#521 - Young Drummer Boy

Interview with Young Drummer Boy on The Bootleg Kev Podcast.

Full video version of the episode is available on YouTube!

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
What up man, This is young drummer boys, chake me
all live on a Bootleg cap podcast. Stupid. Yeah, all right, y'all.
Before we get into the episode, we gotta do this.
We just dropped these T shirts to celebrate five hundred
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(00:21):
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(00:42):
T shirt sold. So bootleg cab dot Com, thank you
everybody for supporting five hundred episodes. Let's get into the
next one right now.

Speaker 2 (00:50):
Come on, Bootleg Camp Podcast Special guest drummer Boy in
the building.

Speaker 1 (00:58):
Yeah, welcome a long time.

Speaker 2 (01:00):
I know I haven't interviewed you in like a fucking
shit since like two thousand and eighteen.

Speaker 1 (01:06):
Maybe, yeah, me, it was me in Heady Real ninety
two three back in the day. Yeah that was good.
That was too, so running around through like a little
press friendships. I think that was.

Speaker 2 (01:15):
Like was that like right when you first kind of
like broke away from King lo G like officially in
terms of the label shit.

Speaker 1 (01:21):
Probably like a couple of years after, but yeah, definitely
like close to it. Right, how's everything been? Man? Good? Man? Chilling?
It's different? How do you feel like being?

Speaker 2 (01:32):
Because I feel like you're kind of one of like
the fucking the big homies of like the Latin hip
hop space at this point.

Speaker 1 (01:38):
Yeah, like you're especially on especially on the independent side.

Speaker 2 (01:42):
Yeah, how does it feel to kind of just see
like because I feel like before there, you know, you
look at like kind of the last decade, there's like
been these like efforts to like try to like, you know,
whether it was Suede or like cap G or the
major labels were trying to see what what do I
do with a Mexican rapper? Right, and they necessarily didn't

(02:05):
know what the fuck to do with it? And then
you guys are grinding independently, but to kind of see
it be like, you know, it's it's like a positive
I feel like now if you're a Mexican artist in
hip hop in terms of like, I feel like the way.

Speaker 1 (02:17):
They're definitely getting with it. Yeah, you know, I guess
a lot of people don't didn't really see it or
understand that. It was very hard being a Mexican artist
and trying to like, you know, even have it like
sit downs with people. You know, that was pretty tough
to do, you know, unless you have numbers. I mean,

(02:38):
you know, thank god we had we we we did
have numbers. We're putting the football numbers back back then,
you know what I'm saying, Like, but yeah, it was
very hard to break through, you know what I mean
and just have people like, you know, people that like,
you know, other than the fans, because we had shitload
of fans fans. Yeah, you know what I'm saying, Like
these record execs and all these people that you know

(03:00):
what I'm saying, could supposedly prepare your career to you know,
the next level. So it's definitely shift now, you know
what I'm saying, A big shift. I think, you know,
it's good.

Speaker 2 (03:11):
Yeah, I mean I feel like you got I feel
like King, little g yourself obviously if you go way
way back. I mean in terms of the new ship,
I feel like y'all are kind of like the motherfucking
the like the fathers of the wave.

Speaker 1 (03:25):
Kind of it's popping right now. Yeah, I mean, now
that's you know what I'm saying, Like, Yeah, I kind
of take, you know, pride in that. I think people
that that don't understand or people that you know that
that are just coming up now shore line to shout
to short line. Yeah, so short line too, you know
what I'm saying. But even before Shortline, you know what
I mean, it was it was us, you know what

(03:46):
I'm saying, And it was it was Devour. It was
you know, I remember what was a kid's name from
the eight one eight shout to Devour.

Speaker 2 (03:54):
But there was another kid from from fucking I think
he was from Pacoima. He started signing artists recently, but.

Speaker 1 (04:05):
He started signing artists.

Speaker 2 (04:06):
Yeah, but he used to be a rapper. He had
like a wave. We had him on the at reel.
I forget his fucking name.

Speaker 1 (04:12):
Self self provoked, yes, self provokes always been due, right,
But he was doing his thing like he was. He
was doing his thing like. Yes. See, so even that's
what I'm saying. Even back then I was on tour
with Self Provoked yea. Then then Self Provoked went on
tour with King lo G. So there's a difference between
you know what I'm saying. You can mention different people
that say that they started that wave, you know what

(04:33):
I'm saying. But and there's people that just got with
the wave now that it's cool to be with the wave.
Me and myself just not even talking about what me
and King li G did, you know what I'm saying.
But man, I remember I was pushing it so hard
where you know, uh, before Nipsey Hustle passed away, we

(04:53):
did it. You know this This was my set, like
what I used to do. So we did a show
at it was Toyota Arena back then today something else, right,
It was just still Toyo the Arena in Ontario. Yeah,
in Ontario, bro, this isn't what twenty eighteen. I was
on stage and Nipsey Ussa was a headliner and it
was this the arena. I had my own set in

(05:15):
the back. I had a big ass fucking on the
on the teleprompters. I had a big gass Mexican flag waving,
you know what I'm saying. And then I had homies
doing burpees. The Homie Turtle put a video together where
it was like homies doing burpies like screen, Yeah, all
on the screen with the big gass Mexican flag, you
know what I mean? Like, really, you know, letting people know,

(05:35):
like this is my culture. So let's you could say
you were doing shit like that in twenty eighteen, seventeen sixteen,
you can't really say you were pushing very hard for
the Mexicans, you know what I'm saying, because I was
letting it be known, you know what I'm saying, And
back then people were kind of shying away for it, right,
you know what I mean? From me? Yeah, it wasn't
good for business and that whole I'm not cheekingt on

(05:57):
rap shit, right, Think about how many people were saying that, right,
you know what I'm saying. I never really fell into that.

Speaker 2 (06:04):
I feel like though, sonically, I feel like you never
like when I would listen to you like you you
were to me. You always were a rapper who happened
to be Mexican in terms of like you know, when
I think it Chicono rap. I think it's some of
this ship from like the early two thousand.

Speaker 1 (06:19):
Phony you think over your fucking yeah, mister criminal. Yeah,
I mean, because there's different kinds of gang bangers, are
different kind of tolos.

Speaker 2 (06:26):
But I feel like you were just doing dope, Like
you were just making dope rap music and you're happen
to be Mexican, your and your ship, you know.

Speaker 1 (06:32):
Yeah. But what I'm saying is like you ever were
doing different music, but we still resonated, you know, we
were still We're obviously Chicago's were from here, right, No,
it was obviously. I mean, but people would not want
to like even any any time like that ship would
pop up or a Mexican rapper, Mexican artist rapper, they

(06:52):
would want to correct it. You know what I'm saying,
Like in podcasts, I'm not that I don't do that. Yeah,
you know what I'm saying. Yeah, you know what I mean.
And like my homies, you know what I'm saying, Like
I got homies that are supered out, which we that's
what you consider. You know what I'm saying. Somebody that's
you know, you know, has the real Chicano like you
know what I mean, but Chicano's actually a culture. It's

(07:13):
actually like you know what I mean. I mean, dude,
it's crazy.

Speaker 2 (07:16):
Like I was in Thailand and I saw I know,
it's big in Japan, but I was in Thailand and
I saw Tai fos Chicano out right like it was crazy.

Speaker 1 (07:27):
Yeah.

Speaker 2 (07:27):
But like in Japan, it's like a thing, like they
have car clubs and they you know, it's like like.

Speaker 1 (07:32):
You said, it's it's a culture. Yeah, it's like it's
a movement something that started, you know, years ago. But yeah,
I find it funny, you know what I'm saying that
I mean, I really I'm not really too much about
you know what i mean, coming out and like talking
my ship, talking to Gang of Ship. But I just
think it's a good thing now and if people want
to jump on that wave now that it's cool to

(07:53):
be be you know what I mean, what we are
and what we do and ship, then then I'm happy
for it, you know what I'm saying.

Speaker 2 (08:00):
Were you ever close to like I'm sure you know
what the type of numbers y'all you were doing, you know, independently.
Was there ever a situation where you consider maybe doing
a major label thing or interest.

Speaker 1 (08:10):
Yeah, we had sit down. So we had sit downs,
but like just the ship was too ugly, you know
what I'm saying, Like in terms of you know, because
once we obviously we signed once and shit was cool,
but I didn't know what the fuck I was signing
and I had to make mistakes. You know what I'm saying.
I made empire. So was it distro we sat on

(08:35):
the label side, Yeah, but luckily, I mean they looked out,
you know, saying they you know, I mean, I got
no nothing bad to say for them, you know, I
say they, you know, definitely held my career out. But
in terms of longevity and in terms of you know,
what we do, I really don't think that there's nothing
that a label could do for you that you really

(08:58):
can't do for your for yourself, because at the end
of the day, you have to build your own audience
and shit, you know what I'm saying. They can't create
that for you.

Speaker 2 (09:05):
People think if you sign it's like a cheat code
for fans, right, and it's like, like that's not it,
you know what I mean.

Speaker 1 (09:14):
It's not in a way. Yeah, you have to cultivate
your cult. It's like your flock. You have to have
a cult fallow us. And that's the thing.

Speaker 2 (09:21):
It's like no amount of I mean like, look, obviously
you get some bread, you could, you could run ads,
you could do things like help you know, increase your exposure.
But in terms of like you know, really really tap
it in with the how it could be one hundred people? Okay,
how do we turn this to two hundred? The label
ain't gonna do that for you, bro, Like it ain't
like you sign and some magic shit happens.

Speaker 1 (09:40):
Is they can't. Yeah, they can't do it. I feel
like they can't. I mean, you have to have genuine
fans to have longevity in this music in this music game. Now,
one thing they can do is what I feel like,
if you sign to a label and you have that
that now with you know, saying that viralness that they're
looking for, they can't sit. They can't dumb money into

(10:00):
you to get you these features that you probably weren't
able to obtain, you know what I'm saying. And you know,
they could put you in front of places in different places,
that's if they really believed in you, and you know
what I'm saying, they're gonna do that, right, you know,
but once that's over, right, then it's like on you.
Now it's back on you.

Speaker 2 (10:20):
But yeah, no, I feel like, you know, at the
end of the day, like you said, man like if
you got to if you're gonna get into that situation,
you have to learn how to use those tools into
your favor. But you also have to understand, like the
real works should be starting for real, you know what
I'm saying, Like.

Speaker 1 (10:31):
Nah, for for sure, I mean it started back with
us since I mean, thank god that I've been able
to stay relevant for this many years.

Speaker 2 (10:40):
Bro, when was your like when when would you say
was your first like real year in the game where
you like were really like like getting money off a rap?

Speaker 1 (10:48):
Oh really, Okay, that'll be probably like twenty sixteen, Okay,
so almost ten years. Yeah, twy fifteen is when I
drop high for everyone. That's what kind of creating my
own movement, right because I was with King Log and
we created AK forty seven Boys back in twenty thirteen, twelve,
twenty twelve around there, that's when we created the AK

(11:10):
forty seven Boys. This is crazy, you know what I'm saying.
And then with the AK forty seven Boys, I was
initially brought in there just as a producer. So what
I did was I started taking influence from like Asap Rocky,
from different people, and then I was like, I was
a real like beat head, right, So I was making
beats on the NPC and shit like that. So what

(11:33):
I was doing was getting like trap sounds and putting
you know, I maybe trap beats and putting like samples
over those. And then that's what kind of developed the
AK forty seven sound back then, you know what I mean.
Then we brought EMC and shit, you remember EMC, you know,
and then it just kind of kind of kept going
from there, you know what it was? It was amazing too.

(11:54):
I was gonna ask you, bro, like I see all
your plaques. What the fuck? But I was looking at
your plaques in there. I didn't even know you did
so much ship.

Speaker 2 (12:02):
That's just from breaking radio, breaking all these records on
the radio. Dog's so when you break, when you break records,
like you know what I'm saying, they give you a
plaque like if you're if you're first to play some ship.

Speaker 1 (12:10):
Or Yeah, I even asked I was. I was looking
at the ship. I was like, damn, what's this motherfucker? Dude,
you don't really knows. You gotta talk about that ship. Nah, yeah,
you know. I mean I'm on the radio in like
a fucking hundred cities every day. Dog, all right, so
you know, now you got plaques.

Speaker 2 (12:24):
Bro, We're still on at ninety two three every night,
seven O'CLOCKNY through Friday.

Speaker 1 (12:28):
Shit, that's dope. But they don't. You haven't took a
picture with all your plaques. No, come on, you gotta
do some rapper ship. Nah, you gotta do some rapper
shit that. I'm like, all right, but we get it.
How is it, corny, that's a major achievement.

Speaker 2 (12:39):
No, it's cool, but it's like it's just not I
don't know, dude, Like like you said, I mean maybe,
but yeah, I mean yeah, it's just you know, I
let people come in when they book the studio, they
take pictures with the plaques.

Speaker 1 (12:50):
Know I did. I was in here yesterday. I took it.
I took pictures of your plaques and ship. I was like, damn,
that's just hard. The reason why I asked too is
because I have you. Me and g fell out for
a while, remember, yeah, and you know, I mean just
just regular ship. But now that we got back together,
I go in his house and you know, we work

(13:12):
on H forty seven and all that shit, which was
a fucking huge album for us, and I see all
the plaques for everything I worked on with him, and
I'm like, but I need one. I was like, we're
all my plaks. But we're talking about, like, well you should,
bro you you could get all those plats. Well yeah,
he told me. So he was like you know what
I'm saying. I think yesterday or yesterday we drop a

(13:32):
new record from my album and he's like, drummer and
he's like, you have like eight plaques and you have
like eight gold plaques, and you have like fucking six
fucking Billboard plaques. Yeah. He's like, I'm gonna get you
all those. Yeah, yeah, yeah, It's it's interesting, and I'm
gonna take a picture with everything, you know what I mean?

Speaker 2 (13:51):
Like yeah, like yeah, because even with like Billboard or
especially on Billboard, like but any of your Spotify ship,
like the guys who make the plaques, because we're about
to order some Alexis Plaxa. He has a record it's
got like twenty million streams, so we're like, yeah, let's.

Speaker 1 (14:06):
Put something up in the studio for him, you know,
I mean, right, right, no, that's cool. So but yeah,
you as long as you have to just I think
it's like they make you prove that. It's like you're
a part of it. I don't know, I don't.

Speaker 2 (14:18):
Know that like the label any plaque you see me
having in my possession, the label sent me, right, you know?

Speaker 1 (14:23):
So like yeah, we got like Spotify pa, like I
had like my hands on or those two Ritz plaques
out there, I A and R both those records. So okay,
so yeah that's double as fun. But yeah, but it's
different though. We got Spotify plaques and all that ship
that's is cool, but not but the actual like the
gold Plax, that's what I'm waiting on right now. That's
just fire, you know what I mean. Yeah, no, thank you,

(14:46):
I mean you know what I'm saying. But when I
went into G's house, I was like, you motherfucker, Yeah,
every plaque because gee, I mean a lot of people
don't know like the new generation, you know what I'm
saying in this game, which is you know, obviously they
heard of us and ship, but they don't know how
much like we really put on bro.

Speaker 2 (15:03):
I look at like he's like the fucking Mexican nipsie
for real. I look, yeah, I mean I mean in
terms of like numbers shows the respect, you know what
I mean.

Speaker 1 (15:15):
Think about it. We were setting out the Novo in
these places and not really seeing him do no.

Speaker 2 (15:19):
I know he sometimes get wrapped up in some like
internet ship, but I've never seen him do no goofy
shit ever. Nah, you know what I mean, Like, yeah,
he's always been like super like I've dude, I've had
him up in the strip club and as a few
times like that. He's just a good dude, man, He
actually is funny. Him and Rich co headlined a tour
which was the most random fucking tour of all time
because Rich is like a white trash rapper, right, And

(15:42):
I remember telling Rich somebody, Hey, that's gonna be interesting.

Speaker 1 (15:46):
Yeah, how was it.

Speaker 2 (15:47):
I think it did well because each of they but
they each had their own fans. So imagine if you're
like a king little g fan and you come and
there's like this chubby white dude with big red hair
on stage rapping super fast like Jack nine before.

Speaker 1 (16:00):
Ritz. I haven't seen him, but yeah he wraps like
Tech nine. No, he I mean he wraps like rits
to be fair, but you know, but like he's just
super tech, like he chopped Okay, all right, all right,
I see. How was it? How much fun did y'all
have working on the album last year together? Oh? That
show was a blast. Remember we had just reunited. Yeah,
And as soon as we reunited, like the week actually

(16:23):
like the same week, he sends me, he saying, he
sends me Gangster Function. He's like, drum jump on this, right,
so we gangster So as soon as we reunited, were like,
we ain't got to talk about what happened. We ain't
got to talk about anything. All we talked about was,
you know, family ship and how everything was done. And

(16:46):
remember like, let's go get this money now, you know
what I'm saying. Now we're back together, you know. And
he sent me Gangster Function. And I remember the first
time I heard Gangster Function, I was just like, man,
we was wrapping over that too short beat, you know
what I mean. I was like, man, this is boo boo.
So then I was like, all right, it's so but

(17:07):
he sounded dope on it. But I didn't see myself
right because I wasn't rapping like on crazy funk beats.
Like that because I was a whole funk out bright.
Then I just dropped the verse. Then we dropped the
song and that ship with nuts, bro, like nuts, like
crazy nuts. You know what I'm saying.

Speaker 2 (17:23):
Yeah, I feel like that sound is like it's like nostalgic. Yeah, like, uh,
what's onie from an Ocean Side? We have had on
the show rapping this hard as fuck? I can't think
of his name.

Speaker 1 (17:34):
What's the fools name? From Ocean Side?

Speaker 2 (17:35):
He only he said, like he only wraps over. He's
worked with like sugar free and corrupt, and but the
ship is.

Speaker 1 (17:41):
Hard, like he's young. Wait, he's like he's kind of
like mixed. Yes, yes, I know he turned around. I
can't think of his name. He's been on the show.
He's dope though, and he has like a little fuck yeah,
he's hard at fuck. It's gonna bother me because I
fu with this. What DESI hollow? Does he hollow? Hollow?
He has a song? I too.

Speaker 2 (18:00):
No, he's tough, but I think it's dope, Like you know,
like at the end of the day, bro, it's almost
like why not get why not throw one of them out.

Speaker 1 (18:07):
In the world, you know what I mean? I don't
think does Hollow fucks with me. I sent him a
message back then. Really yeah, it was really read it.
It's never opened. Maybe he didn't see it. Maybe not. Yeah,
maybe Hollow tapping you play a lot of golf. Yeah,
I stopped. I stopped right now just because we're working
on the album and ship, you know what I mean.

Speaker 2 (18:27):
I saw like you and Left he were playing golf.
But then I noticed, like you actually played. I like
noticed from that video like this will really plays golf. Yeah, yeah, no, Left,
he was out there making an ass out of himself
on the course.

Speaker 1 (18:39):
That feels still always me a thousand dollars he swear
everywhere it. I was like, he was like, you know
whatever course that was when that fool walked up, they
were probably like fuck yeah he came in. He came
in like full, like dressed for the club. Yeah, like
he had an appearance to make. Yeah, it's like and

(19:00):
Dono came with a small ass shirt, belly hanging out.
That motherfucker went straight to ross, got a medium fucked
from the whole polar the closes size that he can
fit into. Yeah yeah he did that. No, but yeah,
golf was a kind of like an escape. Yeah, you
know what I'm saying, Like it's like therapeutic, right, Like

(19:20):
it is because like a person, like you know, a
person in our industry, we we tend to overthink about
a lot of ship, you know what I'm saying, Like,
you know, it's the thing that's hard about being uh,
being in this industry and being especially independent and owning
your own business and doing that. It's not even it's
not the physical work. It's it's more of the mental work,

(19:41):
you know what I'm saying. It's like we're constantly thinking, Okay,
we got to drop this, or we got to do this,
or you know, you got this interview to set up,
what's the next thing to keep you know, keep the
ship in motion. And then sometimes that shit could get
overwhelmed me. So when you do something like golf, whatever
it is, golf, you know, like right now we're going
call of duty and ship like something that could like
completely scared in your mind. Yeah, of that because it's

(20:05):
hard to unblug. I'll be doing this dude, for real.

Speaker 2 (20:08):
It's like I need to play more video games or something,
because no matter what I'm doing, my mind is still
is always ra thinking.

Speaker 1 (20:15):
Yeah, that's what that's and that she stressed me out.

Speaker 2 (20:17):
Family, because the phone's right there. I could be fucking
I could be putting some shit on Netflix, dog, and
I'm still like, right, if you're playing golf, you're playing
video you have to concer recently, hooping is that's another thing?

Speaker 1 (20:31):
Good cardio? You know? Yeah, that's another thing gave some
Armenians the business yesterday at twenty four Oh ship, Yeah,
you can really hoop.

Speaker 2 (20:39):
I mean, but I mean, I'm all right. Back in
the day, I'm only six foot, but I used to
be able to play.

Speaker 1 (20:44):
In six foot. Yeah that's pretty tall, though, I mean,
it's you know, it's fucking I guess. So somebody on
the internet said I was, uh, what the hell? They
said it was four six, yeah, five nine, five eight,
thank you. Yeah, I'm five nine, thank you. Anybody listening.

(21:10):
You know what I'm saying, I'm five to nine, all right, Nah,
But that escape is something you need, bro, because look,
that should have put you in a fucking depression. That
should have given you anxiety. You know what I'm saying, Like,
don't take this ship too serious. You know what I'm saying,
Live your life, you know what I mean. And a
grind for sure, grind, but live your life because I've
been doing this long enough to know that you can
miss a lot of shit, you know what I'm saying,

(21:31):
Like you miss life trying to chase life, if that
makes sense. Yeah, that's a fucking bar, you know what
I mean. It's really like, you know what I mean,
real shit, because yeah, bro, I missed a lot, you
know what I'm saying.

Speaker 2 (21:42):
It's like we get so wrapped up in the grind
and like trying to level up, and you know, you
can't really smell a flower. Sometimes you can't, which you know,
I don't know. I'm sure you got kids. Yeah, yeah,
so it's like sometimes you be like, damn, I gotta
chill out. Like as much as I'm going hard to
make sure these fools get anything that they want, like
I also got to make sure like I'm fucking there

(22:04):
when I'm there.

Speaker 1 (22:04):
You know exactly, and not just being physically there, as
being present. Yeah, like you said, you could be there,
but your mom will be everywhere else. Yeah, you know
what I'm saying. But yeah, that's important, man, you know
what I mean. But uh, yeah, golfing. Golfing was good
for that. It was really good. Right now, we're on
call of duty, so anybody wants to smoke, you know
what I'm saying. We're on war zone right now. I've
been on that ship for like three months. Yo. Hell

(22:25):
the people been playing at Marvel Rival ship. Yeah, my
son be on that ship. I heard that ship is gas.
My kid be playing it. He's fucking Doctor Strange all
the time. This is Doctor Strange is pretty dope. Though.
Doctor Strange is low key one of the slept on guys,
like he could do a lot. Yeah he got ship. Yeah,
he got some powers on him. For you, what is it?

(22:46):
Because you know you have a label. Is that something that?
Do you have other artists that you have signed right now? No?
So yeah, the label? So what I what I have
is you know, you know, I decided to make my
own label. My partner one hundred, So we haven't signed.
We've been thinking about it. But the thing is, when

(23:09):
you sign people, it's kind of hard bro being an
artist yourself, Like you know what I mean, You gotta
you gotta try to juggle, like you know what I'm saying,
being an artist and then helping this artist, you know, grow,
So I think that's kind of a hard thing to do,
you know what I'm saying, you know for.

Speaker 2 (23:24):
Sure, Because then at the same time, then you're you
have like their life in your hands kind of yeah,
and you know they're still trying to push your ship.

Speaker 1 (23:32):
You want to be fair to them. You want to
be fair. Also, there's certain moves that he should be
making that I wouldn't. I don't have to make anymore,
you know what I'm saying, or you know, you know,
so you kind of got to balance that out. But
I think we're getting to the to the time that
it's time to start signing artists, you know what I'm saying,
because I'll probably retire rapping in the next five years.

Speaker 2 (23:54):
I feel like Yogati did it right whe when he
started to like level up CMG. Right, he would drop
here and there, but like he was pretty like I
felt like he was pretty locked in on like yeah,
cracking the label off and now he's got glow really
and money back, yell and fucking you know, right.

Speaker 1 (24:09):
But I think it's different because he was he was
popping on a global on a global for sure, for sure,
for sure, you know what I'm saying, So on a
global scale, you know what I mean? I think it's
probably easier to to to bring artists out, you know
what I'm saying.

Speaker 2 (24:21):
Especially when you have a fucking a deal with Interscope,
a label deal with Interscope.

Speaker 1 (24:25):
Right, you have the machine, Yeah, you have a machine
behind you on a on a on an independent scale.
It's kind of it's kind of hard because, yeah, it's
kind of hard because you're trying to figure out what
you did to get you here as an independent artist,
so you're trying to implement that and the kind of change. Right.

Speaker 2 (24:44):
Look, from the time you were coming up, it's like
a fucking whole new world, you know, bro, it really is.
What are your thoughts on like, because now there's like
a real you know, how do you feel about the
the podcast space and a blog space in the Mexican
hip hop community, whether it's the full communities or like

(25:05):
in Arizona we have Arizona fools.

Speaker 1 (25:07):
Like, there's like this whole, like you know, world of
media now that you have to be in with, right,
you have to be in tune with it. Back then
we didn't, Right.

Speaker 2 (25:20):
And then there's there's podcasts, you know, there's there's just
a lot like it's like we said, it's a whole
new thing, but like, how do you like? And then
like it also gives artists the opportunity to get on
camera and say some stupid shiit, say some shit that
gets misinterpreted, beef start, whatever the fuck, and then the
blogs run with it, like what are your thoughts on
just all that.

Speaker 1 (25:38):
I think it's bullshit, Like I think you shouldn't have to.
My perspective on it is like the reason why I
say is bullshit is because people feel like they need
to do some dumb shit to get views, you know
what I'm saying, Or do some you know, let's do
some viral shit. Like when was that a thing? Like

(25:58):
let's go viral, right? You know what I mean? When
we were dropping, we're just dropping on YouTube. My first
fucking my first album dropped on that PIF. Crazy fucking
shout out to that PITH. You feel me. I'm so
sad when they took it down. That's crazy, y'all because
it has so much shit on. How many of these
new rappers know about that PIF though, I would hope.

(26:19):
I mean that PIF was a wave, that was the ship.

Speaker 2 (26:22):
Yeah, man, they had all all the dream chasers on there,
all the Wayne shit all all the ill shit.

Speaker 1 (26:27):
Now you gotta go on YouTube to find that ship, right, right?
So yeah, I just say I feel like if you
do something intentionally to like to bring attention to you,
you know what I mean, I feel like Dad's bullshit,
you know what I mean. Like I've always been wanting
to let the music speak for itself. That's why, you know,
you you know how long I've been in the game,

(26:49):
you kind of you've been You see me around, and shit,
I've never been the one to like jump on shit
and just pop off r or do something goofy, you
know what I'm saying. Like, it's just not in me.
You know what I'm saying. And if you're doing that,
you know, if you're doing that just to bring you attention,
you know, you know, it's just ship like that, then
I think that's kind of like a small form of

(27:09):
like selling what would be selling out to us back then,
you know, right, you know, So I don't know.

Speaker 2 (27:14):
Like I think it's like a good thing because now
there's like outlets that you know, cover Mexican hip hop exclusively, right,
and so it's like, Okay, that's good. And then then
then there's other ship where it's like, okay, well some
of these outlets also can throw some gasoline on the
fire of like certain.

Speaker 1 (27:33):
Issues with you. I feel like that happens more, it
happens a lot. I think it happened. I think they're
more than them breaking artists. They're breaking artists down.

Speaker 2 (27:43):
Like it just happened with the with the Dregs kid
and the kid from a Stink Team. I felt like
I was like, God, damn, these motherfuckers are turning this
beef up, like yeah, and it was like I think
some ship I.

Speaker 1 (27:54):
Don't know, but I was just like fun, I've seen that.
I've seen that.

Speaker 2 (27:56):
It was just like unfortunate because it's like, hey, man,
like this shit ain't worked the fucking and you know, right,
like you're getting on a blog post, you know what
I'm saying, people's real lives and these kids, neither of
these kids have Harvard, you know, you want to consider
making it now of them kids are millionaires, you know
what I'm saying. Right, Neither of them are in a
position where their lives have like where they could kick it,
you know what I mean. Yeah, they're still on, like
Dregs is hot, but like these fools are still on

(28:17):
to come up, so they.

Speaker 1 (28:18):
Want to come up. Yeah, so yeah, situations like that, like,
don't get me wrong, like I fuck with I fuck
with certain podcasts and I fuck with some people as
individuals and what they're doing as a moment. You can't
knock the hustle. That's another that's another hustle. Now, you know,
with Icon, I can't be staying out of that messy shit.
Fuck I No, that's one boy. But yeah, yeah, but

(28:41):
like no, no, Icon does try to stay out the
messy ship, you know what I'm saying. But I feel
like he plays his favorites though he does. He does,
but you know, I I you know, I think he
left full community for some like because some ugly respect. Yeah,
now I gotta respect that. You know. When I talked
to him, I was just like before I would I
would see him, and you know, because I've known Nicon

(29:02):
for ten years, he used to wrap yeah yeah videos
on that. I'd be like, man, you're falling into all
that dumb shit. He would always be like, no, that's
not me, it's not me. And I was like, man,
that's bullshit. But the day he left and the reason
why he left, I was like, all right, maybe he
was telling the truth. Yeah. I called him when he
did it. He was like, he was like, I just can't.
I can't be He's like, bro, I just can't. This
just doesn't sit well with me. Yeah. I mean I

(29:24):
feel like if you're putting that out there, right, So
I'm very careful about what I put out you know
what I'm saying, Like the like the Internet, and they
see what I want him to see, right, you know
what I mean. I have total control of that aspect.
So if you're doing some crazy shit, or you're letting

(29:44):
people do some crazy shit around you and you're filming
and shit, you're almost just doing it to yourself. You
can't get mad at a blog for both for sure.
If you're putting it out there, like you said, if
you're putting it out there, you have full controls on you. Bro.
You're like, people will get fucked up on this Internet.
It so easily.

Speaker 2 (30:01):
I'll be I'll be disappointed in people so much because
I'm like, like, what the fuck? Yeah, why, Like it's crazy?
Yeah exactly. You know, I've had so many people tell
me like, yo, you gotta you gotta do this, you.

Speaker 1 (30:18):
Gotta do this.

Speaker 2 (30:19):
The podcast would be bigger if you did this or
if you did the streaming and you win it, I'm like, bro,
I don't want people to be too invested in my
personal life. And like, I'm cool, just I'm cool, dog Like,
there's just certain ship that's just like you know, for.

Speaker 1 (30:38):
Me, it's just not worth it. You know, yes, it's not.
So so how can you turn around and blame the
podcast for if you posted it? If it's out there
on your ship, they're covering what you already posted. Yeah,
so people are quick to get mad at them, but
all they want is they want news, bro, And.

Speaker 2 (30:56):
Yeah, you should have kept it off the internet, Like
if you posted some ship on this your story, it's
kind of free. It's it's you know, it's up for
grabs at that point, right.

Speaker 1 (31:05):
Yeah, And that's what they do. People like you you
know what I'm saying, and like and like in Head
and Chuck and all them, people like you guys come
from music. You guys come from you know what I'm
saying from from radio and all that shit. So it
makes more sense for what you guys are do. You
guys are more involved with the music where you guys
could actually speak with I just love the music and

(31:27):
I just come from a background where like, uh, you know,
I just can't do certain ship dog, you know what
I mean exactly. On the other hand, the blogs, they
don't come from them, correct, So all their listle yeah,
is that is those viral clips for sure? For sure.
So don't give it to them, guys. Yeah, you know

(31:48):
what I'm saying, Just relax, go viral for your song
being dope, right, you know what I mean?

Speaker 2 (31:53):
Or you know, I'll see some people get creative with
their rollouts where they're like they know it's gonna go viral,
and they're like low key only but it's like on
purpose and it's like okay, like it's like harmless, you
know what I.

Speaker 1 (32:03):
Mean, Like right, you know, so how dumb does this sound?
This is like right now, if I want to go viral,
I could, right, I could go and get into some ship.

Speaker 2 (32:11):
I could go shoot up, we could get a rest,
we could set up this interview to where you get
mad and walk out.

Speaker 1 (32:18):
Yeah you know what I'm saying. Fucking racket line right here,
and then that's gonna go crazy, you know what I'm saying.
But to see how easy it is, the bad ship
they going to grab it, bro, sure, they're gonna grab it.
You know what I'm saying. You just dropped the new
song with Ralphie. Ralphie Up, shout out, Ralphie, Man, good guy. Uh.

Speaker 2 (32:37):
I feel like you've always kind of like had your
ear to the street in terms of like the LA shit,
Like do you feel like, uh, you know, in terms
of the new generation of LA artists. Obviously, Ralphie's kind
of a I won't call him an og, but he
been around his brother long enough. Are you a fan
of what's going on in LA right now with all
the new kids that are coming up.

Speaker 1 (33:00):
I'm a fan of the growth that's happening, you know
what I'm saying. There's a lot of Mexicans doing what
they're doing and they're getting they're getting praise for it,
you know what I'm saying. So I'm a fan of
that for sure. Definitely a fan of a few artists
that are out there and I'm fishing and I definitely
don't like a few of them as well, you know

(33:21):
what I'm saying. But you know, it's it's a good
It's I feel overall it's a good thing. Yeah, what's happening,
you know what I mean? How dope.

Speaker 2 (33:30):
Was like when you saw that Lefty ended up on
TV off on Kendrick's album, I was I was surprised,
even though he was running around kind of talent.

Speaker 1 (33:39):
Everybody he did. I didn't. I didn't really think. I
was like and then I was like, damn, like it's platinum. Yeah,
you know what I mean? Like that, that's that's a
big moment. Left the gun play, that's a big moment.
Look Lefty, Lefty's left I met Lefty before he blew up. Right.
So one of Lefty's first songs that he dropped was

(33:59):
Letter to Drummer. Right, so he actually wrapped he rapped
to you. Yeah, yeah, he wrapped it. Yeah, he wrapped
to me on that song. But I met him at
a club in oc And and he wrapped it to me,
like in person before he got on that on the
Corner Store, shout out to the corner Store. This Corner
Store really freestyle he had that was a superman freestyle.

(34:20):
That ship was hard. That was that was a ship
for Lefty. Right. He murdered that. Yeah. So when I
when I when I talked to Dez, I was like, man, Lefty,
owe you some money for for sure. But Anyways, you
know what I'm saying, Lefty as a person, Lefty is
is genuine. I don't think people know that.

Speaker 2 (34:35):
I always tell everybody who asked me. I'm like, man,
the dude's got his demons, but he's got a good
heart on. Yeah, he's a good dude.

Speaker 1 (34:42):
He's a genuine person for sure, you know what I'm saying.
And he just called me like the other day and ship.
He was like, drummer, I need to be on your album.
Your album ain't gonna be hard less I'm on your album.
I was like, shut you, but yeah, I left. He's cool, man,
and that's a big moment. And I like that, you
know what I'm saying, Like, you know, obviously people are
gonna say what they say. You're gonna have your haters

(35:04):
and ship like that. But man, let him have his time,
you know what I'm saying, Like, let him do his ship.
You know, left he got a bill from this. Now
you gotta for sure put some ship out. I think
he's trying to get It's funny because his his songs.
I can't get right with problem.

Speaker 2 (35:21):
But I think he's like making a real effort to
like over whatever with Mike and Keith get his ship
together in terms of like, you know, the ship that
you know people have concerns about. But left he's a
good dude and he's talented as fuck. Yeah he's talented.

Speaker 1 (35:32):
But people are going to find a way to hate, bro,
you know what I'm saying.

Speaker 2 (35:35):
Well, they're also going to find a way to hate
because they they wish they were in his position.

Speaker 1 (35:39):
Yeah, you know what I mean. And no, definitely, and
he seems to like I'm the guy who I mean,
Think about how many people that probably felt like, okay,
they should have been chosen for that for one of that,
you know what I'm saying.

Speaker 2 (35:52):
And to be honest as supposed to being like wow,
like this, they're like Paceel and Lefty are on a.

Speaker 1 (35:59):
Fucking right right exactly. You know what I'm saying. That's
a win for everybody. It's a win for everybody, you
know what I mean. And a lot of people look
at it that way, like, man, you know they've been
in the game for so long, in this long woo
and maybe you know they should have been on it. Okay,
I see that, you know what I mean. But I
also see that where the state of music is at
right now, you know what I'm saying. And I see

(36:20):
people are getting signed due to how much cloud and
how much viral ship they have out you know what
I'm saying, which is crazy, you know what I mean.
But it's cool. As long as you're at peace with yourself,
you can't be mad at that. You know what I'm saying. Like,
I'm good, bro, Like music has provided for me in
so many different ways. You know what I'm saying, And

(36:41):
you know it's funny when I did, uh, when I
did an interview with with Chuck Dizzel and fucking and Yeah,
I remember they had had had asked Mausey a question
about like when does he feel like he's going make
it right or he made it? And his reply was

(37:04):
like when he touched his first million. So when they
asked me that question, which was years back, they like,
when you're gonna feel like you made it? I was like, shit,
all I want is like a big house off of
music and like I feel like I made it. Well,
we already reached that, Like I already bought my house
off of that. I'm buying my second house off of
music and shit, So how how am I in a
position to be mad at anybody, and shit, you know

(37:25):
what I'm saying. When you made it, you won. Yeah,
I'm chilling, you know what I'm saying. And that was
kind of like a turning point. But believe me, I
got to remind myself that that was, you know something,
what I was knowing.

Speaker 2 (37:37):
It's like we were talking about earlier a little bit.
It's almost like if you you know, sometimes you got
to put your like force yourself to rewind your perspective
to like five ten years ago and be like, damn
if if you told your version of you back then
where you are now, yeah, you would be like tripping.
But you're living in it, so you don't really appreciate it.

Speaker 1 (37:58):
Yeah, you know what I mean. Like, you know, you
can't you can't like zone in on it because your
mind stinking about everything. You know, you gotta keep going. Yeah,
you know what I'm saying. But like you know, bro,
I'm still dropping albums. I've worked with pretty much everybody
in La, you know what I'm saying. I've always been
open minded to working with everybody. I'm from Pomona, so

(38:23):
my beef, my neighborhood beef, doesn't really stem out of Pomona, right, right,
so I could work with anybody as long as like
you know, like the people that I work with don't
you know, have beef with them and ship. But yeah,
we've done so much in the game where I feel
I feel content about that. But the fact that I
could still drop and and you know what I mean,

(38:43):
and still do what I'm doing right now, especially with
this album that we got coming, you know, I mean,
I think that right there is just like a reassurance that,
you know what I mean, like I did something right
because bro, like there's a lot of people that can't
last a year or two in this game, you know
what I'm saying. And it's even people that come out
with major labels and ship, you know what I'm saying,

(39:05):
that that overnight ship, you know what I mean, that
don't last as long as like a person like me
or King lo Z or like you know other people
that have lasted you know what I mean. That that's
that's like a that's like a big, big thing, Like
it's a great feat to accomplish, you know what I'm saying.

Speaker 2 (39:22):
What was it like working with Jimmy and the Rancho
guys crazy, because that's like like Jimmy's a fucking legend,
like he an LA legend. He's a fucking music industry legend.
Like that deal he got was fucking put it in
the rafters with like the no Limit deal, the cash
Money deal.

Speaker 1 (39:39):
Right, that shit was crazy, bro. And it all stands
from when me and G got back together and this bro,
it's not even a year old. And you know what
I'm saying, Like the internet is cool. Here's the thing.

Speaker 2 (39:51):
They're like a major because they got the major, you know,
But I just like wonder what because I feel like
a lot of people in hip hop don't necessarily kind
of understand what's going on with Rachel Coal Media.

Speaker 1 (40:00):
I feel like they're one of the biggest record labels
for sure. You know what I'm saying, Like, like where
is I like they came from? You know what I mean?
Like what are we talking about? Bro? You know what
I'm saying. It's like you know that ship right there
was was was nuts. Like me and G got back together.
The first song we dropped was was was Gangster Function.

(40:21):
They were playing this ship on bolts and have a
suit like everywhere. It took over the whole lowrider scene.
After that, Jimmy gave me a phone call because I've
been knowing Jimmy and Jimmy just loved that ship so much.
He was like, drum you got He said, you got
more songs like this? And I was like, yeah, I didn't.

(40:42):
You know what I'm saying. I was like, some more motherfucker,
but yeah, we got him. So fucking how that happened
was that, like, you know, he gave me a call.
I told G like, G, what was up? Man? You
want to sit down with Jimmy boom. All we need
to do is make a couple more songs. He was like,
let's go. We had a seat, talk to Jimmy. Jimmy
gave us a fat bag, bro like shout out Jimmy man.

(41:04):
And the terms were good too. You know what I'm saying,
Like I've been offered bags from different record labels, but
you know what I'm saying, Jimmy gave us a real
fat bag. And then me and hundred and then Zace
has some shit to do with it because I still
be producing too. I just kind of do it on
the cut. But we came up with like six more
songs and we just release it, and then we released

(41:26):
Banging and then Banging with viral, and I think people
don't remember that because the Internet moved so fast. Sure,
even though it was fucking last year. But bro, we
have like fucking forty to fifty million views combined and
streams combined in less than a year. You know what
I'm saying. Are you dropping this new album in March independently? Yeah? Okay,

(41:46):
we're doing this independently. Shout out to kill a cush Man.
We have a lot of help with friends, you know
what I'm saying, where we don't have to go out.
You know what I mean, Because one of the reasons
you want to go to a label is to get
some money, some sash flow. You know what I mean too,
if you're smart, you're going over there to get cash
flow to jump into the album, to make the album

(42:08):
what to do, what it needs to do. You know
what I'm saying. But this album we're doing independently, and
we got some dope features on there. Man, you know
what I'm saying. Like I'm really it took me a
minute to get what I was fucking racking. Hunt Man.
I made this food work overtime because Hunter's my engineer
and producer, so we kind of reinvented the album like

(42:32):
four times in the last two months. Like I was like,
scratch everything.

Speaker 2 (42:36):
Yo, Sometimes I just be fucking with y'all rappers, bro,
because y'all be scrapping good ship.

Speaker 1 (42:41):
But it's old, all right, here's the funny part, right.
So for that album, what I did was, and you
know what I mean, if anybody listening and struggling with
this shit, what I did was I made eight ten songs.
After that, I got influenced by the fucking, the fucking
scene and the other music that was out. I scratched
those eight songs. I went did another ten. We fucking

(43:04):
scratched those. I didn't know what the fuck I was doing.
I told Hondo, I told Adam. I was like, man,
let's go run an airbnb, let's go to other and
let's go find this sound. Right, So then I make
another fucking like ten songs, and shit, now we're sitting
on forty songs, right. You know what ended up being
the album pieces from each of those ten, the first
fucking the first ten. Well, that's good because you wouldn't

(43:28):
for right, You're right, you know what I'm saying. But
that's how easy to bring fucks with you man, like
that shit fuck funny. Now that happens all the time.

Speaker 2 (43:35):
Bro, Like you're like, you'll like, you know, I have
an artist. So it's like, well, I love a song
that's like two years old, right, like that shit's old.

Speaker 1 (43:42):
I'm like, but this shit is hard. Yeah, and yeah,
these songs over here are are cool. You know what
I'm saying. I'm pretty sure people will fuck with them.
But the feeling that once I heard these songs after
not listening to them for a whole month or two,
I was like, that's it. That's like, these songs over here,
those are the ones. What do you guys doing distro through?
Is it just straight distro? Kid? You know, I got,
I got, so what I what I ended up doing,

(44:03):
as you know what I mean as being independent is
I just left relationships open, so like with Orchard, with
the Empire, with different people select those like you know
what I'm saying, you know some of the online distribution
to like, I just left ship open, so now I
could kind of I could distribute distribute that through anyone album.
What about the new album, the new one. I still

(44:24):
haven't made the actual decision on who we're going with,
but I gotta make it like today. Yeah, yeah, you
want to get Yeah, because like I was in a drop.
I was supposed to drop like a month ago, you
know what I'm saying. But you know what I mean,
Good thing I didn't because we ended up getting bro this.
We got heavy hitters on the album. We got Bravo
shout out to Bravos on one of the songs. We

(44:46):
got Stuper Young, you know, Stupid Young and him go
Thailand with that guy going crazy. Yeah, Stup Young, he's
one of the really young.

Speaker 2 (44:54):
Is cracking and Thailand. Oh yeah, his big homie like
runs a weed shop out there. Oh yeah, from his
like big hummy from the Asian boys, like moved out
there and it's.

Speaker 1 (45:02):
Like, yeah yeah, he told me to go out there
with him and ship. It's fucking sick. Yeah. So we
got Stuper Young on the album. Then we got west
Side Buggie hit the J Three's on that motherfucker. You
know what I'm saying. Kinglo G is on like two
songs that album. It's a West Coast album for sure,
you know what I'm saying. What's the name of the album.

(45:23):
I don't know it yet, but we're gonna know it.
In the next tonight too. I got to get the
distrow together of the album. You got the artwork together,
of course not Yeah, now the artwork is coming along. Well,
you don't have the name yet. The look and everything.
We found the look that we want for the cover
and ship, you know what I mean. We did the
shoot and all that ship. But you know, tour coming, Oh,

(45:44):
big tour coming. We got a yeah, a big tour.
So that tour right there, Me and King Little Jar
we're gonna So Kinglo G dropped an album. So if
you ain't heard the Little G's album, go listen to
that Ship because it's dope. It's like a it feels
like like a mixture of like AK forty seven sound
with just like some new ship. Yeah, he did that
ship with DJ Flip. That shit is off the chain.

(46:06):
So he just dropped his album and then I'm about
to drop mine, and then we're going on this big
ass tour, bro, Like a huge tour we're gonna do.
I think right now it's at thirty thirty different states,
but it's already growing. That's big, and it's gonna be
me and him the only headliners, and we're gonna bring
people out from different different areas, different areas. We're definitely

(46:29):
tapping in with the homies from a Z, We're tapping
in from uh some people from Reno. So everywhere we
go we're gonna bring We're gonna bring somebody out from
that city. That's fine. So if you're from that, from
one of those cities, and we might be just sitting
every fucking city, every state tapping with us, because you
might just be on stage with us. States is a lot, brother. Yeah,

(46:50):
And we ain't doing no little rooms, bro, We're doing
these big rooms, you know what I'm saying. We just
fucking sold out the the House of Blues in fucking
in Las Vegas. Oh yeah, we did that, love that venue.
I used to live in Vegas Venues dope, right, We
sold that out twice or some legendary nights in that place. Yeah,
that's just crazy for sure. I remember we went. The
last time we did it. I was up till like

(47:11):
seven am, gambling with stupid youers love the gamble? What
do you? How do you get what? I played? Crabs?
Craps is the best I played Crab, But my main
game is Texas hold them.

Speaker 2 (47:25):
See, I don't know how to play poker, but I
do love craps. The thing is, I never knew how
to play craps. Head taught me to play craps like
three or four years ago. You gotta, okay, just wait
on a roller. I just it's because I wait on
the shoot. My main game is roulette or blackjack, but
craps is fun.

Speaker 1 (47:41):
Bro. You're losing on roulette and blackjack. No, no, no,
I got a roulette strategy. I'll tell you about it.
Its crazy, But craps, bro, if like you said, but
you could come up quick, but you could lose quick.
You can lose quick. Yeah, you can. Problem the type
of motherfucker that buys all the numbers. I'm like, okay, cool,
four hit. Let me hit that six in the eight
and then I'll double. You know, if if I eight

(48:03):
or six hits, I'll press it. I'll be like, right,
just keep it on there, you know what I mean.
But then that seven hits and you want to for
god damn, Okay, so you just want all right, I'm
on six and eight all day, six and eight of
the two. Then I'm passing the line every day, all
the whole time. You put your odds down, yeah, yeah,
And then when I see that shooter, you know what
I'm saying, You'll know who the shooter is. I mean maybe, no,

(48:27):
for sure you'll see that motherfucker shooter. He'll I mean
the last time I came up on that ship, he
had like twenty four rolls before he hit the seven.

Speaker 2 (48:36):
I had a fucking role I was a part of
in Vegas and it was like an hour and ten
minutes straight, No, bro, I made.

Speaker 1 (48:42):
That's fucking crazy. I made like ten bands. Dude, Yeah,
that's crazy. Sitting there and I was just like just
sitting there acting it, cheering. And the one thing I've
never hit though, Yeah, one thing I never hit.

Speaker 2 (48:56):
I've never hit because I've always like I always throw
down for the the highs and the lows and then
like all the numbers to where you you pretty much
you bet the top, you know, where every every number
has to hit for you to win. But like the
odds are insane, right, I've never hit that.

Speaker 1 (49:13):
Yeah, I've got close. I've been like one number off. Okay, Yeah,
you know it's funny. When we were gambling out there
with Stuper Young, there was this lady and then stupid
stup Young's homie. He was a shooter, so she kept
calling him China Man. So every time China Man, China Man. Hilariously,
Race I would have loved thatous. It was fun, bro

(49:37):
like and that was happened to be standing next to
her and I was just looking over there and seeing
if Stuper Young was laughing. That was laughing. That's fucking comedy.
It was amazing. So yeah, that tour, bro Like, I
want to emphasize on that tour Summer Summer Okay albums
in March. I was in March. We go on tour
a little bit after that. It's going to be it's

(49:57):
gonna be crazy, man. And I think this is going
to be big because we are going to bring out
some of the folks from out here as well, you
know what I mean. I don't want to I don't
want to give too many names out, but some of
the upcoming rappers out here, we're going to bring them out,
you know what I'm saying. Because me and Little Gee,
we we're not hating on anybody, you know what I'm saying.
We just quiet, bro. We just like to chill and

(50:18):
just be in the house and you know what I mean,
and we come out when it's time to come out.
But you know, I'm really proud of what's going on
right now. So you'll see some of the rappers that
are coming up right now in La on this tour
as well. Fire you know what I mean.

Speaker 2 (50:33):
Well, listen, man, I appreciate you pulling up. Oh yeah,
drummer boy. Now I'm coming out in March. We don't
know the name yet, you.

Speaker 1 (50:38):
Don't know Do we know the date in March? You don't? Seventeen?

Speaker 2 (50:41):
Yeah, I do seventeen. You got seventeen Saint Patrick's Day.
Maybe that's definitely Saint Patrick's Day. As a white I
should know that, right, I have a little bit of Irish. Yeah,
I feel like I feel.

Speaker 1 (50:53):
Like you seem unsure. Is it the seventeens or not? Yeah?
March seventeenth is St. St Patty's Day? All right? Wear green? Right? Yeah,
you're supposed to.

Speaker 2 (51:02):
All right, everybody, you're supposed to if you're a fucking
dueb and you want to drink some Dennis at a bar.

Speaker 1 (51:07):
With a bunch of strangers. But all right, man, nah, man,
it's supposed you mean being here and ship you know
what I'm saying. Of course, man, I appreciate you pulling
up alright, drummer boy, your shirt boom