July 5, 2024 • 26 mins
Jazze Pha comes into the studio to discuss his career.
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Speaker 1 (00:00):
Hm.
Speaker 2 (00:16):
Now you were still had a group for a.
Speaker 3 (00:17):
Minute, man, and we have a whole and.
Speaker 2 (00:23):
Y'all play. I don't both of you played me the album.
Speaker 3 (00:27):
I played it for you. I'm sure I.
Speaker 2 (00:28):
Came to the studio for you and you had me
come over and play on it. No, Jesse looking, let
me tell you the records listen. I don't listen to me, Ja.
I'm not just saying this because you're sitting here in
front of me, but new face. Let me tell you, bro,
this is just some records on that line. Yeah, record,
and let me tell you I have on there too.
(00:49):
I helped work what was the single? Yeah, you forget
I had worked the single?
Speaker 3 (00:53):
What was it?
Speaker 2 (00:54):
What was it on the SI that must have? What
was it? Was only one single that came out right, No, no, No,
happy Happy, But you know what, I don't know what
major release that because there was other records on the
album that was way strong.
Speaker 1 (01:08):
I mean, Happy Hour was the name of the album.
So we just kind of it was like a really
an introduction. It wasn't really necessarily.
Speaker 2 (01:14):
Let me tell you, I remember hearing that hearing records
off that project, and so it's just say, man, what
you're waiting on the right there. They had to cover ready.
I was using using a low twos right there to
you about to maybe too, Hey, he's about to.
Speaker 3 (01:37):
We were doing a whole lot of you know, drawn butter.
Speaker 2 (01:41):
About to fit too.
Speaker 3 (01:44):
And you know, whenever you and label artists mode so
much drawn.
Speaker 2 (01:48):
Butter, A lot of people don't understand that ship.
Speaker 3 (01:52):
You drawn some butter too. You don't need that. But
you don't need nothing but a microwave.
Speaker 2 (01:56):
That's it.
Speaker 4 (01:57):
Speaking of people you work with, Man, how did shout
out to this brother out of New Orleans, Young Greatness?
Speaker 5 (02:03):
I remember, great Man? How did that come together?
Speaker 4 (02:06):
Because you weren't as the tagging part wasn't on Exclusive.
Speaker 3 (02:10):
Game Exclusive game, shout out to T Man me and
T because TV like Man, you don't never be shouting
me out?
Speaker 1 (02:16):
Uh T and and uh Also dirty Bird, what's what's
the boy name?
Speaker 2 (02:22):
Michael Vick?
Speaker 3 (02:23):
Now? Dirty bird? Dirty Bird, dirty bird, little kid.
Speaker 2 (02:27):
The real I'm thinking you're telling me the foul I.
Speaker 3 (02:29):
Mean forgetting the name. I always wanted to call him
dirty bird.
Speaker 1 (02:31):
Anyway, Young Greatness, Young Greatness with T over there, I
was Exclusive game and we were freestyling over there, and
we were just kicking it and you know, we just
had a vibe.
Speaker 3 (02:46):
So we went up to QC one day.
Speaker 1 (02:48):
I was chopping it up with with uh coach K
and we went in there and recorded, we recorded the
records record and boom, yeah all my life get that
mulo Damn was that?
Speaker 2 (03:08):
What year was that New Faith?
Speaker 3 (03:10):
More than Yeah?
Speaker 2 (03:11):
Two thousand nine, about a decade ago. You you did
a big, big song deal back in the day with all.
Speaker 3 (03:20):
Money. Ye shout out to Greg Street.
Speaker 2 (03:23):
But let we had Greg Street on the show Man.
Greg has put a lot of people. He didn't put
a lot of he didn't put oh we we we
we we We've had Street on the show. But he's
he's put a lot of people together to make a
lot of money. So when you did that song with
that was your first song there?
Speaker 3 (03:42):
Okay, but I mean but there was there was the one.
It was that one?
Speaker 2 (03:48):
What was that bread like?
Speaker 3 (03:49):
What was that bread like? Yeah? I think it was
a ticket in now fifty songs ship Yeah, yeah.
Speaker 5 (03:58):
I like when you do the bird Man I presentation,
how did he say? How did he say he wanted?
Speaker 1 (04:01):
You say, I want to stump with you, bro, s Bro,
I don't want to stump with you, bron Fresh Fresh.
Speaker 3 (04:10):
Gonna love working with you. Brouh. Now we love your music, bro.
Speaker 1 (04:14):
So you know you make that you make that music
that fan you make that record like five minutes bro.
So Man, I'm going to go in there and catch
a phone call right quick, bro, I said, I bet.
Speaker 3 (04:25):
Street was like cook one. Street was like cook one
cook one. He came back.
Speaker 1 (04:32):
I was like, kick kick kick boom. He was like
you just did that. I was like, yeah, He's like, hey,
say Broke, give me a give me a track.
Speaker 3 (04:40):
Bro going there and start. I think him and.
Speaker 1 (04:42):
Lack back then, yeah, remember Lack and kill a Stone. Yeah,
they we went in the booth and just start. I
think there was he was doing on the Rocks or something.
So so he was on the Big Timers album. I
think damn I got my on.
Speaker 5 (04:58):
The the first one.
Speaker 2 (05:00):
Oh on the Rocks.
Speaker 3 (05:01):
It was on the album.
Speaker 2 (05:02):
Actually, So what determined that you you work directly with Baby?
Speaker 3 (05:06):
Yeah?
Speaker 2 (05:07):
Bird Man? Yeah, you know there's people out here they say,
you know, you want to come to getting paid. You know,
of course we know about the you know, the beefs
with of the artists, right, but when you and bird
Man as far as business always stand up or.
Speaker 3 (05:21):
It was good, it was good.
Speaker 1 (05:23):
I mean, you know, you know when people want to
when you want to get that last that last part,
you know, man that.
Speaker 3 (05:33):
I don't think nobody just just happy turning turning, turning,
you know, after the work is done.
Speaker 2 (05:38):
And yeah, you know, it's such a back in, that's such.
Speaker 1 (05:42):
A lucrative you know what I mean, friendship and relationship.
And they feel like they've given so much and they have.
Speaker 2 (05:51):
But we still fifty songs.
Speaker 1 (05:53):
Right, yeah, we still and we still have a deal
in place because because you know what I'm saying, it's
the fifty that bird Man pick or cash he pick. Yeah, yeah, yeah,
but whatever he picks, it ain't like whatever release is
what he picked.
Speaker 3 (06:06):
So he say it was more than it was more
than song.
Speaker 2 (06:08):
Yeah, I was gonna say. That's how you usually always said,
especially especially if you wanted to get that back.
Speaker 3 (06:13):
And it was my pleasure, you know what I'm saying.
Speaker 1 (06:15):
Yeah, And and shout out to bird, Shout out to Slim,
you know what I mean. They they really they we
helped put each other in the game far as Atlanta,
you know what I'm saying, because I.
Speaker 3 (06:27):
Was really the one to bring cash money to Atlanta.
Speaker 2 (06:31):
Like I thought it was Vietnam via Greg Street.
Speaker 1 (06:35):
I mean when I'm talking about musically, I'm talking about
musically like kind of permeating them. They stay, you know
what I mean. They rocked out with Jazzy Fay and
through Street. Of course they ran Patchwork was patchwork. I
can't get in there. Yeah, Lil Wayne said, living that's
(06:55):
but yeah.
Speaker 3 (06:56):
That's what me and Wayne did. I mean, I pulled
up I think one day.
Speaker 2 (06:59):
Uh.
Speaker 1 (07:00):
I was like, you know, uh, it's wrong my birthday
or something, and I said, man, I feel like stunning day.
Speaker 2 (07:06):
Number one stunner.
Speaker 1 (07:07):
Yeah, yeah, not the two. I said, let me go
over here to BMW and get this seven forty five.
Speaker 3 (07:14):
Nurse came out.
Speaker 2 (07:15):
You had the white white one.
Speaker 3 (07:17):
You remember it. Everybody with the wheel.
Speaker 2 (07:21):
I can't remember what face he can't pulling out there,
and you know Jay Scott.
Speaker 1 (07:25):
Face shout out the scarface. But he was way in Houston.
But I seen he had his first Yeah, I seen
it online and I and I showed I can't remember
what rim shopping was. I said, I need these wheels, right,
I bet you face, I bet you bro. You know
we're talking about scarface. Come, ain't nobody going to see
(07:45):
his car?
Speaker 3 (07:46):
I remember that.
Speaker 2 (07:46):
I remember when you pulled that that mother to.
Speaker 3 (07:49):
Hey, I put them wheels on there.
Speaker 2 (07:50):
I pulled up that said. Look, I said, look at
this suggar right here.
Speaker 1 (07:54):
That's what that what fresh was outside when I pulled
up and and Wayne was outside. He was rolling one
up outside and back in the back patch works, and
I pulled up and I was playing.
Speaker 2 (08:06):
So I'm so in love.
Speaker 3 (08:09):
That's why.
Speaker 5 (08:10):
That's why we did the song I'm way more.
Speaker 3 (08:14):
Five and you.
Speaker 2 (08:17):
Hit his mind.
Speaker 5 (08:18):
He came up with that because of that.
Speaker 1 (08:20):
That's how he That's how he felt when I came
up with with that going on. He felt like that
every time I seen when He'll tell you what I
put I put. I put some smoke in his hand.
Damn y'all hear this, brother, I want to smoke like you.
Speaker 2 (08:36):
Jerry Clark. Story time of legend, your face. We're sitting
here with the legend himself, mister Jasey. These are type stories.
When you tune in the storytelling of legend, j you
go get you go get this type ship and the
speak to z Ago man.
Speaker 5 (08:53):
I learned the story. I didn't I was new to
so we up and there and a kon had his
son in there, and it was a story you you
had a vehicle.
Speaker 3 (09:02):
I was in that too, a com before he was
blowing up.
Speaker 5 (09:05):
He was he was doing things around the city.
Speaker 4 (09:08):
They weren't supposed to be TL Scoop type ship right,
breaking in the cars and he was about to get
into one of your cars apparently.
Speaker 2 (09:17):
Oh wow, I know that.
Speaker 3 (09:20):
I learned this year ago.
Speaker 2 (09:23):
We was at the we was all at the sun
with the a Con event and he didn't know that. Yes,
he said, one of the cars he was about to steal.
Speaker 3 (09:33):
Wow, yours one of my cars? Wow, that's what ship
the same dude, they gave you all them kicks and
snarees and ship. Yeah you know what I mean. We're
here now something now nothing now.
Speaker 2 (09:53):
Life is all about growth. Yeah that was those were
Jesse face sounds. That's how beginning his carew face. That's
how we're able to see here right now. But that
I remember when he said that at that event.
Speaker 3 (10:03):
Wow, man and me and Conda is like best friends.
Speaker 2 (10:06):
Man. I love what what artist mind that you never
had a chance to work with? That? You want to
work with that?
Speaker 3 (10:14):
I never had a chance to work that. I do
want to work with Bruno Mars. M go big, Okay, bru.
Speaker 1 (10:23):
Mars, I want to work with We're gonna make it
happen to I can hear that. Yeah, I think we've
been talking about it. He knows me, we know each other,
and you know it's just like, you know, he respect
the funk. You know, you know about Barcays and he
was excited about all of that. So he just want
to you know what I mean, what what artists came
to you?
Speaker 2 (10:39):
And I know a lot of folks I tell people
I have I don't have too many regrets from being
in this business almost thirty years. But there's there's a
couple who came to you. It was like, man, fuck
with your boy, fuck with your girl, and sign me.
And you passed on him, and you look back and
be like, damn, I should have signed Old Starr. Who
any artists that you have any regrets about about? Not
(11:00):
with Mmm? No, you got to work with who you
wanted to work with.
Speaker 3 (11:13):
I just don't have I guess I don't have no regrets,
you know what I mean. I don't have regrets like that.
Speaker 1 (11:18):
I don't I don't feel you know no kind of
way about somebody winning you know, without me, you know
what I mean. And if somebody is winning next to
me and I know you and I got your number
and we're friends, I feel like I've just gained you know,
as well as you because if we have a relationship,
then if I have something that you can use, then
(11:38):
you can get a cup of my sugar.
Speaker 3 (11:40):
You know what I'm saying, Pauls. You know what I'm saying.
Speaker 2 (11:45):
That's what.
Speaker 1 (11:48):
Yeah, yeah, yeah, Pauls. Yeah yeah, as a neighbor, you
might need to right, yeah, yeah, there's a neighbor. You
know what I'm saying. You might need something that.
Speaker 2 (11:57):
I got the Cameron and Mace.
Speaker 3 (11:59):
Yeah, Paul, But I said it though, so you know,
I'm goody Speaking of that, he was talking about the team.
Speaker 4 (12:06):
One of my greatest stories I think hearing from you
is how he talks about the team and now that
it doesn't have to be about him, but letting Missy
produce for Sierra.
Speaker 1 (12:16):
Oh yeah, shout out to Missy on because because Missy
hit me up and and and she brought to lights something.
She was like, you you ain't even you ain't tell
them that I that I played on the Bridge on
on one two step story time.
Speaker 2 (12:30):
So so story time.
Speaker 1 (12:33):
About to give you one of course. So so you
know when we were we were working on Sea Era's album,
and of course we got you know, Goodies is out
number one, number one record, Little John Sean Garrett. Uh,
you know what I'm saying. Jazzy Fizzle t I on
the remix, you know what I'm saying. Uh, that's what
me and t I got a verse. We got we
rapping together on that thing. We snapped too. But anyway,
(12:55):
so the label's going crazy about oh because we had
gave old to the label and let him hear it.
Well I didn't give it to him. That's another story.
But they got the record featuring Ludle Chris, and so
they ready to go. They're like, oh, we want to
put this old record out. So I'm like me, I'm
not ready to put my drink down. I still want
to party. Want and we need to go up. We
(13:16):
don't need to go down, We don't tempo wise. She
got she's a dancer. She needs to go up, you.
Speaker 5 (13:21):
Know what I mean.
Speaker 1 (13:22):
So they getting ready, they gearing up. They trying to
basically overpower me. And you know, dan't dropping the record,
you know what I mean? They about to drop the record.
Speaker 3 (13:32):
So I called, uh, I think.
Speaker 1 (13:35):
I talked to a friend of mine and said, man, listen,
they about to they about to They're about to force
this single.
Speaker 3 (13:44):
Bro, say, man, listen, call Missy. Call Missy and get
them records. Man. So I'm like, I don't want to
pressure Missy.
Speaker 2 (13:52):
Call her.
Speaker 3 (13:53):
So I reached out to her. She said, I got
the records, about to send them to you. She sent
it to me.
Speaker 1 (13:58):
It was like twenty five minutes. I was like, why
is the song twenty five minutes long? So I pop
in the CD and he.
Speaker 3 (14:03):
Goes, oh shit, see heah, Chelsey Faye song comes on.
I'm like, okay, this jamming.
Speaker 1 (14:10):
This boy all beasts that I made. Mind you, she
makes a whole mixtape out of all the beasts that
I made. So the second beat comes in, Ladies and gentlemen,
who wait, let's say, so she comes in. This beat
is automatic, supersonic.
Speaker 3 (14:32):
Now. I was like, wait a minute, wait a minute.
Speaker 1 (14:37):
Now when the bridge came in, don't matter of me
and you body, and so I'm thinking one of her
guys played.
Speaker 2 (14:45):
The keys and Missy, Missy played it.
Speaker 1 (14:50):
Missy actually, and I'm like, I ain't never seen you
in no keyboard, and how would I know you need
to be over you with me playing some of these keys?
Speaker 3 (15:00):
Mm hmm.
Speaker 1 (15:01):
Miss She's one of my heroes, but she's a personal
hero though, like my people. You know, she really delivered
my first, biggest, most important record in my career.
Speaker 3 (15:17):
That's like the like the most pivotal record in my
career right there.
Speaker 2 (15:21):
I would love to hear y'all do a whole album together.
Speaker 3 (15:24):
Crazy damn, but god dog, Yeah.
Speaker 2 (15:29):
Storytelling when you tune in a lot tuning in this show,
this is the type of stories you hear with the
great Jazzy Fay. I'm sitting here with my brother new face.
Speaker 3 (15:39):
And you know what's crazy.
Speaker 1 (15:40):
I don't think nobody's done an up tempo bridge like
that before, not sense.
Speaker 3 (15:46):
Not like that. That was That was monumental.
Speaker 5 (15:49):
The dream tries to the dream kind of break goes
fast to that, but not on that level.
Speaker 3 (15:55):
Yeah, I mean dreamers legendary too.
Speaker 2 (15:58):
What's what's what's coming up next? For? For for you?
Speaker 3 (16:00):
Jazz?
Speaker 2 (16:01):
I know you keep a man, you got a lot
on your plays.
Speaker 1 (16:04):
Of course, Gervand one in the Trap Stars shout out
to my boy yep, Van and the Trap Stars. Got
this kid named Kasey from Dallas, Young Lady by k September.
Speaker 3 (16:16):
Okay you hurd her?
Speaker 2 (16:18):
No, these all artists. Well you on Vody all side
to your production, to your label.
Speaker 3 (16:24):
Yeah, okay. Who else? We got this kid named uh
Molly okay, Molly Water chick named Molly Water. She's dope.
She's from Dallas, Okay. A couple other things bro and.
Speaker 2 (16:40):
These and all jazzy fade. Oh your hands on these?
Are your hands on this?
Speaker 3 (16:45):
Shout out to Havo somebody I'm working with. Chicken, I'm
working with outt Bomint Texas. She she's U.
Speaker 1 (16:54):
Dangerous, MC boy, she's dangerous. Yeah yeah, we gas the artists.
It's a lot of people I know.
Speaker 2 (17:03):
New Face just mentioned the dream mm hmm. And I'm
gonna ask you this before we get out of here.
Pick one songwriter all time for you to go in
the studio when it and do an album CHAZZI face
beats and a songwriter, who is it gonna be?
Speaker 3 (17:17):
A songwriter? One? Who is it gonna be?
Speaker 2 (17:23):
Missy? There you go?
Speaker 1 (17:27):
I mean that's that was easy, Yeah, because I mean
music can write a rap, miss can sing R and B,
she can do pop, Chicken can and I can do
it all.
Speaker 2 (17:36):
So you sure can.
Speaker 3 (17:38):
Yeah, we can. We can together. We can go stupid
new face. We need that to happen, man, most we
can do it. We can do it.
Speaker 1 (17:45):
And when she when she's gonna be turned, she's gonna
be like okay, yeah, okay, And we gotta get her
on the show because it's a lot to talk about.
Speaker 2 (17:52):
I watched Missy in my career and his music business.
I just sat back and really watched her in all Yeah.
Speaker 3 (17:59):
Yeah, she's amazing.
Speaker 2 (18:00):
He's amazing. Man, She's amazing, man. And I just want
to tell you, jaz Fae, we could sit here for
hours and hour. Let's come back. Let's you know, we'll
talk about your one hundred and seventy million records. So
a lot of stories. There's a lot of stories, a
lot of stories. We just we just scammed the service.
Speaker 3 (18:17):
Bob.
Speaker 2 (18:17):
I'm glad. We've been talking about this for a couple
of years, about you coming on the show. And I
just want to tell you, man, I appreciate you. Man.
Like I said at the beginning, his energy is effectious.
Speaker 3 (18:27):
Man.
Speaker 2 (18:27):
You always when I see you as. It ain't none
of that phony industry shit in.
Speaker 1 (18:33):
The industry dude. Yeah, I'm not an industry dude. I
grew up in the industry. So you know, people be like, no, no,
we are we are the industry. But that's just that's
just that's just who we are. But that's not who
we are, you know what I'm saying.
Speaker 3 (18:46):
Yeah, you know what I mean.
Speaker 2 (18:47):
We are.
Speaker 1 (18:48):
There's a there's a separate there's a separate entity that
goes for that industry thing.
Speaker 3 (18:53):
And when people give it, then you know, you just return.
Speaker 2 (18:56):
It, you know, and then a lot of people aren't
rooting in no real shit. You know, a lot of
folks new face when they you know, they get a
little bread. They you know, they was laying before, so
they're gonna be even lamer.
Speaker 3 (19:07):
Ain't gonna the first time.
Speaker 4 (19:12):
Man, it was Ryan Cameron's anniversary of his morning show.
So we are old national Crows nests at fire six
in the morning in the mornings, A young t I
a bone crush of young blood is in there with
a red, white and blue.
Speaker 3 (19:26):
I was working at Red Furry Cap.
Speaker 5 (19:28):
Yeah, can't damn.
Speaker 4 (19:32):
Was in there and I had a disposable camera and
this is showing up all this was out and come on,
I got it, man, come on six in the morning,
little John, a little scrappy.
Speaker 5 (19:47):
They had to sneak him in because he.
Speaker 3 (19:48):
Was young, a little scrap scrappy. Camera was still hot.
Speaker 2 (19:54):
So one O seven nine, I don't know what year
that was. That was, that was early two. Scrap there, man,
Damn well, that's that's what happened. When you so many
new face Jazzy Fay and Jerry here, this is what
you get. So I just want to say, hey, man,
Jesse Fay, we'll appreciate you. Man. Come on, man, all
the great things you've done. You contributed to this culture. Man,
(20:15):
Like I said, you got to come back because we
gonna talk about more and more.
Speaker 3 (20:19):
Absolutely, I am.
Speaker 2 (20:20):
Jerry Clark a k A.
Speaker 3 (20:22):
D legend Y Jerry.
Speaker 2 (20:23):
This is my brother new face, and I am say look,
I can't say it for him.
Speaker 1 (20:27):
Go ahead, ladies and gentlemen, I am yours, Julie, Jazzy
Fizzle a k A. Finzel a k A. Mister Burgundy
aka Obama, Luther King Okay Jackson. Five the first, the
very first Quick Saturday, third, the first.
Speaker 2 (20:40):
Chutch on Jerry Clark signing off Storytell with Legendary Jerry.
We are legendary Yary Jerry Clark. Here, New Face there,
(21:08):
New Face. Let me say y'all. New Face is always.
Speaker 3 (21:11):
Here and there Jessie Face, he'd be everywhere.
Speaker 2 (21:15):
This is story Time with Legendy Jerry and this is
your special segment with New Face and Jase. I want
to tell you before he gets started, he's about to blow.
I was about to say blow your mom. Then I
was gonna say pause. But he's about to bring out
some ship that really go that's what. But that's what
New Face the I'm gonna let him do his.
Speaker 4 (21:32):
Story take you back already brought to Sierra in the
one two step out. You know that's legend there in itself, right, Okay,
you know we talked about this brother right here, so
I brought out.
Speaker 5 (21:41):
The you know the introduction right.
Speaker 3 (21:46):
Signature.
Speaker 5 (21:47):
Yeah that's Teela.
Speaker 2 (21:48):
Yeah man, it ain't not phony about New Face. Man,
some respect on his.
Speaker 4 (21:52):
And I brought this because this is teela second album.
And if you look on here, it's a song called
table Dance.
Speaker 3 (21:59):
Pull your cheek stream could it?
Speaker 2 (22:00):
Sigh?
Speaker 3 (22:01):
Baby? Let me take the way you shake your baby
cap in the train and.
Speaker 2 (22:12):
Better Rock, take go Ahead Rock, Get the Money in your.
Speaker 4 (22:14):
Hand babyfore a table days Yeah, yeah, my trip club.
Speaker 5 (22:21):
So which club was that inspired by?
Speaker 3 (22:24):
It might have been Pure Passion, Memphis, Tennessee.
Speaker 2 (22:27):
Man, I used to love Pure Passion.
Speaker 3 (22:28):
It was so rachet.
Speaker 2 (22:30):
It was was right. No, boy, you could talk about
what you could you just could you can do it there?
I mean I wouldn't know just what I heard.
Speaker 4 (22:43):
Allegedly, brother right here is celebrating twenty years of trap
music right here, So I got right here.
Speaker 3 (22:49):
Oh wow, trap music.
Speaker 4 (22:51):
That boy got the tape and see this one is
special because from that stuff from So this is special
because I put all the producers on here and I
have to because this is David Banner is DJ Toomed
and we got a uh that's David Banner, DJ.
Speaker 3 (23:05):
You gotta sign that one, David, And you.
Speaker 4 (23:07):
Have to sign that because yours is right there as well,
because you produced which song off of this album?
Speaker 3 (23:16):
Remember Let's get Away.
Speaker 2 (23:17):
Let's get Away.
Speaker 4 (23:19):
Talk about being there in the beginning of trap music
and seeing his brother's evolution one time.
Speaker 1 (23:24):
Man, Listen, I really didn't even know that it was
a trap music evolution because I'm just thinking like you know,
because you know Tip, you know what I mean? You
know Tip, So Tip is he was trapped, he was
trapped out, so you know it's him saying. Trap music
really didn't give me the iconic version of what trap
music is now today. So then it wasn't it wasn't
(23:46):
registering like that, you know what I mean, like like
like and now it's almost like you know, when BBD changed.
Speaker 3 (23:53):
Up they sound, they was like, oh it's hip hop's
moved out on the R and B Tip with you
know what I'm saying.
Speaker 1 (24:01):
You know it's mental, you know what I'm saying. So,
and it was so clever, it was so revolutionary.
Speaker 2 (24:09):
And who you pulling out most stuff?
Speaker 3 (24:11):
Yeah yeah, new face over here, just going through a
thing over here, ladies and gentlemen.
Speaker 5 (24:15):
This is this young lady right here. I want you
to speak on.
Speaker 3 (24:21):
I love you, Lola, man, we love you, We love
you so much.
Speaker 5 (24:26):
And so I got that's funny thing about about.
Speaker 3 (24:29):
Where them dollars at the dollars it's a shore enough
sampling there, Yeah.
Speaker 2 (24:37):
Yeah, well the dollars actually yeah.
Speaker 3 (24:40):
I know, but we ain't gonna get all into that. Yeah, yeah,
we do, we do.
Speaker 5 (24:47):
Miss Lola, and what we got here is the promotional
sticker for Oh Boy.
Speaker 2 (24:53):
Yeah yes, Bigxac, oh wow exactly.
Speaker 3 (24:58):
Listen.
Speaker 2 (24:58):
That's the original shout out the local Green Air Lina,
Big Zach.
Speaker 3 (25:02):
And I remember we had that.
Speaker 1 (25:04):
We had cleaned up that that sticker because I felt
like back then and that was too to want you.
Yeah yeah, because we were doing things with kids, you
know what I'm saying. So I didn't want to, you know,
the sexy silhouette, but I did love that.
Speaker 4 (25:16):
Shout out to mister Soul who did this logo. He
also did Goodie Mind d did logo.
Speaker 3 (25:22):
Just know too much.
Speaker 2 (25:25):
New Face is a hip hop history.
Speaker 3 (25:27):
He like a he like the black Nard.
Speaker 2 (25:29):
War Hey right here, Hey man, like tell you something, man,
this this is what this is what New Face does
and that's why story Time of Legend Jerry, we have
this second of Jazzy. So thank you New Face man,
Thank you. Uh We'll see you next week with another
legend like this. Brother right here, Jerry Clark. Story Time
(25:52):
of Legend Jerry, New Face. Faith Gentlemen, we out Oh Boy.
Storytime with the Legendary Jerry's hosted by me, the one
and Only Jerry Clark Music has been provided by July,
the producer. If you haven't already, please please make sure
(26:16):
you subscribe to Storytime with the Legendary Jerry on YouTube
and wherever you listen to podcasts, and make sure you
follow us on all social media platforms at the Legendary
Jerry podcast. For more podcasts on my iHeart Media, visit
the iHeartRadio app, Apple Podcasts, or wherever you listen to
your favorite shows.
Hm.
Speaker 2 (00:16):
Now you were still had a group for a.
Speaker 3 (00:17):
Minute, man, and we have a whole and.
Speaker 2 (00:23):
Y'all play. I don't both of you played me the album.
Speaker 3 (00:27):
I played it for you. I'm sure I.
Speaker 2 (00:28):
Came to the studio for you and you had me
come over and play on it. No, Jesse looking, let
me tell you the records listen. I don't listen to me, Ja.
I'm not just saying this because you're sitting here in
front of me, but new face. Let me tell you, bro,
this is just some records on that line. Yeah, record,
and let me tell you I have on there too.
(00:49):
I helped work what was the single? Yeah, you forget
I had worked the single?
Speaker 3 (00:53):
What was it?
Speaker 2 (00:54):
What was it on the SI that must have? What
was it? Was only one single that came out right, No, no, No,
happy Happy, But you know what, I don't know what
major release that because there was other records on the
album that was way strong.
Speaker 1 (01:08):
I mean, Happy Hour was the name of the album.
So we just kind of it was like a really
an introduction. It wasn't really necessarily.
Speaker 2 (01:14):
Let me tell you, I remember hearing that hearing records
off that project, and so it's just say, man, what
you're waiting on the right there. They had to cover ready.
I was using using a low twos right there to
you about to maybe too, Hey, he's about to.
Speaker 3 (01:37):
We were doing a whole lot of you know, drawn butter.
Speaker 2 (01:41):
About to fit too.
Speaker 3 (01:44):
And you know, whenever you and label artists mode so
much drawn.
Speaker 2 (01:48):
Butter, A lot of people don't understand that ship.
Speaker 3 (01:52):
You drawn some butter too. You don't need that. But
you don't need nothing but a microwave.
Speaker 2 (01:56):
That's it.
Speaker 4 (01:57):
Speaking of people you work with, Man, how did shout
out to this brother out of New Orleans, Young Greatness?
Speaker 5 (02:03):
I remember, great Man? How did that come together?
Speaker 4 (02:06):
Because you weren't as the tagging part wasn't on Exclusive.
Speaker 3 (02:10):
Game Exclusive game, shout out to T Man me and
T because TV like Man, you don't never be shouting
me out?
Speaker 1 (02:16):
Uh T and and uh Also dirty Bird, what's what's
the boy name?
Speaker 2 (02:22):
Michael Vick?
Speaker 3 (02:23):
Now? Dirty bird? Dirty Bird, dirty bird, little kid.
Speaker 2 (02:27):
The real I'm thinking you're telling me the foul I.
Speaker 3 (02:29):
Mean forgetting the name. I always wanted to call him
dirty bird.
Speaker 1 (02:31):
Anyway, Young Greatness, Young Greatness with T over there, I
was Exclusive game and we were freestyling over there, and
we were just kicking it and you know, we just
had a vibe.
Speaker 3 (02:46):
So we went up to QC one day.
Speaker 1 (02:48):
I was chopping it up with with uh coach K
and we went in there and recorded, we recorded the
records record and boom, yeah all my life get that
mulo Damn was that?
Speaker 2 (03:08):
What year was that New Faith?
Speaker 3 (03:10):
More than Yeah?
Speaker 2 (03:11):
Two thousand nine, about a decade ago. You you did
a big, big song deal back in the day with all.
Speaker 3 (03:20):
Money. Ye shout out to Greg Street.
Speaker 2 (03:23):
But let we had Greg Street on the show Man.
Greg has put a lot of people. He didn't put
a lot of he didn't put oh we we we
we we We've had Street on the show. But he's
he's put a lot of people together to make a
lot of money. So when you did that song with
that was your first song there?
Speaker 3 (03:42):
Okay, but I mean but there was there was the one.
It was that one?
Speaker 2 (03:48):
What was that bread like?
Speaker 3 (03:49):
What was that bread like? Yeah? I think it was
a ticket in now fifty songs ship Yeah, yeah.
Speaker 5 (03:58):
I like when you do the bird Man I presentation,
how did he say? How did he say he wanted?
Speaker 1 (04:01):
You say, I want to stump with you, bro, s Bro,
I don't want to stump with you, bron Fresh Fresh.
Speaker 3 (04:10):
Gonna love working with you. Brouh. Now we love your music, bro.
Speaker 1 (04:14):
So you know you make that you make that music
that fan you make that record like five minutes bro.
So Man, I'm going to go in there and catch
a phone call right quick, bro, I said, I bet.
Speaker 3 (04:25):
Street was like cook one. Street was like cook one
cook one. He came back.
Speaker 1 (04:32):
I was like, kick kick kick boom. He was like
you just did that. I was like, yeah, He's like, hey,
say Broke, give me a give me a track.
Speaker 3 (04:40):
Bro going there and start. I think him and.
Speaker 1 (04:42):
Lack back then, yeah, remember Lack and kill a Stone. Yeah,
they we went in the booth and just start. I
think there was he was doing on the Rocks or something.
So so he was on the Big Timers album. I
think damn I got my on.
Speaker 5 (04:58):
The the first one.
Speaker 2 (05:00):
Oh on the Rocks.
Speaker 3 (05:01):
It was on the album.
Speaker 2 (05:02):
Actually, So what determined that you you work directly with Baby?
Speaker 3 (05:06):
Yeah?
Speaker 2 (05:07):
Bird Man? Yeah, you know there's people out here they say,
you know, you want to come to getting paid. You know,
of course we know about the you know, the beefs
with of the artists, right, but when you and bird
Man as far as business always stand up or.
Speaker 3 (05:21):
It was good, it was good.
Speaker 1 (05:23):
I mean, you know, you know when people want to
when you want to get that last that last part,
you know, man that.
Speaker 3 (05:33):
I don't think nobody just just happy turning turning, turning,
you know, after the work is done.
Speaker 2 (05:38):
And yeah, you know, it's such a back in, that's such.
Speaker 1 (05:42):
A lucrative you know what I mean, friendship and relationship.
And they feel like they've given so much and they have.
Speaker 2 (05:51):
But we still fifty songs.
Speaker 1 (05:53):
Right, yeah, we still and we still have a deal
in place because because you know what I'm saying, it's
the fifty that bird Man pick or cash he pick. Yeah, yeah, yeah,
but whatever he picks, it ain't like whatever release is
what he picked.
Speaker 3 (06:06):
So he say it was more than it was more
than song.
Speaker 2 (06:08):
Yeah, I was gonna say. That's how you usually always said,
especially especially if you wanted to get that back.
Speaker 3 (06:13):
And it was my pleasure, you know what I'm saying.
Speaker 1 (06:15):
Yeah, And and shout out to bird, Shout out to Slim,
you know what I mean. They they really they we
helped put each other in the game far as Atlanta,
you know what I'm saying, because I.
Speaker 3 (06:27):
Was really the one to bring cash money to Atlanta.
Speaker 2 (06:31):
Like I thought it was Vietnam via Greg Street.
Speaker 1 (06:35):
I mean when I'm talking about musically, I'm talking about
musically like kind of permeating them. They stay, you know
what I mean. They rocked out with Jazzy Fay and
through Street. Of course they ran Patchwork was patchwork. I
can't get in there. Yeah, Lil Wayne said, living that's
(06:55):
but yeah.
Speaker 3 (06:56):
That's what me and Wayne did. I mean, I pulled
up I think one day.
Speaker 2 (06:59):
Uh.
Speaker 1 (07:00):
I was like, you know, uh, it's wrong my birthday
or something, and I said, man, I feel like stunning day.
Speaker 2 (07:06):
Number one stunner.
Speaker 1 (07:07):
Yeah, yeah, not the two. I said, let me go
over here to BMW and get this seven forty five.
Speaker 3 (07:14):
Nurse came out.
Speaker 2 (07:15):
You had the white white one.
Speaker 3 (07:17):
You remember it. Everybody with the wheel.
Speaker 2 (07:21):
I can't remember what face he can't pulling out there,
and you know Jay Scott.
Speaker 1 (07:25):
Face shout out the scarface. But he was way in Houston.
But I seen he had his first Yeah, I seen
it online and I and I showed I can't remember
what rim shopping was. I said, I need these wheels, right,
I bet you face, I bet you bro. You know
we're talking about scarface. Come, ain't nobody going to see
(07:45):
his car?
Speaker 3 (07:46):
I remember that.
Speaker 2 (07:46):
I remember when you pulled that that mother to.
Speaker 3 (07:49):
Hey, I put them wheels on there.
Speaker 2 (07:50):
I pulled up that said. Look, I said, look at
this suggar right here.
Speaker 1 (07:54):
That's what that what fresh was outside when I pulled
up and and Wayne was outside. He was rolling one
up outside and back in the back patch works, and
I pulled up and I was playing.
Speaker 2 (08:06):
So I'm so in love.
Speaker 3 (08:09):
That's why.
Speaker 5 (08:10):
That's why we did the song I'm way more.
Speaker 3 (08:14):
Five and you.
Speaker 2 (08:17):
Hit his mind.
Speaker 5 (08:18):
He came up with that because of that.
Speaker 1 (08:20):
That's how he That's how he felt when I came
up with with that going on. He felt like that
every time I seen when He'll tell you what I
put I put. I put some smoke in his hand.
Damn y'all hear this, brother, I want to smoke like you.
Speaker 2 (08:36):
Jerry Clark. Story time of legend, your face. We're sitting
here with the legend himself, mister Jasey. These are type stories.
When you tune in the storytelling of legend, j you
go get you go get this type ship and the
speak to z Ago man.
Speaker 5 (08:53):
I learned the story. I didn't I was new to
so we up and there and a kon had his
son in there, and it was a story you you
had a vehicle.
Speaker 3 (09:02):
I was in that too, a com before he was
blowing up.
Speaker 5 (09:05):
He was he was doing things around the city.
Speaker 4 (09:08):
They weren't supposed to be TL Scoop type ship right,
breaking in the cars and he was about to get
into one of your cars apparently.
Speaker 2 (09:17):
Oh wow, I know that.
Speaker 3 (09:20):
I learned this year ago.
Speaker 2 (09:23):
We was at the we was all at the sun
with the a Con event and he didn't know that. Yes,
he said, one of the cars he was about to steal.
Speaker 3 (09:33):
Wow, yours one of my cars? Wow, that's what ship
the same dude, they gave you all them kicks and
snarees and ship. Yeah you know what I mean. We're
here now something now nothing now.
Speaker 2 (09:53):
Life is all about growth. Yeah that was those were
Jesse face sounds. That's how beginning his carew face. That's
how we're able to see here right now. But that
I remember when he said that at that event.
Speaker 3 (10:03):
Wow, man and me and Conda is like best friends.
Speaker 2 (10:06):
Man. I love what what artist mind that you never
had a chance to work with? That? You want to
work with that?
Speaker 3 (10:14):
I never had a chance to work that. I do
want to work with Bruno Mars. M go big, Okay, bru.
Speaker 1 (10:23):
Mars, I want to work with We're gonna make it
happen to I can hear that. Yeah, I think we've
been talking about it. He knows me, we know each other,
and you know it's just like, you know, he respect
the funk. You know, you know about Barcays and he
was excited about all of that. So he just want
to you know what I mean, what what artists came
to you?
Speaker 2 (10:39):
And I know a lot of folks I tell people
I have I don't have too many regrets from being
in this business almost thirty years. But there's there's a
couple who came to you. It was like, man, fuck
with your boy, fuck with your girl, and sign me.
And you passed on him, and you look back and
be like, damn, I should have signed Old Starr. Who
any artists that you have any regrets about about? Not
(11:00):
with Mmm? No, you got to work with who you
wanted to work with.
Speaker 3 (11:13):
I just don't have I guess I don't have no regrets,
you know what I mean. I don't have regrets like that.
Speaker 1 (11:18):
I don't I don't feel you know no kind of
way about somebody winning you know, without me, you know
what I mean. And if somebody is winning next to
me and I know you and I got your number
and we're friends, I feel like I've just gained you know,
as well as you because if we have a relationship,
then if I have something that you can use, then
(11:38):
you can get a cup of my sugar.
Speaker 3 (11:40):
You know what I'm saying, Pauls. You know what I'm saying.
Speaker 2 (11:45):
That's what.
Speaker 1 (11:48):
Yeah, yeah, yeah, Pauls. Yeah yeah, as a neighbor, you
might need to right, yeah, yeah, there's a neighbor. You
know what I'm saying. You might need something that.
Speaker 2 (11:57):
I got the Cameron and Mace.
Speaker 3 (11:59):
Yeah, Paul, But I said it though, so you know,
I'm goody Speaking of that, he was talking about the team.
Speaker 4 (12:06):
One of my greatest stories I think hearing from you
is how he talks about the team and now that
it doesn't have to be about him, but letting Missy
produce for Sierra.
Speaker 1 (12:16):
Oh yeah, shout out to Missy on because because Missy
hit me up and and and she brought to lights something.
She was like, you you ain't even you ain't tell
them that I that I played on the Bridge on
on one two step story time.
Speaker 2 (12:30):
So so story time.
Speaker 1 (12:33):
About to give you one of course. So so you
know when we were we were working on Sea Era's album,
and of course we got you know, Goodies is out
number one, number one record, Little John Sean Garrett. Uh,
you know what I'm saying. Jazzy Fizzle t I on
the remix, you know what I'm saying. Uh, that's what
me and t I got a verse. We got we
rapping together on that thing. We snapped too. But anyway,
(12:55):
so the label's going crazy about oh because we had
gave old to the label and let him hear it.
Well I didn't give it to him. That's another story.
But they got the record featuring Ludle Chris, and so
they ready to go. They're like, oh, we want to
put this old record out. So I'm like me, I'm
not ready to put my drink down. I still want
to party. Want and we need to go up. We
(13:16):
don't need to go down, We don't tempo wise. She
got she's a dancer. She needs to go up, you.
Speaker 5 (13:21):
Know what I mean.
Speaker 1 (13:22):
So they getting ready, they gearing up. They trying to
basically overpower me. And you know, dan't dropping the record,
you know what I mean? They about to drop the record.
Speaker 3 (13:32):
So I called, uh, I think.
Speaker 1 (13:35):
I talked to a friend of mine and said, man, listen,
they about to they about to They're about to force
this single.
Speaker 3 (13:44):
Bro, say, man, listen, call Missy. Call Missy and get
them records. Man. So I'm like, I don't want to
pressure Missy.
Speaker 2 (13:52):
Call her.
Speaker 3 (13:53):
So I reached out to her. She said, I got
the records, about to send them to you. She sent
it to me.
Speaker 1 (13:58):
It was like twenty five minutes. I was like, why
is the song twenty five minutes long? So I pop
in the CD and he.
Speaker 3 (14:03):
Goes, oh shit, see heah, Chelsey Faye song comes on.
I'm like, okay, this jamming.
Speaker 1 (14:10):
This boy all beasts that I made. Mind you, she
makes a whole mixtape out of all the beasts that
I made. So the second beat comes in, Ladies and gentlemen,
who wait, let's say, so she comes in. This beat
is automatic, supersonic.
Speaker 3 (14:32):
Now. I was like, wait a minute, wait a minute.
Speaker 1 (14:37):
Now when the bridge came in, don't matter of me
and you body, and so I'm thinking one of her
guys played.
Speaker 2 (14:45):
The keys and Missy, Missy played it.
Speaker 1 (14:50):
Missy actually, and I'm like, I ain't never seen you
in no keyboard, and how would I know you need
to be over you with me playing some of these keys?
Speaker 3 (15:00):
Mm hmm.
Speaker 1 (15:01):
Miss She's one of my heroes, but she's a personal
hero though, like my people. You know, she really delivered
my first, biggest, most important record in my career.
Speaker 3 (15:17):
That's like the like the most pivotal record in my
career right there.
Speaker 2 (15:21):
I would love to hear y'all do a whole album together.
Speaker 3 (15:24):
Crazy damn, but god dog, Yeah.
Speaker 2 (15:29):
Storytelling when you tune in a lot tuning in this show,
this is the type of stories you hear with the
great Jazzy Fay. I'm sitting here with my brother new face.
Speaker 3 (15:39):
And you know what's crazy.
Speaker 1 (15:40):
I don't think nobody's done an up tempo bridge like
that before, not sense.
Speaker 3 (15:46):
Not like that. That was That was monumental.
Speaker 5 (15:49):
The dream tries to the dream kind of break goes
fast to that, but not on that level.
Speaker 3 (15:55):
Yeah, I mean dreamers legendary too.
Speaker 2 (15:58):
What's what's what's coming up next? For? For for you?
Speaker 3 (16:00):
Jazz?
Speaker 2 (16:01):
I know you keep a man, you got a lot
on your plays.
Speaker 1 (16:04):
Of course, Gervand one in the Trap Stars shout out
to my boy yep, Van and the Trap Stars. Got
this kid named Kasey from Dallas, Young Lady by k September.
Speaker 3 (16:16):
Okay you hurd her?
Speaker 2 (16:18):
No, these all artists. Well you on Vody all side
to your production, to your label.
Speaker 3 (16:24):
Yeah, okay. Who else? We got this kid named uh
Molly okay, Molly Water chick named Molly Water. She's dope.
She's from Dallas, Okay. A couple other things bro and.
Speaker 2 (16:40):
These and all jazzy fade. Oh your hands on these?
Are your hands on this?
Speaker 3 (16:45):
Shout out to Havo somebody I'm working with. Chicken, I'm
working with outt Bomint Texas. She she's U.
Speaker 1 (16:54):
Dangerous, MC boy, she's dangerous. Yeah yeah, we gas the artists.
It's a lot of people I know.
Speaker 2 (17:03):
New Face just mentioned the dream mm hmm. And I'm
gonna ask you this before we get out of here.
Pick one songwriter all time for you to go in
the studio when it and do an album CHAZZI face
beats and a songwriter, who is it gonna be?
Speaker 3 (17:17):
A songwriter? One? Who is it gonna be?
Speaker 2 (17:23):
Missy? There you go?
Speaker 1 (17:27):
I mean that's that was easy, Yeah, because I mean
music can write a rap, miss can sing R and B,
she can do pop, Chicken can and I can do
it all.
Speaker 2 (17:36):
So you sure can.
Speaker 3 (17:38):
Yeah, we can. We can together. We can go stupid
new face. We need that to happen, man, most we
can do it. We can do it.
Speaker 1 (17:45):
And when she when she's gonna be turned, she's gonna
be like okay, yeah, okay, And we gotta get her
on the show because it's a lot to talk about.
Speaker 2 (17:52):
I watched Missy in my career and his music business.
I just sat back and really watched her in all Yeah.
Speaker 3 (17:59):
Yeah, she's amazing.
Speaker 2 (18:00):
He's amazing. Man, She's amazing, man. And I just want
to tell you, jaz Fae, we could sit here for
hours and hour. Let's come back. Let's you know, we'll
talk about your one hundred and seventy million records. So
a lot of stories. There's a lot of stories, a
lot of stories. We just we just scammed the service.
Speaker 3 (18:17):
Bob.
Speaker 2 (18:17):
I'm glad. We've been talking about this for a couple
of years, about you coming on the show. And I
just want to tell you, man, I appreciate you. Man.
Like I said at the beginning, his energy is effectious.
Speaker 3 (18:27):
Man.
Speaker 2 (18:27):
You always when I see you as. It ain't none
of that phony industry shit in.
Speaker 1 (18:33):
The industry dude. Yeah, I'm not an industry dude. I
grew up in the industry. So you know, people be like, no, no,
we are we are the industry. But that's just that's
just that's just who we are. But that's not who
we are, you know what I'm saying.
Speaker 3 (18:46):
Yeah, you know what I mean.
Speaker 2 (18:47):
We are.
Speaker 1 (18:48):
There's a there's a separate there's a separate entity that
goes for that industry thing.
Speaker 3 (18:53):
And when people give it, then you know, you just return.
Speaker 2 (18:56):
It, you know, and then a lot of people aren't
rooting in no real shit. You know, a lot of
folks new face when they you know, they get a
little bread. They you know, they was laying before, so
they're gonna be even lamer.
Speaker 3 (19:07):
Ain't gonna the first time.
Speaker 4 (19:12):
Man, it was Ryan Cameron's anniversary of his morning show.
So we are old national Crows nests at fire six
in the morning in the mornings, A young t I
a bone crush of young blood is in there with
a red, white and blue.
Speaker 3 (19:26):
I was working at Red Furry Cap.
Speaker 5 (19:28):
Yeah, can't damn.
Speaker 4 (19:32):
Was in there and I had a disposable camera and
this is showing up all this was out and come on,
I got it, man, come on six in the morning,
little John, a little scrappy.
Speaker 5 (19:47):
They had to sneak him in because he.
Speaker 3 (19:48):
Was young, a little scrap scrappy. Camera was still hot.
Speaker 2 (19:54):
So one O seven nine, I don't know what year
that was. That was, that was early two. Scrap there, man,
Damn well, that's that's what happened. When you so many
new face Jazzy Fay and Jerry here, this is what
you get. So I just want to say, hey, man,
Jesse Fay, we'll appreciate you. Man. Come on, man, all
the great things you've done. You contributed to this culture. Man,
(20:15):
Like I said, you got to come back because we
gonna talk about more and more.
Speaker 3 (20:19):
Absolutely, I am.
Speaker 2 (20:20):
Jerry Clark a k A.
Speaker 3 (20:22):
D legend Y Jerry.
Speaker 2 (20:23):
This is my brother new face, and I am say look,
I can't say it for him.
Speaker 1 (20:27):
Go ahead, ladies and gentlemen, I am yours, Julie, Jazzy
Fizzle a k A. Finzel a k A. Mister Burgundy
aka Obama, Luther King Okay Jackson. Five the first, the
very first Quick Saturday, third, the first.
Speaker 2 (20:40):
Chutch on Jerry Clark signing off Storytell with Legendary Jerry.
We are legendary Yary Jerry Clark. Here, New Face there,
(21:08):
New Face. Let me say y'all. New Face is always.
Speaker 3 (21:11):
Here and there Jessie Face, he'd be everywhere.
Speaker 2 (21:15):
This is story Time with Legendy Jerry and this is
your special segment with New Face and Jase. I want
to tell you before he gets started, he's about to blow.
I was about to say blow your mom. Then I
was gonna say pause. But he's about to bring out
some ship that really go that's what. But that's what
New Face the I'm gonna let him do his.
Speaker 4 (21:32):
Story take you back already brought to Sierra in the
one two step out. You know that's legend there in itself, right, Okay,
you know we talked about this brother right here, so
I brought out.
Speaker 5 (21:41):
The you know the introduction right.
Speaker 3 (21:46):
Signature.
Speaker 5 (21:47):
Yeah that's Teela.
Speaker 2 (21:48):
Yeah man, it ain't not phony about New Face. Man,
some respect on his.
Speaker 4 (21:52):
And I brought this because this is teela second album.
And if you look on here, it's a song called
table Dance.
Speaker 3 (21:59):
Pull your cheek stream could it?
Speaker 2 (22:00):
Sigh?
Speaker 3 (22:01):
Baby? Let me take the way you shake your baby
cap in the train and.
Speaker 2 (22:12):
Better Rock, take go Ahead Rock, Get the Money in your.
Speaker 4 (22:14):
Hand babyfore a table days Yeah, yeah, my trip club.
Speaker 5 (22:21):
So which club was that inspired by?
Speaker 3 (22:24):
It might have been Pure Passion, Memphis, Tennessee.
Speaker 2 (22:27):
Man, I used to love Pure Passion.
Speaker 3 (22:28):
It was so rachet.
Speaker 2 (22:30):
It was was right. No, boy, you could talk about
what you could you just could you can do it there?
I mean I wouldn't know just what I heard.
Speaker 4 (22:43):
Allegedly, brother right here is celebrating twenty years of trap
music right here, So I got right here.
Speaker 3 (22:49):
Oh wow, trap music.
Speaker 4 (22:51):
That boy got the tape and see this one is
special because from that stuff from So this is special
because I put all the producers on here and I
have to because this is David Banner is DJ Toomed
and we got a uh that's David Banner, DJ.
Speaker 3 (23:05):
You gotta sign that one, David, And you.
Speaker 4 (23:07):
Have to sign that because yours is right there as well,
because you produced which song off of this album?
Speaker 3 (23:16):
Remember Let's get Away.
Speaker 2 (23:17):
Let's get Away.
Speaker 4 (23:19):
Talk about being there in the beginning of trap music
and seeing his brother's evolution one time.
Speaker 1 (23:24):
Man, Listen, I really didn't even know that it was
a trap music evolution because I'm just thinking like you know,
because you know Tip, you know what I mean? You
know Tip, So Tip is he was trapped, he was
trapped out, so you know it's him saying. Trap music
really didn't give me the iconic version of what trap
music is now today. So then it wasn't it wasn't
(23:46):
registering like that, you know what I mean, like like
like and now it's almost like you know, when BBD changed.
Speaker 3 (23:53):
Up they sound, they was like, oh it's hip hop's
moved out on the R and B Tip with you
know what I'm saying.
Speaker 1 (24:01):
You know it's mental, you know what I'm saying. So,
and it was so clever, it was so revolutionary.
Speaker 2 (24:09):
And who you pulling out most stuff?
Speaker 3 (24:11):
Yeah yeah, new face over here, just going through a
thing over here, ladies and gentlemen.
Speaker 5 (24:15):
This is this young lady right here. I want you
to speak on.
Speaker 3 (24:21):
I love you, Lola, man, we love you, We love
you so much.
Speaker 5 (24:26):
And so I got that's funny thing about about.
Speaker 3 (24:29):
Where them dollars at the dollars it's a shore enough
sampling there, Yeah.
Speaker 2 (24:37):
Yeah, well the dollars actually yeah.
Speaker 3 (24:40):
I know, but we ain't gonna get all into that. Yeah, yeah,
we do, we do.
Speaker 5 (24:47):
Miss Lola, and what we got here is the promotional
sticker for Oh Boy.
Speaker 2 (24:53):
Yeah yes, Bigxac, oh wow exactly.
Speaker 3 (24:58):
Listen.
Speaker 2 (24:58):
That's the original shout out the local Green Air Lina,
Big Zach.
Speaker 3 (25:02):
And I remember we had that.
Speaker 1 (25:04):
We had cleaned up that that sticker because I felt
like back then and that was too to want you.
Yeah yeah, because we were doing things with kids, you
know what I'm saying. So I didn't want to, you know,
the sexy silhouette, but I did love that.
Speaker 4 (25:16):
Shout out to mister Soul who did this logo. He
also did Goodie Mind d did logo.
Speaker 3 (25:22):
Just know too much.
Speaker 2 (25:25):
New Face is a hip hop history.
Speaker 3 (25:27):
He like a he like the black Nard.
Speaker 2 (25:29):
War Hey right here, Hey man, like tell you something, man,
this this is what this is what New Face does
and that's why story Time of Legend Jerry, we have
this second of Jazzy. So thank you New Face man,
Thank you. Uh We'll see you next week with another
legend like this. Brother right here, Jerry Clark. Story Time
(25:52):
of Legend Jerry, New Face. Faith Gentlemen, we out Oh Boy.
Storytime with the Legendary Jerry's hosted by me, the one
and Only Jerry Clark Music has been provided by July,
the producer. If you haven't already, please please make sure
(26:16):
you subscribe to Storytime with the Legendary Jerry on YouTube
and wherever you listen to podcasts, and make sure you
follow us on all social media platforms at the Legendary
Jerry podcast. For more podcasts on my iHeart Media, visit
the iHeartRadio app, Apple Podcasts, or wherever you listen to
your favorite shows.
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