DO OR DIE in the Trap! | 85 South Show Podcast

Do or Die join 85 South to discuss their career, including their hit song "Po Pimp." The group reflects on the impact of social media and shares stories from their early days on the road. Plus, there's a new album on the way!

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Episode Transcript

Speaker 1 (00:01):
You gotta do all that.

Speaker 2 (00:04):
You lean back Jay Prince. We had Jay Prince on him. Man,
when he dropped his.

Speaker 1 (00:08):
Book, he pulled up. He pulled up.

Speaker 2 (00:12):
He's dead serious. Brouh that nigga more like the president.
You don't care for the nigga walked in. Some big
niggas walked in, looked up. Look I lift the counter
all the little god damn damn remember that ship. Yeah,
I want him for J print though I was, I
was niggas saying his goons in third, Yeah, I got
we got jam.

Speaker 1 (00:32):
I'm like, you couldn't say it if when you read
the lips he look that.

Speaker 3 (00:40):
Look all right, this is some ship that you have
played this you keep that ship.

Speaker 1 (00:52):
I was just gonna see it. We're gonna say it first.
This one of the ones people be forgetting about. This
one one. This what I forgot about. I mean, you
know you have you rad from Shattow text. That's a
long mother fucking draft.

Speaker 2 (01:06):
That's what twenty two hours, nigga, that's about eight spops.

Speaker 1 (01:10):
Yeah, easy, what you what you drove?

Speaker 2 (01:12):
Brom He said, we get high and rad from Shatty text.
But it makes sense to be all fucking with.

Speaker 1 (01:16):
JP we rode from Texas to Strago.

Speaker 4 (01:19):
Damn man, we still got micy that don't know how
to stop and change.

Speaker 2 (01:24):
Nah, No, you can't keep getting all these necklaces. Man.

Speaker 1 (01:26):
Every week you got a new nephtis. I ain't dead now.

Speaker 5 (01:29):
We got on these pricey right bike nigga price he'll right, Yeah,
how y'all getting how y'all luck in with Johnny Peter
childhood friend from the curb.

Speaker 1 (01:43):
Yeah, he always been singing that nigga. Yeah.

Speaker 2 (01:45):
Yeah, Johnny was signed to uh Luther Vandross worn Jenny
p was saying in Luther Vans.

Speaker 6 (01:52):
Vandross company with CDs called CDs Records, and he traveled
with Bernie.

Speaker 2 (01:58):
Mack where Yeah, because Bernie did have a band. So
he traveled with Bernie Mack the history.

Speaker 1 (02:05):
Yeah, Bernie had his own banding.

Speaker 2 (02:08):
You gotta watch this show he had on HBO. He
had a show he used to shoot in Chicago, Uh
Midnight Mac. You know, he used to shoot it at
the club and he had his band with him. Yeah,
he'll come out, he'll host the show, he'll do some bits,
he'll do some comedy.

Speaker 1 (02:22):
He'll sing, and he had a whole band.

Speaker 2 (02:24):
I got this Midnight Mac check it out and then
like it came HBO produced it, but I think it
came on like around Chicago and the surrounding areas to
the outside of just on HBO.

Speaker 1 (02:35):
But it's fly I got. If you want to see
some most.

Speaker 2 (02:37):
Ship, watch this, uh some clips from the Red Fox show,
not sefing and something.

Speaker 1 (02:43):
Red Fox had a late night show back in the day.

Speaker 2 (02:47):
He got one called uh Doctor Sausage and the Pork
Chops or something like that. But well he got a
band and they jazz musicians, and you know, they were
talking about how uh they made marijuana illegal because they
said that it was gonna make all the black jazz
musicians for white women.

Speaker 7 (03:07):
Right.

Speaker 2 (03:08):
So it's this scene on there when the white dude
come up there and he really say I really love
the music.

Speaker 1 (03:12):
Man. He was like, yeah, that's good, thank you appreciate it.
We're gonna have a smoke. So everybody liked.

Speaker 2 (03:17):
Everybody in the band like the joint and then the
dude tell them why they're in town and they're like, yeah, Federal.

Speaker 1 (03:21):
Bureau, I'm not caught it. Everybody started eating the weeder.
I don't want to run it.

Speaker 2 (03:27):
And the nigga had young Harriet Winslow as one of
his co hosts, Like she used to be a regular
to pop in.

Speaker 1 (03:36):
But if you watch it, you ain't gonna.

Speaker 2 (03:38):
Know it's Harriet Winslow because she fat, But it's Harriet.

Speaker 1 (03:43):
She's all, wait, I don't want to keep calling Harry Winslow.

Speaker 2 (03:46):
But Joe Marie Payton, Joe Marie, Joe Marie, y'all know,
we read for Red Fox and it's eighty six. Wow,
I looked all the facts up Red Fox. He was
telling a.

Speaker 6 (03:59):
Story about, uh, what's the Chinese guy that played Karate Kid?

Speaker 8 (04:04):
Uh?

Speaker 1 (04:04):
His name?

Speaker 2 (04:07):
His name Pat, I think it's I can't remember the.

Speaker 1 (04:09):
Last about how he helped him out of his son.

Speaker 2 (04:11):
He was on Red Yeah, Red Fox gave him a
check for like ten gi yeap.

Speaker 1 (04:16):
He said that man, he probably gave him cash.

Speaker 2 (04:19):
He told him what you call it for for Yeah,
he saved the house or some ship.

Speaker 1 (04:24):
Yeah.

Speaker 2 (04:25):
Yeah, mister Miyagi used to be on there doing comedy
with Red Fox.

Speaker 1 (04:28):
Now hell yeah, I ain't know that.

Speaker 2 (04:30):
Yeah, he did the Red Fox show with me. He
wanted the cats made something and he talking that Soul
brother ship.

Speaker 1 (04:36):
He was really with them coming up doing.

Speaker 4 (04:40):
He's just having to get mister miaga roll yeah, change
it all.

Speaker 1 (04:46):
Yeah, that changed it all right there? Yeah three three
uh movies back then move this. Yeah.

Speaker 2 (04:58):
Plus they probably had a ass deal because he was
he had the they had the exclusivity too.

Speaker 1 (05:04):
You know what I'm saying, Like, it's mister MIAI.

Speaker 2 (05:06):
You can't about to do five movies in the year
if you want one of the biggest movies.

Speaker 1 (05:11):
This is the eighties. Yeah, niggas me right. The other day,
he was like, bro, before we wrap it.

Speaker 2 (05:17):
Up, play paper chacks one one good time.

Speaker 1 (05:19):
He was, I'm an inspiring artist, brod paper check. I
stay on the paper I stay on the paper check.

Speaker 9 (05:25):
You need to a joke?

Speaker 1 (05:26):
Who nigga said he want to act? Just a random
nigga Like what I need to do? I was like,
but you need to sell dope, nig because I ain't
gonna lie to tell you.

Speaker 10 (05:35):
You're gonna be waiting for all this and I don't
want to hurt your feeling.

Speaker 1 (05:40):
If you don't.

Speaker 10 (05:41):
If you think that they just hide can like who
who knows you?

Speaker 1 (05:46):
An actor? You see how hard it is already? That's hard.

Speaker 2 (05:52):
That's the that's the ship that scared people away. There
don't nothing wrong with wanting to do something.

Speaker 1 (05:57):
I ain't say don't do it. I'm just letting you know, like,
don't go, don't get let don't let the let down.
Think that like.

Speaker 2 (06:02):
Shut you down when you get it on your first
day and they had you doing some first day ship, right,
don't expect nothing less because you gotta start somewhere.

Speaker 1 (06:12):
Yeah, you might want to act.

Speaker 2 (06:14):
We don't need no actors in this one, though, But
I tell you what we do, nigga. We need a
nigga that can, god damn that take for six hours
and be.

Speaker 1 (06:23):
A background motherfucker.

Speaker 2 (06:24):
We need you to take one hundred and thirty one
SIPs of water.

Speaker 1 (06:28):
Niggah. You don't get the talk meal you got they
take what panamon.

Speaker 2 (06:34):
We need you to sit there for six hours and panama.

Speaker 4 (06:37):
You know, one hundred and thirty two lit up.

Speaker 1 (06:42):
By the time we get the same.

Speaker 10 (06:44):
Nigga, your lips gonna be so n You want to
keep acting, yeah like you talk?

Speaker 2 (06:52):
Okay, hey my bad on this one. We gonna need
a nigga to hold the light. We need a nigga
you want to be down right, you round, You gotta
do that. You gotta do the dirty work, and no
matter where you at.

Speaker 1 (07:07):
You gotta start there. You gotta start somewhere.

Speaker 4 (07:09):
Bro, listen, I ain't gonna tell you what reality TV
this when I need some of this ship with great
I ain't gonna say.

Speaker 1 (07:15):
What reality TV show I was on.

Speaker 4 (07:16):
But they were like, hey, man, you want to go
get your cameo reratity about two thousand ct. I'm like, here, yeah,
I'm taking everything. So I'm thinking it's one of the ones.
So they like, yeah, y'all in the background.

Speaker 1 (07:27):
I'm in the background.

Speaker 10 (07:28):
They're like, all right, so everybody in the background fake talk.

Speaker 1 (07:31):
I was like, like, so you want me to fake
talk with them?

Speaker 11 (07:35):
They're like, yeah, until we call your name.

Speaker 4 (07:37):
I was like, okay, alright.

Speaker 1 (07:43):
DZ, what's up y'all. I'm in my head. I'm like, bro,
this ship fake in here. Don't worry about this background work.
Ain't nobody never gonna see it. Ain't nobody ever saw
the episode. Nigga, I'm in a nonce video. No which video?

Speaker 2 (08:02):
Okay, It's just scene right nas rapping on stage and
he at the club and they just keep going from
up to down. Right.

Speaker 12 (08:11):
If you look on the far side doing this.

Speaker 1 (08:18):
Yeah, I'm this nigga on my side.

Speaker 2 (08:23):
But the way that they got it, you just see
the figures, you ain't gonna see me, but that's niggas.
That's me, nigga, NOAs the dog. If you yeah, I'll
be on the left side up quick, it's quick.

Speaker 1 (08:39):
It's a hilarious. Yeah, man, that's hilarious. Man. Yeah.

Speaker 2 (08:46):
I used to go to ship like that all the
time because even if I wasn't all the way in
the ship, it was just good to be networking when you,
like you said, when you want to come up, they
want to about twelve Travis Porter videos Nigga for shows
your feet ball out there talking good ship and the
whole the holes were thoroughly entertained.

Speaker 1 (09:08):
I know, my bro, I know you do. Been played too.
I played the ship at mine. I was an extra.

Speaker 10 (09:14):
I was an extra and drum line real no cap.

Speaker 1 (09:18):
Where was you at?

Speaker 10 (09:18):
I was in the part where they got the frame
are you the scrap?

Speaker 8 (09:21):
Uh?

Speaker 1 (09:22):
I was a scrapped for it. Then let us my
mama let me skill school.

Speaker 10 (09:26):
She didn't let me skilled school.

Speaker 4 (09:27):
They didn't need the extras, and then at that time
they orchestrated the extras so.

Speaker 10 (09:30):
They got some of the extras from the church. So
my mom was like, I'm gonna let you and your
friend go on up there and.

Speaker 1 (09:36):
Get me in the movie. Think I saw Nick.

Speaker 4 (09:39):
I saw when they orchestrated him how to swing on
Buddy and everything.

Speaker 10 (09:42):
They were like, may no, when you hit them, and
when he hit them, he's just not.

Speaker 1 (09:46):
Where's Nick? Nick Cannon? He wasn't that stump the yard? No?
I said, it's drum line my bad.

Speaker 2 (09:56):
Yard face and said stop yard yard nigga.

Speaker 3 (10:05):
Hell now.

Speaker 1 (10:10):
My boy Remo in that bit Remo h ah h
you the fake crew.

Speaker 2 (10:20):
Now that nigga been in every movie that been shotting
Atlanta facts for real, for real, definitely started.

Speaker 4 (10:28):
You could be a famous brother talking about life. Bro nigga,
that being ship. You just got to take the business and.

Speaker 6 (10:32):
Keep going with it.

Speaker 4 (10:33):
You know, shut you down.

Speaker 1 (10:38):
You know who else is from Atlanta? Been in a
lot of ship. I don't even know if you know.

Speaker 2 (10:41):
You've gotta know this niggah because he's been all all
all of the motherfucker.

Speaker 1 (10:46):
Crimb dot com. You know crumb am I supposed to.
I'm just saying he used to hold the cruiser. Crumb nigga,
y'all have we gonna be mad at her when he
need my man bro oh g O. Crum the whole name.

(11:09):
We could call him Crumb.

Speaker 2 (11:10):
Crumb used to always swear he was gonna come fuck
with the comedy. One of the funniest natural like natural
funny niggas the.

Speaker 4 (11:16):
Middle of the who he on the mic going.

Speaker 2 (11:20):
Shout out to my name Crumb dot Com, my boy,
cr what's up?

Speaker 1 (11:23):
He just I don't know. He was on the radio.
He said, Crumb dot Com that's what. Yeah, you just
call him crumb. We just called him crumb.

Speaker 2 (11:30):
You said dot Com, that's his name, though I know
it's just.

Speaker 1 (11:33):
Dot Come put me up. Yeah, you know who else?

Speaker 2 (11:37):
Always entertaining the tall lad nigga from the West Side
with the gold for sure.

Speaker 1 (11:43):
This nigga about seven feet tall, shout the crumb.

Speaker 2 (11:47):
This nigga about seven feet tall, the dancing the nigga
in the club man seven feet nigga. He got me
about sick now, at least for real, the nigga.

Speaker 1 (11:59):
Shoot. Then, God damn long you got to come to
our club.

Speaker 2 (12:06):
And used to be the little dude who used to
be at all the clubs in the limb. He had
the little dance that he used to do. This ship
was so funny, bro like little short you know, a
little person.

Speaker 1 (12:21):
He had the little dance that he used to do.

Speaker 2 (12:24):
And I don't know how he made the ship work
on every single doing this ship every.

Speaker 1 (12:33):
I don't want this to scare you when you see it.

Speaker 2 (12:35):
If you ever fly American and you check a bag,
they gonna send your ship downstairs. They got a little
game when they work down there.

Speaker 1 (12:48):
You this ain't no joke. This is the fact. I'm
being dead serious right now.

Speaker 2 (12:53):
The little nigga got a lace front and some long
nails with some little bitty boots.

Speaker 12 (13:01):
I tried to hold the ship together, you know, the
little boots.

Speaker 1 (13:05):
Okay, this what I tried to hold together. And then
like I tried to be serious because I ain't want
to do it. But this what got me though.

Speaker 2 (13:13):
The motherfucking bags got jammed up in the thing.

Speaker 1 (13:17):
That little nigga jumped this.

Speaker 2 (13:19):
Little ass on that goddamn thing and went and had
his little feet hanging.

Speaker 1 (13:22):
Up out there home. I laughed so hard, I thoughted embarrassed.
I pulled him.

Speaker 2 (13:30):
I pulled it because I laughed so hardy No had
me fucked up.

Speaker 1 (13:37):
Yeah, so be careful. You think I'm.

Speaker 2 (13:39):
Bullshit, I do too, but something happened. Carry on, well,
you stupid. That ship was so fun at the airport
the other morning though, when whatever taking the picture? Man,
that ship was crazy. Oh yeah, that ship was crazy.

Speaker 1 (14:01):
To get crazy right here, woll you man too much?

Speaker 8 (14:07):
Yeah you'll be surprised, you be like real. Yeah that gray,
Yeah that was so like you You cray one of them,
then go home.

Speaker 2 (14:20):
So I've seen a lot of people at the airport
that I didn't know if they.

Speaker 1 (14:23):
Was people or not, if that makes sense. I was
in there the other morning.

Speaker 2 (14:29):
I was behind the lady, you know, going through the
little thing built from the back beilch, just.

Speaker 1 (14:34):
Like a little pein one. No shoulder, no shoulder like
a peng one. Man. But see I.

Speaker 10 (14:44):
Always know the mind my being there, I had none.

Speaker 1 (14:46):
It was crazy. You just see all the tyme of
crazy people. Somebody was in there.

Speaker 4 (14:50):
They had on a mask, right, but they had no eyebrows,
so it was like it was no it was.

Speaker 1 (14:59):
It had a nah.

Speaker 4 (15:01):
And they don't know eye So you know, I ain't
trying to like, I ain't trying to be rude, but They're.

Speaker 9 (15:06):
Like, damn, what a hard man.

Speaker 10 (15:10):
I contact with a nigga with no eyebrow.

Speaker 11 (15:12):
You know what I'm saying? Eye like everybody, you close.

Speaker 4 (15:15):
The eye like disappell. Then I'm like, I don't know
if he's sick. I don't want him say nothing.

Speaker 1 (15:22):
I saw a dog calling woman the bitch.

Speaker 2 (15:28):
He didn't say the words, but he bought like nah,
but his actions called her a bitch. We're going through
the airport. Securious man said, you feel a dog color.
The lady had one of the frenches right right. She
took the french are out the case and put the
dog on the floor, and then she like tried to
motion like come on, let's walk, and the dogs.

Speaker 1 (15:50):
Back and said, bitch, pick me up, pick me back up, bitch,
And the bit picked the ass up.

Speaker 10 (15:56):
Yes, because the.

Speaker 2 (15:58):
Dog looked like you know, these little ugly dogs have
facially spressed.

Speaker 1 (16:02):
The dog looked like he was real mother.

Speaker 4 (16:09):
White people be having dogs in like baby cart seats
and ship like baby seats, like in the baby scroller,
like we have to get there.

Speaker 1 (16:16):
You hit the dog all the time. I know that's
what you call it.

Speaker 4 (16:25):
Like folk got uh uh what it is all like
that's bullshit.

Speaker 11 (16:30):
That's bullshit.

Speaker 10 (16:32):
Dog in a baby seat, baby scroller.

Speaker 1 (16:36):
Some of the ship.

Speaker 4 (16:37):
We can't, we can't be just saying you just that
the press, bro, noro take that damn dog out there
out there the press.

Speaker 13 (16:43):
You don't need to go and you don't need no
dog treating it like it's a human baby.

Speaker 2 (16:49):
I'm one of them people who love dogs, but I
don't think a dog supposed to be every motherfucking well.

Speaker 11 (16:53):
I love my dog.

Speaker 1 (16:54):
My dog ain't in my front seat.

Speaker 2 (16:56):
You don't take your dog to the grocery store either,
I damn shure don't. That's some bullshit. Yeah, that's what
they do, though, they do that.

Speaker 4 (17:03):
Ship, that ship crazy cause my auntie alergy dog, it's
just gonna happen.

Speaker 1 (17:07):
She always get on the playing with the dog.

Speaker 2 (17:12):
Still now we will never don't be like if your
dog like ugly or like socially awkward, don't bring it
cause it's gonna make you look crazy, like you proud
of this ship.

Speaker 1 (17:23):
That's an ugly dog.

Speaker 13 (17:27):
Them little pups, them little men and black dogs o
them dogs, the motherfucker ugly, them skinless cats, them motherfucker ugly.

Speaker 1 (17:40):
I hate them bitches. I ain't even gonna lie.

Speaker 4 (17:42):
I ain't gonna sit here like I like them, old
them bitches ugly who want to skin.

Speaker 2 (17:49):
Well, y'all had some hits, man, I ain't gonna say
head because you still got them. You got this, we
want this bet. This is one of the songs that
if you don't do it, they get mad.

Speaker 1 (17:59):
Yeah. Yeah. A lot of babies was made out there.

Speaker 6 (18:03):
Yeah, man, a lot of cats. Stand you up. We
got in the car. We ain't have to talk to
no female. Y'all already talked to him.

Speaker 1 (18:09):
For all you gotta do is turn the a CM,
yeah a C on the turn of musical. That's it. Yeah,
if you gotta you, if your top let down, let
the top down, take her to lake Shore Drive and
just drive down lake Shore hell yeah.

Speaker 2 (18:22):
And then when you you know what, you know what
you gotta say when you're on lake Shore Drift.

Speaker 1 (18:26):
I thought I heard open state right there, open yeah,
open state right there? Yeah, stay right now. She got
two joints right there together for real, right up?

Speaker 6 (18:46):
Man, you know what we talked about it. That's a
line right there. You're driving down lake Shore definitely open.

Speaker 1 (18:53):
State right there. Michael Jordan got bust up.

Speaker 2 (19:02):
Michael Joy, got one open, Michael Joy, Barack Obama all
in Lake Shore right there. Used to be, honest, it's
as big ass's damn in the middle where all the
rich rich motherfucker.

Speaker 1 (19:13):
Yeah they don't really live.

Speaker 2 (19:15):
There, but you know they got a spot just to
be in the city.

Speaker 1 (19:19):
Yeah, yeah, right, I fucked with Chicago. But you ever
been in Chicago in the sometime. All the finance women
out saying.

Speaker 10 (19:28):
That beautiful They be running over there by that water.

Speaker 1 (19:30):
Man lake sure, lake front, should I say lake?

Speaker 2 (19:34):
Y'all act like this a real beat, though, y'all be
acting like that's a real.

Speaker 1 (19:39):
God damn beat.

Speaker 10 (19:40):
Pretty hell, that mother fucking pretty they call it lake.

Speaker 1 (19:47):
I got real.

Speaker 4 (19:48):
Grass over there, they real shiny grass.

Speaker 1 (19:53):
Great city, man, Yeah you do. Yeah, get overlooked by
the other bullshit.

Speaker 2 (19:59):
It's the people that make that motherfucking good, good city.

Speaker 1 (20:02):
Th Bro. If they like you, they love you, bro.

Speaker 2 (20:05):
They if motherfuckers is Chicago love, they gonna make sure
you're good.

Speaker 1 (20:09):
They're gonna make sure you scraped.

Speaker 4 (20:10):
Matter of fact, they'll make sure that whatever they got
going on in the city, they will make.

Speaker 1 (20:14):
Sure they don't even fax you. They'll stop it. Hey, bro,
we gotta stop this. You know, more coming in town though.

Speaker 2 (20:20):
We're definitely that sold out a bunch of ship in Chicago,
and it ain't no way all them people suck with each.

Speaker 1 (20:27):
Other the show for sure.

Speaker 2 (20:28):
Yeah yeah, yeah, I love that though when we go
somewhere and motherfucker hit you like the next day or
you know what I'm saying.

Speaker 1 (20:35):
Like, man, you know it wasn't.

Speaker 10 (20:36):
We ain't no bullshit that we appreciate, y'all.

Speaker 1 (20:39):
Boy. You know what. Look, nigga got the little fighting
at the concession then.

Speaker 10 (20:42):
But you know that nigga, they ain't got to fight
the nigga do that.

Speaker 1 (20:46):
On lip box about the concession.

Speaker 2 (20:48):
Some hoes got the art. Yeah yeah, cause he was
sucking both of them. But it ain't really I show
if that don't have to right the nigga don't get
caught up with his whole We ain't do great the drunk.
I don't think God show us to really like the
fight environment.

Speaker 4 (21:05):
No, people will tell you sit down, you'll get jumped, like, hey, man.

Speaker 1 (21:09):
Don't fuck this up. Some niggas don't stay man, shut down, cause.

Speaker 4 (21:14):
We don't have a couple people that be like we're
on the beauty show.

Speaker 10 (21:16):
And then folks in the crowd be like, hey, man.

Speaker 1 (21:18):
Sit show ad down. Don't feel like you right, let
me hold the nigga, Like yeah, walk your ass on
back now. Yeah. What was it like hitting that road though?

Speaker 9 (21:32):
Man?

Speaker 2 (21:33):
Just going places that because you know, when you're getting
to this entertainment ship, you go places that you never
thought you was bigger.

Speaker 1 (21:39):
Yeah.

Speaker 6 (21:40):
Yeah, we man, when we first got on the road,
should we stayed on the road for a year straight?

Speaker 1 (21:46):
Yeah? Yeah? Straight? Radio?

Speaker 12 (21:49):
Uh.

Speaker 6 (21:50):
You know they had the moms and pop stores and
all that shit, so you had to do all that promo,
all day, promo all day. When you come out of promo,
you going to the shows. So you we didn't and
through the shows all the way to the next year,
then locked in and did the second album, which was
Heads and Tails that went gold and what it was
when gold.

Speaker 1 (22:10):
In three weeks damn smoked dad.

Speaker 6 (22:13):
Yeah man, So you know they said the second album
is always the album that established you, established you in
the game. That's your sophomore album. Picked that up, you
know what I'm saying. So by being your sophomore album,
if you don't get past.

Speaker 2 (22:26):
That sophomore slump, Yeah yeah, that's that's like, that's like
losing in the game. Yeah yeah yeah, So Heads and
Tails set the tone and then victory. They really didn't
push it, but victory still went gold.

Speaker 1 (22:41):
Damn. Yeah. Yeah. So you know, we, we was among
some titans. You gotta remember.

Speaker 6 (22:49):
UGK, Ghetto Boards, Scotface, Devin the Dude. You know, we
was around some We was among some titans. So just
dealing with the energy of trying to come up with
these albums. Man, Yeah, there y'all like this though. Man, Yeah,
we was we, We was given. We was giving the
world our culture. Laid back player, pimp, ship nigga. You

(23:14):
could carry a gun, but you don't got to use it.
Talk your ship, You got your girl with you right,
ride around?

Speaker 1 (23:20):
Do you smoke? Have a drink or two? Be you
you know what I'm saying. Player, ship players, Yeah, show
for sure. Dress head to toe, you know, dressed down
head the toe.

Speaker 2 (23:29):
You know, so you turn that a yeah you left, Yeah,
said she blows.

Speaker 1 (23:39):
That's the one simple question. Do you want to ride?

Speaker 4 (23:42):
Get a backsteed a caddy?

Speaker 1 (23:47):
You did?

Speaker 2 (23:47):
Yeah you do?

Speaker 9 (23:50):
You don't want to ride.

Speaker 1 (23:54):
Said every mom said stepping double O p M.

Speaker 6 (23:56):
Flying love to the holes and a B M sip
and see grim chewing on a weed stem, touching on
my full film, moving to the back.

Speaker 1 (24:03):
Let me see who deep in this pole.

Speaker 6 (24:05):
Pimp spread to the phone with a slow limp, and
the tripped out ship. It was three one two seven
six two three live connection that rats that wanted defection.

Speaker 1 (24:14):
Just bring some weed.

Speaker 6 (24:14):
We got the drink you need and plus we strapped
with two protections.

Speaker 1 (24:18):
I put the phone onto then I pause for a minute.

Speaker 6 (24:20):
I forgot where I met the whole, and the fact
that I forgot make a whole one a snap.

Speaker 1 (24:24):
I straight up checked the whole. Really though to the crew,
though you know what I'm saying.

Speaker 2 (24:28):
We were talking, Yeah, we were talking.

Speaker 1 (24:33):
We was talking to him. It just laid back. Were
talking seven double o p M.

Speaker 10 (24:39):
Now I wasn't They got up as some hole was
seven o'clock on the dot.

Speaker 1 (24:42):
This nigga was on some flush and ship lush.

Speaker 10 (24:45):
Yeah, melbody said, I don't even remember I had some ship.

Speaker 1 (24:54):
When he said, it's sitting in the clock on the dock.
I'm in my drop top cruise in the streets.

Speaker 6 (25:01):
You made the made the pre said, that's where usher
got it from. He said man, I was listening to
Pole Pimp and I wrote it from I wrote it
from that, he did, he said, on the watch color,
he said, I wrote it from there.

Speaker 10 (25:13):
He said, I heard doing not I say that seven double.

Speaker 1 (25:16):
O P M And he said, shit, I just want
to usher to sound like a rapper. You know what
I'm saying. So Russia, it's seven o'clock and that was it,
M cause you can technically he in the Why am
all the words for? You know what I'm saying.

Speaker 6 (25:36):
It just made it, not because we were spelling our ship,
you know what I'm saying. Ain't this some ship pull
up in a C A D I double L bumper
A C A C hos. They peep those peak I
M P and they think that automatically because he's a pimp.

Speaker 1 (25:52):
He gotta be full of that m o any.

Speaker 6 (25:55):
But why cause nigga be spoort in nice cars, fancy clothes,
fast Georgia bowls, flexing one five bowls, flex on one,
five bowls to have it.

Speaker 10 (26:05):
Chop up that paper hole, chop up that paper hole.

Speaker 6 (26:08):
Watch where your lips go, correct my tips, slow to
the tempo, instrumental, real simple when you're bucking with a
pimp dough, get a bob in the back seat.

Speaker 1 (26:17):
That's high bed.

Speaker 6 (26:18):
That cat will get messing with the young lad smoking
on that fire the graund You never miss what you
never had at last, p I m p ology.

Speaker 2 (26:26):
But logically you learning these holes biology and well learning
these hose biology.

Speaker 1 (26:34):
Yeah, biology is to study of life. I studied the
way these bits lifting know the hold ain't ship. I
studied you.

Speaker 11 (26:49):
I said what you say, I ain't stop keeping up
the let you know.

Speaker 1 (26:51):
I know, no, it ain't even that you ain't shit.
I just studied your biologist, so I know at the
exact moment you stop even trying. I can smell it
on you.

Speaker 2 (27:02):
He could have easily studied these holes anatomy, physiology. What
do he do He studying these hose biology.

Speaker 1 (27:11):
And obviously, well it's working, bruh. If you think about
the concept of this song, right, these are just.

Speaker 2 (27:22):
Some niggas who was gonna wake up and be niggas anyway,
But it just so happened to be a nice day.

Speaker 1 (27:28):
I got the Cadillac washed, I.

Speaker 2 (27:30):
Got a pucket full of money, and this nigga got
on a suit with no shirt. Holes is seeing these
niggas just riding and marbling through the city like these
niggas with this aco. Because knowing that one of these
niggas has already studied these hose biology, you know what

(27:53):
they gonna do. They'd Okay, we got there riding elector
there and you put the suit on, no.

Speaker 1 (27:59):
Shirt, the gonna be on this nigga. You bullshittch this
ride through Nigga ride all evening?

Speaker 3 (28:06):
What you tell me?

Speaker 2 (28:07):
Wait till I to ride bout seven Nigga, It ain't
dark as dust at seven o p.

Speaker 9 (28:15):
Around.

Speaker 1 (28:16):
Rush your corgoy.

Speaker 2 (28:17):
It's this damn near little chili out here for show
for your seven double opinion. The wind kind of creeping
back out a little bit.

Speaker 1 (28:24):
Nigga might cut.

Speaker 2 (28:25):
The al but you know what I'm saying, talk might
crack the window on a bitch.

Speaker 1 (28:29):
I don't know who you want to ride.

Speaker 2 (28:34):
Then you got this nigga, he and a whole nother
cadillact singing to the.

Speaker 11 (28:39):
Everybody got their own cadillact. Niggas ain't riding together.

Speaker 2 (28:45):
Didn't see the video our phoe nigga.

Speaker 1 (28:51):
Like he talking to the twin. I tell you what
I'm about to start doing though learning these whole bo.

Speaker 2 (29:02):
Yeah, man, I've been worried about the anatomy too much.

Speaker 6 (29:06):
Yeah, man, the the and the other. Like right now
we're even with do Young do You? Which is man?
This song was made twenty three years ago. Got caught
up in the world three years ago.

Speaker 2 (29:20):
Yeah, yeah, yeah, this when it was twenty three years ago.
Got caught up in the achorithm of of TikTok and
the young people locking into the song.

Speaker 1 (29:33):
They'd have read the song up.

Speaker 6 (29:34):
Kekey Palmer started singing, I'm talking about you know what,
word for word.

Speaker 1 (29:37):
So we went. We went to Keke Palma.

Speaker 6 (29:40):
She had a party and they wanted us to surprise
her because she loved the.

Speaker 1 (29:45):
Song do You.

Speaker 6 (29:47):
We slid on the side where she couldn't see us
at and as we was, they was waiting to bring
us on. Soon we got on stage and the song
took off. She took off rapping that motherfuck I can
sure that the video. It was funny as hell because
she everywhere. We didn't even have to wrap.

Speaker 1 (30:02):
She just took over that motherfucker start sinking the hook.
That's funny. Yeah.

Speaker 6 (30:06):
So it's it's ship like that that that locks in
to the people and let them know like, okay, let
me see what they hell wont on. So when the
Shorties took it, that was it in city. I was like, man,
we need to do a video to this. Man, hell yeah,
and doing that business. Y ain't never did no video.
Yeah yeah, we never did a video to it, you
know what I'm saying. We was talking to Jay about it,
and you know, Jay was like, well, let's see, let's

(30:27):
see what this song.

Speaker 1 (30:28):
Though.

Speaker 6 (30:29):
We didn't know the song gonna be as big as
as it is now because you gotta remember somewhere in
between in the two thousand, that song uh took took
over on the YouTube, like at forty five million. Yeah, yeah,
took off on YouTube at forty five million, you know
what I'm saying.

Speaker 1 (30:44):
So it did a It was doing a lot of stuff.

Speaker 6 (30:46):
So for at this at this time, the song, now
we do a video to it, and nine days did
ten they had two million.

Speaker 1 (30:55):
Yeah yeah yeah, so yeah, yeah.

Speaker 6 (31:00):
So that's one of that's that's you know, that's that's
God got his hands on it.

Speaker 1 (31:05):
That's I know that for a show for sure. Yeah,
because I was part of this whole new audience. Yeah,
it's a whole new audit. This wait, till they discover
the other ship, this ship.

Speaker 14 (31:14):
Wait till they fucking figure out y'all was out here
studying these hose man, it's up, Wait till the biology
may just find this ship and they study in and
you know, dissected and ship.

Speaker 1 (31:26):
You find a lot of ship up in there. Man
Like Twit's and said.

Speaker 4 (31:29):
Especially with you'all flows and ship like, I feel like
y'all flows was you know what I'm saying. It was inspired?
You do know what I'm saying, Like especially a lot
of Atlanta rappers. You know what I'm saying, Like because
you hear that you did what I'm saying. You hear
like all the rappers. So it's like that litt the inspiration.
What would what would y'all say?

Speaker 1 (31:47):
Why would y'all so unique? You're like, you know what,
I don't want to be like them. I don't want
to sound like that. I want to come out to
do our own thing. Ship. What brought that? What? What
brought that out the most? Was well, we come from
as far as the streets.

Speaker 6 (32:02):
We was always around the dun ones. We was around
like the pimps for real. So that set a tone
with us. Then you had Twister at the time he
wasn't rapping, and he was rapping that style, but not
in the street way, right, So we brought all that together.
So once we brought that together, shit and uh because

(32:27):
if you can remember, Twist was rapping a certain like
like bars for bar, he was like hip hop, but
when he wrapped on poor pimp, it was what a
motherfucker might be broken ship and they collected no dough
from tipson. You sit you in the streets with that
ship now collecting no do But I was spending more
game than a mouthful of poker chips to get them
holes with the open lips and the provoking hips.

Speaker 1 (32:47):
And they ain't gotta tell them any lies.

Speaker 6 (32:49):
Help them looking in the city sky come on man
versus man.

Speaker 2 (32:58):
Good All the complexes really had.

Speaker 1 (33:02):
Some pretty eyes, these holes like me. That's what he said.
That what he said, That what he said, that what he's.

Speaker 6 (33:09):
Yeah, man, So that's that that style came from, you know,
just being in the in the mix of you know,
around the pimp world, right, and then at the same time,
you know, just picking up game from the people that
we were surrounded by. And that's watching the people the
artists came before us, too, like your scar faced ghetto
boys to ice cubes and all these guys who came
before us.

Speaker 1 (33:29):
Man, they were stepping stones for us.

Speaker 2 (33:31):
Yeah, was about to have that lady doing some ship.

Speaker 1 (33:36):
She ain't to the rhythm of a high hatch. These
hoes don't know what that is.

Speaker 9 (33:42):
Hit that?

Speaker 1 (33:43):
What happened?

Speaker 2 (33:44):
Ringing?

Speaker 1 (33:46):
Hit that one too high? Don't hear that ship?

Speaker 4 (33:51):
When you got roaches, you hear all types of ships.

Speaker 1 (33:56):
Some crowd that hey said that. He I mean, tell
me you got superhero human as I ride here. Great
part about they heard it too.

Speaker 10 (34:10):
Everybody like yeah, yeah, speaker, scared of the funk out
of me.

Speaker 2 (34:15):
I'm just trying to make sure you got this ship
so I can say because I ain't said it yet.
Walking back to the eighty five, this we got me
real active today, feeling real active, feeling real magnifico.

Speaker 1 (34:33):
You feel me? Why you're going so fast? The goddamn.

Speaker 8 (34:39):
Yeah.

Speaker 2 (34:40):
I like to beat because it makes me come on
like like this a news show. It makes me feel
like we have a prime time network slot.

Speaker 1 (34:49):
We ain't got no vanilla folks they call Manila folders.
But anyway, that's right.

Speaker 2 (34:55):
I don't know where the fuck, you're gonna get some
vanilla folders from did this nigga say vanilla folders?

Speaker 1 (35:02):
Your mother is a teacher, I educated, you know. Goddamn
well that ship ain't called a vanilla folk. But I'm
gonna let it slide because you're my nigga from the hood.
I'm a math expert. Vanilla folders. Let me get one
of the vanilla fold.

Speaker 2 (35:21):
Yeah, Charlie, don't feel man, because I have of another
difference between a pamphlet and a brochure.

Speaker 1 (35:31):
Nigga am pambala in the brochure. It's all about how
this whole lamplet pamphlet, pamphlet. It's a pamphlet, so you
said to me, never been staying the wrong. There is
not a pamphlet, no nigga, that's a diaper.

Speaker 4 (35:43):
So everybody at the Old Bank of the war talking
about take this paphlet.

Speaker 2 (35:48):
It's a pamphlet, pamph pamph You.

Speaker 10 (35:53):
Never heard that it's a panh You know what I'm saying.

Speaker 1 (35:55):
They never told us that path uh huh I slept
let oh perlet pamphilt. Yeah, that fuck is with the passil.
Don't put that extra fluff in nothing. Don't look the
p have to roll off the h which.

Speaker 2 (36:13):
Pass there you go put yeah, yeah, how bes ball?

Speaker 1 (36:19):
Yeah, you know what I'm saying. How the what's the
difference between a pamphlet and broure and a brochure, Because.

Speaker 2 (36:25):
A brochure could be a panphlet, but I don't know
if a pamphlet could be a brochure.

Speaker 1 (36:31):
You know what.

Speaker 13 (36:31):
A brochure is given instruction.

Speaker 1 (36:34):
A pasholet is given direction.

Speaker 7 (36:36):
It's given direction, it is don't care.

Speaker 1 (36:49):
A pamphlet, that's what I said, is folded.

Speaker 11 (36:52):
It's all about how it's foil.

Speaker 4 (36:56):
Oh, so a pamphlet you could just go so it
could be kind of small, but it could be state
that's a paphlet.

Speaker 11 (37:02):
A brochure is folded.

Speaker 1 (37:05):
Instructure. It's like a natter.

Speaker 11 (37:08):
Hey, funk all that, man, it's a handkerchief.

Speaker 14 (37:13):
We got way more ship going on than there.

Speaker 1 (37:18):
You don't want to say it, pamphlet. I regret. I know,
crazy man, I shouldn't. These are high thoughts.

Speaker 11 (37:26):
Pamphlet, What are you wrong?

Speaker 1 (37:29):
Bitch? Read it and broke short. That's what I'm gonna
tell him.

Speaker 3 (37:33):
Read your bro shure?

Speaker 1 (37:34):
Did you know every thing.

Speaker 2 (37:38):
That's gonna be margument have to say read it.

Speaker 10 (37:41):
And Bro, sure we ain't got to read the brochure.

Speaker 2 (37:47):
No, man, we got a very special guess in here
with us. Man, one of the coldest niggas ever to
do this ship and made some timeless classic music. I
remember hearing the ship for the first time and my
life as a young man. Thirteen years thirteen, fourteen years old.

Speaker 1 (38:05):
It's one of these stones that I feel like it's
going to forever be in my rotation.

Speaker 2 (38:09):
You thirteen, fourteen years thirteen, Man ninety six, I was thirteen.

Speaker 1 (38:13):
Wow, we was outside Bro.

Speaker 2 (38:15):
I had the feelives with the black bottom with the
black strap hanging off the bottom. Here you're talking about Felive. Yeah, man,
it was a real last summer. It was at summer
Bro family reunion type shit. You know, Max, I remember
this shit.

Speaker 9 (38:30):
That was drug dealer welle Man.

Speaker 1 (38:33):
But Felix.

Speaker 2 (38:34):
Yeah, it was going crazy because you know, they had
all the hot all the ones were like this was
before everybody was on their Force one.

Speaker 1 (38:40):
They were like had to.

Speaker 2 (38:42):
Color strap around them bitshess Yeah, but then everybody used
to let the motherfucking strap hang back.

Speaker 1 (38:46):
Yeah, Felix, nigga.

Speaker 4 (38:48):
I remember when everybody was on for one.

Speaker 1 (38:54):
I won't feelive. I said, I get that suit.

Speaker 10 (38:57):
I kept up.

Speaker 2 (38:58):
I had, man, and this how you know I had
a great life. He's talking about like young Nigga having
ship that he really wanted.

Speaker 1 (39:06):
Nigga, I had a pair of motherfucking.

Speaker 2 (39:10):
Slick boys jeans, Nigga slick boy, the stonewashed with the
patches on.

Speaker 1 (39:15):
That motherfucker with the colors going down. That bitch with
the slick.

Speaker 2 (39:21):
Come on man, back of the That was the coldest
ship back of the day.

Speaker 1 (39:26):
Those those slick boy I had as a cowboy, bo
oh man, but lost.

Speaker 11 (39:42):
My booties on the ground.

Speaker 9 (39:43):
Loan.

Speaker 1 (39:45):
I'm gonna tell you this story here in a minute.
But I said, we got a very special guests.

Speaker 2 (39:49):
All the way from Chicago, one half of the Spectacular group.

Speaker 1 (39:56):
Do it that who we got you?

Speaker 9 (40:07):
All right?

Speaker 11 (40:08):
Yeah?

Speaker 1 (40:09):
Yeah, man, look out, uh huh yeah.

Speaker 6 (40:12):
We definitely definitely got some heat coming to man. We're
doing a we got a new album that we're doing.
What we're gonna call it perfect time in DC, trying
to get on there.

Speaker 1 (40:27):
On the real They ain't bullship. Okay, they're gonna play.
I promise y'all play you a beat right now. You'll
be like, man, give me, I'm.

Speaker 10 (40:34):
Talking nigga to get on it, Paul, Okay.

Speaker 1 (40:39):
Don't work. We're gonna let it die. Got over with.

Speaker 7 (40:45):
Ship.

Speaker 1 (40:46):
Okay, No, let me from here on out. Let me say.
Let me just leave the face right there. Let me
say this.

Speaker 2 (40:51):
There would be no words, but we will look at
you funny. Now, let me say this go ahead.

Speaker 6 (41:03):
Isn't it crazy how the social media world, the Internet
world they call it, changed up the game, yes to
where if you say some ship, it's a old ship.

Speaker 1 (41:19):
You know what I'm saying, it makes you think that way,
just because the social media world set the tone for that.

Speaker 2 (41:26):
I feel like it's the never ending joke though, right
because it don't matter what context you say, some ship
is some ship just always gonna sound fucked up.

Speaker 1 (41:35):
It donna sound crazy, it's gonna sound fucked up. Yeah,
that should be left field to me sometimes like.

Speaker 9 (41:41):
This would be great, bro.

Speaker 10 (41:43):
We had to grow up like that.

Speaker 9 (41:45):
Well we came.

Speaker 1 (41:45):
Well, we can't exactly exactly.

Speaker 11 (41:49):
Chicken in there. You say, man, give me that lab
meat ain't no matter say.

Speaker 1 (42:03):
Laugh, so yo, man, fucking hold on the lampe man,
wow laugh Wait a minute, give them the pants do

(42:24):
don't laugh piece. You're never like.

Speaker 11 (42:27):
Trying to get me talking. Ain't say hey you nothing,
you don't lamps me.

Speaker 1 (42:35):
So your mind, man, how you live?

Speaker 5 (42:38):
God freaking I ain't never had to do it like that.

Speaker 1 (42:42):
Bro. She crazy?

Speaker 2 (42:44):
Bro yeah, man, yeah, but hey, I think that now
you can't even ask the bar no money. Yeah, that's
it sounds crazy. Hey, let me hold something? Whoa what
the fuck do that mean?

Speaker 1 (42:59):
You know? Now, niggas did say that they don't give
the up, they'll put theirself in the fire. Let me
hold something, hold you know what? You know what? Get
this man?

Speaker 10 (43:11):
Some man, I don't know what you'll do for some
more to get that.

Speaker 1 (43:21):
Take that change yeah, and then a plan anything.

Speaker 2 (43:30):
You just can't leave the first part off both for
them at the same time.

Speaker 1 (43:35):
Man, I'm talking about some titties.

Speaker 11 (43:36):
Man, he won't lad piece of meat, and now he's
wrong with the man.

Speaker 4 (43:45):
Trying something.

Speaker 2 (43:49):
Man about some titties.

Speaker 1 (43:56):
Bro, know you want know you want?

Speaker 11 (44:01):
It's always wanted to.

Speaker 1 (44:07):
As as I talking about getting back to the album. Man,
So so we working the album right now. Man.

Speaker 6 (44:17):
The album is dope. Kiki definitely she's gonna jump on it. Yeah,
trade the truth actually called for a song, which is dope.

Speaker 1 (44:25):
You know what I'm saying. People just like, man, let
me grab, let me get on the song.

Speaker 6 (44:29):
Man, you think about drum, We was thinking about October. Yeah,
I got to hear it, get on that yeah in
the October.

Speaker 10 (44:37):
Yeah, yeah, I do nobody weekend.

Speaker 1 (44:42):
We're gonna do it that remix man and Riding, Yeah,
let's do it. You think I'm playing, Let's do up
bring back album skits. Man.

Speaker 2 (44:53):
We got a joint called Zaddy. We got a joint.

Speaker 6 (45:24):
Okay for real, man, we own it. That's when when
I play that mother for you'll be like, Okay, some
dope ship. I promise you we'll believing.

Speaker 4 (45:32):
No, I'm rocking with it. We won't playing everything y'all.
Motherfucker play y'all legends.

Speaker 1 (45:37):
First of all.

Speaker 4 (45:38):
First of all, we don't put our legs on the
pedestal nothing.

Speaker 1 (45:46):
We got way more Hall of fame.

Speaker 4 (45:48):
I say that every time we got somebody that come through,
because we that's all we have on these capchus Hall
of famers, green jacket type motherfucker. You know what I'm saying.
We don't respect our Hall of famous enough. Bro, Just
like you were talking about all these albums. Ain't none
of y'all album flop, not hard.

Speaker 10 (46:06):
Of it to go go.

Speaker 2 (46:08):
Go Platum and amongs with real physical, real physical copy,
like I mad a nigga, get e his seat, Go
buy my CD, your money for it.

Speaker 1 (46:22):
You had a motherfuckers listen.

Speaker 10 (46:23):
To your album in the bed before he brushed his teeth.

Speaker 1 (46:27):
You dig what I'm saying.

Speaker 4 (46:29):
Ain't y'all went gold amongst other killers when they comes.
We talking about rappers when it was hard to get
no the ride and we ain't got no digital media's.

Speaker 1 (46:37):
Just like, y'all, are you crazy?

Speaker 4 (46:41):
Bro?

Speaker 10 (46:42):
Our our icons don't get put on the pencil or not.

Speaker 1 (46:45):
So we want to tell y'all thank you. We want
to tell.

Speaker 4 (46:48):
Y'all y'all actually paved the way for a lot of people, bro.
Ain't y'all are moguls, not only for Chicago, but for
niggas just like y'all around the world.

Speaker 1 (46:57):
So we just want to say thank you.

Speaker 6 (46:58):
But show for show and so's well, yeah, and that's
it's crazy that you that that you just said that
because it's a lot of you know how sometimes you
feel like you're not getting the flowers. I just remember
facing man sometimes man, you you have to leave out
the game in order for to feel like you're getting

(47:21):
your flowers, you know what I'm saying. So yeah, man,
that's this. This means more than you know. Yeah, because
it's a lot of ship that that we we you know,
we put in the hard work and you be like, damn,
but I put in that all that hard work for nothing,
you know what I'm saying.

Speaker 1 (47:36):
So to hear this right now, it's man, respect.

Speaker 9 (47:38):
It's love it love, It's definitely.

Speaker 4 (47:40):
It's definitely y'all definitely impacted the game. Not only that,
I think at that time a lot of us ain't
thinking about it because, like you said, o't toward a
whole year Yeah, yeah, a whole year too to go
album to go album going crazy, So you're not really
thinking what you're doing on not knowing that.

Speaker 1 (48:01):
You do that. Yeah. Yeah, we wasn't even thinking about it.
We just had work. We just jump.

Speaker 11 (48:07):
We ain't worry about it.

Speaker 1 (48:08):
Once you make it, we go.

Speaker 6 (48:11):
Yeah, And that's what made it dope because you had
Tupac and Biggie, you had the East Coast and West
Coast thing going on at the time, you know what
I'm saying, And Pop Pimp was just creeping up through
the what through you know, through the through the through
the process of all of that ship, you know what
I'm saying. And once Pop Pimp just took off, it

(48:32):
was you know, it was. It was hard because because
Park said, where we ain't gonna let nothing move, We're gonna.

Speaker 1 (48:40):
Put song for some somebody was trying to put a
song on.

Speaker 6 (48:42):
Park was gonna put a song out, so for the
East coast West coast thing to be happening, Poe Pimp
taking off like that, that alone said a lot about
the song, you know what I'm saying, because it wasn't
a lot of music being played out played like that.

Speaker 1 (48:57):
Yeah, they was holding all music back. Hmm. Yeah.

Speaker 4 (49:02):
So all this digital streaming that motherfuckers got easy for
you to put your song out and you y'all going
through a process of trying to stay relevant.

Speaker 1 (49:11):
During all this.

Speaker 6 (49:12):
Yeah, yeah, that's that's coming with a song that makes
sense while all this is going on, you know what
I'm saying. And Pope him took off through all that process.
And think about how many songs that was on a
billboard that took off other than crucial Conflict.

Speaker 1 (49:29):
Hold on, now, you gotta you gotta talk your talk?
What what what?

Speaker 10 (49:32):
What?

Speaker 9 (49:32):
What?

Speaker 1 (49:32):
How many?

Speaker 2 (49:34):
If you looked on if you look on Billboard with
pop and Biggie at that time, to what the biggest artists,
you know having these songs out.

Speaker 1 (49:43):
You you've seen our song.

Speaker 6 (49:47):
You sing crucial Conflict and you sing U GK pocket
full of Stones?

Speaker 1 (49:53):
Check it, check billboard. Everybody get on Billboard. Now you
might have got on Apple mu.

Speaker 10 (50:00):
Yeah, but you ain't even get on the bill Billboard. Yeah,
that's different right here, Apple chart.

Speaker 1 (50:07):
You ain't the billboards. Yeah, yeah, that's a different. That's
the biggest in America. That's what I'm saying. That's a
that's a collective. Yeah you all you locked in?

Speaker 2 (50:20):
Right?

Speaker 1 (50:21):
Yeah? Ship?

Speaker 10 (50:23):
What would yours?

Speaker 1 (50:24):
You say? By far? Your favorite song.

Speaker 6 (50:26):
As far as all album album? I can't say because
it's like the majority of the music I made the
hooks for, the hooks for so you know, face is blank.

Speaker 1 (50:40):
This ain't me man.

Speaker 9 (50:42):
You gotta represent that ship.

Speaker 2 (50:43):
Come on, yeah man, that guy.

Speaker 6 (50:50):
Yeah, the majority of the songs I made the hooks for,
so I just love all the ship man.

Speaker 1 (50:55):
You know what I'm saying, Like you hard.

Speaker 4 (50:56):
To pick a face, you know, some you know as
our we got ours that we like.

Speaker 6 (51:04):
If my favorite one to perform will be just balling.
That's what I'm doing, just balling, trying to keep up
meal straight, stuck a never fall in caddy your thelets
trying to get the next plateau.

Speaker 1 (51:15):
Flex with the roads up into the go go.

Speaker 6 (51:17):
I spoke of bees and Dodger, Poe Pole, got the pimp,
pip and soul, so I pimped to them. Oh hold
on for a minute, let me call mine. You know,
you know that was the one because soon with that
song play, yeah, yeah, I'm.

Speaker 4 (51:31):
A I'm a I'm a music and the swer for
when I got hip the ship, I got hip to
that floor with bone thuds and harmony and y'all in twisted.

Speaker 1 (51:40):
What made y'all wrap so fair? I always said, if
if somebody can rap fast, you can rap.

Speaker 10 (51:45):
What made y'all just want to wrap in that that.

Speaker 6 (51:49):
Cadens twisted now because Twister was already doing you know
what I'm saying, So you know, once again we just
brought the streaks into that style, you know what I'm saying,
and bone them like they harmonized.

Speaker 1 (52:03):
But we brought clear words. You know what I'm saying, uh,
but murder.

Speaker 6 (52:07):
When I un locked the glock, the pop opened up
six most e seventeen, the deeds, the freeze about it
like a holocaust. Holocou take a tip off, therip off
the ad the man to break a chip off the
other man, the better the man. Because I'm gonna cary
the man in the land with his own beginning to
meet his own again. Don'triplet being my only friend fantasy
become reality. That min it's heart to breed, them in,
its heart to lead. So we got hard to see.
Don't even god your grill, you ain't hard to kill.
So we was flowing, you know what I'm saying, and

(52:29):
you heard the words clear, You heard clear words.

Speaker 1 (52:32):
You know what I'm saying.

Speaker 6 (52:32):
So we was just wanted one of our words because
we know both of hommy already had to harmonize.

Speaker 1 (52:38):
Right thing down pack. Yeah that was fine. Yeah it's hard.
So you're sure you're getting on the album nigga, I'm
waiting for you to send met his own. Okay, I'm
gonna definitely take I'm boys he trying to give it
a Hollywood. You shouldn't get there. Dcl flying on cover,

(53:00):
No Cow.

Speaker 2 (53:02):
It only makes sense. Do it die feature in DC
Young Fly? Come on, man, come on now, guess what
the song called?

Speaker 1 (53:10):
What gonna ca these? Hold biology the high? Bro? You high?

Speaker 2 (53:22):
I know I am because I can hear the echo.
Bro your ear you are high? Don't smoke it?

Speaker 1 (53:36):
Do you want to ride with me?

Speaker 11 (53:41):
Like I'm already gona ride.

Speaker 1 (53:43):
Yeah, the nigga that went crazy you get hired and
right from Shadow Texas to Man, I ain't no. I
don't like driving sometime. Nigga that know I want to
go somewhere, but realize how far I gotta go. I'll
just sit now. I'm like, have you thought about this though?

Speaker 2 (54:02):
You see how to how the joint took off on
TikTok again, they don't know you got twenty more of them?

Speaker 1 (54:09):
Yeah, yeah, we're finna drop one. We can go cry.

Speaker 6 (54:17):
Make it happened because we man like Okay, So the
third joint that's in the Pop Pimp and do you area, Yeah,
it's Fantasy. It's a song called Fantasy that's dope as fuck.

Speaker 1 (54:31):
You know what I'm saying. So we definitely finish shoot
the video to that. So the joint so the phone
been ringing? Oh yeah, yeah, it's it's more and more now. Yeah.

Speaker 6 (54:40):
Yeah, So the mission is to give them an insight
of what substance music looked like.

Speaker 1 (54:51):
Let me ask you this.

Speaker 2 (54:55):
You know how it is with the entertainment ship when
you first start out and now you at the point
of your career where you a veteran, but now you've
got a whole you're starting a whole new chapter.

Speaker 1 (55:07):
And it ain't it ain't like, it's not forced. This
ship happened organic. Yeah.

Speaker 2 (55:13):
What does this feel like when the people have requested
your services and it came back and got you.

Speaker 1 (55:20):
God got it. We're hold up, We're through with the music.

Speaker 6 (55:23):
Hey, oh some let me say this on some real ship.
I was going to real estate.

Speaker 1 (55:35):
You still can't.

Speaker 6 (55:37):
I brought a building I was I'm you know what
I'm saying, two lots from next to it. So I
was real estate, two locks next to it. I'm gone.
But to answer your question, God, God have his hands
on it. This was God asking to come back and
do X, Y and Z because everything started taking place,

(55:59):
and like you said, it was, it was so organic
when it was taking place. First, you know, they call
us for the pitch the first pitch out on the
mound at Socks and Cubs game, then from their Kiki Palmer,
then from there the janitor guy them.

Speaker 1 (56:16):
From there TikTok take off. You know.

Speaker 6 (56:17):
So it was just so much going on. And then,
like a lot of podcasts, I called, hey man, y'all
come so this Yeah. Yeah, so it was just it
was it's just dope, man, to see when God got
his hands on something. You you don't even have to
you don't even have to really lift a finger. Ship
working for himself. It's working for himself.

Speaker 1 (56:38):
Yeah, I believe in that God's time and ship. Yeah
show for sure. This is a season.

Speaker 6 (56:42):
Yeah, and you just have to take advantage of it
and then take take advantage of all the opportunities that
come with it. So once the season is gone, you
can go to the next you at the next level
for sure.

Speaker 1 (56:53):
Yeah. That's deep. That's deep.

Speaker 2 (56:56):
Don't take that one in because not for real. That's
that's cold, man. Can we been having these kinds of conversations? Man, Yeah,
it's just you know, as an entertainer, you know, you
start out and then you have so much passion.

Speaker 1 (57:11):
Then the passion turned into the love, and then it
go from love the business and then.

Speaker 2 (57:16):
They go for the craziest relationship you ever had to
them fuck this shit moments, and then it's like you still,
then it's love again, but then it's passion.

Speaker 1 (57:25):
But then this bitch ain't shit either.

Speaker 2 (57:27):
At the same time, it's the strangest relationship that you
can have, Like you know, when you want to be
an entertainer, when we got when you chase it, when
you're chasing that dream. Cause it's like, even with success,
if it's not what your definition of success is, you
ain't never gonna feel successful. You get what I'm saying, Like,
if your whole goal was the nigga drop fifty albums

(57:50):
and you the goat at twenty five of the motherfuckers,
you ain't gonna do the other half. Yeah, Yeah, cause
you're gonna be chasing that feeling if I did what
I said.

Speaker 1 (57:59):
You gotta and what I said I'm gonna do. Yeah.
If you love that ship, you have to complete the
You have to complete it rather you like it or not.

Speaker 6 (58:06):
Like they say, motivation is one thing, but when you discipline,
you do that ship rather you like it or not.

Speaker 2 (58:13):
Yep, Mike said, King is doing the ship. You don't
like the same way that you do the ship that
you do.

Speaker 1 (58:20):
Yeah, you know, ship.

Speaker 6 (58:28):
Up.

Speaker 1 (58:28):
Whatever you're saying them, you gonna suck it up. Man.

Speaker 2 (58:30):
I'm telling i'mnna go better the whole everything on DC Man,
better at.

Speaker 1 (58:36):
All, Timmy. I'm a man seeing it, Timmy, and I'm
not right now thanks a game? Do this s it
on camera? No plan so they can see. Well we
said all. I'm like, no, he.

Speaker 2 (59:05):
Were back in this bitch, man, we're back in that.
I don't care when I say we back in this bitch,
I mean like a spine. He's back in this bitch
like a spine.

Speaker 1 (59:16):
Let me get some cookies. Ain't no cook ain't no
more Jay plenty, some pippot in the meantime him while
you're playing.

Speaker 4 (59:27):
But we go to the studio right now, like right now,
like right now, right there. Why why did he think
go crazy by this? Let me hear something he got
us on beat restriction. I know he'd be giving up
the YouTube beat bro.

Speaker 1 (59:41):
They don't give up to be he giving They don't
know it. He don't know that we heard he turned
a little for down subscribed.

Speaker 2 (59:46):
Now er.

Speaker 1 (59:52):
Man, let me hear some what else you got? What
else you got in that bitch, real pimp.

Speaker 11 (01:00:00):
Uhhh yeah, I like that, you know what.

Speaker 1 (01:00:08):
I'm real good. I got an ear that I can
hit people on it. I like tanning the rapper on
this looking for the chilling m h people getting the
line happy. Now this one of them pst female rappers

(01:00:32):
on him and you for my female. This one of
them breaking? This is what this is? This one of them.

Speaker 2 (01:00:40):
It's a breakoupa about the right one, like like a
type ship. Like she's sick and everything. She about to
talk about how niggas ain't she it had it been cheat,
how she held it down. She was the best thing
ever happened to this name. You don't want me, they
don't talk to me, something like that type ship and.

Speaker 1 (01:00:59):
Damn phone went out. Yeah you gotta charge of it up. Okay,
I do these whose biology on this right here? Though?
The whole bolgy?

Speaker 2 (01:01:13):
What I say, Yeah, I'm studying legs uh huh because
I want some heads.

Speaker 1 (01:01:18):
Yeah, it'll be wearing off. I got what I said,
But I'm gonna bring get back.

Speaker 3 (01:01:23):
Yeah.

Speaker 1 (01:01:23):
I've been studying your holds back.

Speaker 8 (01:01:25):
Yeah.

Speaker 2 (01:01:25):
Bet these other niggas don't know nothing about that. Yeah,
learning the whole biology, Yeah yeah, learning no biology, the
whole biology biology.

Speaker 1 (01:01:38):
Learning these ho biology, okay, I stead of learning these
whose biology? Yeah, and then I get all that in
their head, like psychology.

Speaker 2 (01:01:47):
Make a bitch, look at this guy for astrology, and
if a bitch make me mad, I expect an apology.

Speaker 1 (01:01:54):
Yeah, this is what I said. I studied on legs
and head in the backs. I'm about to speak some facts.
This is the hose By ology and all of that.

Speaker 2 (01:02:08):
You see that hold on at me, hey man, hey man,
that nigga fired.

Speaker 1 (01:02:13):
Man, he just didn't want to see us. Get on
the new album. I just got seven and a half boss,
you complete matter, nigga. Man on the way that on
the way, I want that, nigga. I just thought about
this ship. Hold on, fuck you.

Speaker 4 (01:02:31):
Jails, it went crazy, nigga said, I stagedology.

Speaker 6 (01:02:37):
I do.

Speaker 10 (01:02:39):
That's love apology manology that.

Speaker 1 (01:02:47):
Hey, excuse me, all right, stag an apology? Yeah, sir,
new album on the way, Yes, sir, do it that
you did?

Speaker 9 (01:03:00):
What's the name of that?

Speaker 1 (01:03:02):
Perfect time? Perfect time?

Speaker 9 (01:03:04):
Perfect time?

Speaker 2 (01:03:05):
This is the perfect time here man who on the
chance let me guess, don't even tell me chance on them?
Twisted on them? Yeah, he keep palm on them. Yeah,
excuse DC, young Flower, young Flower.

Speaker 1 (01:03:21):
He didn't even music. Excuse me. I forgot you was
building it up my hours at the bonus track.

Speaker 11 (01:03:32):
We hold you know, we bonus track.

Speaker 1 (01:03:35):
You just got on there, Boney. It wasn't want to
make our you just got on the motherfucker. Yeah. We're
working on Bond too. That's gonna be good. Yeah, that's
gonna be all right, Bud after because we're working on Bard.

(01:03:56):
Back to Houston, Yeah, then after the trail burg is man, yep,
we did a show with bun Man. Sold out eighty
six thousand world here, eighty six thousand people packed, sold out.
Damn yeah, man, that's cold.

Speaker 6 (01:04:14):
Yeah, man, Yeah, that boy was packed, sold out, eighty
six thousand people.

Speaker 1 (01:04:19):
Eighty six thousand. Yeah, that's a small country. That's a
lot of people. That's a small there's a lot of people.
I know everybody hear that song? Is it down? That's
where the fuck was this show? At the stadium, the
football stadium out there. I want to be around eighty
thousand people.

Speaker 10 (01:04:39):
I ain't got anxet it, but that's how you get it.

Speaker 1 (01:04:43):
Yeah, that's a chick you got, but that's how you
get it about five. Yeah, that's a lot of people,
this man, that's a fun shot. Damn yeah, you snapped.

Speaker 2 (01:04:57):
From a show in front of eighty six thousand people.
I gotta go home and work on my ship for
when I'm in front of eighty six thousand. Yea, because
some joke's gonna work in the club where about you know, three,
three to five hundred, and then some shit gonna work.

Speaker 1 (01:05:12):
In the theater, you know, one to two thousand.

Speaker 2 (01:05:15):
Then you're gonna have some Marina ship, and then you
gotta have some football stadium.

Speaker 1 (01:05:23):
You gotta have some eighty six thousand ship.

Speaker 3 (01:05:27):
Man.

Speaker 2 (01:05:27):
You can't wear no regular ship to no shop like that, nigga.
I might have on a motorcycle jacket with the.

Speaker 1 (01:05:32):
Pads in it with no moccause you got a little different.

Speaker 2 (01:05:38):
You gotta look different when you're performing in front of
eighty six thousand people.

Speaker 1 (01:05:43):
You can't wear some ship that.

Speaker 9 (01:05:44):
These niggas can buy.

Speaker 2 (01:05:46):
You don't wear clothes when you perform in front of
eighty six thousand people.

Speaker 1 (01:05:50):
You gotta jagging off. You mother fucking right and lost
your back.

Speaker 2 (01:05:55):
I'm junking at the maybag with a hundred jacket off
jag it off just because it looked good with eight
ball that come on eight ball in the bay. Man
got on some ship so new it looks fake. This
ship is something new.

Speaker 1 (01:06:14):
You you ain't never even seen this. When you first
saw you thought it was some knockoff ship. But this
ship is so good. Your broke hands don't know nothing
nothing about it?

Speaker 8 (01:06:22):
Right?

Speaker 1 (01:06:22):
You call it his fake? Man? What the fuck is that? Nothing?
Only the most expensive ship, little bit. This ship so
new it looked fake.

Speaker 9 (01:06:32):
Man, it did they did.

Speaker 1 (01:06:35):
They got it off the truck.

Speaker 9 (01:06:37):
This knew me.

Speaker 1 (01:06:38):
I got it this Tuesday. They put the new ship
out on Tuesday. Your your ass ain't been down there. Man.

Speaker 2 (01:06:43):
You ain't going by this bre you stupid. But you're
performing in front of eighty six thousand people. Man, you
gotta have a costume. Got we need a costume. Man,
the jacket, fuck yeah, brownstones, all kinds of ship.

Speaker 1 (01:06:58):
This ain't ship. You are where your regular life. I
ain't gonna lie. I would have won the jip some
ship when they cut the lights off, and I do
like this. It's some bullshit, like all up the arm
the ship.

Speaker 2 (01:07:10):
Eighty six thousand people came to see me nigga walking
up that this was regular clothes.

Speaker 10 (01:07:15):
Nigga.

Speaker 1 (01:07:16):
I'm taking off the wheel, I am helmet and everything
I got to look. I'm I'm wearing a helmet, nigga.

Speaker 10 (01:07:23):
I'm not coming out there, nigga jacket nigga.

Speaker 12 (01:07:26):
I'm not coming out that nigga fe the eighty six
thousand nigga. I might have I might have on some
bullshit when I first come out there, but it's part
of my costume.

Speaker 1 (01:07:38):
Nigga's a leather jacket.

Speaker 2 (01:07:39):
But the bitch got some jet fighter wings that pop
out make a nigga look real futuristic or something.

Speaker 1 (01:07:44):
Then I do like this and then light up, and
then they hit the red light on my ship. Right,
you're just gonna turn the red light on. When they
turn that bitch on, it looked like a nigga flew
wind but he never did. But if you watch him
the jacket and ship, you ain't gonna even see my feet.

Speaker 2 (01:08:02):
It's gonna and then the smoke gonna make it look
like I gld up in that bitch, but you never did.

Speaker 1 (01:08:06):
Never did. It was a little It's a little thing
that brought me out. I would just lie like Chris Brown,
Chris Brown flying around. No, that's when you when.

Speaker 11 (01:08:14):
It's eighty thousand, man, God.

Speaker 4 (01:08:36):
To me, you know.

Speaker 1 (01:08:41):
Singing, you gotta be singing to nigga take me over there?
That people eighty six thousands, a lot of people. Broh man,
there's a lot of people.

Speaker 2 (01:09:00):
Yeah, nigga don't come out regularly, Bro, Please, don't you
better have.

Speaker 1 (01:09:04):
Your interests gotta be ten minutes. I like Michael Jess,
don't do that. You gotta be original. No, like you said,
I'm taking it off. I'm like, no, it's not him.

Speaker 11 (01:09:25):
I already got to.

Speaker 1 (01:09:28):
I'm making them nigga.

Speaker 2 (01:09:30):
The only way you get on the zipland is if
you sold that bitch out for it, like the whole
week like Chris Brown.

Speaker 1 (01:09:35):
If that bitch stowed out the whole weekend. I shout
out to that nigga, Chris Brown, I don't be like
enough people getting their manly slower? Have you been sharing
this nigga? Show bro that nigga about.

Speaker 11 (01:09:59):
Hold got what else you're gonna do?

Speaker 1 (01:10:03):
Nigga on the zip line and then get the singing.

Speaker 9 (01:10:12):
Take me down?

Speaker 1 (01:10:14):
Put that nigga, Oh Brown from telling you, bro, it's
just so much success. Bro, that nigga go bro. Yeah,
I can't imagine that ship. You'll be up all night
if you had to.

Speaker 2 (01:10:27):
Perform in front of eighty six thousand people. The adrenaline
would have you up for two or three days straight
after that.

Speaker 1 (01:10:33):
Man, That's why you got to go see ship like
that so you can get the motivation.

Speaker 4 (01:10:37):
I'm mad I miss it, but I'm gonna catrch one
because i ain't never seen no stadium.

Speaker 1 (01:10:41):
Performance like you said it coming to club. Well, in
our line of work in the entertainment, we see the
different levels of stages.

Speaker 4 (01:10:49):
Yeah, you got the Chickney Circuit, then you got the
the Yaga Ballroom.

Speaker 1 (01:10:55):
Li Ah you doing so? Then you got the Arenas.

Speaker 4 (01:10:58):
Okay, you're a household name after Arenas is like, oh
you don't went over the threshold.

Speaker 1 (01:11:04):
Stadium eighty six thousand people take me over that. A
lot of more fucking people like, yeah, he over here, man,
it ain't come out regular, bro.

Speaker 2 (01:11:24):
You gotta have some some like some extravagant bullshit on bro,
because you got to have at least like a brown
snake jacket.

Speaker 1 (01:11:31):
And I'm talking about some ship that looks so good.

Speaker 2 (01:11:35):
On motherfucking camera over nigga can't even hate on that month.

Speaker 1 (01:11:39):
But it's so new it looked fake DC knowing that
this ship is handmade by a little Indian lady.

Speaker 11 (01:11:45):
This jacket, Hey, look at that bullshit.

Speaker 1 (01:11:51):
Nigga. You ain't supposed to like this is real.

Speaker 4 (01:11:53):
Rat snap bout the compliment, I bout the hate, Nigga,
this is one hundred and twenty.

Speaker 1 (01:11:58):
Two rounds snake. What the fuck is you talking about?
You don't supposed to like, you don't supposed to wear
this ship.

Speaker 2 (01:12:05):
And you know, nigga, I don't walk around with the
rattlesnake pants, with the jacket, the mask. But I got
eighty six thousand people here to see me.

Speaker 1 (01:12:12):
What the funk I'm gonna wear? Yeah, I guess fo one, No,
fuck you not, nigga.

Speaker 2 (01:12:18):
You gotta have some kind of boots French gay man
war something like you get like you gotta be their
designer some trip besides you, yeah, wanted them, but they
made him just for your Nigga had the corression, food
and everything.

Speaker 1 (01:12:32):
Make the special boots for That's the only way you're
gonna get the boots. You're gonna wear a boot. You're
gonna know the mass mass wasn't.

Speaker 9 (01:12:42):
George No know you you know what I'm saying that
that was level to that ship.

Speaker 1 (01:12:56):
Yeah, we came out and they was singing. So hey man,
I told you what. We just be on hi talking ship.
You never know what the fuck might happen. Bro we load.
I ain't gonna lie. We waning for the album.

Speaker 10 (01:13:19):
It wasn't gonna.

Speaker 1 (01:13:22):
I told you bring back album skins man.

Speaker 2 (01:13:24):
Yeah, yeah, which is the represent comedians used to get
a lot of money together.

Speaker 1 (01:13:30):
Somebody fucked up there.

Speaker 2 (01:13:31):
I don't know when the rap game got so serious
that took a lot of employment. After comedian community videos
stopped being funny, then they got two gangsters. Yeah, I
feel like you gotta put it. You gotta put a
comedian from your city in the video. If you're a
rapper and you watching this ship, you got at least
one song. You can let the comedian in your city

(01:13:54):
play a gangster one time, and it always.

Speaker 1 (01:13:56):
Got to be a bitch ass nigga in the video.

Speaker 2 (01:13:59):
Let the commed here be a gangster sometime, nigga, and
keep it album skits used to be the cohesive ship
that kept like the skit, they kept to its.

Speaker 1 (01:14:15):
May want to hear the skit. Yeah, Twister had the
one with the old nigga was snitching on the news.

Speaker 2 (01:14:21):
See these young punks walk up and down the street
all day with their guns.

Speaker 1 (01:14:28):
This more my wife stayed here. This this well my
wife ship like that type of ship. Yeah.

Speaker 2 (01:14:36):
Nellie had a good one on the Saint Luis tis Ever.
The nigga on there had called to talk to his daughter,
but he really.

Speaker 1 (01:14:47):
Was trying to find out who who was over there
with her mom?

Speaker 2 (01:14:50):
And he's like, hey, but woo love you do me
a failed tell your daddy who over there with your mama?

Speaker 1 (01:14:57):
This little girl saying slow down Murphy Lee uh and
our lead and that one boy that sing down down baby.
He's like, okay, but we love you. Put your mama
back on the poor.

Speaker 8 (01:15:15):
Man.

Speaker 1 (01:15:16):
That shit is so funny. The Mad Rapper all, yeah,
that's one of Yeah, that's one of the dopest.

Speaker 2 (01:15:24):
That rapp bring the album Skis back. I think we'red
the point musically where we could do that. And I
want to see god damn comedians brought back to videos,
cause when you go back to the videos, that's what
makes the ship.

Speaker 1 (01:15:36):
Classically.

Speaker 2 (01:15:37):
Chris Tucker and Talent is in the motherfucking Heavy D
video made that ship funny as fuck. Bro, Remember the
heavy D Nothing Belove video. Chris Tucker was and talent
talent Chris Tucker to dance with the girls in the club.
We got the old man style shoot and when the
talent is getting rejected by all the girls, and all

(01:15:58):
the girls is on heavy D and real cool man,
my dad.

Speaker 1 (01:16:03):
Mike, real cool. He did like five C video for Mike.
He did wrock my world.

Speaker 4 (01:16:08):
Work.

Speaker 1 (01:16:08):
Yeah yeah, yeah, but then that ship makes that ship legend.

Speaker 2 (01:16:12):
Dad.

Speaker 6 (01:16:12):
You never know sure because he you know, he bring
that that that dope part of just because the comedian
world into what Mike was doing.

Speaker 1 (01:16:20):
So this made it even doper man, Yeah, wake your
ass up on that dope man, Doe, he woke up.
Let me get something you sugar bear when he woke up. Ship.
Yeah yeah, man, you gotta get off there. Fetoms, that

(01:16:41):
ship was on your head. My mother, you're sleepy, sleepy.
I'm a lout of him.

Speaker 9 (01:16:47):
They're going through it.

Speaker 1 (01:16:50):
That crazy that a nigga sleep No exactly who says
on to it? He all over here? Hey, well what
you said? How you knew that the I don't want
to sleep. Fuck you want?

Speaker 9 (01:17:04):
Wait what they hair?

Speaker 4 (01:17:06):
We got the jumbo some fla, but y'all have nigga
cut your your hair, man type nigga want the big
fly sees in the mouth.

Speaker 1 (01:17:14):
You're not. I ain't never letting that ship go. Oh
they pulled lots off on the home. Yeah, you fund.

Speaker 2 (01:17:31):
For that, should give you that do what to call it?
High blood pressure? Yeah, I don't eat too much of
that ship him. I need a little thought, just a
little bit though, healthy.

Speaker 8 (01:17:40):
Man.

Speaker 1 (01:17:40):
I ain't got no side to want go get something.
I ain't no, all three of them gonna be going.
You got the money to spend right here?

Speaker 9 (01:17:51):
Yeah, getting my side that I won no no more.

Speaker 4 (01:17:56):
You got me chewing on the boogies, up the booze side.
The motherfucking why you choes are hard? You don't even
need to steak air, nay.

Speaker 1 (01:18:10):
Man, We damn sure. I appreciate you stopped strough that
already know man. Also for you, though, don't worry about it.
Not the chicken j that should have been cold. I
see that JJ Dad. I said, Wait a minute, man.

Speaker 9 (01:18:25):
I should have been cold.

Speaker 1 (01:18:26):
Go man, yeah, man, Yeah, it's a pleasant in the honor.

Speaker 6 (01:18:34):
Man.

Speaker 1 (01:18:34):
Yes, sir, Yeah, man, it's high, it's high. Yeah, yeah, yeah,
even though you're from the West Side. Yeah, no, I'm
a rock this man. The right way to the west
side of Cargo. West side talk, don't talk.

Speaker 6 (01:18:49):
Born and raised west side of Chicago, yes, sir, man,
and Chicago is Chicago like a motherfucker.

Speaker 1 (01:18:58):
But if I have to turn back to the window
city here in a minute, yeah, man, finna get cold
in the mother for you know that, y'all, y'all, y'all
about to come out there, right, yeah, we out there,
were out there. What's the coldest city you have been through?
The coldest, coldest nigga? Remember we was in New York

(01:19:18):
that that one winter when it was coldest.

Speaker 9 (01:19:20):
I remember that.

Speaker 1 (01:19:21):
I remember that it was the coldest. Winner they had
the little man that was the cold, that was the cold,
that was cold. I think I was, I was my coldest.

Speaker 10 (01:19:30):
Was It was either Minnesota, yes, hell, or both of
them New York.

Speaker 1 (01:19:37):
It was one of them too, motherfucker. It got cold
as a bitch in Pittsburgh. Too cold Pittsburgh. But you
can kind of quick through during the day trying to
come the sun be out. But Minnesota, I don't know.
What it is that's a whole different. Is it get cold?

Speaker 2 (01:19:54):
Every club in the Midwest wanted me.

Speaker 1 (01:19:57):
To come.

Speaker 2 (01:19:59):
Every time, every time, and then they tried like it
ain't that they want us to come when it's cold
as fuck.

Speaker 1 (01:20:08):
They just act like we're supposed to be used to
the ship like they used to. Man, you know them
from out of town. Yes, you're finished, go to the
motherfucking throw and get it either, get three of them.
We know you was cold.

Speaker 9 (01:20:24):
From here.

Speaker 1 (01:20:25):
It's a negative fold. Can't bring no pain.

Speaker 2 (01:20:28):
What you're doing tomorrow, not going outside the fun I
gotta buy clothes.

Speaker 1 (01:20:33):
Yeah, they get cold, motherfucker. Man, Man, it feels like
abuse cold hell to.

Speaker 2 (01:20:43):
Remember we were at that night with they had that
that thick ass snow like it was got that Ohio
you know that crazy ass club that it was like,
it's snows so much, you got muddy around the back
and ship.

Speaker 1 (01:20:55):
I think, man, we in up in.

Speaker 10 (01:21:00):
This ship once we go halfway through the SOO were like,
how the hell we get here?

Speaker 1 (01:21:07):
Bro? I feel like we could go and do like
a seventy five city run.

Speaker 2 (01:21:13):
Because it's like, motherfucker was so mad when we put
the toist cities.

Speaker 1 (01:21:16):
Out man, yaller man, God damn, how many? All right,
we're gonna come through. We're coming through. Y'all on show
up at the city. The don't want to drive an hour. Oh,
so they want you to come to us.

Speaker 11 (01:21:31):
They want to go to they they want us come
to their house. Man, they want us to do dollars. Right,
we're gonna live it.

Speaker 1 (01:21:47):
No home, I don't go home. But don't you tread
this ship you see come on man everything. That's how

(01:22:09):
it beat them. Yeah, when we dropped into a cities.

Speaker 2 (01:22:12):
They was like, man, come on, man, I'm like, bro,
we donet came up eight times in a row.

Speaker 1 (01:22:18):
Said the man, where a y'all come here?

Speaker 9 (01:22:21):
We were like, where are we coming there?

Speaker 1 (01:22:25):
We just looked like I ain't leaving everybody. When ain't
coming back, nigga, We ain't coming back for you, just
for you. You gotta wave, We gotta wait, you gotta
come back to me by just for you. Yeah, now

(01:22:48):
we're gonna go back. They act like we said, fuck
it ain't never coming back.

Speaker 2 (01:22:53):
Now we're going back. We've done these markets and we're
going to them. That what is it that like a
it's a every like other quarters that you do the shows. Shit,
it really just depends on how the schedule break down, like,
and we're all usually like at the top of the year,
we'll all get together see like what's our collective availability,

(01:23:18):
who got who to and where and what, and try
to route around that because you know some of these places.
It's just like I feel like we can, like cause
we do these eighty five South shows and then we
go do standing up there, and then we go do
the comedy clubs. So it's like these we notice that
it's not all the same market. The people who gonna

(01:23:38):
come see you at the comedy club, these ain't gonna
be the same people who're gonna come see you at
the arena because they ain't fucking with all of that.
They rather see you where they can talk shit back
to you and you know what, you know what I'm
saying and they understand that. Okay, they ain't here building
some ship, working on some but it's always fun though.

Speaker 1 (01:24:03):
It's up.

Speaker 2 (01:24:04):
Yeah, commonly got medicine in it. Be healing people and
helping motherfuckers so people will believe. Yeah, send me those
messages and shit all the time, talking about how this
ship where we fall into their life.

Speaker 1 (01:24:16):
You know what I'm saying. I was so proud of us.

Speaker 2 (01:24:20):
Man, somebody send me a link to this goddamn freak
ad lady doing some freak a thing.

Speaker 1 (01:24:25):
Guess what she was listening to, Welcome back to Ain't
you can hit? You can hit? In the background she
getting bush.

Speaker 2 (01:24:34):
Oh yeah, we done made it into the background of
porn on movie. That may sound like sleazy, low brown shit,
but that's exactly why.

Speaker 9 (01:24:44):
I got in the game.

Speaker 2 (01:24:46):
If people who make amateur porn ain't playing this show,
not good enough, I let my community down. So if
you make those dirty ass videos and post them online,
always feel free to let the eighty five South Show
be playing in the background.

Speaker 1 (01:25:02):
We love that type of gorilla mark we need for
there you go. Yeah, man, well you know exactly where
we're at.

Speaker 2 (01:25:20):
Yeah, man, pull up promote, yes, sir, in that order,
perfect time, perfect time, much love and success going forward.

Speaker 1 (01:25:29):
Yeah, I'm looking.

Speaker 2 (01:25:30):
I'm gonna keep checking the trends just to see at
what point they discover the catalog.

Speaker 1 (01:25:35):
Yeah, cook, long story, short, TikTok and reached out.

Speaker 6 (01:25:40):
Now, so that just let you know how real that
shit ish.

Speaker 1 (01:25:45):
They reached out. Yeah, they reached out that's what's up.
Shout out to.

Speaker 10 (01:25:48):
TikTok Tiktoks reaching out to some real one.

Speaker 2 (01:25:50):
Yeah, let's get to it church, Yes, sir, eighty five
South Show do it That DC on flash from jail
Win's mustache m