker 1 (45:43):
Am and going Yeah, it's just walking. You're walking and
just drinking drink.
Speaker 3 (45:52):
I love it. I got to go to New York
for one of these.
Speaker 1 (45:55):
It is one of the best ever.
Speaker 5 (45:58):
I would say that the cultural experien is for the
Puerto Rican Parade would be the day before at the
one sixteenth Street Parade, which is a more the street
street version of the parade, where they you know, is
more commercialized. Right where the one sixteenth that's where Spanish
Harlem and that's where the cooking, the food on the street.
Speaker 3 (46:18):
All the things. But it's not a paraide is more
of a festival. Yes, okay, gotcha, got yeah. I need
to see something, you know, I've never been to New
York during one of these. I'm not gonna encourage you
to not yeah yeah early and leave. Yeah, be out there.
(46:38):
It should be happening. It's crazy.
Speaker 2 (46:40):
I mean, there's what Dominican Day Parade, Puerto Rican Day Parade,
the Labor Day Parade, which is the Caribbean.
Speaker 1 (46:46):
What's the hot?
Speaker 3 (46:47):
This one gonna be calmed, This one is gonna be
the vibe.
Speaker 5 (46:49):
You know why.
Speaker 3 (46:51):
Gonna be at the parade? Oh, he's he is a
cultural assassin that you know. He used to rap. Yeah yeah,
I know the songs he.
Speaker 1 (46:58):
Knows all the team's gone to participation, you know, ed
and DJ for him and he can for a song
and Eden was like, yo, I was just glad that
I got it because it's a whole like Spanish song
and Madami is like, he doesn't speak Spanish, so he
(47:18):
came and asked him for like a one of them records,
yasolino whatever, But what I don't what you know. I
don't know many of the anyways, let's get out of here.
Speaker 3 (47:33):
Let's do it.
Speaker 1 (47:34):
Let's get out of here.
Speaker 3 (47:35):
This was good.
Speaker 1 (47:36):
See y'all next week, next Tuesday, next Friday. And I'm excited.
We're looking at lock In.
Speaker 2 (47:45):
Some troubles coming up, y'all, so hopefully we'll be able
to be joined by some real problematics, some cultural commentators
and people that y'all might know and be familiar with.
And maybe two we might need to try to get
some politicians, even if it's virtually especially for these episodes,
(48:05):
Like if we could get our Fridays to be more
geared towards mission and getting people to be informed, maybe
we start having more of those conversations here.
Speaker 3 (48:15):
When we go up there.
Speaker 6 (48:17):
Yeah, I would love I would love to speak to
Chee because he's got a lot going on, and I
feel like we can have a robust conversation with absolutely.
Speaker 2 (48:29):
I feel like we can get Andre, yeah, just to
talk about even Atlanta as a cultural staple.
Speaker 1 (48:37):
And I'd be interested to know any information apparently, like
was that with you.
Speaker 2 (48:44):
I was talking with a friend recently about how even
films aren't being shot here as much because they haven't
done the incentivization, if that's even a goddamn word of
Like the text breaks outside of the studios, and even
I know Lionsgate and Steve Harvey were supposed to be
building some studio here that I.
Speaker 3 (49:05):
Don't even know if it's coming, was building in Newark.
Speaker 1 (49:11):
No, I think that here too.
Speaker 3 (49:13):
I mean, Marvel spent hundreds of The Walking Dead.
Speaker 2 (49:18):
It's tell the Perrys studios and other people wanting to
bring studios here. I'm just I'm just surprised that they've
literally forced everyone to stop shooting in Hollywood and in
California because at the same reason this started becoming what
people were considering the black Hollywood.
Speaker 3 (49:34):
But I think maybe the game has changed in the movie.
Speaker 1 (49:36):
Because they bought economic d I ain't here. They act
like they ain't even got to make our films anymore,
which is why any film that is even coming out
with a lead black actor and really a black director,
the conversation is, go support this so that we can
continue to get these made right, you know, but independence,
(49:57):
shout out to the independence.
Speaker 3 (49:59):
I want to I want to start going.
Speaker 2 (50:02):
I don't know if you see do you see when Netflix?
Netflix has a new category. It's uh, Creative Shorts, and
it's like short form content like twelve.
Speaker 1 (50:10):
To eighteen minute shows like but you know how sometimes
we can only have enough money to shoot pilots, and
it's given that for things.
Speaker 2 (50:19):
If you go in it, it's like digital digital creative
or there's literally a category on Netflix now.
Speaker 1 (50:25):
And I came by last night and I said, I'm
going to go through these.
Speaker 3 (50:28):
Yeah yeah, And it's given a whole.
Speaker 2 (50:29):
Bunch of some of its food shows, some of it's
like art or scripted. Some of it's like reality and skits.
Speaker 3 (50:37):
Your creator, chase your creation on net Netflix.
Speaker 1 (50:40):
I'm curious to see the selection of that. But y'all
check that out.
Speaker 5 (50:43):
Well, you know, I was just thinking about the Joey
Badass short. It was twenty nine minutes and won awards too.
Speaker 3 (50:49):
Oh you get into.
Speaker 1 (50:51):
Those into film festivals. Yeah yeah, yeah, yeah, he.
Speaker 3 (50:56):
Got he want to Oscar for that. He did, yes,
Academy War Best Live Action Short Film.
Speaker 1 (51:01):
Yeah yeah, yeah, So I love that that's there, I
really do. And yeah, well we ought to hear y'all.
Thank y'all so much.
Speaker 2 (51:19):
Selective Ignorance a production of the Black Effect podcast Network
For more podcasts from iHeartRadio, visit the iHeartRadio app.
Speaker 1 (51:26):
Apple Podcasts, or wherever you listen to your favorite shows.
Speaker 4 (51:29):
Thanks for tuning in the Selective Ignorance with Mandy B.
Selective Ignorance. It's executive produced by Mandy B. And it's
a Full Court Media studio production with lead producers Jason Mondriguez.
Speaker 1 (51:39):
That's me and Aaron A.
Speaker 3 (51:41):
King Howard.
Speaker 4 (51:42):
Now, do us a favor and rate, subscribe, comment and
share wherever you get your favorite podcasts, and be sure
to follow Selective Ignorance on Instagram at Selective Underscore Ignorance.
And of course, if you're not following our hosts Mandy B,
make sure you're following her at Full Court Pumps.
Speaker 1 (51:57):
Now.
Speaker 4 (51:57):
If you want the full video experience a select of Ignorance,
make sure you subscribe to the Patreon It's patreon dot
com backslash Selective Ignorance
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.