Lunchbox shares the BIG problem he has with the Price Is Right that might lead him to having to cancel one of the days he is trying to go be on the show. He thinks it's a disaster but we see it as an opportunity. We found out that a show member who has been married a long time is STILL paying for their wedding. Emergency room doctors are sharing the seemingly minor injuries that could become serious or even life-threatening from animal scratches to hitting our head. We check in with Lunchbox later as he arrives in LA and gearing up for Day 1 of trying to get on The Price Is Right.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Comitting this.
Speaker 2 (00:10):
Good.
Speaker 1 (00:11):
What's up? Everybody? Welcome to Wednesday Show. More in a studio.
Speaker 3 (00:16):
Okay, we know this is on Wednesday's show, but right
now we're actually recording this late Tuesday afternoon because we
just found out some news or I did, and Lunchbox
just told me, so we're putting this on Wednesday show.
Is that he has a problem now at Prices right?
Why is there always a problem and you don't nobody
knows this, No, nobody knows this. Okay, So right now,
(00:36):
in real time, Lunchbox is in California trying to get
on Prices right, but he hasn't left yet as we're
recording this, and I just wanted everybody to be in
the room once he shares this.
Speaker 4 (00:46):
Okay, it is well. I they just released something that
Thursday is the Valentine's Day episode okay, and so you
had to come in a couple. It says, where your
best purple reds and come celebrate Valentine's.
Speaker 1 (01:04):
Day with us. So price is right, which he didn't know.
Speaker 3 (01:07):
Of the three episodes he booked, one of them is
a complete Valentine's themed episode where you have to come
with your significant other.
Speaker 1 (01:13):
Okay, yeah, your wife's gonna be there. Yeah, so his
wife has never done anything public? I know how important? No, no, No,
here's the thing.
Speaker 3 (01:23):
Why don't you just find a dude and do it
to like find random. Yeah, that's a great idea.
Speaker 1 (01:27):
I pronoun you, Chuck and Larry. I'm sure in LA
you can find anyone.
Speaker 4 (01:34):
Here's the problem. That's part of the problem. What if
I go with my couple and they pick my other half.
Speaker 1 (01:42):
No, I thought they picked two together, pick you in two, like,
come on down a couple.
Speaker 5 (01:47):
Yeah.
Speaker 3 (01:48):
My assumption is on a couple's episode, all right, this couple.
Speaker 1 (01:53):
Lunchbox and Larry and then you guys run down together.
Speaker 4 (01:58):
That I thought it was just you had to show
up in couples or the village people.
Speaker 1 (02:03):
One's a cop, one's a leather man. It's a good idea, dude.
Speaker 3 (02:08):
So okay, So the question is your wife, who hasn't
done anything public?
Speaker 1 (02:11):
Yeah, would she go with you? I don't know.
Speaker 4 (02:15):
I didn't even bring up the thing to her because
I was worried that they would pick her over me
and then we'd be fighting for us our lives. But
now that you say they were going to pick a couple.
Speaker 3 (02:24):
That's just my assumption. Guys, would you assume the same thing.
If they're saying come in couples, they're gonna pick couples.
Speaker 1 (02:30):
I mean they are valentime. At least pick one gay couple.
Speaker 4 (02:34):
So it would be a good strategy to find a
random dude.
Speaker 3 (02:38):
I'm looking at couples. Uh, February fourteenth, of one of
these last year's. They do bring them up in couples,
and they dress the same. The couples need to dress
the same. But lunchbox, you're gonna have to cuddle with
the Yeah, if you don't make out, they're not for
s They're for sure not gonna put you up there.
Speaker 1 (02:51):
No, No, we can just like get out next to
each other and like high five and hug. Yeah.
Speaker 3 (02:56):
Every couple. So if it's your wife, you guys need
to look the same, like T shirt everybody has the
same color t shirts, or like she needs to be
in a tuxedo or a wedding dress.
Speaker 1 (03:07):
This is a disaster.
Speaker 3 (03:08):
I would just if your wife will do it, I
would not do the tuxedo on day two. I would
just go and find matching colored shirts. Okay, that'd be cute,
but will she do it? I don't know if she'd
do it, but then also, how are you gonna find
somebody else.
Speaker 1 (03:20):
To do with?
Speaker 2 (03:21):
Hey, you said your wife is like her cousins are
there like our cousins guys or girls.
Speaker 1 (03:25):
Or her cousin is a girl, but she is married
to Will the dude be your dude? I don't know,
you well, he go on the air and be your lover?
Speaker 4 (03:36):
Yeah, I mean probably he's from like Columbia, so he
wouldn't you know what the.
Speaker 1 (03:44):
College or the country, the country, the country. H Okay,
you know what, You're gonna have to sell it, dude,
you have to sell it. I think that's about you.
You don't have any of like the good gay stereotypes.
What do you mean?
Speaker 5 (03:59):
You know what means?
Speaker 3 (04:00):
You know, you're not exactly clean looking. You're not and
I would say like super fit like fashion you're not
in fashion forward? Yeah yeah, but friendly mm hmm, even
that kind of.
Speaker 4 (04:16):
Oh yeah, so maybe he could be the he could
be the Okay, how do you guys want to do it?
Speaker 1 (04:23):
Yeah?
Speaker 2 (04:24):
Detail, I think that that your your your cousin is
where you start, and then from there is where he starts.
I'm assuming she's not going to do it, so then
you start with the cousin's husband and if he won't
do it, do they have friends he's going to He
starts approaching strangers in l a like he's gonna get
(04:45):
on TV.
Speaker 1 (04:46):
What lover?
Speaker 3 (04:47):
That would look kind of cool for Like, yeah, but
if you get on, you have to kiss before you
go up. You have to like that's the celebration. Okay,
you ever kissed a man on the mouth? Yes, yeah,
my dad exactly, So do the same thing. Just act
like he act like he's your daddy.
Speaker 1 (05:05):
He's not your dad, but he's your daddy. Like this
is a disaster, guy, like that. It's not, it's not.
Speaker 3 (05:11):
This is an opportunity. Some people see an obstacle. I
see one of the greatest opportunities that you have ever had.
And it's just a bit of sacrifice. But your wife is.
Speaker 1 (05:20):
First, So go to the wife. Will she do it?
In your opinion? I don't know. She doesn't really care
to be like, that's not her dream, Like.
Speaker 3 (05:30):
But it's not about her dream, it's about your dream.
Will she sacrifice her privacy? Well, she sacrificed her day
out there with her family to go and be with
you for a whole day to begin get on prices
because her cousin.
Speaker 4 (05:45):
Is taking off work, you know what I mean? Like
it's a whole domino effect. I ought to ask her.
I didn't even think about that.
Speaker 1 (05:53):
I literally just.
Speaker 4 (05:53):
Thought, oh, my dream's dead, Like I'm gonna have to
miss that taping.
Speaker 6 (05:56):
Now, this won't even be a problem if he makes
it like the first to days, right, Well, the first
day because it's day one is normal.
Speaker 1 (06:04):
Day two is Valentine's Yeah, Day three is normal again?
Oh yeah, so it's ye, that's the thing. Okay, Oh,
Day three their sands furry day. He has to dress
like I'm not dressed on by an animal? Can that right?
That's an animal one? That's where you trawl the line.
Oh day three is dude? How do you not read these?
This is all on the website.
Speaker 4 (06:23):
This is brand new, breaking news, it was just released.
Speaker 1 (06:27):
How would they do that?
Speaker 7 (06:28):
What?
Speaker 1 (06:28):
Day three is Marty gral day?
Speaker 2 (06:30):
Oh that's fun, dude, So much for a tux three
days in a row?
Speaker 1 (06:34):
What's day so? Day one?
Speaker 8 (06:37):
What?
Speaker 1 (06:37):
What? What Marty girl day? Do they have? What is Marty?
Speaker 3 (06:41):
Like?
Speaker 4 (06:41):
What do I dress?
Speaker 1 (06:42):
Marty means beads yellow? How do you not know all this?
Speaker 6 (06:48):
And there's no way lunchbots that they changed this like
today or yesterday.
Speaker 1 (06:52):
No, no, they just changed. No way. I am telling you.
Speaker 4 (06:55):
When I booked the tickets, it didn't say anything about this,
you guys.
Speaker 3 (07:00):
No, I read details. We know you don't read, don't
so good luck. Yeah, I think it's all well. When
people are hearing this, I think today, Yeah, it's your
big shot.
Speaker 4 (07:13):
And you want to know what else I found out?
Oh boy, they moved the taping up to twelve thirty.
It's no longer one.
Speaker 1 (07:18):
Okay, thank you. Damn that's thirty minutes. Man.
Speaker 4 (07:21):
I'm just telling you that they changed it. Remember I've
been telling you guys one o'clocks this whole time. So
it's different like you guys telling me I don't read stuff.
Speaker 1 (07:28):
So prices right, just changing stuff like out of nowhere?
Speaker 3 (07:31):
I bet, I bet, I bet this not out of nowhere,
That's what I bet. Okay, thank you, good luck.
Speaker 9 (07:44):
Sin.
Speaker 1 (07:46):
There's a question to be.
Speaker 3 (07:55):
Hello, Bobby Bones, I started seeing a guy who is decent,
looking pretty successful and conf On our second date, he
laid out a long list of non negotiables for any relationship.
He said that until something looks headed toward marriage, his
work and his friends will always come first. It was
a lot to take in early. Part of me respects
that he's upfront about who he is and what he wants,
but another part wonders if these are warning signs about
(08:17):
why he's been single for years. Is this brutal honesty
a green flag or a sign of trouble ahead signed
caught off guard?
Speaker 1 (08:24):
Both?
Speaker 3 (08:25):
Actually, it probably is why he single, but it's also
probably why he hasn't gotten a relationship that has been
terrible or has been something that he knows he's not
going to take all the way to the finish line.
So it can be both. Two things can be true
at once. And this is probably just his personality as well.
And sometimes a personality like this doesn't fit. Most times,
(08:46):
a personality like this doesn't fit generally. It's a very
type a type personality. So yeah, it's honest, and it's
either a big green flag or a harsh red flag,
one of the two. Do you meet that non negotiables
they put out there. If you do, they keep going.
If you don't, it's obviously not going to work. If anything,
(09:08):
I think it's a bit refreshing, even if it's a
bit unlikable because again, that could be true too.
Speaker 1 (09:13):
So what are your thoughts.
Speaker 2 (09:14):
What was that line in there where he said, uh,
my work in friendships come first.
Speaker 3 (09:20):
That's the line he said, until something looks like it
could be headed towards marriage, his work and his friends
come first.
Speaker 2 (09:26):
Yeah, but once it looks like it might be marriage,
then he'll shift.
Speaker 1 (09:31):
I think, yeah, I agree to.
Speaker 3 (09:33):
It's just there's a lot of bravado here that's probably
hiding some sort of insecurity as well.
Speaker 1 (09:40):
I feel like you could relate to this. I don't
have any bravado, not the bravado part.
Speaker 3 (09:44):
Oh. I wish you would have fought back on that though,
man like you have a little Oh yeah.
Speaker 1 (09:48):
I mean going to be like, no, you do have some.
I don't even know what bravado is.
Speaker 2 (09:52):
Yeah, yeah, yeah, yes I don't either, but Bobby has it.
Speaker 3 (09:57):
Thank you, Yeah, thank you. I would see it as both.
If it completely turns you off, that means this guy
probably ain't for you because his personality is just like that.
If any of the things he says are flags, that's
probably not for you. But if you're like, okay, I
get it, then this could be a guy at least
he's being honest about it. Bravado is a bold manner
(10:20):
to show boldness intended to intimidate or impressed. Bravado I
want to like, yeah, I just said you have it,
so that after I challenged I, did you have it?
Speaker 2 (10:30):
Now that I see that definition than you, Bobby, thank
you got your picture under the definition.
Speaker 1 (10:37):
It is actually no, not at all, here's your thing.
Speaker 3 (10:41):
So I would go forward if if you met whatever criteria,
if you want to, if you want to. I don't
think it's a red flag unless what he's saying is
a red flag, not how he's saying it. All right,
there you go, close it up, Raymond. Give me an
example of this game.
Speaker 10 (10:57):
So I'm going to give you a song's plot in
one sentence. You're gonna name the song, okay. Example from
two thousand and five, a woman gets revenge by vandalizing
an ex's truck.
Speaker 1 (11:10):
With a baseball bat.
Speaker 3 (11:12):
I get the game, now, you guys know that one
before cheats carry underwood.
Speaker 1 (11:17):
Good? Okay, I get the game. You want to do?
Speaker 11 (11:19):
Five?
Speaker 5 (11:19):
Yep?
Speaker 1 (11:20):
All right, ready write your answers down, guys.
Speaker 10 (11:22):
From two thousand and four, a man who decides to
live life to its fullest after receiving a terminal diagnosis.
Speaker 1 (11:32):
I'm in, I'm in, I'm in. Hey, Live like you're dying.
Live like you're dying. Live like you were dying. Good Next.
Speaker 10 (11:44):
From two thousand and nine, a woman returns to a
childhood home to reconnect with her past.
Speaker 1 (11:53):
I'm in, Oh man, I can sing it. I can't
get I don't yet.
Speaker 3 (11:57):
Hold on, no, no, no, I got you got five seconds.
Speaker 1 (12:07):
I don't know.
Speaker 2 (12:07):
I just some words came out. I got it, I
got the paper and I.
Speaker 1 (12:11):
Got it like it just spilled out amy I but
I have no idea if it's I can't even sing it.
Speaker 3 (12:17):
I had to sing it to get to it. Everybody
in Yes, you heard where I started singing it. I
thought the fuck it this taste, said Jimmy, it's somesta.
Speaker 1 (12:30):
See me.
Speaker 12 (12:36):
Till you that, and built me house to bid me.
Speaker 1 (12:50):
We all got it, Bill me nice. We sing it
exactly right. Nailed it, dude, Good job.
Speaker 10 (12:56):
Next up from nineteen ninety, a man is grateful that
odd didn't answer his prayer in high school. Now that
he is with the love of his life. I'm ines
on the nose. That guy's grateful. There was an unanswered prayer.
Speaker 3 (13:14):
No no, because unanswered prayers, unanswerers, unanswered prayers.
Speaker 1 (13:19):
All right, go ahead.
Speaker 10 (13:21):
From nineteen ninety two, a man feeling broken hearted under
a glowing sign because his significant other has left me in.
Speaker 1 (13:30):
I'm in one two three moon.
Speaker 10 (13:35):
From nineteen ninety five, a man discovers a strange truck
parked in his girlfriend's driveway.
Speaker 1 (13:42):
I'm in, Oh, hold on, man, hado jee, Okay, i'm in.
Speaker 8 (13:56):
What do you had?
Speaker 1 (13:57):
That ain't my truck?
Speaker 3 (13:58):
Yeah?
Speaker 8 (13:59):
That ain't my.
Speaker 1 (14:02):
Right yep?
Speaker 3 (14:03):
Okay, so we all went five for five, although those
were very easy.
Speaker 1 (14:07):
H you want to all do a sudden death?
Speaker 9 (14:08):
Now?
Speaker 1 (14:08):
If you miss it, you're out. How many more do
you have? You can do four?
Speaker 10 (14:12):
Okay if you want, or until you miss or whatever,
get more than four. Yeah we got six total? Okay,
six left?
Speaker 3 (14:20):
Okay, this is a weird got it next one?
Speaker 10 (14:24):
From twenty twelve, a woman sings about the small town
gossip that nearly tore her apart.
Speaker 1 (14:30):
Oh, we got a hard one. Okay, do it again.
Speaker 10 (14:33):
From twenty twelve, a woman sings about the small town
gossip that nearly tore her apart.
Speaker 1 (14:38):
What in two thousand and four?
Speaker 2 (14:39):
You say, twelve twenty twelve.
Speaker 4 (14:45):
Gossip.
Speaker 1 (14:48):
I'll get a hard one and I don't have it, so,
oh my gosh, it sounds so familiar.
Speaker 3 (14:57):
Though that gossip was so bad. I don't have it,
all right, I have no answer. That's a hard one,
that's a good one. Have nothing, Amy Mama's secrets.
Speaker 1 (15:17):
Not familiar with that song? Do you mind singing me
a little.
Speaker 2 (15:19):
Something about scissors to the bangs?
Speaker 1 (15:22):
No, that's Miranda Lambert. But what's she singing about? That's
when Rusty we're all doing a Branda songs we did this. Yeah,
that's uh. I've aged a vege. I had Mama's broken heart.
Speaker 2 (15:37):
Yeah, because people gossiping about her.
Speaker 1 (15:39):
Yeah, I hate that all right.
Speaker 6 (15:40):
Next, Eddie, I wrote down the night that the lights
went out in Georgia.
Speaker 1 (15:44):
Twelve though I know I had nothing. So what is it?
Speaker 10 (15:48):
Mary go round, Casey Musgraves.
Speaker 1 (15:51):
Mary go round? And what's what's the lyrics booze? Excuse me?
I know the court, but like, what's the lyrics that
make that happen? The gossip?
Speaker 10 (16:03):
Yeah, I believe it was talking about in the town
booze that was going on and.
Speaker 1 (16:08):
Smoking interesting has no idea all right?
Speaker 10 (16:12):
From two thousand and four, A guy sings about life's
ups and downs and how he wouldn't change a thing
because it led him to. Now, what year, I gotta
pay more attention to the year two thousand and four?
Speaker 1 (16:26):
Can I read it again?
Speaker 10 (16:28):
A guy sings about his life's ups and downs and
how he wouldn't change a thing because it led him
to Now, I.
Speaker 1 (16:34):
Think, I just like get the artist. No, I'll give
it away. I would give it away. No, I mean
as a point.
Speaker 7 (16:42):
Ups and downs. I feel like that's in the song,
in every song, every country song, A seesaw goes up
and down.
Speaker 1 (16:54):
I think I have it.
Speaker 6 (16:56):
Yeah, well then you're gonna win Older Coaster. Can we
hear it one more time? Ray from seeing the question though?
From two thousand and four? Do you want me to
sing it?
Speaker 2 (17:09):
No?
Speaker 1 (17:09):
Yeah, yeah?
Speaker 10 (17:10):
The guys sings about his lips, ups and downs and
now he wouldn't change the theme because it led him.
Speaker 1 (17:15):
To Now it's perfect. It actually has nothing to do
with the song. I just want to hear him singing,
no man, no clue, I'm in anybody. You have good directions.
That's good except for the ups and lives, up and
ups and downs. That's a good one, though Eddie doesn't
(17:36):
he say like, I wouldn't change a thing and amazed.
Speaker 2 (17:40):
Nineteen ninety nine.
Speaker 1 (17:41):
Yeah, the year helped me the year wise O four? Yeah,
hold on, hold on? Is it Keith Urban? No? I
believe and I don't know that I'm right, but I
believe it was a band? Is that a band? Ray? Yes? Oh,
proscal flats. God blessed the broken road that.
Speaker 2 (17:56):
Led me straight to you, because it's broken ups and downs.
Speaker 1 (17:58):
But guess what it got mean.
Speaker 3 (18:02):
This broken roll, let me strange.
Speaker 1 (18:09):
One in this merry go round.
Speaker 10 (18:14):
It's time for the good news, Bobby.
Speaker 3 (18:21):
This older lady drove her car off the side of
near where they launched boats, but not quite at the
ramp into the water.
Speaker 1 (18:29):
It was deep.
Speaker 3 (18:30):
Her car is than starting to go under, and so
they see this and they jump in after the woman
pulled her out, like save her from the car sinking.
Then they go in after and make sure there's nobody
else in the car. But yeah, they saw her go in,
and had they not, I don't think she could have
got out of the car. Yeah.
Speaker 1 (18:48):
Number one rule of if a car sinking rull your
window down.
Speaker 6 (18:51):
I was even electric. I guess even just get just
get you. However, you can do that, just get your
window down, because they say it's hard to open the door.
Speaker 1 (18:59):
Actually when you're underwater or not, they say it makes sense.
Speaker 3 (19:02):
Right, you're facing a big area, not even the pressure
of a big area of water against your door. So
if you don't have a lot of strength, because that'd
be a very slow push.
Speaker 1 (19:11):
It's not like you can just shove it open. You
should have done that. I'm breaking body bones. See if
I die, you can get out of the car.
Speaker 3 (19:17):
Oh yeah, big shout out to these guys Jacques below,
Nathan below and Brady Dufrayin and they jumped in and
saved the woman.
Speaker 1 (19:23):
Obviously they're from Louisiana. Jacques, I love some agent.
Speaker 4 (19:29):
Uh.
Speaker 3 (19:29):
The social media post had the department publicly thanking the
guys because have they not seen it and gone after her,
she probably would not have made it. That is from
k l f Y And that's what it's all about.
That was telling me something good doctors say, don't ignore
these common injuries. I'm gonna list you the injuries because
these are things probably that happened to us, and we're like,
I want to go to the doctor because not to
(19:49):
pay for it. I want to go to the doctor
because I don't have to pay the cope to pay
for it. And then who knows what bills are coming?
Speaker 1 (19:54):
Here we go.
Speaker 3 (19:55):
Number One, animal scratches and bites, whether it's from a
random animal or even your own pet, even tiny breaks
in the skin can easily get infected by the bacteria
the dogs and cats carry in their mouths. If the
injuries from a wild animal like a raccoon or bat,
you should for sure go oh yeah, for.
Speaker 1 (20:12):
Sure, for sure.
Speaker 3 (20:15):
But I mean, like, I play with the dogs and
they'll get me a little bit sometimes because I'll wrestle
with the dogs, and I.
Speaker 1 (20:21):
Never I'm like, I should go in. But yeah, it
makes sense. I mean, you get scratched by your.
Speaker 2 (20:26):
Cat, the I I'll clean it with what your tongue,
so she.
Speaker 1 (20:32):
As a cat. Yeah, yeah, So that's one. Number two.
Hitting your head, Yeah, that's a big one.
Speaker 3 (20:41):
Always watch for signs of a concussion if you hit
your head. Now, we hit our head ache lot, but
it's not just if you bump your head. It's if
any of like the dizziness a headache comes from it
and stays for more than like fifteen twenty minutes, if
you get nauseous, if there's any light sensitivity, any of
that stuff that you can just go, oh, I have
my head. Of course, that's the stuff that's concussion. And
(21:03):
then if you don't treat a concussion, it could actually
damage your brain obviously kill you. Even so that's the
next one. Minor car accident injuries, meaning if you get
into a little bumpty bump, and those bumps and bruises
don't seem bad, but that's because there's a rush of
adrenaline that happens to you when you get into a
minor a fender bender. Even that you're like, oh, I
(21:25):
didn't hurt, but then it hurts real bad the next
couple of days, and you can't even really, I mean
you can, but you can't really. Then credit it to
the wreck because it just happened a couple of days later,
and they're like, Nah, this is fraud, this insurance fraud.
You're just now saying it hurts because you were in
a wreck and you didn't even go to the doctor
the next days. I never thought about the adrenaline that
(21:46):
happens when you do get into that. You don't feel anything,
I mean even if it's like, like whatever it is,
there's so much adrenaline.
Speaker 1 (21:54):
It's minimizing it so much. And think about that one.
Speaker 3 (21:57):
Okay, blistering burns, first degree burns typically heal on their own.
Speaker 1 (22:04):
Now this is what's crazy to me.
Speaker 3 (22:06):
We got to get our degree system correct because if
it's first degree murder, that's the worst murder. If it's
a first degree burn, that's the lightest burn. Right, why
do we not We need a structured system of degrees.
It's got to be consistent, yes, because you get a
third degree burn, but third degree murder it's.
Speaker 1 (22:21):
Not the same basically manslaughter.
Speaker 2 (22:23):
Oh, third degree murders.
Speaker 3 (22:26):
Oh dude, first degree that's that easier. A first degree
burn is like a level one burn, not so bad. Yeah,
it's like if you like, grab a little hot teapotters sure,
oven like and you lick it and it feels better.
But the first first degree murder is like total murder,
like you've killed them with intent and it is done
in a bad way.
Speaker 1 (22:42):
I kind of likes it. They're different. That helps me
see it clearly.
Speaker 5 (22:46):
You're weird.
Speaker 1 (22:47):
No, it can't be the case, Yes it can. How
how does it help you to meet.
Speaker 2 (22:51):
First degrees like one on one intent like first degree murder,
that makes sense. First degree Okay, then there's no separation.
Speaker 1 (23:00):
And it's the worst first degree.
Speaker 8 (23:02):
First degree murder.
Speaker 2 (23:04):
But I'm not saying, yeah, of course it's the worst
because it's one on one first degree, but first degree
burn that's not as bad because it's.
Speaker 1 (23:12):
One that makes sense maybe to your head, it makes sense.
Speaker 2 (23:18):
To me, this makes perfect sense. If you were to
change it, that.
Speaker 1 (23:20):
Would confuse me because then you first degree.
Speaker 3 (23:25):
I feel like it's the worst first and worst first
degree murder, worst murder, first degree burn, worse burn.
Speaker 6 (23:30):
See, I feel like third should be the worst because
it's in order. One is not so bad because I
don't like the degree.
Speaker 1 (23:37):
There's separation.
Speaker 2 (23:38):
You can't make the murder third degree because it's not
one on one anymore. There's one on one.
Speaker 1 (23:45):
With three people killing them.
Speaker 2 (23:46):
Yes, yes, I know it doesn't have to be one
on one, because that's what I'm saying, Like, there's not
the like there. The intent behind it is more.
Speaker 1 (23:56):
Third degree murder, intentional killing.
Speaker 2 (23:58):
Yeah, that's why I said intent behind it.
Speaker 3 (24:01):
The death was not planned or intended. Third degree burn
is the worst burn. Yeah, that's confusing This.
Speaker 1 (24:06):
Is not confusing to me at all.
Speaker 2 (24:08):
It's confusing having to explain it to y'all, but to me,
it makes perfect sense.
Speaker 1 (24:12):
Okay, So what are you saying over there? I'm nothing.
Speaker 3 (24:16):
No, you're saying that the third degree burn or the
first degree burns typically heal on their own, but second
degree burns that blister require medical attention. If it's bigger
than a few inches, it can get affected really easily.
Face hands, feet, genitals. He burned your genitals on the teapot,
which I have eleven times, I would go, I mean
it this month meant don't worry about it, Go go
(24:36):
to the doctor.
Speaker 1 (24:37):
Go to the doctor.
Speaker 3 (24:38):
Pokes to the eyes, even if you see fine, you
don't want to take a chance with eye injuries because
that you can't bounce back from those. For the most part,
there's another one cuts or scrapes that won't heal. If
it's not closing up or starting to heal after a
few days, there are signs of infection.
Speaker 1 (24:51):
It's best to get checked out by a doctor.
Speaker 6 (24:53):
Who My sister fell at Target and hers like never
got better, and she had a bad infection. Really yeah,
she had it for like, it never got better. In
like three four weeks.
Speaker 1 (25:02):
It's crazy. I guess the rug that she fell on
was pretty dirty.
Speaker 2 (25:06):
Or maybe you all have that because you got that
infection and it was hard to go away MRSA.
Speaker 1 (25:10):
Yeah, yeah, that's straight staph infection.
Speaker 3 (25:12):
Yeah.
Speaker 6 (25:12):
Yeah, staph infection that was in my bloodstream and my
body could not get rid of it. Yeah, and they
couldn't tell me why I had it either, Like they
were talking about the teapot. Yeah, all right, that's from today.
Speaker 3 (25:27):
So there was a story about people that would be
open to having their wedding sponsored, meaning a company. Let's
say Sleep Numbers, like this wedding presented by Sleep Number,
and most people will be like, yeah, I take that
because weddings are expensive. And that's not even the main
part of the story, because there's something pretty shocking about
a member of the show I wanted to talk about.
But a new survey reveals that most Americans are open
(25:47):
to letting brands sponsor their weddings. We had Sonic, they
didn't sponsor it, but we love Sonic. We had Sonic
set up things our wedding that was so cool.
Speaker 6 (25:55):
Yeah, Like on the way out, they gave us burgers
and drinks and they had.
Speaker 3 (25:59):
They had their things set up, their screen you drive
up and push the button. They had those set up
up near a part of the house and then people
came in on roller skates to the end and we're
delivering awesome. So that was cool. That could have been
a sponsored thing. My point is I didn't care that
a brand was there. It was awesome.
Speaker 1 (26:14):
It was super cool, and they didn't give us any money.
Maybe they should now that I look back. Dang.
Speaker 8 (26:20):
Yeah.
Speaker 3 (26:21):
So weddings are expensive, is my point. They can be
super expensive, let if you let them. And somebody on
the show is still paying for their wedding after all
these years.
Speaker 1 (26:30):
So it's not me. Oh not mean, is it you?
Speaker 13 (26:36):
No?
Speaker 1 (26:36):
My my father in law paid for our wedding, so
then who he may still be paying for him? But
I'm not Ray Mundo, is it you? I gotta check
with Phil, my father in law as well. Ray did
have his wedding on garth Brooks Range. That was awesome.
It was awesome. No, it's scubaste who's still paying for
his wedding?
Speaker 7 (26:51):
What?
Speaker 8 (26:51):
Or about?
Speaker 14 (26:52):
They hit our ten year anniversary and I found out
myself last week. My wife and I were going through
our finances, just getting things lined up, and she's like, yeah.
Speaker 1 (26:59):
We're still paying for a wedding. We're still paying for
our wedding.
Speaker 3 (27:01):
It's like, holy credible because it all are you still
paying for?
Speaker 14 (27:04):
So in her culture she's Chinese and Filipino, the man
has to pay for the wedding to show that am
I Chinese and Filipino?
Speaker 5 (27:11):
Ply your wedding?
Speaker 8 (27:13):
Yeah?
Speaker 1 (27:13):
Is how I'm getting told. Wow.
Speaker 14 (27:16):
You know, typically in the white people culture, usually the
bride pays for it, the father of the bride and
all that stuff. But so in her culture, we do
at the show that we can take care of the
of the future wife, and so we're still paying. I
think the wedding costs about fifty thousand dollars plus our honeymoon,
and then it's kind of been wrapped up into other
expenses like having a kid a year and a half later.
Speaker 1 (27:34):
You know how life is.
Speaker 14 (27:35):
Just that's not wedding, but it just snowballs into all
this dead and you have to pick and choose what
you pay for, and the wedding has just been on
the back burner.
Speaker 1 (27:42):
A brother, Yeah, yeah, that's tough.
Speaker 3 (27:44):
So what would your advice be to people who are
getting married now and thinking about putting in twenty thirty
eighty two hundred thousand dollars into a wedding.
Speaker 14 (27:51):
Don't put that money into a house. I say, still
have a wedding, but just have a smaller ceremony that
you can enjoy with a smaller group of people. Because
even at that wedding, we were paying for it, but
her mom was dictating who was coming to the wedding,
and they're like neighbors from the eighties, and.
Speaker 1 (28:06):
Now we're going down to it. Hey, we've hit a
point that we just triggered him go ahead, and I'm like,
what the hell, I don't know who this lady is.
She's like, yeah, she's your teetha for she's not my TEETHA.
I don't know who this woman is.
Speaker 14 (28:15):
And she's getting invited to the wedding to just basically
show off her daughter and that she's getting married. So
my advice is make it smaller. Put the money towards
something that you can use long term, like a house.
Speaker 3 (28:26):
It's tough, though, because everybody wants to have that thing
they've been waiting for their whole life, and they want
to be able to share it on Instagram and have
cool pictures. I'm not justifying it, but I'm saying it's
very difficult to end less just in your heart.
Speaker 1 (28:40):
You want to have a very.
Speaker 14 (28:41):
Small wedding, yeah, I mean you want to have that
big thing you think you do and then here you
are ten years later you're still paying for it.
Speaker 3 (28:46):
Well, I don't know about that thing, but that's the thing.
It's amazing, but it's over so quick. Yeah, it's like
going to one night. It's like going to the casino.
It is, and it's a party for somebody else.
Speaker 14 (28:56):
It's I mean, it's your party, but you're paying for
everyone else to show up to your party.
Speaker 1 (29:00):
So for me, just the concept, I think it's just
it's silly.
Speaker 3 (29:03):
It's like going to the casino because you're probably gonna
lose the money and you're like, man, what a night.
Speaker 1 (29:07):
That night's over and that money's gone.
Speaker 8 (29:09):
Yeah.
Speaker 6 (29:09):
So is it showing that Scuba could afford the wedding
even though he's paying for it ten years later?
Speaker 1 (29:15):
Like the culture is like the man does it because
oh dang, you didn't meet the culture. Like you're not
meeting the culture do you're paying it ten years later?
It's like tetah came, you can pay for that. You're
proving them wrong. But I'm still about we're off flow.
Speaker 14 (29:27):
Like you still finance houses and cars and stuff you're
not paying for.
Speaker 1 (29:31):
It is the culture to take out a mortgage on
a wedding. No, you're expected to pay for it, like
in cash. But I didn't have the cash to pay
for it. I was broke. Typical white gush, Am I right?
I mean yeah. On the Bobby Bones Show, now Clinch.
Speaker 3 (29:47):
Better Man being added out of the box, which for
those that don't know, that's a station programmer will go,
I'm going to add that to my playlist immediately before
it's even actually asked to be added. It's like the
earliest you can get a song added. So this LA
program director says that your label switches over. They now promoted.
How fast until that song actually became something you were
(30:08):
known for or they was played on the radio.
Speaker 8 (30:09):
Well it went to number one? It was seventeen weeks.
Speaker 1 (30:13):
In today's time, that's pretty quick. How quick was it that?
Back then?
Speaker 8 (30:16):
It was long?
Speaker 9 (30:17):
It was yeah, you know, it took its time, you know,
it was it was steady enough. But back then you
could get a song up to number one, and back
almost five a year.
Speaker 3 (30:30):
That song as it was climbing, like could you feel
more people singing along? And or depending on that, your
shows are not the crowds getting bigger?
Speaker 9 (30:38):
Yeah, we were playing bars and the bars were packed.
And CMT had a lot to do with that because
I wanted to get a video right away. The video
TNN and Nashville Network was smoking hot.
Speaker 8 (30:51):
Back then.
Speaker 9 (30:51):
We were all watching it as a country fan. So
being on the Ralph Emery Show, Ralph was saying things
like I like you, and I think you're going to
be around a while, you know, and uh, and I
think that helped a lot. I was getting on the
Tonight Show with Johnny Carson Jay Leno when he guested,
and the Wall Street Journal a reporter came out and
(31:15):
rode the bus for a few days and did a
future article in that USA Today did one, and I
was starting to get, you know, spots opening for the
Juds and Alabama Dwidokom.
Speaker 8 (31:25):
I did a month out on the road with him.
Speaker 9 (31:27):
So it was clear that even if it didn't go
to number one, that it was going to have a
big impact.
Speaker 1 (31:33):
Can you give me a Johnny Carson story?
Speaker 9 (31:35):
Johnny Carson I think the second time I did the
show with him, I wanted to do something that used
my full vocal range, and we had been playing on
the road kind of a Hank Junior version of ain't misbehaving,
but I would. I would go up and sing real
high toward the end of the song, And so we
(31:56):
did that on there, and when I got over to
the couch, Johnny said, Wow, you have a false setto
you could throw a cat through.
Speaker 8 (32:07):
Wow. That's one compliment I will never forget.
Speaker 3 (32:11):
It's got to be crazy feeling to go ten years
in bars to doing the Tonight Show. Were you able
to have awareness of how cool it was to be
getting those big moments or were you so in it
that it was difficult to actually understand or be happy
about it.
Speaker 9 (32:27):
I think I was mostly overwhelmed by the workload, because
I was doing nine cities in a row one day off,
eight in a row one time we did twenty one
in a row day off, and calling into radio stations
in the morning and in the afternoon drive time and
meet and greeting thirty to one hundred people before the show.
Speaker 1 (32:47):
Before.
Speaker 9 (32:47):
Yeah, every show, I was constantly worried about being able
to sing.
Speaker 1 (32:51):
Because if you're tired or sick you don't have a voice, yeah.
Speaker 9 (32:54):
Or if you talk all day yeah. And people don't
think talking is that hard, but imagine singing a song
that only has three notes and singing it all day long.
Michael Jackson spoke up here because it took some of
the strain off his vocal cords.
Speaker 1 (33:07):
Wait, is that really why?
Speaker 8 (33:08):
Yeah?
Speaker 1 (33:08):
I mean it makes sense. I didn't know that.
Speaker 9 (33:11):
It's absolutely why. I went to his voice coach. He
didn't tell me anything about Michael, but he said, you know,
whenever you're talking, just don't talk down here so much.
Try to stay up and hear and make it easier.
And Michael just took that all the way up.
Speaker 1 (33:30):
On the Bobby Bones Show. Now, Clint Black, how'd you
meet your wife?
Speaker 9 (33:34):
She and her mom were in Houston doing press for
one of Lisa's movies on CBS, and someone at TV
station said, you know, I've got tickets to the Clint
Black show was New Year's Eve, if y'all.
Speaker 8 (33:48):
Want them, and they took the tickets.
Speaker 9 (33:51):
She had already heard about me because her manager, herb Nanis,
was partners with Stan Moress, who was Kat's manager, who
I knew because I toured with k T. And he
and I were like Dean and Jerry. We were a
comedy show everywhere we went. And he gave Lisa a
tape and said, listen to this guy. You know you
love him. So now they come to the show. Somebody
(34:12):
with my management company brings her backstage. We say hello briefly,
and then about ten days later, we're taping an Opery
anniversary show. It's a TV special. It was a night
I was inducted as a member. Before the show, I
had a specials. Fred Rappaport came back to my dressing
room and said, I have Lisa Hartman's phone number, and
(34:34):
he's about to give it to me, and he pulls
it back when I reach for it and says, but
I'm not going to give it to you unless you
promise me you're going to call her. So I promised,
and I called her right away. I was going to
be in La to do the tonight show and I
had one night off. We went to dinner and we
were married ten months later.
Speaker 1 (34:54):
What must you play? Give me the five songs you
must play every show?
Speaker 9 (34:57):
Oh better Man, killing, Time of bad Luck? Nothing but
the tail lights every show.
Speaker 1 (35:03):
You're gonna do those for sure? You can do those?
Speaker 6 (35:05):
Oh yeah, because I think people would be upset if
you didn't do those exact ones.
Speaker 9 (35:09):
Summer's Coming is one I feel like, you know, and
and the ones that usually lose outter ballads because you
can only do so many ballads and most shows.
Speaker 3 (35:18):
Man, what a problem you have too many hits. That's
a long way from the bar man. Trust me, I
know it's time for.
Speaker 1 (35:25):
The good news.
Speaker 2 (35:26):
Unbox.
Speaker 1 (35:31):
Lunch debt is something no one likes.
Speaker 4 (35:33):
It's oh, you got to pay these meals, gotta pay
these meals off. Well, someone in Taylor, Texas, an anonymous
donor said, you know what, for the entire school district,
I'd like to pay off the lunch debt. And so
there is no more lunch debt in Taylor, Texas. And
everyone is super happy and super full full.
Speaker 1 (35:53):
They're full good.
Speaker 4 (35:54):
Well, here's the thing, they still get a meal. Did
you write that about super full or does it say
that I literally made that up. That's that's one good
one that you made up a lot of times. You
steal it and take credit. That's a good one. All super full. Yeah,
so they.
Speaker 1 (36:06):
Get to eat in Taylor Texas.
Speaker 4 (36:07):
Everybody went to social media and said thank you so
much to whoever you are.
Speaker 1 (36:10):
That's so amazing. Person never jumped up and said it
was then. No, no one has come forward to say
that's a great story. That's what it's all about. That
was telling me something good.
Speaker 11 (36:20):
Wake up, wake up in the morn and the radio
and the Dodgers ready in his lunchbox.
Speaker 1 (36:32):
More game too, Steve bred Have. It's trying to put
you through.
Speaker 10 (36:36):
Fuck.
Speaker 11 (36:37):
He's running this week's next bit. The Bobby's on the box,
so you know what this is.
Speaker 15 (36:47):
The Bobby ball, not time for the morning Corny, The
morning Corny.
Speaker 1 (36:55):
How do you track a book? How do you track
a book? You followed foot notes? That was the morning corning,
Big day for Lunchbox.
Speaker 3 (37:11):
He is joining us from a studio in Los Angeles,
where it's a couple hours earlier there than where we
are here. So you got to la to do prices
right well, just to be in the audience. I don't
want our audience to think we set this up. We
do not know anybody there. There's been no set up
at all. I don't know if you can set it up,
but Lunchbox got to l a what time yesterday?
Speaker 4 (37:32):
We got to here at what five forty five, six o'clock,
maybe seven o'clock. I don't even remember.
Speaker 1 (37:38):
That's like he's doing o'clock o'clock.
Speaker 5 (37:41):
Three rock.
Speaker 4 (37:42):
I mean, I took a picture, So let's see what
time the photo was taken. Hold on, it was.
Speaker 1 (37:51):
Shot down. It was just like around what time did
you get down?
Speaker 4 (37:55):
Six o five pm? And here's the thing. I kept
telling you guys, my flight was at five I was
my flight was at three thirty. I was totally off.
Speaker 3 (38:02):
Okay again meaningless part of the conversation. Start to the bad,
start to the whole. So what is your agenda today?
Speaker 4 (38:10):
My agenda is I'm gonna get off the show. I'm
gonna go back to the hotel, and I'm gonna shower
because I'm not showered. And then I'm gonna.
Speaker 3 (38:18):
Go all the way across the country on an airplane
and got to the hotel, didn't shower.
Speaker 4 (38:21):
Yeah, it was well. I didn't go straight to the hotel,
had a couple of margarita's at a Mexican restaurant, and
then I was like, man, I gotta go to bed,
I gotta I gotta get up for the show. So
I went back to the hotel and I went to bed,
and I got up, and I didn't want to disturb
my wife, so I just left the room without showering.
I got the same clothes on that I wore on
the plane.
Speaker 1 (38:42):
Oh wait, you did you get in of the bed,
even your plain body in the bed?
Speaker 7 (38:49):
No?
Speaker 4 (38:49):
I didn't close in the bed, amy, No, but you
didn't like.
Speaker 3 (38:52):
Wash your hair after being on a flight with all
those people you got to.
Speaker 4 (38:55):
I would have loved to, but there just was no time.
No last night, right, there wasn't any time.
Speaker 5 (39:00):
We went out Margarita, had to get margarita.
Speaker 1 (39:02):
After the Margarita is before you went to sleep.
Speaker 2 (39:04):
He was like, I gotta go to bed, got it.
Speaker 4 (39:06):
Right, Yeah, that's really what it was. And I was like,
I gotta go to bed right now. And so I
put my clothes back on and I took an uber
today and so I'm gonna go back, take a shower,
and then I'm gonna go to the tuck shop and
I'm gonna wear the tucks out of the store straight
to prices.
Speaker 3 (39:22):
Right, and do you know where you're going? Like you
have the address already mapped out?
Speaker 4 (39:27):
I have the address in my email, and I want
to tell you. They did email me. Price is right,
sent me an email saying you saying, hey, you have
tickets to our show. We can't wait to see you.
Just a reminder. We moved the taping up till twelve thirty,
so it is twelve thirty, no longer one o'clock. Just
making sure you.
Speaker 2 (39:48):
Know it's good and you knew.
Speaker 1 (39:49):
How'd you sleep last night knowing it today was a
big day.
Speaker 4 (39:52):
I didn't sleep very well. I kept worried, I overslept,
I kept waking up, check that clock. Okay, go back
to sleep. Said oh no, no, I didn't over se Okay,
so yeah, toss it and turn it. Not really good.
But hey, guess what. I'm on fire today.
Speaker 1 (40:06):
And you plan to get there? And is it outside
waiting or inside waiting?
Speaker 4 (40:11):
Do you know it's outside waiting?
Speaker 1 (40:12):
You line up on the street, okay, And you plan
to get there? What time I hope.
Speaker 4 (40:16):
To be there because my taping's at twelve thirty, so
I'm hoping to be there by eleven.
Speaker 3 (40:20):
And you're just gonna get there and hang out with people,
right and show them how like interested you are, how
curious you are, how much energy. How charismatic you are, Like,
that's the goal.
Speaker 4 (40:29):
Yes, I'm gonna start the wave right off the bat.
We're gonna go down the line, all right, everybody do
the way whoa like a a stadium and that really
gets the crowd going. And then we're gonna start chance.
Price is right, Price is right?
Speaker 2 (40:43):
Okay.
Speaker 5 (40:44):
I mean I would love that if I was in line.
Speaker 2 (40:46):
Yeah, I mean that would be fun. But like, are
producers out there too, like they're watching probably okay, so
they're gonna see him in action.
Speaker 5 (40:52):
Is he doing those games? He said he's gonna do
like Price the right games in your pocket?
Speaker 4 (40:57):
Well, I'm not gonna do those today. Those are the
secret weapon if I have to go by a second day,
Like I wasn't able to get my items last night.
I mean I got here late, had Margarita's, and I
haven't had time to go to the store.
Speaker 3 (41:07):
We heard I would encourage you not to play the
game what's in my pocket with people don't know?
Speaker 1 (41:11):
Just a little something that I don't know. Is that
gets a bad game with people you don't know, Yeah,
can get you in trouble.
Speaker 4 (41:18):
Well, I was gonna do what's in the bag.
Speaker 3 (41:20):
As long as the bag's not in your pocket. I
think you're good to go. Okay, Okay, so you guys
can call us if you want. Eight seven seven seventy seven. Bobby,
we got lunchbox in California going out today.
Speaker 1 (41:30):
And we do not know. We have no connection to
the prices.
Speaker 5 (41:32):
Right.
Speaker 1 (41:32):
If he does not get on today, he goes back.
Speaker 3 (41:36):
Tomorrow, right, correct? But tomorrow is also the Valentine's taping.
Speaker 4 (41:41):
Yeah, that's that's a tough one.
Speaker 1 (41:43):
Because you don't have a partner. Is your wife gonna
go with you?
Speaker 4 (41:46):
She's not gonna she's not gonna go. I didn't get
her a ticket. I mean, I just got one ticket,
So I'm really kind of I don't know what I'm
gonna do.
Speaker 2 (41:54):
What I thought, Well, we were working on you know,
him and getting a date.
Speaker 3 (41:58):
Well yeah, yeah, dude, like find if you can't get
his wife to get anybody even.
Speaker 2 (42:02):
But I don't think you ever mentioned that he needed.
Speaker 1 (42:04):
A ticket a ticket.
Speaker 5 (42:05):
We didn't think about that.
Speaker 1 (42:07):
It's not our job to think about that.
Speaker 4 (42:09):
But that's weird.
Speaker 2 (42:09):
They would sell single tickets for an episode that they're
doing a double date thing.
Speaker 1 (42:12):
They don't sell I mean a.
Speaker 2 (42:14):
Couple's thing or sorry, Uh, divvy out tickets.
Speaker 1 (42:19):
I think that if you're not a couple, you just
don't get on the show. Well what always, that's not
good lunchbox.
Speaker 2 (42:25):
You have to find other single ticket people and couple
of day today actually today, be like, does anybody have
a single ticket for tomorrow?
Speaker 4 (42:31):
Let's fall in love.
Speaker 3 (42:33):
It's a good idea, Amy, And if you have it
to fake, if it's you know, if it's a dude,
you gotta fake it.
Speaker 1 (42:39):
It's worth faking it for a day with that person.
Speaker 5 (42:40):
It's Hollywood. Do you got to play the part?
Speaker 1 (42:41):
Yeah?
Speaker 2 (42:42):
Be like, hey, you want to see what's in my pocket?
Speaker 3 (42:43):
Yeah?
Speaker 1 (42:43):
That's a good game. Yeah, I got I want to
do a game pocket Yeah, nailed it. So what are
you gonna do about that?
Speaker 4 (42:51):
I gotta go to the drawing board, like we're going
to see here's the thing, the drawing bard. Realistically, I'm
not gonna have to go back tomorrow. I mean, the
odds are that I'm going to be on that stage
to day.
Speaker 3 (43:04):
Okay, I would argue that the odds aren't that, but
I would think that there's a decent chance based on.
Speaker 1 (43:11):
How visible you're going to.
Speaker 2 (43:13):
He has that energy, you know, Okay.
Speaker 1 (43:16):
I don't think he's ever like stared at the clock
overnight worried about being late to work, though not one time.
Speaker 5 (43:20):
No, but now he is.
Speaker 3 (43:21):
He's got one night on prices already. He can't sleep
because he's so worried about me. Yeah, okay, we'll check
back with you in a second.
Speaker 2 (43:27):
Lunchwalks before you go, what you what'd you have to
drink last night?
Speaker 5 (43:30):
Some margarita's checking?
Speaker 1 (43:32):
Wait, are you still drunk?
Speaker 4 (43:34):
No? No, no, no, of course not.
Speaker 2 (43:38):
Don't be ridiculous.
Speaker 10 (43:39):
No.
Speaker 6 (43:39):
When someone says a couple of anything, they had more
than a couple, Is that right?
Speaker 5 (43:43):
That's right?
Speaker 1 (43:45):
How many margarita's you have last night?
Speaker 4 (43:46):
A couple of margarita's man like doubles?
Speaker 3 (43:50):
So margarita when you say a double because I've never
had a margarita? Is a margarita? Do you pour like
up a shot of something in?
Speaker 2 (43:58):
Yeah, like you can have more to he added.
Speaker 5 (44:01):
That would be the double shot.
Speaker 8 (44:02):
Yeah.
Speaker 1 (44:03):
So it's not made in like a mix like some are.
Speaker 2 (44:07):
But you could some Depending on the restaurant, the bartender
may make them fresh and they may have them pre mixed.
You can always request an added shot, though, absolutely, how
many added shots you request?
Speaker 4 (44:18):
No, no added shots, man, just a couple of margaritas.
It was Taco Tuesday, so if you buy one taco,
you got the second taco for.
Speaker 3 (44:24):
A dollar that has nothing with margarita's. That is a
great time, zero to do with margaritas. Yeah, let's go
talk to Deanie. We're talking about Lunchbox today in California.
He's there to try to get on prices, right, Denie,
what do you want to say?
Speaker 13 (44:41):
Hey, I just wanted to suggest that he might want
to get there sooner to get in line, because I've
heard and watched that it's very long sometimes that I
would hate to see him be out there and not
get on.
Speaker 3 (44:52):
You think he should get out there and wait in
line longer. I think, Lunchbox, don't you have a like
a guest pass or something.
Speaker 4 (44:57):
Yeah, I have a priority ticket, is what it says.
So I don't don't know what that means, but it
says that I have priorities. So all those people waiting
in line at five o'clock in the morning, I got priority.
I don't know if that means they have priority too,
and they give out thousands of these Well.
Speaker 1 (45:11):
That's not priority, that's back to even it's just like normal, right.
Speaker 4 (45:14):
I don't know how many they give out. I just
know I have priority tickets, so I feel like if
I get there an hour and a half early, that
should be plenty of time. But I could be completely wrong.
Speaker 3 (45:23):
You could be Yeah, you should think he doesn't really
know what anything. Yeah, all right, Gennise, thank you. I
appreciate the call.
Speaker 16 (45:29):
That's the book. Yeah, all right, thank you.
Speaker 3 (45:31):
We're all rooting for him for sure. I do want
to go to Sharon in Saint Louis. She's been on
the Prices right twice. Oh, now have you been or
have you been on?
Speaker 16 (45:41):
I have just visited. We did not get called up
on stage.
Speaker 3 (45:44):
He thinks odds are he's going to get called up
on stage?
Speaker 1 (45:48):
What do you think?
Speaker 10 (45:50):
You know?
Speaker 16 (45:50):
First of all, he has got to get there earlier.
Everybody stopped priority access. It just means that you're guaranteed
to get in the studio. So there's going to be
a long line and a lot of people waiting. It
takes a long time just to interview everybody for the producers. Also,
they typically do not pick the wild, crazy, over the
(46:11):
top person. There was a couple of people like that
in our group. Both times that I went, either one
of them were picked. It's always just nice, simple, down
to earth people that tend to get picked. So I'm
worried because they don't put lunchbox in the nice, simple category.
Speaker 3 (46:27):
Yeah, that wouldn't be a category I'd put them in either.
What do you think about that lunchbox?
Speaker 4 (46:31):
I think there was a rude comment and now people
are starting to freak me out that I'm not there
early enough. But I think these people maybe they didn't
have priority, like I mean, she.
Speaker 6 (46:40):
Said everybody has priority, but she also said that priority
means that you can you're guaranteed to get in the studio.
Speaker 3 (46:46):
Yeah, yeah, right, but if you're getting asked one in
the studio, So there may be people that are in
line as like stand by. I don't know, I'm making
this part up, but I'm saying there could be people
there that are lined up if some of the tickets
don't show up. So but I don't know. But Sharon,
I appreciate that. I appreciate you freaking them out.
Speaker 1 (47:05):
I agree.
Speaker 3 (47:06):
He's not a simple guy. No, and that's that's a compliment.
He's not a simple guy, and he's gonna go out today,
and he's gonna be like reaching my pocket and that's
going to be there. That's again, tell me what you
feel in there.
Speaker 4 (47:18):
I'm looking at my ticket and it says priority. It
doesn't just say normal person. It says priority like VIP.
Speaker 1 (47:25):
Does it say VIP.
Speaker 4 (47:27):
No, I'm saying like VIP because priority is different than
just normal.
Speaker 2 (47:32):
But we have to trust the caller that has actually
been there and done this, and her take on it
is that everybody had a priority ticket, So we need
to roll with that.
Speaker 3 (47:45):
Unless for prices right, there's a non priority ticket. See,
that's what it means, which is a line voucher.
Speaker 1 (47:52):
I'm not that priority. Yeah, I still would get there early.
Speaker 4 (47:59):
No, I'm going guys, I'm gonna get there early. You
understand that. Like when we get done with this show,
Like when I get done with my obligation to the world,
to the United States of America, I'm gonna go. I'm
gonna shower, I'm gonna get my tucks on, and I'm
going there. It's not like I'm gonna be sitting around
the hotel and like, oh, it's twelve fifteen, I should
probably go get in line. That's not how I'm doing it, guys,
(48:20):
this is business like, this is a dream. I didn't
come here to blow my opportunity.
Speaker 2 (48:27):
Okay, all right, so yeah, go get the tucks and
then just go get in line.
Speaker 10 (48:30):
Yeah.
Speaker 3 (48:30):
Well then we got your show, and then we do
a full podcast after this show is over, so you
can subscribe to Bobby Bunch Show podcast for you or
watch on YouTube because we'll be live probably in like
an hour.
Speaker 5 (48:41):
So are you freaked out, Lunchbox, You seem freaked out
a little bit.
Speaker 4 (48:44):
No. I think these people don't understand.
Speaker 1 (48:46):
She's been twice.
Speaker 4 (48:47):
She's been twice and she didn't get caught up once.
Speaker 1 (48:50):
Good point.
Speaker 4 (48:50):
So she's obviously doing something wrong, like she doesn't know
how to do it like I do it.
Speaker 3 (48:55):
Sharony, Lunchbox, I don't know if you can hear him,
but he said he thinks you did it wrong. You
don't know how to do it like he does it,
And so what is your response?
Speaker 16 (49:03):
My response is, he hasn't been. I've been twice a
team who they picked. I was in a group. They
do it in a group of like maybe six or
eight people, and there's two producers sitting there asking them questions.
One person in our group got picked. She was a firefighter.
She was a super nice, down to earth kind of person.
So not that I'm not I am a super nice,
(49:24):
down to earth person, but they're just looking for something
a little different. The guy that was insane and screaming
the whole.
Speaker 13 (49:31):
Time, he did not get picked.
Speaker 16 (49:34):
And there is no producer outside in that line. There's
no one out there. You're just staying it outside on
the street. No one's watching. So I say, if you
want to use energy to get in, save your energy
for the interview.
Speaker 4 (49:44):
Okay, See, she has no idea what she's talking about.
They have cameras, they have people watching, like there's no
doubt they're watching. They don't just put those people in
line and just on a whim pick them. They have
people like, okay, we're focused on this person. Let's like
when they come in, let's see they performed like they
did in that line, Like her saying, they're not watching,
that's just that's bananas.
Speaker 1 (50:05):
Can we do an exercise?
Speaker 4 (50:07):
Yeah, what would you like to do?
Speaker 1 (50:08):
I'd like to do an exercise?
Speaker 3 (50:09):
Will you do an impression of somebody that's just a simple,
calm guy, Like you're in the interview and you're just
a normal, simple person. Hello, mister box, what do you
do for a living?
Speaker 4 (50:18):
I do a morning radio show. We're heard by millions
of people across the Marthana.
Speaker 2 (50:22):
No, that's not simple, like should he be a teacher
or something I.
Speaker 1 (50:26):
Don't know or dad. We talked about a story like
history try to lie.
Speaker 3 (50:31):
Togain on Oprah once by, like, yeah, are you having cancer?
Speaker 9 (50:35):
No?
Speaker 4 (50:35):
I was dying because she was best friends with Tina Turner,
and so I was like, oh my gosh, this is
my chance to meet Tina Turner. And so I wrote
a letter talking about how I was dying yeah, and
that my last wish was to meet Oprah. And I
was ready to send it, and I was you know,
I was a child, like I was like fourteen years old.
Speaker 1 (50:54):
Okay, that's not a child, that's a teenager.
Speaker 4 (50:56):
That's not seven, I mean. And so I was like, mom,
we got to send this to Oprah And she goes,
do you not realize that they are going to do
some investigating and you are not gonna get paid, like
they're gonna know you're not dying. I'm like, oh, so
we never said it.
Speaker 6 (51:14):
I did not that any of this is wrong, and
just that you're gonna get busted.
Speaker 3 (51:18):
Yeah, okay, so uh he's not. Okay, I don't know
what he wants to do because we have.
Speaker 4 (51:27):
I got a question though, So then they like, what
should my story be?
Speaker 1 (51:29):
Should it not just be you?
Speaker 10 (51:31):
Be you?
Speaker 3 (51:32):
Radio show that you don't get Yeah, if you don't
get it, regardless, the worst thing that can happen is
you weren't yourself. You want to not get it, at
least being yourself. Yeah, just like in life if if
you're pretending you're not something, you're pretending you are something
you're not, and then some doesn't work out for you
regret it so much because you're like, I just should
have been myself. So if you're not gonna get it
(51:52):
for whatever reason, you'd rather not get it being yourself
than the other way because you'll always question it.
Speaker 4 (51:56):
Should my job be entrepreneur?
Speaker 5 (52:00):
I mean he is inst entrepreneurs.
Speaker 1 (52:04):
That's not an entrepreneur. Somebody doesn't app Amazon palletts that
for a little bit.
Speaker 4 (52:10):
We did do that for a little bit. It's still going.
Speaker 2 (52:12):
He said, should be a dad, Yes, dad is himself.
Speaker 1 (52:17):
Yeah, probably one hundred dads in there.
Speaker 5 (52:19):
Yeah, probably.
Speaker 2 (52:22):
Stayed home dad.
Speaker 1 (52:23):
I think he should just be himself.
Speaker 3 (52:25):
Do what you're going to do the whole time, because
if you don't do it and it doesn't work out,
you'll be like, why didn't I just do and be me?
So do everything you thought. You have three days at
this he has three attempts. Day one today Willie walk
a tuxido the whole thing. Day two tomorrow, he's got
to find a partner or some sort of lover because
Valentine show.
Speaker 1 (52:42):
Yeah, and you have to make love to them before
the show.
Speaker 3 (52:44):
I heard, remember it is the authentic Yeah, Okay, there
he is Lunchbocks in California. You guys want to call it,
you can out again after the show's over. We keep
going for another hour. But eight seven, seven seventy seven, Bobby,
Bobby Bone the show.
Speaker 1 (53:00):
Sorry up today.
Speaker 4 (53:02):
This story comes up from Saint Petersburg, Florida. A forty
three year old man went into a circle k with
a gun, robbed it, stole seven thousand dollars worth of
lottery tickets, and got out of there. Forty minutes later,
a man walks into the circle k. I'm here to
cash these scratch offs.
Speaker 3 (53:21):
No way, no way, forty minute, I mean at all,
it's crazy but within the hour.
Speaker 5 (53:28):
That's funny thing.
Speaker 4 (53:30):
And so they called police and arrested him. Was he well,
he had a mask on when he came in the
first time, like he had something over his face. This
time he didn't have a mask on.
Speaker 5 (53:38):
If they tracked those tickets, yeah, yeah, they mark him
was stolen.
Speaker 3 (53:41):
Did you see the guy on Fox News who they
would interview and he'd be like Antifa or he'd be
like another violent criminal and it was the same guy
they were using it.
Speaker 1 (53:50):
They just put a mask on him every time. No,
have you seen that?
Speaker 5 (53:53):
No?
Speaker 3 (53:53):
Oh no, it was like five different interviews where he
was always like he was like a member of a
terrorist organization. He was a member of h and all
you'd see were his eyes. They'd interview him, and it
turns out to the same It was the same exact
guy that was using as an actor.
Speaker 1 (54:07):
It reminds me of this guy Massive just changed the mask.
All right, there you go.
Speaker 4 (54:10):
I'm lunchbox. That's your Bonehead story of the day.
Speaker 1 (54:14):
Thank you, everybody, Goodbye. Bobby bone sh The Bobby.
Speaker 3 (54:18):
Bones Show theme song, written, produced and sang by read Yarberry.
You can find his Instagram at read Yarberry Scuba Steve
executive producer, Raymond No, head of Production. I'm Bobby Bones.
My Instagram is mister Bobby Bones. Thank you for listening
to the podcast.
Comitting this.
Speaker 2 (00:10):
Good.
Speaker 1 (00:11):
What's up? Everybody? Welcome to Wednesday Show. More in a studio.
Speaker 3 (00:16):
Okay, we know this is on Wednesday's show, but right
now we're actually recording this late Tuesday afternoon because we
just found out some news or I did, and Lunchbox
just told me, so we're putting this on Wednesday show.
Is that he has a problem now at Prices right?
Why is there always a problem and you don't nobody
knows this, No, nobody knows this. Okay, So right now,
(00:36):
in real time, Lunchbox is in California trying to get
on Prices right, but he hasn't left yet as we're
recording this, and I just wanted everybody to be in
the room once he shares this.
Speaker 4 (00:46):
Okay, it is well. I they just released something that
Thursday is the Valentine's Day episode okay, and so you
had to come in a couple. It says, where your
best purple reds and come celebrate Valentine's.
Speaker 1 (01:04):
Day with us. So price is right, which he didn't know.
Speaker 3 (01:07):
Of the three episodes he booked, one of them is
a complete Valentine's themed episode where you have to come
with your significant other.
Speaker 1 (01:13):
Okay, yeah, your wife's gonna be there. Yeah, so his
wife has never done anything public? I know how important? No, no, No,
here's the thing.
Speaker 3 (01:23):
Why don't you just find a dude and do it
to like find random. Yeah, that's a great idea.
Speaker 1 (01:27):
I pronoun you, Chuck and Larry. I'm sure in LA
you can find anyone.
Speaker 4 (01:34):
Here's the problem. That's part of the problem. What if
I go with my couple and they pick my other half.
Speaker 1 (01:42):
No, I thought they picked two together, pick you in two, like,
come on down a couple.
Speaker 5 (01:47):
Yeah.
Speaker 3 (01:48):
My assumption is on a couple's episode, all right, this couple.
Speaker 1 (01:53):
Lunchbox and Larry and then you guys run down together.
Speaker 4 (01:58):
That I thought it was just you had to show
up in couples or the village people.
Speaker 1 (02:03):
One's a cop, one's a leather man. It's a good idea, dude.
Speaker 3 (02:08):
So okay, So the question is your wife, who hasn't
done anything public?
Speaker 1 (02:11):
Yeah, would she go with you? I don't know.
Speaker 4 (02:15):
I didn't even bring up the thing to her because
I was worried that they would pick her over me
and then we'd be fighting for us our lives. But
now that you say they were going to pick a couple.
Speaker 3 (02:24):
That's just my assumption. Guys, would you assume the same thing.
If they're saying come in couples, they're gonna pick couples.
Speaker 1 (02:30):
I mean they are valentime. At least pick one gay couple.
Speaker 4 (02:34):
So it would be a good strategy to find a
random dude.
Speaker 3 (02:38):
I'm looking at couples. Uh, February fourteenth, of one of
these last year's. They do bring them up in couples,
and they dress the same. The couples need to dress
the same. But lunchbox, you're gonna have to cuddle with
the Yeah, if you don't make out, they're not for
s They're for sure not gonna put you up there.
Speaker 1 (02:51):
No, No, we can just like get out next to
each other and like high five and hug. Yeah.
Speaker 3 (02:56):
Every couple. So if it's your wife, you guys need
to look the same, like T shirt everybody has the
same color t shirts, or like she needs to be
in a tuxedo or a wedding dress.
Speaker 1 (03:07):
This is a disaster.
Speaker 3 (03:08):
I would just if your wife will do it, I
would not do the tuxedo on day two. I would
just go and find matching colored shirts. Okay, that'd be cute,
but will she do it? I don't know if she'd
do it, but then also, how are you gonna find
somebody else.
Speaker 1 (03:20):
To do with?
Speaker 2 (03:21):
Hey, you said your wife is like her cousins are
there like our cousins guys or girls.
Speaker 1 (03:25):
Or her cousin is a girl, but she is married
to Will the dude be your dude? I don't know,
you well, he go on the air and be your lover?
Speaker 4 (03:36):
Yeah, I mean probably he's from like Columbia, so he
wouldn't you know what the.
Speaker 1 (03:44):
College or the country, the country, the country. H Okay,
you know what, You're gonna have to sell it, dude,
you have to sell it. I think that's about you.
You don't have any of like the good gay stereotypes.
What do you mean?
Speaker 5 (03:59):
You know what means?
Speaker 3 (04:00):
You know, you're not exactly clean looking. You're not and
I would say like super fit like fashion you're not
in fashion forward? Yeah yeah, but friendly mm hmm, even
that kind of.
Speaker 4 (04:16):
Oh yeah, so maybe he could be the he could
be the Okay, how do you guys want to do it?
Speaker 1 (04:23):
Yeah?
Speaker 2 (04:24):
Detail, I think that that your your your cousin is
where you start, and then from there is where he starts.
I'm assuming she's not going to do it, so then
you start with the cousin's husband and if he won't
do it, do they have friends he's going to He
starts approaching strangers in l a like he's gonna get
(04:45):
on TV.
Speaker 1 (04:46):
What lover?
Speaker 3 (04:47):
That would look kind of cool for Like, yeah, but
if you get on, you have to kiss before you
go up. You have to like that's the celebration. Okay,
you ever kissed a man on the mouth? Yes, yeah,
my dad exactly, So do the same thing. Just act
like he act like he's your daddy.
Speaker 1 (05:05):
He's not your dad, but he's your daddy. Like this
is a disaster, guy, like that. It's not, it's not.
Speaker 3 (05:11):
This is an opportunity. Some people see an obstacle. I
see one of the greatest opportunities that you have ever had.
And it's just a bit of sacrifice. But your wife is.
Speaker 1 (05:20):
First, So go to the wife. Will she do it?
In your opinion? I don't know. She doesn't really care
to be like, that's not her dream, Like.
Speaker 3 (05:30):
But it's not about her dream, it's about your dream.
Will she sacrifice her privacy? Well, she sacrificed her day
out there with her family to go and be with
you for a whole day to begin get on prices
because her cousin.
Speaker 4 (05:45):
Is taking off work, you know what I mean? Like
it's a whole domino effect. I ought to ask her.
I didn't even think about that.
Speaker 1 (05:53):
I literally just.
Speaker 4 (05:53):
Thought, oh, my dream's dead, Like I'm gonna have to
miss that taping.
Speaker 6 (05:56):
Now, this won't even be a problem if he makes
it like the first to days, right, Well, the first
day because it's day one is normal.
Speaker 1 (06:04):
Day two is Valentine's Yeah, Day three is normal again?
Oh yeah, so it's ye, that's the thing. Okay, Oh,
Day three their sands furry day. He has to dress
like I'm not dressed on by an animal? Can that right?
That's an animal one? That's where you trawl the line.
Oh day three is dude? How do you not read these?
This is all on the website.
Speaker 4 (06:23):
This is brand new, breaking news, it was just released.
Speaker 1 (06:27):
How would they do that?
Speaker 7 (06:28):
What?
Speaker 1 (06:28):
Day three is Marty gral day?
Speaker 2 (06:30):
Oh that's fun, dude, So much for a tux three
days in a row?
Speaker 1 (06:34):
What's day so? Day one?
Speaker 8 (06:37):
What?
Speaker 1 (06:37):
What? What Marty girl day? Do they have? What is Marty?
Speaker 3 (06:41):
Like?
Speaker 4 (06:41):
What do I dress?
Speaker 1 (06:42):
Marty means beads yellow? How do you not know all this?
Speaker 6 (06:48):
And there's no way lunchbots that they changed this like
today or yesterday.
Speaker 1 (06:52):
No, no, they just changed. No way. I am telling you.
Speaker 4 (06:55):
When I booked the tickets, it didn't say anything about this,
you guys.
Speaker 3 (07:00):
No, I read details. We know you don't read, don't
so good luck. Yeah, I think it's all well. When
people are hearing this, I think today, Yeah, it's your
big shot.
Speaker 4 (07:13):
And you want to know what else I found out?
Oh boy, they moved the taping up to twelve thirty.
It's no longer one.
Speaker 1 (07:18):
Okay, thank you. Damn that's thirty minutes. Man.
Speaker 4 (07:21):
I'm just telling you that they changed it. Remember I've
been telling you guys one o'clocks this whole time. So
it's different like you guys telling me I don't read stuff.
Speaker 1 (07:28):
So prices right, just changing stuff like out of nowhere?
Speaker 3 (07:31):
I bet, I bet, I bet this not out of nowhere,
That's what I bet. Okay, thank you, good luck.
Speaker 9 (07:44):
Sin.
Speaker 1 (07:46):
There's a question to be.
Speaker 3 (07:55):
Hello, Bobby Bones, I started seeing a guy who is decent,
looking pretty successful and conf On our second date, he
laid out a long list of non negotiables for any relationship.
He said that until something looks headed toward marriage, his
work and his friends will always come first. It was
a lot to take in early. Part of me respects
that he's upfront about who he is and what he wants,
but another part wonders if these are warning signs about
(08:17):
why he's been single for years. Is this brutal honesty
a green flag or a sign of trouble ahead signed
caught off guard?
Speaker 1 (08:24):
Both?
Speaker 3 (08:25):
Actually, it probably is why he single, but it's also
probably why he hasn't gotten a relationship that has been
terrible or has been something that he knows he's not
going to take all the way to the finish line.
So it can be both. Two things can be true
at once. And this is probably just his personality as well.
And sometimes a personality like this doesn't fit. Most times,
(08:46):
a personality like this doesn't fit generally. It's a very
type a type personality. So yeah, it's honest, and it's
either a big green flag or a harsh red flag,
one of the two. Do you meet that non negotiables
they put out there. If you do, they keep going.
If you don't, it's obviously not going to work. If anything,
(09:08):
I think it's a bit refreshing, even if it's a
bit unlikable because again, that could be true too.
Speaker 1 (09:13):
So what are your thoughts.
Speaker 2 (09:14):
What was that line in there where he said, uh,
my work in friendships come first.
Speaker 3 (09:20):
That's the line he said, until something looks like it
could be headed towards marriage, his work and his friends
come first.
Speaker 2 (09:26):
Yeah, but once it looks like it might be marriage,
then he'll shift.
Speaker 1 (09:31):
I think, yeah, I agree to.
Speaker 3 (09:33):
It's just there's a lot of bravado here that's probably
hiding some sort of insecurity as well.
Speaker 1 (09:40):
I feel like you could relate to this. I don't
have any bravado, not the bravado part.
Speaker 3 (09:44):
Oh. I wish you would have fought back on that though,
man like you have a little Oh yeah.
Speaker 1 (09:48):
I mean going to be like, no, you do have some.
I don't even know what bravado is.
Speaker 2 (09:52):
Yeah, yeah, yeah, yes I don't either, but Bobby has it.
Speaker 3 (09:57):
Thank you, Yeah, thank you. I would see it as both.
If it completely turns you off, that means this guy
probably ain't for you because his personality is just like that.
If any of the things he says are flags, that's
probably not for you. But if you're like, okay, I
get it, then this could be a guy at least
he's being honest about it. Bravado is a bold manner
(10:20):
to show boldness intended to intimidate or impressed. Bravado I
want to like, yeah, I just said you have it,
so that after I challenged I, did you have it?
Speaker 2 (10:30):
Now that I see that definition than you, Bobby, thank
you got your picture under the definition.
Speaker 1 (10:37):
It is actually no, not at all, here's your thing.
Speaker 3 (10:41):
So I would go forward if if you met whatever criteria,
if you want to, if you want to. I don't
think it's a red flag unless what he's saying is
a red flag, not how he's saying it. All right,
there you go, close it up, Raymond. Give me an
example of this game.
Speaker 10 (10:57):
So I'm going to give you a song's plot in
one sentence. You're gonna name the song, okay. Example from
two thousand and five, a woman gets revenge by vandalizing
an ex's truck.
Speaker 1 (11:10):
With a baseball bat.
Speaker 3 (11:12):
I get the game, now, you guys know that one
before cheats carry underwood.
Speaker 1 (11:17):
Good? Okay, I get the game. You want to do?
Speaker 11 (11:19):
Five?
Speaker 5 (11:19):
Yep?
Speaker 1 (11:20):
All right, ready write your answers down, guys.
Speaker 10 (11:22):
From two thousand and four, a man who decides to
live life to its fullest after receiving a terminal diagnosis.
Speaker 1 (11:32):
I'm in, I'm in, I'm in. Hey, Live like you're dying.
Live like you're dying. Live like you were dying. Good Next.
Speaker 10 (11:44):
From two thousand and nine, a woman returns to a
childhood home to reconnect with her past.
Speaker 1 (11:53):
I'm in, Oh man, I can sing it. I can't
get I don't yet.
Speaker 3 (11:57):
Hold on, no, no, no, I got you got five seconds.
Speaker 1 (12:07):
I don't know.
Speaker 2 (12:07):
I just some words came out. I got it, I
got the paper and I.
Speaker 1 (12:11):
Got it like it just spilled out amy I but
I have no idea if it's I can't even sing it.
Speaker 3 (12:17):
I had to sing it to get to it. Everybody
in Yes, you heard where I started singing it. I
thought the fuck it this taste, said Jimmy, it's somesta.
Speaker 1 (12:30):
See me.
Speaker 12 (12:36):
Till you that, and built me house to bid me.
Speaker 1 (12:50):
We all got it, Bill me nice. We sing it
exactly right. Nailed it, dude, Good job.
Speaker 10 (12:56):
Next up from nineteen ninety, a man is grateful that
odd didn't answer his prayer in high school. Now that
he is with the love of his life. I'm ines
on the nose. That guy's grateful. There was an unanswered prayer.
Speaker 3 (13:14):
No no, because unanswered prayers, unanswerers, unanswered prayers.
Speaker 1 (13:19):
All right, go ahead.
Speaker 10 (13:21):
From nineteen ninety two, a man feeling broken hearted under
a glowing sign because his significant other has left me in.
Speaker 1 (13:30):
I'm in one two three moon.
Speaker 10 (13:35):
From nineteen ninety five, a man discovers a strange truck
parked in his girlfriend's driveway.
Speaker 1 (13:42):
I'm in, Oh, hold on, man, hado jee, Okay, i'm in.
Speaker 8 (13:56):
What do you had?
Speaker 1 (13:57):
That ain't my truck?
Speaker 3 (13:58):
Yeah?
Speaker 8 (13:59):
That ain't my.
Speaker 1 (14:02):
Right yep?
Speaker 3 (14:03):
Okay, so we all went five for five, although those
were very easy.
Speaker 1 (14:07):
H you want to all do a sudden death?
Speaker 9 (14:08):
Now?
Speaker 1 (14:08):
If you miss it, you're out. How many more do
you have? You can do four?
Speaker 10 (14:12):
Okay if you want, or until you miss or whatever,
get more than four. Yeah we got six total? Okay,
six left?
Speaker 3 (14:20):
Okay, this is a weird got it next one?
Speaker 10 (14:24):
From twenty twelve, a woman sings about the small town
gossip that nearly tore her apart.
Speaker 1 (14:30):
Oh, we got a hard one. Okay, do it again.
Speaker 10 (14:33):
From twenty twelve, a woman sings about the small town
gossip that nearly tore her apart.
Speaker 1 (14:38):
What in two thousand and four?
Speaker 2 (14:39):
You say, twelve twenty twelve.
Speaker 4 (14:45):
Gossip.
Speaker 1 (14:48):
I'll get a hard one and I don't have it, so,
oh my gosh, it sounds so familiar.
Speaker 3 (14:57):
Though that gossip was so bad. I don't have it,
all right, I have no answer. That's a hard one,
that's a good one. Have nothing, Amy Mama's secrets.
Speaker 1 (15:17):
Not familiar with that song? Do you mind singing me
a little.
Speaker 2 (15:19):
Something about scissors to the bangs?
Speaker 1 (15:22):
No, that's Miranda Lambert. But what's she singing about? That's
when Rusty we're all doing a Branda songs we did this. Yeah,
that's uh. I've aged a vege. I had Mama's broken heart.
Speaker 2 (15:37):
Yeah, because people gossiping about her.
Speaker 1 (15:39):
Yeah, I hate that all right.
Speaker 6 (15:40):
Next, Eddie, I wrote down the night that the lights
went out in Georgia.
Speaker 1 (15:44):
Twelve though I know I had nothing. So what is it?
Speaker 10 (15:48):
Mary go round, Casey Musgraves.
Speaker 1 (15:51):
Mary go round? And what's what's the lyrics booze? Excuse me?
I know the court, but like, what's the lyrics that
make that happen? The gossip?
Speaker 10 (16:03):
Yeah, I believe it was talking about in the town
booze that was going on and.
Speaker 1 (16:08):
Smoking interesting has no idea all right?
Speaker 10 (16:12):
From two thousand and four, A guy sings about life's
ups and downs and how he wouldn't change a thing
because it led him to. Now, what year, I gotta
pay more attention to the year two thousand and four?
Speaker 1 (16:26):
Can I read it again?
Speaker 10 (16:28):
A guy sings about his life's ups and downs and
how he wouldn't change a thing because it led him
to Now, I.
Speaker 1 (16:34):
Think, I just like get the artist. No, I'll give
it away. I would give it away. No, I mean
as a point.
Speaker 7 (16:42):
Ups and downs. I feel like that's in the song,
in every song, every country song, A seesaw goes up
and down.
Speaker 1 (16:54):
I think I have it.
Speaker 6 (16:56):
Yeah, well then you're gonna win Older Coaster. Can we
hear it one more time? Ray from seeing the question though?
From two thousand and four? Do you want me to
sing it?
Speaker 2 (17:09):
No?
Speaker 1 (17:09):
Yeah, yeah?
Speaker 10 (17:10):
The guys sings about his lips, ups and downs and
now he wouldn't change the theme because it led him.
Speaker 1 (17:15):
To Now it's perfect. It actually has nothing to do
with the song. I just want to hear him singing,
no man, no clue, I'm in anybody. You have good directions.
That's good except for the ups and lives, up and
ups and downs. That's a good one, though Eddie doesn't
(17:36):
he say like, I wouldn't change a thing and amazed.
Speaker 2 (17:40):
Nineteen ninety nine.
Speaker 1 (17:41):
Yeah, the year helped me the year wise O four? Yeah,
hold on, hold on? Is it Keith Urban? No? I
believe and I don't know that I'm right, but I
believe it was a band? Is that a band? Ray? Yes? Oh,
proscal flats. God blessed the broken road that.
Speaker 2 (17:56):
Led me straight to you, because it's broken ups and downs.
Speaker 1 (17:58):
But guess what it got mean.
Speaker 3 (18:02):
This broken roll, let me strange.
Speaker 1 (18:09):
One in this merry go round.
Speaker 10 (18:14):
It's time for the good news, Bobby.
Speaker 3 (18:21):
This older lady drove her car off the side of
near where they launched boats, but not quite at the
ramp into the water.
Speaker 1 (18:29):
It was deep.
Speaker 3 (18:30):
Her car is than starting to go under, and so
they see this and they jump in after the woman
pulled her out, like save her from the car sinking.
Then they go in after and make sure there's nobody
else in the car. But yeah, they saw her go in,
and had they not, I don't think she could have
got out of the car. Yeah.
Speaker 1 (18:48):
Number one rule of if a car sinking rull your
window down.
Speaker 6 (18:51):
I was even electric. I guess even just get just
get you. However, you can do that, just get your
window down, because they say it's hard to open the door.
Speaker 1 (18:59):
Actually when you're underwater or not, they say it makes sense.
Speaker 3 (19:02):
Right, you're facing a big area, not even the pressure
of a big area of water against your door. So
if you don't have a lot of strength, because that'd
be a very slow push.
Speaker 1 (19:11):
It's not like you can just shove it open. You
should have done that. I'm breaking body bones. See if
I die, you can get out of the car.
Speaker 3 (19:17):
Oh yeah, big shout out to these guys Jacques below,
Nathan below and Brady Dufrayin and they jumped in and
saved the woman.
Speaker 1 (19:23):
Obviously they're from Louisiana. Jacques, I love some agent.
Speaker 4 (19:29):
Uh.
Speaker 3 (19:29):
The social media post had the department publicly thanking the
guys because have they not seen it and gone after her,
she probably would not have made it. That is from
k l f Y And that's what it's all about.
That was telling me something good doctors say, don't ignore
these common injuries. I'm gonna list you the injuries because
these are things probably that happened to us, and we're like,
I want to go to the doctor because not to
(19:49):
pay for it. I want to go to the doctor
because I don't have to pay the cope to pay
for it. And then who knows what bills are coming?
Speaker 1 (19:54):
Here we go.
Speaker 3 (19:55):
Number One, animal scratches and bites, whether it's from a
random animal or even your own pet, even tiny breaks
in the skin can easily get infected by the bacteria
the dogs and cats carry in their mouths. If the
injuries from a wild animal like a raccoon or bat,
you should for sure go oh yeah, for.
Speaker 1 (20:12):
Sure, for sure.
Speaker 3 (20:15):
But I mean, like, I play with the dogs and
they'll get me a little bit sometimes because I'll wrestle
with the dogs, and I.
Speaker 1 (20:21):
Never I'm like, I should go in. But yeah, it
makes sense. I mean, you get scratched by your.
Speaker 2 (20:26):
Cat, the I I'll clean it with what your tongue,
so she.
Speaker 1 (20:32):
As a cat. Yeah, yeah, So that's one. Number two.
Hitting your head, Yeah, that's a big one.
Speaker 3 (20:41):
Always watch for signs of a concussion if you hit
your head. Now, we hit our head ache lot, but
it's not just if you bump your head. It's if
any of like the dizziness a headache comes from it
and stays for more than like fifteen twenty minutes, if
you get nauseous, if there's any light sensitivity, any of
that stuff that you can just go, oh, I have
my head. Of course, that's the stuff that's concussion. And
(21:03):
then if you don't treat a concussion, it could actually
damage your brain obviously kill you. Even so that's the
next one. Minor car accident injuries, meaning if you get
into a little bumpty bump, and those bumps and bruises
don't seem bad, but that's because there's a rush of
adrenaline that happens to you when you get into a
minor a fender bender. Even that you're like, oh, I
(21:25):
didn't hurt, but then it hurts real bad the next
couple of days, and you can't even really, I mean
you can, but you can't really. Then credit it to
the wreck because it just happened a couple of days later,
and they're like, Nah, this is fraud, this insurance fraud.
You're just now saying it hurts because you were in
a wreck and you didn't even go to the doctor
the next days. I never thought about the adrenaline that
(21:46):
happens when you do get into that. You don't feel anything,
I mean even if it's like, like whatever it is,
there's so much adrenaline.
Speaker 1 (21:54):
It's minimizing it so much. And think about that one.
Speaker 3 (21:57):
Okay, blistering burns, first degree burns typically heal on their own.
Speaker 1 (22:04):
Now this is what's crazy to me.
Speaker 3 (22:06):
We got to get our degree system correct because if
it's first degree murder, that's the worst murder. If it's
a first degree burn, that's the lightest burn. Right, why
do we not We need a structured system of degrees.
It's got to be consistent, yes, because you get a
third degree burn, but third degree murder it's.
Speaker 1 (22:21):
Not the same basically manslaughter.
Speaker 2 (22:23):
Oh, third degree murders.
Speaker 3 (22:26):
Oh dude, first degree that's that easier. A first degree
burn is like a level one burn, not so bad. Yeah,
it's like if you like, grab a little hot teapotters sure,
oven like and you lick it and it feels better.
But the first first degree murder is like total murder,
like you've killed them with intent and it is done
in a bad way.
Speaker 1 (22:42):
I kind of likes it. They're different. That helps me
see it clearly.
Speaker 5 (22:46):
You're weird.
Speaker 1 (22:47):
No, it can't be the case, Yes it can. How
how does it help you to meet.
Speaker 2 (22:51):
First degrees like one on one intent like first degree murder,
that makes sense. First degree Okay, then there's no separation.
Speaker 1 (23:00):
And it's the worst first degree.
Speaker 8 (23:02):
First degree murder.
Speaker 2 (23:04):
But I'm not saying, yeah, of course it's the worst
because it's one on one first degree, but first degree
burn that's not as bad because it's.
Speaker 1 (23:12):
One that makes sense maybe to your head, it makes sense.
Speaker 2 (23:18):
To me, this makes perfect sense. If you were to
change it, that.
Speaker 1 (23:20):
Would confuse me because then you first degree.
Speaker 3 (23:25):
I feel like it's the worst first and worst first
degree murder, worst murder, first degree burn, worse burn.
Speaker 6 (23:30):
See, I feel like third should be the worst because
it's in order. One is not so bad because I
don't like the degree.
Speaker 1 (23:37):
There's separation.
Speaker 2 (23:38):
You can't make the murder third degree because it's not
one on one anymore. There's one on one.
Speaker 1 (23:45):
With three people killing them.
Speaker 2 (23:46):
Yes, yes, I know it doesn't have to be one
on one, because that's what I'm saying, Like, there's not
the like there. The intent behind it is more.
Speaker 1 (23:56):
Third degree murder, intentional killing.
Speaker 2 (23:58):
Yeah, that's why I said intent behind it.
Speaker 3 (24:01):
The death was not planned or intended. Third degree burn
is the worst burn. Yeah, that's confusing This.
Speaker 1 (24:06):
Is not confusing to me at all.
Speaker 2 (24:08):
It's confusing having to explain it to y'all, but to me,
it makes perfect sense.
Speaker 1 (24:12):
Okay, So what are you saying over there? I'm nothing.
Speaker 3 (24:16):
No, you're saying that the third degree burn or the
first degree burns typically heal on their own, but second
degree burns that blister require medical attention. If it's bigger
than a few inches, it can get affected really easily.
Face hands, feet, genitals. He burned your genitals on the teapot,
which I have eleven times, I would go, I mean
it this month meant don't worry about it, Go go
(24:36):
to the doctor.
Speaker 1 (24:37):
Go to the doctor.
Speaker 3 (24:38):
Pokes to the eyes, even if you see fine, you
don't want to take a chance with eye injuries because
that you can't bounce back from those. For the most part,
there's another one cuts or scrapes that won't heal. If
it's not closing up or starting to heal after a
few days, there are signs of infection.
Speaker 1 (24:51):
It's best to get checked out by a doctor.
Speaker 6 (24:53):
Who My sister fell at Target and hers like never
got better, and she had a bad infection. Really yeah,
she had it for like, it never got better. In
like three four weeks.
Speaker 1 (25:02):
It's crazy. I guess the rug that she fell on
was pretty dirty.
Speaker 2 (25:06):
Or maybe you all have that because you got that
infection and it was hard to go away MRSA.
Speaker 1 (25:10):
Yeah, yeah, that's straight staph infection.
Speaker 3 (25:12):
Yeah.
Speaker 6 (25:12):
Yeah, staph infection that was in my bloodstream and my
body could not get rid of it. Yeah, and they
couldn't tell me why I had it either, Like they
were talking about the teapot. Yeah, all right, that's from today.
Speaker 3 (25:27):
So there was a story about people that would be
open to having their wedding sponsored, meaning a company. Let's
say Sleep Numbers, like this wedding presented by Sleep Number,
and most people will be like, yeah, I take that
because weddings are expensive. And that's not even the main
part of the story, because there's something pretty shocking about
a member of the show I wanted to talk about.
But a new survey reveals that most Americans are open
(25:47):
to letting brands sponsor their weddings. We had Sonic, they
didn't sponsor it, but we love Sonic. We had Sonic
set up things our wedding that was so cool.
Speaker 6 (25:55):
Yeah, Like on the way out, they gave us burgers
and drinks and they had.
Speaker 3 (25:59):
They had their things set up, their screen you drive
up and push the button. They had those set up
up near a part of the house and then people
came in on roller skates to the end and we're
delivering awesome. So that was cool. That could have been
a sponsored thing. My point is I didn't care that
a brand was there. It was awesome.
Speaker 1 (26:14):
It was super cool, and they didn't give us any money.
Maybe they should now that I look back. Dang.
Speaker 8 (26:20):
Yeah.
Speaker 3 (26:21):
So weddings are expensive, is my point. They can be
super expensive, let if you let them. And somebody on
the show is still paying for their wedding after all
these years.
Speaker 1 (26:30):
So it's not me. Oh not mean, is it you?
Speaker 13 (26:36):
No?
Speaker 1 (26:36):
My my father in law paid for our wedding, so
then who he may still be paying for him? But
I'm not Ray Mundo, is it you? I gotta check
with Phil, my father in law as well. Ray did
have his wedding on garth Brooks Range. That was awesome.
It was awesome. No, it's scubaste who's still paying for
his wedding?
Speaker 7 (26:51):
What?
Speaker 8 (26:51):
Or about?
Speaker 14 (26:52):
They hit our ten year anniversary and I found out
myself last week. My wife and I were going through
our finances, just getting things lined up, and she's like, yeah.
Speaker 1 (26:59):
We're still paying for a wedding. We're still paying for
our wedding.
Speaker 3 (27:01):
It's like, holy credible because it all are you still
paying for?
Speaker 14 (27:04):
So in her culture she's Chinese and Filipino, the man
has to pay for the wedding to show that am
I Chinese and Filipino?
Speaker 5 (27:11):
Ply your wedding?
Speaker 8 (27:13):
Yeah?
Speaker 1 (27:13):
Is how I'm getting told. Wow.
Speaker 14 (27:16):
You know, typically in the white people culture, usually the
bride pays for it, the father of the bride and
all that stuff. But so in her culture, we do
at the show that we can take care of the
of the future wife, and so we're still paying. I
think the wedding costs about fifty thousand dollars plus our honeymoon,
and then it's kind of been wrapped up into other
expenses like having a kid a year and a half later.
Speaker 1 (27:34):
You know how life is.
Speaker 14 (27:35):
Just that's not wedding, but it just snowballs into all
this dead and you have to pick and choose what
you pay for, and the wedding has just been on
the back burner.
Speaker 1 (27:42):
A brother, Yeah, yeah, that's tough.
Speaker 3 (27:44):
So what would your advice be to people who are
getting married now and thinking about putting in twenty thirty
eighty two hundred thousand dollars into a wedding.
Speaker 14 (27:51):
Don't put that money into a house. I say, still
have a wedding, but just have a smaller ceremony that
you can enjoy with a smaller group of people. Because
even at that wedding, we were paying for it, but
her mom was dictating who was coming to the wedding,
and they're like neighbors from the eighties, and.
Speaker 1 (28:06):
Now we're going down to it. Hey, we've hit a
point that we just triggered him go ahead, and I'm like,
what the hell, I don't know who this lady is.
She's like, yeah, she's your teetha for she's not my TEETHA.
I don't know who this woman is.
Speaker 14 (28:15):
And she's getting invited to the wedding to just basically
show off her daughter and that she's getting married. So
my advice is make it smaller. Put the money towards
something that you can use long term, like a house.
Speaker 3 (28:26):
It's tough, though, because everybody wants to have that thing
they've been waiting for their whole life, and they want
to be able to share it on Instagram and have
cool pictures. I'm not justifying it, but I'm saying it's
very difficult to end less just in your heart.
Speaker 1 (28:40):
You want to have a very.
Speaker 14 (28:41):
Small wedding, yeah, I mean you want to have that
big thing you think you do and then here you
are ten years later you're still paying for it.
Speaker 3 (28:46):
Well, I don't know about that thing, but that's the thing.
It's amazing, but it's over so quick. Yeah, it's like
going to one night. It's like going to the casino.
It is, and it's a party for somebody else.
Speaker 14 (28:56):
It's I mean, it's your party, but you're paying for
everyone else to show up to your party.
Speaker 1 (29:00):
So for me, just the concept, I think it's just
it's silly.
Speaker 3 (29:03):
It's like going to the casino because you're probably gonna
lose the money and you're like, man, what a night.
Speaker 1 (29:07):
That night's over and that money's gone.
Speaker 8 (29:09):
Yeah.
Speaker 6 (29:09):
So is it showing that Scuba could afford the wedding
even though he's paying for it ten years later?
Speaker 1 (29:15):
Like the culture is like the man does it because
oh dang, you didn't meet the culture. Like you're not
meeting the culture do you're paying it ten years later?
It's like tetah came, you can pay for that. You're
proving them wrong. But I'm still about we're off flow.
Speaker 14 (29:27):
Like you still finance houses and cars and stuff you're
not paying for.
Speaker 1 (29:31):
It is the culture to take out a mortgage on
a wedding. No, you're expected to pay for it, like
in cash. But I didn't have the cash to pay
for it. I was broke. Typical white gush, Am I right?
I mean yeah. On the Bobby Bones Show, now Clinch.
Speaker 3 (29:47):
Better Man being added out of the box, which for
those that don't know, that's a station programmer will go,
I'm going to add that to my playlist immediately before
it's even actually asked to be added. It's like the
earliest you can get a song added. So this LA
program director says that your label switches over. They now promoted.
How fast until that song actually became something you were
(30:08):
known for or they was played on the radio.
Speaker 8 (30:09):
Well it went to number one? It was seventeen weeks.
Speaker 1 (30:13):
In today's time, that's pretty quick. How quick was it that?
Back then?
Speaker 8 (30:16):
It was long?
Speaker 9 (30:17):
It was yeah, you know, it took its time, you know,
it was it was steady enough. But back then you
could get a song up to number one, and back
almost five a year.
Speaker 3 (30:30):
That song as it was climbing, like could you feel
more people singing along? And or depending on that, your
shows are not the crowds getting bigger?
Speaker 9 (30:38):
Yeah, we were playing bars and the bars were packed.
And CMT had a lot to do with that because
I wanted to get a video right away. The video
TNN and Nashville Network was smoking hot.
Speaker 8 (30:51):
Back then.
Speaker 9 (30:51):
We were all watching it as a country fan. So
being on the Ralph Emery Show, Ralph was saying things
like I like you, and I think you're going to
be around a while, you know, and uh, and I
think that helped a lot. I was getting on the
Tonight Show with Johnny Carson Jay Leno when he guested,
and the Wall Street Journal a reporter came out and
(31:15):
rode the bus for a few days and did a
future article in that USA Today did one, and I
was starting to get, you know, spots opening for the
Juds and Alabama Dwidokom.
Speaker 8 (31:25):
I did a month out on the road with him.
Speaker 9 (31:27):
So it was clear that even if it didn't go
to number one, that it was going to have a
big impact.
Speaker 1 (31:33):
Can you give me a Johnny Carson story?
Speaker 9 (31:35):
Johnny Carson I think the second time I did the
show with him, I wanted to do something that used
my full vocal range, and we had been playing on
the road kind of a Hank Junior version of ain't misbehaving,
but I would. I would go up and sing real
high toward the end of the song, And so we
(31:56):
did that on there, and when I got over to
the couch, Johnny said, Wow, you have a false setto
you could throw a cat through.
Speaker 8 (32:07):
Wow. That's one compliment I will never forget.
Speaker 3 (32:11):
It's got to be crazy feeling to go ten years
in bars to doing the Tonight Show. Were you able
to have awareness of how cool it was to be
getting those big moments or were you so in it
that it was difficult to actually understand or be happy
about it.
Speaker 9 (32:27):
I think I was mostly overwhelmed by the workload, because
I was doing nine cities in a row one day off,
eight in a row one time we did twenty one
in a row day off, and calling into radio stations
in the morning and in the afternoon drive time and
meet and greeting thirty to one hundred people before the show.
Speaker 1 (32:47):
Before.
Speaker 9 (32:47):
Yeah, every show, I was constantly worried about being able
to sing.
Speaker 1 (32:51):
Because if you're tired or sick you don't have a voice, yeah.
Speaker 9 (32:54):
Or if you talk all day yeah. And people don't
think talking is that hard, but imagine singing a song
that only has three notes and singing it all day long.
Michael Jackson spoke up here because it took some of
the strain off his vocal cords.
Speaker 1 (33:07):
Wait, is that really why?
Speaker 8 (33:08):
Yeah?
Speaker 1 (33:08):
I mean it makes sense. I didn't know that.
Speaker 9 (33:11):
It's absolutely why. I went to his voice coach. He
didn't tell me anything about Michael, but he said, you know,
whenever you're talking, just don't talk down here so much.
Try to stay up and hear and make it easier.
And Michael just took that all the way up.
Speaker 1 (33:30):
On the Bobby Bones Show. Now, Clint Black, how'd you
meet your wife?
Speaker 9 (33:34):
She and her mom were in Houston doing press for
one of Lisa's movies on CBS, and someone at TV
station said, you know, I've got tickets to the Clint
Black show was New Year's Eve, if y'all.
Speaker 8 (33:48):
Want them, and they took the tickets.
Speaker 9 (33:51):
She had already heard about me because her manager, herb Nanis,
was partners with Stan Moress, who was Kat's manager, who
I knew because I toured with k T. And he
and I were like Dean and Jerry. We were a
comedy show everywhere we went. And he gave Lisa a
tape and said, listen to this guy. You know you
love him. So now they come to the show. Somebody
(34:12):
with my management company brings her backstage. We say hello briefly,
and then about ten days later, we're taping an Opery
anniversary show. It's a TV special. It was a night
I was inducted as a member. Before the show, I
had a specials. Fred Rappaport came back to my dressing
room and said, I have Lisa Hartman's phone number, and
(34:34):
he's about to give it to me, and he pulls
it back when I reach for it and says, but
I'm not going to give it to you unless you
promise me you're going to call her. So I promised,
and I called her right away. I was going to
be in La to do the tonight show and I
had one night off. We went to dinner and we
were married ten months later.
Speaker 1 (34:54):
What must you play? Give me the five songs you
must play every show?
Speaker 9 (34:57):
Oh better Man, killing, Time of bad Luck? Nothing but
the tail lights every show.
Speaker 1 (35:03):
You're gonna do those for sure? You can do those?
Speaker 6 (35:05):
Oh yeah, because I think people would be upset if
you didn't do those exact ones.
Speaker 9 (35:09):
Summer's Coming is one I feel like, you know, and
and the ones that usually lose outter ballads because you
can only do so many ballads and most shows.
Speaker 3 (35:18):
Man, what a problem you have too many hits. That's
a long way from the bar man. Trust me, I
know it's time for.
Speaker 1 (35:25):
The good news.
Speaker 2 (35:26):
Unbox.
Speaker 1 (35:31):
Lunch debt is something no one likes.
Speaker 4 (35:33):
It's oh, you got to pay these meals, gotta pay
these meals off. Well, someone in Taylor, Texas, an anonymous
donor said, you know what, for the entire school district,
I'd like to pay off the lunch debt. And so
there is no more lunch debt in Taylor, Texas. And
everyone is super happy and super full full.
Speaker 1 (35:53):
They're full good.
Speaker 4 (35:54):
Well, here's the thing, they still get a meal. Did
you write that about super full or does it say
that I literally made that up. That's that's one good
one that you made up a lot of times. You
steal it and take credit. That's a good one. All super full. Yeah,
so they.
Speaker 1 (36:06):
Get to eat in Taylor Texas.
Speaker 4 (36:07):
Everybody went to social media and said thank you so
much to whoever you are.
Speaker 1 (36:10):
That's so amazing. Person never jumped up and said it
was then. No, no one has come forward to say
that's a great story. That's what it's all about. That
was telling me something good.
Speaker 11 (36:20):
Wake up, wake up in the morn and the radio
and the Dodgers ready in his lunchbox.
Speaker 1 (36:32):
More game too, Steve bred Have. It's trying to put
you through.
Speaker 10 (36:36):
Fuck.
Speaker 11 (36:37):
He's running this week's next bit. The Bobby's on the box,
so you know what this is.
Speaker 15 (36:47):
The Bobby ball, not time for the morning Corny, The
morning Corny.
Speaker 1 (36:55):
How do you track a book? How do you track
a book? You followed foot notes? That was the morning corning,
Big day for Lunchbox.
Speaker 3 (37:11):
He is joining us from a studio in Los Angeles,
where it's a couple hours earlier there than where we
are here. So you got to la to do prices
right well, just to be in the audience. I don't
want our audience to think we set this up. We
do not know anybody there. There's been no set up
at all. I don't know if you can set it up,
but Lunchbox got to l a what time yesterday?
Speaker 4 (37:32):
We got to here at what five forty five, six o'clock,
maybe seven o'clock. I don't even remember.
Speaker 1 (37:38):
That's like he's doing o'clock o'clock.
Speaker 5 (37:41):
Three rock.
Speaker 4 (37:42):
I mean, I took a picture, So let's see what
time the photo was taken. Hold on, it was.
Speaker 1 (37:51):
Shot down. It was just like around what time did
you get down?
Speaker 4 (37:55):
Six o five pm? And here's the thing. I kept
telling you guys, my flight was at five I was
my flight was at three thirty. I was totally off.
Speaker 3 (38:02):
Okay again meaningless part of the conversation. Start to the bad,
start to the whole. So what is your agenda today?
Speaker 4 (38:10):
My agenda is I'm gonna get off the show. I'm
gonna go back to the hotel, and I'm gonna shower
because I'm not showered. And then I'm gonna.
Speaker 3 (38:18):
Go all the way across the country on an airplane
and got to the hotel, didn't shower.
Speaker 4 (38:21):
Yeah, it was well. I didn't go straight to the hotel,
had a couple of margarita's at a Mexican restaurant, and
then I was like, man, I gotta go to bed,
I gotta I gotta get up for the show. So
I went back to the hotel and I went to bed,
and I got up, and I didn't want to disturb
my wife, so I just left the room without showering.
I got the same clothes on that I wore on
the plane.
Speaker 1 (38:42):
Oh wait, you did you get in of the bed,
even your plain body in the bed?
Speaker 7 (38:49):
No?
Speaker 4 (38:49):
I didn't close in the bed, amy, No, but you
didn't like.
Speaker 3 (38:52):
Wash your hair after being on a flight with all
those people you got to.
Speaker 4 (38:55):
I would have loved to, but there just was no time.
No last night, right, there wasn't any time.
Speaker 5 (39:00):
We went out Margarita, had to get margarita.
Speaker 1 (39:02):
After the Margarita is before you went to sleep.
Speaker 2 (39:04):
He was like, I gotta go to bed, got it.
Speaker 4 (39:06):
Right, Yeah, that's really what it was. And I was like,
I gotta go to bed right now. And so I
put my clothes back on and I took an uber
today and so I'm gonna go back, take a shower,
and then I'm gonna go to the tuck shop and
I'm gonna wear the tucks out of the store straight
to prices.
Speaker 3 (39:22):
Right, and do you know where you're going? Like you
have the address already mapped out?
Speaker 4 (39:27):
I have the address in my email, and I want
to tell you. They did email me. Price is right,
sent me an email saying you saying, hey, you have
tickets to our show. We can't wait to see you.
Just a reminder. We moved the taping up till twelve thirty,
so it is twelve thirty, no longer one o'clock. Just
making sure you.
Speaker 2 (39:48):
Know it's good and you knew.
Speaker 1 (39:49):
How'd you sleep last night knowing it today was a
big day.
Speaker 4 (39:52):
I didn't sleep very well. I kept worried, I overslept,
I kept waking up, check that clock. Okay, go back
to sleep. Said oh no, no, I didn't over se Okay,
so yeah, toss it and turn it. Not really good.
But hey, guess what. I'm on fire today.
Speaker 1 (40:06):
And you plan to get there? And is it outside
waiting or inside waiting?
Speaker 4 (40:11):
Do you know it's outside waiting?
Speaker 1 (40:12):
You line up on the street, okay, And you plan
to get there? What time I hope.
Speaker 4 (40:16):
To be there because my taping's at twelve thirty, so
I'm hoping to be there by eleven.
Speaker 3 (40:20):
And you're just gonna get there and hang out with people,
right and show them how like interested you are, how
curious you are, how much energy. How charismatic you are, Like,
that's the goal.
Speaker 4 (40:29):
Yes, I'm gonna start the wave right off the bat.
We're gonna go down the line, all right, everybody do
the way whoa like a a stadium and that really
gets the crowd going. And then we're gonna start chance.
Price is right, Price is right?
Speaker 2 (40:43):
Okay.
Speaker 5 (40:44):
I mean I would love that if I was in line.
Speaker 2 (40:46):
Yeah, I mean that would be fun. But like, are
producers out there too, like they're watching probably okay, so
they're gonna see him in action.
Speaker 5 (40:52):
Is he doing those games? He said he's gonna do
like Price the right games in your pocket?
Speaker 4 (40:57):
Well, I'm not gonna do those today. Those are the
secret weapon if I have to go by a second day,
Like I wasn't able to get my items last night.
I mean I got here late, had Margarita's, and I
haven't had time to go to the store.
Speaker 3 (41:07):
We heard I would encourage you not to play the
game what's in my pocket with people don't know?
Speaker 1 (41:11):
Just a little something that I don't know. Is that
gets a bad game with people you don't know, Yeah,
can get you in trouble.
Speaker 4 (41:18):
Well, I was gonna do what's in the bag.
Speaker 3 (41:20):
As long as the bag's not in your pocket. I
think you're good to go. Okay, Okay, so you guys
can call us if you want. Eight seven seven seventy seven. Bobby,
we got lunchbox in California going out today.
Speaker 1 (41:30):
And we do not know. We have no connection to
the prices.
Speaker 5 (41:32):
Right.
Speaker 1 (41:32):
If he does not get on today, he goes back.
Speaker 3 (41:36):
Tomorrow, right, correct? But tomorrow is also the Valentine's taping.
Speaker 4 (41:41):
Yeah, that's that's a tough one.
Speaker 1 (41:43):
Because you don't have a partner. Is your wife gonna
go with you?
Speaker 4 (41:46):
She's not gonna she's not gonna go. I didn't get
her a ticket. I mean, I just got one ticket,
So I'm really kind of I don't know what I'm
gonna do.
Speaker 2 (41:54):
What I thought, Well, we were working on you know,
him and getting a date.
Speaker 3 (41:58):
Well yeah, yeah, dude, like find if you can't get
his wife to get anybody even.
Speaker 2 (42:02):
But I don't think you ever mentioned that he needed.
Speaker 1 (42:04):
A ticket a ticket.
Speaker 5 (42:05):
We didn't think about that.
Speaker 1 (42:07):
It's not our job to think about that.
Speaker 4 (42:09):
But that's weird.
Speaker 2 (42:09):
They would sell single tickets for an episode that they're
doing a double date thing.
Speaker 1 (42:12):
They don't sell I mean a.
Speaker 2 (42:14):
Couple's thing or sorry, Uh, divvy out tickets.
Speaker 1 (42:19):
I think that if you're not a couple, you just
don't get on the show. Well what always, that's not
good lunchbox.
Speaker 2 (42:25):
You have to find other single ticket people and couple
of day today actually today, be like, does anybody have
a single ticket for tomorrow?
Speaker 4 (42:31):
Let's fall in love.
Speaker 3 (42:33):
It's a good idea, Amy, And if you have it
to fake, if it's you know, if it's a dude,
you gotta fake it.
Speaker 1 (42:39):
It's worth faking it for a day with that person.
Speaker 5 (42:40):
It's Hollywood. Do you got to play the part?
Speaker 1 (42:41):
Yeah?
Speaker 2 (42:42):
Be like, hey, you want to see what's in my pocket?
Speaker 3 (42:43):
Yeah?
Speaker 1 (42:43):
That's a good game. Yeah, I got I want to
do a game pocket Yeah, nailed it. So what are
you gonna do about that?
Speaker 4 (42:51):
I gotta go to the drawing board, like we're going
to see here's the thing, the drawing bard. Realistically, I'm
not gonna have to go back tomorrow. I mean, the
odds are that I'm going to be on that stage
to day.
Speaker 3 (43:04):
Okay, I would argue that the odds aren't that, but
I would think that there's a decent chance based on.
Speaker 1 (43:11):
How visible you're going to.
Speaker 2 (43:13):
He has that energy, you know, Okay.
Speaker 1 (43:16):
I don't think he's ever like stared at the clock
overnight worried about being late to work, though not one time.
Speaker 5 (43:20):
No, but now he is.
Speaker 3 (43:21):
He's got one night on prices already. He can't sleep
because he's so worried about me. Yeah, okay, we'll check
back with you in a second.
Speaker 2 (43:27):
Lunchwalks before you go, what you what'd you have to
drink last night?
Speaker 5 (43:30):
Some margarita's checking?
Speaker 1 (43:32):
Wait, are you still drunk?
Speaker 4 (43:34):
No? No, no, no, of course not.
Speaker 2 (43:38):
Don't be ridiculous.
Speaker 10 (43:39):
No.
Speaker 6 (43:39):
When someone says a couple of anything, they had more
than a couple, Is that right?
Speaker 5 (43:43):
That's right?
Speaker 1 (43:45):
How many margarita's you have last night?
Speaker 4 (43:46):
A couple of margarita's man like doubles?
Speaker 3 (43:50):
So margarita when you say a double because I've never
had a margarita? Is a margarita? Do you pour like
up a shot of something in?
Speaker 2 (43:58):
Yeah, like you can have more to he added.
Speaker 5 (44:01):
That would be the double shot.
Speaker 8 (44:02):
Yeah.
Speaker 1 (44:03):
So it's not made in like a mix like some are.
Speaker 2 (44:07):
But you could some Depending on the restaurant, the bartender
may make them fresh and they may have them pre mixed.
You can always request an added shot, though, absolutely, how
many added shots you request?
Speaker 4 (44:18):
No, no added shots, man, just a couple of margaritas.
It was Taco Tuesday, so if you buy one taco,
you got the second taco for.
Speaker 3 (44:24):
A dollar that has nothing with margarita's. That is a
great time, zero to do with margaritas. Yeah, let's go
talk to Deanie. We're talking about Lunchbox today in California.
He's there to try to get on prices, right, Denie,
what do you want to say?
Speaker 13 (44:41):
Hey, I just wanted to suggest that he might want
to get there sooner to get in line, because I've
heard and watched that it's very long sometimes that I
would hate to see him be out there and not
get on.
Speaker 3 (44:52):
You think he should get out there and wait in
line longer. I think, Lunchbox, don't you have a like
a guest pass or something.
Speaker 4 (44:57):
Yeah, I have a priority ticket, is what it says.
So I don't don't know what that means, but it
says that I have priorities. So all those people waiting
in line at five o'clock in the morning, I got priority.
I don't know if that means they have priority too,
and they give out thousands of these Well.
Speaker 1 (45:11):
That's not priority, that's back to even it's just like normal, right.
Speaker 4 (45:14):
I don't know how many they give out. I just
know I have priority tickets, so I feel like if
I get there an hour and a half early, that
should be plenty of time. But I could be completely wrong.
Speaker 3 (45:23):
You could be Yeah, you should think he doesn't really
know what anything. Yeah, all right, Gennise, thank you. I
appreciate the call.
Speaker 16 (45:29):
That's the book. Yeah, all right, thank you.
Speaker 3 (45:31):
We're all rooting for him for sure. I do want
to go to Sharon in Saint Louis. She's been on
the Prices right twice. Oh, now have you been or
have you been on?
Speaker 16 (45:41):
I have just visited. We did not get called up
on stage.
Speaker 3 (45:44):
He thinks odds are he's going to get called up
on stage?
Speaker 1 (45:48):
What do you think?
Speaker 10 (45:50):
You know?
Speaker 16 (45:50):
First of all, he has got to get there earlier.
Everybody stopped priority access. It just means that you're guaranteed
to get in the studio. So there's going to be
a long line and a lot of people waiting. It
takes a long time just to interview everybody for the producers. Also,
they typically do not pick the wild, crazy, over the
(46:11):
top person. There was a couple of people like that
in our group. Both times that I went, either one
of them were picked. It's always just nice, simple, down
to earth people that tend to get picked. So I'm
worried because they don't put lunchbox in the nice, simple category.
Speaker 3 (46:27):
Yeah, that wouldn't be a category I'd put them in either.
What do you think about that lunchbox?
Speaker 4 (46:31):
I think there was a rude comment and now people
are starting to freak me out that I'm not there
early enough. But I think these people maybe they didn't
have priority, like I mean, she.
Speaker 6 (46:40):
Said everybody has priority, but she also said that priority
means that you can you're guaranteed to get in the studio.
Speaker 3 (46:46):
Yeah, yeah, right, but if you're getting asked one in
the studio, So there may be people that are in
line as like stand by. I don't know, I'm making
this part up, but I'm saying there could be people
there that are lined up if some of the tickets
don't show up. So but I don't know. But Sharon,
I appreciate that. I appreciate you freaking them out.
Speaker 1 (47:05):
I agree.
Speaker 3 (47:06):
He's not a simple guy. No, and that's that's a compliment.
He's not a simple guy, and he's gonna go out today,
and he's gonna be like reaching my pocket and that's
going to be there. That's again, tell me what you
feel in there.
Speaker 4 (47:18):
I'm looking at my ticket and it says priority. It
doesn't just say normal person. It says priority like VIP.
Speaker 1 (47:25):
Does it say VIP.
Speaker 4 (47:27):
No, I'm saying like VIP because priority is different than
just normal.
Speaker 2 (47:32):
But we have to trust the caller that has actually
been there and done this, and her take on it
is that everybody had a priority ticket, So we need
to roll with that.
Speaker 3 (47:45):
Unless for prices right, there's a non priority ticket. See,
that's what it means, which is a line voucher.
Speaker 1 (47:52):
I'm not that priority. Yeah, I still would get there early.
Speaker 4 (47:59):
No, I'm going guys, I'm gonna get there early. You
understand that. Like when we get done with this show,
Like when I get done with my obligation to the world,
to the United States of America, I'm gonna go. I'm
gonna shower, I'm gonna get my tucks on, and I'm
going there. It's not like I'm gonna be sitting around
the hotel and like, oh, it's twelve fifteen, I should
probably go get in line. That's not how I'm doing it, guys,
(48:20):
this is business like, this is a dream. I didn't
come here to blow my opportunity.
Speaker 2 (48:27):
Okay, all right, so yeah, go get the tucks and
then just go get in line.
Speaker 10 (48:30):
Yeah.
Speaker 3 (48:30):
Well then we got your show, and then we do
a full podcast after this show is over, so you
can subscribe to Bobby Bunch Show podcast for you or
watch on YouTube because we'll be live probably in like
an hour.
Speaker 5 (48:41):
So are you freaked out, Lunchbox, You seem freaked out
a little bit.
Speaker 4 (48:44):
No. I think these people don't understand.
Speaker 1 (48:46):
She's been twice.
Speaker 4 (48:47):
She's been twice and she didn't get caught up once.
Speaker 1 (48:50):
Good point.
Speaker 4 (48:50):
So she's obviously doing something wrong, like she doesn't know
how to do it like I do it.
Speaker 3 (48:55):
Sharony, Lunchbox, I don't know if you can hear him,
but he said he thinks you did it wrong. You
don't know how to do it like he does it,
And so what is your response?
Speaker 16 (49:03):
My response is, he hasn't been. I've been twice a
team who they picked. I was in a group. They
do it in a group of like maybe six or
eight people, and there's two producers sitting there asking them questions.
One person in our group got picked. She was a firefighter.
She was a super nice, down to earth kind of person.
So not that I'm not I am a super nice,
(49:24):
down to earth person, but they're just looking for something
a little different. The guy that was insane and screaming
the whole.
Speaker 13 (49:31):
Time, he did not get picked.
Speaker 16 (49:34):
And there is no producer outside in that line. There's
no one out there. You're just staying it outside on
the street. No one's watching. So I say, if you
want to use energy to get in, save your energy
for the interview.
Speaker 4 (49:44):
Okay, See, she has no idea what she's talking about.
They have cameras, they have people watching, like there's no
doubt they're watching. They don't just put those people in
line and just on a whim pick them. They have
people like, okay, we're focused on this person. Let's like
when they come in, let's see they performed like they
did in that line, Like her saying, they're not watching,
that's just that's bananas.
Speaker 1 (50:05):
Can we do an exercise?
Speaker 4 (50:07):
Yeah, what would you like to do?
Speaker 1 (50:08):
I'd like to do an exercise?
Speaker 3 (50:09):
Will you do an impression of somebody that's just a simple,
calm guy, Like you're in the interview and you're just
a normal, simple person. Hello, mister box, what do you
do for a living?
Speaker 4 (50:18):
I do a morning radio show. We're heard by millions
of people across the Marthana.
Speaker 2 (50:22):
No, that's not simple, like should he be a teacher
or something I.
Speaker 1 (50:26):
Don't know or dad. We talked about a story like
history try to lie.
Speaker 3 (50:31):
Togain on Oprah once by, like, yeah, are you having cancer?
Speaker 9 (50:35):
No?
Speaker 4 (50:35):
I was dying because she was best friends with Tina Turner,
and so I was like, oh my gosh, this is
my chance to meet Tina Turner. And so I wrote
a letter talking about how I was dying yeah, and
that my last wish was to meet Oprah. And I
was ready to send it, and I was you know,
I was a child, like I was like fourteen years old.
Speaker 1 (50:54):
Okay, that's not a child, that's a teenager.
Speaker 4 (50:56):
That's not seven, I mean. And so I was like, mom,
we got to send this to Oprah And she goes,
do you not realize that they are going to do
some investigating and you are not gonna get paid, like
they're gonna know you're not dying. I'm like, oh, so
we never said it.
Speaker 6 (51:14):
I did not that any of this is wrong, and
just that you're gonna get busted.
Speaker 3 (51:18):
Yeah, okay, so uh he's not. Okay, I don't know
what he wants to do because we have.
Speaker 4 (51:27):
I got a question though, So then they like, what
should my story be?
Speaker 1 (51:29):
Should it not just be you?
Speaker 10 (51:31):
Be you?
Speaker 3 (51:32):
Radio show that you don't get Yeah, if you don't
get it, regardless, the worst thing that can happen is
you weren't yourself. You want to not get it, at
least being yourself. Yeah, just like in life if if
you're pretending you're not something, you're pretending you are something
you're not, and then some doesn't work out for you
regret it so much because you're like, I just should
have been myself. So if you're not gonna get it
(51:52):
for whatever reason, you'd rather not get it being yourself
than the other way because you'll always question it.
Speaker 4 (51:56):
Should my job be entrepreneur?
Speaker 5 (52:00):
I mean he is inst entrepreneurs.
Speaker 1 (52:04):
That's not an entrepreneur. Somebody doesn't app Amazon palletts that
for a little bit.
Speaker 4 (52:10):
We did do that for a little bit. It's still going.
Speaker 2 (52:12):
He said, should be a dad, Yes, dad is himself.
Speaker 1 (52:17):
Yeah, probably one hundred dads in there.
Speaker 5 (52:19):
Yeah, probably.
Speaker 2 (52:22):
Stayed home dad.
Speaker 1 (52:23):
I think he should just be himself.
Speaker 3 (52:25):
Do what you're going to do the whole time, because
if you don't do it and it doesn't work out,
you'll be like, why didn't I just do and be me?
So do everything you thought. You have three days at
this he has three attempts. Day one today Willie walk
a tuxido the whole thing. Day two tomorrow, he's got
to find a partner or some sort of lover because
Valentine show.
Speaker 1 (52:42):
Yeah, and you have to make love to them before
the show.
Speaker 3 (52:44):
I heard, remember it is the authentic Yeah, Okay, there
he is Lunchbocks in California. You guys want to call it,
you can out again after the show's over. We keep
going for another hour. But eight seven, seven seventy seven, Bobby,
Bobby Bone the show.
Speaker 1 (53:00):
Sorry up today.
Speaker 4 (53:02):
This story comes up from Saint Petersburg, Florida. A forty
three year old man went into a circle k with
a gun, robbed it, stole seven thousand dollars worth of
lottery tickets, and got out of there. Forty minutes later,
a man walks into the circle k. I'm here to
cash these scratch offs.
Speaker 3 (53:21):
No way, no way, forty minute, I mean at all,
it's crazy but within the hour.
Speaker 5 (53:28):
That's funny thing.
Speaker 4 (53:30):
And so they called police and arrested him. Was he well,
he had a mask on when he came in the
first time, like he had something over his face. This
time he didn't have a mask on.
Speaker 5 (53:38):
If they tracked those tickets, yeah, yeah, they mark him
was stolen.
Speaker 3 (53:41):
Did you see the guy on Fox News who they
would interview and he'd be like Antifa or he'd be
like another violent criminal and it was the same guy
they were using it.
Speaker 1 (53:50):
They just put a mask on him every time. No,
have you seen that?
Speaker 5 (53:53):
No?
Speaker 3 (53:53):
Oh no, it was like five different interviews where he
was always like he was like a member of a
terrorist organization. He was a member of h and all
you'd see were his eyes. They'd interview him, and it
turns out to the same It was the same exact
guy that was using as an actor.
Speaker 1 (54:07):
It reminds me of this guy Massive just changed the mask.
All right, there you go.
Speaker 4 (54:10):
I'm lunchbox. That's your Bonehead story of the day.
Speaker 1 (54:14):
Thank you, everybody, Goodbye. Bobby bone sh The Bobby.
Speaker 3 (54:18):
Bones Show theme song, written, produced and sang by read Yarberry.
You can find his Instagram at read Yarberry Scuba Steve
executive producer, Raymond No, head of Production. I'm Bobby Bones.
My Instagram is mister Bobby Bones. Thank you for listening
to the podcast.
Hosts And Creators
Bobby Bones
Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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