#637 - Lil Yachty & Concrete Boys on Studio Sessions, the SoundCloud Era, Psychedelics & ‘It’s Us Vol. 2’

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Episode Transcript

Speaker 1 (00:00):
Yo, Before we get into the interview, man, I want
to give a shouts to all my radio stations all
across the country who have the Bootleg cav Show as
an official affiliate. Man, we're on the radio in about
one hundred cities nationwide every day. Want to give a
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eight three, and Tucson Power ninety eight three in Phoenix.

(00:23):
We are one O two nine. Importantly, we're all over
the country, so you could tap in with that radio show.
If you want to know for on in your city,
just go to Bootleg cab dot com. The fullest of
cities is there. You might hear us. Let's get into
the interview, Yo, Bootleg Cavs Show. We got a special
guest guests here, yachty Concrete Boys. Welcome, Welcome, Welcome. How

(00:48):
y'all doing good? Was going on? How was All Star
weekend for y'all? Busy? Man running around here every day.
I gotta ask you. I saw you had these It
looked like the All Star Game Air Forces. Are these
the official sequel to your your shoe. No, No, it's

(01:08):
like a pe if yours.

Speaker 2 (01:10):
Essentially, I should have said it's just a sample, a
sample test, you know, a little old Okay.

Speaker 1 (01:22):
I wonder like if you bust out samples because you
have that with Nike now, like if the fans and
their you know, feedback is strong enough, do you kind
of run it up the line and.

Speaker 2 (01:33):
Be like what I think That's how the Green, Yellow,
Red Show came about. Yeah, that shit wasn't supposed to
come out. That was my Coachella shoe from my outfit,
and then it was just the response was heavy. Yeah, Nike,
you wanted They were like, man, we would, let's think
we should drop this one.

Speaker 1 (01:50):
Talk about obviously volume two, you guys working on this
album together. What made it the right time to finally
get out the sequel to the first album?

Speaker 2 (01:58):
Man was supposed to drop her last year. I think
that timing sometimes with Tom and he just like Man,
I don't know. As I got older, right, like became
an adult, it's so crazy how just like how fast
time be going, Like you just blink in the year
were over with, Like we're down there in March already,

(02:18):
you know, so I think that when you just got
a lot going on. Again, it's five to six of us,
so just getting everybody together and putting it together not difficult,
just time consuming. So I think we had the skeleton
since last year and just really making it makes sense
without feeling rushed. What's the goal, what's the key?

Speaker 1 (02:41):
Out of everybody in the group, who's the most competitive?
In these studio.

Speaker 2 (02:44):
Sessions were pretty competitive. I was I was gonna say, I.

Speaker 3 (02:52):
I don't really see no copy like like Cam you
be saying that, bro, I don't really like I'm not
competitive with y'all.

Speaker 2 (02:57):
Boy, I really don't feel like I don't know, I
don't like but that's like, don't.

Speaker 1 (03:09):
Friendly competition, but it's friendly competition.

Speaker 2 (03:12):
Nobody ever has anyone ever changed their verse because like.

Speaker 3 (03:16):
I didn't, I didn't have to about like anonymous decision
that like we all knew that I sucked up changing versus.

Speaker 2 (03:25):
You know what I'm saying, I don't think. I don't
think nobody ever tried to out do nobody. I ain't
never trying to.

Speaker 4 (03:33):
But I think it's more like when you have something,
you be like, I know I'm about to go crazy
on this, not really like I know I got a
better versus you type thing right, still starting ship.

Speaker 2 (03:41):
Still, it ain't nothing wrong with ain't nothing wrong with that.
I don't think we've ever. I don't think we've ever.
Like I'm about that, about to kill y'all.

Speaker 5 (03:51):
Ain.

Speaker 2 (03:53):
DC.

Speaker 1 (03:53):
I hear that you have the most lit studio sessions. Yeah,
I hear that they're so lit that there's certain studios
that won't even allow you.

Speaker 6 (04:01):
He knows, he knows the real inside, he knows, he
knows what going up.

Speaker 1 (04:04):
Okay, can you kind of break down what is your
studio aesthetic and uh and you know, just kind of
what what comes with a DC studio session.

Speaker 3 (04:14):
Man, I'm not gonna lie like it depends. It depends
on how I'm feeling. But as far as just moving forward,
like you know, I've been talking a boat, I've been
talking to people like Wallow and coach Man. A lot
of a lot of ship I had in my sessions,
you really won't see just moving forward. But I'm always
gonna keep that fun like you know what I'm saying.
I'm always gonna have that vibe in my studio session

(04:35):
because that's what I need to have a good studio session,
especially if I got my brothers with me, my family
or you know what I'm saying.

Speaker 2 (04:41):
But just moving forward, it's gonna be a little bit mold.

Speaker 1 (04:45):
Would you see the guy with like the unnecessary homies.

Speaker 3 (04:47):
Around Yeah, Like like I'd be like else in DC
over there a.

Speaker 2 (04:54):
Bunch of women hella smoke, hella smoke, snacks and chips
everywhere back all over the place, leaves paper, Asian flavor ashes.

Speaker 1 (05:10):
You bring a boiled peanuts to the studio. So much
what he might bring. That's the worst ship about living
in l A. Like I used to live in Florida
and I used to be at the gas station in
l A.

Speaker 3 (05:21):
In l A, l A, y'all bring some boll peanuts here. Man,
I might invest into like a boy peanut company and work.

Speaker 2 (05:30):
It could work.

Speaker 3 (05:31):
Southern California studio sessions been like the club. Yeah that
nigga nigga told me said.

Speaker 2 (05:37):
Man, one time I went to a session and it
was people in the like waiting like in a lounge.
They were blasting music loud in the studio. Was I
don't know how that's possible.

Speaker 1 (05:47):
It was crazy. Runners must love to see you.

Speaker 2 (05:49):
Man, what what?

Speaker 3 (05:51):
But I got so much trouble Nigga said, you see
you turn the studio to magic City.

Speaker 2 (05:56):
I try not to laugh out a couple of my
face and look, damn, I.

Speaker 1 (06:00):
Mean that's that's not necessarily a bad thing. At all times.

Speaker 2 (06:03):
It was crazy. The last one was crazy.

Speaker 1 (06:05):
That's crazy, but a.

Speaker 3 (06:06):
Good song came out of it, to be fair, A
good song, A great song came out of it.

Speaker 1 (06:11):
A couple have you guys tweaked out on like any
of the new ship going on? Like these Epstein files
are kind of wild. I don't know if you'll like
paying attention to what's going on.

Speaker 2 (06:20):
Yeah, I've been paying no attention to it.

Speaker 1 (06:22):
It's crazy, bro, It's cy Yeah, it's like I have
I was boiled last night. It's crazy. Hey you I
want to ask you Yetty, because you had like my
favorite album yours is the Joint you dropped a couple
of years ago that was like the trippy Yeah yeah,
what like, uh inspired you? Because that was I'm a

(06:44):
big tam In Polo fan and I feel like that
was kind of a really great album. To Eat Mushrooms
Too and Trip Balls to was there? Was that like
the objective because it was very psychedelic.

Speaker 2 (06:55):
Yeah, I mean, I think the objective was an experienced
in the concept and it was it was like to
see I think it started off to see how what

(07:16):
would it my iteration of dark Side and Moon sound like, Yeah,
that's what it started, like right, like that was the gold,
like the goal. The idea came from me being ascid
one night or day or morning or night till morning
and listening.

Speaker 1 (07:36):
To dark Side Moon Oh Fire got to Pink Floyd.

Speaker 2 (07:40):
Yeah, and just uh, I think for a long time,
I mean even still now, it's so baffled. While like
just the production of the album is so Pink Floyd
was like so funky. I mean, they were so ahead
of them. So yeah, you know it's the seventies for sure,
you know, like and it's the album just sounded like

(08:01):
that we made today or tomorrow, you know. So I
think it just started as a goal to say, like, man,
what was my idea of this album? Because that's my
favorite album, one of my favorite albums. And then you know,
just how crazy could we get? You know? And I
learned a lot because that was my first time making
an album like such. So you know, nowadays when I'm

(08:21):
working on my next project, I've learned so much and
I got I'm like pushing it so much further and
doing you know, just just trying to tap into some
other stuff.

Speaker 1 (08:32):
Would you say that that album you're psychedelic and pretty
hard the whole time. Absolutely, such a good album and
good Joshua Tree album.

Speaker 2 (08:41):
Yeah. Yeah, when the goal again was to build us
a world right to kind of like start to finish.
We don't feel like you have to start stop or
or skip. I feel like that's how Dark saturn Own
is for sure, no skips. And I think the goal
was just to make this album that you know, if
you got a bunch of friends over or whatever ever's
going on, you could just put it on and then

(09:01):
it's an atmosphere. You know, it's atmospheric. You know. I
had a lot going on in my life at the time.
I had just had my child, and my career was
in a weird place, and I was just coming to
a to a part of my life of really trying
to understand what was next for me. And I mean

(09:23):
I think it shows in that I'm not so different
from anything that I've done for sure.

Speaker 1 (09:27):
Yeah, what's your are you? You prefer acid over shrooms?

Speaker 2 (09:31):
Absolutely?

Speaker 1 (09:31):
Really? Yeah? Acid strictly, like like I don't think people
understand like if you don't eat mushrooms, you gotta eat
a ship of shroomsn't really see it isn't there.

Speaker 2 (09:40):
It's kind of a body high, you know. Acid how
many once small.

Speaker 1 (09:44):
You do have an acid, you're gonna be on and
everything roller coaster, But how.

Speaker 2 (09:49):
Many shrooms of the person? I feel like.

Speaker 7 (09:52):
That's different for everybody. Like heroes dose is like five grands.
That's that's like boss final, you can do it. You're
going to cry.

Speaker 2 (10:04):
Lest Have you ever been a d M T A
thousand times?

Speaker 1 (10:10):
Really? But like did you do it?

Speaker 2 (10:12):
Like?

Speaker 1 (10:12):
Because there's there's there's the bullshit like little bape.

Speaker 2 (10:15):
So I've done both. I've done. I actually prefer the vape,
you know. I got a productive yeah, And I mean
I gotta make some in Brooklyn and I mean they're
and they're they're pretty strong. But you've done like the Toad.
I haven't smoked the toad, but I've done the powder.

Speaker 1 (10:31):
The free base, the crackheadish version, yeah yeah, I mean
did you go away for a little bit?

Speaker 2 (10:37):
Yeah? Yeah. I mean I hate to say if it's
definitely a crackhead version, you got a free base and
you feel like a cracked head too when you're doing it,
like like it's crazy. Yeah, they say that, and you
just like burning the crack pipe and you like in
a dark room.

Speaker 1 (10:52):
What it's like you you they say that when you're
under under d M T like so much, like there's
so much being put into your brain that you can't
even handle this. You can't even remember everything.

Speaker 2 (11:03):
Man, I always forget when I come out of a troup.

Speaker 1 (11:05):
My homie said he lived like a nine month period
of his life where he found a girl, got a
new job, got married, and it woke up and only
twenty minutes went by.

Speaker 2 (11:13):
That's tough.

Speaker 1 (11:14):
That's a whole life.

Speaker 2 (11:16):
I loved himt No, not like that. But I've heard
hellos stories like that.

Speaker 1 (11:22):
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(12:47):
Got to show love to the ETCeteras. We like all
the stripes on the flag. There are odd socks dot
com Man. Much love to my brothers over there with
this album. Obviously, since you guys were working on over
such a long span of time, how much of like
the older stuff made it or how much like, like
I guess, how much of this is new, like ten percent?

Speaker 2 (13:05):
I think I think I think more than ten percent.
I think it's a fair amount. I mean, I don't
think none of us made this year. Well, this year
is February, but yeah, I said, but a lot of
it was made before last year. I think, yeah, because
I was on tour.

Speaker 1 (13:18):
Tyler tour.

Speaker 2 (13:20):
In the New York. The word I wouldn't say was
that this year last.

Speaker 4 (13:27):
Year, summertime July. That's what we're really locked for me.
That's pretty recently l A. It was back to back
crazy in l A.

Speaker 2 (13:39):
But I said, we just made great, like we just
made just made great songs and we made.

Speaker 1 (13:42):
Great and then maybe like hey, let's let's let's get
on and started.

Speaker 2 (13:48):
It was just locked in.

Speaker 1 (13:49):
Is Vis like the unofficial member of the group because
he's on the album twice right there? Real yeah, and
Rio too, shots to real real Yodo.

Speaker 2 (13:59):
Boy Risky, Yeah, I would, says he you ask him,
he will.

Speaker 1 (14:09):
I felt with you are like so tapped in with
the obviously the Detroit Flint Ship you put out on
that's actually my favorite hip hop album of yours.

Speaker 2 (14:17):
I appreciate that. Yeah, that was a good time. I enjoyed,
you know, and I did the whole blog on that project.
It's I don't know, people, A lot of people don't
get the chance to really experience Detroit. But it's a
great city. It's so much fun.

Speaker 1 (14:31):
Yeah, and like obviously Atlanta, you guys get a lot
of credit for having like the most beautiful black women
in the world.

Speaker 2 (14:37):
I always say it's Detroit, Detroit, Detroit some some about
their truth. Yeah, great place truth and they got the
Coney Islands everywhere I was, I don't love but a
little overrated.

Speaker 1 (14:54):
Like when you talk to people, I always tell people
from Detroit, like, y'all's food is it's like.

Speaker 2 (15:00):
Con whatever, got some sweet waters, dumb and at one
spot man, I forgot restaurant car Man. I forgot when
was in the last time we was just doing them slushies.
Oh yeah, baby race Yeah, big shop.

Speaker 3 (15:16):
Like the hood spots got the best food. But I
look at Coney all the kind of like cookout.

Speaker 2 (15:21):
You know what I'm saying, you can get anything.

Speaker 1 (15:25):
Two A M you feel me?

Speaker 2 (15:26):
Three am cool wings as far look out here, it
was better cook they a't got Atlanta, what's cookout?

Speaker 1 (15:39):
In and out burgers like they cook They got like everything.

Speaker 2 (15:43):
Yeah, And I was like, cooking came from.

Speaker 1 (15:46):
We got in and out. That's what we got. And
you don't like.

Speaker 2 (15:51):
To overded we get it out. You don't know what
cook is.

Speaker 8 (15:55):
It's not because it's definitely we you know it's gonna
be better to get it like their own guys line,
it was not worth taste, Like I would have left.

Speaker 1 (16:05):
It's not a better burn came.

Speaker 2 (16:07):
I would have left one to make these. He said.

Speaker 1 (16:10):
It's not a better fast burger than the in and out.
And I'm gonna say, Burger, that's the best burger place
in the light.

Speaker 2 (16:19):
That's the best fast food.

Speaker 1 (16:20):
It's the best fast food occasions. They got to drive
through with them.

Speaker 2 (16:24):
That's out here.

Speaker 4 (16:25):
But also like are you last the one man burgers?

Speaker 1 (16:32):
Your oat changing foodselves like a nice sit down hipster
joy y'all.

Speaker 2 (16:39):
Y'all still eating? Rby was that like it was like
like a night they got a drawbary surprise driving actually
taking off yet to fa.

Speaker 1 (16:58):
Yo, So we are you like the It is like
official inductee in the crew.

Speaker 2 (17:02):
I mean I'm the DJ, You're the DJ.

Speaker 1 (17:05):
I guess I guess how long you've been DJing.

Speaker 5 (17:08):
I've been professionally DJing since I was fourteen, but I've
been with that about the year now, about a year.

Speaker 1 (17:14):
So you started off as a kid. Yeah you still
look like you're still a kid. You're still I saw
you have you got fun Ice in your bio, which yourself.

Speaker 2 (17:25):
Yeah asd Ice spie man, spies hate you guys. Ice cool, Okay, cool?

Speaker 1 (17:34):
I'm graation enforcement has that hit Atlanta pretty crazy? Because
it's obviously l A is different. Minneapolis is going crazy.

Speaker 2 (17:43):
Like Minneapolis for sure, but I think they're trying to
make a presence everywhere, you know.

Speaker 1 (17:50):
Yeah, it's pretty crazy.

Speaker 2 (17:51):
Yeah.

Speaker 1 (17:52):
I think it's important to speak out though, So shout
out to I saw your bios, like, see you. You
got to take a stand sometimes, you know. Yo, whatever
happened to your fucking podc cast? Bro, you ain't done
an episode in like a year.

Speaker 2 (18:02):
It was so good. What happened, man. I think that.
I think it's I think it's broadcasting is tricky when
you are a active, prominent figure in the business that
you talk about. I think it's sticky. It's a little

(18:23):
sticky to have a public opinion, right because you're still
in the game, right. And I think that it's you
don't want to start challenging your like like you're like
truth right, you know, you're like, damn, don't want to
be honest here, but or don't want to save the

(18:45):
you know, hurting someone's feelings or pissing someone off, or
you know, just start being like damn, man. I don't know.
It's not a lot. I feel like I started getting
a lot more in trouble for things I would say,
versus like it was fun and it was really.

Speaker 1 (18:59):
Successful, super I mean you got legendary interviews.

Speaker 2 (19:02):
Man. Yeah, I think we stopped it.

Speaker 1 (19:03):
I thought the format was cool, like when you were
just kind of I don't know what, like y'all had
a little like chill vibe. It was different.

Speaker 2 (19:10):
It was great. I thought it was great, man. I
appreciate that. I always I think it's cool on like
actual real journalists, you know, say that my podcast was good,
So I appreciate that.

Speaker 1 (19:19):
Would you resurrect it if you ever kind of kicked
back a little bit more?

Speaker 2 (19:23):
Yeah, I mean maybe, I don't see why not. It
was fun. I think the heart that the most annoying
part was trying to get the guests. Yeah, you know,
I think we did get great guests, but like I mean,
you had Drake, Yeah people Drake interviews. We never even
put the second one out.

Speaker 1 (19:35):
We had a second you didn't put out a second
drinking right before the.

Speaker 2 (19:39):
Cont thing, right before the Civil War. Yeah, so we
never put out it was good to it was really funny.

Speaker 1 (19:43):
Did you guys talk about the Civil War? And that
was right before so it was like that almost wouldn't
make sense to put it out.

Speaker 2 (19:48):
Yeah, yeah, because it was right. It was such a
funny interview. We never put it out. Oh yeah, sitting
in the middle of the arena.

Speaker 1 (19:56):
Was there any other interviews that just never made the upload?

Speaker 4 (19:59):
No?

Speaker 2 (20:00):
I think, well, I think we had one more, but
I think the Drake one was that was our next one.
And uh and we you know, that thing happened and
then things happened and then boom. Yeah.

Speaker 1 (20:15):
Do you feel like that whole situation kind of puts
you in a weird place because you're friends with everybody.
I feel like you're you're such a lovable guy and
like you obviously get mentioned in euphoria and like just
imagine being in that position.

Speaker 2 (20:28):
I don't think he'll put me in a weird place.
I was. I was with Drake for sure, so like
it wasn't like a limbo.

Speaker 1 (20:36):
Well just the totality of it. Just take out the
Kendrick Drake Park. It was so many people involved in.

Speaker 2 (20:41):
I think I think it was it's a it's a
sticky situation, you know that I realized just beyond me,
you know, trying to stay out of it for real.

Speaker 1 (20:55):
I think you did a good job though kind of mhmm, yeah,
I mean yeah. I always wonder if people I saw
you kind of replied to somebody saying something but this
song with you Drake and Uzzi, Yeah, and that you're
you're blamed.

Speaker 2 (21:10):
For having gaze. Yeah. But the truth for MA was
just I think it was it was a crazy example
who sample who Whitney Houston sample? I believe Jenna Jackson
or something something what as and and but people I
don't remember. I said something about the record because I
have a verse a version where I have a verse
on it. And I said that, and I think people

(21:31):
started saying I'm the reason son ever came out. But
like people gotta understand and the boys are grown.

Speaker 3 (21:36):
Man.

Speaker 2 (21:37):
Yeah, man, didn't he asked me for even coming to
me for the advice. I mean, like like stuff like
I don't know why people just think like I was
the person putting influence him to do all these things,
you know. Yeah, and necessarily place.

Speaker 1 (21:55):
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Speaker 2 (23:02):
Uh.

Speaker 1 (23:03):
You're a big wrestling fan. I've been I'd love to
see because I feel like you were you. You weren't
always a wrestling I've been.

Speaker 2 (23:09):
I've been in resting fan since I was a pre
k oh.

Speaker 3 (23:11):
I didn't know that.

Speaker 1 (23:12):
Yeah, I just feel like I've been seeing you every
I think, I just.

Speaker 2 (23:15):
You know what it is. I just I just reignited
that flame. But at my pre k birth I got
pre k birthday priority is it's a rest a SmackDown
birthord party.

Speaker 1 (23:23):
What was your like moment that got you back in
when w W came.

Speaker 2 (23:28):
To Atlanta for Bad Blood, which was two years ago,
Bad Blood was good. Yeah, it was. It was when
it came to them for Bad Blood and that was
my first real WWE promotion. I had been to independent promotions,
but that was my first WWE promotion, which is the
big you know, the bigs, And it was awesome. I
hadn't I hadn't washed it in years and it was

(23:50):
Uh Peter was there, Rosenberg and and that after that day,
I hadn't missed it a show. So since Black Bad
Blood Atlanta, I'm seeing if you go to all the
p e I try to if it makes sense, I
don't go to all of them, but I go to
a good Yeah, like that's a that's a that one

(24:10):
I didn't I didn't know. I didn't do that. But
I will be at the Elements Chamber in Chicago.

Speaker 1 (24:15):
That's gonna be fire.

Speaker 2 (24:16):
Yeah.

Speaker 1 (24:16):
A J is making a return. If you had to
compare the Concrete Boys to a w w E stable
could be old school, could be new school.

Speaker 2 (24:28):
Who would be Jesus Man? That's interesting. I think I
would say I would compare d C to to Got
the Godfather. You know you got a whole train. Yeah,
that's what got Big Pimp.

Speaker 1 (24:49):
He came out with.

Speaker 2 (24:54):
I compared camera to shutting Benjamin amazing, amazing vision too.

Speaker 1 (25:02):
Was also one of the most n shape human beings
on the planet to this moment, to this moment, never
gut her business man, her business.

Speaker 2 (25:13):
I would compare uh Rial to roxand Perez.

Speaker 1 (25:19):
I see it.

Speaker 2 (25:20):
Yeah, yeah, ros.

Speaker 1 (25:22):
I don't know if you know who that is, but
it checks out.

Speaker 2 (25:26):
This is so nerdy right now and I'm enjoying it.
Uh let's see. I will compare a draft too. If
I had to, like Pig, I think I would say, like,
are we only doing w W?

Speaker 1 (25:42):
You could do a w m j oh J.

Speaker 2 (25:46):
That's great, Yeah, that's that's fastious.

Speaker 1 (25:49):
Did you see m JF just kind of promo in
the Bloodline today, which is crazy.

Speaker 2 (25:53):
Because he's fighting zoos and and he was saying names.

Speaker 1 (25:55):
He said, jay Uso, Yeah, I know.

Speaker 2 (25:58):
I was like, he's talk about bring on the podcast.
I thought that was pretty slick. I was like, oh,
that's kind of yeah.

Speaker 1 (26:06):
Well you saw Seth Rowlins was hanging out with him
super Bowl.

Speaker 2 (26:09):
Is Seth Rans is my favorite wrestler. And Macon Lynch.
You like Becky, I love, I don't like, I love.
I think she's the best female wrestler to ever cut promos. Really,
I think so.

Speaker 1 (26:21):
I love Seth. I think Seth doesn't get enough flowers.
He's been the most consistent superstar in the last like
twelve years.

Speaker 2 (26:27):
So I recently figured out. I got a cousin. Ain't
Rich Caster.

Speaker 3 (26:32):
He was in the NFL and played for the Jets,
but he got a son named Max and I looked
up his Instagram and he actually wrestled, and he called
itself like the best wrestlerlive, and.

Speaker 2 (26:43):
I call myself the best rapperlive. I'm like, for the
fuck nigga, We cousins and didn't even know that's fire.
We related same last name. Crazy?

Speaker 1 (26:52):
Is he still wrestling?

Speaker 2 (26:53):
Yeah? Max casters out?

Speaker 1 (26:56):
Max, you're the indie wrestling shows. Have you been to
a fourth Rope show?

Speaker 2 (27:00):
I haven't, but I watch him.

Speaker 1 (27:02):
I went to the one in Vegas last year. It
was from like one am to four am. Everybody came out,
Joe Hendry, the Hardy Boys, the Godfather because you know,
shout out to Godfather. He actually manages Deja Blue Strip
Club in Vegas.

Speaker 2 (27:15):
Now, wow, that's crazy. So if you ever want to
go pull up on the Godfather, he'll be at the
day fire. Yeah, that's fine. I love wrestling. Man, I'm
too tapped in. I'm ten toes deep?

Speaker 1 (27:29):
Does everybody in the because I feel like nowadays everyone's
punching in? Then is there anybody is this y'all's process?
Is anybody writing? Or what's the writing process for everybody?

Speaker 2 (27:38):
We do both? Yeah?

Speaker 1 (27:39):
Both?

Speaker 2 (27:39):
Now d C, DC do all right?

Speaker 1 (27:41):
DC. You're a big puncher.

Speaker 3 (27:43):
Yeah, yeah, I get eighty HD. When I try to write,
I feel like I can't write it down click enough.
I'd just rather wrap it.

Speaker 2 (27:48):
You know what I'm saying. I don't listen to beats
if I'm not in the studio.

Speaker 1 (27:51):
Oh that makes sense, And like like even when I write,
I write to no beat. So you have like a
well you have like a melody voice said, you gotta
like you understand what you're talking about.

Speaker 8 (28:02):
That we all like like, hey, should I do this beat?
Player and say to us like right to this, I
know out here to BEVM and I just know it
and I just.

Speaker 2 (28:09):
Listen to the beating.

Speaker 8 (28:10):
I'm just right because it makes I feel like there's
no be is easier for me to come up with
a new flow, like I can just flow out want
to then I just try to put it on the
beat after I don't know, it's it's kind of weird.

Speaker 2 (28:19):
That's how I do it, though, and then like and
then that.

Speaker 1 (28:25):
Yeah, I feel like a lot of a lot of
a lot of hommies will be like driving around they
catch a melody in their head, they gotta like just
do all the time, because I feel like melody is
the most important ship for sure.

Speaker 2 (28:36):
Cadence. Once you got the Cadence down, you pretty much
can you know, structure the words.

Speaker 3 (28:40):
You know, but I have definitely don't put it Cadence
over a beat, you know, m then go back and
put words over that like that's a good time.

Speaker 1 (28:48):
I want each one of y'all to go through your all.
If you guys had to pick a single mc uh
that would be your biggest influencer, your goat, who would
it be? Will start with you DC.

Speaker 2 (28:58):
Big Mode for sure, I say the Big Mold.

Speaker 3 (29:01):
And if not big Mo, I say, I say fat Pat,
which is already.

Speaker 1 (29:07):
It's kind of crazy that the running with the whole
big thing, by.

Speaker 2 (29:10):
The way, it's crazy, but you know, you know it's crazy.

Speaker 3 (29:12):
I can't even I can't even blame Dave because Dave
actually didn't know who the hell.

Speaker 2 (29:17):
Big Mo was.

Speaker 1 (29:17):
He's also the sweetest dude ever.

Speaker 3 (29:18):
David Now, he actually called me one night he was like, DC,
tell me about Big Mo. I said, first of all, Nigga,
don't ever tell a person that you don't know who
Big Mo is because of your whole aesthetic.

Speaker 2 (29:30):
Have a song called Purple Stuff.

Speaker 3 (29:31):
His biggest song is called Purple Stuff, and your whole
aesthetic if the Lord track suits everything, redo that record,
by the way, Like, yeah, I'm on it, I'm on it,
but uh but yeah, I told him, like I was like, Dave,
just just just act like you knew who Big Mo was. Like,
I sent him a few songs played his album and
he he still said he didn't know who I was. Like,

(29:54):
why the hell you say that?

Speaker 2 (29:55):
Man?

Speaker 1 (29:55):
Like rest peace?

Speaker 2 (29:57):
I sad.

Speaker 1 (29:57):
Michael watched this passed away too?

Speaker 2 (29:58):
Yeah, r Michael five thousand watchs man. He just passed away. Man,
that's terrible. Rial.

Speaker 1 (30:04):
What about you on the DJ side, is there somebody
who influenced you or you kind of look up to you.

Speaker 5 (30:08):
I mean, honestly, I'm very lucky because as I was
like becoming in DJ when I was like fifteen, I
surrounded myself with a lot of friends that DJ. So
I want to give a shout out to Sophie Gray.
She taught me like everything I know and this other guy,
Isaac Rose. Both of them taught me everything I know
and I still look up to them to this day.

Speaker 1 (30:26):
Shout out, shot out Saim, What about you, bro? I
would say, like early Lil Wayne, and then like Future,
what's your favorite future mixtape on the spot Besmo two?
All right, what about you better?

Speaker 2 (30:41):
I would say Future too?

Speaker 1 (30:42):
And jay Z as well, because I like to say
a lot of punchlines that make you think it's your
favorite jay Z album. I'll say reasonable doubt.

Speaker 2 (30:49):
I respect it well deathly.

Speaker 1 (30:50):
Yeah, what about you man?

Speaker 8 (30:52):
A lot of early like early on my biggest offls
jay Z, Like I used to always like like I
wore like all black back in the day, black tails,
black everything like in the Pirates, Like I used to
always want to wear that.

Speaker 1 (31:04):
That was older jay Z, I know, all black hole.
He had the arres, he had the throwback jerseys. Yeah,
he had the button up. Yeah, he kept reinventing it quick.
He went ups, you know with the business and all
blacks and the aps. Yeah, it's kind of crazy. That's
like who.

Speaker 8 (31:21):
That's like who actually got me in the reading lyrics
like as a kid and like trying to understand bars
and double and stuff.

Speaker 1 (31:26):
He's like the first dude who really. I feel like
him and Biggie made like the whole not writing thing.
I thing definitely.

Speaker 2 (31:31):
Yeah, bigg used to freestyle, so that's crazy. Hm, that's fine. Yeah,
like no writing, which is it was so far for
you was cold.

Speaker 1 (31:42):
And one take it. Yeah, I always say that's crazy.
J was sitting in the studio for like fifteen twenty
minutes and then he'll do.

Speaker 2 (31:47):
The whole thing without they had to do one take,
you know what.

Speaker 1 (31:51):
Yeah, there wasn't the digital side nowadays, I feel like
punching is there's like a gift in the curse is right, absolutely,
because I feel like punching it like you'll catch a vibe.
But I feel like you're just more intentional when you
put pen to papers, and that makes the lyrics just
makes it.

Speaker 2 (32:09):
Yeah, it makes it make sense. Yeah, do you write
a lot? I think I tend to do a lot
of both. Yeah, I do a lot of both. I
do a lot of recordings. I think again, like you said,
when I'm trying to be intentional. I do, right, and
I say it just like that, like if it beat
strikes a certain emotion, then it's I'm trying to be
intentional on that, and I'll write it out. Yeah. Well,

(32:30):
if I want to check with someone else trying to
bring my a game, I try to write it out.
For certain beats, you could just feel it and you're
just like, nah, I can get on this.

Speaker 1 (32:37):
I not to say, hey, man, what's up? Booglet cap
here for my bookie. Don't forget wherever you're at, man,
get in on the action Listen, NBA seasons here, NBA
All Star Games coming up. You're gonna be able to
battle the three point contest, which is so much fun
to dunk contest. Uh, who's gonna win? Who cares?

Speaker 2 (32:54):
Right? Players don't care? But you make some money, so
you should care.

Speaker 1 (32:57):
Go to my bookie right now, use that promo code
Bootleg and get your first bet covered up to five
hundred dollars. That's right. If your bet does not hit,
use your bet back bonus token and you can run
it back. And don't forget. My bookie has the full
casino as well. Slots if you want to play blackjack
with a live dealer, roulette, all of it. It's happening.

(33:18):
Go to my bookie, use the promo code bootleg right now,
get in on some of that sports book action, get
in on some of that casino action, and let's have
some fun shots of my bookie.

Speaker 2 (33:27):
Yo.

Speaker 1 (33:28):
I was able to go to see the Cha Chromocopia
tour two stops, one of my favorite tours in recent history.
You're on that tour, Tyler just showed out on that
mother for what was that experience? Like, man, because that's
one of the ones I feel like when we look back,
I think that's one of the more special tours we've
had in recent memory.

Speaker 2 (33:47):
Man, it was a blessing to be chosen for that
Tyler's like you know mentor so to have that influence
in my life, Dailey, you know, it's it's very grateful
for because that's some money can't buy. You can't you
can't pay for that wisdom, for that knowledge, for that connection, right,

(34:12):
I mean to be put on that I hadn't dropped
the album two years, you know, so like realistically, I mean,
I have an amazing fan base and you got a
great catalog, a great catalog, but like I hadn't dropped,
so to pick me, you know, that was that was
real dope, you know, and take me all around the
world for nine months, and I learned so much. I
watched him make I'm not watching, but I watched him

(34:34):
make uh the newest One, Don't Stuff Gas because he
made it on the road. So I sat with him
and I watched him, and I learned. I just learned
a lot from him from me, from performing to producing
to just rapping and and and the history of hip
hop and and even fashion, you know, like in designing
and and and I just learned a lot from him.

(34:57):
You know, he had a group with a lot of
friends early on. Yeah, so it's like I can come
to him about everything because he's seen everything, damn everything,
and he's just he's a good source for inspiration because
he never stops.

Speaker 1 (35:15):
He's also like one of the more intentional, like everything has.

Speaker 2 (35:19):
He's the most, if not arguably the most intentional artist.

Speaker 1 (35:23):
Everything has an aesthetic, everything has a purpose.

Speaker 2 (35:26):
It's crazy or reasoning, and it's and it all had
like you see, all his purpose and it's been thought
out for him, all of every every angle of it
has already been thrown out.

Speaker 1 (35:36):
Yeah, and it's almost like even the most like sporadic album,
which was Don't Tap the Glass, had its own and
it's funny.

Speaker 2 (35:43):
Don't Tap the Glasses his version of not overdoing it. Yes,
that's his version of not thinking it too hard, and
it's still very much precise.

Speaker 6 (35:54):
You know.

Speaker 2 (35:55):
He's I mean, I think he is the greatest artists.
We had the opportunity to go both to that to
to he had like a private at least party.

Speaker 3 (36:10):
Yeah, crazy man, I think I actually I think I
stayed to listen again not no, I ended up leaving
with both, but he played it twice and I'm listening.
I'm like, I'm like, damn, this is a good ass album.
And it was just a lot of inspiration. You already know,
bro to see an artist at that magnitude still, you
know what I'm saying, do something, So you know what

(36:31):
I'm saying personal for sure. There's only like one hundred
people there and he he showed up.

Speaker 2 (36:37):
It was fun.

Speaker 1 (36:37):
I feel like the other thing too about Tyler that's
important is like he'll always cater to like that core. Yeah,
because he's got that like core, like nerdy Tyler fan
base that have been rocking with him and like, no
matter what, he always has callbacks to that audience while
still show, you know, making the whole entire thing a
lot bigger.

Speaker 2 (36:54):
But his thing is, like you know something that I
learned is his thing is he like while he sure
o catered to them, but he made music for himself,
and he make what he's feeling, what he's inspired by,
regardless of it was popular, regardless of what people say
they want for him, regardless of what he know he
can't do and cut the line. They look be's calling

(37:16):
right now? What's a gang?

Speaker 6 (37:19):
Yo?

Speaker 1 (37:19):
Speaking of creep member, I thought you were in the
Concrete Boys.

Speaker 2 (37:22):
It was just talking about you.

Speaker 1 (37:29):
Shout out to these.

Speaker 2 (37:34):
I told him you with us.

Speaker 1 (37:44):
No com camera crazy. I just saw him performing the
other day, Cunningham.

Speaker 2 (37:52):
I love, He's incredible, My brother.

Speaker 1 (37:56):
Yo, He's incredible man, the whole everything. I just think
it's been dope because I feel like you kind of
were the first dude to embrace a lot of these
Detroit guys outside of the crazy and that's I feel
like everyone's doing their own version of what Detroit's doing
and what they've been doing for so long. Yo, you
came out of the SoundCloud era. That is so it's

(38:17):
historically important because we got so many incredible artists, but
also there was so much crazy bullshit that kind of
came out of that era as well.

Speaker 2 (38:26):
But every era, you know, it's so funny. I remember,
I remember when I went to do my research on
just like the music that came before me, it was
a bullshit that came out of the nineties. It's fair
bullshit that came out in the fucking eighties and early
two thousand, but they are like only the twenty sixteen
and up.

Speaker 1 (38:43):
I just think it was a little boy. I think
it was a little more. It was a little more elevated.
Sure the amountable, but not all of it.

Speaker 2 (38:50):
No, you're right, there's some stuff out there, but it's
so crazy. I remember in twenty sixteen, before I did
my research, I didn't know this. If it was twenty sixteen,
I knew it was so much bullshit in the nineties.
I'd be like, yo, y'all tripping, you know what I'm saying.
It was a lot of weak ass ship going on
out there. And just to be a matter of fact,
I see, you know, so crazy to me, I think
about all the time. I always think about the first

(39:10):
song hip hop just don't fight me probably will uh
And I always think about hip hop hip rappers, you
know what I'm saying, And I'll be thinking like, damn, bro,
y'all be really acting like we just got damn like
we god, damn just couldn't like we were the only
niggas saying so didn't make no sense. Niggas was hipping

(39:33):
and hopping in like come on that ship, well, bro,
Like niggas be acting like come on, yeah, I doe
my brother took the store and I went in that
green grocery store. Yeah, I like that ship wasn't weak,
that she was dumb week bro. But the niggas be
acting like we were the only ones that made some

(39:53):
crazy shit. I think I agree with you. I do
think that there was more intention probably right, you had more.
You had a d MX and you had a bus drums,
and you had a tupe park. Yeah all of course,
you know, yes, all you had all these prodigy and
I see that my deep, So you did have there
was a lot more. You know what I will say,
I think that.

Speaker 1 (40:11):
Hip hop lost.

Speaker 2 (40:13):
It's like it's uh, what's the word for, Like just
like the way there was division like if you was
from the West, you sounded like it. If you was
from the northeast, sound.

Speaker 1 (40:22):
Like, yeah, I think the region I feel like the Internet,
I guess distinctiveness. Yeah, And there was also I feel
like a lot more sub genres back in the day
because it would be like because back in the day,
you would look at like Volume two from jay Z
and that would be commercial wrap. But then there'd be
like black Stars album, which would be like most stuff
until the quality that was like backpack ship. But it's

(40:43):
like nowadays, I feel like everything just kind of like nowadays,
like weirdly enough, like even though Playboard Card is one
of the biggest rivers in the world, like he's like
he's an underground rapper low key.

Speaker 2 (40:53):
You think so. I mean I think that.

Speaker 1 (40:55):
I think to a lot of people, like if you think,
like how big, just like a guy like Destroy Lonely
is right, he's still.

Speaker 2 (41:00):
Kind of underground, Yeah, I guess, well just because he
don't have any radio rather as a big record.

Speaker 1 (41:08):
But I just mean, like, I mean, like the underground
is big. There's like the word the Internet. The Internet
has removed kind of all the barriers.

Speaker 2 (41:18):
I just feel I just and I think it's only
hip hop though I feel like we're the only genre
that doesn't. We don't really sub we don't categorize and
sub genre our genre enough. I think that we just
kind of like put it on the playing field of
just like hip hop or rap instead of like really
cutting into the depth of the genre because I don't

(41:39):
think I think that there's a place for all of
it for sure. I feel that when you smack it
all under one lane is when it gets a little
tricky as to what is what. But I feel like
it all, there's all of it counts for sure. I
think that I think that was what we got lost
in the beginning in twenty sixteen. When when you know

(42:01):
twenty sixteen, that era, that draft class of artists came in.
I think that the conversation, the first off, the genre
is so brand new, is so young that I think
even younger ten years ago, that the conversation was so
fresh and it was evolving in front of everyone's eyes
to be able to have that conversation, Oh no, this
is rapped just like anything else is wrapped. This is

(42:23):
just a different This is a new era, This is
a new genre, This is a new demographic. I mean,
I don't know, like we were just we were on
the verge of not on the verge. We broke an
entire new wave wrap, right. And I think that since
our genre again is so new and our genre is

(42:45):
so egotistical and odd, genre is so macho and odd. Genre,
so this and this and straight like straight down the
narrow path in the narrow is this the street is
trapped all these codes and ethics that come with it.
That when you got this something that's okay, completely different
than what we are used to, it's like, whoa, we

(43:06):
don't understand? Is that ain't hip hop? They ain't? Right?
Then didn it becomes you know, that's when it becomes
a hit.

Speaker 1 (43:13):
But because well, I think that was what made you special.
Was like I remember the first record I heard of
yours was the Minnesota record, and it was just like
it just sounded like nothing else in music, Like whatever
people thought about your tone, it was so unique and
like distinct. It was like whatever, like there's nothing that
sounds like this. Shit.

Speaker 2 (43:30):
Yeah, I think Minnesota's what got me my deal. I QC.
I remember that's the first song that Coach told me
he played p He did not fucking get it.

Speaker 1 (43:38):
I was about to say, I can't imagine he got it,
didn't I mean.

Speaker 2 (43:41):
But PTE didn't get Let's start here. When I played
it from he was looking like where the fuck is this?

Speaker 5 (43:46):
You know?

Speaker 2 (43:47):
When I first first sat him down, like I want
to play something, it's different, I don't play it for you.
And I played him and I start here from start
to finish, and he was on his phones, owned out
like not there. And I remember the end of it
playing it and he was just like, I mean, I guess,
and which I didn't expect him to be crying to
here right right right right right.

Speaker 4 (44:05):
But but.

Speaker 2 (44:07):
Yeah, no, So I think something's you know, gott to
wrong on people.

Speaker 1 (44:11):
Who do you put on the you know, I guess
out of that era if you're if you're there, I'm
sure Uzzi's there. Who else do you think is on
the Mitt rushmore than SoundCloud wave?

Speaker 2 (44:22):
I was? In my opinion, I always said it was
I think me Uzzi X, like we're talking actual SoundCloud
in my opinion. You know, I say, I like the

(44:46):
saying a lot. I think there's a I probably would
get some flock for this, but I like to say
little Tracy I feel like little Tracy. You know, he
was a big He was such a huge figure when
I think solely to oh and Cardi and Cardi Cardi
was man me. I think me Uzzi, Cardi X and
Little Tracy in my opinion or like I don't know

(45:11):
if the suicide boys want suicide boys.

Speaker 1 (45:14):
There was like fat naked.

Speaker 2 (45:17):
He was from for every before. I used to listen
to Key on my mixtapes, a lot of mix tapes.
But you know, so Key is the old school severy
Wolf is underground, but he wasn't like on a mount
Rush one. You know, I think my rashman I will
say in my opinions, me, Uzzi, Cardi X, and I
say little Tracy recting piece to wait, uh you know Pete. Sorry,

(45:41):
I'm going to say pepe peep pee pee peep, not
Tracy rest in peace, a little peep yeah pepway Yeah yeah.

Speaker 1 (45:51):
Yeah. I feel like he was one of the first,
like real like that's where everybody was like, oh, ship,
we gotta watch what drugs were doing.

Speaker 2 (45:58):
Yeah yeah, I mean man man and Man was saying
Mac yeah you know, yeah, I know people won't hear him,
like damn you like Juice White but Juice really wasn't
a part of our era. He was later he came
after it. Yeah, you know, I remember that era X
was going crazy. I remember and fucking what's the name

(46:18):
who got locked up? Take Care? He was going crazy, man.
I think would have been huge had his situation.

Speaker 1 (46:25):
I always wonder that though, because I feel like there
was like that record was dope. But I also feel
like the lore of like the story behind the records
just kind of what made it the thing, you know,
Like I mean record Kids on the Run, you know,
had a couple of records, yes, Dallas.

Speaker 2 (46:41):
Yeah, the demo EP he dropped during that time, all
was fine. Yeah, I think almost every song he recorded
was fine because they don't have many. But I really
think that take Care was and it did. It did
something for the people. The people that were on the song.

Speaker 3 (46:56):
But Diego Money was on that song, band Man, fari Ut,
the man man, them niggas, the people who didn't get
locked up who was on that song, they all had
careers at least they they had a chance to do
something past that point and then just go on and
do whatever the hell they want to do in life.

Speaker 1 (47:11):
But is everybody individually obviously the album's coming out?

Speaker 2 (47:15):
Is it?

Speaker 1 (47:15):
February twenty seventh? Albums dropping? Album dropping February twenty seventh.
Is everybody individually working on solo ship?

Speaker 2 (47:21):
I know, I know you are.

Speaker 1 (47:22):
Has everybody got their solo shit in there? So what's
y'all got the rest of your planned out? Who's dropping?
Who's the first solo album dropping after this album?

Speaker 3 (47:30):
Me?

Speaker 2 (47:31):
May you? Yeah? It's done almost just a brown almost
yes too? Yeah?

Speaker 1 (47:38):
What like is it going to be a mixtape? EP? No,
it'll be a project full project?

Speaker 2 (47:45):
What is that like?

Speaker 1 (47:46):
I don't even know the defense, I guess the only
thing is is that the labels will the labels will
say if you're mixed, if you don't count of get
your contract.

Speaker 2 (47:53):
You know, on the contract though, but like it don't
count as like an album album. It's like Nigga on
your belt LP. You know.

Speaker 1 (47:59):
I feel like these many deals are going to start,
including people's streaming rights. I feel like that's the next wave.
Is like you're gonna sign a record deal and then
it's gonna be like, you know, in case you want
to get on Twitch, we're gonna need a piece of that.
It's crazy sound like it sound like for sure.

Speaker 2 (48:14):
We agree like that.

Speaker 1 (48:15):
Yeah, no, for sure. Yeah I saw you. Were you
guys pulled up on Max?

Speaker 2 (48:19):
Yeah?

Speaker 1 (48:19):
Yes, yes, three money yeah money yeah yeah. How do
you feel? I feel like the stream is just kind
of like an evolution of like I mean, it's doing
this thing.

Speaker 2 (48:29):
I mean it's crazy. I was all those guys, they
ain't nothing to play with. Those guys making real money.

Speaker 1 (48:34):
Yeah, you know they're making money.

Speaker 2 (48:37):
Is it money? Money?

Speaker 1 (48:38):
No, big money for sure?

Speaker 3 (48:39):
Yeah, money money, money, yeah, whatever, a little the thing
they had runned out for Max that she looked crazy.

Speaker 1 (48:46):
Yeah, it was like a basketball.

Speaker 2 (48:48):
That was a shoe surgeons. That was shoe surgeons. Well
that was the headquarters. That spot was fine. Yeah, that
was fine.

Speaker 1 (48:56):
Yeah, no, for sure. Albums dropping the twenty seventh and
everyone's favorite song on the album.

Speaker 2 (49:02):
What the fuck for Me?

Speaker 1 (49:04):
Called Millionaire?

Speaker 2 (49:06):
Okay, I think push it for me?

Speaker 1 (49:10):
I would say millionaire as well.

Speaker 2 (49:12):
Ten toes?

Speaker 1 (49:13):
Ten toes that's a good one too.

Speaker 2 (49:16):
What is it called? If I wasn't wrapping?

Speaker 1 (49:20):
Are you dropping? Like mixes on online? Anybody can like
listen to like sometimes here and there, here and there?
Where can people find your your vibes?

Speaker 5 (49:29):
I post some on SoundCloud, but also, you know, you
can always just look out.

Speaker 2 (49:33):
On my Instagram, and that's where you can get most
of the information of what I'm doing there.

Speaker 1 (49:37):
I feel like the DJs be lit on Twitch probably,
I don't know, maybe that was that was like a
COVID thing, though.

Speaker 5 (49:43):
I feel like general j DJs are kind of lit
on Twitch.

Speaker 1 (49:48):
During covid and on TikTok and.

Speaker 2 (49:56):
On TikTok. I told your post mixes on TikTok.

Speaker 1 (49:59):
But yeah, they said, with the whole set.

Speaker 2 (50:03):
Yeah, but that's how you can come to it show
you're getting to come to pause regardless. Are we still pausive, Yes,
for sure twenty twenty six, we're still hitting with infinity,
not even to infinity. He said, that's how you get
him to.

Speaker 1 (50:20):
Come attention, But I was speaking to it a young woman.

Speaker 2 (50:24):
Yeah, but she said, that's how you get them to come.

Speaker 1 (50:26):
That's how you get them to that's how you get
I didn't say that's how you get him to come.
What if it's to day then to come pause and.

Speaker 2 (50:35):
Pause a bases at the end of the day, super yeah,
super duper b.

Speaker 1 (50:42):
Ao uh no excuses. Hey, we got to wrap up
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(51:03):
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Speaker 2 (51:13):
Is that is that from? Where is that?

Speaker 1 (51:15):
Fun?

Speaker 2 (51:15):
Tails from the hood? What is that from?

Speaker 1 (51:17):
What are we talking about? Little kit Cutty's head? That's
said tails from the grab the head. I'm gonna get
with me. You're about to give d C some head pause.

Speaker 4 (51:31):
That was that's the biggest.

Speaker 2 (51:35):
That was absolute. I'm thinking abuse yo.

Speaker 5 (51:43):
Head.

Speaker 1 (51:44):
That's a double pause. Story on Popcorn Bucket. For Fox's sake,
Not everything is game.

Speaker 6 (51:50):
You looked up in his eyes and said that little
goodness you give him no you know you said, will
you hand me the poet? Were you has hand me
the popcorn.

Speaker 1 (52:03):
Bucket behind you. It's just a popcorn bucket. There you go, Yes,
the popcorn bucket.

Speaker 2 (52:09):
I keep telling you about to say a h.

Speaker 1 (52:11):
What do you hurry up and do it?

Speaker 4 (52:13):
Your fingers in his mouth?

Speaker 2 (52:15):
Wyo?

Speaker 1 (52:16):
What you just rather cut?

Speaker 5 (52:18):
Hey?

Speaker 2 (52:19):
You here?

Speaker 1 (52:20):
DC, I gave.

Speaker 5 (52:24):
Bro.

Speaker 1 (52:25):
Why are you guys so fucking weird? It's twenty twenty six,
for fuck's sake.

Speaker 2 (52:30):
What am I supposed to do with it? Though you're
supposed to just you know what to do with it?

Speaker 1 (52:34):
I know the hell I don't. I don't do that.

Speaker 2 (52:36):
Don't do that.

Speaker 1 (52:37):
It's a popcorn bucket from what movie? I don't listen.
I don't know the reason why kid cut he made
this thing. I just know it was fifty five bucks?

Speaker 2 (52:47):
Random? Why did he do a popcorn bucket? That's crazy?

Speaker 1 (52:50):
At the bottom it says like Wonderland.

Speaker 2 (52:52):
Or some shit. Oh that one?

Speaker 1 (52:55):
Yeah?

Speaker 2 (52:56):
Interesting?

Speaker 1 (52:58):
There you go, man? What's it like?

Speaker 2 (53:01):
Yeo? Wow?

Speaker 1 (53:03):
You guys know us white folks, we love the suss humor.
So I'll lean into that ship saying what the hell
you be doing with this? It sits on the shelf,
so guys like Little Yachty can come in and google it.

Speaker 2 (53:14):
I thought it was cool.

Speaker 1 (53:15):
I think it's awesome.

Speaker 2 (53:15):
Bought one.

Speaker 1 (53:16):
It's see he bought sitting here.

Speaker 2 (53:18):
I paid one sixty, but I got it while you
about while you right now? He was one of my
favorites about my favorite artists I grew up on.

Speaker 1 (53:26):
You gotta really put some ump into opening it.

Speaker 2 (53:28):
That's what I was going to say when you said,
when you was talking about who inspired to Cut? My
all time favorite, your favorite project I love, I think,
uh it's hard.

Speaker 1 (53:44):
Give it to to.

Speaker 2 (53:46):
But I love in Cut. I'm sorry in the Cut
and is my favorite album I loved, but I love
It's crazy. I love the rock album he did Doing
so Quick? But why is it see how you walk?
We did? We all wanted.

Speaker 1 (54:07):
Like see that was hell apart.

Speaker 2 (54:10):
You just said we loosened it up. Definitely, that's kind
of crazy.

Speaker 1 (54:16):
February twenty seventh.

Speaker 2 (54:17):
That it is tough album, yes, sir, And then the
rest of the year. I mean it's a stretcher.

Speaker 1 (54:25):
Got a lot of coming this year.

Speaker 2 (54:26):
I doubt it.

Speaker 1 (54:27):
You doubt it.

Speaker 2 (54:28):
Yeah, I'm working on it. But about it?

Speaker 1 (54:30):
You got any other I just feel like you have things.

Speaker 2 (54:33):
I'm working I want to choose I got a lot.
I guess that a lot of nice stuff coming out
this year. Working on the album, I just wanted to
be amazing. I want to do you know, top less
start here. Yeah, so I'm working.

Speaker 1 (54:44):
Everybody's working. Your your first step, when's your ship coming
sometime in May?

Speaker 2 (54:48):
May?

Speaker 1 (54:49):
Okay?

Speaker 2 (54:49):
And then but everyone is dropping this year, everybody here
besides you. Well, I'm working, right, but everyone's dropping. Yeah yeah, no, no, no,
I'm working though. Even Rio Rea is dropping the project
hopefully this year too.

Speaker 1 (55:02):
Are you gonna drop a compilation? Nice already?

Speaker 2 (55:07):
That's a great thing to talk about that I didn't know.
We wouldn't say that. That's been We'll block that out.
We'll block that out a cool never mind, she's not She's.

Speaker 1 (55:14):
Not dropping anything this year. I appreciate you guys pulling
up go support the album on the twenty seven.

Speaker 3 (55:19):
Yeah, everybody, I mean, I mean, I'm hoping for a
boat album this year, you know what I'm saying. But
like everybody else, I'm honest, Chemo, Uh, Draft Day DC.
We all got solo albums coming this year. So Concrete
twenty twenty six is real, and you know, re are
gonna be doing a thing the whole year regardless whatever
she got going on.

Speaker 2 (55:39):
You know what I'm saying, And yeah, that's it. It's
us showing a boat album.

Speaker 1 (55:43):
Come on, man, I'm working the fact that you you
made a good point. You really toured last year with
no album out?

Speaker 2 (55:48):
Yeah I did. I did and for nine months, so
I didn't get to make an album last year. So
I'm on it now.

Speaker 1 (55:55):
Last question, do you hate any song at this point?
That is just because you have a couple of songs
are annoyingly popular?

Speaker 2 (56:01):
Yeah, I mean is a strong Okay?

Speaker 1 (56:03):
Do you are you tired of a song?

Speaker 2 (56:05):
I dislike a lot of songs my older career, earlier career.

Speaker 1 (56:13):
Like are you over performing?

Speaker 2 (56:15):
I spy? I mean, I mean nose you got much
on tour? Yes, on tour, yes, but but I mean, hey,
they want to hear it.

Speaker 1 (56:32):
That's a joint.

Speaker 2 (56:32):
They gotta respect it.

Speaker 1 (56:33):
What about broccoli?

Speaker 2 (56:35):
Gotta respect it. They want to hear it. They give
me so much energy, so I have to respect that reception.
You know, I think it's it takes a lot of
I don't know, just like realizing how much, how part,
how part of so many kids' lives those songs? Are
you know understanding that brings you to a mond set. Okay,

(57:00):
I get it. I get it, you know, I get it.

Speaker 5 (57:03):
You know.

Speaker 1 (57:03):
So listen looking forward to your album in May and
everyone else's and the album's dropping on the twenty seventh
volume two and Rio's cuddling with Kikuti, and uh oh,
fake gay, fake gay gay?

Speaker 2 (57:20):
Fake gay? What is that?

Speaker 1 (57:21):
Are you not really gay? What's fake gay? Mean?

Speaker 2 (57:23):
Are you? Are you?

Speaker 1 (57:24):
Are you lesbian? Yeah?

Speaker 2 (57:26):
Sp are you were saying no.

Speaker 1 (57:29):
That's tight? Whisper you guys said fake gay? That's a
wild thing.

Speaker 2 (57:33):
A lot you gotta gay?

Speaker 1 (57:36):
Who's homophobica here?

Speaker 5 (57:37):
Not me?

Speaker 1 (57:39):
I'm not the one pausing. Every fucking thing. Must be
somebody here that you're trying to hide her from. You
gotta lean into the end of the pauses. The gay ice.
You're trying to hide her, the gay ice? What be
crazy if there was a gay ice.

Speaker 2 (57:54):
On the way?

Speaker 1 (57:55):
Man Vallium two is on the way February twenty seven.
That's how we leave you, ladies and gentlemen, Thank you
for coming.

Speaker 2 (58:01):
And uh what about Nice?

Speaker 1 (58:03):
I feel like she probably babysit, y'all, even though she's
nineteen Yadi Thank you album on the way see appreciate you,
appreciate you.

Speaker 2 (58:11):
Oh easy,